June 2017 Full issue by Rapid River Magazine

Get Outside in June: R A PID RI VE R M AGA ZINEâ&#x20AC;&#x2122; S

Its the time for festivals and fun things to do!

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June 2017 Vol. 20 No. 10

THE OLDEST AND MOST READ ARTS & CULTURE MAGAZINE IN WNC

FINE CRAFT Guild makers bring pottery festival to Asheville Clay Fest at the Folk Art Center June 10 By Hannah Barry For six hours on Saturday, June 10, the hill behind the Folk Art Center on the Blue Ridge Parkway will be filled with more than 20 potters selling ceramic wares for both décor and function. Clay Fest is an annual Southern Highland Craft Guild event celebrating the varied craft processes and techniques used with clay. The Guild’s makers are adding new elements to enhance the 20 plus-year-old event into a festival with exhibitor booths. Alongside the sixteen Guild potters will be a handful of invited guest potters from across the country. “Despite our membership requirements having physical boundaries that require

residence in one of 293 counties, we strongly believe in building a creative community beyond our region,” says potter Joe Frank McKee. “Having invited potters is a fantastic way to share more techniques and methods, as well as build a deeper appreciation for the craft.” A range of styles and techniques will be showcased by the following craft vendors: Jim Whalen, Marti Mocahbee, Amy GoldsteinRice, Travis Berning, Brant Barnes, Joe Frank McKee, Paven “Beer” Chunhaswasdikul, Larry Allen, Steve Loucks & Lynnette Hesser, Bill Lee, Freeman & Maggie Jones, Sarah Wells Rolland of The Village Potters, Zan Barnes, Fred & Rose Work by Zan Barnes. Soda-fired ceramic drink set.

‘Craft’ continued next pg.

Expe∑ience A∂heville’∂ Hi∂to∑ic A∑t∂ & Craft∂ De∂tination

Just across the street from the Omni Grove Park Inn lies a destination unlike any other: Grovewood Village, housed in the historic weaving and woodworking complex of Biltmore Industries. The 11-acre property, celebrating its centennial this year, is listed on the National Register of Historic Places, and includes Grovewood Gallery, working artist studios, a sculpture garden, Golden Fleece restaurant, and an antique car museum. Enjoy a leisurely visit here with a delectable meal at Golden Fleece and shopping at Grovewood Gallery, a nationally recognized gallery dedicated to fine American art and craft.

111 Grovewood Road Asheville, NC 828.253.7651 grovewood.com

2 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

Community Board

THE GREATEST WEEKEND OF YOUR LIFE SUMMERXCAMP AIMS SummerXCamp, a summer camp for adults, just announced open registration for their second annual weekend of high-octane hilarity. SummerXCamp offers its own unique twist: a team competition full of outlandish challenges and laugh-out-loud hijinks. Inspired by adventure races and Asheville’s local comedy scene, SummerXCamp’s mission is to provide the best summer ever. Just like a traditional summer camp, guests stay in cabins on site. Unlike a typical camp experience, campers are told to expect the unexpected with fun and games lasting all weekend long. All meals, lodging, and local beer and wine are included in a weekend pass for ages 21 and up. Participants may purchase individual passes or form a team and receive a discounted rate.“Last year was amazing and this year is going to be even more epic,” says Shawn Verbrugghe, Owner. “The whole thing revolves around a friendly competition where one team gets crowned Champions of Summer. Our challenges are far from normal We’re all about fun, so it’s like competing in an obstacle race made by a mad scientist. Once all the games are over for the day, we keep the fun rolling with local entertainment. It’s going to be the weekend of a lifetime.” Email Chase McNeil for more info. summerxcampnc@gmail.com

‘Craft’ continued Pinkul and invited guests Alysha Baier, Susan Coe, Rob Withrow, Rusty Owens, and Justin Allman. In addition to being able to shop on the hill, visitors will be able to watch the first annual Clay Olympics. Each exhibiting potter is invited to compete in two events, throwing the tallest vessel and throwing the widest bowl. Contestants are given a five-pound wedge of clay and five minutes. Prizes are given to the top three competitors with gift certificates to Highwater Clays, Southern Highland Craft Guild merchandise, and other local goods. Attendees are invited to participate from 10am – 4pm in various activities. For a chance to get behind a wheel, makers from local education center, Odyssey Center for Ceramic Arts, will be assisting attendees with throwing on pottery wheels.

Raku potters Lynn Jenkins, Gary Clontz, John Turner, Tina Curry and Steven ForbesdeSoule will be assisting visitors wanting to make their own raku pot. This ceramic firing process uses flames and smoke to create unique patterns and designs. Pots will be available for purchase for $10 and participants can glaze a pot and then watch it be fired. With the Folk Art Center located on the Blue Ridge Parkway, visitors and locals have the opportunity to visit the craft shop, as well as three exhibition galleries. Outside are hiking trails, picnic tables and grassy areas for relaxing. There is plenty of parking. Clay Fest is a free event on June 10, 10am – 4pm. For more information visit, www.craftguild.org or call 828-298-7928.

IF YOU GO

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 3

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PERFORMANCE AmiciMusic presents ‘Dandy D’Indy and A Night in Vienna’ By Staff Reports

The award-winning chamber music organization, AmiciMusic, presents a program for clarinet, cello, and piano entitled “Dandy D’Indy” that features a majestic and sadly neglected trio by the French Romantic composer Vincent D’Indy as well as an early

work by Beethoven and shorter works by Friedrich Voight and Emil Hartmann. The performers are Steve Loew, clarinet; Lawrence Stomberg, cello, and Daniel Weiser, piano/Artistic Director. The program can be heard at three different venues from Friday, June 2, through Sunday, June 4. The first performance, on Friday, June 2, will take place at 7:30pm at First Presbyterian Church, located at 40 Church Street, Asheville. Saturday’s concert will be held at 7:30 pm at the home of Daniel Angerstein and Jerry Schultz, at 1998 Randy Drive, Hendersonville and Sunday’s performance will take place at 5:30 p.m. at Isis

Lawrence Stomberg, cello

Restaurant and Music Hall at 743 Haywood Road, Asheville. AmiciMusic will also present an encore performance of A Night in Vienna, composed of scenes from three Mozart operas and operettas by Lehar and Strauss, on Sunday, June 4, 2pm at the Sweet Biscuit Inn, 77 Kenilworth Road, Asheville. The concert features vocalists Amanda Horton and Jonathan Ross accompanied by Weiser on piano.

Concert prices vary according to venue. Seating is limited and reservations are required at some venues. For more information, visit amicimusic.org. IF YOU GO

4 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

CONTENTS Volume 20, NO. 10

COLUMNS / DEPARTMENTS

ART AND MORE FEATURES

(Detail) See page 15 for more info

6 9 14 8 10 13 15 16 21

Centennial of Biltmore Industries at Grovewood Village Sat., June 17 A lifetime reflected through the art of Gary Cooley ‘Mountain Moments’ at Trackside Studios in the RAD

Greg Vineyard

310 Art: Love Brought Bridget Benton to Asheville Art Classes Cover Story: Capturing beauty through collage: the art of Margaret Robert “Bill Cole: Taking the Ordinary to Extraordinary” for June at Asheville Gallery of Art The Asheville Wine & Food Festival . . . This Year, Savor the Mountains Like Never Before!

