Raka Affa Arasya Maharika Jl. Apel 112, Yogyakarta 55581 Indonesia
RAKA AFFA
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Phone: Email:
(+62) 81 910 994 494 rakaaffa@gmail.com
COLLABORATIVE COMMUNITY MUSIC LEARNING CENTER This design attempts to answer the need of the music communities proliferating in Yogyakarta, which is more space and the ability to collaborate among communities. The challenge is to design a new typology of space which could connect music performers, communities, and learners, and also creating new spaces for the music communities to express themselves by creating impromptu performance spaces.
Academic Work | Bachelor Final Project | 2017 Supervisor: Alexander Rani, S.T., M.Arch alexandersuryandono@yahoo.com
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ISSUES FACED BY MUSIC COMMUNITIES OF YOGYAKARTA
(source: private doc.)
Music communities proliferating around Yoygakarta, and lack decent space to practice, perform, or just to hang out and gather. A number of communities became inactive or died because of this very reason. If it continues, the development of music communities around Yogyakarta would perish.
APPROACH
(source: snazzy maps)
The approach is to design a collaborative center, focusing primarily on visual connection between music rooms. Placing performance spaces on the design will further ensure communities to thrive.
Contextual analysis of the location of major music communities in Yogyakarta
VISUAL APPROACH TO COLLABORATION
Visibility studies conducted on different alternatives of music rooms configurations and opening placements, to create the most optimal visual connection between each room, opening probabilities of collaboration
simulation of the visibility trajectory in the music rooms
CONCEPTUAL MASSING
The open performance space is located on the 3rd floor, giving music students place to perform. Concert hall is used as a commercial performance venue. The restaurant gives visitors a chance to eat in the restaurant while listening to local music performance. The entrance gives space for a larger outdoor performance such as rock bands.
reduced mass for building regulation chamber performance
music learning entrance emphasis from the main street
building as impromptu performance space
local music shop
character emphasis, acoustical improvement
eatery concert auditorium
performance spaces
Building as Performance Space The building itself serves as multiple performance spaces on functions such as entrance, and leftover space over the backstage, fully serving the community.
AUDITORIUM
EAT-GATHER-PLAY BASEMENT PARKING
FACADE AND DETAILS
clean water distribution Structure materials bitumen roof steel frames concrete
dirty water distribution
The structure of the building is emphasized to serve as a metaphor for the stuctural aspect of music, mimicking the lines on a musical sheet. The curvy lines of the roof and facade shows the fluidity of music, mimicking the legato lines of a musical piece.
PLENGKUNG GADING - KRAPYAK HERITAGE CORRIDOR The brief is to create a heritage corridor of the Krapyak to Plengkung Gading Corridor, which is a rather neglected part of the Yogyakarta imaginary axis despite of its rich culture. The concept is to bring back the historical and philosophical value of this part, which was the sultan’s hunting ground, philosophically interpreted as the human’s journey through life. The idea was to bring back the forest on this corridor, both literally and connotatively. My design was the “youth” section of the philosophical axis, thus giving birth to the concept “Forest of Creativity”
Academic Work | 3rd Year | 2016 Supervisor: Ir. Ikaputra, M.Eng., Ph.D. ikaputra@ugm.ac.id
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ISSUE OF YOGYAKARTA’S PHILOSOPHICAL AXIS The philosophical axis of Yogyakarta stretches from the northern Tugu Pal Putih, along the Malioboro Street, Sultan’s palace, Plengkung Gading, to the southern Panggung Krapyak. The northern part, from Tugu to the Sultan’s palace is a vibrant cultural tourist destination, whereas the southern part is rather neglected. The rich philosophy and history of the whole axis could not be fully understood by the tourists, due to the condition of the southern part which lack attention and care.
a traditional market becomes the main local economic wheel
Philosophy of the Axis The axis is philosophically interpreted as the journey of human life from birth to death, whereas the Panggung Krapyak is the start point, a metaphor of embryo. The journey continues to childbirth, up to the Plengkung Gading and Keraton, which means marriage and adult life, and ends on the Tugu, interpreted as death.
Embryo-Birth south
Marriage
Adult
Death north
abandoned art deco building becomes a point of interest, but unused local food stalls are filling the pedestrians
Panggung Krapyak, once served as the Sultan’s hunting station
Plengkung Gading, a historical heritage of the old Kasultanan of Yogyakarta
a contemporary art gallery becomes one of the main attraction of the area
Minggiran Field, main community public space
MACRO CONCEPT APPROACH OF THE AXIS The concept I used as the theme of the historical corridor is “Alas Budaya”, which has a dualism of meaning. Alas means both “forest” and “base” at the same time in Javanese language, and “budaya” means “culture, which arguably corresponds to the Philosophical Axis. Cultural Base A concept which emphasizes and strengthen the existing Philosophical axis. The philosophy is expanded from Birth-Marriage to birth-childhood-teenage life-marriage, which then would need a new landmark.
panggung krapyak
“ALAS BUDAYA” Creative MARKET
birth
childhood
plengkung gading teenage
marriage
Cultural Forest During past times, the region was the Sultan’s hunting ground, a forest. This concept will bring back its forest and injects it into the corridor.
PUBLIC SPACE
RELIGION
SPORT
SACRED
FESTIVAL
ART
SHOPPING CULINARY
INTERACTION
REST
past
now
tomorrow
“Forest of Culture” The corridor is injected with activities, to support its regional economy and wellbeing of the communities along the corridor.
