PORTFOLIO 2019 by Rathod Piyush

PIYUSH RATHOD INTERIOR DESIGN PORTFOLIO â&#x20AC;&#x2DC;19

EDUCATION L . P. S a v a n i V i d h y a b h a v a n

COMMUNITY SERVICE

G U J A R AT I HINDI

INTERESTS

INDEX 2019 S t a l l D e s i g n : M AY 2 0 1 9 Jeans and fabric products Mumbai.

MUSIC P H OTO G R A P H Y ART FOOD T R AV E L FILMS CRAFT

S TA PAT YA 2 0 1 9 Exihibit ion of furniture : january 2019 Surat.

SKILLS ADVANCED

HAND WORK

3DS MAX

S K E TC H U P

S K E TC H I N G

P H OTO S H O P

A U TO C A D

DRAFTING

INDESIGN

V R AY F O R S K E TC H U P

CRAFT WORK

MS OFFICE

ORIGAMI

LUMION

POP -UP MODELING

BASIC

Hello,

I a m a n i n t e r i o r d e s i g n g r a d u a t e f r o m I N S T I T U T E O F D E S I G N A N D T E C H N O L O GY, S u r a t . I believe in hopefull and empathetic design which has a positive impact on others. My strengths lay in design that fulfill the purpose of being pract ical and effic ient. I am intrigued by simple solut ion and details that. Add a lot of character to an object or space. Curiosity has made me a better learner and does not limit my passion for designing towards just spaces. I love the craft of fabricat ion and experiment ing in the workshop. I look forward to learning more and challanging myself to think in alternat ive ways. I love animals , plants , music. I am also fond of photography , gardening and somet imes making crafts.

LANGUAGES ENGLISH

IID , INFINITY 2018 Vo l u n t e e r e d : D e c e m b e r 2 0 1 8 Surat.

P IY USH RAT H OD

2016 - 2019 INTERIOR DESIGN

2012 - 2016 CIVIL ENGG.

2002 - 2012 S S C - G U J A R AT B O A R D

+91 9574295896 rathodpvr@gmail.com

I . D.T, S U R AT

B .V. P. I .T , U M R A K H

CONTENTS 01

MEMORY BLOCKS

RESIDENTIAL

DENTAL STUDIO

RE-PLASTIC

BIRD BENCH

BALCONY DESIGN

INTERACTIVE ORIGAMI CEILING

OTHER

1st Year

MEMORY BLOCKS MEMORY BLOCKS IS DESIGNED FOR THE PUBLIC BUS STAND FURNITURE IN INTEARC - FURNITURE DESIGN COMPETITION IN IDT. KEY WORDS : //FORM // INTERACTIVE

MEMORY BLOCKS 12MM PLY

3" 1 4"

1" 1'-74

SPRING

1" 1'-72

L.H.S

PLAN

12MM PLY

73 4"

12MM+6MM PLY

53 4" 1'-1"

SAGWAN

1'-9"

L.H.S

R.H.S

1" 1'-34

11"

BASE GRID PATTERN

1" 2

2" 1" 12

13 4"

1" 1'-72

1" 6'-02

R.H.S

FRONT ELEVATION

13 4"

INBUILT HYDROLIC SYSTEM

12MM PLY 12MM PLY

SPRING WOOD 12MM PLY

1" 13 4"

1 4"

SECTION A-A'

DESIGNING AN PUBLIC FURNITURE FOR THE SURAT MUNCIPAL CORPORATION BUS STAND. CONCEPT OF THIS FURNITURE IS MANY CUBES IN ROW.

1" 12

1st Year

RESIDENTIAL

DESIGNING AN RESIDENTIAL DUPLEX APARTMENT FOR THE TEXTILE BUSINESSMEN. KEY WORDS : //TREDITIONAL SOUTH INDIAN WITH MORDERN //FABRIC

RESIDENTIAL ENTRY

A' B'

GARDEN 7'-0" X 13'-0"

LIVING ROOM 13'-10" X 12'-0"

DRAWING ROOM 7'-6" X 6'-0"

GUEST ROOM 12'-0" X 10'-0"

FOYER 3'-6" X 2'-6"

KEY PLAN

BATH + W.C 8'-0" X 5'-0"

LEVEL 1

LEVEL 2

UP 18'-3"

1'-5"

1'-6"

1'-1"

DINING AREA

18'-3"

1'-6"

2'-0"

7'-4"

8'-11"

10'-0"

0'-6" S.S STEEL CHENNEL

1'-3"

14'-8"

21'-6"

3'-1"

L.E.D STREEP LIGHT

1'-7"

1 MM VENNER

STORE ROOM 2'-9" X 5'-0"

9'-0"

9'-9"

MATT FINISH WHITE PAINT

10'-0"

DETAIL - A 9'-3"

COMMON BATH + W.C 5'-6" X 3'-6"

HALF INCH SDS SKRVE 1'-3"

BEDROOM 12'-0" X 11'-8"

1'-5"

KITCHEN 10'-9" X 12'-9"

0'-8" 0'-6"

P.O.P SHEET 1 INCH THICK

5'-4"

2'-9"

3'-6"

1'-0"

6" 6"

1'-6"

6" 9"

1'-3"

2'-0"

11"

WASH AREA 15'-6" X 5'-9"

2'-0"

6" 3"

1'-634"

2'-11"

BALCONY 9'-0" X 3'-6"

6" 9"

5'-6" MATT FINISH WHITE PAINT

23'-9"

SECTION A - A'

A' D'

A' C'

BATH + W.C 7'-3" X 5'-6"

PLAY AREA

KEY PLAN

PASSAGE BATH + W.C 7'-9" X 5'-0"

LEVEL 1

LEVEL 2

13'-6" 12'-0"

1'-1"

BEDROOM 11'-9" X 10'-0"

SECTION B - B'

2'-0"

2'-1"

1'-11"

2'-0"

10'-0"

1'-11"

2'-10"

9" 6"

1'-3"

MASTER BEDROOM 11'-8" X 12'-6"

20'-6"

1'-3"

10"

FOUR WAY SPAIDER 45 (STAINLESS STEEL)

PASSAGE

25MM CONNECTOR 48 MM ROVTED

9'-3" 1'-0"

DETAIL - B

2'-4"

2'-5"

BATH + W.C 7'-6" X 3'-6"

SPAIDER FITTING (150MM X 150MM) S S FINISH

BALCONY 9'-0" X 3'-6"

9'-3"

18MM TAFAN GLASS

3'-0"

6" 1'-0"

BEDROOM 9'-0" X 11'-6"

