P O R T F O L I O 2015-2021 SELECTED WORKS FROM ACADEMICS AND WORK EXPERIENCE RAHUL SAWANT BACHELOR OF rahulsawantwork@gmail.comARCHITECTURE|+919870775335
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CONTENTSACADEMICPROJECTS
THE UKIYO HOME COMPETITIONMUMBAI ENTRY 2020
CATTLE BARN | AJABA FOUNDATION JAMSHEDPUR , UTTAR PRADESH PROGRAM - SPIRITUAL, EDUCATIONAL,HOSPITALITY 2020 | ONGOING
CULTURAL & SPORTS COMPLEX SECTOR 17 , CHANDIGARH 3RD YEAR DESIGN PROJECT SEMESTER 6 | 2018
COTTAGE AT SILVER OAKS RESORT URAN , THANE DISTRICT PROGRAM - HOSPITALITY 2019 | ONGOING 333230282624121804
COMPETITION
LIVING WITH THE RISING SEA WORLI KOLIWADA , MUMBAI 4TH YEAR DISSERTATION PROJECT SEMESTER 7 & 8 | 2018-2019
RAILWAY HOUSING SCHEME ELPHINSTON ROAD , MUMBAI 4TH YEAR DESIGN PROJECT SEMESTER 7 | 2018
SWASTIK REALTY CO -OP HOUSING SOCIETY SANTACRUZ - CHEMBUR , MUMBAI PROGRAM - RESIDENTIAL 2020 | ONGOING
GURU ASHRAM | AJABA FOUNDATION JAMSHEDPUR , UTTAR PRADESH PROGRAM - SPIRITUAL, EDUCATIONAL,HOSPITALITY 2018 | ONGOING
PROFFESIONAL PROJECTS
MR.ANIL CHAVAN RESIDENCE GOREGAON , MUMBAI PROGRAM - RESIDENTIAL INTERIOR DESIGN 2020 | ONGOING
WORLI SEA LINK
04 | ACADEMIC PROJECT LIVING WITH THE RISING SEA | 05 SITE
PROJECT DESCRIPTION
Areas without mangroves are likely to widen from erosion and more water will encroach inwards, whereas mangrove re gions prevent this effect which is likely due to soil building up around thier mesh like and acting to reduce energy from waves tidal currents. the reclamation happened the current pattern changed and the natural filtration channels were destroyed, which led toxic levels of pollutants in the Mithi Mahim sea water which used to enter Mahim creek is now Worli coastal belt is contributing to erosion along the beaches. MAPPING ANALYSIS
Mumbai, due to its geography, is particularly exposed to both flooding from heavy rainfall during the monsoon and sea-lev el rise
diverted towards
and
ROAD
and
Worli koliwada is located on the west ern coast of mumbai. It is one of the only 7 fishing villages remaining in mumbai. With an estimated population of 300,000 residents, where only approximately 20% families of koli descent remain, worli ko liwada today has a mixed, lower-middle income demographic carrying a tower ing cultural legacy and inheritence with a fading significance.
Worli fort
Fish market
THESIS STATEMENT
This project aims to provide a per manant and resilient accomoda tion solution to climate change driven sea level rise to the resi dents of this community. Fur thermore to ensure sustainability through providing the communi ty the capacity to function on its own in the face of this threat. The solution should not only be design driven but also equivalent to the present day to day functioning of the community and traditions.
WORLI KOLIWADA , MUMBAI
Cleveland Jetty
ISSUES AT WORLI KOLIWADA
How can an adaptable fishing community be designed in re ponse to the rising threat of cli mate change driven rising sea levels?
MUMBAI PROPER
the co lonial administration to link the erstwhile seven islands of worli , parel mahim , mazagaon , bom bay , little colaba and colaba. ▲ Mangrove
YEAR - 2018-19
the
4TH YEAR DISSERTATION PROJECT SEMESTER - 7 & 8
COASTAL
levels are projected to rise 0.8 To 1 meters by 2050 and 1.8 To 2 meters by 2100.
