Undergraduate Architecture Portfolio | Ram naresh by Ram naresh

2017

port folio 2022

arc h i t e c tu re des i g n ram naresh

Ram Naresh RK JUNIOR ARCHITECT I am Ram Naresh, an Architect Undergraduate from CMR school of Architecture, Bangalore, India For a long time, I have been extremely intrigued by buildings, spaces and the general sense of aesthetics that these spaces embody which sparked my interest to pursue the subject. My college has contributed to nurturing me as a budding architect. My hard work and passion have propelled me forward in this direction. The following Portfolio is a collection of selected works from my five years as a student practitioner and Intern. It showcases several of my interests and

ABOUT ME Birth 11/12/1999 email : naresharch148@gmail.com ph no : 9972817316

EDUCATION Bachelors in Architecture Cmr University School of Architecture Graduated( 2017-2022) Bengaluru,karnataka River Side Public School kotagiri,nilgris 10 th & 12th

EXHIBITION / DOCUMENTATION Dakshin Chitra, Chennai Crafts of Kutch, Gujarat Balinese Temple, Bali Institute of urban designers india IUDI - Declared the urban design project “paths de pete” as one of the top 20 urban projects in Bangalore and was exhibited in Bangalore international centre.

TECHNICAL SKILLS Auto Desk Auto cad, Revit, Sketch Book Adobe Creative Cloud Indesign, Photoshop, Lightroom C/C Illustrator 3D Modelling and Rendering Sketchup, Lumion, Twinmotion , Enscape , v-ray Visualization Media Model Making, Hand and Digital Sketching, Photography

EXPERIENCE / WORKSHOPS Internship 2021 C-Earth , Calicut Cmr University Full Scale Cob Workshop 103 Tensile structure 104 Bamboo pavillion 105 Wood cut prints 106 Pod and Capsule 107 Critical thinking 108 Ferro cement 109 Full Scale Carlo Scrapa Railing

LANGUAGES English , Tamil , H indi

INTEREST Photography, sketching, travelling, cricket, illustration,Rendering

contents...

Thalassery Heritage /Cultural Museum

Children's Learning Centre

Semester - 10

Semester - 09

Page no 1-16

Page no 17 - 28

Urban design Paths de - pete Semester - 07 Page no 29 - 42

Internship Drawings

Miscellaneous

Semester - 08

Workshop , sketches , render ,photography

Page no 43 - 48

Page no 49 - 58

01 S IT E

Thalassery Heritage - Cultural Museum Year : 2022 Project Type : Public Site Location : Thalassery , Kerala Built up : 14000 sqm The proposed project is a Thalasserry interpretation centre. This centre would serve as a guide to educate all visitors, both from outside and within the city, about thalaserry's history and current situation in one location. Interaction - Promotion - Engagement It would act as a guide to educate all the people visiting from different places as well as within the city about the history to the present-day situation of thalaserry in one space.There is a need to conserve or protect or reinterpret it in any form that caters to the revival of the past and culture of the place. Every period had its unique style which left an impression on the city..

01 | Thalassery Heritage - Cultural Museum

CONCEPTUAL SKETCHES

FORM DEVELOPMENT

Spliting up into 3 blocks Museum,interpretation centre and buffer spaces

Placing the blocks in diffrent angles such a that it creates certain opeining of diffrent sizes

Creating a clean axis to the water body and the market

Playing with different angles of slope and creating a intresting volume and to bring natural light in the space created

Plaza + Courtyards

03 | Thalassery Heritage - Cultural Museum

Major axis

View from the temporary exhibition space

Architecture Design | 04

BIRD'S VIEW OF THE PROJECT

ZHA

U YI P LLA

CI TY

NT R

VE TI RA RY PE SE -O AS CO AL TH AL IT

HO KOC H

I-K

05 | Thalassery Heritage - Cultural Museum

ANY

D OA

R ED

VE GO

E NM

H SC

YAK U

This diagram showcases views of different parts of the design . We could the massing and volume of the project with respect to the open and built spaces. The clear view of the all the entry is also shown here .

RI N

H Architecture Design | 06

Master Plan - Ground Floor

N 07 | Thalassery Heritage - Cultural Museum

The Ground floor master plan , We could see how the dsign sits with site. The drop off is towards the south and south east.The people entering the building will see the admin block where they get to know about the building adn how they experience it . The museum block is plqaced on the river front side towards the northern side . The people move through the building in order as they pass through all the blocks and experience it.

