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RODRÍGUE
2013
email: raulmarnez@gmail.com
“If I can’t draw it, is that I still haven’t understood it...”
ABOUT ME Raul Martinez Rodríguez. Architect. Zaragoza, 1987.
I am a Architecture Graduate from the University Barcelona (ETSAB, 2012). I have done an exchange year within the Seneca program at the University of Seville in 2009-2010. The decision to leave Zaragoza at aged 18 to study in Barcelona has made a substantial change in my life. I wished to take steps forward, risking, for the only purpose of discovering new experiences, new ways of working, new limits. When I finished my degree in Barcelona, a new cycle begins where professional development becomes one of my main goals. With little hope of finding a place in Spain, I restart my journey without knowing exactly where I’m going. First destination: Netherlands. It’s worth risk to improve language, get to know new cultures and new ways of working. Any change requires a transition to become aware, so I decided to take my bike and necessary baggage for crossing Europe for more than 2000 km and reaching Holland. The trip was a success. New goals, willingness to learn and work, is what makes me stay strong and optimistic in Delft, my provisional city in Netherlands. Great enthusiasm in doing group projects focus on transforming spaces, renovations and / or adaptation for use and experimentation with new materials, textures and lighting feelings. Architecture for me is about discovering the harmony of space and use. How space dissolves around our use of it, how our use of a space can determine an atmosphere and how that atmosphere is tangible to its surrounding spatial relationship. It is a very exciting time for Architects, sustainibility is still very young. Using and exploring the achievements we have made between the integration of alternative technologies and our common building crafts have provided the first footholds in ‘clean’ design, but I believe we have much to discover. The possibilities are endless. My specialization is in digital graphics and manual work both in architecture and free illustrations. I’m working on mixing Photoshop media, watercolor and black ink.
CV CV LINK
LINK
Obras favoritas: Munich Olympic Stadium / Frey Otto Landscape roof in L’unité de Habitación, Marsella. LC
01
ZARAGOZA DESPIERTA
MUSICAL ARTS CENTER TENERÍAS
FINAL PROYECT 2012 . ETSAB
Summary_ The project tackles the resolution of an urban void in historical Zaragoza. We use the strategy of understanding the solar shaft end trace urban Main Street. The building is implemented on a platform which established Intramural a former convent in the S. XIV. It will be our goal to respect the pre-existing site and create new uses of space, giving a reading unit whole cultural complex, in addition to solving the transition between downtown and the park Bruil.. Introduction_ It is a global urban scale project that tries to connect the main cultural centers of historic Zaragoza, currently exempt from each other. The focus is on a proposed shaft that will cross the city from east to west, parallel to the river Ebro, using the ancient courses of Roman Decumano Main Street of Muslim origin. Just as the river offers a few tours of landscape only linked to the urban facade of Zaragoza, this new axis parallel to the river, picks a path of increased friction with Zaragoza activity, being able to establish direct links between different areas of leisure and culture, and more important, weaving detached neighborhoods. The purpose is to understand the city from a day trip to disjointed and fragmented, recovering historical paths, linking cultural centers originally conceived as independent cells. Spanish_ A pesar de la mejora que han supuesto las últimas actuaciones (2005), no han logrado consolidar un conjunto unitario, y menos a establecer una coordinación intrínseca entre las piezas que lo forman. La voluntad de completar este conjunto cultural compuesto por el Centro de Historias (Expositivo), y la biblioteca MºMoliner (Documentativo) requiere la presencia de un elemento que complemente esta dinámica. Destacar el uso eventual del claustro Renacentista a modo de sala de conciertos eventual. Esta naturaleza propia del lugar la que ha llevado a entender el programa como un edificio macla que primero, satisfaga todas las necesidades del contexto y que por otro lado propicie la organización de los espacios públicos para cada uno de los personajes de esta escena teatral. Así se se propuso un Centro
de Artes como punto de partida para dinamizar el conjunto, y unas piezas nexo que dialoguen y participen de los edificios colindantes, ayudándose del espacio público. Objetivos_ Se ha puesto especial atención en trabajar los accesos, por un lado salvando de un modo gradual la altura de 2,7 metros a la que se encuentra la plataforma, y por otro lado, romper esa idea muraría que todavía se percibe en el lugar, llegando a conectar espacialmente el Parque-Bruil con el eje de la calle Mayor. Otro objetivo a tratar es trabajar con las visuales, haciendo que cada personaje actúe en diferentes escenas. Provocar la profundidad del complejo. Definir bien los espacios libres mostrando cuando interese los traseros.
01B
CONTEST
ARQUIA_PASARELA - BOLLULLOS 2009-2012. SEVILLA
Introducción_ Pasarela de Madera
’ Se trata de proyectar en una pasarela peatonal de 25 metros de largo
Introducción_ ARQUIA Contest
‘La construcción y el lugar ’ Se trata de proyectar en un parque público tres contrucciones de igual superficie pero de usosdisttos.Los usos serán los siguientes:1. Cafetería– bar 2. Aseos públicos, quiosco para venta de periódicos y zona de espacios de servicio. 3. Sala de exposiciones. El ejercicio aunque es único se puede explicar en dos partes:
Introducción_ WINE MUSEUM IN BOLLULLOS Entendemos la nueva actuación como un filtro solar, semejante al que proporcionan las hojas de parra para protegerse del clima extremo de Huelva.
