羅芙奧季刊第15期 Ravenel Quarterly No. 15 by Ravenel International Art Group

愛護地球

Love and Protect the Earth

No. 15 Winter 2015

| CONTENTS | 04

看見地球。桃花源 “Paradise” – A New Way of Looking at the World

印象派奇萊 Qilai Impressionism

環球展覽預告 Global Exhibition Preview

羅芙奧 2015 秋季拍賣會感官的寧靜與澎湃 Ravenel Autumn Auction 2015 Between Tranquility and Turbulence

最美的時光，最好的年代施俊兆：中國第一代畫家守護者 The Best Time and the Best of Times Leo Shih, Caretaker of China’s First Generation of Painters

懷鄉戀土：凝視葉子奇 Homeland Nostalgia: Gaze at Tzu-chi Yeh

愛護地球 Love and Protect the Earth

動靜四帖 Four Verses of Movements and Stillness

在F 1 賽車道住一晚 Let’s Stay over Night at the Formula 1 Driveway

2015 頂級珠寶

鍊鍊生華 2015 Fine Jewelry Blossoming Gorgeous Pieces

停看聽威士忌投資正夯 Heated Whisky Investment – Don’t Forget to Do Your Homework before Entering the Market

超凡之境－歐普藝術之父維多．瓦薩雷利 Extraordinary Visions – Victor Vasarely, the “Father” of the Op Art Movement

2015 台北國際藝術博覽會

前進未來 Art Taipei 2015 A New Frontier

生活藝廊 Living Gallery

劉國松《蜀山碧蜀水青》（局部）1995 年彩墨紙本 120 x 76 cm 預估價：300 萬 - 500 萬台幣羅芙奧台北 2015 秋拍 LIU Kuo-sung, “Landscape of the Shu”, (detail), 1995, ink and color on paper, 120 x 76 cm. Estimate: US$91,000 - 151,600. Ravenel 2015 Autumn Auction Taipei

͓̺ ᘽᘰᅩ塲 (+22'</:' , :KR ͓̺ ಥൡ਍‫ ( מ‬:KR ᑧ̩୎ ̛๘੢ᄑ :KR

| Chief Editor’s Note |

“Paradise” – A New Way of Looking at the World 今年蘇富比秋拍夜場最搶版面的新聞，

by “ polka dot queen ” Yayoi Kusama for

of visual art. Filled with nostalgia for his

除了是圓點女王草間彌生的作品《No. Red

HK$54.52 million (the highest price ever

homeland, Taiwanese artist Tzu-chi Yeh

B》以 5,452 萬港元寫下個人全球成交新高，

paid anywhere in the world for one of

has painted scenes of the natural world

大概就屬阿里巴巴創辦人馬雲與當代藝術家

Kusama ’ s works), the biggest news story

– mountains and rivers, flower and trees

曾梵志的共同創作《桃花源》慈善義賣，一

at this year ’ s Sotheby ’ s autumn auction

– that provide a spiritual window onto

舉拍出 4,220 萬港元的天價，贏得滿堂喝

was probably the auctioning of “Paradise,”

nature ’ s life-force. Collector Leo Shih

采，據悉所得將捐作生態環境保育。

a collaborative work by Alibaba founder

has spent years engaged in study and

Jack Ma and leading contemporary artist

collection to safeguard the masterpieces

這場義賣會當然是一場成功奪人眼球

Zeng Fanzhi; this painting fetched an

left behind by China’s first generation of

的 show，對曾梵志的畫價行情影響有限，

impressive price of HK$42.2 million, with

Western-style artists. In this 15th issue of

但卻大大提升了企業家與藝術家的公益形

the proceeds going to charity. This result

Ravenel , while acquiring new knowledge

象。諸多實例顯示，時尚界、建築界、藝

was met with loud applause; the money

about fashionable lifestyles, we can

術界已經加入愛護地球的行列，運用環保

from the sale will apparently be funding

also gain inspiration to demonstrate our

的智慧，保護飽受生態浩劫的地球。

environmental conservation.

concern for culture and the arts, and to work together to protect the planet.

地球生態不斷的改變中，全球暖化問題

Today, global ecosystems are constantly

造成極端氣候異常，我們面臨與日俱增的

being transformed, and global warming

風災、水災或乾旱的威脅。想想每個人能

is causing abnormal weather conditions;

為地球做些甚麼？讓我們集思廣益，從自

we are faced with the threat of a steady

己從小地方做起，關燈、節能、回收、捐

increase in the danger from storms,

款等都具有意義。

flooding and drought. Everyone needs to think about what they can do to help the

眼睛所見的世界如此美好，二十世紀法

planet. We should put our heads together

國大師瓦薩雷利用特殊觀點，呈現新的視

and share ideas, starting off with things

覺藝術。台灣藝術家葉子奇念舊懷鄉，用

that we can do ourselves in our own area:

畫筆描繪生命靈視的自然山川花樹。收藏

saving energy, remembering to turn off

家施俊兆多年默默蒐集研究，守護中國第

lights, recycling, and donating money are

一代西畫家遺世瑰寶。在本期 Ravenel 季

all worthwhile things to do.

刊中，讓我們獲取時尚生活新知的同時，一起關心文化藝術，一起愛護地球。

Apart from the sale of “ No. Red B ”

The world seems so beautiful to our eyes. The great 20 th century French

阿里巴巴創辦人馬雲、當代藝術家曾梵志與其共同創作《桃花源》。照片來源：香港蘇富比

artist Vasarely developed his own unique

Alibaba founder Jack Ma, leading contemporary artist Fanzhi Zeng, and their collaborative work “Paradise”. Photo Credit: Sotheby’s Hong Kong

perspective, creating a whole new form

總編輯

No. 15 Winter 2015

羅芙奧藝術集團台北辦公室

發行人王鎮華

Publisher: Arthur Wang

總編輯陳惠黛

Editor-in-Chief: Odile Chen

主編黃千洳

Managing Editor: Tiffany Huang

撰述編輯廖培娟

Editor: Claire Liao

10683台北市敦化南路二段76號15樓之2

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Published by Ravenel Ltd.

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First issue: May, 2012

季刊 Quarterly ㄂孞✗䏪

Love and Protect the Earth

No. 15 Winter 2015

SMOCK 黃鑽手鐲 from Dior Joaillerie “Soie Dior 高級珠寶系列” Photo by Pol BARRIL for Dior

臺灣規模最大最頂級國際專業珠寶展 The Largest est & Best Taiwan’s Taiw wan’ss No. No. 1 IInternational nternational Jewellery & Gem G Fair

w w w.t a i w a n j e w e l l e r y f a i r. c o m

| Trend |

頂級喀什米爾之冬 The Winter of Superior Cashmere Text / Angela Photo / BRUNELLO CUCINELLI

世

上真正的手織奢華，BRUNELLO CUCINELLI 以雅致精粹的頂級質

材、精湛手工技藝賦予的豐富細節見長。的豐富細節見長。時序正式進入冬季，精彩的喀什米爾風華彩的喀什米爾風華得以被展現。

源於穿著感受，柔軟的喀什米爾詮釋的喀什米爾詮釋了開襟夾克、上衣和外套，本季男裝套，本季男裝 2

從禮服到大衣的剪裁線條趨近身

形，褲款則帶有手工縫製味道；製味道；西裝、針織服、牛仔款式甚至慢甚至慢跑褲的混搭，更加凸顯柔軟穿柔軟穿

1. 喀什米爾在穿著上擁有絕佳舒適度，柔軟的特性使穿者更靈活自在。

著感與非正裝式樣的細節，顛節，顛

Cashmere boasts great comfort. Its soft features enable the wearer to be more flexible and at ease.

覆主觀，體現男性陽剛形象。象。

2. 本季強調修身剪裁，使休閒不失優雅；拜細膩面料所賜，即使剪裁合身也不致於束縛。

多層次女裝順應季節，細緻，細緻

This season emphasizes a slim cut, giving the clothing a sense of casualness without losing the elegance. Thanks to the delicate fabrics, the tailored fit is not as restricting.

羊毛或縐綢夾克、針織衫、連帽衫、連帽外套和毛氈長大衣，搭配奢華水貂毛或綿配奢華水貂毛或綿羊皮馬甲；直或闊式長裙、流暢裙褲，裙、流暢裙褲，

3. 輕薄與蓬厚的巧妙搭配，使穿著更顯趣味並帶來對比效果。

帶來優雅迷人的獨特韻味。細膩皺褶、味。細膩皺褶、

The ingenious collocation of the thin and thick textures gives the wearer an additional sense of fun in addition to the contrast effect.

網格、鑲嵌寶石、針織紋路細節與紋路細節與面料的金屬光澤，熠熠生輝。披生輝。披

4. 低調的奢華，正裝休閒感是功力深厚的 BRUNELLO CUCINELLI 強項。

上矜貴奢美的皮草，保暖暖釋放原始奢華。 4

A low-key luxury, the semi-formal dress sense is a strong point of the proficiently skilled BRUNELLO CUCINELLI.

羅芙奧台北 2015 秋季藏酒拍賣會尊釀雲集 Ravenel Autumn Auction 2015 Taipei Finest and Rarest Wines 拍賣 2015年12月4日（五）下午 2:00 2015年12月5日（六）上午 12:00 台北富邦人壽大樓國際會議中心台北市敦化南路一段108號B2 諮詢

+886 2 2708 9868 | wine@ravenel.com

AUCTION: Friday 4 December 2015 2:00 pm Saturday 5 December 2015 12:00 pm Fubon International Conference Center B2 No.108, Section 1, Dunhua South Road, Taipei, Taiwan ENQUIRE: +886 2 2708 9868 | wine@ravenel.com

ЌŷăŧǪ ȫƼĈ̝ච

Column 印象派奇萊

Qilai Impressionism Text．Photo / 詹偉雄 Wei Hsiung Chan

1973 年，台灣畫家李澤藩的畫作《奇萊山》，隱隱地解析了這種深邃無比的綠；直覺地，我感覺這是任何一個台灣人都可感受的綠色，是一種如母親般的綠。 I n 1973, Ta i wa n’s p a i n te r L e e Tze - Fa n’s p a i n t i n g“Q i l a i Mountain”faintly analyzed this deep and matchless kind of green. Intuitively, I feel that this is a green that any Taiwanese can feel. It is a kind of mother-like green.

從

合歡山松雪樓往東看，奇萊北峰向南延伸到主山的巨大山塊，氣勢磅礡，日出之際，背光稜線下一片黝黑，日頭西行，嶙峋的崩崖無法上色，形貌益顯猙獰，人們因此稱它為「黑色奇萊」。

然而，當你走上奇萊，立可發覺，「黑色」是一個不折不扣的人造產物；對我來說，眼睛和皮膚，甚或氣味的嗅覺，感受到的是一種無邊際溫柔的綠。從高可及人的小奇萊竹林中，那隱密的、陰翳的綠，到支稜陡上石瀑間遭遇的鐵杉和冷杉，牠們蒼翠、崇高卻深情的綠，好不容易上了稜線，那綿延而去，開闊的短箭竹大草原，潑灑的是一種金黃麥浪般的穀物綠，然而，當雲霧氣流湧來，草原馬上披上薄紗，像是綠豆灑上了碎冰。

這兒是中央山脈的稜脊，數百萬年前，造山運動的擠壓，將平靜海底的砂岩推上三千六百公尺高，迎擊向山巔的氣流（無論它是季風還是颱風）落下雨水，往右切割出木瓜溪，造就了花蓮市集，往左則蜿蜒開鑿出濁水溪，沖積出西部平原。山下的文明與溪水搓揉交融，台灣的近代史蓊蓊鬱鬱誕生了，但奇萊山上的綠，則仍淡漠地高踞著。 1

登山者攀著繩索，一步步上行，可近距離看到碎片頁岩上的雲母，反射耀眼光芒，但無處不在的綠，最終仍收服了這些零散的光。

1. 奇萊苔蘚。 Qilai moss.

這幾年來，台灣的設計產業隱隱騷動，然而，無一說得上是扣動國民心弦的設計，像是日本的柳宗理或是丹麥的 Arne Jacobsen，能激發一種萬千人趨近認同的情感渴望。

走下奇萊山徑的回程，陣風刷過松針，如浪濤般迴響在小奇萊草原上，我私想：在巨大身體的疲勞與綠色的擁抱間，一定有些奇妙的事可發生，一百多年前的印象派畫家早就以身試法過了，不是嗎？

何妨上溯濁水溪，撥開雲霧，來到奇萊……。 1 1. 奇萊鐵杉。 Qilai Hemlock.

2. 奇萊大草原。 Qilai Plain.

Glo b

iew

xhibition Pre E v al

環球展覽預告

哥雅：肖像畫 Goya: The Portraits Organizer: 倫敦國家美術館 National Gallery, London Date: 2015 / 10 / 7 ∼ 2016 / 1 / 10 Web: www.nationalgallery.uk 哥雅透過敏銳的觀察，強烈的色彩、構圖和光線，將肖像人物的外在質感與內在精神永恆定格於畫布上。首度以哥雅的肖像畫為

畢卡索雕塑展 Picasso Sculpture Organizer: 紐約當代美術館 Museum of Modern Art, New York Date: 2015 / 9 / 14 ∼ 2016 / 2 / 7 Web: www.moma.org 畢卡索的雕塑獨具實驗精神，樂於打破規則，勇於嘗試各種材質。有別於油畫，這些立體創作對畢卡索來說是私密的，生前極少出售，而是伴隨著生活起居座落在家中各處。展出超過 100 件雕塑作品，透過多變的材質與創作過程探索畢卡索的立體創作。

Picasso Sculpture is a sweeping survey of Pablo Picasso’s innovative and inﬂuential work in three dimensions. This will be the ﬁrst such museum exhibition in the United States in nearly half a century. Unlike painting, sculpture occupied a uniquely personal and experimental status for Picasso. He approached the medium with the freedom of a self-taught artist, ready to break all the rules.

主題的特展，依時間軸和題材規劃，一探哥雅高超的技巧、多變的風格和細膩的內心世界。

First ever focusing solely on his portraits, this exhibition will re-appraise Goya’s genius as a portraitist and provide a penetrating insight into both public and private aspects of his life. It will explore Goya’s ambitions and development as a painter, and his innovative and unconventional approach to portraiture which often broke traditional boundaries. Francisco de Goya. “The Duke and Duchess of Osuna and their Children”, 1788. Oil on canvas, 225 x 174 cm. Museo Nacional del Prado. Madrid. P00739 © Madrid, Museo Nacional del Prado.

艾未未 Ai Weiwei Organizer: 倫敦皇家藝術學院 Royal Academy of Art, London Date: 2015 / 9 / 19 ∼ 2015 / 12 / 13 Web: www.royalacademy.org.uk 中國大陸異議分子及藝術家艾未未在英國的首次大型個展，涵蓋 1993 年至近期的重要作品。認為「行為即藝術，即自由表達」，大膽的表現手法與追求創作的自由，探討藝術家本身所處的政治與社會環境。

With typical boldness, the chosen works will explore a multitude of challenging themes, drawing on Ai’s own experience to comment on creative freedom, censorship and human rights, as well as examining contemporary Chinese art and society.

Pablo Picasso (Spanish, 1881–1973), “Bull”. Cannes, c. 1958. Plywood, tree branch, nails, and screws. 46 1/8 x 56 3/4 x 4 1/8" (117.2 x 144.1 x 10.5 cm). The Museum of Modern Art, New York. Gift of Jacqueline Picasso in honor of the Museum’s continuous commitment to Pablo Picasso’s art. © 2015 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

Ai Weiwei, “Dropping a Han Dynasty Urn”, 1995. 3 black and white prints, each 148 x 121 cm. Courtesy of Ai Weiwei Studio. Image courtesy Ai Weiwei © Ai Weiwei.

亞歷山大 • 卡爾德：動態雕塑 Alexander Calder: Performing Sculpture

妮基 • 德 • 聖法爾 Niki de Saint Phalle

Organizer: 倫敦泰特現代藝術館 Tate Modern, London

Organizer: 東京國立新美術館 The National Art Center, Tokyo

Date: 2015 / 11 / 11 ∼ 2016 / 4 / 3

Date: 2015 / 9 / 18 ∼ 2015 / 12 / 14

Web: www.tate.org.uk

Web: www.nact.jp

突破雕塑是靜止的傳統法則，運用抽象形態和機械裝置，亞歷山

妮基•德•聖法爾（1930-2002）是二十世紀戰後重要的女性藝術家之

大 • 卡爾德開啟「動態藝術」，結合藝術的構圖、物理的平衡、

一，本次大型回顧展匯聚其自初期到晚年超過100件重要作品，包括震撼

和觀賞者的互動賦予雕塑三度空間外的感受。

衝擊的成名作《射擊繪畫》、解放女性形象的《娜娜》及大型雕塑《塔羅

American sculptor Alexander Calder was a radical figure who pioneered kinetic sculpture, bringing movement to static objects. His dynamic works brought to life the avant-garde’s fascination with movement, and brought sculpture into the fourth dimension. This exhibition will reveal how motion, performance and theatricality underpinned his practice. Alexander Calder (1898 - 1976). “Antennae with Red and Blue Dots”, 1953. Tate © ARS, NY and DACS, London 2015

爵士主義 Archibald Motley: Jazz Age Modernist

公園》等，色彩鮮豔，風格獨特。

Niki de Saint Phalle (1930-2002) is one of the most important women artists of the postwar twentieth century. This large-scale retrospective exhibition has gathered over 100 important works ranging across her early to late years, including: “ Shooting Picture ” , her famous work that emphasized intensity; “ Nana ” , the image of women liberation; the large-scale sculpture, “ Tarot Garden ” . Her works seem to explode in a burst of color as a manifestation of her “Vive l’amour”, 1990, Yoko Shizue Masuda Collection, © unique style. 2015 NCAF, All rights reserved., Offset print, 70 x 100 cm

Organizer: 紐約惠特尼博物館 Whitney Museum of American Art, New York Date: 2015 / 10 / 2 ∼ 2016 / 1 / 17 Web: www.whitney.org 作為本世紀初聲名鵲起的黑人藝術家，出生紐奧良的 Archibald Motley 對黑人文藝復興運動頗有建樹。本展以爵士樂派對為主題的畫作，呈現其作品色彩鮮豔又頗具黑人配色的特點，人物構圖獨特，從中得以窺見二、三十年代美國非裔社區生活的美麗縮影。

As a black artist that rose to fame at the beginning of this century, Archibald Motley, who was born in New Orleans, is a major contributor to the Harlem Renaissance. This exhibition features his works that embody the theme of jazz culture. The artworks are vividly colored, highlighting the color coordination unique to black people. The figure compositions are also quite extraordinary. The paintings serve as a beautiful microcosm of the AfricanAmerican community life of the 1920s and 1930s. Archibald J. Motley Jr., “Tongues (Holy Rollers)”, 1929. Oil on canvas, 29.25 x 36.125 inches (74.3 x 91.8 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Chicago, Illinois. © Valerie Gerrard Browne.