Decline in fishing activities Narrow street with no light and ventilation
AND
Illegal and constructioninformal
Reclamation at Bandra
LIVING WITH THE RISING SEA
SEA LEVEL RISE SCENARIOS
RECLAMATIONS MANGROVE COVER
creek. The
Global sea levels have fluctuat ed for thousands of years.Tec tonic conditions and climatic cycles have caused vacilating sea levels. But because of cur rent climate change , the rate of change has accelarated dra
The worli village consists of two major communities - son koli and mahadev koli. There are 457 official landlords in the village, the development other than that is mainly illegal construction which has been given on rent to the immigrants workers.
today call it is the home of aboriginal fishing community of kolis. Dating their origin back to the old history their roots primarily belong to koli tribe who were engaged in fishing, woodcutting etc. There are 7 koli wadas located at the west coast of Mumbai. These koliwadas are directly affected by the changes in the sea. while the kolis origi nally relied on fishing intake on ly,declines in annual catch have pushed the people to consider additional means of income.
GUIDE - PROF. AMEER CHAUHAN PROGRAM - URBAN DESIGN & HOUSING
river and
Paap moochan MandirSite
Opening of Mithi River
Seven islands of mumbai A - mahim B parel C worli D - mazgaon E - bombay F - colaba G little colaba ◄ When
SEA LEVEL RISE IN MUMBAI
BKC Proposed coastal road in ProposedmumbaiconstructionatCarterRoadProposed construction at Versova
◄ The city has a 300- year history of land reclamations - prior to indepen dence, over 35 sq km of land was re claimed by forests play a crucial role in protecting coastal areas from sea level rise caused by climate change.
to
BANDRA
Reclamation for
Koliwadasinundation.aswe
Globalmatically.sea
roots
Garbage dumping Inundation of water during rains and high tides
ACTIVITY MAPPING SITE ZONING
houses At the coast Fish
LAND USE MAPPING DESIGN PROGRAM Street andspacesinteractionTypologya Typology b Typology c Worli
spacegathering
PHASE 1 PHASE 2 PHASE 3 PHASE 4
Street market spaces Temple
ADAPTIVE STRATEIES AT MACRO LEVEL fort and market and and
Floodable water front park Mangrove plan tation Raisedwalkwayharbour
The program focuses upon 3 important aspects to be considered for the proposed development of the site. The 3 aspects being environmental , economic and social. The program proposes housing for kolis as well as the non koli community. The koli housing are resilient structures which react to the changing levels of the sea(amphibious and floating structure). Both the koli and non koli houses are designed ac cording to their traditional way of living.
Vertical sea wallConstructedground Break water
On the economic side of things, a new jetty and fish market is proposed to enhance the fishing activ ities of the community. Due to lack of fishes com ing to the coast new methods of fish farming and aqua farming of kale are proposed. Fish cleaning and sorting facilty is too proposed for the sale of fish
EXISTING HOUSE TYPOLOGIES
DESIGN DEVELOPMENT
VILLAGE PATTERNS
06 | ACADEMIC PROJECT c.TEMPLEb.LIVINGa.VERANDAHROOM f.KITCHENe.TOILETd.BEDROOM LIVING WITH THE RISING SEA | 07
Consideringcommercially.the great importance of the traditional and social value of the community gathering spac es near the temples and a community centre is pro posed as well.
08 | ACADEMIC PROJECT LIVING WITH THE RISING SEA | 09 ▲ Stilt structure with stilt area as a temporary space for shops or car/ bike park. The structure is hence unaffected by the inundation of water. ▲ Replicating the walkways between house but also allowing more space in be tween houses for lighting. POCKET SPACES Axonometric view of fish market and jetty Fish market and jettyFish cleaning and sorting facility 1 2 3 8 7 11 11 11 10 12 1314 9 6 4 5 16 15 1.LegendExisting Temple 2. Boat repair facility 3. Fish market 4. Jetty office 5. Fish sorting facility 6. Fish cleaning facility 7. Worli fort 8. Jetty 9. Recreational Space 10. Community hall 11. Aqua farming 12. Community Library 13. Community gym 14. Day care centre 15. Fish Farming 16. Break Water
Aquaculture is the controlled process of cul tivating aquatic organisms, especially for human consumption. It’s a similar concept to agriculture, but with fish instead of plants or livestock. Aquaculture is also referred to as fish farming. The seafood that you find at your local grocery store is likely labeled as farmed fish. Aquaculture can happen all over the world, and it does: in coastal ocean waters, freshwater ponds and rivers, and even on land in tanks.
