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DAVID HOCKNEY

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DAVID HOCKNEY

DAVID HOCKNEY

W by Susan Sontag

W might be for weather, an accordion topic of proven use in avoiding the not supposed to be mentioned or dwelt on. Imagine worse circumstances. Still worse. Even then the W-word may effect a change of mood, providing a welcome respite from weeping and wailing. That works better when we stick to real weather: north winds, say, rather than winds of change.

I usually don’t want to talk about weather. I have my wear weak wide eye on the whole picture. The will assists. When I don’t feel, I wilt. I don’t want to withhold. I don’t want to be well-defended.

(As I write these words, it occurs to me they’re women’s words.) I don’t want a mind of winter. And whimsey seems whorish.

But why not have a white topic, one that carries as much or as little weight as we wish?

Weather is always happening, always changing. What’s going to happen, we ask fearfully. Whatever happens, it will be something else.

When we’re talking about the weather, well, we’re giving ourselves a break.

The wonder is that one thing does not succeed another. Distracting us from the wound, from awareness of what co-exists. I am walking in the woods or gulping fresh water or encircling a child with watchful tenderness. And at that very moment, at this very moment, in the final agonies of a torture session in the wicked war a nearby government is waging against its citizens, inside a cardboard box in the doorway of the windward corner of my street, someone is, someone has just…

I know, it’s been explained, it’s called having a whole world.

I was sleepy. I’d stayed up all night working on my book. But I went to the museum. It was the last day. It was worth it, the paintings were wonderful. Then came the news we were waiting for. She wept. He wept. I wept. What amazing weather we’ve been having. Then we wondered over to a bar (this is Berlin) very near where the wall was (how we rejoiced) and drank some wine (and went on weeping). We move from one mood to another, giving due attention to each. (‘Our moods do not believe in one another,’ Emerson said.) There is no final mood. It is winter now.

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