羅芙奧 2015 秋季拍賣會

感官的寧靜與澎湃 Ravenel Autumn Auction 2015 Between Tranquility and Turbulence Text•Photo / Ravenel International Art Group

為滿足藏家不斷提升的品味廣度與深度，羅芙奧持續積極引薦優質精緻的現代與當代藝術，在中、台、日、韓經典之外，納入現代新水墨以及西洋名家，將於香港「現代與當代藝術」及台北「亞洲現代與當代藝術」一一呈現。台北「尊釀雲集」蒐羅來自新、舊世界的葡萄佳釀，也在晚秋入冬之際增加烈酒比重，包括威士忌、高粱與清酒，讓窖藏加倍熱鬧。 Ravenel is committed to keep up with collectors’ever deeper and profounder taste by presenting premium modern and contemporary artworks by Asian classics, modern ink and wash, and outstanding Western artists. In addition, wines from Old and New Worlds, whiskeys from Scotland and Japan, Kinmen kaoliang, and sake will heat up your collection.

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次秋拍重量級拍品包括華人抽象大

本

師趙無極《7.12.69》，於深邃富有

動力的空間與華麗豐美的金銅色系畫面留下令人迴盪的趙氏經典；《24.09.99》金輝熠熠閃爍，象徵帝王之尊，格局大氣磅礡，既神秘又耀眼奪人；2005 年的《情意如煙》，表達空間及卷動飄散的霧氣，在有形及無形間取得平衡。朱德群則有六十年代開始走入抽象藝術之作《抽象 No. 82》及七十年代天地更為開闊的《構成 No. 535》，不同時期的精彩之作展現藝術成就；創作於 1990 年的《異鄉》，大氣俐落的筆刷帶出通透晶瑩的空間感，二分水平畫面明暗的比例形成和諧穩定中的動勢；1985 年《雪景》則盡顯朱德群堅毅中的浪漫性格，簡潔的用色與意之所至的揮灑，暢快淋漓。於羅芙奧 2015 春拍創下藝術家世界拍賣紀錄的丁雄泉，《側臥裸女、花與貓》結合他最鍾愛的主題，歌頌著生命的美好與感官的豐美；《甜蜜銀河》飽滿欲滴的紅、綠、黃、藍、紫層次分明、絢麗而不雜亂，澎湃洶湧之中展現含蓄卻迷人的韻味；《在月光下親吻我》，大膽藍色用調顯現野獸派的影響之外，更是藝術家倜儻不羈的性格寫照。中國當代藝術家吳冠中 1980 年代創作之《獅子林》，原為文物收藏家劉辰旦舊藏，現有藏家二十餘年前購自帝門藝術中心，為難得現世的珍藏；此作為吳冠中以構圖新穎、章法別緻的水墨筆法，點、線、面的結構與搭配，體現其中國式寧靜、抒情詩意畫面的美學追求。徐冰 2001 年作品《讀風景系列》，使用無數的中國象形

1. 趙無極《7.12.69》1969 年油彩畫布 73 x 92 cm 預估價：850 萬 - 1,300 萬港元羅芙奧香港 2015 秋拍

ZAO Wou-ki, “7.12.69”, 1969, oil on canvas 73 x 92 cm Estimate: US$1,096,800 - 1,677,400 Ravenel 2015 Autumn Auction Hong Kong

文字在山水畫中，累石成山奇異特別的山

「尊釀雲集」主打老年份波爾多佳

In this year’s autumn auction, notable

釀，如 1945 年 Lafite、1947 年 Cheval

auction items include works by the

Blanc、1961 年 Latour、1982 年 Château

masters of Chinese abstract art Zao Wou-

台灣前輩大師廖繼春《龜山島晨曦》畫

Haut-Brion、1986 年 Mouton 等。數款民

Ki and Chu Teh-Chun. “7 . 12 . 69” by

面色彩多元，視為藝術家從傳統技法走入

國六十與七十年代、陳年二三十年的台灣

Zao features brushstrokes of incredible

新時代的代表作。台灣當代藝術家葉子奇

珍寶金門高粱僅在秋季出擊。威擊。威

freedom and serenity within

《有相思樹林的陽明山》，流洩出藝術家

士忌麥芽狂人 MMA 多個年份的年份的

spati spatial dimensions of immense

山林情感與心中大山大景；《野薑花》、《茶

至高無上大獎、Macallan 1949

水畫閱讀法。

花》、《夏日 • 後窗》等多幅畫作質樸不華麗卻依舊典雅迷人。

西洋藝術包括德國藝術家安森 • 基弗 2007 年《聖母頌 • 至貞之母》，其作品植根於自然和歷史，因此成為一個複雜探索的濃縮畫本。野獸派創始成員莫里斯 • 德 • 烏拉曼克難得的《海景》，沉穩的用色讓畫作達到和諧的境界。荷蘭眼鏡蛇畫派柯奈爾

profundity and vitality. “24.09.99,” profu a work of golden magnificence

等多個年份的珍稀 Fine & Rare

that exemplifies the opulence

系列 ……，以及風靡全球藏家

and splendor of imperial rulers.

的輕井澤 1964 年、金藍藝藝

“Juin 2005,” painted by

妓標、山崎等炙手可熱

Zao in 2005 , illustrates the

的日本威士忌。本季首

movement of vapors that

度加入清酒，包含被譽

meander through space

為清酒中幻酒神器的大

and across his canvas. Chu

七酒造妙花蘭曲、每粒

Teh-Chun ’ s “ Abstract No.

1989 年作品《無題》，不受限的鮮豔色彩

米只取最精華 9% 的伯

82” and “ Composition No.

與孩童般的創作表達自由與熱情。帶領歐普

樂星殘響 Super 9、窖藏

535” each represents Chu ’ s

藝術的大師：維多 • 瓦薩雷利是視覺藝術

15 年且全球限量僅 50

immense talent and artistic

的思想家、開創者，1958-1988 年作品《藍

支的花薰光 2000 年作

achievement at different

色迴旋曲》（原文“ Tenger”）一詞源自藝術

品，以及與古巴雪茄搭

家故鄉匈牙利語「遼闊的大海」，蔚藍底色

配的勝山酒造 The Brave

中黑、白、灰於視網膜形成動態與漩渦。

Smoker，皆是萬中之選。

phases of his creative career. “ Langage d ’ ailleurs ”

禁止酒駕酒後不開車安全有保障

demonstrates Chu ’ s ability

禁止酒駕

酒後不開車

安全有保障

1. 輕井澤 1964 年預估價：100 萬 - 150 萬台幣羅芙奧台北 2015 秋拍

禁止酒駕

酒後不開車

安全有保障

to create clear, brilliant visual space

Guanzhong ’ s 1980 creation “ Lion Grove

with poise and assurance. “ Hiver III ”

Garden ” was originally in the hand of

elucidates the artist’s resolute but

antique collector Liu Chen-tan; later

romantic personality in its use of simple,

purchased by its current collector

unadulterated colors and freehand

from the Dimensions Art Center more

brushstrokes that emanate a sense of

than two decades ago and has been

pure, carefree enjoyment.

hidden from public view for a long time. This piece exhibits a harmonious

Walasse Ting ’ s alluring “ Reclining

structuralization of point, line, and plane

Nude with Flowers and Cat ” embodies

that fully represents his aesthetic project

all of his favorite themes in celebration

of portraying the serenity and poetic

of the glory of life and the lusciousness

imagery of classic Chinese sceneries.

of the senses; meanwhile, the deliciously

Xu Bing ’ s 2001 production “ Reading

vibrant reds, greens, yellows, blues, and

Landscape Series ” employs countless

purples seemingly splashed haphazardly

ancient Chinese hieroglyphs in the

on the canvas in “ Sweet Milky Way ”

formulation of a landscape depiction,

emit a sense of exotic charm within the

an extraordinary concept and technique

surging waves of color and movement.

that imbues traditional painting with new

“ Kiss Me under Moonlight, ” in which

sensibilities.

vibrant blues reminiscent of the Fauvists fully exemplify the artist ’ s uninhibited, unconventional personality.

Taiwanese maestro Liao Chi-chun ’ s “ Morning Scenery in Gueishan Island ” is

vivid, colorful, and epitomizes the artist ’s C h i n e s e C o n t e m p o r a r y a r t i s t Wu

transition from traditional techniques to

Karuizawa 1964 Estimate: US$30,300 - 45,500 Ravenel 2015 Autumn Auction Taipei

2. 朱沅芷《中央公園》約 1940 年代油彩畫布 41.2 x 51 cm 預估價：900 萬 - 1,800 萬台幣羅芙奧台北 2015 秋拍 Yun GEE, “Central Park”, c. 1940s oil on canvas, 41.2 x 51 cm Estimate: US$272,900 - 545,800 Ravenel 2015 Autumn Auction Taipei

3. 安森 • 基弗《聖母頌 • 至貞之母》2007 年油彩壓克力蟲膠鐵玫瑰鉛陶土紙版膠合板玻璃罩 215 x 141 cm 預估價：280 萬 - 420 萬港元羅芙奧香港 2015 秋拍 Anselm KIEFER, “Ave Maria, Mater Castissima” 2007, oil, acrylic, shellac, iron, roses, lead, clay and cardboard on plywood under glass, 215 x 141 cm Estimate: US$361,300 - 541,900 Ravenel 2015 Autumn Auction Hong Kong

4. Balloon Venus von Jeff Koons für Dom Perignon Rosé 2003 雕塑與 1 瓶香檳預估價：150 萬 - 190 萬台幣羅芙奧台北 2015 秋拍 Balloon Venus von Jeff Koons für Dom Perignon Rosé 2003 Estimate: US$45,500 - 57,600 Ravenel 2015 Autumn Auction Taipei

5. Château Mouton Rothschild 2000 1 dmag 預估價：18 萬 - 24 萬台幣羅芙奧台北 2015 秋拍 Château Mouton Rothschild 2000 1 dmag Estimate: US$5,500 - 7,300 Ravenel 2015 Autumn Auction Taipei

*Oo[LH\ 3HÄ[L 9V[OZJOPSK 預估價：15 萬 - 19 萬台幣羅芙奧台北 2015 秋拍

QLYV

Château Lafite Rothschild 1990 1 jero Estimate: US$4,500 - 5,800 Ravenel 2015 Autumn Auction Taipei

DRC Romanée-Conti 1956 1 mag 預估價：46 萬 - 60 萬台幣羅芙奧台北 2015 秋拍 DRC Romanée-Conti 1956 1 mag Estimate: US$13,900 - 18,200 Ravenel 2015 Autumn Auction Taipei

an all-new era. Taiwanese contemporary artist Tzu-chi Yeh ’s “Yang-min Mountain ” portray the artist’s fascination and adoration for the magnificent sceneries of mountains and greenery, while “Ginger Lily ” , “ Camellia ” , and “ Rear Window, Summer Afternoon ” emit the simple but classically elegant charm of floral depictions.

Western artworks include German painter Anselm Kiefer ’ s “ Ave Maria, Mater Castissima” from 2007, an incredibly profound and complex story that calls for thought and contemplation. Maurice de Vlaminck, one of the founding members of the Fauvists; his “ Rochers à Carolles ” fully demonstrates

the spontaneity and inhibition of freehand brushstrokes and a breathtaking juxtaposition between light and dark. 2

Dutch CoBrA painter Corneille ’ s 1989

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creation “ Untitled ” employs vibrant

of deep azure that creates an optical

in Autumn Auction. Winners of MMA,

colors and a child-like persona in his

illusion of dynamic movement.

Macallan 1949 Fine & Rare Series, Karuizawa 1964 , gold and blue label

expression of the liberty and passion. Victor Vasarely is known as a pioneer of

With an emphasis on vintage

Geisha, and Yamazaki are just starters to

Optical art; the title of his 1958 - 1988

Bordeaux, 1945 Lafite, 1947 Cheval

a bountiful selections. The debut sale of

creation “ Tenger ” is Vasarely ’ s mother

Blanc, 1962 Latour, 1982 Château Haut-

sake comprises such as Daishichi Grand

tongue Hungarian for expansive waters

Brion, 1986 Mouton and so on will be

Cuvee, Hakurakusei Zankyo Super 9 ,

while the image itself is a whirlpool of

on the block. Premium Kinmen kaoliang

limited release Sudo Honke 2000 , and

black, white, and gray upon a backdrop

from the 60 s and 70 s is only available

Katsuyama The Brave Smoker.

| 拍賣 Auctions | 場次 Session

時間 Time

現代與當代藝術

Nov 29, 11:00 AM

Modern & Contemporary Art

尊釀雲集 Finest & Rarest Wines

亞洲現代與當代藝術 Modern & Contemporary Asian Art

地點 Location 香港君悅酒店 2樓 Grissini Hong Kong Grand Hyatt Grissini

Dec 4, 2:00 PM

台北富邦人壽大樓國際會議中心

Dec 5, 12:00 NOON

Taipei Fubon International Conference Center

Dec 6, 2:00 PM

台北富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

| 預展 Previews | 場次 Session

時間 Time

現代與當代藝術

Nov 14, 1:00 PM – 6:00 PM

Modern & Contemporary Art

尊釀雲集

3 1. 朱德群《抽象 No. 82》1961 年油彩畫布 65 x 100 cm 預估價：2,800 萬 - 3,600 萬台幣羅芙奧台北 2015 秋拍 CHU Teh-chun ,“Abstract No. 82”, 1961 oil on canvas, 65 x 100 cm Estimate: US$849,000 - 1,091,600 Ravenel 2015 Autumn Auction Taipei

2. 吳冠中《獅子林》1980 年代彩墨壓克力紙本 96 x 88.5 cm 預估價：380 萬 - 550 萬港元羅芙奧香港 2015 秋拍 WU Guanzhong, “Lion Grove Garden”, 1980s ink and color, acrylic on paper, 96 x 88.5 cm Estimate: US$490,300 - 709,700 Ravenel 2015 Autumn Auction Hong Kong

3. 趙無極《24.09.99》1999 年油彩畫布 162 x 130 cm 預估價：6,000 萬 - 8,000 萬台幣羅芙奧台北 2015 秋拍 ZAO Wou-ki, “24.09.99”, 1999, oil on canvas 162 x 130 cm Estimate: US$1,819,300 - 2,425,700 Ravenel 2015 Autumn Auction Taipei

Finest & Rarest Wines

亞洲現代與當代藝術 Modern & Contemporary Asian Art

Nov 15, 11:00 AM – 6:00 PM Nov 21, 10:00 AM – 6:00 PM

現代與當代藝術 Modern & Contemporary Art

亞洲現代與當代藝術 Modern & Contemporary Asian Art

尊釀雲集 Finest & Rarest Wines

亞洲現代與當代藝術 Modern & Contemporary Asian Art

Nov 22, 10:00 AM – 6:00 PM Nov 27 2:00 PM – 7:00 PM Nov 28 10:00 AM – 7:00 PM Dec 4 10:00 AM – 6:00 PM Dec 5 10:00 AM – 6:00 PM

** 預估價不包括買家佣金 Estimates do not include buyer’s premium.

地點 Location

台中豐藝館臺中市西區五權西路一段110號 Taichung Fong-yi Center

台北富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

香港君悅酒店 2樓 Grissini Hong Kong Grand Hyatt Grissini

台北富邦人壽大樓國際會議中心 Taipei Fubon International Conference Center

最美的時光，最好的年代

施俊兆：中國第一代畫家守護者 The Best Time and the Best of Times Leo Shih, Caretaker of China’s First Generation of Painters Text / 袁青 Photo / Chang Ming Wei 張明偉

| The Collector |

「別人曬書，我曬畫。」走進一向被視作收藏家口袋與品味深度指標的施俊兆，位於台中占地一層樓面的私人藝術「庫房」，環顧主人資歷長達二十多年、數量豐富、驚人的藏品，施俊兆笑著說，瞄準中國第一代前輩畫家的收藏觀點和手筆，是「責任」，也算是對「藝術風格」的一種守護吧！ “Other people bask in books. I bask in paintings.” I walk into the private art“warehouse”in Taichung of Leo Shih, widely regarded as a man with a deep pocket and a rich taste, and look about at his lavish, stunning collection that spans a period of more than two decades. Shih smiles and says that collecting the paintings of China’s first generation of older painters is a“responsibility”, and that it can also be seen as guarding an“artistic style”!