Introducing aquaculture will help the small scale fishermen who do not have the larger boats to fish in the deeper sea by having fish farm circles closer to th coast which can be accessed by smaller boats. This will increase their ability to generate income.
AQUACULTURE
10 | ACADEMIC PROJECT LIVING WITH THE RISING SEA | 11
Amphibious
▲ The units are oriented in such a ways that the wind flows thorugh the structure , which helps in ventilation and reducing the smell of fish.
Non
Construction floating structure
Floating koli houseskoli houses koli houses
Sectionstructures Floating Amphibiousstructuresstructures
Amphibious structuresFloating
Amphibious structure frame
▲ amphibious house is designed with minimal moving parts. The base of the house it made up of di grid rcc box. The struc ture stands upon rcc piles which act as the foundation as well as the supports for the structures vertical movement. This mechanism will need regular maintenance for longer lifetime. The structure reacts to the rise and fall of sea levels without hampering the structure.
Steel
PVC ConcreteHousingBarrelsunitpileDigridhollowboxedbase
, MUMBAI 12 | ACADEMIC PROJECT RAILWAY HOUSING SCHEME | 13
Site context
View of residential type 3 building
ELPHINSTON
Central Road Spine
PROJECT DESCRIPTION -
The focus of this semester was on housing & urban neighbourhoods. Therefore as per the requirements of the brief, we were to redevelop housing for the railway employees of the Western Railways of India. The area and specifications of the units are prescribed by the Minis try of Railways. The typology are divided into RB-1(lower level of ficials), RB-2(mid- level officials ) and RB-3( high level officials).
GUIDE - AR. DILSHAD TAIYYABJI
RAILWAY HOUSING SCHEME ROAD
7
My approach to designing the structures was to create an unique identity of building typology and move away from the typical hous ing blocks in Mumbai. The facade consists of cantilevered solids and voids which work well together for shade and shadow.
Recreational Spaces
SEMESTER -
PROGRAM - RESIDENTIAL
Axonometric view Building placementtypologyheirarchy
At master plan level, the site was densely covered with trees. There fore the building have a linear footprint which was revived from the existing housing structures. The heirarchy of the building typolo gies is from north to south mean ing the typologies for higher level officials are placed at the north side of the site closer to the office building.The urban design and ar chitecture vocabulary is kept neat and modern.
YEAR - 2019
4TH YEAR DESIGN STUDIO
14 | ACADEMIC PROJECT RAILWAY HOUSING SCHEME | 15
Layout for odd numbered floors
Layout for even numbered floors
RESIDENTIAL BLOCK TYPE 3
▲ the main concept for this design is to move away from the common facade and create a new alternative typology of building with checkered style facade. ▲ Outdoor garden and Urban Playscapes ▲ The site has an existing cricket ground for the railways team and an indoor sports club is proposed as one of the amenities. 1.LEGENDENTRY TO SITE 2. MAIN ACCESS ROAD 3. CRICKET GROUND 4. CLUB HOUSE 5. RESIDENTIAL BUILDING TYPE 1 6. RESIDENTIAL BUILDING TYPE 2 7. RESIDENTIAL BUILDING TYPE 3 8. RECREATIONAL GROUND SITE LAYOUT 1 1 3 1 1 2 7 7 1 7 7 6 6 6 7 7 7 5 5 5 8 N 8 8 8
odd numbered floors
VIEW OF RESIDENTIAL TYPE 2 BUILDING
Layout for even numbered floors for
16 | ACADEMIC PROJECT RAILWAY HOUSING SCHEME | 17 Distance from compound wallMultifuctional stilts Site distribution Height of building Space between built form 40% 60%
Layout
CODAL NORMS
RESIDENTIAL BLOCK TYPE 2
▲ aligning the structure parallel the access road to have a long facade.
SECTOR 17 , CHANDIGARH
▲ the use of barrel vaults were made to made long columnless spaces which allowed the swimming pool and basketball facility to be indoors. the barrel vaults also give an unique identity to the facade.