3'-1"

DETAIL - B

DOWN

SECTION C - C'

7'-041"

SECTION D - D'

RESIDENTIAL D

CEILING LAYOUT

3'-0"

1'-10"

SB 5

3'-3" 5'-3"

SB 3

2'-9"

6'-0"

ELECTRICAL LEGEND

3'-5"

SB 1

DISCRIPTION

SYMBOL

SWITCH BOARD

HEIGHT

SB 1

2'-0"

WALL BREACKET

4'-0"

SWITCH BOARD

3'-9"

T.V POINT

8'-0"

PLUG POINT (5 AMP)

SB 2

2'-0"

SB 3

3'-0"

SB 4

4'-6"

SB 5

1'-0" 1'-1"

2'-0" 11'-0" SUNK

1'-0" SUNK

SECTION C - C'

SECTION D - D'

4'-6"

1'-0" X 1'-0" BHARAT FLOORING CEMENT TILES

A.C POINT

3'-0"

METROPOLE

3'-9"

4'-0"

3'-0"

1'-0"

SWITCH BOARD LEGEND

CEILING POINT

SB 2

SECTION B - B'

2'-0"

SUNK

SECTION A - A' 2'-0"

1'-11"

3'-1"

LEVEL 2

2'-0"

6'-10"

4'-6"

1'-5"

3'-6"

1021" 2'-421"

3'-0"

SUNK

10'-9"

2'-3"

2'-0"

HAND FOSET

SB 4 8"

SB 4 3'-1"

1'-5"

SECTION A - A'

LEVEL 2

ELECTRICAL LAYOUT

1'-7"

2'-

ISOMETRIC 4'-6"

2'-6"

4'-2"

2'-0"

MORTISE & TENON JOINERY

PLAN

1'-0"

1'-4"

2'-0"

FRONT ELEVATION

RIGHT ELEVATION

JOINERY DEATIL S'

SAAG WOOD WITH NATURAL POLISH SPONGE 3" THICK JUTE FABRIC COVERING S

CAMODE SUNK

5'-2"

LEVEL 1

1'-7"

1'-6"

1'5"

2'-3"

2'-0"

2'-3"

VENEER CEILING

LEFT ELEVATION

10'-0"

DISCRIPTION

P.O.P CEILING

2'-0"

9'-3"

3'-9"

SYMBOL

VENEER CEILING +0'-6" LVL

221"

2'-0" 4'-934"

8'-0" 3'-9"

CEILING LEGEND

1'-8" 2'-6"

1'-1" 3 4

3'-9"

1'-0"

1'-2" 6"

1'-10"

1'-2" 6"

1'-10"

ELECTRICAL LAYOUT

6'-10"

1'-10"

CEILING LAYOUT

3'-6"

1'-3"

3'-5"

FLOORING LAYOUT 6"

3'-0"

3'-7"

P.O.P CEILING +1'-1" LVL 6'-0"

2'-0"

2'-3"

PLAN

SB 3

1'-9"

5'-6"

KEY PLAN

P.O.P CEILING +1'-1" LVL

2'-9"

1'-5"

1'-1" 6"

1'-6"

8'-3"

6" 7"

1'-6"

7'-10"

2'-0"

141"

2'-0"

SECTION R - R'

LEVEL 1

2'-9"

1'-1" 6" 1'-0"

3'-7"

P.O.P CEILING +1'-1" LVL

3'-6"

6'-7"

1'-9"

1'-3"

SUNK

SECTION B - B'

SUNK

SECTION C - C'

SUNK

SECTION D - D'

2nd Year

THE DENTAL STUDIO

DESIGNING A DENTAL CLINIC ACCORDING TO DOCTORS DAILY ROUTINE AND PATIENT WORKFLOW. KEY WORDS : //MINIMALIST //NUTURAL COLOR

THE DENTAL STUDIO CLINIC - clinic is the place where people get treatment from specialists in minimum charges.

Make a design of a clinic in such a way that patient and doctors can work easily and smoothly. In clinic there is one area of specialist where there need, and requirements is to be fulfilled in that area. Make a design in such a way where small clinics and big clinics can be developed. While making clinic materials and colour which are to be used it should be made specially according to the design. DENTAL CLINIC ANALYSIS - in dental clinic under the supervision of dental expert the treatment is done. In dental clinic considering the dimensions of designing, hygiene and area deviation is given priorities. Work area is to be attached to doctor cabin in dental clinic.

BASIC REQUIREMENTS OF DENTAL CLINIC

AS PER REQUIRED AREA IN ALL AREAA PLACE IN BUBBLE DIAGRAM AND CREATE OPTIONS.

IN DAY TIME MAXIMUM NATURAL LIGHT NEEDED. CHECK-UP AREA IS NOISE PROOF. PROPER VENTILATION CLINIC WALL COLOURS SHOULD BE LIGHT AND FEEL CALM AND RELAX TO PATIENT WASH BASIN NEAR EACH DENTAL CHAIR. PLUMBING, DRAINAGE AND WIRING SHOULD BE GROUNDED.

AMENITIES

DOCTOR CABIN - WORK AREA W/C - STORE AREA

PHARMACY

- RECEPTION

- WAITING AREA

DESIGN PROCESS

CONCEPT

CASE STUDY

ARCHITECTS:- YLAB ARQUITECTOS LOCATION :- SANT ANDREU, BARCELONA, BARCELONA, SPAIN ARCHITECT IN CHARGE:- TOBIAS LAARMANN, AREA :- 108.0 SQM THE AIMS OF THE PROJECT WERE TO ACHIEVE A DIFFERENTIATING IMAGE, ELEGANT WHILE ACCESSIBLE, PROFESSIONAL AND FRESH.LIGHT COLORS, CURVED SHAPES AND THE INDIRECT LIGHTING WHICH GOES THROUGH ALL THE AREAS, CONVEY THE SENSATION OF CALM AND BALANCE BOTH - IN THIS SITE THE ENTRY IS IN THE CENTER. THIS IS TWO SITE

- IN SECOND CONCEPT IN ENTRY I HAVE GIVEN WIDE PASSAGE TO

WITH SAME DIMENSIONS.

REACH TO THE RECEPTION AND THEN REACH TO BOTH SIDE AREA.

- IN FIRST CONCEPT ROUND CIRCULATION GIVEN FOR TO REACH ALL AREA FROM BOTH SIDE.