俊兆笑稱收藏是嗜好，並不介意別

紐約中央公園散發詭異氛圍的裸女群

人知道有什麼。他的原則是，收，

像，中國畫家朱沅芷西學為用，但中國道

不一定要藏。面對正巧遇上中國第一代畫

家思維的東方氣韻卻在一抹油綠色彩中，

家詮釋「女性」主題，看施俊兆一一點名

揮之不去。施俊兆說，老外只能看出百分

作品，如數家珍，從畫家生平、畫風以及

之五十端倪，但他發覺中國畫家們受西方

時代背景的關照和描述，信手拈來，全是

繪畫訓練的技法外，一種中國文人情懷，

點滴在心的故事。

躍然紙上。常玉的裸女畫正是華人藝術家

施

尋求西方技術呈現東方內涵，中西衝撞、

中國畫家常書鴻的一張《梳妝》，不但

交融產生藝術火花的代表人物。施俊兆指

畫透人物微妙的心境，簡單裝束也反映著

著常玉極少見的一幅《牧童與水牛》說，

四、五十年代中國社會的風貌；抬眼望見

也就是中國第一代畫家全心投入的感情，

廖繼春畫裸女，施俊兆幽默地說「畫家怕

讓他一路相挺。

老婆吃味有醜化之嫌」、潘玉良《女讀者》招牌畫風下的美女，難得一見。徐悲鴻畫

「收藏有點像尋根的精神。」能夠理解、

蔣碧微，用情之深，而女主角衣飾的絲緞

接受、進而收藏作品，施俊兆以宏觀的切

光澤和手的倒影，更印證其寫實功力。至

入視野看待藝術品，因此，並不執著傳統

於，丁衍庸的《男人與女人》夢幻、抽象

媒材的分類，反而把眼光投向許多不「商

兼而有之；大都只著墨於女性背影的畫家

業」的作品。也因為看重收藏的展覽學術

吳作人、秦宣夫的《卡門》和常玉一張難

價值，由單純「收藏者」轉換成「贊助人」，

1. 在中國第一代畫家的保守年代，要詮釋女性裸體需要很大的勇氣，因此更看得出後代無法比擬的濃厚情感。

得見到的白紗新嫁娘，風格各具。轉個

常出借藝術品給北美館、哈佛大學等單位；

身，方君璧一張《裸女站像》，非常有趣，

顯然施俊兆對收藏，已非拘泥單純買賣，

During the conservative era in which China’s first generation of oil painters lived, the painting of nude women required much courage. Therefore, such paintings exude a strong emotion not present in today’s artworks.

像是波提切利畫的維納斯？或是觀音？媽

而在於發揚藝術本身的理念與觀點。

祖？不論你從西方或是東方的觀點來看，都非常引人入勝。

面對「藝術投資」話題？如果完全沒有

概念是不可能的，達到一定金額時，至少

已經太貴，反倒是中國前輩畫家卻乏人注

時空錯置的感動讓施俊兆下手。收藏別無

就要考慮保值。「我當畫家的大股東就好，

意，」施俊兆形容，遍地是黃金，幾乎撿

他法，就是多多接觸。

平均只要擁有每位第一代華人畫家百分之

什麼都對！他笑稱當時佳士得和蘇富比拍

十作品，」施俊兆謙稱收藏源自小時候集

賣，幾乎三成都是他在買。

擁有為數不少的中國早期西畫作品，施俊兆表示，藏家若要建立收藏的完整歷史

郵；初期因為本業五金貿易外商來台，帶客戶去三義看木雕應酬，沒想到藝術家黃

一旦進入藝術領域，很難只看特定類

脈絡，就必須面面俱到。華人「現代」畫

瑞元一尊頭小、胸襟寬大的觀音雕刻開啟

別。2000 年開始，當代藝術引起他對像

家中，趙無極，林風眠、常玉、朱德群等

施俊兆收藏之路。

賴志盛在誠品畫廊展示的一片六公尺長木

藝術家都有涉獵；而尤其顏文樑和丁衍庸

質牆面「看不見的藝術」的興趣；施俊兆

收藏的質和量都是絕無僅有的。

他回想，1999 年，真正進入收藏領域。

笑說，已在安排如何置放在他的收藏室。

當年蘇富比秋拍，出手拍得生平的第一張

打動他的還有藝術家李傑。「一雙放在門

「收藏不是比賽、也沒有競爭。」施俊

常玉，從此對藝術收藏便「不能自己」。

墊上的舊球鞋和紙箱」所建構的藝術創

兆的訣竅在於「多看少買」，因此庫房總

「當時，像陳澄波等台灣前輩畫家的價格

作，清新又破舊，就是這股令人回到從前，

是「只進不出」。甫加入「清翫雅集」就因收藏豐厚而擔任油畫項目召集人。「長

期關注，收藏品味和高度就會顯現。」有一天，當你面對藝術，不須解釋就能心靈相通，就真正享有藝術的快樂。不要覺得藝術大門千斤重，老推不開。重要的是，「你的感受。」

| The Collector |

Shih jokes that his collection is a hobby and that he does not mind letting others know about it. He believes that collecting does not necessarily mean to store the works away from view. On the day of the interview, his exhibition lounge is showing China ’ s first generation ’ s interpretation of “ woman ” . It is touching to see how Shih, in a thoroughly familiar manner, describes each one of his collected works, covering the painter ’ s life, style, and the era’s background.

Chinese painter Chang Shuhong ’ s “ Dress Up ” not

only shows the subtle mood of people, but the simple dress also

Woman ” . Is the portrait of Botticelli ’ s

of representatives. Shih points to a rare

reflects the style of Chinese society

Venus? Or Guanyin? Mazu? No matter if

Sanyu painting called “ Herdboy and

during the forties and fifties. Looking up

you look at it from a Western or Eastern

Water Buffalo ” and says that China ’s first

at Liao Chi-Chun ’ s painting of a woman

perspective, it is truly fascinating.

generation was devoted, and that he feels quite similar.

in the nude, Shih humorously says, “ The painter feared that his wife would

N e w Yo r k ’ s C e n t r a l P a r k e m i t s a

be jealous, so he made the painting a

strange atmosphere with these groups

bit uglier. ” Pan Yu-liang ’ s depiction

of nude women. Chinese painter Yun

of a beautiful lady in her signature

Gee employs Western philosophy, but

style is something that is rarely seen.

the glossy dark green exudes a lingering

Xu Beihong ’ s painting of Jiang Biwei

oriental charm through Chinese Taoist

looks deeply into the soul, and the silk

thought. Shih says that foreigners can

dress and fair skin further confirms his

only catch fifty percent of the clues, but

realistic painting skills. As for Ding

he has discovered that Chinese artists

Yanyong ’ s “ Man and Woman ”, it is both

who learned Western painting techniques

illusory and abstract. Wu Zuoren, for the

leave a vivid impression of a kind of

most part only painted women viewed

Chinese scholar ’s feelings on the canvas.

from behind. Qin Xuanfu ’ s “ Carmen ”

Sanyu ’ s paintings of nude women are

and Sanyu ’ s rare bride in white each

exactly examples of a Chinese painter ’ s

have their own style. Turning around, I

w o r k s w i t h We s t e r n t e c h n i q u e s a n d

see a very interesting painting by Fang

Eastern connotations. West and East

Junbi of a “Portrait of a Standing Nude

collide and blend, producing a spark

1. 施俊兆對藝術家顏文樑的畫作愛不釋手，不僅認真研究畫冊，甚至親自造訪蘇州顏文樑紀念館數次。 Leo Shih displays strong appreciation for artist Yan Wenliang. In addition to studiously studying Yan’s album of paintings, Shih also personally v i s i t e d Ya n We n l i a n g M e m o r i a l M u s e u m numerous times.

2. 精妙的衣帶線條順暢，一氣呵成，與雅緻布花看得出龐薰䐠純熟的繪畫技巧，令藏家讚嘆連連。 T h e s m o o t h l i n e s o n t h e e xq u i s i t e s t r a p seems like it was made in one go. The elegant cloth flowers highlight the proficient painting techniques of Pang Tseng-Ying, a technique praised repeatedly by collectors.

3. 彷彿昂首凝視藝術藏品的鹿頭鑄鐵桌，本身就是一件台灣原住民的雕塑品，桌面還刻有特殊圖騰與符號。 As if raising its head to gaze at works of visual art, the deer head brasserie table is a sculpture made by Taiwan’s aborigines. The surface of the table is also engraved with special totems and symbols.

“Collecting has a spirit of deep

a shareholder of the artists. I only need

were not receiving much attention. ”

i n q u i r y. ” U n d e r s t a n d i n g , t a k i n g i n ,

ten percent of the works of the painters. ”

Shih describes it as gold being scattered

and collecting works, Shih looks at art

Leo Shih ’ s love of art collecting began

everywhere; almost anything you picked

on a macroscopic level. Therefore, he

modestly with a childhood stamp

does not persistently look at traditional

collection. In the early days for his

classifications, but he also pays attention

business, he took foreign clients to Sanyi

to many works that are not “commercial ”.

to look at the wood sculptures. He could

It is also because he values the academic

not have imagined that artist Huang

aspect of his collection that he is not just

Jui-Yuan ’ s woodcarvings of Guanyin

a pure “collector ”, but rather a “patron”.

could have led him onto the path of art

He often lends out his art works to

collecting.

places like Taipei Fine Arts Museum and Harvard University. Obviously, Shih has

He recalls that he genuinely engaged

not been a pure conformist dealer, but

in the collecting of art in 1999 . That

rather a person who carries forward the

year, at Sotheby ’ s autumn auction, he

concept and views of art itself.

obtained his first Sanyu painting. From that moment on, he has not been able

Concerning the topic of “art

to “ contain himself ” . “ At that time, the

investment ” ? It is not possible to not

works of older generation Taiwanese

have a sense of this concept. Up to a

painters like Chen Cheng-Po were

certain amount, you need to at least

already too expensive. On the other hand,

consider the value. “I am fine with being

the older generation of Chinese painters

| The Collector |

up was right! He laughs and says that he bought almost one-third of everything auctioned at Christie ’ s and Sotheby ’ s at that time.

Once you enter the field of art, it is hard to look at just one category. Since 2 0 0 0 , he has been interested in contemporary art, such Lai ChihSheng ’ s six-meter long wooden wall “ Invisible Art ” , which was displayed

at Eslite Gallery. Shih says with a laugh that he is already busy arranging where to place this piece amongst his collection. He was also moved by artist Li Jie. “ A pair of old sneakers and a cardboard box on a doormat. ” It is a creative artistic construction. Fresh as well as worn out. It makes people

return to the past. The misplacement of time and space moved Shih to act.

Owning a large number of early period

faced with art and there is no need to

When collecting, there is no alternative

Chinese oil paintings, Leo Shih states that

explain, but you can feel a connection,

but to have a lot of exposure.

if collectors want to establish a complete

then you really understand the happiness

collection in a historical context, they

art can give you. Do not think that art is

need to attend to every aspect. The works

a heavy door that cannot be opened. The

of Chinese “ modern ” painters, such as

important part is “your feelings ”.

Zao Wou-Ki, Lin Fengmian, Sanyu, Chu Teh-Chun, etc., are all widely present, and, in particular, the collection of Yan Wen-Liang and Ding Yanyong is unique in quality and quantity.

“ Collecting is not a competition and

should not be competitive. ” Leo Shih ’ s secret of success is to “see more and buy little”, and for his storeroom, his creed is “ only in and not out ”. He has just joined

Ching Wan Society on account of his abundant collection, and he holds the position of oil painting convener. “ The long-term concern is that my collection shows taste and class. ” One day, when

1. 悉心研究藝術品蘊涵的故事與背景，藏家施俊兆細數家珍、侃侃而談收藏歷程，夫人的陪伴與支持不可或缺。 Having carefully studied the story and background behind individual artworks, collector Leo Shih goes over his precious collection, while passionately sharing his collection process and emphasizing the indispensable companionship and support of his wife.

2. 常玉一幅仰躺裸女，淺色背景上可見以畫筆末端刻畫的中國錢幣或文字等吉祥圖騰，及畫家常常覆蓋前畫的殘留畫痕與筆跡。 In a painting of a reclining nude woman by Sanyu, images of Chinese coins, Chinese characters, and other auspicious patterns are painted with the tip of a brush on light background. Older brush marks still show through the top layers of paint.

3. 新媒體藝術之父白南準作品，施俊兆的重要收藏品之一，於第一屆上海當代藝術博覽會上購入。 This work by Nam June Paik, the father of new media art, is in the collection of Leo Shih. It was bought in the 1st ShContemporary.

懷鄉戀土：凝視葉子奇 Homeland Nostalgia: Gaze at Tzu-chi Yeh Test / Odile Chen 陳惠黛 Photo / Ravenel International Art Group

| Art & Investment |

「一葉一菩提」獨白式風格，近自戀的追求極致完美。孤獨的視野，方以真誠而清；「寫實，像兩個孤獨的人，才能真誠對談，分享彼此。」畫家葉子奇，甘於寂寞，寧靜而寂寞、美麗卻凍結。 Monological and almost narcissistic, artist Tzu-chi Yeh’ s realism explores the landscapes of his inner being. Yeh once said,“The most genuine dialogue tends to happen between two lonely people, because they can share their views of the world from the depth of their introverted souls.”Solitude captures the beauty of the moment.

1.《夏日 • 後窗》1989-1990 年卵彩油彩畫布 51.5 x 183 cm 預估價：100 萬 - 150 萬港元羅芙奧香港 2015 秋拍 “Rear Window, Summer Afternoon”, 1989-1990 tempera and oil on canvas, 51.5 x 183 cm Estimate: US$129,000 - 193,500 Ravenel 2015 Autumn Auction Hong Kong

強烈肖像畫的性格這位畫家出現時，經常是一身俐落的黑

的禪意，抓住永恆的存在。他曾寫道「即

得潤澤柔美，無需添加白色即可襯托出大

裝，無論是藝術博覽會、畫廊個展與拍賣

使是小小的花和葉子，都蘊含季節在裡

自然的光彩。這種古典氣氛的烘托，結合

會預展，只要有他的畫作展出，幾乎都能

頭。」

寫實冷靜的描繪，隱喻且神秘，使得葉子奇在當代畫壇更顯獨特性。

遇見他的身影，收藏家們對此情此景多半不陌生，他是台灣當代畫家葉子奇。總是

以「風景」與「靜物」為兩大主要創

默默凝視著自己曾經的心血，目光幾近自

作母題的葉子奇來說，他曾如此描述他們

戀的，久久無法離開。有時，不免也會關

的分別：「靜物對我，是室內的風景；風

切畫冊或拍賣目錄上的圖版顏色，指導展

景對我，是室外的靜物。」葉子奇的繪畫

場的燈光如何呈現，在意收藏者的保存狀

就像是日記，訴說著他每個階段的生命故

況是否妥善，不消說每一件畫框當初也都

事，從求學、戀愛、旅行、傷逝、子女出

是他欽點設計，甚至在畫前跟旁人娓娓道

生、記憶等等。也有人說，葉子奇的靜物

出當年的創作記憶，追求極致的完美。

畫、風景畫其實都像是一幅古典肖像畫。

他的畫面多呈現獨白式的風格，或者是

葉子奇與同代藝術家不同，捨棄抽象

探求內在風景的圖畫，未必遠離社會而孤

或新表現，採取威尼斯學派的復古獨特技

獨，某種程度的說他還是選擇入世，生活

法，在油畫的基礎上添加了卵彩，畫面顯

在當下但追求藝術的完美。每一幅畫都是自我的一段過往，於是當他面對著全心注入情感的畫時，不免依戀又不捨。

葉子奇，是藝術家的名字，倒也可說明幾分他筆下的特色。他的油畫作品的自然靜物，都是尋常可見的花、葉，一旦躍上畫布，主角靜靜地安住在畫面中心，姿態宛如肖像一般地莊嚴，純淨、典雅，刻畫著時間的生命軌跡，各個顯得卓然獨立，奇特不凡。

國立東華大學教授張金催博士，伴隨葉子奇走過千山萬水，是他人生的伴侶、藝術的知音。她曾談到，「葉子奇的靜物總是選擇單一強烈的『主題物象』，使物象如紀念碑屹立在凝結的特定情境中。」也提到畫家偏愛採用「古典主義的中心法則」，「使物象和空間交錯呈現出逼近與疏離、實存而空冷、寧靜而寂寞、美麗卻凍結、如真似幻的神秘曖昧性。」

葉子奇的微物觀察，溫潤而細膩的繪畫，呼應了「一花一世界，一葉一菩提」

1.《茶花》2009-2010 年卵彩油彩亞麻布 41 x 41 cm 預估價：38 萬 - 60 萬台幣羅芙奧台北 2015 秋拍 “Camellia”, 2009-2010, tempera and oil on linen 41 x 41 cm Estimate: US$11,500 - 18,200 Ravenel 2015 Autumn Auction Taipei

