PowerMouth PowerMouthEntertainment Entertainment Presents Presents
ch Lauintion Ed
MAGAZINE ISSUE #001: APRIL 2013
In this issue: Lauren Lucille Ladi Abundance Project Mission X Breaking Hart Benton
WhatZon Gig Guide Advertise your gigs for free!
Lighting You don’t need a million dollar budget
Ask Lisa J Your personal industry consultant
THE NEW MISSION X INTERVIEWS AND REVIEWS MEET THE WRITERS Interactive columns .... and more 1 MouthZoff Magazine March 2013
inside this edition 3 Message from the Editor 4 Meet the Writers 7 Out of the mouths 9 Why Lighting? 10 The New Mission X 12 Ask Lisa J 14 Breaking Hart Benton Review 2 MouthZoff Magazine March 2013
17 Lauren Lucille’s Nina Simone Tribute Show 18 TJ Quinton Live Review / Promo 19 MouthZoff Talks to ...LAP 20 Boss Cat Review 22 Ladi Abundance Project releases their EP “Slice You Up” 23 !"#$%&'()&*"#+,-.",/
Credits: ‘Launch issue’ # 001
CHIEF EDITOR Randy G
RANDY G
ART DIRECTOR Benitta
Message from the Editor Hey there, I’m Randy G, Marketing Guru & Owner of PowerMouth Entertainment and also the Chief Editor of MouthZoff Magazine. Prior to working in the managerial side of the Music Industry, I was a budding musician, lyricist, composer and songwriter. I’ve sang and written songs both for and with some wonderful singers and musicians. Recently basing myself in Queensland opened me up to a completely new music scene. I became increasingly aware of the positive contribution I could make to local artists and industry and alas PowerMouth Entertainment was born (www.powermouth.com.au). In what seemed like an incredibly short period of time PowerMouth has become a recognizable, well respected name. My professional role is varied, from artist marketing, promotion and management, to booking agent, publicist, /-"+,-0*(-+"&+*-,1-,&,#+(+"2#0*3,-4'*&(5,&*(#6*32-,7*894'*%-&+*'(#6*,:1,-",#4,* has impressed upon me the hardships local artists face regularly in the music arena. This gave me an increased understanding of what is required to improve my services both to the industry and musicians. It is at this point I wish to introduce you to MouthZoff Magazine. ;'"&*,<3($(="#,*"&*(*>-"55"(#+*"#"+"(+".,*(#6*+225*+2*&9112-+*(#6*,:1(#6* Queenslands Music Scene. It will provide advertising, awareness, free 19>5"4"+?*2112-+9#"+",&0*,:12&9-,0*(#6*&9112-+*1-"3(-"5?*@2-*524(5*39&"4"(#&* as well as local businesses and services. In addition to this it will include a Free gig guide! for artists and valuable informative articles keeping you up to date with this ever changing industry. Many months have gone into planning and building the perfect team of professionals to ensure MouthZoff Magazine is a success. Now all that is needed is ‘You!’ We are currently collecting e-mail subscribers, which is totally free of charge and means you can receive A29+'B2@@*A($(="#,*&+-("$'+*+2*?29-*"#>2:*@2-+#"$'+5?7*C#"+"(55?*/,*(-,*-,5,(&"#$* MouthZoff as a mini emag for the local Brisbane region and the genres we are covering are Heavy Rock, Rock, Pop, Funk, Soul, RnB, Folk, Jazz & Blues. However, as your support for this magazine grows you will see it fully develop and transform, keeping in mind advertising in this magazine will be a fraction of the cost of any other magazines currently in print.
GRAPHIC DESIGN Benitta Gabriel Buckley Abby Skye Writers Lisa J Aston Hugh Brown Harmonie Downes Randy G Luke Monsour Tina Walsh
CONTRIBUTING WRITERS Di Clark Craig Riley
PHOTOGRAPHERS Cover Photo Batman Cover Article Batman Brett Linsley Luke Monsour Nina Simone Show, Lady Abundance review, Boss Cats, Rob Ratten Steve Barrett Breaking Harts Benton, TJ Quinton Tina Walsh
http://www.mouthzoff.com team@mouthzoff.com
Brisbane city and surrounding regions are bustling with fantastic artists and bands. I’m stoked at the talent that’s out there and what MouthZoff Magazine will be able to offer you. It’s true, Queensland has produced some of the best and continues to do so...Pwr2ya!
33 MouthZoff MouthZoff Magazine Magazine March March 2013 2013
Randy G Tina Walsh
https://www.facebook.com/ PowerMouthEntertainment https://www.facebook.com/MouthZoff www.powermouth.com.au www.mouthzoff.com
Hi, I’m Tina Walsh, selfconfessed gig junkie. Music has been in my veins since I was little, and the live music bug bit me when I lived in Canada. When I returned to Brisbane I actively contributed where and how I could, working with music-oriented #2+<@2-<1-2%+*2-$(#"&(+"2#&7* Recently, my focus has shifted into writing promotional pieces and reviews. My work for WeekendNotes has been given a number of Silver and Bronze Editor’s Choice Awards, and I also blog for ;',*E226*E9"6,7*C)3*,:4"+,6* to be joining the MouthZoff Magazine team, sharing the $,3&*C*%#6*"#*+',*F-"&>(#,* music scene.
Luke Monsour Having responsibly been in his share of aspiring bands, Luke Monsour has also spent a large portion of his career as an actor, writer, lecturer, %533(D,-*(#6*1'2+2$-(1',-7** He now runs the successful video and photography production house ‘Bulimba Studios’ and living the dream
Lisa J Aston as a rock journo. GH"+'*+',*,:4,1+"2#*2@*I,#"&* Handlin, in his coveted gig as head of Sony/BMG Music Australia, no-one knows every nook and cranny of this industry inside out and backwards as well as Lisa”. – Kathy Howard, CEO Kathy Howard Management Pty. Ltd., General Manager – Republic Productions Pty Ltd., Manager – 1927. As a veteran of 30 years in the Australasian Music Industry as an artist//professional songwriter/producer/manager/ publicist/professional manager and industry administrator, I (3*>2+'*,:4"+,6*(#6*1-296*+2* be writing the Q&A column for “MouthZoff”. The column will be your opportunity to ask whatever questions about the music industry you need to know. Simply email your questions to me at asklisaj@gmail.com and each week I will select the one J9,&+"2#*+'(+*C*@,,5*>,#,%+&*+',* most readers. Some of the company’s and
MEET WRI
4 MouthZoff Magazine March 2013
THE
Hey there, Yes I’m the Founder/Editor-‘Head Honcho’- of this wonderful Magazine ‘MouthZoff.’ I’m also the Owner, Marketing Guru and somewhat of a musical entrepreneur when it comes to this music business and the wonderful ‘PowerMouth Entertainment.’ Of all the things I’ve seen people fane in life-they absolutely cannot convincingly falsify passion and love of music! Working closely in the industry for the last few years I’ve come to appreciate all the musicians more and more and a love for music has grown and ,:1(#6,6*(#6*+(D,#*3,*>?* the pigtails (well, so to speak!). Among the many areas I’m already working in- I’m really looking forward to taking more time to be out reviewing gigs and interviewing the musical talents in our own state. The privilege of being able to represent you all further, to help promote you on a much larger scale and to create and develop some amazing relationships is just too big to accurately convey in writing. Thank YOU for supporting the MouthZoff Team and I. Please get as involved as you can. Pwr2ya Randy G PowerMouth Entertainment/ MouthZoff Magazine.