- Taking 2nd concept and designing in simple way. In this design i have choosen only shades of one color. - In dental clinic maximum light will needed.So using of white color more light reflect in clinic and more natuaral light will come in clinic. Approch to any area is one perpose. - For first time visiter take more time for treatments are done in left check-up area of clinic. - For short time taking treatments ( braces rubbre changing, teeth cleening, oral checkups etc. ) Are done in right side check-up area so patiant directly approach that area.

THE DENTAL STUDIO ELECTRICAL LAYOUT

1'-7"

2'-5"

3'-11"

2'-5"

W/C OUTLET SWEET WATER INLET

7'-3"

8'-6" W/C

10'

3'-11"

COMMON W/C

5'-7"X6'-0"

MACHINE ROOM

PANTRY

7'-5"X6'-0"

S.B10

S.B5

W/C OUTLET SWEET WATER INLET

S.B7

6'-5"X6'-0"

10'-7"X6'-0"

S.B11

W/C

COMMON W/C

5'-7"X6'-0"

4'-4"

S.B9

3'-11" 2'-7"

7'-3" 6'-6"

11'-10"

" 3'-2

5'-6"

15'-3" - 10'-0"

STERILIZATION + LAB 11'-11"X7'-11"

DOCTOR CABIN S.B13

S.B12

4'-10"

19'-11"X21'-8"

CHECK-UP AREA

S.B14

S.B6

9'-11" 5'-11"

2'-7"

15'-3" - 10'-0"

6'-5"X6'-0"

10'-7"X6'-0"

S.B8

DOCTOR CABIN

MACHINE ROOM

PANTRY

7'-5"X6'-0"

STERILIZATION + LAB

CHECK-UP AREA

11'-11"X7'-11"

19'-11"X21'-8"

S.B15

3'-2

S.B3

S.B22

RECEPTION + WAITING AREA

S.B16

X-RAY

15'-10"X10'-9"

5'-9"X7'-3"

4'-1"

4'-3"

S.B17

S.B2

RECEPTION + WAITING AREA

X-RAY

15'-10"X10'-9"

STORE ROOM

5'-9"X7'-3"

STORE ROOM

6'-6"

5'-9"X7'-3"

S.B18

CHECK-UP AREA

S.B19

19'-11"X9'-8"

CHECK-UP AREA

9'-10"

7'-8"

19'-11"X9'-8"

S.B4

S.B1

S.B21

FINAL DESIGN LAYOUT

LEGENDS

In final furniture layout entry via wide passage which leads to the reception area and waiting area then go to doctor area from left side big treatment area with advanced treatment dental chair for long treatment. One w/c is attahed with doctor cabin. Both check-up area is near by the window for natural light in day. Check-up area includes one x-ray room and two normal dental chair for short trearments. One common w/c is behind the reception area. Sanitation lab with attached store room. One pantry with machine room for the air compressor machine.

S.B20

EXHAUST FAN

PROFILE LIGHT

6"X6" PANEL LIGHT

HANGING PROFILE LIGHT

HANGING LIGHT

MURAL LIGHT

2" SPOT LIGHT

PROFILE LIGHT WITH GLASS

LED LIGHT WITH DIFFUSER PANEL

SCHEDULE SWITCH NORMAL 2 WAY BOARD SWITCH SWITCH S.B 1 S.B 2 S.B 3 S.B 4 S.B 5 S.B 6 S.B 7 S.B 8 S.B 9 S.B 10 S.B 11 S.B 12 S.B 13 S.B 14 S.B 15 S.B 16 S.B 17 S.B 18 S.B 19 S.B 20 S.B 21 S.B 22

2 2 4 4 3 2 2 1 3 4 1 4 2 1 2 4 3 2 2 10

A.C

6 AMP PLUG 1 1 1 1

1 1

16 AMP PLUG

2 2 1

U.S.B PLUG 1 1

HANGING PROFILE PROFILE SWITCH PROFILE LIGHT LIGHT BOARD 15W 10W 15W 5

PANEL C.O.B LIGHT LIGHT 15W 5W

DIFFUSE HANGING EXHAUST FAN LIGHT LIGHT 25W 15W

RECEPTION + WAITING 1 CHECK-UP AREA 1

1 2

CHECK-UP AREA 2 3

X-RAY

1 1

STERILIZATION + LAB 1 2 2 -

2 3

1 1 1

2 1

2 3 1 1 1 1

1 1 2

1 1

COMMON W/C 1 DOCTORS CABIN 2 DOCTORS CABIN W/C 1 MACHINE ROOM 1 STORE ROOM 1 PANTRY 1

FLOOR PROFILE LIGHT

1 1

THE DENTAL STUDIO 1'-7"

FLOORING LAYOUT

3'-11"

2'-5"

W/C OUTLET SWEET WATER INLET

2'-5"

CIRCULATION LAYOUT W/C OUTLET SWEET WATER INLET

7'-3"

8'-6" W/C

10'

3'-11"

COMMON W/C

5'-7"X6'-0"

MACHINE ROOM

PANTRY

7'-5"X6'-0"

6'-5"X6'-0"

10'-7"X6'-0"

DOCTOR CABIN

5'-7"X6'-0"

COMMON W/C

4'-4"

15'-3" - 10'-0"

7'-3"

2'-7"

11'-11"X7'-11"

6'-6"

11'-10"

STERILIZATION + LAB

CHECK-UP AREA

4'-10"

19'-11"X21'-8"

9'-11"

3'-11" CHECK-UP AREA

6'-5"X6'-0"

10'-7"X6'-0"

5'-11"

2'-7"

DOCTOR CABIN

MACHINE ROOM

PANTRY

7'-5"X6'-0"

15'-3" - 10'-0"

W/C

11'-11"X7'-11"

19'-11"X21'-8"

5'-6" 3'-2 " " 3'-2 RECEPTION + WAITING AREA

X-RAY

15'-10"X10'-9"

4'-1"

5'-9"X7'-3"

4'-3"

RECEPTION + WAITING AREA

STORE ROOM

15'-10"X10'-9"

5'-9"X7'-3"

X-RAY

5'-9"X7'-3"

STORE ROOM

6'-6"

5'-9"X7'-3"

CHECK-UP AREA 19'-11"X9'-8"

9'-10"

7'-8"

CHECK-UP AREA 19'-11"X9'-8"

PLUMBING LAYOUT LEGENDS 2'X1' FULL BODY VITRIFIED TILES

W/C OUTLET SWEET WATER INLET

W/C

5'-7"X6'-0"

COMMON W/C 7'-5"X6'-0"

PANTRY

MACHINE ROOM 6'-5"X6'-0"

10'-7"X6'-0"

DOCTOR CABIN 15'-3" - 10'-0"