DESIGN APPROACH
18 | ACADEMIC PROJECT CULTURAL AND SPORTS COMPLEX | 19
YEAR - 2018
▲ further sub dividing the blocks for access to the football field. Dividing the sports block for a separate structure for badminton court. Assigning front space for library and co work ing space in the cultural block.
▲ subtraction of unnessary negative spac es. Connecting the sports and cultural block on level 1 creating a canopy below. Adding the main change area betwen the twosports blocks which is centrally accessible by all users.
The focus for this semester was on designing of large complex on a large parcel of land. As per the brief, we were required to design a sports and cultural complex in the city of Chandi garh. The complex was target ted towards the youth of the country as the city is one of the sports hub of India. The site area was approxiately 37,000 square metres.
▲ dividing the block into sports block and cultural block.
CULTURAL AND SPORTS COMPLEX
3RD YEAR DESIGN STUDIO SEMESTER - 6
My design approach initiated basically by placing the larg er spaces like the swimming pool and the experimental the atre first on the site , around which the other spaces would be planned. The structure is aligned to the access road lin early . The structure is then di vided into the sports and the cultural block. The division cre ates the common entrance to the both blocksand access to the football field. The architec ture style and materials used is inspired from the general archi tectural style seen in this icon ic city planned by le corbusi er. The structure respects the context and blends seamlessly. The use of barrel vaults helps to have large columnless spaces perfect for swimming pool and basketball court. The badmin ton court is a separate struc ture to break the span of the main sports blocks. This makes way to another access way to the football field and a central ly positioned changing area for the users. There is a heirarchi cal progession of spaces from public to semi public to private.
EXTERIOR VIEW
▲ exposed concrete and brick were chosen as the primary facade option as majority of the city is designed with these materials. these material work brillantly together aethetically as well as with the climate of India.
PROJECT DESCRIPTION
GUIDE - PROF.AR. SHABBIR SHAKIR PROGRAM - SPORTS AND RECRE ATION.
Site context
SPORTS BLOCK CULTURAL BLOCK
▲ to avoid the structure to be extremely tall the double heighted swimming pool is sunken half way into the ground.This creates transper ancy on the ground level while allowing ample of sunlight into the structure.
20 | ACADEMIC PROJECT CULTURAL AND SPORTS COMPLEX | 21
AXONOMETRIC VIEW
FRONT ELEVATION LAYOUT
▲ the experimental theatre is centrally placed between the co working space library and the workshop spaces. The green rooms are located at the back side of the theatre giving easy access to carry props and other items in and out of the structure through the service entrance.
ROOF
ELEVATION AXONOMETRIC VIEW OF SPORTS BLOCK GROUND LEVEL Ground level Level 1 Level 2 3.2.1.LegendReceptionWaitingareaSwimmingpool below 4. Cafe 5. Kitchen 6. Table tennis room 7. Changing rooms 8. Badminton court 9. Library 10. Experimental theatre 11. Dance studio 12. Workshop space 13. Service entrance 1.LegendAdmin office 2. Basketball court 3. Gym 4. Changing room 5. Yoga room 6. Zumba studio 7. Badminton court be low 8. Co working space 9. Experimental theatre 10. Music room 11. Workshop space - 2 12. Exhibition space 1.LegendMulti purpose room 2. Billiards room 3. Accomodation room 4. Experimental theatre below LEVEL 2LEVEL 1 22 | ACADEMIC PROJECT CULTURAL AND SPORTS COMPLEX | 23
Located in a lush green terrain sur rounded by hills at a distance with tropical climatic conditions, average significant rains with hot and cold weather seasons.
24 | COMPETITION THE UKIYO HOME | 25
COMPETITION ENTRY
Ergonomics aims to create safe, comfortable and productive spaces by including the individ ual’s body size, strength, skill, speed, sensory abilities, and even Withattitudes.the above given concepts ,this 3x3x3 space is designed for an 18 year old teenager, where in all the furniture and spaces are ergonomically designed.
3. ERGONOMICS AND TRANSFORMING FURNITURE
In this ravaging time, ukiyo acts as an entirely sustainable abode with ergo nomically designed space & foldable compact design techniques. A stress free environment with optimized view of the context along with spaces for meditation keeps one positive in quarantine.
