MARK ROTHKO MFAH Presents:
Long recognized as among the foremost f igures of the
This def initive retrospective comprises more than 60
Abstract Expressionist vanguard, Mark Rothko embraced
paintings that trace the artist’s full career arc, highlight-
the possibility of beauty in pure abstraction with a paint-
ing milestones in the development of his signature style.
erly eloquence that gave a new voice to American art. The
In 1986, the National Gallery of Art was the primary
MFAH is the sole U.S. venue to present Mark Rothko:
recipient of what are essentially “Rothko’s Rothkos,” the
A Retrospective, which draws upon the unrivaled hold-
paintings the artist held within his own collection at the
ings of the National Gallery of Art in Washington, D.C.
time of his death. By bringing these works to Houston,
Across a career spanning the most troubled years of the
home of the Rothko Chapel, the MFAH is able to give
20th century, Rothko (1903–1970) explored the tragic
Museum visitors the opportunity to see the full range of
and the sublime, and his canvases remain a testament to
Rothko’s achievement in the same city as his most ac-
the deep humanism he brought to modern painting.
claimed and enduring public commission.
ROTHKO a
“I realize that historically the function of painting large pictures is painting something very gran-
diose and pompous. The reason I paint them, however . . . is precisely because I want to be very
picture, you are in it. It isn’t something you command!”
–MARK ROTHKO
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upon an experience as a stereopticon view or with a reducing glass. However you paint the larger
a
intimate and human. To paint a small picture is to place yourself outside your experience, to look
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