MICRO CONCEPT OF DESIGN SCOPE The area of design that was given to me is the area 450 meters south of the Plengkung Gading, an area which covers the Tirtodipuran Street Junction, 150m long. Thus, based on the expanded philosophy, this area is interpreted as the “teenager” philosophy. existing area potentials
AREA POTENTIAL
PHILOSOPHICAL AXIS
“FOREST OF CREATIVITY” enhancing the philosophical axis of Yogyakarta by creating a space for the youth my design scope LITERAL FOREST
source: Nafas Art Magazine
The existing area consists of mainly small bussiness buildings, a modern supermarket, Cemeti art gallery, an abandoned and vandalized Art Deco styled house, and other Indische styled residential houses, which could be the main attractor of the region.
CREATIVITY “FOREST”
Literal Forest. Bringing the past history of the Panggung Krapyak - Plengkung Gading corridor as a forest back with an urban reforestation by creating guidlines of the streetscape to be planted with greeneries. Creativity “Forest”. With a connotated meaning of a forest, it bears the meaning of a place with diversities. Creativity forest is interpreted as a place entirely serving the youth of Yogyakarta to express themselves creatively.
BLOCK PLAN CONCEPTUAL TRANSFORMATION
existing block plan Located on a junction with a art deco styled house, the existing site is dominated by commercial functions.
entrance emphasis The strategic place urges to emphasize the entrance, by creating a skybridge.
connect The old house is functioned as an art gallery, connected with the existing art gallery creating an outdoor art space.
public space The connection transformed into a park, giving second layer of public realm
parallel support Parallel of the connection is a chain of mostly culinary commercial buildings which supports the art space across.
enhancing creativity A public canvas, public venue, for the community to express themselves.
artificial trees green barrier
main street
performance space
Indische/Colonial styled buildings which are public domain, are re-functioned as small hotels or BnB to support the tourism activities around the area. Benches specifically designed to accommodate vines are placed on the side of the pedestrian space.
Indische/Colonial styled buildings which are privately owned may be built with a fence 1.5m high to ensure privacy. The enclosure must allow vines to grow on it, or by creating a green wall with living plants on the desired fence.
Private bussiness buildings must be built with a living enclosure (with vines or green wall) 1.5m high to ensure public comfort. A canopy is designed to create shadings for the pedestrians walking by the private bussiness building.
The “creative walk� stretches from the Cemeti Art Gallery to the old art deco building. The pedestrian walkway is designed so that local artists may paint and express themselves on the street, rather on the buildings. It accommodates the local community especially the youth to hold street performances or street art
private bussiness park public commercial art gallery art gallery hotels
private residential
BAITUL
MUTTAQIN
MOSQUE
OF
CIMENYAN
The project was a commission from the Baitul Muttaqin Islamic Foundation to design a public mosque for the region of Cimenyan, which is located on the hills of northern Bandung, Indonesia. I was given the task to be the project coordinator, thus designing from the concept to design development. The project is now awaiting confirmation from the foundation.
Commission | Professional | 2018 Role: Project Coordinator, Design Concept, schematic design, design development Supervisor: Angga Adhi Susilo, S.T., IAI.
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SITE PROFILE
ANALYSIS
Qibla The Qibla (muslim praying direction) is 90ยบ, or perpendicular to the site. This makes it more simple to design, as there is no need to tilt the building
Riverside The site is located behind a slope to a local river. The design near the river has to be free from construction obstructing the water infiltration
Main road A relatively busy main road is traversing on the front of the site, giving a challenge on reducing the noise pollution for the mosque
Community The site is located in the center of the local community, giving an easy access to the mosque
The site is located between a slope pointing to the river below, and a relativey busy main road
The ground which is intended to contain the mosque is lowered 3 meters to ensure the noise pollution does not interfere and disturb the “jamaah� of the prayers.
Structural columns are placed in the position and dimensions which does not disturb the Jamaah. The column distance is 3,9m for a clean shaf (jamaah line) which needs a clean 1,2m width
East Elevation
The mosque is given 2 floors to assure the local community to be accommodated during the weekly friday prayers. With a floor area of 400sqm, this mosque can accommodate 550 jamaahs.
The roof of the mosque is tilted towards the river. This results in the rain water to fall to the slope on to the river below.
The Baitul Muttaqin Mosque of Cimenyan is using bricks from local craftsman, and is exposed to be the icon for Cimenyan.
South Elevation
2nd Floor Plan
1st Floor Plan
Section Drawing
Materials
Women Circulation
Men Circulation
Zincalume roof (insulated) Steel frames Exposed brick Exposed concrete Wood parquet Aluminium screenn
Ablution
Ablution
Ablution
Due to the islamic belief that women and men can not touch each other before marriage, the circulation for women and men for ablution and toilets has to be separated
The sunken mosque gives blockage from noise pollution while still maintaining maximum natural lights and natural ventilation
The Mihrab, or the place for the prayer leader has a split on it walls. This is a spiritual reminder that in Islamic beliefs there is only one God, portrayed by the split which inserts light, giving the jamaah a focus. The ceiling design also brings focus to the frontt. The dimension of the columns ensures the shaf (jamaah line) not to be interrupted, as it will disturb and also spoil the whole prayer.