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RV 73 FALL/AUTUMN 2011 $14.00 • £8.00 • € 15.00


4 RAW NEWS

RV73

Outsider events and exhibitions around the world

FALL/AUTUMN 2011

12

ART & DISABILITY Sue Steward traces the development and impact of special workshops and studios

WORLD’S BEST ART MAGAZINE

MEDAILLE DE LA VILLE DE PARIS

28 MINIATURE MASTERPIECES UTNE INDEPENDENT PRESS AWARD

Gary Santaniello introduces the obsessive detail of Dalton Ghetti

AMERICAN FOLK ART MUSEUM VISIONARY AWARD

Editor John Maizels Directors Henry Boxer, Sam Farber, Robert Greenberg, Audrey Heckler, Rebecca Hoffberger, Bill Hopkins, Phyllis Kind, Frank Maresca, Richard Rosenthal, Bob Roth

32 DANIELLE JACQUI

Art Editor Maggie Jones Maizels Senior Editor Julia Elmore Editorial Assistant Nuala Ernest Production Assistant Lauren Woods Managing Editor Carla Goldby Solomon Sub Editor Helen Banks Accounts Manager Judith Edwards Subscriptions Manager Suzy Daniels US Assistant Ari Huff French Editor Laurent Danchin Contributing Editors Michael Bonesteel, Jenifer P. Borum, Roger Cardinal, Ted Degener, Edward Madrid Gomez, Jo Farb Hernandez, Tom Patterson, Charles Russell

Michèle Perez brings us up to date with the phenomenal artist singulier from France

40 ANDREI’S AUTOMOBILES D.B Denholtz introduces the working models of Andrei Palmer

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Published by Raw Vision Ltd PO Box 44, Watford WD25 8LN, UK tel +44 (0)1923 853175 email info@rawvision.com website www.rawvision.com

44 IMAGINARY POP SUPERSTAR Tom Patterson reviews the lost-and-found homemade record cover art of Mingering Mike

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FLOWERINGS OF FOLKLORE Sara Ugolini introduces the spontaneous Italian artist Maria Concetta Cassarà

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cover image William Scott, Relationship, 2010, courtesy of Creative Growth Art Center, USA Raw Vision published quarterly by Raw Vision Ltd #73 Fall/Autumn 2011. Printed in EU. Subscription Price $49 USPS No. 017-057 Periodicals Postage Paid at Rahway, NJ, and at Emigsville, PA Distributed by Priority Post, 95 Aberdeen Road, Emigsville, PA 17318–0437 Subscription office: 163 Amsterdam Ave. #203, New York, NY 10028. (Standard envelopes only) Postmaster send address corrections to: Raw Vision, c/o Mercury Airfreight International Ltd, 365 Blair Road, Avenel, NJ 07001

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57

REVIEWS Exhibitions and books


RAWNEWS RAMIREZ AT RICCO MARESCA

INTUIT SHOWS WITH SOFA

October 7, 2011 – September 2, 2012 The American Visionary Art Museum presents All Things Round: Galaxies, Eyeballs & Karma. Fifty-plus visionaries, engineers, tribal elders and philosophers exalt all that is circular and bubbling throughout existence. American Visionary Art Museum, 800 Key Highway, Baltimore, MD 21230. t: 410 244 1900 www.avam.org-

October 13 – November 12, 2011 Landscapes highlights the work of Martin Ramirez. The drawings imaginary landscapes depict inspired by dreams and recollections of the artist’s home in rural Mexico. Ricco Maresca Gallery, 529 West 20th Street, 3rd Floor, New York City, NY 10011. t: 212 627 4819 www.riccomaresca.com

Until January 14, 2012 You Better Be Listening: Text in Self-Taught Art features artists who use written words as an integral part of their art. September 4–6, 2011: The Intuit Show of Folk and Outsider Art will share centre stage in Festival Hall with Chicago’s much-anticipated art fair mainstay, The 18th Annual International Sculpture Objects & Functional Art Fair: SOFA CHICAGO 2011. September 16, 2011 – January 14, 2012: Eugene Von Bruenchenhein’s art works will be at the exhibition Eugene Von Bruenchenhein: From the Wand of the Genii. Intuit: The Centre for Intuitive and Outsider Art, 756 N. Milwaukee Avenue, Chicago, IL 60642. t: 312 243 9088 www.art.org