Publisher/Layout and Design/Editor: Dennis Ray Poetry Editor: Carol Pearce Bjorlie CONTACT US: Rapid River’s Arts and Culture Magazine is a monthly publication in WNC. Mail: 85 N. Main St. Canton NC 28716 Email: Info@rapidrivermagazine.com Phone: (828) 646-0071

The Asheville Percussion Festival brings percussionists from around the world

Front Street Arts & Crafts Show comes again to Dillsboro

22 23 24 26 27

Waynesville: This Year, Savor the Learn about night-sky constellations

28 31

The original artwork of Margaret Roberts

captures WNC in a unique style of rich colors and textures.

www.rapidrivermagazine.com Online NOW

9 28

Bill Walz Health: Side Effects of Steroids Poetry

Books: “Smokies Chronicle,” Ben Anderson offers observations on natural and human history Uber takes a ‘Wild Ride’ with excellent new book Black Mountain: New art exhibit “Mountain Spring” now through July 30 Monte Vista Hotel Rapid River Magazine Comics

NEXT MONTH

June 2017

ON OUR COVER

FEEL THE WARMTH OF JULY GET OUTSIDE FOR SUMMERTIME FUN HERE IN THE MOUNTAINS OF WNC. ART EVENTS, SHOWS AND FUN THINGS TO DO!

All Materials contained herein are owned and copyrighted © by Rapid River Arts & Culture Magazine and the individual contributors unless otherwise stated. Opinions expressed in this magazine do not necessarily reflect the ADVERTISING SALES: opinions of Downtown Asheville and other areas — Rapid River Arts and Culture Magazine or the advertisers Dennis Ray (828) 712-4752 • (828) 646-0071 Dining Guide, Hendersonville, Waynesville — herein. © ‘Rapid River Arts & Culture Magazine’ Rick Hills (828) 452-0228 rick@rapidrivermagazine.com June 2017, Vol. 20, No. 10 Distribution: Dennis Ray/Rick Hills Marketing: Dennis Ray/Rick Hills

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 5

Theres Always Something New!

FINE ART

Archival photograph of the weaving shop at Biltmore Industries.Today, This space is home to the Antique Car Museum at Grovewood Village.

Centennial of Biltmore Industries at Grovewood Village Sat., June 17 101 S. Main St Waynesville NC 828-246-6176 101mercantile.com

Artists Breakfasts Draw Crowds Artists, collectors and patrons are gathering in Asheville’s River Arts District for monthly socials. Artists’ Breakfasts are held on the last Thursday of each month. Up next: June 29, 10-1pm at 362 Depot. Organizer Richard Baker of Richard Baker Studios says he is pleased with the turnouts for the first two events. “It’s good to see the artists networking. And it’s also nice to meet Asheville’s art patrons.” Many of the 10 artists of 362 Depot are on hand to talk to those who attend for the

camaraderie and food and to see new works. “People are coming in,” Baker says, “meeting the artists and purchasing artwork.” Coffee is provided and guests are welcome to bring food to share. Recent events have drawn attendees from Asheville and points beyond including Saluda, Hendersonville, Waynesville and Weaverville.

2017 marks the 100th anniversary of Biltmore Industries’ home at Grovewood Village in Asheville. A centennial celebration will take place Saturday, June 17 from 12 - 5pm, which will include a special exhibition of fiber art by seven regional weavers, artist demonstrations, guided history tours, a cake cutting ceremony, and a historical presentation by Bruce Johnson (2pm) - Director of the National Arts & Crafts Conference at The Grove Park Inn since 1988.

For more information, follow 362 Depot and Richard Baker on Facebook or call (828) 234-1616.

IF YOU GO

6 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

When Biltmore’s first lady, Edith Vanderbilt, approached Fred Seely, visionary of The Grove Park Inn and the son-in-law of Edwin W. Grove, about buying Biltmore Estate Industries in 1917, she asked that he “continue its educational features and develop the arts.” With Seely’s assurance and agreement to erect six English cottages adjacent to the hotel to house the Industries’ wood carvers and weavers, Mrs. Vanderbilt knew the current eight looms of

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FINE ART her Biltmore Estate Industries in Biltmore Village would have a new home and place to grow and thrive. The enterprise became Biltmore Industries. The diligent work and dedication begun in 1901 by Eleanor Vance and Charlotte Yale, two progressive missionaries who came to Appalachia to encourage self-sufficiency in the mountains, had been supported by the Vanderbilts, who provided funds for a learning trip to Scotland and later looms and woodcarving tools. But the eight looms in Biltmore Village were no longer sufficient. Seely was a known and respected leader and entrepreneur. His new cottages were soon a flurry of activity with a total of 40 looms in operation by 1920 and ultimately Biltmore Handwoven Homespun became known as the finest handmade woolen cloth in the world, worn by Grace and Calvin Coolidge, Thomas Edison, Henry Ford, Herbert Hoover, Helen Keller, John D. Rockefeller, Eleanor Roosevelt, to name a few. The weaving business thrived until Seely’s death in 1942, when his son took over management. But the demand for handwoven woolen homespun diminished with the onset of modern industrialization. Asheville businessman Harry Blomberg purchased Biltmore Industries in 1953 and provided the resources and leadership that kept the looms in operation until 1981. When Blomberg died in 1991, ownership of Biltmore Industries was transferred to Blomberg’s daughters – Barbara Blomberg and Marilyn Patton, along with his son-in-law, Buddy Patton.Today, this privately owned Asheville treasure includes Grovewood Gallery, which opened in 1992,

a museum and visitors center tracing the history of Biltmore Industries, working artist studios and an antique car museum. The Golden Fleece restaurant, featuring traditional hearth cooking from Greece, opened in Grovewood Village in 2016.

About Grovewood Village:

Grovewood Village is a privately owned historic Asheville destination located adjacent to The Omni Grove Park Inn. Biltmore Industries began at this site in 1917 and became the largest producer of handwoven wool in the world by 1930. The 11-acre campus includes Grovewood Gallery, working artist studios, a sculpture garden, Golden Fleece restaurant, the Biltmore Industries Homespun Museum, and Asheville’s only antique car museum. The property was listed on the National Register of Historic Places in 1980. IF YOU GO

SVFAL Members Art Show:

“Less Is More”

May 12 - July 9

Red House Art Studios & Gallery

310 West State Street - Black Mountain, NC Tuesday - Saturday 11-5, Sunday 1-4 828-669-0351 svfalarts.org

For more information and to contact please visit www.grovewood.com.

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 7

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By Greg Vineyard

I’ve always been a bit … the Marvel on Netflix that we awkward. Remember the movie can do as I doodle-out the Galaxy Quest, starring Tim Allen next set of ideas, people-free. and Sigourney Weaver? (YAY “Why this ramble?” you may – Sci-Fi reference! #stillanerd) be asking? (After you trolled The aliens learned about the internet for Galaxy Quest Earth culture through the twoto see if you could get it on dimensional world of television, a streaming service. Admit resulting in odd physical it.) I’m thinking about how all interpretations like clapping this is perfectly fine, and how by moving their hands up and being an awkward seventh down like potato mashers. grader in an AARP man’s body And walking was mechanical, truly feeds an authenticity in “Draw Every Day”, mixed-media work-in-progress laughter was a cacophony of my art, from initial process to illustration © 2017 Greg Vineyard barking seal sounds and gasps. finished work. If someone had It was brilliant execution of how told me I would one day created outsiders might try to blend in yet not quite hit the mixed-media art of colorful dancing cats and tapirs, mark I wouldn’t have been able to imagine how on earth  I actually feel like those aliens much of the time. that would come to be. Yet from reacting to life on the Mimicking a bit how the rest of you do things as you planet, to interpretation of ideas onto paper and into move through your days, I try to fit in so I don’t stick final pieces, my awkwardness in the universe makes out like the imposter who sidles up to the cool kids, me the guy that creates exactly what I create. And I laughing nervously as if I’d understood the joke. I’ve like it. just never been suave, or hip, or for that matter, even So, how does one achieve personal satisfaction that graceful. And I created ceramics for a long time – in a goofy, uncoordinated life? Embrace Time: it talk about a bull in a china shop!  has provided me with a good bit of variety, and I’ve  The reality is that it’s rather impossible to fake it learned to not panic. Plant Roots: I get to experience when one is a wallflower by nature, sorta wanting to friends who make me laugh a lot, the changing of dance, but also not entirely uncomfortable soaked in seasons, and the joy of feeding a cat who thinks I’m one’s own drenching terror at the edge of the room. I a rock star when I open that little can of food. Brave have often joked about being a sci-fi loving shut-in – The Start: With pen to paper every day, even when I part of the reason that’s an amusing shtick is because viscerally feel that the visuals won’t flow, I am always many out there know it’s oppositional to my public reminded that the gift of creativity is right there. life, where I deal with people every day in business, through ZaPow, and in assorted social circles. But Greg Vineyard is a marketingit’s also funny because it’s just kinda true. While my communications professional, artist and interactions are genuine, as I’ve come to truly enjoy writer living in Asheville, NC. Find his works the many wonderful people in my life, I also really at ZaPow Gallery on the South Slope, and on gregvineyardillustration.com. cherish my downtime, where the cat and I watch all