03
BARCELONA WORKS
BARCELONETA + EIXAMPLE BLOCK
2007 - 2008 WORKS . ETSAB
ETSAB. Introduccióm El método Barcelona, basado en 5 puntos destacables. Un análisis exhaustivo del entorno, su CONTEXTO, su historia y una consecuente relación con él. Una lógica funcional basada en el SENTIDO COMÚN adaptada a la sociedad actual. MATERIAL que construya una arquitectura sin artificios, siguiendo la TRADICIÓN sin renunciar por ello a la contemporaneidad de los métodos CONSTRUCTIVOS. Se exponen dos proyectos de programa dispar, pero dentro de un contexto muy marcado. El frente mar´timo de laBarceloneta, y el Eixxample Esquerra (ortogonal), BARCELONETA. Introducción EIXAMPLE. Introducción
05
URBANISTIC WORKS LA ROCA DEL VALLÉS
2007 - 2008 WORKS . ETSAB Summary_ A further approach to match the extensions built in recent decades. The program, widening the Roca del Valles, a small town in Catalonia. Implementation on lots that meet today's paper garden. Our main goal is to adapt to the speed of the site, your needs, your context. First choice decided to go full traces so many years have shaped the place, also retaining the stream that leads to the river Muga, making natural axis of the new "urbanization". An adaptive growth, with different routes of characters, far from a plot that has nothing isotropic in its context. The proposed urban expansion has been the result of a collage of ideas, the fruit of our life experience. These ideas are born from what the project is really about. What is a city? The countless interpretations of this question has been formalized in a type of urbanism adaptable to the environment where reflects the principles of what has been conceived. A city should be understood as a place of social and cultural relations, protection and safe nesting space, blending in with the surroundings and enjoy the quiet life. It is these principles that have led us to know the Cittaslow movement. ESP Post-muestra_ “Desde nuestra más humilde modestia, el grado de satisfacción que tuvo el modo de exposición fue fantástico e inesperado. Las ideas de ciudad lenta y adaptable se llevaron a término en la propia exposición. El programa estaba pensando para que la documentación se adaptara allí donde quedara sitio, manteniendo unos recorridos conceptuales en su interior, pero con formas variables. Nos tocó la puerta, y a la puerta nos adaptamos. Otro principio que queríamos plasmar en la exposición fue el tiempo que debía gastar el espectador en observar. Afortunadamente conseguimos que se detuviera, caminara por sus espacios viñeta, se agachara, se levantara, se parara ante ella para entender su concepto. El juego de escalas, de generales a particulares propició esta lectura con diferentes velocidades.
4th June 1987, Zaragoza. SPAIN Rosalía de Castro 19, 1ºB. 50018 Zaragoza URL : issuu.com/raul_martinez_rodriguez EMAIL : raulmarnez@gmail.com TEL : (+31) 619 456 303 DATE OF BIRTH: ADDRESS :
I am resolute, creative and self-.assured in team work. Architecture begins with drawing. It is an integral process which involves the development of consistent ideas. Ideas which are ready to evolve and change. “Life is like riding a bicycle. To keep your balance, you must keep moving.” A. Einstein
ACADEMIC INFO July 2012. Graduate Project in Barcelona Architecture School (ETSAB). 2005 / 2011. Degree in Architecture and Urbanism in ETSAB. 2009 / 2010. Exchange student in Seneca program in Sevilla Architecture University.
WORK EXPERIENCE ARCHITECTURE January 2012 - June 2013. Bail&Beitia Arquitectos. Zaragoza Urban analysis and Mapping in “Fortaleza de Uncastillo” Master Plan. Projects. December 2009. FAQ – Arquitectos. Sevilla. Architecture contest: Design of Wine-producing exhibition space in Bollullos par del Condado, Huelva. September 2007 - June 2008. Miquel Martí Casanoves. Barcelona. Internship in Urbanism Studio supervised by Miquel Martí. Project of “ Analysis of European Public Space” DESIGN & DRAFTSMAN January 2012. Magnolandia CC opening. T-shirt Design. www.magnolandia.blogspot.com September 2010 - January 2011. Construction Department ETSAB. Mapping and Pathological analysis of Romanic church in Teroleja, Guadalajara (Spain). January 2010 - May 2010. Pérez-Lombard Arquitectos. Camas, Sevilla. Map-drawing and collaboration in Architectura Studio. January 2008. Freelance. Zaragoza. Website design and Layout . www.maquinasvillaba.com CONTEST & PUBLICATIONS N ovember 2012. “HIC*Arquitectura.com”. Degree Project. Musical Arts Center Tenerías. Zaragoza .January 2008. Final phase in Timber structural design and calculation. Project: Footbridge 30 meters span. J June 2006. Historia en obres. Publication of analysis and redraw of Whitneys Museum de NewYork. .(Marcel Breuer, 1963). www.historiaenobres.net EXPERIENCE IN OTHER FIELDS February - August 2011. Laitel32, Vodafone. Shop Assistant. Barcelona. March 2006 - October 2010. Hotel Arts (Ritz-Carlton). Waiter in events and banquets. Barcelona.
SKILLS LANGUAGES
SOFTWARE
Spanish: Mother tongue English: Intermediate level Catalán: Fluent listening and reading French: Intermediate level
Photoshop CS5: Expert level 3DMax Studio: Intermediate level Autocad 2/3D 2010: Expert level Adobe Illustrator CS5: Expert level Microsoft Office: Expert level
PERSONAL SKILLS Personal challenges: Zaragoza - Amsterdam 2200km by bike zaragozaamsterdam.blogspot.com Sociable, creative, optimist and efficient, even working under pressure. Team work enthusiast. Illustrator: manual and digital technicals. Watercolors and rotring designs. Extensive international traveling in Europe, México and India. Photography and Digital retouching.