artists who I have had the honour to work with, in the past have been: K* CBS (prior to becoming Sony) as 3rd Party Copyright controller K* MMA (INXS’s management) as creator of their fan club K* Artist Liaison for Michael Chugg Management (Frontier Touring Company) K* Promotions Manager for The Harbour Agency (Sydney) K* Publicist ZZ Top, Paul Simon’s Graceland Tour, The Holly’s, The Wolftones, Christy Moore, I255?*L(-+2#0*!,##?*M2$,-&* and Simply Red) K* National Education Manager @2-*L(4"%4*N"-45,*A9&"4* Convention (Michael Chugg/Kathy Howard) K* Manager of the Australian Contemporary Music Institute (A.C.M.I.) at Southern Cross University, Lismore N.S.W. (Home of Grinspoon) K* I"-,4+2-OL-2694,-*2@*."6,2* “Black Jackaroo” for Colin E-,(+2-":*PQ9&+-(5"(#** Country Artist) K* Author of “Pop Stars & Idols – the recipe for success” endorsed by some of Australia’s leading music industry guru’s. K* Founder/Principal of House Concerts Australia – the largest network of artists and house concert hosts in Australasia. K* Private coaching on “The Complete Artist” program – encompassing body, mind and spirit; an intense 12 week course to prepare you for the international stage. Lisa J Aston www.completeartistprogram.com
ITERS
asklisaj@gmail.com
another as-yet-unreleased album before going on hiatus in 2008. A hankering to work in the media dragged Huge back to study S29-#(5"&30*/'"4'*5,6*+2*%.,*?,(-&* editing the acclaimed Internet political journal, ‘On Line Opinion.’ This raised his interest in selfpublishing Bun’ Ber E’s music on the Internet and building a music business using the latest technologies. He formed The Genre Benders in 2006 for the 19-12&,&*2@*(*L'I*&+96?*"#+2* Independent music business models.
I-*R9$,
I-*R9$,*&+(-+,6*29+*(&*(*&"#$"#$* Christmas tree in kindergarten in a small country town. He went on to learn piano, guitar and trumpet before falling in love with drums at 15. His high school music teacher nicknamed him ‘Huge’ and he took it for a stage name. Growing up in amateur theatre and playing in school jazz, rock and concert bands, Huge played drums and percussion in originals and covers bands around southeast Qld, professional theatre and studio sessions covering pop, punk, jazz, funk, metal, country, jingles and more. Huge started taking his own compositions seriously and fronted original bands as a singer/ guitarist in the mid-90s before joining Celtic folk band Bun’ Ber E in 1997. This introduced him to the world of marching bagpipe bands and the joys of traditional music. Bun’ Ber E released three albums and recorded
One of the accidental outcomes 2@*'"&*L'I*-,&,(-4'*/(&*+',* /2-56)&*%-&+*(#6*2#5?*@-,,0*21,#0* online music industry network at www.musowiki.net. This is a growing directory, into which any Muso can add the services that have done well for them, rate the services already in there and list their own services for 2+',-*A9&2&7*C#*TUVV*I-*R9$,* was commissioned to compile resources for the Music Council of Australia’s www.musiccareer. com.au. H"+'*,:1,-",#4,*&+-(665"#$*+',* creative, business and academic /2-56&0*I-*R9$,* is passionate about helping Independent musicians develop their craft to its full potential. In each edition, he will write about the latest music industry developments – especially reviewing the latest services that can help Independent Musos make the most of their music business. To stay up-to-date with the newest online offerings that can help you reach your musical $2(5&0*+9#,*#*+2*I-*R9$,)&* column- Only on MouthZoff Magazine! A9&2H"D"*W///739&2/"D"7#,+ Musowiki is a one-stop directory for all your independent music
5 MouthZoff Magazine March 2013
Soul Kind Of Feeling Revue Comes To Brisbane One of Australias great live acts of the XU)&*/(&*+',*I?#(3"4*R,1#2+"4&7*H"+'* the charismatic front man ‘Continental’ Robert Susz they enjoyed chart success with their 1985 release ‘Soul Kind of Feeling’, but it was on stage that the band really shone. Morphing into the Mighty Reapers the band enjoyed two decades at the top of the blues and soul tree in Australia. Now original members from the stellar twenty year reign are getting back together to strut their stuff again in the Soul Kind of Feeling review. After sell out shows in Sydney and Melbourne the Revue is now coming to Brisbane. The shows is just as dynamic as ever with the only difference being that you won’t see Conti doing the splits nowadays. Other than that they will be reprising all the great hits of Hepnotics. Supporting the Revue will be Sydney’s Y(4'?*I25,?*/"+'*524(5*S931*,:12#,#+&* Morningside Fats. There will be one show only in Brisbane at the Beetle Bar on 13 April. Tickets are Z[U*159&*>@*(#6*(.("5(>5,*(+*2=+":74237(9 N\];QN;*I^;QCY8_*L(95*M2>"#&2#* Phone: 043 711 5703 Email: pkrobin@ozemail.com.au Web: queenslandfestivalofblues.com Facebook: Queensland Festival of Blues Twitter: @qldfestofblues
ADVERTISE HERE if you would like to advertise in MouthZoff eMag please contact Randy G on 0438 507 305 or e-mail team@mouthzoff.com for a media kit
6 MouthZoff Magazine March 2013
Out of the mouth.....
my guitars and then I produce them with the people that are around me at that time. Velvet eleven is always evolving, with its network of musicians and amazing souls that I have met on my travels. Velvet eleven is a blend of Folk/Rock/Roots/ Electronica, the music that is written can be either a collaboration or my own personal works. I like to think that every Velvet 11 production is like a diary entry of what’s going on in my life at the time. Velvet 11 has the ability to be a full band or one man show just all depends what’s happening and where.