8 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

IN ARTIST WORDS

‘Remi’s Mane’ by Gary Cooley

‘Brett Blue Hat’ by Gary Cooley

A lifetime reflected through the art of Gary Cooley By Gary Cooley I did my first drawing at age four. I’m still at it. Drawing and painting became my life. First as an illustrator in New York, Detroit, and Atlanta; now as a full-time painter here in WNC. We came to the mountains from Atlanta a little over two years ago. The mountains and the people who live in them are a constant inspiration to me.

I love the challenge of finding the atmosphere and mood in a landscape or that inner spark in a portrait. My new gallery is a great space and I’m always inspired by the other nine talented artists exhibiting and working there. IF YOU GO

362 Depot St www.cooleyartgallery.net (404) 441-5222

‘Nestled In’ by Gary Cooley Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 9

310 ART

Bridget Benton

Love Brought Bridget Benton to Asheville By Staff Reports

Bridget Benton moved from Portland, OR in the fall of 2015 after becoming engaged to the man who was once her college sweetheart.

“We reconnected again after being apart for over 20 years. He was always the love of my life – so I packed up my studio and moved out here to be with him and his two daughters,” Benton muses. And moving that studio was quite a feat. Benton works in a variety of media – encaustic, fiber, jewelry, collage, assemblage, photography, printmaking – and all of it got packed up into a 26-foot moving truck she and her fiancé drove across the country themselves. Her fiancé helped her turn their garage into a working art studio, but connecting with the art community was a missing piece. Benton had been in Portland for 23 years and had been an active member of the creative community 10 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

there, volunteering, teaching and showing work. She served as president of both Portland Open Studios and the Portland chapter of the International Encaustic Artists. Encaustic, Benton’s primary medium since 2006, is paint made from filtered beeswax, resin, and pigment. The paint is applied while molten. “I learned encaustic in Portland and in many ways, I came into my own as an artist there. There was a group of other artists I kind of came up with. Now, joining 310 ART is giving me the chance to be a part of a community of artists here in Asheville.” Becoming a part of 310 ART was the final step in making Asheville home. 310 ART had been on Benton’s radar as soon as she started thinking about moving to Asheville. “I started searching out who was showing and offering classes in ‘Art’ continued pg. 12

Mountain Moments a trio of perspectives June 9 ~ July 7 Reception June 9, 4-7 pm

Trackside Studios 375 Depot Street

tracksidestudios375.com

Sandra Moore

Cindy Chenard

Lynn Stanley

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 11

Shop, Eat, Explore. . . Everyday, All Year Round ‘Art’ continued from pg. 10

in a commercial fishing net off the Oregon coast. This particular workshop was happening at the Oregon Institute of Marine Biology, and the fishermen offered us the octopus to print. It was amazing. After that, I was hooked on nature printing.” “And Then She Quit” Benton learned by Bridget Benton as much as she “Planting So the Heart Will Grow” taught during that by Bridget Benton workshop seven encaustic in the Asheville area, and 310 ART years ago and was a standout,” Benton notes. now, nature printing plays a big role in her When an opening for a resident artist at work. She even developed her own way of the River Arts District gallery and teaching creating impressions of leaves directly in the space came up earlier this year, Benton wax, leaving a textured pattern on the surface jumped on it. For their part, the residents at of the painting. She continues to teach with 310 ART were excited to welcome another the Nature Printing Society and has organized experienced encaustic teacher and an education for the last two annual events. All excellent contemporary artist to their roster. of these influences come together in Benton’s Benton will be teaching a two-day Encaustic work. Comprehensive at 310 ART June 23-24, “My work is largely about home, belonging, and a one-day Introduction to Encaustic on memory and capturing a moment. I use my own September 23. photographs, found objects, text, anatomical She is in the gallery on Tuesdays and other references, and plant prints, and then build days too. August 19-20, Benton is teaching layers. They tell an intuitive rather than a literal another class at 310 ART that’s near and dear story about a personal experience, journey, or to her heart – Nature Printing with Encaustic. In connection.” 2010, Benton was invited to teach encaustic at Benton relentlessly photographs friends and the Nature Printing Society’s annual workshop. interesting objects, as well as collecting and “I’d never heard of the Nature Printing Society saving odd bits and junk. Hands, hearts, and before that. It’s a wonderful bunch of folks who maps have been appearing as symbols in her print plants and fish and just about anything work for as long as Benton can remember. you can find in nature that’ll hold still long Benton graduated with a degree in Studio enough to get an impression.” Art from The Colorado College in 1992, and And Benton was able to take advantage of a her senior thesis show included all of those unique opportunity at that first workshop. elements. Benton’s current work includes “A giant Pacific octopus had gotten caught photos of her fiancé taken when they were in 12 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

college. Benton’s adventurous spirit has taken her on travels through Mexico, Thailand, Nepal, England, Italy, and Bali, as well as across the United States. Benton is curious, and a lifelong learner. “In my 30’s, I got really curious about how creativity works. I was looking at art and craft made as part of cultural and religious traditions, as well as art made out of need – what was called Outsider Art. I got interested in the creative process itself, and the intersection of art and spirituality.” Eventually, Benton pursued a Master’s Degree in Creative Studies at one of the State University of New York’s campuses in Buffalo. “I learned a lot of theories about the creative process, creativity as a skill that can be learned, and ways of facilitating creativity in others.” This not only informed the way Benton teaches art, it also inspired her to a write a book. Published in 2011, The Creative Conversation: ArtMaking as Playful Prayer won multiple awards, including a Nautilus Book Awards Gold Medal in the Creative Process category in 2012. “I wrote the book to help people make art more joyfully and intuitively. I wanted to encourage people to enjoy the process of artmaking as a spiritual practice rather than just as a way of producing a final product.” Benton is glad the process has brought her here. “Making art and being in a relationship with another person are the best spiritual practices I know. In Asheville, I’ve found a home for both.”

See the work of Bridget Benton at 310 ART, Riverview Station, 191 Lyman Street #310, Asheville. Find the studio at the north end ground floor at the teal door. Hours are 11-5 MonSat and 12-4 on Sundays. www.310art.com for more info and class listings.

IF YOU GO

ART CLASSES

ARROWHEAD GALLERY

Call (828)668-1100 or come by 68C Catawba Ave. Old Fort NC to register.