STERILIZATION + LAB

CHECK-UP AREA

11'-11"X7'-11"

19'-11"X21'-8"

LEGENDS ASTRAL 4" W/C OUTLET PIPE

ASTRAL 3" WASTE WATER OUTLET PIPE

ASTRAL 2" WATER INLET PIPE

RECEPTION + WAITING AREA 15'-10"X10'-9"

X-RAY

5'-9"X7'-3"

STORE ROOM 5'-9"X7'-3"

CHECK-UP AREA 19'-11"X9'-8"

JYOTI 1" RUBBER AIR PIPE

2'X2' GLOSSY VITRIFIED TILES

4'X6" WOODEN VITRIFIED TILES

EPOXY FLOORING

THE DENTAL STUDIO 3D VIEWS

1 6" 2" 2" 6"

1 2" GYPSUM SHEET 3 4" SCREW

FROSTED GLASS PARTITION -SAINT GOBAIN

CLEAR GLASS -SAINT GOBAIN

PLATFORM OF PANTRY

OVERHEAD STORAGE MADE OF PLYWOOD AND LAMINATE

A/C DUCT

DENTAL CHAIR WITH XRAY VIEWER

1 22" ALUMINUM CHANNEL

2" ALUMINIUM "C" CHANNEL

1 2" SCREW

1" ALUMINUM "L" CHANNEL

1 2" GYPSUM SHEET

1 4" DIFFUSER SHEET

6" ALUMINIUM "C" CHANNEL

L.E.D STRIP LIGHT

1" ALUMINUM "L" CHANNEL

ROLLING CURTAINS

DETAIL D

DETAIL F

DETAIL E

SECTION C

SECTION A

JAGUAR URINAL

0'-6" CONCRETE SLAB

0'-6" SAND LAYER

2'-6"

BOOK SELF MADE WITH FLEX PLY FINISH WITH GREY MATT LAMINATE

0'-2" SAND WITH CEMENT LAYER

1 2" TILES

7' 3'

GREY CORIEN

2'-8"

SECTION D

1'-4" 2'-6"

ROLLING CURTAIN

A/C DUCT

HANGING PROFILE LIGHT

SECTION F

SECTION E

3'-6"

10" JAGUAR FLOOR MOUNTED W/C

JAGUAR WASH BASIN

2'X1' SOMANY VITRIFIED GLOSSY TILES

6'-10"

DETAIL C

WOODEN STORAGE UNIT

X-RAY MACHINE

FROSTED GLASS

WHITE GLOSSY WALL PAINT

WHITE BACKPAINTED GLASS PRESSURE PUMP

1' X 1' GLOSSY VITRIFIED TILES

2' X 1' GLOSSY VITRIFIED TILES

ROLLING CURTAINS

2'-6"

3 5'-84"

3 10'-54"

SECTION B

1" THICK GLASS

1 2" GYPSUM SHEET

ALUMINIUM "C" CHENNEL

11'-6"

F 12'-6"

E 6'

3 4"

1 2"

DETAIL A

DETAIL B

0'-6"

0'-2"

1 4"

WHITE GLOSSY WALL PAINT

WOODEN DOOR HANDLE FROSTED GLASS

RUBBER'S FOR GRIPPING

0'-6" CONCRETE SLAB

0'-3" SAND LAYER

1 2" EPOXY LAYER 1 2" CEMENT LAYER

1 4" PAINT LAYER 1 4" CEMENT LAYER 1 22" AAC LAYER

6" WALL

ALUMINUM PROFILE 2"

1 4" TRANSPARENT GLASS

SECTIONAL ELEVATION

D 2"

W/C OUTLET SWEET WATER INLET

THE DENTAL STUDIO

2'-8"

3rd Year

RE-PLASTIC

DESIGNING A DENTAL CLINIC ACCORDING TO DOCTORS DAILY ROUTINE AND PATIENT WORKFLOW. KEY WORDS : //PLASTIC RECYCLING //CONTAINER // NET-ZERO ENERGY

RE-PLASTIC RETAIL SHOWROOM - a showroom is a large space used to display products for sale, such as au-

TYPES OF PLASTIC

tomobiles, furniture, appliances, carpet or apparel. It is a retail store of a company in which products are on sale in a space created by their brand or company. A showroom can also be a space for wholesale buyers to view fashion merchandise for sale in their retail stores.

CONCEPT - plastic pollution - plastic pollution is the accumulation of plastic objects in the earth’s

environment that adversely affects wildlife, wildlife habitat and humans. Plastics that act as pollutants are categorized into micro-, meso-, or macro debris, based on size. Plastics are inexpensive and durable, and as a result levels of plastic production by humans are high. Moreover, the chemical structure of most plastics renders them resistant to many natural processes of degradation and as a result they are slow to degrade. Together, these two factors have led to a high prominence of plastic pollution in the environment.

DRINK BOTTLE, MILK BOTTLE, ROPE, SHAMPOO MEDICINE JAR, BOTTLE, CLOTHING, SOAP BOTTLE, CARPET FIBER BLEACH BOTTLE CLEAR , TOUGH PLASTIC

RECYCLING OF PLASTIC

Plastic recycling is the process of recovering scrap or waste plastic and reprocessing the material into useful products. Since the vast majority of plastic is non-biodegradable, recycling is a part of global efforts to reduce plastic in the waste stream, especially the approximately 8 million tons of waste plastic that enters the earth’s ocean every year 1.

COLLECTION OF PLASTIC

SHORTING OF PLASTIC IN TYPES

SHORTING OF PLASTIC IN COLORS

SHREDDING PLASTIC IN SMALL PIECES

COLLECTION OF SHREDDING PIECES IN COLORS

MELTING PLASTIC IN MOULD

FINISH PRODUCT

COMMON WHITE OR COLORED PLASTIC

NON FOOD BOTTLE, PIPE, WINDOW

SENDWICH BAG PLASTIC BAG SQUEEZABLE BOTTLE

HARD , RIGID PLASTIC

SOFT, FLEXIBLE PLASTIC

PLASTIC BOTDISPOSABLE BABY BOTTLES, TLE COFFEE CUPS, COMPACT CAPS, PLASTIC DISK, MARGARINE CUTLERY, WATER COOLCONTAINERS, PACKING ER BOTTLES YOGURT POTS FOAM HARD BUT FLEXIBLE PLASTIC

SPFT , FLEXIBLE PLASTIC

ALL OTHER PLASTIC INCLUDING NYLON

THE TOP THREE ITEMS FOUND IN THE WORLD’S OCEANS. 1,1,40,222 PIECES OF FOOD WRAPPERS & CONTAINERS. 1,0,65,171 PLASTIC BEVERAGE BOTTLES 1,0,19,902 PLASTIC BAGS

NET ZERO BUILDING Net zero building or zero-carbon building is a building with zero net energy consumption, meaning the total amount of energy used by the building on an annual basis is roughly equal to the amount of renewable energy created on the site.