Four By Five Quintet Review by Tina Walsh
TINA’S TIP!
Four By Five Quintet performed recently at Y24D)#)Y2(60*(&*(*&,:+,+0*(#6*-(+',-*+'(#*+',"-*9&9(5* jazzy tunes, they funked their set up, with James Pendrith joining them on trumpet. The core of the band is Kat Kellalea on vocals, Jake Bristow on keys, Andrew Fincher on guitar, James Visentin on bass and Michael Clarke on drums. I had caught them perform once before, and enjoyed their jazz stylings. Being a fan of funk, I was in raptures when they stretched their sound into that genre. Especially interesting was the apparent disharmony between trumpet and vocals. Four By Five Quintet performs regularly in Brisbane. More information about the band and upcoming gigs is available on Facebook - https://www.facebook. com/FourByFiveQuintet.
Travelling Producer and Musician Rob Ratten recently performed a unique Support Slot at the Ladi Abundance EP Launch. I caught up with Rob a few days 5(+,-*+2*%#6*29+* a little bit more about his ‘Velvet 11’ Project and his electronica styled music.
So you’ve got a gig, or you’ve been gigging for a while. You’re focused on getting the music right, playing tight and getting the punters interested, and maybe even dancing. There’s a few things that often get forgotten, but make a big difference to your fanbase and band income. 1 - Who are you? I can’t recall the number of gigs that I’ve been at, /',-,*C).,*'(6*+2*522D*91*+',*,.,#+*+2*%#6*29+*+',* name of the musician / band. The average punter may not put in this effort, even if they like what they hear, so you’ve lost them the moment they leave the venue, or you leave the stage. And don’t forget people have short attention spans. I remember something like anything more than 20 minutes and the average person’s concentration has drifted (oh look, what a cute kitty …) This means you need to mention the name of your band *at least* every twenty minutes. Practice a number of ways to share this. At least one way is introducing members of your band. Another is to thank the other bands on the bill, then mention your own band name. Yes another way is to talk about your merch ... 2 - Got merch? Let the punters know ... L,215,*/"55*42#&"6,-*>9?"#$*?29-*NI*O*^L*O*."#?5* if they know it’s available. I’ve had a number of musicians tell me “I don’t feel comfortable selling”. Guess what? Some people will buy your merch because that’s what they do, but plenty of others won’t even think about it unless they are prompted. Try something like “We’re [band name] and if you like what you hear, you can pick up a copy of our NI*(+*+',*3,-4'*6,&D`*&'2956#)+*>,*+22*+29$'*+2*&(?* during your set. And it makes sure the punters know who you are.
“‘Velvet eleven’ is a musical project I have been working on for the past two years. I write songs on
7 MouthZoff Magazine March 2013
8 MouthZoff Magazine March 2013
Why Lighting? Article by Craig Riley L'2,#":*829#6*(#6*Y"$'+"#$* A2&+*2@*9&*'(.,*%.,*&,#&,&_*&3,550*+(&+,0*+294'0* H"+'*+',*(6.(#4,&*"#*5"$'+"#$*+,4'#252$?0*IAd* 1-2+2425*42#+-255"#$0*5(&,-&0*Y^I*1(-*4(#&0*$2>2* sight and sound. lighting and moving headlights etc., you can create amazing light shows to enhance your As musicians you have the ability to stimulate 1,215,*/"+'*+'-,,*2@*+',*%.,*&,#&,&*(#6*+'(+*"&* music. When you create visual interest you get the attention of the audience and once you a pretty powerful thing. have their attention they are going to listen to your music. You want them to go away saying, A soloist can move people’s emotions through “great music and great show”. This starts instruments and lyrics and that’s the sense of creating a buzz and draws attention to your act. sound. Now, with good stage presences they The more people who come to your show, the are able to entertain people through the sense of sight. With a band, it’s the same as above but more venues take a bigger interest, which in with a louder sound and more instruments, they turn increases your value. include the sense of touch, which is caused by the vibrations of the bigger sound systems they So stop being a musician for a moment and go out and observe other artists and audience use. reactions. One observation I have made is you 4(#*'(.,*(*.,-?*5(-$,*6(#4,*e22-*(#6*19+*2#,* C+*/(&*Q#6?*H(-'25*P(-+"&+O%53*3(D,-a*/'2* &3(55*322#e2/,-*5"$'+*(#?/',-,*2#*+',*e22-* came up with the multimedia concept back in and people will go and dance on that one spot. the 1960’s using live music, lighting, projected Why? They like the stimulation the moving light "3($,&*(#6*."6,27*;'"&*/(&*+(D,#*+2*+',*#,:+* has on their sense of sight. I do like to mess 5,.,5*>?*+',*5"D,&*2@*L"#D*b52?60*I(."6*F2/",0* with people at times by moving a dance light and Alice Cooper just to name a few. during the break and waiting for them to start dancing where the light was. Then turning it on Ok, so you don’t have a million dollar budget and many stages are too small to move around and watching them all gravitate towards it. 2#7*c29*%#6*?29*4(#*2#5?*&+(#6*+',-,*5"D,*@-2=,#* Your music is important, but remember you frogs or stunned mullets, so how do we create need to entertain and not to merely serve as a a visually stimulating show?? We use stage S9D,*>2:7* lighting! 9 MouthZoff Magazine March 2013