Fine Art Classes with Lorelle Bacon. First two Tuesdays 9:30 - 11:30am. Two classes $35 for members and $45 for non-members. Classes need not be consecutive. For beginners through advanced students. Students choose the medium and subject. A non-threatening atmosphere lets students work at their own pace. Call Lorelle at (828)595-6007. BEGINNER THROUGH ADVANCED CLAY CLASSSES with Mathilda Tanner. Weds from 1-3pm. $115 for 4 classes for members; $125 for non-members. Includes all materials, clay, glazes, firing and more. Hand building and throwing on a wheel are taught.

WORKSHOPS COMING SOON! Precious Metal Clay all day workshop! Basketry Fused Glass Mountain Scene! Creating Dichroic Glass! Dimensional Paper Art! Painting Faces 101 All Classes held at Arrowhead Gallery and Studios, Arrowhead Gallery and Studios 78C Catawba Ave. Old Fort. For more information go to www. arrowheadart.org (NOTE: If you’d like to teach a workshop in 2017 Contact Education Chairperson Lorelle Bacon (828) 595-6007 or email lorelleartist@hotmail.com.)

310 ART

AT RIVERVIEW STATION

Marvelous Mondays with Lorelle and Nadine Beginner and Up! Open art studios Mondays with instructor to guide you - start and continue year round in our Monday classes, 9:30-12:30pm and 1-4pm. Come the dates that work for you!

See 310art.com for schedule and sign up. Beginners welcomed! Workshops:

COMING IN JUNE

Impressionistic Portrait Painting - June 8, 9 Gelatin Printing no press needed - June 15 Faux Painting, Making a Scene - June 17 Watermedia Painting, Telling a Story - July 15 Wax and Photos, Waxagrams- July 22, 23 Alcohol Ink - Aug 5 Nature Prints and Encaustic - Aug 19, 20

Classes for adults at 310 ART, 191 Lyman Street, #310, Asheville, NC 28801 www.310art.com gallery@310art.com

(828)776-2716 Adult classes, beginner and up, most materials provided. Register online or at the studio.

ART SHOWING IN THE RAD

The Opening Reception for Metamorphosis: Following Abstraction into Form took place Saturday, May 20, as part of the Rivers Arts District STUDIO STROLL. Come see the show! Grand Re-Opening @ STAND Gallery, Phil Mechanic Studios, 109 Roberts St, Asheville. Runs from through June 20th. Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 13

Shop, Eat, Explore. . . Everyday, All Year Round

Detail Bill ‘Mountain Morning’ by Cindy Chenard

‘Mountain Summer’ by Lynn Stanley

‘Max Patch Sunset’ by Sandra Moore

‘Mountain Moments’ at Trackside Studios in the RAD Trackside Studios in the River Arts District is home to 19 artists who create and display in a flow of interconnected studios, and several times a year the studios mount collaborative

themed shows where artists’ perspectives entwine and enrich each other.

Graceful and embracing, the Blue Ridge Mountains are a special inspiration to these three artists. They create in very different styles and materials, but as they have shared their vision, each has found that the others’ work enriches her own. Sandra Moore paints the moods of the

mountains with watercolor, layering paint and mixing colors she sees and feels to create her delicate and serene mountain paintings. She paints to share the “deep quietness” she feels in the mountains: “When I paint I want to instill a sense of peace in my work.” Cindy Chenard has hiked these mountains for decades and expresses her love for mountain beauty in all seasons with a contemporary style, clean lines, and vivid colors, and an individual technique using thin layers of wood and paint to create a three-dimensional effect. Lynn Stanley, who paints in the Asian manner using traditional rice paper, brushes, watercolors, and inks, has developed a

personal style fusing Western and Eastern modes to create her mountain landscapes. She sees both softness and strength in our most ancient of mountain ranges. The three diverse perspectives combine in Mountain Moments to celebrate the many ways our mountains speak to us, and also their underlying message of permanence and peace. Mountain Moments, a collaborative show featuring three Trackside artists, Cindy Lou Chenard, Sandra Brugh Moore and Lynn Stanley, opens with a reception on June 9, 4–7pm at Trackside Studios, 375 Depot Street, and runs through July 7.

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COVER STORY

Capturing beauty through collage: the art of Margaret Roberts Featured at Twigs and leaves in downtown Waynesville

“Sitting in Judgment” by Margaret Roberts Rapid River Magazine: How did you get involved with art?

“Three Wise Women” by Margaret Roberts

when I ask artists about the influences on their lives to produce art, their parents. I would say about 90% had parents who Margaret Roberts: My were artistic or encouraged mother, while not artistic their child’s interest in art. was very creative and a bit Tell me something about your eccentric. She used to use training and your influences. food coloring to let us paint My sister-in-law was an artist. our faces, arms and legs I was a young teenager when in the summer much to the she loaned me her pastels chagrin of our neighbors. and convinced me I could She also encouraged me be an artist. I majored in art to paint the large windows in college but to be honest it in our home with finger “Lunch in the Garden” wasn’t much of an art program. paint. Coming from a small by Margaret Roberts Until I was about 45 I really had town in Southern Virginia, no time to paint, although my we didn’t have a lot of resources but she had interest in art certainly was useful when raising the ability to make something out of nothing. I children. I began to make friends with artists write a monthly column about local artists for and take classes. I learned to paint from books. our newspaper. One thing always impresses me Actually, I would give talks at Barnes and Noble

Interview by Dennis Ray

“Sunny Sunflower” by Margaret Roberts about learning to paint from books and they would allow me to have exhibits in their stores. RRM: Where do you derive your inspiration from? MR: Inspiration comes from so many sources. I love bold shapes, bold colors and graphic like designs. I often put myself to sleep thinking of different ideas. I love patterns and look for subjects that lend themselves to using lots of patterns. I love Matisse, Klimt, Van Gogh and Rothko. Buildings, florals and African themes. RRM: What are you currently working on? MR: I’m currently working on my June Exhibit at Twigs and Leaves Gallery. The theme is “In Full Bloom.” I sell all of my watercolor collages through them. I developed this technique about ‘Cover Art’ continued pg. 17

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 15

Vis

Asheville’s Longest Established Fine Art Gallery with 30 Regional Artists

Asheville Gallery of Art 's June Artist

Bill Cole ‘Back of the Theatre’ 22x26

(detail) Bill Cole, ‘Queen’s Farm Silo’ O-P 18x24

Bill Cole ‘In the Pines’ 31x35

“Bill Cole: Taking the Ordinary to Extraordinary” for June at Asheville Gallery of Art Asheville Gallery of Art’s June show features the work of Bill Cole. Cole’s colorful shapes, lines, and angles of everyday objects exemplify how the ordinary becomes extraordinary through the eyes of an artist. Cole, a native of Arden, NC, began painting after retiring from the Air Force. Primarily a selftaught artist, he studied watercolor for a short period in Paris while living there in 1996. He has worked in watercolor, oil, acrylics, linocuts and monotypes. His latest series of paintings are of buildings

rendered in oil and acrylic, which he describes as, “leaning more toward minimalism than photographic realism.” In this series, he uses the lines and shapes of buildings as the format for exploring the interplay of shapes, colors, and textures. Cole’s other interests include playing mandolin in a small band called Blackberry Jam and hiking. He lives in Waynesville with his wife, Jane, an active art quilter, and Ollie, their dog who is an expert at catching and fetching turtles. As well as the paintings by Bill Cole, there are 29 other gallery members who are on display and for sale through the month of June.