2.《野薑花》2014-2015 年卵彩油彩亞麻布 127 x 86.5 cm 預估價：300 萬 - 400 萬台幣羅芙奧台北 2015 秋拍 “Ginger Lily”, 2014-2015, tempera and oil on linen, 127 x 86.5 cm Estimate: US$91,000 - 121,300 Ravenel 2015 Autumn Auction Taipei

| Art & Investment |

懷鄉戀舊。風景台灣葉子奇 1957 年出生於台灣花蓮玉里。

設立畫室，一度教畫維生。1987 年在台

回去，他回說是神的旨意，還提起美國電

父親原籍廣東梅縣，生於晚清，熱愛書法

北的美國文化中心舉辦首次個展，主題以

影《阿甘正傳》，說道：「阿甘他跑了兩三

詩詞，文史修養豐富，上個世紀中期隨著

家人與成長的記錄或歷史性的探索。

年，有越來越多的人跟在他後面一起跑，忽然阿甘停下來了，他回頭望著那些跟著

國軍遷徙到同是客家庄的玉里定居，個性木訥寡言，寄情於田園自然、山水書畫。

三十歲，他轉赴美國求學，春秋正盛的

他在後面跑的人們，只說了一句『我累了，

母親是雲南人，有擺夷貴族的血統，17 歲

年紀，進入紐約市布魯克林藝術學院藝術

我想我該回家了。』這應該就是我當時的

時嫁給長他 18 歲的夫婿，顛沛流離。雖

研究所。旅居海外十九年，這段漫長的日

心情。」

然不識文字，個性獨立堅強，活潑好勝，

子，他面臨許多生命的艱難與考驗，成家

能言善道。因為家中有八名子女，食指浩

立業，父母親的先後故去，子女的出生，

2006 年回到台灣，選擇定居在花蓮海

繁，經濟並不寬裕。自幼葉子奇的書法天

藝術創作的發表。1990 年代，他創作許

邊，天天與海天相伴，後山優美的景色，

分、熱愛文學，悲天憫人的溫情，對藝術

多獨白式的靜物，藉自然的榮枯，抒發生

生活自由無拘束。從他頂樓的畫室窗外即

有敏銳的感受力遺傳自他的父親。而追求

命易逝的傷感。這些情感的牽絆，他曾經

可以俯眺太平洋的遼闊海洋，視野遼闊，

理想，獨行無懼、執著無悔的意志與堅持，

在一次個展畫冊中寫道：「或許，鄉愁不

近年常有雲朵與海洋的作品，隨著生活經

則來自母親。

僅止於空間距離的擴大，更因為時間距離

歷的改變，他的繪畫也增添新的顏色。

的延長。不僅是對有形鄉關的思念，更故鄉玉里四周群山環抱，每天目光所

是對無形歲月流逝的無奈。它是一種在擁

及都是山巒，於是它們是畫家成長記憶中

有與失去之間對事物遙不可得的渴望、追

的印記。中學時離開玉里，到花蓮市區就

尋、惆悵和緬懷。這些，都是在我的畫裡

學，少年時的鄉愁，看海給予心靈的撫慰。

想說的話。」

無論山、海、雲、樹，或是玉里盛產的西瓜，孕育生命的花，生活的事物是靈感的

葉子奇的寫實繪畫帶有隱喻的象徵，風

來源，更是葉子奇後來的懷鄉與思親的代

格強烈而獨特，畫中的物象都是他日常生

號。台北的陽明山、紐約畫室的浴室、窗

活的記錄。台灣藝評家石瑞仁評述道：「葉

景，伴隨著藝術行旅的追尋。

子奇採取了『淨化、孤立化、完美化』的形式手法，將鄉土的自然圖騰紛紛地昇華

先後進入國立藝專與中國文化大學美術

和聖化，在懷鄉戀土的深意中注入肅穆的

系就讀，畢業後曾加入「中華民國現代畫

情操」。儘管身在海外，家鄉的種種最讓

學會」，並發起「一○一現代藝術群」，參

人牽掛。

與的都是文化大學的校友，如楊茂林、盧

怡仲、吳天章等，並共同舉辦聯展，葉子

懷鄉念舊的葉子奇在海外流浪多年後，

奇當時以寫實風格的軍人為主題。退伍後

有一天突然想要回家，後來有人問他為何

1.《有相思樹林的陽明山》2007-2008 年卵彩油彩亞麻布 127 x 213 cm 預估價：750 萬 - 950 萬台幣羅芙奧台北 2015 秋拍 “Yang-min Mountains”, 2007-2008, tempera and oil on linen, 127 x 213 cm Estimate: US$227,400 - 288,100 Ravenel 2015 Autumn Auction Taipei

2.《紐約的雲》2007-2008 年卵彩油彩亞麻布 86.5 x 127 cm 預估價：240 萬 - 340 萬台幣羅芙奧台北 2015 秋拍 “Cloud in New York”, 2007-2008, tempera and oil on linen, 86.5 x 127 cm Estimate: US$72,800 - 103,100 Ravenel 2015 Autumn Auction Taipei

| Art & Investment |

拍賣市場躋身大師行列葉子奇曾說：「寫實像是練劍，年輕時

的展覽合作夥伴。

最受市場歡迎的相思樹山景的《有相思樹

講求劍術，年歲漸長後才慢慢講究精神面」。當初選擇寫實繪畫之路，注定要甘

每年的春秋兩季的拍賣會上也常有葉子

林的陽明山》（2007-2008 年作）、以一

於寂寞，然而創作吸引人之處，在於孤獨

奇的畫作現身，其中以羅芙奧（台北與香

朵雲為肖像主題的《紐約的雲》（2007-

的視野方得以真誠清明。他說：「兩個孤

港）最受關注，數量也最豐，多次創下新

2008 年作），難得以游魚為題的《獨白》

獨的人才能真誠的對談，分享彼此對這個

的拍賣成交紀錄。其它如香港的蘇富比或

（2002-2013 年作）；還有三幅花卉靜物

世界的看法，作品在此成為了兩者的中

保利拍賣，台灣的中誠拍賣、景薰樓、金

的《茶花》（2009-2010 年作）、《迎春》

介。」

仕發，北京的中國嘉德，上海朵雲軒、泓

（1997-1998 年作）、《野薑花》（2014-

盛等拍場偶有舊作現身。

2015 年作）。各個都是嘔心瀝血的創作，反映出不同階段的生命體悟。

從事繪畫至今近四十年，葉子奇的藝術風格益發成熟，他的作品早已成為收藏家

2015 年秋季，已知羅芙奧香港、台北

競逐的目標。近期的個展在畫廊一開幕，

兩場拍賣會將聯手呈獻七幅不同時期的精

葉子奇的每一幅畫都需要長時間的醞

或是藝術博覽會上，所有展品旁都已提前

彩畫作，包括旅居紐約布魯克林區的《夏

釀，細膩的寫實刻畫，創作數量不算豐沛。

貼上紅點，說是一畫難求並不為過。對應

日。後窗》（1989-1990 年作），描寫畫

2014-2015 年期間，他的畫價在藝術市場

在拍賣會，同樣需求大於供給的情況下，使

室窗外的景色，幾株樗樹生機勃勃，夏日

達到高峰，因此不難想見秋季拍場有多幅

得畫家的重要作品迭創成交新紀錄。2013

的光影在磚牆上移動變換。這幅作品是近

作品出現，也讓許多收藏多年的收藏家，

年秋季，畫價更是首度跨過千萬台幣，躋

期難得出現、少數年代最早的葉子奇作

得以享受長期投資的回報。今年秋季，可

身大師行情。以描繪花蓮山景的油畫近作

品，將於 2015 年 11 月 29 日上拍，據悉

以預見葉子奇的畫作必然是拍賣市場的焦

《霧來 • 荖溪 • 花蓮》，在 2014 年 6 月

這是畫家個人非常滿意的一幅作品。

點所在。

羅芙奧台北以 1,440 萬元台幣（466,775 美金）創下藝術家拍賣最高紀錄。隨後，回憶訪友時的台南老榕樹《大榕樹》的作品以同樣的成交金額打平此紀錄。

早年要靠繪畫維生並不容易，儘管他從就讀文化大學美術系一直到留學紐約，早已累積多年豐富的展覽經驗，但他坦言一直到了約莫 35 歲（約 1992 年）時才從創作獲得收入，這可能也是年輕藝術家世代共有的艱辛體驗。這一時間大約就是指旅居美國、回台灣後在玄門藝術中心的個展「獨白」階段，往後則每兩三年定期回台灣舉辦個展，如新展望畫廊、誠品畫廊、家畫廊新生態藝術環境、帝門藝術中心、月臨畫廊都曾舉辦過他的個展。這些歷史悠久的畫廊，有些如今已成過往雲煙，在台灣當代藝術發展進程中有階段性貢獻。目前以北部的誠品畫廊、中部的月臨畫廊及南部的加力畫廊（前身為新生態藝術環境），以及東部的乙皮畫廊為葉子奇主要

接續在 12 月 6 日台北場的拍品，包括

| Art & Investment |

1.《大榕樹》2013-2014 年卵彩油彩亞麻布 152.5 x 152.5 cm 成交價：1,440 萬台幣羅芙奧台北 2014 秋拍 “Big Banyan Tree”, 2013-2014, tempera and oil on linen, 152.5 x 152.5 cm Price realized: US$462,576 Ravenel 2014 Autumn Auction Taipei

2.《迎春》1997-1998 年卵彩油彩亞麻布 36 x 122 cm 預估價：110 萬 - 220 萬台幣羅芙奧台北 2015 秋拍 “Early Spring”, 1997-1998, tempera and oil on linen, 36 x 122 cm Estimate: US$33,400 - 66,700 Ravenel 2015 Autumn Auction Taipei

Portraitist Realism To many collectors, contemporary

work. Needless to say, all the frames are

only achieved in the very best of still

Taiwan painter Tzu-chi Yeh is a familiar

handpicked by the artist, and sometimes

lifes. Firmly anchored at the center of the

ﬁgure at art fairs, gallery exhibitions, and

Yeh can even be seen waxing large on

composition, his subjects, be they animals,

auction previews. Virtually wherever and

the creative process and his pursuit of

plants, buildings, or entire landscapes,

whenever his work is on display, he will

perfection.

have all the dignity, purity, and classical elegance of a traditional portrait. With his

make an appearance in his customary outfit: casual yet chic, and usually all

Most of his works are monological in

uncanny ability to capture the essential,

black. There he stands, quietly gazing

nature, exploring the landscapes of his

Yeh ingeniously enhances a visual realism

at one of his works with an absorbed –

inner being without, however, showing an

sometimes bordering on the photographic

almost narcissistic – expression on his

absolute aloofness from society at large

to create unique images that reveal both

face, unable to tear his eyes away from the

– rather, Yeh excels at amalgamating a

the generic and the specific qualities of

product of his hard and painstaking work.

worldly, in-the-moment approach with

his subject.

Occasionally, he may make suggestions

a constant quest for artistic excellence.

for the vernissage pamphlet, or comment

Every painting is an extremely personal

Dong Hwa University Professor Effi

on the colors of the auction catalog. Or

record, documenting real moments and

Chang, who is Yeh ’ s life and traveling

he proposes improvements to the lighting

acute impressions, which explains the

companion, as well as the most intimate

of the exhibition venue, and shows

artist ’ s powerful attachment to each and

connoisseur of his art, once said, “ Tzu-

concern about how collectors store his

every one of them.

chi Yeh used a single image and subjects, employing the essence of canonic The artist ’ s Chinese

classicism to address the mysterious

name seems to be hinting

ambiguities of closeness and alienation,

at the subject matter and

existence and void, quiet and loneliness,

style of his oil painting,

beauty and frigidity, reality and illusion.”

redolent as it is of nature

themes like flowers,

The artist’s keen powers of observation,

trees, and leaves.

particularly at the microcosmic level, help

Through the magic of his

him to create paintings that are brimming

brush, these ordinary

with realism and reveling in details, while

objects come alive on

at the same time emanating a sense of

the canvas in a fashion

delicate softness and warmth. “ To see a

world in a grain of sand and a heaven in a

manifold memories and reminiscences.

mystery to the composed tranquility of the

wild ﬂower” comes to mind, the Zen adage

Some critics say that whether it ’ s Yeh ’ s

artist’s realism, making his style truly one

on the eternal oneness of all existence.

still lifes or his landscapes, their shared

of a kind in the contemporary art world.

As Yeh once wrote, “ Even the smallest

and defining characteristics are those of

blossom and leaf comprises and mirrors

classical portrait painting.

the entire season.” Unlike his contemporaries, Yeh discards Tzu-chi Yeh describes the difference

abstractionism, as well postmodern

between landscapes and still lifes, his two

expressionist styles, in favor of the Venice

main motifs, as follows: “To me, still lifes

School ’ s retro-classicism, superimposing

are indoor landscapes, while landscapes

tempera colors on top of oil paint to give a

are outdoor still lifes.” His paintings are

soft and mellow, almost morbidezza, touch

like diaries, giving detailed accounts of

to his paintings, and generate a strong

consecutive phases of his life: student

impression of natural light without adding

years, falling in love, traveling, grieving

extra white to his palette. This kind of

for the departed, joy at his children’s birth,

sublimated classical mood adds a layer of

1.《雲南情人節》2011-2015 年卵彩油彩亞麻布 76.5 x 51.5 cm 成交價：432 萬台幣羅芙奧台北 2015 春拍 “Yunnan Valentine’s Day”, 2011-2015, tempera and oil on linen 76.5 x 51.5 cm Price realized: US$140,032 Ravenel 2015 Spring Auction Taipei

2.《舊金山的鴿子》1993-2005 年卵彩油彩亞麻布 66 x 76 cm 成交價：432 萬台幣羅芙奧台北 2015 春拍 “Pigeon in San Francisco”, 1993-2005, tempera and oil on linen 66 x 76 cm Price realized: US$140,032 Ravenel 2015 Spring Auction Taipei

Homeland Nostalgia: Portraying Landscapes of Taiwan Tzu-chi Yeh was born in 1957 in the

City, his longing for the peaks and ranges

At age 30 , in the prime of his life,

town of Yuli, located in Hualien County on

of his childhood could only ﬁnd comfort in

Yeh went to the United States for further

Taiwan’s east coast. His father originally

contemplation of the sea with its timeless,

studies. After gaining a master ’ s degree

came from Mei County in Guangdong

undulating appeal. Practically all the

from the Institute of Fine Arts at the City

Province, and born during the late Qing

artist’s inspiration, then, comes from his

University of New York in Brooklyn, he

Dynasty, he had received an extensive

natural surroundings, be it mountains,

remained abroad for a total of 19 years, a

education in Chinese literary and

the Pacific Ocean, clouds and trees, or,

period during which he weathered many

historical classics, and was very adept

at a smaller level, the watermelons which

storms and trials, coming out at the other

at poetry and calligraphy. When the

Yuli produces in such abundance, or the

end as a man who had lost his parents but

Nationalist troops retreated to Taiwan in

various flowers that grow there, and all

seen the birth of his own children, and was

the mid-twentieth century, Yeh ’ s father

other everyday things and goings-on. All

now seeing his work published and shown

these would later become emblematic

in various venues. During the 1990 s, he

and his family settled down in Yuli, which, like Mei County, was a predominantly Hakka area. Quiet and introspective, he devoted much of his time to landscape painting, capturing the idyllic natural scenery of his new home. Yeh ’ s mother came from an aristocratic family of the Bai Yi people, marrying Yeh’s father – 18 years older than her – at the age of 17 . Although illiterate and torn away from her home and culture, she was an independent and strong woman, lively, active, and articulate. But with eight children to feed, there wasn ’ t much to go around, and life was simple. Tzu-chi Yeh showed a talent for calligraphy early on, and he also inherited his father’s compassionate

symbols of the artist ’ s nostalgia for his homeland, to which would be added the Yangming Mountains of Taipei, the bathroom and window views of his New York apartment, and other milestones of Yeh’s artistic journey.

painted numerous “monological” still lifes surveying the seasonal changes of nature, and expressing profound melancholy at the ephemeral quality of all life. In a solo exhibition catalog, the artist once wrote about emotional ties in the face of the transience of all existence: ”Nostalgia not

After studying at the National Taiwan Academy of Arts, and graduating from the Fine Arts Department of the Chinese Culture University, Yeh joined the R.O.C. Modern Art Society and co-founded the 101 Modern Art Group, other members of

which included several Chinese Culture University alumni, such as Yang Mao-

only has the effect of extending distance but also grows heavier when time is prolonged. It is not only an emotional thought toward a physical hometown but also a regret of how time just flows by invisibly. It is remote desire, chase, melancholy, and memory between owning and losing something in life. These are all words that I wanted to express in my

character, love of literature, and aesthetic

lin, Lu I-chung, and Wu Tien-chang.

sensitivity. His mother bestowed on him

They held a joint exhibition to which Yeh

her idealism and fearless self-reliance, as

contributed a series of realistic pictures

Yeh ’ s realistic paintings are full of

well as a strong will and perseverance that

with military themes. After his military

metaphors and symbolism, though this

sometimes bordered on stubbornness.

service, Yeh set up his own studio, and for

may not always be immediately evident

a while he taught painting for a living. The

because of his assertive nonpareil style

Yuli is surrounded by mountains on all

year 1987 saw his first solo exhibition,

and the fact that his motifs are frequently

sides, wedged between the Central and

held at the American Cultural Center in

taken from everyday life. Taiwan art critic

Coastal Range. This kind of majestic and

Taiwan. Most of the work featured focused

Shih Juijen expounds: “ Tzu-chi Yeh ’ s

green environment left an indelible mark

on family life, images of growing up in

technique involves ‘ purifying, isolating,

on the young painter as he grew up, and

Taiwan, and the exploration of historic

and perfecting’ his subjects. He takes the

when he went to high school in Hualien

themes.

totems of his native soil and sublimates

paintings.”

| Art & Investment |

them, consecrates them even. His motifs, qua emblems of homeland nostalgia, are imbued with a solemn sense of sanctity.” Even and especially when far away from his native country, a feeling of deep longing for everything “ home ” pervades the artist and his work.