Rammed Earth Terrazzo tiles ConcreteWoodcompositeplastic
AXONOMETRIC VIEW
POSITION - FIRST RUNNER UP YEAR - 2020
LOWER LEVEL LAYOUT
SITE LAYOUT
WELCOME TO UKIYO. THIS SPACE IS ENTIRELY FOR UTIL ITY PURPOSE AND IT HAS A PARTITION THRESHOLD SPACE TO BIFORCATE THIS AREA. THE PASTEL SHADES AND MATERIALS MAKES ONE FEEL EXTREMELY CALM AND GAIETY. THIS PUSH AND PULL TECH NIQUE IS VERY USER FRIENDLY AND CONVINENT. IT HELPS KEEP ALL THE CLUTTER AWAY IN THIS PLENTY STORAGE SPACE. HAV ING MY EARLY MORNING TEA WITH BEAUTIFUL VIEW IS WHAT LOOK FORWARD TO. THIS IS WHERE DO MY DAILY CHORES FROM EATING TO MED ITATIOTION. THIS SPACE CAN TACKLE CONTRAST USERS AS WELL. THE PARTITION WALLS CAN BE DRAWN WHEN PRIVACY IS NEEDED. WELL THIS IS A RETRACTABLE TOILET SEAT BASED OF PIVOT TECHNOLOGY. IT IS COMPACT AND USER FRIENDLY. THE TOILET SPACE CREATES A THRESH OLD FOR THE UTILITY AND PERSONAL SPACE
In recent months, we have ar rived at a new juncture of virus and architecture, where fear of contamination controls what kinds of spaces we want to be in. During these fretting times we are forced to be confined in our own cells by maintaining distance from the proliferating virus carri ers. These axiomatic times con notes the concept of “existence minimum”. Defining spaces that would expand & contract based on the needs of an individual.
◄ Wood plastic composite can be molded to almost any shape and size. From a functional standpoint, wood plas tic composite is moisture-resistant and rot-resistant
The japanese interior design con cept is known as “ma”. This con cept aims at a balance between the available space that can be used on one side, and furniture and other objects .
EXTERIOR VIEW
LONAVALA , MAHARASHTRA
PROJECT DESCRIPTION -
1. THRESHOLD SPACES :
2. JAPANESE INTERIORS :
Ukiyo home (living in the moment, detached from the bothers of life), a dwelling designed for the purpose of quarantine in the pandemic.
A prelude, an intermediate space, inside or outside. The threshold space is all of these, usually even at the same time. Living on the spatial ambivalence between opening and closing and at the same time creates the expecta tion of what is to come.
THE HOME
◄ Rammed earth has fair-to-good compressive strength and it is common to make rammed earth a loadbearing construction.
UPPER LEVEL LAYOUT
◄ The planning of the space is designed as per the sunpath and wind direction. The skylight used is north aligned. And keeping all openings in symmetry so as to allow equal distribution of light along with proper wind channelling.
DESIGN CONCEPTS
BRIEF - TO DESIGN A 3M X 3M X 3M SPACE TO SPEND THE TIME IN LOCKDOWN/QUARANTINE FOR A TEENAGER.