ARTS AND CULTURE NOTE:

By Staff Reports

The show runs June 1-30 during gallery hours, 11-6pm Monday - Saturday and 1-4pm Sunday. The gallery, located at 82 Patton Avenue in Asheville, across from Pritchard Park, will host a reception for the artists on Friday, June 2, 5-8pm. Everyone is cordially invited to stop by. IF YOU GO

For further information about this show, you can contact Asheville Gallery of Art at (828) 251-5796, visit the gallery website at www.ashevillegallery-ofart.com, or go to the gallery Facebook page.

ARTS HAVE SOCIAL IMPACT University of Pennsylvania researchers have demonstrated that a high concentration of the arts in a city leads to higher civic engagement, more social cohesion, higher child welfare, and lower poverty rates. A vibrant arts community ensures that young people are not left to be raised solely in a pop culture and tabloid marketplace.

16 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

‘Cover Art’ continued from pg. 15 20 years ago in an attempt to save LOTS of failed watercolor paintings. My resolve was to rework each painting until it succeeded or until I had to throw it away. I began tearing the beautiful colors, leaving the white torn edge on, and gluing it onto a painting to enhance it. People really responded well to the new technique and I’ve been honing my skills ever since. I also am always painting in oils, acrylics and pastels.

FINE ART very seriously. I believe my personality is reflected in my art. Almost cartoon like shapes.

Fri June 9, 7 PM Isis Music Hall 743 Haywood Rd, Avl (828) 575-2737 www.isisasheville.com

RRM: How do you see the art market in WNC changing?

MR: Locally, I see lots of change. It used to be that photorealism was the most prized form of creativity. Our mountains are so beautiful that it is easy to understand why. But now, I believe more people are understanding that RRM: How do using that beauty as representation and “Blue Ridge Rhodies” By Margaret Roberts a starting point for a a tendency towards creative piece is equally abstraction find their balance in your work? if not more interesting. The upturn in the MR: My friend once told me I should have economic market has certainly been helpful in been a graphic artist and I agree. I love bold selling wall art. shapes and colors and the fact that most of my creations are of torn paper naturally IF View Margaret Roberts work Twigs and YOU leads to abstract shapes. It also keeps me GO Leaves Gallery. She is their feature artist of from becoming too picky. I have my share of the month for June, 2017. 98 North Main hyperactivity and it shows in my work, along Street, Waynesville with a sense of humor that I don’t take myself (828)456-1940 • www.twigsandleaves.com

Celtic Music and Mythic Legends for the Midsummer Solstice

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 17

More of what Makes Asheville Special:Dining • Shopping • Galleries • Music

D ow n tow n A s h ev i l l e

The Asheville Percussion Festival brings percussionists from around the world

By Staff Reports

drumming to lovers of rhythm.

On June 30, the weekend will kick off with a free Friday evening event at Odyssey Community School in North Asheville, where festival goers will meet the artists and get to hear some informal performances. Bring your

drum along and join the fun!

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10. BLUE SPIRAL 1 19. THE SATELLITE GALLERY 11. THE CENTER FOR CRAFT, 20. SUSAN MARIE DESIGNS CREATIVITY & DESIGN 21. TRACEY MORGAN GALLERY 12. CONTEMPORANEO ASHEVILLE 22. VAN DYKE JEWELRY & 13. THE HAEN GALLERY FINE CRAFTS 14. HORSE + HERO 23. WOOLWORTH WALK 15. JEWELS THAT DANCE 24. ZAPOW! 16. LEXINGTON GLASSWORKS I - 240 25. ZEST JEWELRY ART 17. MORA 18. MOUNTAIN MADE DOWNTOWNASHEVILLEARTDISTRICT.ORG

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18 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

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Wilson

featuring original collaborative compositions created during the week by the worldrenowned Residency Artists. The Saturday night Concert at the Diana Wortham Theater and the Sunday Sound Meditation at Odyssey on July 2 are very popular events that have sold out over the last few years. Tickets for these events are discounted 10% until June 15. Tickets are available online by visiting: www. ashevillepercussionfestival.

Merrimon

from around the world

On Saturday, July 1, come and enjoy free drumming and dancing workshops at Odyssey from 10-6:15pm. Other attractions include a food truck, silent auction and musical instrument, vendors. Saturday workshops require a free pass available on the festival’s web site. Make plans to attend the Saturday night concert at the Diana Wortham Theatre, July 1, 8pm,

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com/tickets/The festival also includes an intensive program for percussionists who want a weeklong immersive experience. The intensive program will take place at Odyssey Community School Monday through Friday (June 26 - June 30) and includes two tracks: World Percussion for Emerging Drummers and World Percussion for Intermediate/Advanced Drummers. Both tracks include classes throughout the week with our Residency Artists. One Emerging track work/study scholarship is available to a high school or college student with demonstrable need.

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Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 19

D r i n k s & D i n i n g G u i d e

20 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

Drinks&Dining Guide The Asheville Wine & Food Festival . . . This year, savor the mountains like never before! The Asheville Wine & Food Festival is a culinary weekend of food, drink, and fun. This year the event will be outside in the sun (hopefully) at Pack Square Park, in the center of downtown Asheville just steps from all the vibrant shops, restaurants, and South Slope breweries. Asheville was ranked as number one on the list of “New Top Cities for Wine in the US” designated by The Travel Channel for 2017. The Asheville Wine & Food Festival brings together the finest regional, national, and international wines, exceptional restaurants, craft beer, spirits, and handcrafted artisanal foods for a weekend of palate-pleasing indulgence where festival goers will find

a treasure of independent, farm-to-table restaurants. August 18-19. Enjoy the festivities on Friday starting at 12pm enjoy the music and meet Christopher Prieto, a celebrity BBQ Pitmaster, while enjoying wines, spirits, beer and food from local award winning chefs. On Saturday, starting at 11am, be prepared to spend all day sipping, tasting and meeting the winemakers, chefs, culinary authors, while watching gifted chefs share their secrets about great Asheville food. Late Saturday afternoon, 4-7pm, enjoy “Sweet & Savory” at the Renaissance Ballrooms and Atrium, pairing sweet desserts, savory restaurant dishes, and great wines.

Enjoy good times!

The Asheville Wine & Food Festival Ticket info: ashevillewinandfood.com

IF YOU GO

Wine ∙ Beer ∙ Cigars ∙ Gifts Restaurant ∙ Live Music

CIGARS Now at the Classic Wineseller 20 Church Street, Waynesville, NC 828-452-6000 www.classicwineseller.com

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 21

D o w n t o w n Wa y n e s v i l l e Theres Always Something New!

Learn about night-sky constellations Want to know where to look for planets, constellations and other night-sky features this summer?

101 S. Main St Waynesville NC 828-246-6176 101mercantile.com

The public is invited to find out at PARI (Pisgah Astronomical Research Institute) Friday, June 9. 35 miles from Waynesville). The evening’s activities will include a tour of the PARI campus and, weather permitting, celestial observations with PARI telescopes. “Early summer is an excellent time to view the SagittariusScorpius region of the night sky,” said PARI Education Director Christi Whitworth. “During our presentation, we’ll show you what to look for and where to find it. Our presentation will be inside, utilizing software to project night

sky features and how to track them as they move through the summer months.” This summer we’ll have Jupiter, Saturn, and Mercury visible in our evening skies. Your guided tour will also include constellations and other interesting night-sky phenomena. Weather permitting, you’ll then move outside and point PARI telescopes at some of the more interesting features of the evening. If you have never seen our galaxy from a dark sky location like PARI, you’re in for a special treat. It’s truly spectacular. This program is suitable for all ages, so bring the entire family for a night