One day, after having spent almost two decades on foreign shores, Yeh, the nostalgic perfectionist, suddenly returned to Hualien. When people asked him why he made the unexpected decision to come back, the artist spoke of “ God ’ s will, ” but also mentioned the Hollywood movie Forrest Gump: “There is this scene where Forrest has been running and running for some three years, with more and more people running in his trail. At one point, he simply stops in his track, turns around, and tells the people behind him, ‘I’m pretty tired. I think I’ll go home now.’ That pretty much describes my feelings at the time.” Upon his return to Taiwan in 2006, he

chose to make his home at the Hualien seaside, allowing him to engage in a daily dialogue with the ocean, while at the same time having the beneﬁt of the mountainous scenery facing the water. His life is now relaxed and free from serious constraints: from his top-floor studio overlooking the blue waters of the vast Pacific, he can enjoy the unimpeded view of an everchanging horizon and wide skies, which probably explains why clouds and the sea have become two of his favorite motifs in recent years. As he progresses on his journey through life, Yeh continues to add new color and interest to his art.

1.《獨白》2002-2013 年卵彩油彩亞麻布 38 x 38 cm 預估價：36 萬 - 46 萬台幣羅芙奧台北 2015 秋拍 “Monologue”, 2002-2013, tempera and oil on linen, 38 x 38 cm Estimate: US$10,900 - 13,900 Ravenel 2015 Autumn Auction Taipei

A Rising Star in the Auction Market Tzu-chi Yeh once said, “ Realistic

are now interested in acquiring his work.

During his early years, it was not

painting is like wielding a sword: when

In recent times, showings of his work, be

easy for Yeh to make a living just from

you ’ re young, you focus on skill and

it at galleries or art fairs, have proved so

his creative work, regardless of the fact

technique. As you grow older, the spiritual

popular that all the items on display found

that he had accumulated considerable

side of swordsmanship becomes more and

a buyer before the exhibition officially

experience participating in exhibitions

more important.” When opting for realism

started. At auctions, the situation has

ever since he started showing his work

as his fundamental approach to painting,

been very similar, with demand regularly

at the Chinese Culture University, and

Yeh was aware he would be rather alone in a postmodern environment. Yet he has managed to render realism attractive again by using it as a medium for communicating the clarity and authenticity of reality as he, from his solitary and unfettered vantage point, is able to perceive it. To quote him once more, “The most genuine dialogue tends to happen between two lonely people, because they can share

e x c e e d i n g s u p p l y. A s a r e s u l t , h i s important paintings continue to set new price records. The autumn of 2013 saw the ﬁrst time one of his works changed hands for more than NT$10 million, establishing Yeh as one of the heavyweights in the Greater Chinese art arena. The oil painting “Mist, Lao River, Hualien,” depicting his

home county ’ s mountain scenery, sold

later at venues abroad, mainly New York. It was not until the artist was about 35 years old (i.e. in 1992 ) that he began to earn an actual income from his art – of course, many young artists share a similar experience. It was around that time that he started to hold exhibitions in Taiwan, such as the solo exhibition titled “Monologue” at the Gate Gallery in Taipei. After that, he came back to Taiwan at intervals of

their views of the world from the depth

at a Ravenel auction in Taipei in June,

2-3 years for further solo showings of his

of their introverted souls. And works of

2014, for NT$14.4 million (US$466,775),

work at various venues, including the

art can serve as the ideal medium for this

becoming the artist’s most expensive work,

New Trends Gallery, the Eslite Gallery,

kind of meditative communication.”

until “Big Banyan Tree,” showing an old

the Home Gallery (now Jia Art Gallery),

banyan tree in Tainan that the artist had

the New Phase Art Space, the Dimensions

seen on a visit to a friend there, matched

Art Center, and the Moon Gallery. Many

the record.

of these galleries have a long history, but

Over almost 40 years, Yeh ’ s style has matured to the point where many collectors

some are no longer relevant in today ’ s

interesting lots from various periods by

With their focus on detail and realism,

environment, for all the contributions they

Tzu-chi Yeh, including the painting “Rear

all of Yeh ’ s paintings require a long

have made in the past. Today, the Eslite

Windows, Summer Afternoon ” ( 1989 -

germination period, and it is fair to say

Gallery in the north, the Moon Gallery

1990 ), which depicts the view from the

that he is not a particularly proliﬁc artist.

in central Taiwan, InArt Space (formerly

artist ’ s studio in Brooklyn: a warm work

But rarity can make value, and between

New Phase Art Space) in the south, and

showing several ailanthus trees, vibrant in

2014 and 2015, we have seen his works

iP Art gallery on the east coast are among

the sunshine playing on the brick walls.

hit new peaks on the art market. Against

the venues where Tzu-chi Yeh’s works are

This painting is one of the few works

this backdrop of growing popularity, it is

displayed on a fairly regular basis.

from the artist’s earliest years to surface in recent times, and is scheduled to be

Ye h ’ s w o r k f r e q u e n t l y a p p e a r s i n the annual spring and fall auctions,

auctioned on Nov 29. Yeh has reportedly described this as one of his best paintings.

more (and more important) works by the artist than other venues, as well as often setting new price/transaction records. Some of Yeh ’ s early works occasionally appear at other auctions, such as Sotheby’s Hong Kong, Poly Auction Hong

After that, a number of paintings will go on auction at Ravenel Taipei on Dec 6, including the very popular “Yang-ming

of Acacia confusa, “Clouds in New York” (2007-2008) showing a single cloud in a blue sky, “Monologue” (2002-2013), a rare

JSL Auction, and Kingsley Art Auction,

depiction of a swimming fish, as well as

Beijing ’ s China Guardian Auctions, and

three ﬂower still lifes: “Camellia” (2009-

Shanghai ’ s Duo Yun Xuan and Hosane

2010 ), “ Early Spring” ( 1997 - 1998 ), and

Auction.

“ Ginger Lily ” ( 2014 - 2015 ). All of these

are meticulously executed masterpieces,

Kong and Taipei will feature seven very

upcoming auctions. For some collectors, it is a chance to get a return on previous

to buy some of Yeh ’ s best work. There can be no doubt, then, that Tzu-chi Yeh will be one of the stars of the end-of-year auctions.

Mountains” (2007-2008), showing a forest

Kong, Taiwan ’ s Zhong Cheng Auction,

Ravenel Autumn Auction in Hong

of his paintings are set to appear in the

investments, for others, an opportunity

particularly the Ravenel sessions in Taipei and Hong Kong, which usually feature

not surprising that a considerable number

highly representative of Yeh’s style during various periods of his creative career.

1.《霧來．荖溪．花蓮》2014-2015 年卵彩油彩亞麻布 102 x 223.5 cm 成交價：1,440 萬台幣羅芙奧台北 2015 春拍 “Mist, Lao River, Hualien”, 2014-2015, tempera and oil on linen, 102 x 223.5 cm Price realized: US$466,775 Ravenel 2015 Spring Auction Taipei

2.《走過風景的心情》1985 年綜合媒材畫布 194 x 390 cm 成交價：389.4 萬台幣台北景薰樓 2012 “Landscape”, 1985, mixed media on canvas, 194 x 390 cm Price realized: US$129,356 JSL Taipei 2012

葉子奇作品二十大拍賣成交排行 ;VW 4VZ[ ,_WLUZP]L 7HPU[PUNZ VM ;a\ JOP @,/ ,]LY :VSK H[ (\J[PVU 排名 9HUR

圖檔 0THNL

作品 >VYR

預估價 ,Z[PTH[L

成交價 :VSK H[

拍賣地點／時間 (\J[PVU +H[L

NT$ 5,500,000 - 7,500,000

NT$14,400,000 US$ 466,775

NT$ 4,800,000 - 6,000,000

NT$14,400,000 US$ 462,576

NT$ 10,200,000 US$ 344,711

台北羅芙奧

NT$ 3,800,000 - 4,800,000

NT$ 10,200,000 US$340,113

台北羅芙奧

NT$ 4,800,000 - 6,000,000

NT$ 7,200,000 US$ 247,763

台北羅芙奧

NT$ 3,000,000 - 4,000,000

NT$ 7,200,000 US$ 240,561

台北羅芙奧

NT$ 2,600,000 - 4,600,000

NT$ 6,000,000 US$ 194,489

台北羅芙奧

NT$ 4,000,000 - 5,000,000

NT$ 4,880,000 (HK$ 1,220,000) US$ 156,160

香港蘇富比

HK$ 680,000 - 950,000

NT$ 4,000,000 - 4,500,000

NT$ 4,484,000 US$147,972

NT$ 1,000,000 - 1,500,000

NT$ 4,320,000 US$ 140,032

霧來．荖溪．花蓮

Mist, Lao River, Hualien 2014-2015 Tempera and oil on linen 102 x 223.5 cm

大榕樹

Big Banyan Tree 2013-2014 Tempera and oil on linen 152.5 x 152.5 cm

台北羅芙奧 Ravenel Taipei June 7, 2015

台北羅芙奧 Ravenel Taipei December 7, 2014

山在花蓮．荖溪

Mountain by Lao River, Hualien 2013 Tempera and oil on linen 102 x 203 cm

Ravenel Taipei December 1, 2013

六月．陽明山（III）

Yan-Ming Mountain in June 2009-2010 Tempera and oil on linen 122 x 224 cm

Ravenel Taipei June 1, 2014

山在花蓮．荖溪．時雨

Mountain by Lao River, Hualien, Rain Shower 2012 Tempera and oil on linen 127 x 213.5 cm

Ravenel Taipei December 2, 2012

十月的陽明山

Yang-Ming Mountain in October 2008 Tempera and oil on linen 102 x 203 cm

Ravenel Taipei June 2, 2013

霧迷．布洛灣．花蓮

Mist, Bruwan, Hualian 2010 Tempera and oil on linen 77 x 204 cm

霧來•陽明山

Mountain in the Mist, Yangmingshan 2009-2011 Oil and tempera on canvas 152.4 × 152.4cm

第十連

The Army Officer 1983 Mixed media on canvas (194 x 130 cm) x 2

Ravenel Taipei June 7, 2015

Sotheby’s Hong Kong October 3, 2011

台北中誠 Zhong Cheng Taipei June 9, 2013

雲南情人節

Yunnan Valentine’s Day 2011-2015 Tempera and oil on linen 76.5 x 51.5 cm

台北羅芙奧 Ravenel Taipei June 7, 2015

| Art & Investment | 排名 9HUR

圖檔 0THNL

作品 >VYR

預估價 ,Z[PTH[L

成交價 :VSK H[

NT$ 4,320,000 US$ 140,032

台北羅芙奧

NT$ 1,000,000 - 2,000,000

NT$ 4,160,000 (HK$ 1,040,000) US$133.952

香港蘇富比

HK$ 680,000 - 950,000

NT$ 4,080,000 US$126.433

台北羅芙奧

NT$ 1,600,000 - 2,400,000

NT$ 4,080,000 US$ 142,309

台北羅芙奧

NT$ 1,600,000 - 2,400,000

NT$ 3,894,000 US$ 129,356

台北景薰樓

NT$ 3,800,000 - 5,500,000

NT$ 3,600,000 US$ 118,694

台北羅芙奧

NT$ 800,000 - 1,500,000

NT$ 2,600,000 - 3,800,000

NT$ 3,422,000 US$ 109,504

NT$ 3,240,000 US$ 104,080

台北羅芙奧

NT$ 800,000 - 1,000,000

NT$ 3,068,000 (HK$ 767,000) US$ 99,000

香港保利

HK$ 650,000 - 750,000

NT$ 2,880,000 US$ 95,522

台北羅芙奧

NT$ 1,600,000 - 2,400,000

(\J[PVU +H[L

舊金山的鴿子

Pigeon in San Francisco 1993-2005 Tempera and oil on linen 66 x 76 cm

山在花蓮•太魯閣

Mountain at Taroko Gorge, Hualien 2011-2012 Oil and tempera on canvas 101.5 x 203.5 cm

Ravenel Taipei June 7, 2015

Sotheby’s Hong Kong April 2, 2012

六月．陽明山（III）

Yan-Ming Mountain in June 2009-2010 Tempera and oil on linen 122 x 224 cm

Ravenel Taipei June 6, 2010

虎頭埤的水岸．台南

Hutoupi Coast in Tainan 2010-2011 Tempera and oil on linen 102 x 152 cm

Ravenel Taipei June 5, 2011

走過風景的心情

Landscape 1985 Mixed media on canvas 194 x 390 cm

JSL Taipei December 19, 2012

野薑花

Ginger Lily 2009-2010 Tempera and oil on linen 127 x 76.5 cm

鄉愁在浴室

Nostalgia from the Bathroom 1991-1994 Oil on canvas 86 x 218 cm

Ravenel Taipei December 5, 2010

台北中誠 Zhong Cheng Taipei June 14, 2015

玫瑰

Rose 2011-2014 Tempera and oil on linen 61 x 61 cm

台東海邊．太麻里

Seaside of Taitung/Taimali 2008-2009 Tempera and oil on linen 50.8 x 243.8 cm

Ravenel Taipei December 7, 2014

Poly Hong Kong April 6, 2015

五月的紗帽山

Shamao Mountain in May 2009-2010 Tempera and oil on linen 76.2 x 183 cm

Ravenel Taipei December 4, 2011

（製表／陳惠黛 Odile Chen。資料更新 update 2015.09.10）

Love and Protect the Earth

愛地球護 Text / Yasmin K Photo / BOTTEGA VENETA、Chopard、PASONA、SELFRIDGES、Vo Trong Nghia、Ying Chang

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全球暖化嚴重地改變了極端天候的可能性。自然現象的氣候變化其實是人類活動導致。面對未來越來越嚴重的全球暖化，舉例來說，氣候的變化雙重影響了大氣條件，造成巨大洪水現象和熱浪頻繁。人類開始全面思考，從 1905 年開始漸漸出現的極端氣候，代表著社會需要訂立一系列「對策」讓世界得以繼續正常運轉下去。今天，時尚界、建築界、藝術界走在最前線，已經大步加入愛護地球行列，打造出不可思議的設計，且讓我們看看人類如何用藝術創造環保的智慧。 Global warming seriously increases the possibility of extreme weather. In fact, the natural phenomenon of climate change is caused by human activity. We are facing a future with increasingly serious global warming. For example, the impact of global warming on atmospheric conditions is twofold, causing huge floods and heat waves. Humankind has been compelled to think about this issue comprehensively. Since 1905, there has been a gradual increase in extreme weather. For the sake of society, a series of“countermeasures”were drawn up to let the world continue to function normally. Today, with the fashion world, the construction industry, and the art world at the forefront, a big step has been made to take better care of our earth. Unimaginable designs have been created that enable us to see how humans use art to create environmental wisdom.

綠能建築 Green Building

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越南竹屋渡假村環保節能 Bamboo Cottages Resort, Vietnam – Environmental Protection and Energy Saving

1. Naman Residences 外觀被藤蔓環繞，放眼望去，十分清新。

登的造型更點亮整個城市。

The Naman Residences exterior walls are surrounded by vines. It is a very refreshing sight.

Vo Trong Nghia 成功將位於越南中部一

2. 延續 Vo Trong Nghia 的設計風格，將竹子作為屋頂，這樣一來不僅用料環保，更是減少污染環境。

個鄰近海邊的小鎮 Naman Residences，一幢三層樓飯店、海濱區獨棟別墅，以環保

有時候我們會問自己：「這世上有多

概念建造成獨一無二的渡假村。渡假村飯

少綠地？有多少大樹？」越南建築師 Vo

店的建築為 L 型，兩旁有兩座游泳池，當

Trong Nghia 把這句記在心裡的話，終於套

一片片葉子隨著樹藤，將整棟水泥建築包

入自己的建築設計中。有「竹子建築師」

圍住。提供住客一個綠色植物的環境，與

之稱的他，因為低成本、高效力的竹子支

大自然產生連接，讓人心情放鬆，停下腳

撐力強，經常出現在他的建築外觀，而摩

步。www.namanretreat.com

To carry on Vo Trong Nghia’s style of design, bamboo was used for the ceiling. Not only does it use eco-friendly material but also reduces environmental pollution.

3. 從游泳池的另一端看上去渡假村，給人輕鬆愜意的感官享受。 Looking up towards the resort from the other side of the pool provides a relaxing and sensational form of enjoyment.

4. 竹製的小教堂，風格獨特，前所未有。 The little chapel built from bamboo features an unprecedented style.

日本室內摩登農場 Japanese Modern Indoor Farming

萌芽。整棟大樓隨處可見垂吊的藤蔓，及一棵棵懸掛在袋子裡的小綠芽。所有生產

都作為食堂食材給員工享用；除此之外，鼓勵員工也要盡一分維護及收成農作物之

走進辦公室，首先映入眼簾的就是接待處旁那滿是花椰菜的小菜園；工作開會時，

責，讓忙碌的都會人，因為耕作而平衡生活作息。

腦袋瓜上更是懸掛著滿滿紅潤的蕃茄。紐約企業公司 Kono Designs 把工作與種植結

Kono 表示，我們不只是想以更有效的方

合，將日本招聘公司 PASONA 的 9 層辦公

法利用自然資源，從遠處看，是想藉此創

室打造成小型農場。

造出一個對大自然有著深厚興趣及懂得尊重世界的企業。

2010 年 Kono Designs 將 50 年建築重新整修，打造出一棟有著辦公室、禮堂、食堂、屋頂花園和城市農業設計的辦公大樓。整整 19,974 平方米大，其中的 3,995 平方米都用來致力於農業生產，種植超過 200 種植物，包括水果、蔬菜和大米，種類繁多。

整棟披上綠色樹葉外衣的大樓，內層是一個個環繞著鮮花的小型陽台。綠色建築的辦公室裡，蕃茄藤蔓懸掛在會議桌上方；檸檬和百香果樹分別環繞著會議室；萵苣佇立在研討室裡、豆芽則是在長凳下

1. 都會農夫們紛紛忙著在公司裡採收稻草，臉上掛著滿滿的笑容。 The urban farmers are bustling around in their office harvesting crops with smiles on their faces.