A building that generates ( at least ) as much energy as it uses on-site. This is the most common use of the “net-zero” term. A building that produces (at least) as much as energy as it consumes when compared to the energy used to both generate and deliver the energy to the site from a remote point of generation ( such as power plant ), plus the energy consumption on the site. Net zero energy includes various supply-side renewable energy technologies are available for zebs. Typical examples of technologies available today include pv, solar hot water, wind, hydroelectric, and biofuels.

RE-PLASTIC

NET CASE STUDY

MILAN DESIGN WEEK: A SHOWROOM CONTAINER FOR MADII

• This container showroom is made from 20ft. Container. In this showroom the modified both doors of the containers and place big glass. One side of the container cut and give opening using glass. Showroom has both side opening. Roof insulated with panels.

DESIGN PROCESS COLLECTION OF WASTE

MELTING PLASTIC INTO

PLASTIC AND SHORTING

SHRREDING , SHORTING

SHAPES WITH COMPRESSION,

WITH DIFFRENT TYPES ,

AND STORE PLASTIC IN

MOULDING AND EXTRUSION

SIZE & COLORS

BUCKETS

TO MAKE DIFFRENT PRODUCT

• Interactivity, direct contact, one-to-one communication, high emotional involvement are some of the main factors that lead bestlocation to bring its customers in the best events with its containers.

LIVE CASE STUDY ROGER CAR ACCESSORIES SHOWROOM CONTAINER • This container showroom is made from 20ft. Container. In showroom insulated sides and ceilings with puf insulated panel for heat resistance. The pack both doors and opening with sides. Split air-conditioner is used. In opening they place both side extra support. In flooring wood planks are used.

• IN THIS DESIGN CONCEPT MOST FOCUS ON THE CIRCULATION OF THE ACTIVITY RELATED TO THE RECYCLING PROCESS. DESIGN RELATE WITH THE NET-ZERO ENERGY BUILDING.

SITE ANALYSIS • LOCATION OF SITE

• Location - near y-junction , opposite happy home luxuria • Site is in the suda housing area. • Site near by many commercial and residential complex • It is on the corner of the road. There is many food courts , malls , residential buildings, main road on both sides of the site , large number of public gathering place near site .

RE-PLASTIC SITE LAYOUT

SHIPPING CONTAINER тАв Shipping containers are durable, watertight and windtight. They are also fully portable so you can move them around as you please. They can withstand rain, heat and humidity. тАв They are eco-friendly. тАв Buying a shipping container to built is completely eco-friendly as you are not using building materials, and they are fully recyclable. They can last over 30 years if you look after them well.

FINAL DESIGN LAYOUT - FIRST DEVIDE SITE AREAS OF THEIR FUNCTIONS. - FOR NET-ZERO ENERGY DESIGN PLACE SOMESPACE FOR LANDSCAPING. THAT HELPS LOWCARBON EMISSION.

- PATHWAY HAVE BEEN GIVEN TO THE PEOPLE ON THE BOUNDRY OF THE SITE.

- PUBLIC COMES MORE OFTEN, HENCE THE FRONT SIDE IS MADE AN AMPHITHEATER FOR PUBLIC GATHERING.

- LAWN AREA ON THE EACH SIDE OF THE CONTAINER AND IN THE MIDDLE.

- BOTH SIDES OF THE SITE ARE MAIN ROAD,THEN HAVE A WAY OUTOF THE MIDDLE.

IN THIS PROJECT 40тАЩ HIGH CUBE CONTAINER IS USED FOR PROPER HEIGHT.

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SHIPPING CONTAINER CONSTRUCTION DETAIL

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- A PARTITION IS MADE FROM PLASTIC BOTTLES IN THE PLACE OF CONTAINERS.

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- PLANTS HAVE GROWN BY AQUAPHONICS ON THE CONTAINERтАЩS LAWN SIDE. - THE BASIC OF THE CONCEPT IS ABOVE THE RECYCLING, SO MOST THINGS ARE THE SAME AS ITS RECYCLE.

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- IN THE MIDDLE, THREE IRON POLES ARE GIVEN TO THE SHED.

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USING THREE 40тАЩ SHIPPING CONTAINER, THE PROCESS OF THE PLASTIC RECYCLE IS DEVIDED INTO IT.

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- CONTAINER IS PLACED IN TRIANGLE SHAPE BEACUSE IT SHOWS THE RECYCLING SYMBOL.

- THREE VERTICLE WIND TURBINE HAVE BEEN INSTALLED ON THE REAR BOUNDRY WALL.

тАв MATERIAL USED FOR TRANSFORME A CONTAINER INTO SHOWROOM

- WOODEN BEAMS IN BASE - CEMENT SHEET - SPREY FOAM INSULATION - EXTRA METAL FRAMES

RE-PLASTIC ELECTRICAL LAYOUT - IN THE SHOWROOM, AS MUCH AS THE LIGHT OF THE DAY, TWO TIMES THE POWER OF IT GENERATES SOLAR AND WIND POWER SO THAT WHEN THE LIGHT GOES AWAY , WE CAN USE THEM

- WHATEVER ENERGY IS REQUIRED DURING THE DAY IS COMES FROM SOLAR AND WIND POWER. -TOTAL THREE VERTICAL AXIAL WIND TURBINES HAVE BEEN INSTALLED ON SITE.

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SUNLIGHT CALCULATION In cut the 4тАЩ x 2тАЩ cutout on the roof of container the this much natural light is coming into the container on day time.

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- A TOTAL OF 12 SOLAR PANELS HAVE BEEN INSTALLED WHICH IS ENOUGH FOR THIS AREA.