By Staff Reports

under the stars at this historic former NASA facility. This program begins at 7pm with the presentation, followed by a campus tour and a trip to the Exhibit Gallery. Weather permitting, the evening will also include a trip to the Nature Center where PARI astronomers and volunteers will use PARI’s telescopes to showcase planets, stars and more. The event will take place regardless of the weather. Reservations are required and will be accepted until 3pm the day of the event. Evening at PARI programs cost $20 per adult, $15 for students/seniors/ military and $5 for children ages 6-11. Children 5 and under are admitted free. Register and pay online at www. pari.edu or call (828) 862-5554. For additional information contact Sarah Chappell at schappell@pari.edu IF YOU GO

Local Support Local Businesses

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22 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

Rethinking Society We are, undeniably, in times of great social/political unease. Many are troubled and uncertain about what is ahead. This makes an examination, a rethinking of who we are, what our society stands for and what our institutional underpinnings are a seeming necessity, but our political, economic and educational leadership seems to offer very little. In fact, they just seem to keep digging the hole deeper. As is historically typical, it would seem that those who have achieved influence and power seem only interested in maintaining their power, holding tightly onto the old models of social, political and economic thinking. This makes for a serious crisis. An honest person has to acknowledge that we cannot continue living out these failing models without the consequence of passing along to future generations a seriously diminished quality of life. Environmental degradation, widespread displacement of jobs by automation, and increasingly widening gaps between the wealthy and the working class loom unaddressed in any meaningful way. The dehumanizing effects of corporate, governmental and educational bureaucracy worsen year to year. Erosion of culture by cynical and manipulative market forces threatens our society. Pessimism is rampant. As a result, we see a general public trend to mistrust our institutions and leadership. Clearly, we need some radically creative re-envisioning of how to move forward into a higher level of inclusive and enlightened society. Instead, we seem stuck in seductive fear-mongering and distraction by political and media charlatans who promise a return to an older and simpler time as the answer, a doubling down on the very systems and beliefs that are failing us. This hollow call for returning to “greatness” only makes our situation worse. It is no wonder that nearly all literature and media concerning the future is dystopian in view. There is a tragic loss of the notion that humanity can move toward a Utopian future. This is like a fainting canary in the mine. Disaster is sure to follow. An honest self-examination tells us that we must somehow let go of selfish and small-minded thinking. Geologists and environmental scientists tell us that we are entering a new era in which rather than natural geological forces determining human habitation patterns on the planet, it is human habitation patterns that will determine geological and climate realities – to disastrous consequences. In a sense, the human footprint is now larger than the planet, and this demands we rethink how we relate to the planet and to each other. There is no shortage of good ideas and inventive know how, but the response from all institutional leadership seems to be to whistle through the graveyard pretending that what we know is happening is not happening. It is blatantly obvious that our sense of honesty and responsibility must grow. It must grow beyond narrow self-interest, beyond powerful interest lobbies, beyond even our nationalities to the totality of humanity and ultimately, it must grow to all that share life upon this planet. This is imperative, yet – where are the urgency and determination the situation requires? Old ways of political and economic thinking will not do. Predatory corporate capitalism, classism, nationalism, rampant resource exploitation, and divisive political, religious and racial identification are archaic models that will not serve the necessities of the future. Perhaps we need an entirely new political philosophy, one that blends the best aspects of the seemingly opposite perspectives of Socialism and Libertarianism. Why can’t there be a system where there is a strong central government that functions as the referee, arbiter, treasury, guardian, coordinator, keeper and shaper of a centralized vision of a democratic and decentralized society that values individualism and creativity? In such a system our current economy and social norms based on competition, corporate dominance, exploitation, and

ZEN PHILOSOPHY WITH BILL WALZ manipulation would give way to systems based on personal and human scale economic activity, mutual respect and universal responsibility. The new economy could be socialistic in that it would require a strong coordinating central government. It could be built around the radical idea of a minimum guaranteed income for all persons since traditional patterns of employment will be altered radically by automation. Old ideas of financial viability tied to employment simply won’t work where traditional norms of employment are breaking down. This system could include universal access to health care, housing, and education as human rights. Communities could be built that are beautiful and inspiring, not just hubs of metastasizing commercial activity. There is no and will be no shortage of wealth – there just needs to be a rethinking of how the wealth and the benefits of a civilized society get distributed. No one needs to be filthy rich and no one needs to be filthy poor. Jobs that are not now properly valued – human-to-human jobs like teachers, social workers, and child care, elder and disabled care workers and retail and service jobs need to be better paid. Police work needs to be elevated so that it truly “protects and serves.” Community service can be the universal first job for youth. Education could be every bit as focused on developing the heart and soul as on intellectual and vocational skill. The arts and creative crafts could be made reliable occupational activity. Individualism and self-expression can be elevated. This is the libertarian aspect of this system. Environmental and wild species preservation jobs need to be created. Science and research targeted at finding the proper balance between human technology and nature would have high priority. And, importantly, many jobs that could be automated should not be. Many service jobs have to be deliberately kept as human jobs. How wonderful to have a human being once again answering your phone calls to your service companies. Why? Because a human is better at it than “push 1 if this is in reference to... push 2 if this is in reference to...” when what you are calling about isn’t one of the choices. We need humans talking to humans, not computers leaving us frustrated and feeling dehumanized. Manufacturing CAN BE greatly automated, creating wealth — but we have to decentralize and demonopolize the economy — bringing back small merchants and small farms. Industrial scale farming, particularly of animals, is calamitous to the environment and importantly to the soul of the society. Mega-corporations must be brought to heal, most likely broken up into smaller, more accountable entities, purpose and benefits shifting from disproportionately advantaging shareholders and executives into a better balance with the well-being of workers and society. Cities can be built as a federation of villages, the experience of neighborhoods reclaimed to the human scale where most of what is needed are available locally from people who own their own businesses and can make a good living while paying good wages, creating a reinvigorated sense of community. The rebuilding of our cities and infrastructure in the shape of this new vision would create good jobs that could also carry some sense of patriotism and heroism. We can do all this and more. The future is coming. But we find that rather than planning and envisioning and inventing to make this future beautiful and sustainable, we are allowing old ideas of entrenched interests and a Machiavellian market-force society to make it ugly, mean and unsustainable. We have to change this before it is too late. It’s time to reinvent American society and for America to join with other nations capable of Utopian vision to lead humanity into an entirely new evolutionary phase. In a sense, humanity has to grow up. This begins one person at a time shaking off lethargy

and small thinking, then joining together in the challenge to envision a beautiful society that can be, rather than just passively trying to hold on as the old model takes us deeper into failure. It takes getting involved politically and socially to spread this vision, to initiate an ever-growing conversation about humanity living from a motivation of universal responsibility and compassion rather than individual competition and selfishness. It is about building a Utopian future because only utopia can sustain us for the infinite future. Anything less leads to collapse. It calls for a true evolution of our democracy; therefore, reform of our moribund and corrupt electoral process is essential. What is essential is that there be a new and growing conversation and debate engaged with determination on how to reinvent human society. We have to dare to think in new ways about a society that will take us to the 22nd century and beyond, not in despair and pessimism, but in Utopian confidence. Out of love for our children and our grandchildren and for generations to come, we must stop this drift into despair and calamity. We must envision an evolving humanity possessed of an ever-expanding sense of responsibility and concern for all who share life on this planet and for the planet itself. Out of crisis comes challenge and the need for invention. And so, as we are moving inexorably into perhaps the greatest crisis in human history, it’s time to rise to the challenge and to reinvent, to rethink our society. That is what these human brains are for, not self-indulgent, self-centered smallmindedness.

Bill Walz has taught meditation and mindfulness in university and public forums and is a private-practice meditation teacher and guide for individuals in mindfulness, personal growth and consciousness. Information on classes, talks, personal growth and healing instruction, or phone consultations at (828)258-3241, e-mail at healing@billwalz. com Learn more, see past columns, video and audio programs at www.billwalz.com

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 23

HEALTH

Side effects of steroids By Max Hammonds, MD

“Sgt. Pollard, this looks like a nasty

case of poison ivy.”