2. 走一走，還會發現整片鮮花美景，顛覆過去植栽概念。 While walking around, one will discover a beautiful bed of flowers - a disruption of the conventional idea of potted plants.

3. 除了農作物，也會搭配種植一些小型植物。 Apart from the crops, there were also some small plants.

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BOTTEGA VENETA 白金認證的綠化總部 BOTTEGA VENETA Green Building Council Platinum Credentials 高級精品 BOTTEGA VENETA 全新工坊位於 Montebello Vicentino 一座十八世紀莊園內，2013 年開始啟用，化身為新一代講求生態友好的華麗時尚重鎮。榮獲美國非營利組織「綠建築委員會（Green Building Council）」頒發的 LEED（Leadership in Energy and Environmental Design 能源與環境先導設計計畫）白金認證。佔地 16,638 坪的總部設有工作室、管理和行政辦公室、商店空間、博物館，容納 300 名員工；甚至吸引年輕一代投入手工工藝的學校。保存現有建築結構，擁有超過 75% 的材料除了重複使用，更是用來恢復建設。最值得一提的是雨水再使用系統、地源暖氣系統和空調系統，藉以減少二氧化碳排放量。

BOTTEGA VENETA 總部員工不只享有這個全新的美感空間，包括餐廳、洗衣店、幼兒園或健身房等良好的工作福利，能為愛護地球盡一分心力，更教人與有榮焉。

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4. PASONA 辦公室外牆遍佈植物，點出尊重自然資源的概念，也綠化了整個城市。 PASONA’s Building is covered with wall plants, implying a respect for natural resources and promoting greenery throughout the city.

5. 員工可以一邊討論公事一邊欣賞身旁種植的農作物。 Employees can discuss business while appreciating the agricultural crops around them.

綠化與設計 Greening and Design

Chopard 腕錶公平採礦的奢華 Chopard Wristwatches – Fair Mining Chopard 糅合製錶工藝與道德理念推出全新限量 250 枚的 18K 玫瑰金 L.U.C XPS Fairmined，繼 2014 年於巴塞爾世界鐘錶珠寶展上推出 L.U.C Tourbillon QF Fairmined 陀飛輪腕錶，再次採用「公平採礦」認證的金原料打造，非常可貴。 Chopard 從 2013 年便開始與 Eco-Age 及其創意總監 Livia Firth 發起「持續發展的奢侈品之路（The Journey to Sustainable

Ying Chang 的環保諷刺 Ying Chang – Environmental Satire

杯子。再加熱使泡泡紙收縮，並塑形。

Ying Chang 之所以這樣的方式呈現作品，為了帶出一個訊息：「諷刺隨著時間，

Luxury）」計畫，旨在關注產業鏈上游從業者，改善其勞作環境與生活品質，同時

英國皇家藝術學院畢業的 Ying Chang，

原始的功能及價值漸漸消失，焦點轉移反

提供培訓、社會福利和環境支援，最終實

為了要挑戰現今社會對美麗和價值的看

而到了包裝材料本身。只有包裝的形狀喚

現奢侈產業的可持續發展。Chopard 是全

法，利用日常生活中的包裝泡泡紙創造出

起了僅剩的記憶，從而找回原先的美麗。」

球首家支持和促進金礦開採社區達到「公

別具特色的作品。以泡泡紙包圍各種形狀

正好反映了社會對環保的漠視和疏失。

平採礦」認證標準的腕錶、珠寶公司。

的物體，例如：花瓶、酒瓶或普通的一個

1. 採用「公平採礦」黃金原料製成的 Chopard L.U.C XPS Fairmined 錶款及靈感源於棕櫚葉形狀的 Palme Verte 小型珠寶系列。 Chopard L.U.C XPS Fairmined is a watch crafted using “fairmined” gold, while Palme Verte, the small jewelry collection, is inspired by the shape of palm leaves.

2. Chopard 致力於符合道德規範的經營理念，尊重環境和人們，使品牌得以永續發展。 Chopard is committed to a high ethical standard in its business philosophy that emphasizes respect for people and the environment, helping lead the brand to a sustainable level of development.

3. Ying Chang 的作品選擇包裝用的泡泡紙呈現諷刺概念，創意十足。 Ying Chang’s extremely creative artwork uses bubble wrap packaging to portray satirical concepts.

愛護海洋 Cherishing the Ocean

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倫敦 SELFRIDGES 百貨保護海洋展 London’s SELFRIDGES Department Store – Protect Ocean

十四萬噸的塑料進入海洋，另外還有五萬噸浮動在海上的塑料，面積更是整個美國的兩倍。因此，這個計畫是為了要改變人類不單次使用塑膠水瓶，重塑人類的飲水模式。

1. 藍色水吧十分搶眼，搭配金製水管，設計感十足並反應出保護海洋的主題。

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The blue water bar complemented by golden waterpipes is very eye catching. It has a distinctive style of design and reflects the theme of ocean conservation.

2. 強烈推廣民眾使用可重複利用的玻璃製盛水容器，減少對海洋的破壞。

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Strongly urging citizens to reuse glass water containers to reduce ocean pollution.

義大利工作室 Arabeschi di Latte 與主

Arabeschi di Latte 的藍色水吧採用內含

要策劃人 Jane Withers 合作，在倫敦數一

循環再用的玻璃和環氧樹脂的水磨石打

數二的 SELFRIDGES 百貨公司地下一樓

造，搭配黃銅製水龍頭，十分摩登壯觀。

「Ultralounge」打造出一個水吧，喚起愛

訪客可以坐在一旁的瓷漆金屬、黃銅桌

護海洋。展覽邀請遊客來體驗，如果生活

子，配木與水磨石結合的椅子，享用水吧

中沒有塑膠水瓶怎麼辦，同時推廣海洋被

提供香草口味的木炭礦泉水。

塑料破壞的議題。藍色斑點的水吧是整個海洋展覽項目的其中一員，以闡述塑料對

除了水吧，周圍擺設各種不同瓷器及玻

世界上最大的水體中心─海洋所帶來的影

璃瓶罐，傳遞取代塑膠瓶的訊息。另外，

響，藉此提醒人們對環境污染的認知。

展覽中還包括 Studio Swine 所展示的 22 米長研究船，裡面展示一系列航向大西洋所

海洋的塑料污染已成為不少設計師們

用的工具，及記者 Kate Rawles 述說浮游

的熱門話題，著名歌手 Pharrell Williams

生物吃塑料的影響。展覽的入口處，倫敦

以愛護海洋為主軸設計出一系列的服

How About 工作室在天花板上安裝了 5,000

飾，知名運動品牌 adidas 與英國設計師

瓶塑料水瓶，同時反映出 5,000 瓶或以下

Alexander Taylor 聯手推出愛護海洋球鞋。

的數量等於英國每 15 秒所使用塑料瓶的

Jane Withers 指出，估計每年有將近五到

數據。

3. 展覽頂部懸掛著一瓶瓶人們平常喝的塑膠瓶，彷彿塑膠洋流，不禁讓人感到愧疚。 People can’t help but feel a sense of guilt when they see the plastic bottles of popular favorite drinks hanging from the ceiling of the exhibition. The sight is like an ocean current of plastic.

4. 為配合這次活動，SELFRIDGES 百貨也透過櫥窗推廣愛護海洋。 In collaboration with this event, the department store, SELFRIDGES, also promoted ocean conservation in their window displays.

5. 愛護海洋活動策劃人 Jane Withers。 The ocean conservation event planner, Jane Withers.

動靜

Four Verses of Movements and Stillness 快和慢；徐與急。

帖

操之在我的「速度」，劃上完美句點。 Fast and slow; at ease and in a hurry. All depends upon my“speed”,

d drawing the perfect end.

)DVW 快

風馳電掣

Swift as the Wind and Fast as the Lightning Text / 劉宇翔 Photo / SAUCONY

「人不是因為變老而停止「「人人不人不是不是因為變老而為變老而停跑步，而是因為停止跑步才開始變跑跑步，跑步步，步，而是，而而是而是因而是因為停停止跑步停停止跑停止跑步才步才老」。跑是每天戰勝自己，超老」老老」。跑是每天戰勝自己，超越自己，」。跑跑是每跑是每天戰每天戰勝自己勝自勝自己，超自，超透過速度與自己對話。話工欲善其事，必先利其器器。。有跑鞋界的勞斯萊斯美稱的美國百年經典品牌 SAUCONY。五十年代，決心創造年年經經典品牌經典經典品牌牌 SAUC SAUCO UCONY U ON Y。五十年五十年一雙可以改變人們跑步的鞋。SAUCONY 只一雙一雙可一雙可以以改變改變人們人們跑們跑跑步的跑步的鞋。步的鞋。的鞋專注跑鞋，唯一的例外是，帶領太空人專注跑鞋，唯一的例外是，帶專注跑專注跑鞋鞋，唯一的例，唯一例是 Edward Higgins E ward Ed Edwa ard H gins White W e 登上月球「漫登上月登上登上上月步」的太空鞋。步」步」的步」的太空鞋。的太。

| Antique |

6ORZ 慢

婀娜蓮步

Graceful Walk Text / 劉宇翔 Photo / Salvatore Ferragamo

「我喜歡腳，腳會跟我說話。我只消用手觸摸，便可感受到腳的強處與弱點、生氣或頹敗。」義大利精品大師 Salvatore Ferragamo 曾經用這句話表達對腳的痴狂，也就是這份痴狂讓表達對腳的痴狂表表達表達對達對腳對腳的對腳的痴狂痴狂，也，也就也就是這就是這份份痴狂讓份痴狂讓份讓 Salvatore SSa Sal aalva alv lvat lvator l tore lv ree Ferragamo F Ferrag mo 的鞋被評選為的被評的鞋被評的鞋被被評被評選為評選為選為為「25 「 25 件女人一生應該擁有的 25 件女人一生件女件女人女人一生應該擁有人一生應該生應該擁擁有有的有的奢侈品」之一。奢侈品」奢侈奢侈品侈品」之品」品」之一之一。之一。

(DVH 徐游茶時光

Time for “Playing” with Tea Text / 陳玟晴 Photo / CHARM VILLA

添入金魚幽默的小茶包，非常東方風情帶來飲茶驚喜；生活美學如同小小金魚茶包，水中樂游般，享樂慢活。子村莊園的「小金魚茶包」，裝了台灣紅玉紅茶、阿里山金萱茶、南投玫瑰烏龍和新竹峨眉東方美人茶，放入杯中，注入熱水，立體茶袋在滾燙熱氣下蒸成一個圓滾滾體態，隨著浮力與水波在杯中飄動，魚鰭魚尾也跟著茶湯徐徐擺動，隨著蒸騰熱氣在杯中游晃，忘卻惱人俗事。

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| Antique |

+XUU\ 急

快意食尚

Delightful Food-trending Text / Yasmin K Photo / SOLARI

美國設計師 Bodin Hon 設計出太陽能煮食爐。走到哪裡都可以烹飪食物。太陽能煮食爐鍋內含吸熱鑄鋁鍋，當鍋子暴露在陽光下，把光聚焦及反射到周圍的鋁質外殼，化為熱能足以用來烹飪。鍋子設有加熱元件，也可插電烹調。更貼心設計了與電鍋連接的手機軟體，用該軟體查看陽光溫度，聰明地教你如何在不同的溫度下烹調不同菜色。對於現代人來說，速度，決定了生活的節奏。

在 F1賽車道住一晚

Let’s Stay over Night at the Formula 1 Driveway Text / Yasmin Khan Photo / Yas Viceroy Abu Dhabi Hotel

一半陸地、一半海域的 Yas Viceroy Abu Dhabi Hotel，位於奢華天堂阿布達比。不同於一般人對杜拜金碧輝煌的印象，在這裡，你可以躺在房間澡缸中，好整以暇地觀賞一級方程式賽事，感受速度的活力。 Half on land and half in the ocean, the Yas Viceroy Abu Dhabi Hotel is located in the luxury paradise, Abu Dhabi. Unlike most people’s impression of magnificent Dubai, here, you can recline in your room’ s bathtub while calmly enjoying the sight of the Formula One Grand Prix, experiencing the power of speed.

| Voyage |

杜

拜 Yas Viceroy Abu Dhabi Hotel 是一座極妙的五星級奢華飯店，位於

極美的阿布達比 Yas Marina Circuit 中心，飯店設置在一半陸地、一半海域，空間極具巧思。但最引人入勝的是，飯店一旁就是亞斯碼頭，也是一級方程式的賽道，這裡先前更舉辦過阿提哈德航空 F1 阿布達比大獎賽。 2

這項先天獨特、令人驚嘆的出色住宿

1. Yas Viceroy Abu Dhabi Hotel 網狀外觀，籠罩整間飯店，柔美曲線，格外壯觀。 The Yas Viceroy Abu Dhabi Hotel’s interwoven exterior envelopes the entire hotel. The graceful contours are a sight to behold.

2. 飯店內餐廳裝潢瀰漫中東風情，深咖啡色調傢俱與自身杜拜文化相呼應。 The hotel’s restaurant has a Middle Eastern style, with deep-brown furniture that resonates Dubai’s culture.

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服務，讓客人享有不同於杜拜金碧輝煌的

護罩罩住，弧形的現代美學設計，看上去

陽光照射進來，將整間房間點亮，入夜房

奢華印象，真正體驗做一天闊綽公子。飯

與賽車道轉彎處的弧度相呼應，建築師巧

間也會隨著 LED 燈變換氛圍。

店周圍的交通便利，提供接駁公車與大陸

妙地在屋頂上也設置 LED 燈，天色一暗，

連接，客人可以輕鬆抵達阿布達比國際機

LED 燈便會隨著變換顏色，綻放著一道弧

Yas Hotel 十分懂得利用弧度及顏色，從

場、市中心、阿布達比國立會展中心和擁

形光芒。飯店內有 499 間奢華客房，其中

飯店大廳到一樓咖啡廳，再從酒吧到戶外

有 18 個球洞的高爾夫球場，當然阿布達

有 75 間含起居室。房間風格十分現代化，

游泳池，帶給人一種舒適簡約的格調。其

比法拉利世界主題公園和拉夏購物中心也

從有弧度的大型桌子到簡約線條的椅子和

中一間房間是飯店的 Grand Suite 套房，

近在周邊。

沙發，這些訂製的傢俱，仔細欣賞都有著

隨著陽光，鵝絨毛的弧形沙發顯示著未來

跑車造型的影子。走進房間，你會發現，

感，簡約曲線的座椅十分舒適，深咖啡色

浴室和床之間隔著一片落地玻璃，足以讓

系房間的摩登感，很 Man。不規則的茶几

Yas Hotel 的外觀彷彿被一個 LED 燈防

| Voyage |

1. 吸食水煙為當地文化活動，飯店外面的用餐區提供一系列高級水煙體驗。 Shisha smoking is part of the local culture. A series of high-quality shisha pipes is offered outside the restaurant for guests to experience shisha smoking.

2. 圓弧線條的網狀 LED 燈屋頂，色彩無限更換，彷彿包裹光芒的鳥籠。 LED lights line the mesh roof in an arc. With the lights changing through an endless array of colors, it is as if you are wrapped in a cage of light.

3. 客房傢俱同時講求線條、嚴選高級材質，置身在賽車道旁，獨特的住宿體驗。 The furniture in the rooms has a very specific design and is made of the highest-quality material. Seating oneself next to the race track, a unique experience is offered.

4. 舒適格調的酒吧空間，陰暗燈光從吧台散發，搭配透天網狀屋頂，整體高挑空間，十分放鬆。 The cozy bar with its dim lights as well as the high, mesh roof, offers a completely relaxing atmosphere.

5. 飯店設有室外游泳池，一邊暢泳，一邊感受賽車引擎加速的快感。 The hotel has an outdoor swimming pool so you can go for a swim while feeling the thrill of accelerating racecars.

和圓形地毯上的線條彷彿賽車車道，讓人處處驚嘆。賓至如歸的服務，包括提供 24 小時免費無線網路、行李寄存和無障礙設施。除此之外，室內健身中心、戶外游泳池，還有 Spa 水療中心，但真正美妙的莫過泡在 Yas Hotel 房間浴缸裡，親身看見賽道上風馳電掣 F1 一級方程式賽車，一路衝刺的鏡頭，保證今生難忘，別無分號。

2015 頂級珠寶

鍊鍊生華 2015 Fine Jewelry Blossoming Gorgeous Pieces Text / Eddie Photo / BOUCHERON、BVLGARI、Cartier、Dior、PIAGET、TIFFANY & CO.、Van Cleef & Arpels

Van Cleef & Arpels 梵克雅寶凝視生生不息、瞬息萬變的海洋，大自然神奇而又迷人壯闊，偕同海洋生物優美身姿，一併化作頂級珠寶無限靈感。Seven Seas 頂級珠寶系列透過文化與夢幻般的視野，遨遊世界及探索「七海（les sept mers）」淵源，正好與梵克雅寶充滿想像、天馬行空的世界契合。其中，亞得里亞海與地中海碎浪卷躍而起，彷彿瀑布般，散發藍色波光的海的沉思，變幻莫測。 1

| High Jewelry |

Dior

珠寶，因傳奇而神秘；因恆久而美麗。大自然的獨一無二，無法複製，永遠是創意的最佳啟示。日出、月落、海

Soie Dior（法文語意「Dior 絲綢」）之意：這種

洋、山林、花卉、動物；時間在記憶

矜貴的織品天然透亮輕薄、曖曖含光，或迸射明豔光彩；Dior 高級珠寶令想像自由。絲綢的意象，

的光影中穿梭；從人類古文明的象徵，

被扭動成褶、纏捲翻折……接著，電光火石，就

到現代城市建築風貌的對照；一條條

定了型；靜伺著，一件珠寶由焉而生：亦如術法

串起光燦的珠寶，承載歷史的風華，在

下凝滯的珍貴時光。每件創作，自發地捕捉緞帶

永恆不息的光采中。

在擰轉變形的瞬間。當緞帶劃出兩股金質波幅褶縐，環抱粉紅色剛玉；或兩端仍律動起伏的尾段、

Jewelry is mysterious due to its legends,

驟然勾懸住一顆梨形切割鑽石，留下動人的項鍊

and beautiful for its eternal quality. The

形貌。吉光片羽，化作永恆。

uniqueness of nature is one and only. There can be no replications. Nature has always been the best inspiration for creativity. Through sunrises, setting of the moon, oceans, forests, flowers and animals, time travels through memories. Jewelry is a symbol for ancient civilizations, yet also serves as a comparison for all modern urban architecture. Each necklace carries magnificent history with dazzling jewelry/

gems in eternal splendor.