OPENING SIZE = 4тАЩ X 2тАЩ TOTAL AREA OF THE CONTAINER = 40тАЩ X 8тАЩ-6тАЭ X 9тАЩ-6тАЭ = 3230 CU. FT. LUMINARIES NUMBER OF LAMPS :1 LAMP ( SUN ) LUMENS :77769

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- ELECTRICITY COST IN GUJARAT IS AVERAGELY IN THIS TYPE OF SHOWROOM IS 8 RS./KwH

LOOPING CONTAINER

LOOPING S.B TO S.B

WIND TURBINE TO BETTRY

BOLLARD LIGHT LOOPING

LOOPING CONTAINER

LOOPING INTERNAL

SUN ROOF LIGHT

BATTERY

INVERTER

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BOLLARD LIGHT

SOLAR PANEL

VERTICAL WIND TURBINE

SOLAR CHARGE CONTROLLER

SOLAR LOOPING

GEOMETRY LENGTH (X):40 FT WIDTH (Y) :8FT HEIGHT (Z):10FT

WORKPLANE HEIGHT :2.5FT SUSPENSION LENGTH :1.5FT ROOM CAVITY RATIO :4.125 RESULTS AVERAGE LLLUMINANCE :2000 LUX

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- SOLAR ENERGY AND WIND POWER HAVE BEEN USED FOR ELECTRICITY.

тАв An normal house uese 250 to 260 kwh per month in winter & monsoon. тАв In summer normal house uses 400 kwh / month тАв Commercially electricity cost is 4.20 - 8.10 R.S / kwh тАв Domestic electricity cost is 0.66 - 6.85 R.S. / Kwh

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RE-PLASTIC BOLLARD LIGHT

6 Watt l.E.D has 375 lumens. 10Watt l.E.D has 600 lumens. 15Watt l.E.D has 900 lumens 20 Watt l.E.D has 1125 lumens. In one container 1020 lumens is required and three light is there. Per light 350 lumens is reqired. Means 1 l.E.D (350 lumens) = 5 watt

3/4" CONDUIT

1/2" BASE PLATE

(2 EA) 4 LED LIGHT PUCKS INSIDE TOP ASSEMBLY

11GA STAINLESS STEEL TOP, FULLY WELDED

Roof area = 360 sq. Ft x 3 container Per 100 sq. Ft. = 5Kw One solar panel of 5kw is generates 80kwh / day Total 12 solar panel used 12 X 80 = 960 kwh / day In one day showroom uses total 750 kwh / day

TOP VIEW

SOLAR PANEL CALCULATIONS

MODEL - DSL20250

Ã&#x2DC; 5/8" HOLES FOR ANCHOR BOLTS (BY OTHERS)

BOLLARD LIGHT

ACCORDING TO THE CALCULATIONS TOTAL ARTIFICIAL LIGHT IS NEED IS BELOW

ISOMETRIC

3/8" STEEL POWDER COATED A STANDARD FAIRWEATHER COLOR

FRONT VIEW

SIDE VIEW

- Average solar irradiation in gujarat state is 126652 w / sq.M - 1 Kwp solar rooftop plant will generate on an average over the year 5.0 Kwh of electricity per day (considering 5.5 Sunshine hours) - Size of power plant feasible plant size as per your roof top area

MODEL - DSL20250

COST OF THE PLANT :

VERTICAL AXIS WIND TURBINE 300WATT 12V/24V RESIDENTIAL VERTICAL AXIS WIND TURBINE/ WIND MILL GENERATOR

MNRE CURRENT BENCHMARK COST : WITHOUT SUBSIDY (BASED ON CURRENT MNRE BENCHMARK): WITH SUBSIDY 30 % (BASED ON CURRENT MNRE BENCHMARK)

Rs. 60000 Rs. / kw Rs. 336000 Rs. 235200

TOTAL ELECTRICITY GENERATION FROM SOLAR PLANT : ANNUAL :

8400 kWh 2,10,000 kWh

RE-PLASTIC FLOORING LAYOUT - IN FLOORING OF CONTAINER EPOXY RESIN FLOOR IS USED.

IN PATH WAY AREA GREENPAVER BLOCKS IS USE ACCORDING TO THE LOW CARBON EMMISSION ( NET-ZERO ENERGY BUILDING).

PLANTS TOP CUTTED PART OF BOTTLE

G.L

- BASIC 3 PRIMARY COLOR FLOOR IN THREE CONTAINER.

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CEILING LAYOUT - IN CEILING PUF INSULATED PANEL IS USED AS HEAT RESISTANCE MATERIAL. - PUF INSULATED PANEL IS MAIN MATERIAL IN CONTAINER MODIFICATION MATERIAL.

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- This techniques uses less water to plant and helps recycle plastic

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- The take top and inverse it and place it on ground and grow a plant.

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IN ALL THREE CONTAINERS BESIDE OUTER SIDE WALL GROW HYDROPONICS TECHNIQUE PLANTS.

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- In hydroponics first take 2 ltr. Water bottle and cut their top and bottom.

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- SANDWICH DECORATIVE PANEL IS BREAKING THE TRADTIONAL WAY OF THINKING, HAS BROUGHT REVOLUTIONARY CHANG TO THE BUILDING MATERIALS INDUSTRY, WITH THE TRADITIONAL PINCH INSTALLED BUT CREATING STUNNING, DECORATIVE AND INDOOR FEATURE.

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- LAWN AREA ON THE EACH SIDE OF THE CONTAINER AND IN THE MIDDLE.

- IN LAWN AREA AUSTRALIAN GRASS IS USE BECAUSE IT IS SOFT.

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IN THE INNER SIDES OF THE WALL RESIN BONDED SLAB IS USED AS INSULATION.

RE-PLASTIC ROOF TO GARDEN LAYOUT

INROCK RB SLAB • Inrock rb slab - resin bonded slab consist of long fine fibers spun from molten natural rocks, bonded with a thermosetting resin slab which provides excellent thermal insulation, fine protection and sound absorption. • Incombustible when tested as per is:3144 melting point of fiber is above 1000 c. • Resin bonded slab are availble plain or with facing of aluminium foil and black glass tissue.

· ADVANTAGES OF ROOF GARDENS & GREEN ROOFS IN GENERAL: - Pleasant appearance, esthetics -Thermal insulation - Protection of the liner against uv light and great temperature Variations - Sound absorption - Water absorption (less discharge to sewer system, less tax - Depending on country) - Dust binde - ELEMENTS ON ROOF GARDEN 1. GREEN ROOF SUBTRACT

4. PROTECTION MATE

5. WATERPROOF MEMBRANE EPDM RUBBER COATING

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• Water proof ,fire resistance, water resistance, easy to cut , high durability , easy to handle, non inflammable ,heat resistance

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RE-PLASTIC • A complete green roof consists of many layers.These layers mimic the conditions found in nature, creating an environment suitable for plant growth. • In this way, rooftops can be converted from dead space into viable green space that will benefit everyone.

PLUMBING LAYOUT - IN THIS SHOWROOM WE NEED SOME WATER FOR THE PLASTIC WASTE WASHING AND SOME WATER FOR THE LANDSCAPING PERPOSE.