Dr. Wallace sat back, cocking his head sideways in thought. “Probably need an extended dose pack of prednisone to get it under control.”

“I sure hope it works, Doc. The itching is driving me crazy.” Sgt. Pollard restrained his fingers from scratching his shins and ankles. “And we’ll use dressings for a while to keep you from getting infected and address that itching problem.” The doctor paused. “But I need to warn you about the prednisone.” “Oh? What’s the problem?” “Well, steroids – like prednisone – are a wonderful drug when we are facing a really big inflammatory problem like you have. In fact, steroids are a big help for all kinds of diseases where the body’s immune system needs to be

calmed down – like rheumatoid arthritis and other autoimmune diseases, some lung problems and even some blood cancers. But steroids can have some interesting side effects, some dangerous, some just funny.” “What!? I don’t want to take anything dangerous.” Sgt. Pollard physically recoiled on the exam table. “Oh, you’ll be okay with the relatively short course we are going to use for your problem. But if you take steroids for more than two weeks – which I think you will have to do, your body might stop making its own steroids. This is not a problem so long as you are taking your medicine. But don’t stop abruptly. We will have to gradually decrease your prednisone over the two to three weeks to get your body use to making its own steroid again.” “Oh, okay. Just take the medicine according to schedule. Roger that, Doc.” “And be sure to tell a dentist or

24 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

surgeon, if you have some big procedure. Your body may not be up to supplying the surge of steroids you might need for such an emergency. “Oh, and another thing. You – or your family might notice you acting a little different – like talking too fast or too much – or not talking much at all. Don’t know how it might affect you.” The doctor was thoughtful for a moment. “Just tell the family to tell you if they notice anything different.” “Okay. Anything else?” “Well, you might experience joint or muscle pains as we lower the dosage. And you might notice an upset stomach or an inability to sleep.” Again the doctor considered a moment. “You won’t be on the prednisone long enough to gain weight, but you might notice some ankle swelling – from the fluid. It’ll all go away when the medicine stops.” He looked up. “Do you have high blood pressure or diabetes?” The sergeant shook his head. “Okay, you’ll be alright. Just let me know if anything unusual happens – anything you don’t understand. Okay?” “Sure. And all this just to do a little trout fishing. Glad we have the steroids.”

ART EVENT

Front Street Arts & Crafts Show comes again to Dillsboro

By Staff Reports

Dillsboro’s Front Street Arts & Crafts Show will once more showcase some of the best regional artisans at its

3rd annual free art show.

Support the arts

Cloggers, based out of Haywood County will dance on the street. 2:15pm—Twelfth Fret— Husband and wife team featuring an acoustic duo with Craig Neidlinger on guitar and Kim Neidlinger on upright bass. Twelfth Fret performs originals as well as pop and classic rock.

Over 60 booths will display and have for your perusal the handmade craftsmanship of regional fine artists and fine crafters intermingled with the sounds of family entertainment. 3pm—Susan Pepper— Some of their local artisans Susan’s performances ‘On Hallowed Ground’ one of two murals to have a special dedication at will be Pamela Judson from the Dillsboro’s Front Street Arts & Crafts Show. This 16 feet long mural present a dynamic spectrum Webster who does metal, was painted by Doreyl Ammons Cain. of traditional folk music with polymer, wood and resin banjo, dulcimer and guitar. jewelry and upscale art; Tracy the tune of Jane Thompson Gurley on Lots of great tasting food will be Chapel from Cullowhee who is a autoharp and Jeanette Queen on guitar. available during the festival, along with photographer; Kay Wolf, a potter The other mural is a youth mural located several great restaurants to choose whose studio is called Wolf Clay across the street from the Dillsboro from…and the Great Smoky Mountain Creations; and another potter, market titled “ColorFest.” Railroad will arrive at 2:15. Kimberly Gray, whose home is on 11am—The Maggie Valley Band—Two Little Cove Knob near Sylva, NC. sisters, Whitney & Caroline Miller, and Gray, the owner of Mudpuppies The arts and crafts show is their friends. IF Pottery, has been making pottery YOU free, with a small parking fee GO 12:15pm— Betty Brown and the JAM for more than 25 years. that includes a shuttle from Kids—Betty Brown from Tuckasegee Monteith Park directly to specializes in “Singing Appalachian ENTERTAINMENT the festival itself. June 17, 10-4pm. Stories,” original “story” songs 10am—Dedication of two murals to Dogs are welcome but please bring about faith, family and growing up the Appalachian Mural Trail. The 16 them on a leash. Appalachian. Accompanying Betty will feet long “On Hallowed Ground” mural For more information, call (828) be the Junior Appalachian Musicians painted by Doreyl Ammons Cain, 586-3511, or go to visitdillsboro. (JAM), along with Susan Pepper. took one year to paint. The mural trail com. Come out and enjoy the day group will present an enactment of this 1:30pm—The J. Creek Cloggers—A at the Front Street Arts and Crafts historical mural, telling it’s unique story to high-energy dance team, the J. Creek Show in Dillsboro.

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Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 25

THE POET'S VOICE By Carol Bjorlie — “The Poet behind the cello” June is the “month of Awareness, weddings and roses” Here’s a well loved poem you will recognize. A Red, Red Rose O my Luve’s like a red, red rose That’s newly sprung in June; O my Luve’s like the melodie That’s sweetly play’d in tune. As fair art thou, my bonnie lass, So deep in luve am I: And I will luve thee still, my dear, Till a’ the seas gang dry: Till a’ the seas gang dry, my dear, And the rocks melt wi’ the sun: I will luve thee still, my dear, While the sands o’ life shall run. And fare thee well, my only Luve And fare thee well, a while! And I will come again, my Luve, Tho’ it were ten thousand mile. — Robert Burns Summer is closing in. School’s out!! I include this poem by Nicki Giovanni because we can NEVER pay our teachers too much. I know. I taught middle school and college freshmen. Don’t Think The most important thing I know / about teaching / is that the teacher is also learning / Don’t think / you have to know it all.

Support Local book stores / sellers Writers & Poets!

In May Sarton’s book, From May Sarton’s Well, Sarton writes about the natural world “... if one looks long enough at almost anything, looks with absolute attain at a flower, a stone, the bark of a tree, something like revelation takes place. Something is given, and perhaps that something is a reality out side the self.” Here’s May on Flowers — “When I

am alone, flowers are seen: I can pay attention to them. They are felt as presences. Without them I would die. Why do I say that? Partly because they change before my eyes. They live and die in a a few days: they keep me closely in touch with process, with growth, and then with dying. I am floated on their moments.” I have seen pictures of Stanley Kunitz’ garden. He connects writing and nature for me. In his book, The Wild Braid, a poet reflects on a century in the garden, Stanley writes — “I loved especially the sounds of words. We were fortunate in our house to have an unabridged dictionary. I explored it every day for new words and then I would go out into the woods behind our house and shout my latest discovery and listen to it reverberate. The woods were the perfect audience.” From William Stafford, a lesson on attentiveness. You Reading this: Stop Don’t just stay tangled up in your life. / Out there in some river or cave where you / could have been, so absolute, lonely / dawn my arrive and being the story that means what everything is about. / So don’t just look, either: let your whole self drift like a breath and learn / it’s way down through the trees. Let that fine waterfall-smoke filter its gone, magnified presence / all through the forest. Stand here till all that / you were can wander away and come back slowly, / carrying a strange new flavor into your life. / Feel it? Th’s what we mean. So don’t just read this — rub your thought over it.