GROUND FLOOR ADMINISTRATION LOBBY CURATOR TICKETING & BAGGAGE COUNTER CONFERENCE ROOM MUSEUMS INTRODUCTION GALLERY / PRESHOW GALLERY GALLERY BUILT HERITAGE (ARCHITECTURE) TIMELINE GALLERY EVOLUTION OF MALABAR REGION GALLERY HISOTRY OF TRADE (PORTUGUESE (PEPPER & CARDAMON) WORKSHOPS EDUCATION FACILITIES LIBRARY COLLECTION STORE ROOM SEMINAR HALLS

RETAIL STORE CAFE/RESTAURANT MARKET - OUTDOOT AND INDOOR (SPICE AND LOCAL SALES)

Architecture Design | 08

WORKSHOP

LIBRARY

MARKET GALLERY

ADMIN

AUDITORIUM

INTRO GALLERY

ER WAT

AD RO

TS EN

M RN

VE GO

Diagram Representating Roof styles and combinations of slope and flat roof to create a sense of curiosity and play of light

View from the lake looking at the museum block

09 | Thalassery Heritage - Cultural Museum

ED SH

CI TY

NT RE

Continuous shaded Pathways connecting all the Museum to the open Public zones and use of the Wooden louver panels in the Pathways to give a sense of a enclosure for the people walking

The market block is designed to be more open , the heirarchy of the space from a open to sky market - semi open space - enclosed shops . The plinth is mostly used in the moring and the eveing time depicting the old spice market in kerala

This is the central plaza space , the plaza is used a temporary exhibition space to showcase any festival or drama or any temporary exhibits. We could see the movemnet of people in the diagram where the people move along the boards placed . The seatings are also provided for the users .

Architecture Design | 10

11 | Thalassery Heritage - Cultural Museum

ARY

LIBR RD

RTY A

COU

RIA

ETE

CAF

SECTION CUTTING ACROSS THE LIBRARY , CAFE AND GALLERY INDICATES THE PLACEMENT BASED ON THE HIERARCHY AND ZONING

PL A

PLA

EUM

MUS

WAT ER

FRO NT

View from the central plaza

Architecture Design | 12

WALL SECTION THROUGH LIBRARY

3D WALL SECTION

7 | Thalassery 13 | ThalasseryHeritage Heritage -Cultural CulturalMuseum SOUTH-ELEVATION -Museum GOODSHED ROAD

WALL SECTION THROUGH MUSEUM Wall section depicts the traditional kerala house planning.Elements such as courtyards planning and jalli walls are used for helping in cross ventillation. Hierarchy of spaces has been denoted using play of volumes , light and shadow effect and seperation elements. Use of skylight to highlight the important spaces To response to the climate is achieved by using slope roofs of different levels and heights. Corridor planning has been followed the traditional kerala architecture.

Architecture Design | 14

THALASSERY HERITAGE - CULTURAL MUSEUM

View of the Project showing central plaza and the library block

15 | Thalassery Heritage - Cultural Museum

Architecture Design | 16

S it e

Children's Learning Centre Year : 2022 Project Type : Institutional Site Location : Chamrajpet , Bangalore Built up : 6000 sqm The project was to design a children's learning centre with other supporting programs for kids if different age and also for the local adults. The programs that catered to the kids are day care, labs, tuition, music class, dance class, astrology class etc. Retail, rentals, office space and auditorium catered to the public. The site also has a huge park towards the south, so people coming to the park could also enjoy the park and the public library available in the building. The open spaces for the kids are secluded and are visible from every corner of the building so they are under staff provision. The playground and the classrooms are in the periphery of the site .

17 | Children's Learning Centre

CONCEPTUAL SKETCHES

The initial concept was to react to the site and make the spaces interesting since its used by mostly the kids.Firstly wanted to open the building towards the playground adjacent to the site and connect to the public park but not a direct connection but an indirect connection to create sense of enclosure for the kids. So the buildings are oriented in such a way that the movement from small spaces to a bigger space creates a sense of funnelling. which would create a sense of surprise for the kids when they move through different sizes of spaces.

CONCEPT - SKETCHES

EDGES

19 | Children's Learning Centre

FUNNELING

MOVEMENT

FORM DEVELOPMENT

•

Spliting up into 3 blocks public,semi public and private

•

Placing the blocks in diffrent angles such a that it creates certain opeining of diffrent sizes and courtyard

•

Creating a funneling effect of moving from a smaller space to larger spaces

•

Opening up the building towards the park , ground and the road

•

Curving the edges and creating diffrent levels and openings

•

The final building is placed in a way they open up towards the ground and the park

•

The entry is placed in such a way creating two seperate plaza in the front on for the public and the other for the childrens coming to the centre

Architecture Design | 20

DESIGN DEVELOPMENT DIAGRAMS

•

The built volume shows the different plaza , all the plaza has different functions and all are facing diffrent parts of the site.

•

The building is divided into three major functions which are public , semi public and private . Public ( Auditorium , retail shops ) Teachers and training spaces Children's learning centre classroom

• •

•

21 | Children's Learning Centre

This shows the movement of people in the building Movement of the people isin a such a way they move from smaller spaces to larger open spaces which creates a sense of curiosity

All the diagrams combined shows how the building works in the form of functions and the movement and the zoning of the spaces

GROUND FLOOR PLAN

The ground floor master plan, Starting with the entry is from the western road. The pubic block is towards the northwest of the site and the learning centre is towards the south side. As we move towards the northern side we have the retail blocks which are facing the western road inviting the people into the building. The retail block opens up onto the plaza on the west side and the inner courtyard which acts as a transitional court. The central block is a Lab and experimental space. The south side is the learning centre block which is designed to have a seamless movement through the spaces and all the classrooms have curved edges which is made of precast concrete walls and slabs . The courtyard towards the east is used by kids and the slide which spills in to the courtyard from the first floor

View showing the entry courtyard

Architecture Design | 22

BIRDS VIEW OF THE PROJECT

23 | Children's Learning Centre

This a birds view of the project showcasing different parts of the design As we could see the entry to the projec is towards the western side . The curved wall of the learning centre is a vissible in the diagram shown

Architecture Design | 24

WALL SECTION - DETAIL-1

WALL SECTION - 1

This skin section is cut along the public building facing on the western side , hence use of louvers to cut down the harsh sunlight on the first floor.The louvers are precast and are made of concrete. Following the skin there is a layer of galss window thats entry of diffuse sunlight in the space.