UKIYO
constractor.26|PROFESSIONAL PROJECT PROFESSIONAL PROJECT | 27 Ground floor layout ( commercial)
PROJECT HEAD - AR.TEJAS SAWANT & AR. JANHAVI WADKE
Typical floor layout (residential)
BIJLEE CO.OP HOUSING SOCIETY
VAKOLA , MUMBAI
ROLE - JUNIOR ARCHITECT
A redevelopment of an exist ing cooperative housing soci ety in mumbai. The project is a mixed used structure hav ing commercial shop and of fice spaces at the ground and first level. The residential flats starting from the second level up till the top most level. Each floor have a combination of 1&2 bhk residential flats with 8 units on each floor
PROJECT DESCRIPTION
My responsibilities included designing and creating op tions of the floor layout , ad hering to the building codes of india , facade designing ,3d modelling and preparing presentation drawings for ap proval. After approval cre ating drawings for structural
RESPONSIBILITIES
PROGRAM - MIXED USE
First floor layout
( commercial)
OFFICE - STUDIO SWA+P
YEAR - 2021 - ONGOING
CLIENT - SWASTIK REALTY
Typical floor layout with refuge area (residential)
CLIENT - AJABA FOUNDATION
OFFICE - STUDIO SWA+P
JAMSHEDPUR , UTTAR PRADESH
YEAR - 2019 - ONGOING
G U R U N I W A S B R I C K W O R K D I M E N S I O N L A Y O U T PAVED AREA 4.80 M X 4.00 M LEVEL + 0.30 M LIVING ROOM 6.90 M X 4.80 M LEVEL + 0.60 M BUNT WALL TOP LEVEL @+0.60 M+0.45LEVEL 200 MM SUNK SLAB RAIN WATER DOWN TAKE PIPE 6800705905362010007252195450 4360 1590 900 4470 460 48204360 6960 2645 M+0.60LEVEL 750 RAIN WATER DOWN TAKE PIPE PROJECTIONCHAJJA LANDSCAPE M1.45XM5.10 M0.15+LEVEL FLOATING PLINTH 600 1200 2920860 2660 1120 800 1000 3470 2660 3470 STORE ROOM 3.45 M X 2.60 M LEVEL + 0.60 M 2660 1300 PASSAGE 1060 1000 1060 670 3620 1000 5585 575 3960 575 1000 800 885 1000 1415 5100 4425 600 BED ROOM 5.60 M X 5.10 M LEVEL + 0.60 M 2540 2920 108011208001000 800 655 WALK WADROBEIN 2.90 M X 2.55 M LEVEL 0.60 M TOILET 2.90 M X 2.65 M LEVEL 0.60 M 480 1200 230 230 1995 2970 3815 28454503801435 1595 GYM 3.80 M X 3.00 M LEVEL + 0.60 M RAIN WATER DOWN TAKE PIPE RAIN WATER DOWN TAKE PIPE FLOATING PLINTH ROOF PROJECTION @ LEVEL 3600 ABOVE GROUND LEVEL SLOPING WALL FLOATING PLINTH M+0.45LEVELPLINTH PROJECTIONCHAJJA 7655 675 ROOF PROJECTION @ LEVEL 5000 ABOVE GROUND LEVEL RAIN WATER DOWN TAKE PIPE SLOPING WALL FLOATING PLINTH ROOF PROJECTION @ LEVEL 5000 ABOVE GROUND LEVEL SLOPING WALL 565 ROOF PROJECTION 400400 400 400 DECK LEVEL + 0.45 M DECK M0.45+LEVEL M+0.45LEVELPLINTH 1230 1220 1205 1205 1200 1075 2660 CHAJJA PROJECTIONGROUND LEVEL +0.00 M PLINTH LEVEL +0.45 M D1 D1 D1 D2 D2 D3 W3 W5 W4 W7 W2 W8 W1W1 W6 1815 4820 4460 WALLBOUNDARYWALLBOUNDARYWALLBOUNDARY820 1620 1675
ROLE - ARCHITECTURAL INTERN
Guru ashram is the residing space of the main head of the founda tion. This ashram is a part of a large master planning project of the foundation which includes temple , meditation spaces , canteen, accomodations , library and a cattle barn. the structure is nestled perfectly in between the trees giving it the perfect place to relax and meditate.
GURU ASHRAM
PROJECT DESCRIPTION
VIEW BRICKWORKELEVATIONELEVATIONLAYOUT 28 | PROFESSIONAL PROJECT PROFESSIONAL PROJECT | 29 GROUND LEVEL +0.00 M 1400 500 LEVEL +0.45 M PLINTH LEVEL +0.60 M LEVEL +3.00 M LEVEL +3.60 M LEVEL +3.90 M LEVEL +5.00 M LEVEL +5.60 M 450 150 2400 600 300 1100 600 300 150150 3000 135 200 2400 800 1050 600 450 150 1870 530 600 1400 600 500 1400 2400 600 600 135 200 GROUND LEVEL +0.00 M LEVEL +0.45 M PLINTH LEVEL +0.60 M LEVEL +3.00 M LEVEL +3.60 M LEVEL +3.90 M LEVEL +5.00 M LEVEL +5.60 M GROUND LEVEL +0.00 M 1400 500 LEVEL +0.45 M PLINTH LEVEL +0.60 M LEVEL +3.00 M LEVEL +3.60 M LEVEL +3.90 M LEVEL +5.00 M LEVEL +5.60 M 450 150 2400 600 300 1100 600 300 150150 3000 135 200 2400 800 1050 600 450 150 1870 530 600 1400 600 500 1400 2400 600 600 135 200 GROUND LEVEL +0.00 M LEVEL +0.45 M PLINTH LEVEL +0.60 M LEVEL +3.00 M LEVEL +3.60 M LEVEL +3.90 M LEVEL +5.00 M LEVEL +5.60 M
My responsibilities included 3d modelling, generating approval drawings and working drawing ready for construction.