FOR THE ROOF TOP GARDENING WATER WILL BE SPRINKLED ON ROOF.

- MAINLY WATER IS USED FOR THE LAWN AREA WATERING AND THE INDOOR PLANT , ROOF TOP GARDEN .

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- IN SITE ONE CONNCTION OF WATER OUTLET FROM S.M.C WATER LINE LAYOUT.

ANACAMPSEROS

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LEWISIA SERRATA

RE-PLASTIC

COMPONENT DETAILS

3.WORKBENCH DETAIL

1. FRAME OF BUCKET STORAGE

BOTTLE CURTAIN DETAILS • THIS PLASTIC BOTTLE CURTAIN IS CREATED WITH SO MANY WASTE PLASTIC BOTTLE. FIRST PLACE ON METAL ROD IN THHE CONCRETE GROIUND AND THEN ONE BY ONE PLASTIC BOTTLE PLACE IN THAT ROD. • PLASTIC BOTTLE CURTAIN IS WORK AS AND PARTITION AND IN DAY

2. DISPLAY AREA CUBE SOWCASE

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RE-PLASTIC 3D VIEWS

3rd Year

BIRD BENCH

DESIGNING A PUBLIC FURNITURE FOR CITY GARDENS. KEY WORDS : //PLASTIC RECYCLING //CONCRETE // BIRD CONCEPT // PUBLIC FURNITURE

BIRD BENCH â&#x20AC;¢ Our proposal is about garden and children park but we design our furniture in such a way that it can be place in any recreational spaces. We took the idea form surat dutch garden and we got attracted to immigrate seagull bird and got inspiration to design our furniture. Our purpose is to attract more public to our furniture, this type of fluid form attract kids easily and they enjoy such form for playing.

A' 7"

1'-9"

1'-6"

1'-9"

PLAN 1'-9"

2" 5"

1'-9"

5" 2" 5"

11"

3'-11" 2"

2'-4"

1'-10"

1'-6"

1'-3"

1'-5"

2'-8"

1'-5"

1'-3"

2" 3"

FRONT ELEVATION

LEFT SIDE ELEVATION 1"

RIGHT SIDE ELEVATION

GRC CONCRETE + PLASTIC + GLASS

1'-10" 1'-4"

SECTION A-A'

GLASS WOOL MASH

2nd Year

BALCONY DESIGN DESIGNING A BALCONY WITH NATURAL MATERIALS AND LINES. KEY WORDS : //BALCONY //NUTURE // LINES

LEFT SIDE WALL PATTERN

9'-8"

2'-8" 1'-6"

RIGHT SIDE ELEVATION

1'-6"

1'-4"8'

9'-8"

2'-8" 1'-6"

RIGHT SIDE ELEVATION

LEFT 10' SIDE WALL PATTERN

10'

2'-4"

1'-6"

1'-4"

10' 8'

10'

FLOORING LAYOUT

18'

FLOORING LAYOUT

18'

FRONT SIDE ELEVATION

CEILING LAYOUT

17'

CEILING LAYOUT

17'

LEFT SIDE ELEVATION

BALCONY DESIGN

3rd Year

INTERACTIVE ORIGAMI CEILING

DESIGNING A CEILING THAT INTERACTIVE WITH THE MOVEMENT OF SURROUNDING. KEY WORDS : //ORIGAMI //INTERACTIVE // BIOMIMICRY // NATURE

INTERACTIVE ORIGAMI CEILING THOUGHT OF ORIGIN

CASE STUDY - 1

• Product design is always done keeping in mind the human psychology. • After designing the product, the end of the product, which comes to be made is under the supervision of human understanding, their behavior and emotion. • In public space create an installation that helps to relax people from their daily routine. • Installation diverts their mind to some colorful and movable element. • Installation response with some movement with an object.

DIFFUSION CHOIR

TOPIC - INTERACTIVE INSTALLATION • Interactive – that involves people working together and having an influence on each other. • Involving direct communication both ways, between a person and the other elements. • Interactive displays or the installation have attracted many new visitors to the place. - An interactive installation is an exciting way to active a physical space through technology, sound, and light, that responds to you. - They consequently turn people from passive audience to engage in active participation. - Interactive installation come in many guises, but commonly use a range of sensors that allows people to control beautiful and engaging interactive digital content from video to 3d game environments.

• Diffusion choir is a mesmerizing kinetic sculpture that visualizes the movements of an invisible flock of birds. It is made from four hundred origami-like folding elements that can independently open and close, controlled by stepper motors and custom software running a flocking algorithm. The movements of the sculpture are perpetually changing, driven by the flocking simulation. • From the beginning we wanted to preserve the openness of the space and work with natural light, so we pursued the idea of a sculpture that can essentially disappear and appear from thin air. We worked with shire to develop a narrative around flocking birds as a metaphor for the collaborative scientific culture of the company. • The sculpture perpetually plays out a choreography that tells the story of shire. At the top of each hour, small groups of birds coalesce into a single entity, soaring through the air in fluid collaboration.

INTERACTIVE ORIGAMI CEILING CASE STUDY - 2

CONCEPT

JELLY SWARM INTERACTIVE ORIGAMI LIGHTING INSTALLATION

[ MAKING A CEILING INSTALLATION THAT RESPONSE WITH PHYSICAL ACTIVITY. ] [DESIGN A CEILING INSTALLATION USING THE ORIGAMI AND POPUP FOLDING ]

• ‘Jelly swarm’ by tangible interaction, with origami by joseph wu all photos by mark montgomery • ‘Jelly swarm’ is an interactive lighting project created by vancouver-based tangible interaction who works in creating sensory installations which stand as participatory experiences. The piece is comprised of ninety-four ‘jellies’, each made from laser cut and scored tyvek® that is then carefully hand-folded by origami artist joseph wu. • The ninety-four unit, all illuminated from within by an led module, are suspended from a reflective aluminum structure which reflects patterns of color and light onto the surrounding space. • Each jelly unit is outfitted with an led module installed within the pacific canada pavilion gallery at the vancouver aquarium, the work is part of the institution’s holiday program ‘luminescence’ which invites guests to witness and learn about the light phenomena which lives in the deepest part of our seas. • ‘Jelly swarm’ has been developed to imitate, the natural and reactive behaviours of bioluminescent jellyfish which glow when they have been disturbed. Within the exhibition space, when visitors move their hands across plinth-mounted touchscreen interfaces, their actions cause the jellies to respond. If left alone, the origami forms, individually programmed, interact with their closes neighbours, resulting in generative luminescent displays.