Jalli wall is used to increase the porosity , visibilty of the space in the corridor.So this jalli wall is used in the childrens learning space to provide a safer visible connection to the outside .

25 | Children's Learning Centre

View from the drop-off

View of the Inner public courtyard

Architecture Design | 26

CHILDREN'S LEARNING CENTRE

View of the Project showing the entry

27 | Children's Learning Centre

Architecture Design | 28

S it e

Urban study - Paths de Pete Year : 2020 Project Type : Urban development Site Location : New Tharagupete , Bangalore Built up : 14000 sqm The proposed project is an Urban development, we were a group of three people who worked on this project. Initially, we found certain areas in the given and picked 7 different areas which needed to be developed in their respective way. The seven sites which are chosen were developed to the required needs. we as a group of three divided 2 sites each to design accordingly but we had created a certain language to be followed in the design which would connect each of our sites as one complete urban development. The two sites which were designed by myself were the Public complex and flea market. Institute of urban designers india IUDI - Declared the urban design project “paths de pete” as one of the top 20 urban projects in Bangalore and was exhibited in Bangalore international centre 29 | Urban study - Paths de Pete

View Showing the Public complex

New Tharagupet is Located in the heart of Bangalore City, the state capital of Karnataka, India. There is a lot of history associated with the neighborhood. Important landmarks like the Bangalore fort, Tippu’s palace, Vani villas and victoria hospital are present. The place is well connected with roads and the metro.It is one of the biggest commercial centers in Bangalore. The Pete is presently, inhabited mainly by people from the Muslim, Devanga, Tigala, Marwari, and Jain communities. Kannada is the Local Language here.

T H A INFERENCE This locality was 1st city in Asia to R have streetlights in the year 1905 The fabric of Tharagupete has remained almost the A Communities of different same over the last 20 years professions occupied different G areas of the petha as is evident by the names of the streets still used U in the old city area P LEGEND F I G U R E G R OU N D T Built OVE E R T H E YE TAR S H H New construction T A Unbuilt TI N F E R E N CRAE A R G Roads EThe fabric of Tharagupete U has remained almost A P the same over the last 20 years E G T T U E P LEGEND 2010 E Built 2020 construction Tand KR road have Residential - 4.54% MysoreNew road, Avenue road Commercial - 64.2% high pedestrian movement because of the Unbuilt T Public and semi public -11% commercial presence. Roads Parks and Open spaces - 2.76% Encroachment of hawkers E on sidewalk leads to people walking on the road. F I G U R E G R OU N D OV E R T H E YE AR S

2010

2000

LANDUSE - MAS TERPLAN

T H A R A G U P E T T E

PE DE ST R A I N M O VE M E N T

RESIDENTIAL - 4.54%

COMMERCIAL - 64.2%

IN FEREN C E

PUBLIC AND SEMI PUBLIC SPACE - 11%

Mysore road, Avenue road and KR road have high pedestrian movement because of the commercial presence.

PARKS AND OPEN SPACES - 2.76%

Encroachment of hawkers on sidewalk leads to people walking on the road.

LEG EN D

LEGEND

high pedestrian movement

COMMER CIAL BUILDINGS

low pedestrian movement

PUBLIC AND SEMI PUBLIC BUILDINGS

RESIDENTIAL BUILDINGS

PARK AND RECREATION SAPCE

R OADS

MIXED USE

2000 2020 1700

1750

1800

1850

1900

1950

2010

S I T E S T U DY

1700

1600

1650

1700

1750

1800

1850

1900

1950

2031

2000

1650

1700

1750

1800

1850

1900

1950

2000

2020

SECTION EE

Victoria Hospital

1600

KR Market Metro Station

SITE STUDY

U R B A N D E S I GN

1650

SITE STUDY

1600

SECTION DD

URB AN DESIG N

and heritage buildings

1600

URBAN DESIGN

1800

1850

1900

1950

2010

2020

KR R S ECT

IN F ER EN C

Each of the sec character at reg and also those can be much be Pedestrians

Government Dental College

Bangalore Fort

Kote Anjaneya Temple

Public washroom

Vani Vilas School

2020

Each of the section talks about the street character at regular intervals within the road and also those certain open spaces which can be much better utilized (W.R.T ) Pedestrians

ACC ES S POINTS

access points

LE GE ND

31 | Urban study - Paths de Pete

K EY P L A N

2020 1750

SECTION CC

1650

The fabric in the coomercial part of the Tharagupete site is denser compared to the part having the old institutional

SI T E ST U DY

SECTION BB

1600

SIT E ST UDY

U R BA N DE SI GN

SECTION AA

A N DESIGN

URBAN STUDY

DE MO GR APH I C MAP

SITE STUDY

DE N S I T Y

INFERENCE The value indicates the number of people present at any given time within the square (most of which are floating population due to the heavy presense of commercial activities going on)

L EG END High density - 150 people/square Moderate density - 100 people/square Low density - 50 people/square

T H A R A G U P E T T E

100m x 100m 10,000 sq.m

URB AN DE SIGN

S I T E S T U DY

1600

2020

MARKET

Presense of the kalasipalaya PUBLIC COMPLEX bus stand.