BVLGARI 寶格麗 Serpenti 珠寶演繹如蛇腹紋路的鍊狀錶帶 tubogas 和「蛇鱗」等主題，魅惑難以抗拒。盤繞於人類歷史中的蛇形圖騰，早在古希臘和羅馬神話中，便是力量、智慧與誘惑，也是柏拉圖眼中永恆生命的環形象徵，神秘而美麗。愛神阿芙羅黛蒂片刻不離身的蛇，也深受埃及豔后喜愛。寶格麗運用不同材質和色彩排列重現希臘神話的豐富多變。 3

1. 源於古羅馬文化，「七海」指的是中世紀歐洲航海者認識的特定海域。如此隱遁於世與不斷探險的理念，賦予梵克雅寶無限靈感，在經典隱密式鑲嵌工藝詮釋下，充滿傳奇色彩。 The “Seven Seas” originated from Ancient Roman culture. They are certain seas recognized by European seamen in the Middle Ages. Hidden from the world with such idea of constant explorations, the ancient culture gives Van Cleef & Arpels great inspirations. Interpreted by using Van Cleef & Arpels’s classic mystery setting (official translation), the piece is legendary.

2. DÉNOUÉ 項鍊，鑲嵌鑽石、祖母綠及錫蘭藍寶石。珠寶設計師 Victoire de Castellane 巧手牽起高級訂製服與珠寶世界的關聯。 DÉNOUÉ is a necklace made with diamonds, emeralds and Ceylon sapphires. Designer Victoire de Castellane skillfully connects the world of haute couture and that of jewelry.

3. BVLGARI Serpenti 頂級珠寶紫水晶搭配祖母綠和密鑲鑽石項鍊，經典而柔軟蜿蜒的蛇形設計圍圈於頸間，完美襯托女性曼妙的體態。 BVLGARI’s fine jewelry Serpenti is a necklace made with amethysts, emeralds and closely embossed diamonds. The classic and meandering snake-shape design gently encircles the neck, perfectly accentuating the elegance of a woman’s body.

BOUCHERON 自十九世紀以來，便與博大精深的印度文化有著特殊的連結，始是滋養創作的精髓。 BOUCHERON 聚焦以終年燦爛陽光及藍色建築聞名，擁有「太陽之城」和「藍色之城」美名的印度 Jodhpur 城，體現傳統與當代結合；創新大膽高級珠寶之作 BLUE DE JODHPUR，歌頌印度的美好。

Cartier 近一個世紀以來，卡地亞致力絕世美鑽，滿足美的渴望。160 多年的珠寶工藝讓鑽石綻放獨一無二，貫穿巨星與好萊塢精彩歷史般的璀璨。鑽石蘊藏一段傳奇；1896 年，南非霍普頓一名農夫向鄰居提出以五百隻綿羊、十頭牛和一匹馬交換一顆重 83.50 克拉的鑽石原石。「南非之星」是歷史上第一顆寶石級別的鑽石，之後在阿姆斯特丹切割為梨形，再由卡地亞紐約於 1910 年代製作為這件絕世作品。

TIFFANY & CO. 蒂芙尼高級珠寶的傳世之作，鉑金鑲嵌黑色方型縞瑪瑙與圓形切割鑽石項鍊，如水凝結成冰的美妙過程、陽光和雨水等大自然力量的鬼斧神工也是蒂芙尼的靈感繆思。將黑白色調的珠寶作品化為吟唱動人心弦的美妙音符，歌詠富有詩意的迷人景緻。特別切割而成的黑色方形縞瑪瑙和圓形鑽石，令人恍若置身於無限廣袤的冬日原野。而其它規則鑲嵌縞瑪瑙和鑽石的作品則賦予珠寶高雅氣韻。 3

1. BOUCHERON 經典問號外型的經典典問號外型的 FLEUR R DE E LOTUS 項鍊，靈感源自描繪印度神話起 Creation Ocean 源的《The Creatio on of the Cosmic Oce ce ean and the Elements》作品，盛開的蓮花象徵 Elements》》作品，盛開的蓮花花象徵著豐收富足，也代表純淨與美好。著豐收富足，也代表表純淨與美好。 The BOUCHERON Fleur de Lotus necklace is in the classic shape sh h ape of a question mark. The inspiration for this necklace came from the literary work “The Creation of the Cosmic Ocean and the Elements”, which portrays the origin of Indian mythology. The lotus in blossom symbolizes great harvest. It also represents purity and goodness.

2. 傳奇鑽石「南非之星」胸針，因卡地亞精湛細膩的珠寶藝術，綻放獨一無二的瑰麗光彩。 With Cartier’s exquisite and fine craftsmanship, the legendary brooch “Star of Africa” shines brightly with its unique splendor.

PIAGET PIAGET 追隨古撒馬爾罕寶石商旅的足跡，搜羅最珍貴的寶石，「Secrets & Lights」高級珠寶系列，訴說從東方傳來的魔幻色彩和活力。輕如鳥羽的綠松石色圓珠如飛瀑流瀉，渲染一抹藍。鮮明的綠松石與簇擁祖母綠花蕊的花瓣形成對比。享譽經年的不對稱設計卻在項鏈上體現和諧完滿構圖，點亮輕靈的東方絢爛。 4

3. 設計總監 -YHUJLZJH (TÄ[OLH[YVM 表示「我大量使用鑽石打造這極其現代摩登的系列，風格簡潔，呈現雕塑感。」以全世界最為至臻至美的鑽石，呈現蒂芙尼「高級珠寶傳世之作」。 The head of design Francesca Amfitheatrof stated, “I used a great amount of diamonds to create this very modern collection. It is simple and displays qualities of sculptures.” Made with the most beautiful diamonds in the world to exhibits the TIFFANY & CO. Masterpieces.

4. 古老的撒馬爾罕城被譽為「地上女王」是啟迪伯爵「Lights of Samarkand」系列的靈感繆斯，將雷吉斯坦廣場的綺麗色彩和星空下的浩瀚沙漠淬鍊成傳世傑作。 Ancient city Samarkand is known as the “Queen of Lands.” It is the muse that inspired the “Lights of Samarkand” collection of PIAGET. The collection captured the beautiful colors and vast desert under the starry sky of Registan, and made them into legendary masterpieces.

停看聽威士忌投資正夯 Heated Whisky Investment — Don’t Forget to Do Your Homework before Entering the Market Text / Otto Lai 賴偉峯 Photo / Ravenel International Art Group

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近來投資圈流行一句話：「買股不如買酒！」而這裡的酒，尤其指的是身價水漲船高的稀有威士忌。 Recently there has been a popular saying in investment circles:“Buy liquor instead of stocks!” The liquor referred to here is mainly rare whiskies, which have now become costly coveted items.

投

資威士忌已經成為一門顯學，人人口中可以說出一套自己的道理，並

且舉出高價成交的實例，像是一瓶日本山崎 50 年的單一麥芽威士忌售價一百萬台幣，蘇富比拍賣會上一瓶六公升萊儷水晶瓶的麥卡倫 M 拍得近兩千萬台幣，2015 年羅芙奧春拍輕井澤 1963 拍了逾一百萬台幣。

這些投資報酬豐厚甜美的故事，讓威士忌投資這幾年霎時間成為顯學，老玩家、投資客、投機客、甚至是手邊有閒錢卻對威士忌懵懂無知的人都紛紛入市。估計這

波威士忌熱潮由幾個因素推波助瀾而造成。（五）威士忌是容易保存，穩定性較高的

歡，如果崩盤至少還有酒可以喝。

（一）國際威士忌投資指數的飆升。譬如，

酒款。

（3）限量、高年份、原酒、雪莉桶、有

2011 年底在荷蘭推出的全球威士忌指數，

（六）以及新興威士忌基金紛紛出籠，移

媒體宣傳的知名酒廠會是較好的標的物；

顯示單一純麥威士忌的價格在三年內飆漲

植了行之有年的房地產、葡萄酒、鐘錶投

小廠、偏門的酒款較適合短線操作，被炒

近 660%，表現遠優於全球股市、債券和

資專業。在金融重鎮香港成立了全球首支

作哄抬的機會也比較大。

原物料商品績效。另外 Wisky Highland UK

威士忌投資私募基金，投資蘇格蘭和日本

（4）提升自己的威士忌專業知識，尤其

的蘇格蘭威士忌指數，根據最佳的 100

3,000 多瓶威士忌組合，另外新加坡也成

是歷史篇。

款、250 款、1,000 款威士忌拍賣價，分

立有威士忌基金，未來中國上海也將出現

（5）目前拍賣落槌極高價尚集中在少數

別制定 IGS100、IGS250、IGS1000 三個

這類基金。另外，當然不排除國際炒家聯

酒廠中，品項不夠多元，顯見投資威士忌

指數，截至 2013 年第四季，IGS100 漲

手鎖貨哄抬。

仍方興未艾，可多把眼光放在前中段的優

幅達 230%，過去六年最佳 100 款單一

質酒廠上。

麥芽威士忌平均投資回報率為 440%，

既然威士忌投資被這麼多股力量與因素

IGS250 及 IGS1000 的漲幅也達到 200%

炒得沸沸揚揚，到底您應該進場嗎？進場

勿心浮氣躁。

及 130%。

擔心成為最後一隻老鼠，不進場又眼看商

（7）如果間接投資威士忌基金，要確認

（二）中國大陸及香港、印度、俄羅斯等

機飆過手癢不止，以下提供幾點進場原則，

基金團隊的專業性與實力，確實看到基金

地，對單一麥芽威士忌的需求量起飛。

提供各位貴賓投資時幾點停看聽的依據。

團隊所投資的存酒。

（6）威士忌的熟成曠日費時，進出場切

（三）國際集團或因庫存調整、原酒短缺，紛紛宣布減產或停產年份威士忌產品。

（1）投資威士忌一如投資其他商品，不

（四）知名拍賣會上，高年份稀有單一麥

追高、不殺低、階段性入市攤平成本。

芽威士忌成交價屢創新高。

（2）入手的酒無論價位，一定要自己喜

不

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1. 麥卡倫珍稀系列。 Macallan Fine and Rare.

2. 2015 年春季拍賣，現場展出威士忌品項。 Spring Auction 2015 Taipei. Rare whiskies on display.

有

保

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III. Due to inventory readjustment or shortage of the unprocessed liquor, international groups have announced a production cut or halt of whisky products in certain years. IV. At auctions, the selling prices of rare g whiskies are reaching new and vintage heights. V. Whisk Whisky is an easily-preserved, stable type typ of liquor.

VI. New whisky investment funds are emerging on the market and emer taking oover the investments in Investment in whiskies has become an

660 % in three years. rs. This

real estate, estat wines, and timepieces.

art, everyone can come up with their own

performance outdid d those

strategies and cite examples of those sold

of the global stock

of o Hong Kong, the first

at high prices. For instance, Yamazaki

market, bonds and

private whisky equity

50 Year Old Single Malt Whisky sold for

raw commodities.

fund in the world had

NT$ 1 million, a 6 liter Macallan “ M ” in

Also, the Investment

been established to invest

Lalique Decanter went for almost NT$ 20

Grade Scotch Index

in over 3 , 000 bottles of

million at a Sotheby ’s auction, Karuizawa

(IGS) of the Whisky

Japanese whiskies and

1963 went for almost NT$ 1 million at

Highland UK has

scotch. Singapore has

2015 Ravenel Spring Auction.

set up three indexes,

also set up a whisky

IGS 1 0 0 , IGS 2 5 0

fund and similar funds

These stories of opulent returns

and IGS 1000, based

will also be appearing

on investments have enabled whisky

on the best auction

in China and Shanghai

investment to become the “ in thing ” in

prices of the top

in the future. Of course,

recent years. Old players, investors,

100 , 250 and 1 , 000

this does not rule out

opportunists or even those with some

whiskies. Figures

international investors

extra cash but with no real knowledge

taken from the fourth

working together to drive

of whisky have all entered the market.

quarter of 2013 show

In the major financial center

up the prices.

Several factors have caused this whisky

that IGS100 has

trend to accelerate.

risen by 230 %, the average investment

Since whisky investment has been

returns on the top 100 whiskies of the

driven to a red hot point by so many

I. Soaring figures on the international

past 6 years is at 440 %, IGS 250 and

forces and factors, should you give it

whisky investment index: For example,

IGS 1000 also rose to 200 % and 130 %

a shot? If you are worried about being

t h e Wo r l d W h i s k y I n d e x ( W W I )

respectively.

the last guest to show up to the party,

established in the Netherlands at the

II. There is a rapid increase in demand

and are not sure whether to jump

end of 2011. It indicated that the prices

for single malt whiskies in China, Hong

right in it but do not want to pass up

of single malt whiskies have soared

Kong, India, and Russia.

this lucrative opportunity, here are a

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few pointers for entering the market

in auctions are concentrated

to provide you with some material for

on a few distilleries only.

doing your investment homework.

The products are not

diversified enough. This 1. Investment in whiskies is like

shows that there is still

investing in other commodities, do not go

plenty of opportunities left

too high or too low – invest in stages to

in whisky investment: shift

spread out the cost.

your attention to good-

2 . Invest in whiskies you actually like

quality distilleries on the

regardless of the price, at least if the

mid to forefront.

market crashes you can still drink it.

6. Whiskies take time to

3 . Limited editions, old vintage years,

grow on the market, take

unprocessed whiskies, sherry casks, or

your time and have patience.

those with media coverage will be better

7 . If you invest in whiskies

targets; small distilleries and niche

indirectly through an

products are more suited for short-term

investment fund, you need to

operation as the chances that the price

be certain of the investment

was driven up is also higher.

team’s professionalism

4 . Enhance your knowledge of whiskies,

and strength and actually

especially their history.

consider the whiskies

5 . Currently, the high-priced items sold

invested in by the group.

羅芙奧四度威士忌拍賣前三名（台幣） Ravenel’s Top 3 Auction Records in Whisky Category 1. 威士忌投資吸引錢潮，入場前需確實做功課。

2013

2014

2015

Autumn Auction

Spring Auction

Autumn Auction

Spring Auction

Karuizawa 1960

Macallan Fine & Rare 1953、1954、1966 1967、1969、1974

Suntory Vintage Malt 1981-1994 (2004 bottled)

Macallan Fine & Rare 1948

NT$1,100,000

NT$800,000

NT$1,600,000

Whisky is drawing investment. Make sure you study hard before entering the market.

2. 輕井澤 1963，成交價：116 萬台幣，羅芙奧台北 2015 春拍。 Karuizawa 1963, price realized US$35,710 at Ravenel Spring Auction 2015 Taipei.

3. 麥卡倫璀璨系列 55 年，於羅芙奧台北 2015 春拍超過 100 萬台幣成交。 M a c a l l a n L a l i q u e 5 5 Ye a r s O l d s o l d f o r US$33,830 at Ravenel Spring Auction 2015 Taipei.