BIOMIMICRY • Biomimicking natures element is the base of this concept • With the help of bio mimicry taken the nature’s elements patterns and shapes to the design. • the design and production of materials, structures, and systems that are modelled on biological entities and processes. • Biomimicry is an approach to innovation that seeks sustainable solutions to human challenges by emulating nature’s time-tested patterns and strategies. • The goal is to create products, processes, and policies—new ways of living—that are well-adapted to life on earth over the long haul. • The core idea is that nature has already solved many of the problems we are grappling with. Animals, plants, and microbes are the consummate engineers. After billions of years of research and development, failures are fossils, and what surrounds us is the secret to survival.

CONCEPT STUDY [ NATURE’S CATENARY CURVES ] • there are many curves in nature, and a number of them can be represented by simple mathematical expressions — or at least, relatively simple expressions. One familiar curve is the EXAMPLE OF CATENARY IN NATURE: [ COBWEB ] The cobweb illustrates this typical suspended form in nature. It is an assembled form of catenaies. The threads running in circular direction develop into simple catenariesparabola

INTERACTIVE ORIGAMI CEILING [ ANTONIO GAUDI’S HANGING MODEL ] • Gaudí preferred modelling architecture over drawing it; especially models made of chains hung from a ceiling, or strings with small weights attached. Through • experimentation with such models, he discovered a way to use traditional Catalan masonry techniques in new, more complex ways. A chain suspended simply from • both its ends results in a catenary curve that naturallydistributes the static load in this case tension — evenly between the links of the chain. When this • shape is flipped vertically and the materials become brick or stone, then the static load — now compressive — is similarly evenly distributed, resulting • in an optimally efficient arch. This was already known for centuries. What Gaudí did was to apply this tension-compression analogy to chains • hanging from chains (or arches superimposed on arches) asymmetrically, permitting him to design a much more fluid architecture.

• The core idea is that nature has already solved many of the problems we are grappling with. Animals, plants, and microbes are the consummate engineers. After billions of years of research and development, failures are fossils, and what surrounds us is the secret to survival.

EXPLORATION in origami there are two main folding is mountain fold and velly fold.

[ ORIGAMI FOLDING TECHNIQUES ]

INTERACTIVE ORIGAMI CEILING EXPLORATION MULTIPLE Vâ&#x20AC;&#x2122;S

THIS STICK CAN BE PULLED OPEN TO REVEAL THE M- PLEATS INSIDE.

INTERACTIVE ORIGAMI CEILING ORIGAMI FORTUNE TELLER

[ POP-UP PAPER MODEL EXPLORATION ] pop-up model inspired from naturâ&#x20AC;&#x2122;s spiral.

INTERACTIVE ORIGAMI CEILING EXPLORATION OF MATERIAL DIFFRENT ORIGAMI PAPER THAT NORMALLY USED TO MAKE ORIGAMI 3D MODELS.

MOCK-UP MODELS TAKING ORIGAMI FOLDING TECHNIQUES MAKING SOME MOKEUP MODELS . MODEL 1 - HILLS AND VELLY FOLD WAVE

[ Origamido Paper - Pretty Much the Best Paper ] It’s a very thin paper and ranges between 20 to 50 gsm. - It’s super easy to use and perfect for folding complex models. - The paper looks absolutely beautiful.

[ Elephant Hide Paper ] This is definitely one of the most thick origami papers and comes in 110 gsm and 190 gsm weights. - It’s scratch and abrasion resistant, dirt repellant and can be wiped clean. - It holds folds very well. - The paper has a beautiful marble-like texture and every sheet is a bit unique. - This paper is ideal for wet folding and tessellations as well as round, organic or 3D models. - This paper is very strong and hard to tear.`

In this model taken basic origami hills and velly folding. Creating waving effect through different size sticks. [ MODEL 2 - HILLS AND VELLY FOLDING ON PLAN TO CREATE OPENING AND CLOSING ] - In this model taken basic origami hills and velly folding. - Creating waving effect through different size sticks.

INTERACTIVE ORIGAMI CEILING BIOMIMICI MODEL 3 - MAKING WINES MADE FROME ORIGAMI PAPER FORTUNE TELLER TO BIO MIMICING THE NATURES ELEMENT.

DESIGN DEVELOPMENT FIRST TAKE A PLANE OF 3’-0” X 5’-0”

TAKE BASIC NODES ON THE PLANE TO ARRANGE THE ORIGAMI GEOMETRY. place origami fortune teller wine’s in cris cross pattern.

TAKING FLOWERAS ANATUR’S ELEMINT ANDBIOMIMICING THAT USING AN ORIGAMI FOLDING

STAGE - 2 - in past geometry origami wione’s are intersect in center that disturb the center element so put some gap into that.

this part helps to give space to the center element.

INTERACTIVE ORIGAMI CEILING CENTRAL ORIGAMI FLOWER BLOOMING ELEMENT

DESIGN DEVELOPMENT

IN THIS STAGE SOME ELEMENT COVER THE ANOTHER ELEMENT SO CHANGING IN ORIGAMI WINES POSITION AND THE DESIGNOF THE OTHER HANGING ELEMENT.

THIS IS THE PRE FINAL DESIGN HAS HANGING ELENET IN CENTER BIOMIMICINGNATURES VINES AND SPIRAL IN NATURE.

STEP 1

STEP 2

STEP 3

STEP 4

STEP 5

STEP 6

INTERACTIVE ORIGAMI CEILING AXONOMETRIC VIEW

3D VIEW

COVERING PLYWOOD BOX

STEPPER MOTOR PULLY

PLYWOOD

ORIGAMI BLOOMING FLOWER NYLON THREAD GEOSPHEARE BALL MADE UP OF BROWN PAPER HANGING WINES MADE FROM ORIGAMI PAPER FORTUNE TELLER

SPIRAL HANGING ELEMENT

3rd Year

OTHER

3D VISULIZATION 3D VISULIZATION OF BANQUETTE HALL IN PUNE

3D VISULIZATION OF MALL TOILET IN PUNE

3D VISULIZATION OFFICE

OTHER

OTHE ACTIVITY

HAND WORK

SCULPTURE

ECO-FRIENDLY DIYA

All diyaâ&#x20AC;&#x2122;s are made-up of the vvalnut peel and base of the diyas are made frome wax using balloons to shape. These all materials are eco-friendly and the walnut peel is also biodegradable.

PHOTOGRAPHY

THANK YOU PIYUSH RATHOD +91 9574295896 rathodpvr@gmail.com