SIT E

Close to Proximity to KR junction STRENGTH • Presense of the

kalasipalaya bus stand

• close to Proximity to KR

Heavy traffic caused due to • Well lit- streets the bus travel agencies junction

WEAKNESS

Absence of any green • Heavy traffic caused due to the bus travel agencies space \pause point Absence of any green •

space \pause point

Site being in L - shaped OPPORTUNITY building can be confronted • Site being in L - shaped building can to the main road leading tobe confronted to the main road leading to the bus stand and catering the bus stand and catering to the minot road to the minot road • Larger number of pedestrian movement relatively to the mainroad

Larger number of pedestrian movement relativelyTHREATS to the mainroad • Lack of pause points and

parking

• The pavements are not

maintained properly

Lack of pause points and parking

For the urban design we have taken 7 potential site which each one of them lack in different aspects accordingly . So my design site is located in the kalasipalya road near to the KR market.

Architecture Design | 32

SITE - 5&6 MARKET AND PUBLIC COMPLEX

33 | Urban study - Paths de Pete

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PUBLIC COMPLEX

KALA

S IPA

L AYA

Restaurent and Public librabry

M RO AD

MARKET

S IPA

L AYA

M RO AD

MARKET

PUBLIC COMPLEX

KALA

S IPA

L AYA

•

Opening up two sides of the building to create open to sky courtyard spilling onto the streets

•

Pushing up the corner edge block upwards creating a open space on the ground floor and to improve the flow of the people in the building without any disturbance

PUBLIC COMPLEX

35 | Urban study - Paths de Pete

•

Opening up two sides of the building to create open to sky courtyard spilling onto the streets

•

Pushing up the corner edge block upwards creating a open space on the ground floor and to improve the flow of the people in the building without any disturbance

•

Opening the ground floor to the public and creating diffrent volumes of courtyards

•

Breaking up the huge mass of the building by creating a courtyrad

•

The restaurent voulme is lowered Library block is lifted from the ground floor.There is a bridge connceting the two buildings

•

Opening up alll the entrance towards the road

B U I LT U P V O L •

Opening the ground floor to the public and creating diffrent volumes of courtyrads

• •

Breaking up the huge mass of the building by creating a courtyrad

M RO AD

MARKET

The built volume consisted of three functions - Co working space, Restaurent and Public librabry

B U I LT U P V O L

PUBLIC COMPLEX

KALA

•

B U I LT U P V O L •

The restaurent voulme is lowered Library block is lifted from the ground floor.There is a bridge connceting the two buildings

•

Opening up alll the entrance towards the road

C0 -Working space

Courtyard

Restaurant

Bus S

top

Plaza

Pla

Flea Market

The ground floor consists of • Co working , cafe and restaurant • There is a central axis which connects both the ends together • Restaurant consists of indoor and outdoor dining • The two courtyards provide a outdoor space to hangout • The green belt of tree provide shade and enclosure from the road and the streets Architecture Design | 36

KALA

ARKET

LIC COMPLEX

ARKET

LIC COMPLEX

L AYA

Breaking the voluma into two blocks and Opening the front side of the building towards the road

•

Creating a semi semi open space which spills out to the streets ,Inviting the public onto the market

•

The two volumes are divided into Built and semi built spaces

M RO AD

B U I LT U P V O L •

The two volumes are divided into Built and semi built spaces

•

The permanent shops are located in the back side and the Temporary shops are towards the street

B U I LT U P V O L •

The semi built space has a visual connection between the complex and the market.

• • •

The same language of arches is followed in both the buildings to create conncetion between both the buildings

KALA

37 | Urban study - Paths de Pete

S I PA

•

S I PA

L AYA

•

The permanent shops are located in the back side and the Temporary shops are towards the streets.

M RO AD

•

The semi built space has a visual connection between the complex and the market

•

The same language of arches is followed in both the buildings to create conncetion between both the buildings

Flea Market

The Market concists of • This building is only on the ground floor. • The front portion of the market is open towards the road which consists of daily vendors ie,vegetabls and cart sellers

Bus S

top

• The inner portion of the market is for the Rentals shops and the groceries sellers Architecture Design | 38

PUBLIC COMPLEX

•

Both the sites are connceted by zebra crossing

Access KALA

S IPA

L AYA

M RO AD

MARKET

PUBLIC COMPLEX

PLAZA+

•

The complex is entered from the public plaza In front of it

•

Both the sites are connceted by zebra crossing

VENDOR ZONE

•

The palza infront of the complex acts as an pause point or a hangout space.