PROJECT HEAD - AR.TEJAS SAWANT & AR. JANHAVI WADKE
PROGRAM - SPIRITUAL
RESPONSIBILITIES
LAYOUT
ROLE - JUNIOR ARCHITECT
PROGRAM - COMMERCIAL
My responsibilities included 3d modelling, generating approval drawings and working drawing ready for construction.
YEAR - 2019 - ONGOING
OFFICE - STUDIO SWA+P
The cattle barn is a part of a mas terplanning project of an Ashram complex in Jamshedpur. The 4200 sqft barn will house more than 100 cows. The barn also con sists of a grain store,kitchen and rooms for the day to day workers at the farm. The barn is a steel structure with brick work upto 10 feet height and corrugated sheets above with openings for ventilation.
RESPONSIBILITIES
PROJECT HEAD - AR.TEJAS SAWANT & AR. JANHAVI WADKE
PROFESSIONAL PROJECT | 3130 | PROFESSIONAL PROJECT CATTLE BARN AT ASHRAM JAMSHEDPUR , UTTAR PRADESH CATTLE ENTRANCE FIRE ESCAPE FIRE ESCAPE ROOM 13'6" 11' ROOM 13'6" 11' ROOM 13'6" 11' FEET WIDE PASSAGE 10' WIDE PASSAGE UP 2'-11" 3'-10" 6'-8" 8" 5'-1" 5' 1'-5" 60' 7" 9'-1" 9'-1"5'-7" GRAIN STORE 18'9" X 13'4" C1 CATTLE FEEDING AREA 60' 38'6'' 9 1718 LANDINGMID WC 4'9''X3'3'' WC 4'9''X3'3'' BATH 4'9''X3'3'' BATH 4'9''X3'3'' PASSAGEWIDE3'6" KITCHEN 13'6" 8'6" 11'11'11' 10'-11" 8'-6" 6" 5'-6"16'-6" 10' 8" WIDE PASSAGE 10'-2" 12'-7" 9'-8" 3'-6" 27'-10"2R2R1 R2R1 R3R4R4 R3 31.77 B4.80 C10.22 415 12.1911.960.000.22 FACE OF COLUMNCOLUMNFACEOF7.844.343.14 0.00 COLUMNOFFACE 9" 22'-2"22'-1"15'-6"6'-8"7'-9"15' 103'-6" 105' 40'CC7.16DD 10.66 1'-3" 2'-11"10'-3" C1,C2C2C2C1 C1,C2C1,C2C1C1C1C1C1 C1 C1 C1 C1C1 C1 C1 C1C1C1C1 C1C1C1C1 C1C1 C1C1C1 2R2R1 R2R1 R3R4R4 R3 31.77 B4.80 C10.22 415 12.1911.960.000.22 FACE OF COLUMNCOLUMNFACEOF7.844.343.14 0.00 COLUMNOFFACE 32.00 COLUMNOFFACE 9" 9"22'-2"22'-1"15'-6"6'-8"7'-9"15' 103'-6" 105' 40'CC7.16DD 10.66 1'-3" 2'-11"10'-3" C1,C2C2C2C1 C1,C2C1,C2C1C1C1ROOM ROOM ROOM GRAIN STORE CATTLE FEEDING AREA BATH KITCHEN 21'-7" 21'-3" 14'-8" BATHWC 8'-8"9'-5" 8'-8"18'-5" 14'-6" 14'-6"C1C1 C1 C1 C1 C1C1 C1 C1 C1C1C1C1 C1C1C1C1 C1C1 C1C1C1 WC ELEVATIONELEVATION PLINTH BEAM LAYOUT COLUMN LAYOUT BRICKWORK LAYOUT 3'-11" ROOM ROOM 2 ROOM 3 GRAIN STORE CATTLE FEEDING AREA WCWCBATHBATH KITCHEN FEET WIDE PASSAGE 10' 8" WIDE PASSAGE3'6"WIDEPASSAGE10' 8" WIDE PASSAGER2R1 R2R1 R3R4R4 R3HH FF11.55 BB4.80 C10.22 3415 12.1911.960.000.22 FACE OF COLUMN FACE OF COLUMN 7.844.343.14 0.00 COLUMNOFFACE 32.00 COLUMNOFFACE 9" 9"22'-2"22'-1"15'-6"6'-8"7'-9"15' 103'-6" 105' 9" 9'-7" 3'-11" 11'-6" 13'-6" 9" 40'CC7.16DD7.5410.66 1'-3" 2'-11"10'-3" C1,C2C2C2C2C1 C1,C2C1,C2C1C1C1C1C1C1 C1 C1 C1 C1C1 C1 C1 C1C1C1C1 C1C1C1C1 C1C1 C1C1C1