THE NEW Gig Review X N alley IO S IS M Fortitude V l, te o H s rm Elephant A 13 2 nt March 9, 0 tively dece la re a d n u of having fo turday night and behind me on a Sa e band the Valley in rk e before th a u p n e v * e ' "+ th / Abby 3"#$*'"$'0* g made it to ing, I ventured forth. ( in v -, 4 a h *& *( # rted play clear voice +*%#"&',6*2 ping out ta d , s m n & u a +* y p ll s -& a s m *% e tu , iu n c ' h a ; Lit y g calm of Nirvana’s uld. Just moments uietest nois ith surprisin q w , e e th y k d S n the refrain o u h d chat. We fo dirty as it s punters least a goo a d t d n a e to a , m d n d e e m u re rd ra lo g c a a as ore beer g rfect. undred or m n, many with a f the Arms’ o r e vellers. Pe rn o re c t before, a h s w o re d a , e d ly n n d a ing up uired for an waving wil ot from the q r fo e re lf th s a o a h were jump e w th g ith listenin ted to e hand and in unison w oever said g on, I wan h g in n W h drink in on lo a rc a g M in ? ype scream nyway *+',"-* X and the h interview a n 5"6(-"+?*/"+' themselves 2 io s *& is "# -* M 2 t ll 2 u a o ab *+',*e use of know more (55*@(4,&*+2 rus. The ca u g l n a a u night’s gig. it th to ir r p e to s th p ry o u ta s g n a in lead mome nting w d d angst ve ivas, e d ll k e c n n ro a for this ban h rd c ts a h h g f li the o h t ig s * h e own hard s, Mission re two big +',"-*>-(#6 e le @* w ip *2 c $ re is "# e d "h f T *( o Brisbane’s , nd /(&*+' on’t and her ba and +*f*%-&+5?*"+* Skye yet, d ' y "$ b # b +2 A Goodridge Abby Skye f o s ri h rd a C e t is h s th ri X were ’t a ven ht Mission you do. On w lead guit ig e n re n X. If you ha e fo e th b s g a n was night w ertoire n’t be lo s, the band rs-only rep secondly to worry it wo e rm v A o s c t’ ir n e a 5?* h th Elep ak out of *+',*9#"J9, re # *" b 5? to night at the -3 *% 7 & # sic , ,3&,5. #*(*3"&&"2 riginals mu o ’s e n #6*15(#+*+' a ( b 6,%#"+,5?*2 s t is Bri inal o new orig ground tha d throbbing e tw il n g rt a in fe e h id c n ts u u out g on the o ey were la s a good n asked ab h a e T w h . e w W n o . e n e c y if s k Ears ringin red en by S huge e, I wonde ye, but , both writt s g n o s plied with a on the insid few words with Ms Sk re e I y k n S o t ti many s s ba of the que One of the new guitari s e s r… e th time to gra n ie s p s p e a tl h e n’t be ould b the poin mile “Could and there w s after noting e n o d e ts b n ad to plishme realised it h the accom h it w o S . me no better ti
10 MouthZoff Magazine March 2013
heavy d a h e h e s u s beca and solid se Chris wa h o it h w c ty e ri w ia s il n m reaso industrial ation of a fa , s in b ig g m f o o c t s c feel ese sort the perfe eded rock d playing th e n n a y ll rs a e v re o e c doing which was input that w e v ’s ti e a h re c m e e ach of th but also th appropriate n e tuff and in e e s b l a ly n in e, o g ri s o for the for its them ission X ha M is .” th y a ls w e a fe s e d Sky just blown u as far as I of years an e le th p r u o fo c y a rl rn r la around fo could disce yet, particu t s e g n o tr s e line-up is th from the heading in. is d n a b e direction th occasional t u o b a l ia rs lyrics that or controve w e g n n ti g a in in th d dom There’s no forced their ing into worl biggest lv o v e s d n h a covers b way throug some of the f o d e le rt tt ta ra s t – are mos superheros +',*3":* nd chances a ry e to h is ich h ‘T bands in anyway, wh ve to say is a h g u in o y y a by s ll t A . e individual eared to be end. I’m no th p out this way f p ts o a n e n o m ti u la rg e u d all a ible manip s. Of cours arnate, but n c is o v in ti in re ra e Beatles’, an s o th e rp tl o a c mega which +"3,* are the Be verbearing driven solo o *@2-*+',*%-&+* t & s e these guys $ g th # n 2 a *& ry / a , . The necess $*+',*# el pretty carried the (@+,-*',(-"# w bars more ,’ also X should fe it fe n a io s e is n o M g * y n sa have ',*#,/ achine tonight I ca really could &,#*1(+'7*; e Money M 2 h * ' , ‘T *4 +' s "@* a , *2 ' w *+ +& ' te , "+ vernmental utan *2@*& o b 5, g e 1 d d 9 r n 2 e a *4 42#%6,#+*/ th e *( c o ti +2 r nX ial injus (35,&&5?*"# nes. Missio lightly livelie mes of soc s tu e a n th s w &2#$&*%+*&, n a o o n w -k g ll n . use it tic to This so most we g the acous know how to -,+)0* inadequacies. in biggest and y b e b th ra d g n ?* e a y sound 4D*@9&"2#7*A "$$,&+*8,4 ith Abby Sk 2 w **F , "-6 ir , ( a ' has a solid ff O' g; a 5D 0* 2 6 O@ this $"#(5*15(?, 532&+*19#D along with a e songs on th g ;',*%-&+*2-" n %55*29+*+',*( ri a e was pushed h e sound ings from d, rather th n only misgiv a b e th m not fro bother night were n’t seem to id d is th t d. u e, b were hooke d w in the venu ro c e h T e at all. anyone els ping d were jum n a X n io s the and Mis g beat. For in Abby Skye d n u o p e ry n eve to hearing th rd a with them o rw fo g (55?* I’m lookin ',#*+',?*%# */ new songs, & # "2 -& , *. 2-6,6 %#"&',6*-,4 escape.
sour Review by Luke Mon Main photo by Batman
11 MouthZoff Magazine March 2013
Ask Lisa J Questions to ask you... (From an Indie perspective) Hi, my name is Lisa j Aston and I have been invited to do a Q&A for MouthZoff Mag. I am delighted to do this and congratulate Randy G for her initiative, courage and passion for the music. Randy whizzed up a few questions she felt some of you might like answers to, and I’m more than happy to answer them, although I do feel that most of this information can be easily !"#$%&'()*+("#$(,$*&-'!(+.(/""01&(2( Over the years, the style and genre of music may have changed, and the way the business 21,-(+,&*'(&*6,%#"+,5?*4'(#$,60*>9+*+',*,&&,#+"(5* breadcrumbs which one follows, haven’t changed that dramatically, other than the addition of the “just add water for instant fame” YouTube and the various assortments of talent shows purging our television sets: The Voice, X Factor, Australian Idol and so on and so forth. You start by learning your trade, whether it is voice or instrument or both. For arguments sake, let’s (&&93,*?29)-,*"#*+',*42#+,312-(-?*39&"4*%,560*(&* +'(+*"&*3?*1(-+"495(-*%,56*2@*,:1,-+"&,7 So… Here are the steps by numbers: 1. You start by learning your trade; you decide how you’re going to perform. Solo, duo or put a band together. T7*c29*$,+*$"$&h*/'(+,.,-*/(?*?29*#,,6*+2_*I"-,4+* with the venue, via friends who know friends who know someone with a venue, through booking agents (and that’s another ballgame),… you get the picture. 3. You will inevitably decide to plough your hard,(-#,6*6255(-&*"#+2*(*NI*/'"4'*?29*"#+,#6*+2*&,55*(+* your gigs and to your circle of family and friends. 4. As time progresses, you will want someone to do it all for you… enter “The Manager”. 5. You will want a record deal (although you may not really understand why) and if it crosses your mind, 6. You might seek a music publisher.