•

The vendor zone present infornt of the market

Plaza + Vendor zone

KALA

S IPA

L AYA

M RO AD

MARKET

•

The palza infront of the complex acts as an pause point or a hangout space

•

The vendor zone present infornt of the market

V E G E TAT I O N

PUBLIC COMPLEX

• •

The public plaza infront of the complex is populated with trees to provide shades for the seatings

• •

The green courtyard inside the complex acts as an gathering space and a pause point for the public

•

The green courtyard spills on to the plaza inviting the public into the building

•

Vegetation

KALA

S IPA

L AYA

M RO AD

MARKET

PUBLIC COMPLEX

ARCHES+++++ •

Arches being the main design element are being used to open up to the road

•

Two type of arches are used according to the spaces in the building

•

The public plaza infront of the complex is populated with trees to provide shades for the seatings

•

The green courtyard inside the complex acts as an gathering space and a pause point for the public

•

The green courtyard spills on to the plaza inviting the public into the buildingt

Arches KALA

S IPA

L AYA

M RO AD

39 | Urban study - Paths de Pete

•

Arches being the main design element are being used to open up to the road

•

Two type of arches are used according to the spaces in the building

PUBLIC COMPLEX

facade the create a contrast between the arches

Facade + Louvers •

The Louver element is brought into the facade the create a contrast between the arches

KALA

S IPA

L AYA

M RO AD

MARKET

PUBLIC COMPLEX

PEOPLE +

ACTIVITIES

• • •

The public plaza and the green courtyard could be a pause point or a hangout space for the public

• • •

The green courtyard inside the building can be widely used as a food court

People + Activities • •

The public plaza and the green courtyard could be a pause point or a hangout space for the public The green courtyard inside the building can be widely used as a food court

KALA

S IPA

L AYA

M RO AD

MARKET

PUBLIC COMPLEX

ENTRANCE • •

The arches serves as an entrance to the building

• •

The size of the entrance variess according to the buildings.

•

All the entrance are through the public plaza infront of the complex.

Entrance •

The arches serves as an entrance to the building

•

The size of the entrance variess according to the buildings.

•

All the entrance are through the public plaza infront of the complex.

KALA

S IPA

L AYA

M RO AD

All overlay + facing angle •

Both the building talks to itself in the form of the facade and the angle its placed

•

Virtually both the building are connected in the form of built language and the treatment of the elements

Architecture Design | 40

PLAN MARKET AND PUBLIC COMPLEX

41 | Urban study - Paths de Pete

View Showing the plaza in front of the Public complex

R ender showing the Central cour t

04 Internship Works Year : 2021 Firm name : C-Earth Location : Calicut , kerala The internship was for a period of 5 months and over these few months i had been exposed to all types of work done by the firm. I was given the oppurtunity to handle work for a Commercial project (BOSCH) in which i dealt with works from designing , working drawings and 3d modelling . I also attended client meeteing for this project . I alos worked on the heritage documentation of old traditional Kerala mana which the firm proudly takes initiative for(LOCHANA) and gor to work on a government school renovation. Working closely with the architects , i was focusing on the design, communication with the clients and vendors, site visits for the respective projects and some drafting work.

43 | Internship works

CHITECTURAL AND

40MM TH PLYWOOD

AFA89D DRAWN

: RAM NARESH

MDF BROWN OAK LIGHT STAIN VENEER

A58666

CEME U REC CO

906340 Architecture Design | 44

DRAFTING - 2D

PLAN PLAN

RED PAINT 1500 X 3400MM RED PAINT 1500 X 3400MM

4500

2600

4550 45 130 4045 130 40 170 170

FLOOR PAINT FLOOR PAINT

3400

GUTTER GUTTER

3400

7400

600

7400

BOLLARDS BOLLARDS 13CM DIA13CM DIA

333 520

3150

CALICUT MAP CALICUT MAP ART WORK 1700X3400MM ART WORK 1700X3400MM

2050

1000 1100

5600

GUTTER

3000

11900 10850

10850

LIFT 190 X 180

LIFT 2000 190 X 180 11900

2000

3000

1700

BOLLARDS BOLLARDS 13CM DIA 13CM DIA

BOSCH COLOR PAINT BOSCH COLOR PAINT

EXPANDED MESH 1000X1500MM EXPANDED MESH 1000X1500MM

3550

2050 1600 1500 1000 1100

8900

ART WORK 2000X3400M ART WORK 2000X3400M

BOSCH COLORBOSCH PAINT COLOR PAINT

1350

SHELF SPACE

SUMP SLEEPING SPACE

SLEEPING SPACE WIDTH 120CM

EXISTING GATE EXISTING GATE

WIDTH 120CM

SUMP

SLEEPING SPACE WIDTH 120CM

SLEEPING SPACE

WIDTH 120CM

DOWN

APPLICANT: PLICANT:

2600

5500

45500

SUMP

DOWN

4550

1700

333 1350 520

SHELF SPACE

EXISTINGEXISTING GATE GATE

GUTTER

2400

1700

3150

FLOOR PAINT FLOOR PAINT WORK 2000X3400M ART WORKART 2000X3400M

LIFT 190 X 180

LIFT 190 2000 X 180

2000

3000

1700

600

3000

4550

WORK 2000X3400MM ART WORK ART 2000X3400MM

WORK 1700X3400MM ART WORKART 1700X3400MM

DG 82.5 KVA DG 82.5 KVA

4500

5750

EXPOSED CONCRETE EXPOSED CONCRETE

1600 1500

5600

2600 2600

2600 5750

3650

SUMP

2600

8900

CALICUT MAP CALICUT MAP 4550

4500

3050

3050 8900

SUMP SUMP

82.5 kVA DG

2600

EXPOSED CONCRETE EXPOSED CONCRETE

ART2000X3400MM WORK 2000X3400MM ART WORK

4500

SUMP

82.5 kVA DG

2600

SUMP

DG 82.5 KVA DG 82.5 KVA

4500

4500 SUMP

SUMP

ARCHITECT: ARCHITECT:

SECTION

PROJECT: PROJECT:

DETAILS AREAAREA DETAILS

DOWN

centreforenvironment

29/21 29/2117, Kuthiravatto Calicut, Kerala Calicu (India Ph: +9 Ph: +91 (495) 274013 TeleF2 PLAN TeleFax: +91 (495) pvt ltd email: email: cearthcalicut@

www.cearth.org

*All dimensions *All dimensions are in are in CENTIMETERS. CENTIMETERS. 150

340

90 60

1350

C-EA

190 X 180

2000

600

humansettlements

C-EARTH

1700

pvt ltd

www.cearth.org

333

KEY

: FINAL

520

DATE :30-04-2021 :30-04-2021

a r c h i t e c t u r e and a r c h i t e c t u r e and

2400

200

3000

DATE

71 : FINAL DRAWINGDRAWING

- BASEMENT PLAN -PLAN BASEMENT FLOORFLOOR

: N.T.S

WIDTH 120CM

TITLE TITLE

SCALE : N.T.S

SHELF SPACE

360

60 71

BOLLARDS

SCALE

SLEEPING SPACE

5500

DRAWN : RAM NARESH ACRYLIC DRAWNSMOOTH : RAM NARESH PAINT(ART WORK) A R C H I TAERCCTHSI T &E CPTLSA N&N CHECKED CHECKED : HARI : HARI humansettlements

CRESCENDO ARCHITECTURAL SCENDO ARCHITECTURAL AND AND INTERIOR WORKS AT KANNUR RIOR WORKS AT KANNUR ROADROAD NH-17,KOZHIODE 17,KOZHIODE

ACRYLIC SMOOTH ARCHITECTURAL REVERSIBLE CRESCENDO CRESCENDO ARCHITECTURAL AND AND PAINT(ART WORK) EXHAUST INTERIOR INTERIOR WORKSWORKS

GRADE FLOOR PAINT(RED PAINT)

PAINT(YELLOW)

CONCRETE PAINT FINISH

SUMP

AUTOMOTIVE EXPOSED NAME OF ARCHITECT:EPOXY AUTOMOTIVE NAME ADDRESS OF APPLICANT:E AND AND ADDRESS OF APPLICANT:NAME OF ARCHITECT:-EPOXYGRADE AREA SQFT AREA : 1829: 1829 SQFT FLOOR

100

130

THIS DRAWING IS THE PROPERTY OFFOR CENTRE FOR ENVIRONMENT,ARCHITECTURE AND HUMAN SETTLEMENTS IS USED NOT TO USED OR REPRODUCED WITHOUT THEIR PERMISSION. THIS DRAWING IS THE PROPERTY OF CENTRE ENVIRONMENT,ARCHITECTURE AND HUMAN SETTLEMENTS (P)LTD.AND(P)LTD.AND IS NOT TO BE ORBE REPRODUCED WITHOUT THEIR PERMISSION.

60 845

938 1800

SECURITY CABIN

350

LIFT

170

167

53 260

297

272

310

200

BOSCH LOGO COLOURS

SOUTH SIDE

FLASE CEILING

ART WORK ON LIFT WALL

EXPOSED CONCRETE PAINT FINISH

340

CALICUT MAP

VENTILATOR

FALSE CELING (WITH EXPANDED MESH) AMBER-15

RAIN GUTTER

120

1800

ARCHITECT:

AREA DETAILS NORTH SIDE

PROJECT:

NAME OF ARCHITECT:-

AREA : 1829 SQFT

CRESCENDO ARCHITECTURAL AND INTERIOR WORKS

DRAWN

: RAM NARESH

CHECKED : HARI

ARCHITEC t

APPLICANT:

45 | Internship works NAME AND ADDRESS OF APPLICANT:-

SHS HOLLOW SECTION 75X75X 4MM THCK

CERA BOSCH

SIGNAGE

ARISTO

EXPANDED METAL AMBER 15 120X350CM SPRAY PAINTED

SHS HOLLOW SECTION 75X75X 4MM THCK ACP 4.5THK KELACHANDRA WINDOW

SHS HOLLOW SECTION 75X75X 4MM THCK

CRESCENDO

CEMENT BOARD SENSOR DOORS

CLEAR GLASS PLANTER BOX

ARCHITECT:

AREA DETAILS

PROJECT: APPLICANT:

ARCHITECT:

PRODUCED BY AN AUTODESK STUDENT VERSION

INTERIOR WORKS

CRESCENDO ARCHITECTURAL AND INTERIOR WORKS AT KANNUR ROAD NH-17,KOZHIODE

CHECKED : HARI PRODUCED BY AN AUTODESK STUDENT VERSION

SCALE

: N.T.S

DATE

:29-04-2021

DRAWING

PRODUCED BY AN AUTODESK STUDENT VERSION

TITLE

: FINAL

*All dimensions are in CENTIMETERS.