26 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017

Now you can go on. And now President Carter gets a word in. Imagine! A President who writes poetry. This is a love poem for his wife, Roselynn. Some Things I Love / Your enchantment in a lonely wood, The fight and color of a rainbow trout, / My in-basket empty and a good new book, / Binoculars fixed on a strange new bird, Sadie’s point and a covey of quail, The end of a six-mile run in the rain, Blue slop, soft snow, fast run, no fall, / A dovetail joint without a gap, / Grandchildren coming in our front door, / The same ones leave in a day or two, / And life, till what rhymes best with breath / Takes me from all the things I share with you. Wisdom from Robinson Jeffers from his poem Ave Caesar No bitterness: our ancestors did it. They were only ignorant and hopeful, they wanted freedom but wealth too. Their children will learn to hope for a Caesar. Or rather - for we are not aquiline Romans but soft mixed colonists-Some kindly Sicilian tyrant who’ll keep Poverty and Carthage off until the Romans arrive. We are easy to manage, a gregarious people, Full of sentiment, clever at mechanics, and we love our luxuries. Robinson Jeffers dates are 1887 1962. Imagine what he would write today! Write on!

BOOKS

“Smokies Chronicle,” Ben Anderson offers observations on natural and human history By Staff Reports As the national park system celebrated its centenn ial in 2016, Ben Anderson decided to explore and

closely observe, across the seasons, as much of the nation’s most

popular national park as

practicable during the year.

On the three or four hikes he took each month, he revisited a number of trails he was familiar with from previous hiking and backpacking excursions, often through his role as a Smokies backcountry volunteer

for more than 20 years. Even on familiar trails, he sought a greater perspective and deeper insight into the park. In Smokies Chronicle, Anderson offers observations on natural and human history, mountain culture, geography, geology, flora, and fauna. The book also deftly blends the personal with the universal

in a compelling mix of entries from the backcountry. Although this book can be used as a helpful trail guide, it Ben Anderson also provides a fresh look and an engaging narrative about our most heavily visited national park, through the eyes and ears of a writer who has an extensive history with the park. IF YOU GO

To order this wonderful book visit: www.blairpub.com

Uber takes a ‘Wild Ride’ with excellent new book

By Staff Reports

How does a company go from an idea to being one of the

world’s most influential businesses and highest

grossing start-ups of the

21st Century?

Adam Lashinsky, a veteran Silicon Valley reporter, unveils the inside story of Uber’s bid for global domination. Uber is one of the most fascinating and controversial businesses in the world, known for its innovative ridehailing app which can practically locate you anywhere and have a driver come pick you up even if you have no clue where exactly you may be, and its snarky if not just rude CEO Travis Kalanick. The story isn’t just about how Uber became UBER, or about

Kalanick’s rise as a world CEO celebrity in the likes of Steve Jobs and Bill Gates. This book examines society’s need of technology and its thirst for more innovative creations and how we reward them. In a way, I imagine it is a lot like the mid-1800’s with all of the inventions coming out and the public’s passion for embracing them. The book examines Kalanick’s war against politicians and taxi companies all over the world; pushing the boundaries of what a modern workforce means while moving forward where drivers and dispatchers are a thing of the past, and perhaps even owning a car. Uber fights local competitors and

lawmakers for markets around the world; it has already faced riots and protests in cities like Paris, Mumbai, and Mexico City. It has also poached entire departments from top research universities in a push to build the first self-driving car This audiobook is read by Lashinsky who proves to be an excellent reader and manages to keep the listener engaged through a craft that takes many professional readers years of study to accomplish — the art of casual conversation as if telling you a wonderful story on a long drive. The book is short about seven and a half hours and stays focused. IF YOU GO

JUNE

PARTIAL LISTING

We host numerous Readings & Book clubs, as well as Salons! Visit www.malaprops.com

READINGS & BOOK SIGNINGS

AIYANNA SEZAK presents A TANGLED TREE 06/03 - 7pm LIYANA SILVER presents FEMININE GENIUS 06/05- 7pm SARAH DOOLEY presents YA novel ASHES TO ASHEVILLE 06/07 - 7pm AJ HARTLEY presents YA novel FIREBRAND 06/08- 7pm ELLEN TADD presents THE INFINITE VIEW 06/12 - 7pm JOHN GRISHAM presents CAMINO ISLAND (SOLD OUT!) 06/15 - 5pm DAN PIERCE presents HAZEL CREEK: THE LIFE AND DEATH OF AN ICONIC MOUNTAIN COMMUNITY 06/16 - 7pm MARLA MILLING presents LEGENDS, SECRETS, & MYSTERIES OF ASHEVILLE 06/26 - 7pm

55 Haywood St.

(828) 254-6734 • 800-441-9829 Monday-Saturday 9AM to 9PM Sunday 9AM to 7PM

Social: @adamlashinsky penguinrandomhouseaudio.com

Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 27

New art exhibit “Mountain Spring” now through July 30 Monte Vista Hotel Michelle Hamilton By Staff Reports

A New “Mountain Spring” art exhibit at the Monte Vista Hotel in Black Mountain. Marvelous works from some of The Swannanoa Valley Fine Art League (SVFAL) members are on display through the end of July. The SVFAL is celebrating its 50th Anniversary all this year. The Red House Gallery and

Studios next door to the Monte Vista is the headquarters of the League and has ongoing art shows and workshops for artists. “We are the oldest art league in WNC with over 100 members and we were founded right here at the Monte Vista Hotel by 12 women artists!” ‘New Art’ continued next pg.

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BLACK MOUNTAIN When you come to the hotel, some the pieces you will see are: Michelle Hamilton’s Encaustic and mixed-media art, which she applies and sculpts layers of colored hot wax on a large scale in a painterly free-form way, Pat Cotterill’s oil “Personality Plus” cows and goats, Bobbie Roberts’ lovely and varied oil landscapes, flowers and portraits, Ann Bevan’s oils representing springtime in the mountains; Diane Hammer’s South American Red-Eyed Tree Frog collection, Sylvia Mc Collum’s silver jewelry (our own silversmith), and Alan Kaufman’s whimsical, one-of-a-kind, found art objects. They invite the public to visit the Monte Vista Hotel and view this show that runs

Local

Pat Cotterill

through July 30, curated by Susan Hanning. IF YOU GO

Monte Vista Hotel, 308 W State St., Black Mountain

Find Art and you will Find Yourself

— Dennis Ray

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Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 29

WOMEN HEALTH

Why do body safe toys matter?

By Staff Reports

So why do body safe toys matter?

have been tested for non-toxicity in consumer laboratories. These are well engineered and have the best manufacturer’s warranties. VaVaVooom also carries organic lubricants and natural massage oils. Body Safe Toys matter because “safe sex” is not just about condoms, it is about safety in all aspects of our intimate lives, including the psychological safety of knowing that others truly care about our well-being.

Because you are a socially and sexually conscious woman. Because The FDA does not regulate adult “novelty” products. Because a lot of vibrators are manufactured with toxic materials like poor quality plastics, even lead and cadmium, some of which are known to cause cancer. Because YOU deserve better. As a healthy, evolved woman, you know that “toys” can be wonderfully incorporated into mutual play with a partner, or used alone as a fun way to destress. VaVaVooom curates adult products, and limit their preferred lines to ones that

VaVaVooom Address: 57 Broadway, Asheville, NC 28801 Phone: (828) 254-6329 www.vavavooom.com IF YOU GO

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Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017 31

32 Vol. 20, No. 10 — RAPID RIVER’S ARTS & CULTURE MAGAZINE — June 2017