12 MouthZoff Magazine March 2013
If you want to be successful in this business, bypass steps 1 through 5 and go straight to Step 6. Now we’re talking! While you’re wrapping your head around that… I shall do as asked and answer the questions below: How do I get radio play? 8"$#*91*+2*Q"-15(?*I"-,4+*(#6*@2552/*+',*&+,1&7*C+)&* the best online outlet for international radio I know of. If you’re asking about Australian radio, unless you’re &1,4"%4(55?*(&D"#$*(>29+*iii*2-*BBB0*+',#*?29* probably need to sign a deal with a major record company or publisher. How do I copyright my songs? Is it necessary? There are two questions here however they go hand in hand. Fortunately, in Australia, copyright is assumed once a piece of work has been physically created. You cannot copyright a tune in your head; however, once that tune has been transferred to a recorded format, you can indeed copyright it. All you need to do is make sure that somewhere on the &2#$*+,:+*"#@2-3(+"2#*-,5(+"#$*+2*+',*/2-D0*+'(+*+',* symbol © is there, followed by your name and the year you created the work. b2-*,:(315,_*j*Y"&(*S*Q&+2#0*TUV[ The “necessary” reasoning behind registering your musical work with A.P.R.A., is not only for copyright 1-2+,4+"2#0*>9+*-(+',-*+'(+*+',?*4(#*%#6*?29-*/2-D* easily to be able to pay you your royalties when earned. What is the purpose of an EPK? Press kits are your business card and entree into your world. EPK (or electronic press kits) let the market know who you are, what you’ve done, where you’ve been, where you’re going and why you’re doing what you do. Simple! EPK’s are easy to do these days, as there are sites that have templates /',-,*?29*S9&+*#,,6*+2*%55*"#*+',*6,+("5&7*c29*4(#* add a link to your website and a couple of mp3
$-(>&7*L,-&2#(55?0*C*9&,*-,.,->#(+"2#7423*(#6*%#6* it’s perfect as you can email blast your fans and send your page to the radio and listening industry. The downside is you get a bunch of other musicians hooking up with you asking you to listen to their 39&"47*;'(+)&*%#,*"@*?29).,*$2+*+',*+"3,7* When am I ready for a booking agent? F(&"4(55?0*/',#*?29*'(.,*(*-,1,-+2"-,k*I,1,#6"#$* 2#*/'(+*+?1,*2@*>22D"#$*($,#+*?29)-,*&,,D"#$7*I2* you just want to play small intimate one set gigs, 2-*62*?29*/(#+*+2*62*4-9"&,*&'"1&l*I2*?29*/(#+*+2* 15(?*[*&,+*19>&*2-*T*:*mn)&*"#*42@@,,*&'21&l*A2&+*2@* the smaller gigs you can get for yourself. Bearing in mind, that the Booking Agent takes 10-15% (and at times, the unscrupulous one’s have taken 20% calling themselves “Managers” in the same breath) for lifting up a telephone and locking in a date. You’re best off to keep the money and do it yourself, unless, as I mentioned, you’re looking for big dates. What do I have to do to get signed to a label? Labels come in all shapes and sizes. Ask yourself why you want to sign to a label? Is it for egotistical purposes (ouch!), or does the label have enough $$$$$ to promote and sell you to other outlets of +',*"#69&+-?l*I2,&*"+*'(.,*+',*1955*+2*524D*?29*"#+2* television performances? Are they going to get you 2#*+',*&+($,*(+*FI\*2-*&"3"5(-l*H'(+*,:(4+5?*62*?29* want from them? What are the pros/cons to being signed to a label v Independent? I may have included some of the answers to this question in the previous question. Again, it comes 62/#*+2*/'(+*?29*(-,*,:1,4+"#$*+',*5(>,5*+2*62*@2-* you vs. what you can do for yourself. Grinspoon achieved huge success by handling their career in the early days. Granted, winning JJJ’s ‘Unearthed’ in 1994 was the key, and after that, the industry were banging their door down, but they made the initial effort themselves. Better to be in the hot-seat and have a choice of who you want to sign with, than the other way around, on so many levels.
Where and how do I register songs etc? A.P.R.A. Go to their site, sign up under “writers”, follow the breadcrumbs and register your songs! A.P.R.A. feeds Amcos, PPCA and other record holding outlets of your mechanical royalties.
When and how do I get royalties? I believe APRA pay out twice a year. They put it directly into your bank account now; much better than the old days when they sent out a cheque that turned into a blurred mass of ink if rain got into your 12&+>2:k Where do royalties come from? The royalty stork. Sorry, just joking. Royalties come from many sources where your music has been played. Mechanical (elevators, 4(@o*39&"40*-(6"20*+7.7O%530*."6,2*$(3,&a*(#6*(5&2* live performance, where you keep a record of your song-list from your live gigs and submit how many times you’ve performed the registered song. I hope I’ve helped with some of these questions and I look forward to this column being one of intelligent questions and passionate commitment to your art. ;"55*#,:+*+"3,0 Lisa j Aston A9&"4*F9&"#,&&*^:1,-+*P?,&0*C*RQp^*(449395(+,6* VU0UUU*'29-&0*&2*+'(+*3(D,&*3,*(#*,:1,-+qa
Feel free to write your questions to: asklisaj@ gmail.com These will be published in MouthZoff Mag. You may remain anonymous if you’re a scaredycat.