JJ Cromer

ALL THINGS ROUND

BONOVITZ DONATION TO PHILADELPHIA MUSEUM A collection of roughly 190 outsider art works have been donated to the Philadelphia Museum of Art. The gift comes from Jill and Seldon Bonovitz who have assembled, one of the finest privately-owned selftaught artist collections in the US. The museum will celebrate this new acquisition with an exhibition and in Spring, 2013. catalogue Highlights of the Bonovitz Collection include six works by William Edmonson and Martin Ramírez. The Philadelphia Museum of Art, 26th Street and the Benjamin Franklin Parkway, Philadelphia, PA 19130. t: 215 763 8100 www.philamuseum.org Bill Traylor

Martin Ramirez

THE FOLK TREE October 8 – November 5, 2011. Day of the Dead Altars and Ephemera exhibits traditional altars honouring loved ones who have passed away. The exhibition will also feature installations that deal with broader contemporary issues and concepts regarding death. On display will be a large selection of mixed media works by local artists as well as a number of Mexican folk art pieces that commemorate this major Mexican holiday. The Folk Tree, 217 South Fair Oaks Avenue, Pasadena, CA 91105. t: 626 795 8733 www.folktree.com

Eugene Von Bruenchenhein

HEARTSIDE GALLERY

FOUR SISTERS

FRESH ART

Until December, 2011 A retrospective of artist and sculptor Leroy Person continues on until the end of the year on at Four Sisters Gallery, Pearsall Welcome Centre, NC Wesleyan College, Rocky Mount, NC 27804–9906. t: 252 985 5268 www.ncwc.edu

October 19 – November 17, 2011. Ancestors, presented by Fresh Art, will display the work of artists with special needs from New York City social service agencies. The Gallery at HAI, 548 Broadway, 3rd Floor, New York, NY 10102. t: 646 262 3273 www.freshartnyc.org

September 2 – October 18, 2011 Willie Jones and Mark Wilson from Heartside Gallery and Studio have been invited to exhibit at The Museum of Everything’s Exhibition #4 in London. Willie started making art in 1998 at the prompting of his case worker, Mark was a much-loved, long standing studio artist who passed away in 2008. Heartside Gallery and Studio, 54 S. Division, Grand Rapids, MI 49503. t: 616 235 7211 www.heartside.org

Leroy Person

Milagros Zapata

Mark Wilson

Joel Garcia

LITTLE CITY November 4 – December 19, 2011 Share My Kingdom, which features work by artists from Little City, will be displayed at the Highland Park Art Centre, 1957 Seridan Road, Highland Park, IL 60035. t: 847 221 7161 http://theartcenterhp.org Also, Charles Beinhoff, Jeff Burke, Tarik Echols and Brian Kaplan from Little City have been selected to take part in The Museum of Everything’s Exhibition #4. Little City Foundation Centre for the Arts, 1760 W. Algonquin Road, Palatine, IL 60067–4799. t: 847 358 5510 www.littlecity.org

Harold Jefferies


ART & DISABILITY With the opening of the Museum of Everything’s London exhibition, featuring the work of artists with disabilities, Sue Steward traces the development and impact of special workshops and studios.


The Museum of Everything is launching Britain’s first major

laboration in the history of the store.

survey of art from progressive studios and workshops for

Museum of Everything founder, James Brett, sug-

self-taught artists with developmental and other disabili-

gests that art from progressive studios has been under-

ties. The exhibition will feature over 200 works from these

appreciated, not only by the art world, but by those within

organisations in one of the most visible locations in Lon-

the field of self-taught art. The reason, he suggests, is a

don: the department store, Selfridges, where the work will

simple misunderstanding of their collaborative nature.

occupy 15,000 square feet and form the largest art col-

Progressive studios, he says, do not teach. They simply

above Thomas Schlimm, Untitled, 2005, oil pastel on paper, 35 x 50 cm, 13.8 x 19.7 ins, Atelier HPCA, Germany. below Thomas Schlimm, Der Mann mit dem Messer, oil pastel on paper, 2005, 70 x 200 cm, 27.5 x 78.7 ins, Atelier HPCA, Germany.