FACADE OPTIONS 1

ARCHITECTS

PLANNERS

pvt ltd

www.cearth.org

C-EARTH

29/2117, Kuthiravattom P.O Calicut, Kerala (India) 673016 Ph: +91 (495) 2740135 TeleFax: +91 (495) 2742523 email: cearthcalicut@yahoo.com

TITLE

FACADE OPTIONS 2

THIS DRAWING IS THE PROPERTY OF CENTRE FOR ENVIRONMENT,ARCHITECTURE AND HUMAN SETTLEMENTS (P)LTD.AND IS NOT TO BE

PRODUCED BY AN AUTODESK STUDENT VERSION

a r c h i t e c t u r e and

PRODUCED BY AN AUTODESK STUDENT VERSION

THIS DRAWING IS THE PROPERTY OF CENTRE FOR ENVIRONMENT,ARCHITECTURE AND HUMAN SETTLEMENTS (P)LTD.AND IS NOT TO BE USED OR REPRODUCED WITHOUT THEIR PERMISSION.

PRODUCED BY AN AUTODESK STUDENT VERSION

PROJECT:

CRESCENDO ARCHITECTUR INTERIOR WORKS

humansettlements

CRESCENDO ARCHITECTURAL AND INTERIOR WORKS AT KANNUR ROAD NH-17,KOZHIODEPRODUCED BY AN AUTODESK STUDENT VERSION

AREA DETAILS

: RAM NARESH NAME AND ADDRESS OF APPLICANT:- NAMEDRAWN OF ARCHITECT:-

CRESCENDO ARCHITECTURAL AND SKIN SECTIONS

centreforenvironment

APPLICANT:

NAME AND ADDRESS OF APPLICANT:- NAME OF ARCHITECT:-

Architecture Design | 46 41| Working drawing

Wroking drawing |42

WOODEN LOUVERS 25X45

120

DUCT

120

DUCT

MS BASE PLATE 20MM

LIFT 190 X 180

205

208

220 340

340

DOOR

WOODEN LOUVERS 25X45

PLY WOOD 25MM TH

220

PLY WOOD 25MM TH

170

WOODEN FRAME 75X100

DRAFTING - 2D

DETAIL B

KEY PLAN KEY PLAN

SECTION SECTION AT YY

SECTION SECTIONAT YY

250

15 0

PLY WOOD 25MM TH

WOODEN FRAME 75X100

WOODEN LOUVERS 25X45 MS BASE PLATE 20MM

WOODEN LOUVERS 25X45 HINGE

DETAIL A

7.5

102

PLY WOOD 25MM TH

DOOR

WOODEN FRAME 75X100

3.5

WOODEN LOUVERS 25X45

APPLICANT:

ARCHITECT:

NAME AND ADDRESS OF APPLICANT:- NAME OF ARCHITECT:-

works

AREA DETAILS

PROJECT:

AREA : 10 SQFT

CRESCENDO ARCHITECTURAL AND INTERIOR WORKS - BOSCH

DRAWN

: RAM NARESH

CHECKED : HARI SCALE

: N.T.S

ARCHITECTS

PLANNERS

a r c h i t e c t u r e and

human

47 | Internship CRESCENDO ARCHITECTURAL AND INTERIOR WORKS AT KANNUR ROAD

DETAIL OF WOODEN DETAIL OF WOODEN LOUVER LOUVERS

DOUBLE PHOSPHOR BRONZE HINGE DETAIL WASHERED HINGE

DETAIL B

forenvironment

MS BASE PLATE 20MM

C-EARTH

29/2117, Kuthiravattom P.O

BATHROOM LAYOUT

4 5 7

LEGEND: 1. WASH BASIN 2. GRANITE COUNTER TOP 3. BATHTUB 4. RAIN SHOWER 5. BATH AREA 6. WATER CLOSET 7.WATER DRAIN

BATHROOM LAYOUT SCALE - 1:10

ALL DIMENSIONS IN MM

VIJAY - 17BARC068 SUSHMA - 17BARC061 RAM NARESH - 17BARC046

VIJAY - 17BARC068 SUSHMA - 17BARC061

SCALE - 1:10 RAM NARESH - 17BARC046 Architecture Design | 48 ALL DIMENSIONS IN MM

05 Work shops

COB TECHNIQUE (103) Exploring the material cob technique CARLO SCRAPA RAILING Replicating master’s work QUBE (107) Designing a product for post covid-19

49 | Workshop

b tec h ni q u e

carl o s c rap a ra i l i n g Qube

The workshop was conducted during quarentine where we as a group had to image from google design a product for post covid-19 .Our group came up with interior space work pod which could be placed anywhere in the room or office ,yet you get privacy and being safe In a day and age where most of our workforce is compelled to work fromwas hometohow can we look at new addressing the issues of creating a work The main idea of the work shop expriment with material and get environment similar to that of anactivites office, at home? workshop focused on of trying to replicate the but master detail renowned used toThis its properties.This is part our semester where we allofwork Currently the most common problem faced bymembers an employee working architect Carlo. Scrapa . This project had group of four .We wereattohome is together in 1:1 scale The technique we aexplored was the The intent dealing with thewhich surrounding - most ofthem don’tcob have. a definite study room / railingunder detials of Carlo Scrapa . we first made material a prototype of the detail was toreplicate make a the seating a tree. Cob is a natural building made from workspace set up and end up sitting on couches/dining tables all day with their later we used diifferent materials get the final outcome. kids, families etc to(typically subsoil, water, fibrous organic material straw).