13 MouthZoff Magazine March 2013
Breaking Hart Benton review and photo by Tina Walsh On yet another rainy Friday night in Brisbane, I made my way to The Waiting Room where Brisbane folk band / acoustic / alt country band Breaking Hart Benton were releasing their &"#$5,*GA2-,*;'(#*c29*I,&,-.,`0*&9112-+,6*>?* local indie / pop act O’ Little Sister. For those who haven’t been to The Waiting M223*P"+*/(&*3?*%-&+*+"3,*+',-,a0*"+)&*+94D,6* (/(?*2#*F-2/#"#$*8+0*H,&+*^#67*I2#)+*>5"#D0* or you’ll miss it! They call themselves a 42339#"+?<3"#6,6*ICc*39&"4*(#6*(-+&*&1(4,0* and on the night it was a BYO-alcohol live music venue, with great sound. For more info, visit their Facebook page - www.facebook.com/ WaitingRoomBrisbane I adored the beautiful lush guitar sound and soulful lyrics by O’ Little Sister, aka Lucinda Johnson, and the crowd was silent during her performance, much like in a listening room. R,-*&2#$&*(-"&,*@-23*1,-&2#(5*,:1,-",#4,&0* and I particularly enjoyed the urgent feeling of “Cold Feet” and her last song “Jessie And The Tiger”, where she had written about the relationship between her sister and herself at the time. I read somewhere that her music was compared with Sarah Blasko’s work. Keep an eye out for this gem, she’s worth it. More info 14 MouthZoff Magazine March 2013
on O’Little Sister online through Facebook www.facebook.com/OLittleSister Breaking Hart Benton are Lee James on guitar O*>(#S2*O*%665,*O*.24(5&*(#6*A"4'(,5*I(."6*2#* guitar / vocals and they were joined by Sharni (from Luna Junction) on vocals. Their sound "&*^#$5"&'*O*C-"&'*"#e9&,6*39&"4*4-2&&,6*/"+'* Americana, I especially enjoyed the songs where Michael took lead vocals. An early track in their set was “Cuckoo”, dedicated to the gunman in Queen St Mall earlier the same day, and their music made you want to tap your toe. Their style reminds me of Kelt (local Brisbane musician circa 2007 - www.myspace.com/ keltmusic), especially the cheeky “I Am Your Forever, You Are My Tonight”. The crowd showed their appreciation for the upbeat music with some jovial dancing to “More Than You I,&,-.,`7*^#+,-+("#"#$*+',*-223*@2-*(*@,/*32-,* songs before they closed the set with one of my favourite tracks “What Should I Tell The Newborn Child?”. The history of this song is +'(+*A"4'(,5*I(."6*/-2+,*"+0*(#6*/',#*(#2+',-* 39&"4"(#*I(#",5*N'(31($#,*',(-6*"+0*',*D#,/* it was special. I’ve heard both artists versions, and it’s hard for me to say which one I like best. Find out more about Breaking Hart Benton online at www.breakinghartbenton.com
Your Free Gig Guide MouthZoff invites you to be a part of the biggest free online gig guide around. It’s simple, you can post your public music related gigs/events here at www.mouthzoff.com Click on +Add event to calendar and away you go! Add events up to two months in advance... and please be sure that ?29-*,.,#+*"&*42#%-3,6*+2*+',*>,&+* of your knowledge before you add it. Repeated gig cancellations will result in a suspension from the guide. <please note this gig guide is for Queensland events only> Support us so we can support you... E^;*C]p\Yp^Ik
BUY ONLINE NOW
http://www.ingridjames.com/purchase 15 MouthZoff Magazine March 2013
16 MouthZoff Magazine March 2013
Lauren Lucille’s Nina Simone Tribute Show! review by Di Clark photo by Steve Barrett thoroughly and The Nina Simone tribute show with Lauren Lucille and her quartet of accompanists, was a real treat for the ‘packed to the rafters’ audience at the Brisbane Jazz Club. Lauren not only looked the part but sang, pitch perfect, beautiful interpretations of Nina Simone songs.
interspersed between the delivery of 18 of Nina’s songs, gave the audience an interesting incite into the life of the troubled, ultra talented woman.
Lauren opened the evening with the fabulous gb,,5"#)*E226)0*(*3($#"%4,#+0*&295@95* arrangement (don’t even think about the Buble cover). The accompanists, Steve Russell on Piano, Andrew Shaw on Bass, Toby Wren on E9"+(-0*(#6*A(-D*R,#3(#*2#*I-93&0*4*$,55,6* brilliantly together with Lauren to present a well polished performance.
The audience had great fun participating in ‘See-Line Woman’ at the start of the second set which continued through ‘Here Comes The Sun’. The wonderful Gershwin ‘I Loves You Porgy’ was very moving and of course no Nina concert could end without ‘My Baby Just Cares For Me’ which ‘brought the house down’ to end the fabulous evening. The audience demand of an encore gave a repeat of See-Line Woman to send everyone home on a high.