Danielle Jacqui: La Maison de Celle Qui Peint and the Colossal d'Art Brut Michèle Perez brings us up to date with the phenomenal artist singulier from southern France


above The exterior of Maison de Celle Qui Peint, Danielle Jacqui’s house in Pont-del’Etoile in Provence, France. opposite Window detail. previous page Interior detail.

Danielle Jacqui was born on February 2, 1934, but shown in France, Japan, Switzerland (including at the it could be said that 1970 marked the beginning of a

Collection of Art Brut, Lausanne) and the United States

fresh life for her. It was then that she embarked on a new

(‘Love: Error and Eros’ at the Museum of American

professional adventure as a brocanteur, selling second

Visionary Art, 1998).

hand goods, and a personal artistic pursuit of her highly personal and unusual art.

The 1980s were also an important decade for Jacqui. She met Raymond Reynaud, another artist of

The early 1970s were a founding period for

remarkable talent who became the leading figure in the

Jacqui. She met Claude Leclercq, her second husband,

loose grouping known as artists singuliers, and with the

who became a close companion in her artistic career until

help of Dr Jean-Claude Caire and his wife Simone, who

his death in 2000. A fellow brocanteur and a man with a

published a mass of information about self-taught French

rich personal history, Claude shared with Jacqui, a ‘state

artists in their journal Bulletin d’Ozenda, was able to

of complementarity and mutual enrichment’. The period

befriend and exchange ideas with a network of other

from 1973 onwards marked Jacqui’s participation in the

artists in southern France. The 1980s also saw Jacqui

photos: Bernard Consoloni.

first of what was to become a long line of both group

begin her masterful embroideries, each of which

www.organugamme.org

and solo exhibitions. Since then, her work has been

required three years of work.


Miniature Masterpieces Gary Santaniello introduces the obsessive detail of Dalton Ghetti

above Dalton Ghetti, close up at work.

Dalton Ghetti works in an unconventional medium, of the strain on his eyes, Ghetti requires months, on an almost unimaginable scale. Small wonder, then, that his creations defy easy description.

sometimes even years, to complete individual pieces.

Alphabet, simple block letters atop a line of 26

Ghetti, 50, creates unforgettable works of art

idiosyncratic pencil stubs, took more than 2 years to

on the tips of discarded pencils, some of them stubs,

finish. Chain, 23 independently moving and impossibly

working on a shaft of graphite a mere 2.2 mm in

small links, 5 cm long, connecting the top and bottom of

diameter. Using only a razor blade and a sewing needle,

a pencil, took almost 3 years. The elegant Giraffe, just

with no magnification, he painstakingly sculpts objects

2.5 cm tall, took 18 months.

from everyday life that are simple, clever and imaginative,

As a child in school in his native Brazil, Ghetti

all incredibly small but with exquisite detail and precision.

sharpened his pencils with a razor blade he carried

Working little more than an hour a day because

with him. Soon, using different small tools, he carved


left Key. right Mailbox.

left Heart. right Heart on chain.


Rediscovering an Imaginary Pop Music Superstar Tom Patterson reviews the lost-and-found homemade record-cover art of Mingering Mike

above Some of Mingering Mike’s record labels.

Stories about discoveries of previously unknown related dreams. He lost track of the work years later, bodies of outsider art have become so familiar over the

after being diverted from his creative path, but

last few decades that the pattern is now a regular art-

fortunately – and unlike so many self-taught artists

world paradigm. Were it not for such discoveries, artworks produced by many visually creative individuals who operate outside the art system and do not regard themselves as artists would likely remain forever unknown. That would have almost certainly been the

whose art is belatedly rediscovered – he remained very much alive when an appreciative collector stumbled onto the lost work. The impetus for Mike’s art was his fantasy career as a massively popular singer of soul and funk tunes. As a teenager living in

fate of works by the artist known as Mingering Mike. This

Washington, D.C., in the late 1960s, he began a prolific

urban African-American man was a young amateur singer

songwriting practice that, according to his estimate,

and songwriter when he began making drawings and

eventually yielded more than 4,000 songs in those

related art objects as an outgrowth of his private music-

genres. He tape-recorded himself singing many of them,


sometimes with vocal accompaniment by a male cousin

grooves. He enclosed the discs in the homemade

whom he nicknamed ‘the Big D’. The resultant

sleeves, some of which he even slipped into cellophane

audiotapes consisted of spirited vocals rhythmically

shrink-wrap packaging with affixed price stickers.