PROJECT DESCRIPTION
22'-2" 22'-1" 22'-2" 22'-2" 15' 103'-6" LVL 0'0" LVL 20'6" LVL 31'0" 15'22'-2"22'-2"22'-2"22'-2" 103'-6" LVL 0'0" LVL 20'6" LVL 28'9" LVL 31'0" 2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7" LVL 7'0" LVL 12'3" LVL 12'3" PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT PIVOT ABFHJ ABFHAJ B F H A F H 22'-2" 22'-1" 22'-2" 22'-2" 15' 103'-6" LVL 2'0" LVL 0'0" LVL 31'0" 15'22'-2"22'-2"22'-2"22'-2" 103'-6" LVL 2'0" LVL 0'0" LVL 28'9" LVL 7'0" LVL 12'3" LVL 12'3" SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER SHUTTER 2'-3"3'-3"3'-3"3'-3"2'-3"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7"2'-7"3'-3"3'-3"3'-3"3'-3"3'-3"2'-7" ABFHJ ABFHAJ B F H A B F H
CLIENT - AJABA FOUNDATION
PROJECT HEAD - AR.TEJAS SAWANT & AR. JANHAVI WADKE
PROJECT DESCRIPTION
My responsibilities for this project included designing the interiors, 3d modelling and presentation drawings.
An interior design project in a newly constructed building in Mumbai. The brief included mod ern minimalistic interiors with earthy tones.
RESPONSIBILITIES
LIVING
CLIENT - SILVER OAKS RESORT
32 | PROFESSIONAL PROJECT
ROLE - JUNIOR ARCHITECT
YEAR - 2019 - ONGOING
ROLE - JUNIOR ARCHITECT
PROGRAM - HOSPITALITY
MUMBAI , MAHARASHTRA
LAYOUT
YEAR - 2020 - ONGOING PROGRAM - INTERIOR DESIGN
PROJECT DESCRIPTION
MASTERBEDROOMROOMBEDROOM
PROFESSIONAL PROJECT | 33
MASTERBEDROOMROOMBEDROOM
OFFICE - STUDIO SWA+P
LIVING
My responsibilities for this proj ect included 3d modelling, ren dering, preparing presentation drawings.
COTTAGES AT SILVER OAKS RESORT
OFFICE - STUDIO SWA+P
URAN , MAHARASHTRA
This interior project is a part of a revamping project of a resort sit uated in Uran near Alibaug. The cootages are the newest addi tion the resort. The overall theme of the resort is set to be Balinese. There are a total of 11 cottages.
RESPONSIBILITIES
CLIENT - MR. ANIL CHAVAN
PROJECT HEAD - AR.TEJAS SAWANT & AR. JANHAVI WADKE
MR. CHAVAN RESIDENCE
RAHUL SAWANT
THANK YOU
rahulsawantwork@gmail.com+919870775335