The well thought out program of Nina Simone songs contained some familiar and not so familiar to deliver an interesting variety of music which complimented the story of Nina’s life. Lauren had researched Nina’s life
There were many ‘First Timers’ at the Jazz Club for the show and thanks to such a wonderful evening there’s a good chance that they will return and become regulars at the 17 MouthZoff Magazine March 2013
Live Review / Promo - TJ r9"#+2#*s*H(:"#$*Y?-"4(5 review and photo by Tina Walsh ;i*r9"#+2#0*@-23*;',*I,4D4'("-&0*1,-@2-3,6* (+*H(:"#$*Y?-"4(5*-,4,#+5?7*b2-*+'2&,*/'2).,* #,.,-*',(-6*2@*H(:"#$*Y?-"4(50*"+)&*(*&"#$,-* / songwriter showcase held on the second Saturday of each month at the Brisbane Powerhouse. Three musicians are guided through a discussion and performance over two hours and the audience has the opportunity +2*5,(-#*(>29+*+',"-*1(-+"495(-*"#e9,#4,&0* songwriting style and enjoy stripped-down songs. TJ was playing 12 sting guitar and was joined vocally by Ahliya (from Li Li Kite). I didn’t notice that is was a 12 string guitar to start with, but 42956*',(-*+',*>(&&*(#6*/(&*1,-15,:,6*(>29+* its source. Luckily, my live music buddy helped me out. Taking about his most recent concept album “Sorry Business”, an album with an indigenous theme. he mused about telling a story through 39&"4_*%-&+*1,-&2#*#(--(+".,0*>,@2-,*1,-@2-3"#$* +',*%-&+*&2#$*@-23*+',*(5>93*G;',*\/5`0*(#6* ',*,:15("#,6*+'(+*+',*2/5*"&*(*+',3,*&+-2#$* within the concept album. For his second song, he performed another song from the album 18 MouthZoff Magazine March 2013
“What Is Real” and Ahliya joined him on vocal harmony. TJ told us that a chunk of this album was written while in Canada touring with The I,4D4'("-&7 Given that the three performers on the panel were male, the host Kellie Lloyd (solo artist and bassist from Screemfeeder) took the rare opportunity to ask about the changing vocals during puberty and whether they enjoyed singing falsetto. TJ admitted that he’d have a narrow range without it, even though he would prefer not to sing falsetto. TJ also shared that he’d prefer to play / record without technology, and described having an 8-piece band perform recently to cover all the sounds on the recent release. The third song “The Hollow” had beautiful, lush vocals and the last song performed “Pick A Piece” had a “singing in the round” sound to the lyrics during the verse, which was amazing. The “What Is Real” Tour kicks off Thursday 25 April at the Hideaway. More info on TJ Quinton online - www.facebook.com/T.J.QuintonMusic www.tjquinton.com.au
MouthZoff Talks to...... LAP
What sort of things do you like to write about in your songs? Love lost and found, social commentary, being true to yourself, setting yourself free, spirituality Who writes the songs predominantly? I do (Ladi Abundance) although the amazing band brings them to life
Who is LAP? Ladi Abundance Project How long have you been together? Two years How would you describe your style? An 8 piece band fusing soul/funk/hip-hop/jazz with three part vocals, horns and tight grooves How do you manage to fund an 8 piece band? A lot of favours and kind musician friends who play for much less than they are worth
What does your name mean for you? Well I always wanted to be Ladi something and when i was 22 I pulled out a card from a deck of wisdom cards and it said Abundance so thatâ&#x20AC;&#x2122;s /',-,*"+*&+(-+,67**C+*"&*(#*(@%-3(+"2#*+'29$'*+2* the universe that everything I need comes to me, and it does :) I2*?29*'(.,*(#?*(-+"&+&O-25,*326,5&*/'2* inspired your band? Erykah Badu is the biggest :) What are your future goals for the band? I would love to tour nationally and internationally, playing the festival circuits. To travel with music is the dream 19 MouthZoff Magazine March 2013
Boss Cat Review review by Randy G photo by Steve Barrett On Friday 12th March, Brisbane original Funk/ Hip hop band- ‘Boss Cats’ played a support set for ‘Ladi Abundance Project’ EP launch at the Joynt. <see review by Tina Walsh pg 22> ;',*>(#6*"&*(*&,.,#*1",4,*29+%+<* Comprising of : Claire Bear- lead singer Benny -Bass Punchy - guitarist Brentos -vocals/decks Jack -keys /vocals Nate - drums ]"4D*<*&(:* Boss Cats aren’t new to the scene , they’ve been around for years and have a following to prove it. However, they have been somewhat absent since November last year, this made tonight even more special. I took a few moments before the gig to speak with Claire. I was really glad to hear that as a group their time away wasn’t an indication of things ‘gone wrong!’ On the contrary, after the 20 MouthZoff Magazine March 2013
&944,&&*2@*+',"-*%-&+*%.,*+-(4D*,1*+"+5,6<`;',-,)&* mischief out tonight” the group have been busy writing new material for their 2nd EP and interstate tour to follow. Before we knew it, it was time to make our way back inside for the performance. \#*&+($,*F2&&*N(+&*42#%6,#4,*(#6*,#,-$,+"4* performance was most impressive, this band is tight! The music itself is intriguing with a unique 3":*2@*"#&+-93,#+*(#6*+,4'#252$?7**b9#D?* riffs throughout the songs themselves were accompanied by artistically clever twists and time changes. This might sound all too complicated, but believe me, with every song played the audience was dancing harder and harder, I +'29$'+*+',*9#,.,#*e22-*>2(-6&*3"$'+*$,+* straightened by the end of the night. Both Brentos and Jack sang alongside Claire
and in true MC rapper style they’d break 29+*"#+2*1,-@,4+5?*,:,49+,6*-(1*&252&7*i(4D* sang quite a few songs solo and he too was ,:4,55,#+0*&9-1-"&,*&9-1-"&,7**Q55*+2$,+',-*+',* three singers had incredibly accurate harmony and I especially appreciated this fact. F-,#+2&)*%-&+*&2#$*@2-*+',*#"$'+*&29#6,6*J9"+,** pushed & pitchy, but as he warmed up and got into the swing of things the funk n fun kept e2/"#)7*PA"#6*+'2&,*g@)*/2-6&0*?29)55*$,+*(*@,/* tonight! ) My favorite song is called “And now” and had the lyric line: “If you’re feeling the funk then I got the remedy.” Though they were all catchy- this one has my vote! Besides, what I felt when they played funk, needed noooo remedy! I have to give a big shout out to Claire for her performance as she really knows how to engage her audience. She was constantly &"@+"#$*+'-29$'*+',*4-2/6*/"+'*@9#*%55,6*,?,&0* locating familiar faces and acknowledging