So bacically we used MS widely and we had a wooden handle for the hand rest.

The form is an irregular S-shaped which is obtained by following two trees. The

The main idea of the work shop was to expriment with new material and get used to its properties.This is part of our semester activites where we all work together in 1:1 scale . The technique which we explored was the cob . The intent was to make a seating under a tree. Cob is a natural building material made from subsoil, water, fibrous organic material (typically straw).The form is an irregular S-shaped which is obtained by following two trees.

PRODUCED BY AN AUTODESK STUDENT VERSION

53| cob

70.7

14.6

150.0

PRODUCED BY AN AUTODESK STUDENT VERSION

UCED BY AN AUTODESK STUDENT VERSION

24.9

The form is an irregular S-shaped which is obtained by following two trees. The seating has un - uniform undelation so that they can lean on or take rest unlike other contemporary seatings. The main motive of the seating was to create a resting space for the drivers who waits all day at the parking lot.

20.0

CARLO SCRAPA RAILING

924.9

900.0

60.0

24.9 39.9

49.9

37.4

16.6

60.0

39.9

49.9

37.4

900.0

50.0

924.9

This workshop focused on trying to replicate the master detail of renowned architect Carlo Scrapa . This project had a group of four members .We were to replicate the railing detials of Carlo Scrapa .we first made a prototype of the detail later we used diifferent materials to 150.0 get the final outcome. So bacically we used MS widely and we had a wooden handle for the hand rest. Actually this railing is placed around the opennings in a buliding .Railing’s handle is not fixed its left hanging ,he has designed this because he didnt want the people to rest or lean on the railing.we had a great experience learning the detail.

PRODUCED BY AN AUTODESK STUDENT VERSION

20.0

14.6

60.0 50.0

PRODUCED BY AN AUTODESK STUDENT VERSION

70.7

16.6

PRODUCED BY AN AUTODESK STUDENT VERSION

0.0

PRODUCED BY AN AUTODESK STUDENT VE PRODUCED BY AN AUTODESK STUDENT VERSION

51 | Workshop

documentation |56

documentation |54

COB TECHNIQUE (103)

Magnetic white board

Roof panel

Type 1 Desk panel

Base plate

Frosted acrlyic panel

Type 2

Sliding folding door

Type 3

Type 4 Side Elevation

Type 5

Types of panel Type 6 documentation |58

QUBE (107) The workshop was conducted during quarentine where we as a group had to design a product for post covid-19 .Our group came up with interior space work pod which could be placed anywhere in the room or office ,yet you get privacy and being safe In a day and age where most of our workforce is compelled to work from home how can we look at addressing the issues of creating a work environment similar to that of an office, but at home? Currently the most common problem faced by an employee working at home is dealing with the surrounding - most ofthem don’t have a definite study room / workspace set up and end up sitting on couches/dining tables all day with their kids, families etc

Other works Sketching/Renders As a kid, I spent hours drawing and sketching ideas that popped into my head. I used drawing as a primary language for capturing thoughts, exploring ideas and then sharing those ideas. Sketching has been my favourite hobby. Rendering was something which I developed during my architectural course, which has always helped me to visualise my ideas and design close to reality, I have always tried to experiment with different types of ideas and to create something interesting https://www.instagram.com/naret_art/ Photography Photography is one of the best ways to capture the beauty around us. Few people take pictures solely to please themselves. Most of us take them because we want them seen by others. Pictures are a photographer’s means of expression also being a travel enthusiast helps me in exploring places, culture, and typologies through photography. Here is my collection of photography from my architecture student life. https://www.instagram.com/naret_ic/

53 | sketching - renders - photography

RENDERS

HERE ARE SOME OF MY RENDERS WHICH ARE DONE USING DIFFERENT SOFTWARES

55 | sketching - renders - photography

SKETCHES

n autodesk sketchbook digital sketching |62

digital sketching |62

Sketched in autodesk sketchbook

HERE ARE SOME OF MY SKETECHES DONE DIGITALLY 61| digital sketching

Architecture Design | 56

PHOTOGRAPHY

HERE ARE SOME OF MY PHOTOS SHOWCASING DIFFERENT PLACES AND SCENE

57 | sketching - renders - photography

Architecture Design | 58

I HEREBY DECLARE THAT THIS DOCUMENTS CONTAINS ONLY ORIGINAL ACADEMIC WORK, ALL DRAWINGS, SKETCHES, PHOTOGRAPHS, AND TEXTS ARE MY OWN

RA M N ARE SH R K 9972817316