Yamazaki 50

Karuizawa 1960

Karuizawa 1963

NT$600,000

NT$800,000

NT$850,000

NT$950,000

Macallan 40

Macallan 1946 Select Reserve

Macallan Fine & Rare 1946

Macallan Lalique 55

NT$420,000

NT$600,000

NT$300,000

不

開

車

安

NT$900,000

全

有

保

障

超凡之境－歐普藝術之父

維多．瓦薩雷利 Extraordinary Visions –Victor Vasarely, the “Father” of the Op Art Movement Text / Claire Liao 廖培娟 Photo / Ravenel International Art Group、Top Photo Group 達志影像

歐普藝術一詞來自 1965 年紐約現代美術館歷史性的展覽：「易感之眼」，瓦薩雷利向大眾呈現此一基於科學方法分析色彩並運用數學計算的精準構圖，使作品在肉眼欣賞下產生錯視與動態的最新藝術型態。即被公認為「歐普藝術之父」。 The term“Op Art”(Optical Art) derives from the exhibition“The Responsive Eye”that was held at the Museum of Modern Art in New York in 1965, which was the first large-scale exhibition to present to the public this new form of art, featuring precise compositions based on the use of scientific methods to analyze color, and on complex numerical calculations; works which, when viewed by the naked eye, often create optical illusions Following this exhibition, Victor Vasarely came the“Father of Op Art.” 1

or a sense of movement. to be universally acclaimed as

| The Artist |

早

於展覽三十年前，瓦薩雷利已開始塑造這個在二十世紀具有超乎想像

影響力的藝術運動。1906 年生於匈牙利， 1925 年入布達佩斯大學醫學系，兩年後決定追隨藝術天職的召喚，接受學院繪畫訓練。在醫學系期間養成強烈的科學方法論、客觀性以及對知識的求知若渴。1929 年進入有「布達佩斯包浩斯」之稱的慕希利藝術學院，接觸馬勒維奇與康定斯基的作品及理論。1930 年赴巴黎定居。 1938 年，32 歲的瓦薩雷利以黑白兩色創作的《斑馬》被定位為歐普藝術的第一幅作品；漩渦狀條紋構成的主題，沒有輪廓線勾勒，並置的對比，表現出簡單的線條便能使二維空間湧現動感。 1947 年起他在布列塔尼的貝勒島以及法國南部小鎮高爾德度過夏天，沿著美麗的海岸線漫步，閃爍的光線映照，「貝勒島， 1947 年夏天。沙灘上的卵石、貝殼、海中的漩渦、飄散的水霧、陽光、天空……岩

石和碎裂的瓶子，被潮來潮往的韻律磨亮，我領悟了大自然內蘊的真實幾何……」。

加入，1968 年廣受喜愛的「織女星時期」，

克 • 普羅旺斯的瓦薩雷利基金會，由他親

1947-1958 年的「貝勒島時期」是瓦薩雷

作品引發對遙遠的銀河星辰及強大無形的

自設計，除了作品的展出，更致力於美學

利創作的分水嶺，他標示性的風格從此確

宇宙脈動聯想。經過深入研究，瓦薩雷利

知識體系的研究。位在故鄉匈牙利佩奇的

立，以簡化的幾何圖形再現自然世界，尤

發展出「藝術系統表」，使用字母和數字

瓦薩雷利美術館亦於同年開幕，1987 年匈

其對橢圓形的運用，賦予其象徵「海洋」

編碼造型與顏色，這是一套世界共通的藝

牙利再於布達佩斯成立瓦薩雷利美術館。

的感受。

術程式語言，將藝術創作推展至普世價值，並開啟集體藝術之門。

影響二十世紀現代藝術甚深，眼界先於時代之前的歐普藝術之父，於 1997 年以

巴黎丹佛后胥侯地鐵站牆上的磁磚裂

91 歲高齡逝世於巴黎，留給後世無以計量

紋，以及高爾德堡壘城鎮中光影交疊的變

瓦薩雷利陸續獲頒布魯塞爾藝評大獎、

化，都引發瓦薩雷利的創作逐漸深入更加

米蘭三年展金獎與古根漢國際藝術獎…等，

抽象更為幾何的世界。1950-1965 年的「黑

而他的國際名聲在 1965 年紐約現代美術

白時期」，革命性的創作手法為日後美術

館「易感之眼」展覽後更達到巔峰，並於

史上的機動藝術與歐普藝術奠定根基；黑

1970 年獲頒法國榮譽騎士勳章，展出不

白兩色的網格交錯，形塑出起伏波動，平

斷，作品收藏於各國重要美術館。而只須

面的圖形再也不是靜止的，造成視覺的幻

稍加留心即會發現，歐普藝術在今日仍廣

1. 睿智而熱切的大師，為視覺藝術開創了新紀元。

象，開創藝術、科學與視網膜經驗至另一

泛地在廣告、建築、設計、時尚以及數位

A deep-thinking, passionate artist, Victor Vasarely ushered in a new era for the visual arts.

境界，而這一切皆發生在電腦科技尚未蓬

影像等領域產生影響。

勃發展之前！瓦薩雷利參與逾百件建築與公共藝術的在這樣的創作基礎上，純粹的色彩開始

創建。1976 年龐畢度總統揭幕位在艾斯

的美學遺贈！

2. 1968 年廣受大眾喜愛的「織女星時期」系列作品《Vega-WA-3》。 Created in 1968, this piece – “Vega-WA-3” – was one of the series of works created by Vasarely in his “Vega Period,” which won widespread acclaim.

Vasarely had in fact begun to create the beginnings of this movement, one of the most influential art movements of the 20th century, around 30 years previously.

B o r n i n H u n g a r y i n 1 9 0 6 , Vi c t o r Vasarely enrolled in the department of medicine at Eötvös Loránd University in Budapest in 1925 . Two years later, he decided to heed his calling to make art his career, and began academic art training. Vasarely ’s medical training had instilled in him a markedly scientific approach, a commitment to objectivity, and an unslakeable thirst for knowledge. In 1929, Vasarely enrolled in the Mühely, an art school known as “ Budapest ’ s Bauhaus, ” where he was exposed to the work and theories of Malevitch and Kandinsky. He moved to Paris in 1930. “Zebra,” a monochrome painting

that Vasarely created in 1938 (when he was 32 ), is generally considered to be the first Op Art work ever produced. The image is created from a pattern of rippling stripes, with no outline. With its perfectly juxtaposed contrast, the

painting shows how simple lines can give two-dimensional space a sense of

his summers on the island of Belle-Isle in

and bright sunlight. “ Belle-Isle, summer

movement and dynamism.

Brittany and in the small town of Gordes

1947 . The pebbles, the seashells on the

in the south of France. He would walk

beach, the whirlpools, the hovering mist,

by the sea, enjoying the beautiful views

the sunshine, the sky … in the rocks, in

From 1947 onwards, Vasarely spent

the pieces of broken bottles, polished 2

by the rhythmic coming and going of the waves, I am certain to recognize the internal geometry of nature …” The “ Belle-Isle Period ” extending from 1947

to 1958 was a watershed in Vasarely ’ s artistic development. This was the period that marked his embarkment on abstract painting, with the utilization of simple geometric forms to represent the natural world, particularly ovals, which

| The Artist |

Vasarely used to symbolize ” the oceanic

including the Brussels Art

sentiment”.

Critics Prize, a Gold Medal at the Milan Triennial, and

Inspiration taken from the curious

the Guggenheim Prize. His

drawings of the cracked white tile walls

international reputation

of the Denfert-Rochereau metro station

reached its apogee following

in Paris, and from the changes in the

the holding of the “The

play of light and shadow on the walled

Responsive Eye ” exhibition

town of Gordes, gradually led Vasarely ’ s

at the Museum of Modern

art in the direction of a more abstract,

Art in New York in 1965 .

more geometrical world. In Vasarely ’ s

In 1970, Vasarely was made

“Black and White period” (1950 –

a Chevalier of the Légion

1965 ), he adopted revolutionary new

d ’ honneur by the French government.

also undertook architectonic research.

techniques that laid the foundations

Many exhibitions of his work were held,

A Vasarely Museum was also opened in

for the subsequent development of the

and his pieces were avidly collected by

Vasarely’s birthplace of Pécs in Hungary

Kinetic Art and Op Art movements.

major art museums all over the world.

in that same year. A further Vasarely

The intermeshing of black and white in

Today, the influence of Op Art can still

museum opened in Budapest in 1987.

Vasarely’s works from this period created

be seen in advertising, architecture,

an undulating effect; two-dimensional

design, fashion, and digital images.

Having exerted a tremendous influence

images were no longer static, and could

over the development of modern art in

create optical illusions, taking art,

the 20th century, and having always been

science and visual experience into a

ahead of his time, the “Father of Op Art ”

whole new world. And all of this was

died in Paris in 1997 at the age of 91 ,

taking place at a time when computers

leaving behind an immense aesthetic gift

were still only in the early stages of their

for future generations.

development!

Building on this creative foundation,

1.《藍色迴旋曲》1958-1988 油彩畫布 90 x 62 cm 預估價：80 萬 - 120 萬港元羅芙奧香港 2015 秋拍

color was added and the works created in his “ Vega period, ” which began in 1968 , evoke the unattainable universe

of galaxies and the gigantic cosmic pulsation. After in-depth research,

Va s a r e l y d e v e l o p e d t h e “ P l a s t i c

“Tenger”, 1958-1988, oil on canvas, 90 x 62 cm Estimate: US$103,200 - 154,800 Ravenel 2015 Autumn Auction Hong Kong

2. 瓦薩雷利基金會設立在法國南部艾斯克．普羅旺斯的查德布凡，是他景仰的塞尚長年居住與創作之地，兩代前瞻性大師的藝術榮光相互輝映。

Alphabet” which used letters and

Vasarely was involved in the design

numbers to represent forms and colors.

and construction of more than 100

By creating an “ artistic programming

buildings and public art installations.

language ” of worldwide applicability,

In 1976 , the Foundation Vasarely in

Vasarely helped bring art into the realm

Aix-en-Provence was inaugurated by

of universal values, and opened up new

French President George Pompidou. The

3. 瓦薩雷利對人類視覺對外界形色光線的所有反應已瞭若指掌。

possibilities for collective art creation.

Foundation buildings were designed

Vasarely had total mastery over the way human vision reacts to external color and light.

by Vasarely himself; besides exhibiting Vasarely received numerous awards,

Vasarely ’ s own works, the Foundation

The decision to locate the Foundation Vasarely near Jas de Bouffan (which was for many years the home of Paul Cézanne, who Vasarely greatly admired) just outside Aix-en-Provence meant that the artistic glory of two generations of groundbreaking, innovative artists could reflect back on each other.

4. 以著名的《斑馬》系列作品製成的織毯。 A woven carpet based on Vasarely’s famous work “Zebra.”

2015 台北國際藝術博覽會

前進未來 Art Taipei 2015

A New Frontier Text / Jason, Chung Tang Yen 嚴仲唐 Photo / Art Taipei

身處絕佳地理位置，享譽收藏之源的台北國際藝術博覽會，擁有能與香港競爭的眾多收藏大腕，實力堅強。本屆廣納首次來台展出的各國畫廊、新闢「新秀登場」與「藝術前線」兩個特色展區為新媒體藝術增加曝光，前景看俏。 Geographically, Art Taipei has an advantage; e c o n o m i c a l l y i t i s re a l i s t i c w i t h t h e c o r re c t collector audience. Two special areas“Future” and“Frontier”offered spotlights for new talents as well as unconventional art perspective.

台

北在國際藝壇中一直佔有特殊獨到的一席之地，在過去超過三十載的

歲月中，當地的藝術界已形成獨立藝術市場並且持續的發展其國際性。尤其台灣是享譽國際的收藏之源，包含陳泰銘、曹興誠、林百里等收藏大腕，賦予了能與香港競爭的籌碼，台北所擁有的是香港位於亞洲最繁忙的心臟所缺乏的，那就是能自給自足的健康藝術市場，充滿了無限的可能性。縱然香港有許多外來的國際畫廊與藝術家，台北藝博對有經驗的藏家而言有極大的吸引力。

1. 2014 台北藝博會。 Art Taipei 2014.

台北國際藝術博覽會在過去的二十年來

濟危機，台北一直持續地身為亞洲藝術市

In the global artworld, Taipei has

持續的創新與進步，當地畫廊與其他機構

場的固定班底，穩定的品質與潛力，2015

b e e n a s p e c i a l a n d u n i q u e c i t y, f o r

也在其中建構出堅固的完整系統，與國際

年下半年的發展令人期待。

over three decades, the local arts

私人和公共藝術機關建立良好關係。在過去的兩屆藝博會都創下參觀人數與成交額記錄的情況下，今年的台北藝博與去年相比更是不負眾望將展場空間擴張了兩倍，第二十二屆的展覽已在開幕前掀起期許，以東南亞的聚焦放眼國際，將有近一半的國際展商。

亞洲的定位策略極有可能成為台北藝博與新加坡和香港最有效的競爭武器，於地理位置上台北有其優勢，於經濟考量上，

community has formed an independent 「MIT 新人專區」將會與國際新人一同包含在「新秀登場」展區，認識與發掘年輕藝術家，一直都是台北藝博會從 2008 年開始與政府合作舉辦最吸引人的賣點之一，許多創作者因此獲得學術認同與商業機會。此外「藝術前線」則將會是展示新媒體藝術的平台，這兩個展區是台北藝博的特色，雖然藝博會無法避免商業化的層面，「新秀登場」提供年輕藝術家曝光與

art market that is becoming more and m o r e i n t e r n a t i o n a l . Ta i w a n i s h o m e to many world-renowned collectors and prestigious collections including Pierre Chen, Robert Tsao, and Barry Lam. Being right next to Hong Kong, perhaps the busiest and most i n t e r n a t i o n a l c i t y i n A s i a , Ta i p e i offers what Hong Kong lacks, a selfsustainable market that is open to

也有符合需求的藏家觀眾群。除了地基紮

更國際的視野。「藝術前線」將鎂光燈打

various possibilities. With Hong Kong

實的重要台灣畫廊外，來自香港、印尼、

在當藝術的道路上，促進大眾對新媒體藝

being an import city for a majority of

義大利、日本、中國大陸、俄羅斯、新加

術的了解的時機已然成熟。換句話說，最

foreign galleries and artists, Art Taipei

坡、韓國、泰國、美國、越南等地的畫廊

新一屆的台北藝博將會是老字號年輕有個

has been a charming destination for

第一次來台展出，不管過去或是當今的經

性的新面貌，實屬令人們高度盼望。

seasoned collectors.

| The Artist |

For over twenty years, Art Taipei

By positioning itself as part of Asia,

long term stable for the Asian art

managed to improve tremendously along

Art Taipei ’ s strategies may actually

market, with its stability in quality and

the way. With not only local galleries,

work impressively in the competition

potential, it is highly anticipated how

which are already part of a robust

line with Singapore and Hong Kong.

the 2015 fair will turn out.

microcosm, the local arts circle formed

G e o g r a p h i c a l l y, Ta i p e i h a s a n

tactile relationships with both private

advantage; economically it is realistic

The former section known as MIT

and public art institutions abroad. Just

with the correct collector audience. On

will be merged into “ Future ” , meeting

when the fair has broke its attendance

top of the pivotal Taiwanese galleries,

and discovering young and talented

and sales records two years in a row;

38 exhibitors from places including

artists has always been a unique selling

edition proves to be

Hong Kong, Indonesia, Italy, Japan,

point for the fair since the collaboration

greatly anticipated. The 2015 edition

China, Russian, Singapore, Korea,

with the government sponsorship in

will double in space compared to the

Thailand, US, and Vietnam will make

2008 , many artists received academic

previous year. With an emphasis on

t h e i r d e b u t a p p e a r a n c e i n Ta i w a n ,

accreditation and commercial

Southeast Asia, it is estimated about half

regardless of the current of past global

opportunities. Moreover, a new section

of the exhibitors are from abroad.

f i n a n c i a l c r i s e s , Ta i p e i h a s b e e n a

of the fair dedicated to new media art

the upcoming 22

titled “ Frontier ” will be a new addition to the show. The two special areas of the show will be the highlights of the fair. Even though art fairs are proven to be inevitably commercial, the Future part of the showcase will provide a more international prospect on young talents that are emerging. Frontier will put a spotlight on putting contemporary art into perspective; it is about time for the artworld to expand a more collective devotion the medium of the future. In other words, the next Art Taipei will 2

be a sexy young and new interpretation of a prominent brand, and it ’ s more exciting than ever.

1. 2014 台北藝博會的參觀人潮。 The crowd at Art Taipei 2014.

2. 台北藝博會的亞洲定位策略帶來有效競爭優勢。 By positioning itself as part of Asia, Art Taipei have a competitive advantage effectively.

3. 澳洲藝術家 Emma Hack 在現場創作。 Artist Emma Hack at the fair.

Life Gallery 生活藝廊 CHANEL 剛柔並濟

Meet My BOY•FRIEND 女性腕錶 Text / Angela Photo / CHANEL

突破性將男裝獨有的特點帶入女裝，

款女性腕錶 PREMIÈRE，也是向芳登廣

香奈兒引領時尚的新貌。秉持大膽無畏、

場及傳奇的 N° 5 香水瓶蓋致敬。大型款

創新、中性而優雅的品牌精神，全新

搭載手動上鍊機械機芯、六點鐘方向設

BOY•FRIEND 腕錶，不僅是單純的「時

置秒盤；中型款搭載石英機芯、六點鐘

計」，希望帶領佩戴者感受、體驗生活

方向設置日期顯示盤，備有 18K BEIGE

的精彩片刻，彷彿記錄最珍貴的瞬間，

米色金鑲鑽、無鑽款，或 18K 白金鑲鑽

讓腕錶融入生活歷程。簡潔而經典的八

款式。（0080 185 1555）

角形錶殼，令人想起極富象徵意義的首

Louis Poulsen 簡潔詩意 Patera 詮釋超自然之美

Text / Elki Photo / Louis Poulsen

2015 年度新作「Patera」出自丹麥新銳設計師 Øivind Slaatto 之手，以其螺旋狀的造型設計為燈具設計界投下創意震撼彈。雖懸吊於空間中，但看上去並非是靜止的，彷彿自成生命體般動態旋轉著。靈感源自費氏數列，不僅是數學公式，更是大自然構成法則，如松果、鳳梨的外表鱗片；向日葵、雛菊花蕊的排列般，擁有上帝神奇密碼般的超自然之美。Patera 以全手工組合 30 片兩種長度的 PVC 而成，無數個菱形格柵如同鑽石般發著光。觸動人們內心啟發，為科技生活傳遞如詩意般的美好想像。（+886 2 2781 5958）

| Agenda |

Paul Smith 動勁紳士

A Suit To Travel In 商務西裝 Text / Angela Photo / Paul Smith

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逆精神為世人稱道道。A 。A A Suit it To Travel T avel In Tr

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Dior 野性美「包」辦現代輪廓 Text / Tina Photo / Dior

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