them with a head nod, a smile, a wink or giving &23,2#,*(*&"$#(+9-,)*'"*%.,*<+',#*12"#+7)**R,-* fans all love her to bits and it just added to the atmosphere and energy in the room when the band played. I,&1"+,*+',*'93"6"+?0**&+"e"#$5?*&+9@@?*(#6*2.,-* 4-2/6,6*-223*/"+'*#2*("-e2/0*+'"&*/(&*(*-,(55?* great performance by Boss Cats. Bitter sweet is the fact that much loved band member, Jack Muzak has announced he will be leaving the band after tonight. Though his departure is amicable (he states plans to travel and personal goals as the reason) his will be a hard act to follow. In conclusion, the band are straight to work with their new keys player and plenty of new things on the cards! I know I for one will be looking out for future dates so I can see them again. 21 MouthZoff Magazine March 2013
Ladi Abundance Project releases their EP “Slice You Up” at The Joynt review by Tina Walsh Ladi Abundance Project are a large band. In addition to the usual drums, bass and guitar, Ladi Abundance is accompanied by (*1,-49&&"2#"&+0*D,?&*t*+,#2-*&(:*15(?,-0* trumpeter and two back-up singers and the sound they produce is full and funky. They opened their set with the track “Crazy” off the EP. With good grooves, I got my dance on, as did the rest of the room. This led into a new song “Let Me Out” which had a reggae / island / samba vibe, complete with dance moves for the three vocalists and a wicked, albeit short, guitar solo. By the end of the second song, +',*6(#4,*e22-*/(&*+'-2>>"#$7*C#4596"#$*(* cover in their set, Jill Scott’s “One is the magic number” opened with a trumpet solo, and I was particularly impressed with the phrasing of the spoken vocals, as it seemed like it wouldn’t have been easy to lay those down. Slowing things down, they performed another new track “Station”, which was a much more mellow sound. Following that with a track that showed Ladi’s warm, alto voice, featuring a keys solo, and ending with gorgeous a capella vocal harmonies. Samba’ing things up, the horns led the track “Sometimes Girl”. The lyrics in this one resonated with me, the story about a sometimes girl, a side of her who’s in touch with the inner being, rich in wisdom, but not around all the time, and wanting her to be the full-time girl: “I wish her passion, her wisdom, would 22 MouthZoff Magazine March 2013
shine down on me”. I guess we could all do with a little of that. “Rhyme or Reason” was introduced as a celebratory track, and contained some hip-hop vocals, before they launched into another track deep with grooves, “Take Another Trip” from the EP. I noticed during this song I was smiling broadly, so quickly realised this must have been my favourite track so far on the night. The strong horn presence certainly didn’t hurt. The crowd was blessed when Mad Betty joined the stage, with her beautiful full alto voice, to join Ladi on the track “Monster”. Another &(3>(<"#&1"-,6*+-(4D*GN2>/,>&`*4(3,*#,:+* before Ladi invited the chicks from Indigo Rising, and one of the guys from Kryptamistic, who each featured in their own rap solos. And they closed out the set with the title track from the EP “Slice You Up”, with the lyrics something like “Slice you up, throw away all the bad bits, +(D,*'23,*(55*+',*$226`7*M,3"#6&*3,*2@*,:)&0* and what I’d like to hang onto, and what I’d prefer to just get rid of. Overall, an amazing night. I don’t think I stopped grooving throughout the entire set; it was just the intensity of the dancing that varied. E".,#*+'(+*"+*/(&*3?*%-&+*+"3,*&,,"#$*YQL0*C)3* converted and will not let another gig go past without trying my hardest to get to it.
!C]EbC8RQ)8*2/#*I-933,-* I(.,*F,55*+(5D&*(>29+*+29-"#$0* techniques and tips. interview by Harmonie Downes
After playing a successful show at the Hi-Fi (West End) last Friday (22nd March) and currently in the middle of touring their &"#$5,*GI"$$"#$*@2-*b"-,`*5(9#4',6*@-23* +',"-*&,5@<+"+5,6*6,>9+*(5>93*G!"#$%&'(`* It wasn’t a surprise I only just managed to scrape in an interview with the multitasking machine and master of beats, 6-933,-*I(.,*F,557 When did you start playing drums? I(.,_*C*/(&*(*5(+,*>,$"##,-7*C*&+(-+,6* 5,&&2#&*(+*Vu*(#6*+',*%-&+*&2#$*C*5,(-#+* was My Sharona Were you any good? I(.,_*]2*(#6*"+*&+"55*'(&#)+*4'(#$,6* (laughs) When did u join KF? I(.,_*Q>29+*[*?,(-&*($20*C*/,#+*+2* Anthony’s house, had a jam and it went from there… Fav gig? I(.,_*C*-,(55?*,#S2?,6*]B0*"+*/(&*52+&*2@* @9#7*F9+*C)6*&(?*15(?"#$*(+*H\AQI*[* weeks ago, the way we played. We played /"+'*52+&*2@*42#%6,#4,*(#6*'(6*@9#*2#* &+($,7*;',*4-2/6*-,&12#&,*/(&*,:4"+"#$k* We set off the energy of the crowd and they set off our energy. It was a 40 degree 6(?*(+*T130*/,*/,-,*,:1,4+"#$*#2<2#,* because it was so hot and everyone was sitting in the shade but they all came and danced. Fav style? I(.,_*C*52.,*-,$$(,*(#6*69>7*C*52.,*15(?"#$* grooves and seeing people dance b(.29-"+,*b(9:*1(:l I(.,_*H',#*C*'(.,*&+(-+,6*15(?"#$*(* different song to what the band has ,:1,4+,67*]2-3(55?*+',*>(#6*&+(-,&*(+*3,* for 10 seconds while I play a random beat and I scream what song I’m playing. They
follow me because I’ve looked ahead and started that song accidently! In hindsight, if u could change something about your music/career? I(.,_*C)6*>,*(*.24(5"&+*>,4(9&,*+',?*62#)+* have to carry as much gear (laughs) Fav drum/piece of equipment? I(.,_*C*>29$'+*+'"&*-(6*4?3>(5*"#*],1(50* '(#63(6,*@2-*ZVmk*C*9&,*"+*/"+'*!"#$%&'(* and it goes really well, it’s a really trashy sounding crash cymbal. It sounds like a china cymbal bit it’s shaped like a crash cymbal. Music tips? I(.,_*c29).,*$2+*+2*&,-.,*+',*&2#$0* everything you do has got to be about making the song as strong as it can be! Technique/rhythm tips? I(.,_*C+*423,&*62/#*+2*+',*[*D,?&*<* Transcription which means working out drumming patterns on recordings for e.g. there’s usually two or three beats "#*(*&2#$*(#6*(*42915,*2@*%55&*(#6*(*'"+* somewhere. Learning tunes so break down and remember! And working on your tone, (#?2#,*4(#*5,(-#*(*-24D*>,(+*2#*+',*%-&+* day of playing drums But the quality of your sound is vital e.g. tune your kit to the style of music so the snare drum can be quite dry. ;'(#D&*I(.,*(#6*/,*'21,*+2*&,,*?29-* signature pink rimmed sunglasses on tour soon! I(.,*F,55*"&*49--,#+5?*+',*6-933,-*@2-* !"#$%&'(*(#6*F5(4D*M("#>2/7*R,*(5&2*/2-D&* freelance as a session musician and teaches all ages and skill levels from his home studio "#*Q##,-5,?7*b2-*32-,*"#@2*,3("5*I(.,*F,55*(+_* inventionsmusic@gmail.com
Disclaimer Please note no part of MouthZoff can be reproduced /"+'29+*%-&+* seeking permission from the Editor. All submissions to MouthZoff are protected by copyright which belongs solely to the artist/writer/ photographer. No images from this magazine are to be used without the photographers permission.
c29*4(#*(5&2*%#6*(55*-,5,.(#+*"#@2*(>29+* !"#$%&'(*+29-*6(+,&*2#*b(4,>22D7
23 MouthZoff Magazine March 2013