underpinned by makeshift percussion. He made no

The self-billing he conceived for most of these

effort to publish his songs or have them

idiosyncratic artworks stemmed from whimsical

commercially released, but he extended his

wordplay in which he fused the terms

superstar fantasy to the packaging of his

‘mingling’ and ‘merging.’ The combination

music, creating hand-drawn, hand-lettered, one-of-a-kind covers and sleeves for the ersatz

above Boogie Down at the White House

yielded the catchy but meaningless gerund ‘mingering,’ hence ‘Mingering Mike’. He envisioned

vinyl records he also made. These ‘records’ consisted of

this alter-ego as such an entertainment success that he

nothing more than cardboard discs with circular, pasted-

was able to sponsor the careers of other musical artists,

on labels containing handwritten song titles surrounded

including his two singing-partner cousins and a host of

by hand-drawn spiral patterns mimicking hair-thin record

non-existant solo singers and singing groups – Audio

’MIKE’S FIGURE DRAWING IS REMINISCENT OF COMICBOOK SUPERHEROES’


Andrei’s Artistic Automobiles D.B. Denholtz introduces the striking models of Andrei Palmer

Andrei Palmer’s funky and audacious scratch-built light up, door handles, hand-sewn fabric interiors – all

‘PALMER PREFERS USING HIS MEMORY TO LOOKING AT PICTURES IN MAGAZINES AND BOOKS’

cars are examples of a unique mind vigorously

built onto a frame made from scrap wood, chicken wire

exercising and rearranging the million details of an

and wooden dowels.

everyday object and reassembling it into something

Their size, at an average of 25 to 36 inches in

wholly its own. An unschooled, untaught thing of

length, is also surprising, because the works have a

beauty – in other words, traditional ‘outsider’ work from

physicality and heft that seem to belie the feeling that

a new generation.

these are fragile cardboard pieces which may come apart

‘Andrei’s Artistic Automobiles’, as he has titled

at the seams at any moment. In fact, when handled, the

his output, are hand-formed from recycled cardboard,

cars are extremely solid – even a little heavier than they

covered in spray-painted glossy poster board and further

appear.

detailed with metallic paper that he cuts and shapes to

Andrei Palmer was born in 1987 in Ceausescu’s

look like chrome; with clear plastic for windshields,

Romania and his earliest years, from birth to 6 years,

sometimes vinyl tops, pieces of cut mirror for side- and

were spent in a series of orphanages. Enduring neglect

rear-view mirrors, headlights and brake lights that really

and abuse, the children of such environments are often



Flowerings of Folklore Sara Ugolini introduces spontaneous Italian artist Maria Concetta CassarĂ


her youth there before moving to Bologna. In Mirto, the

undulating way. More than autonomous scenes having

village outside Messina where she comes from – like

their own narrative development, Cassarà’s paintings

everywhere in Sicily – religious rites and beliefs have

contain elements to be admired, especially the trappings

never lacked occasions to openly express themselves.

that exist in the focussing of the observing eye.

They come into contact with all working environments

above All works are Untitled, 50 x 35 cm, 19.7 x 13.8 ins. centre Maria Concetta Cassarà at home, 2011, photo: Matteo Cuccodrillo. opposite Untitled, 70 x 50 cm, 27.5 x 19.7 ins.

It is less of a vocation for storytelling and

from local craftsmanship to the neighbourhood pastry

action that expresses itself in the work of Maria

shop, where, for example, the form of bread known as

Concetta, than an enjoyment of the staging found in, for

varba (Saint Joseph’s beard), with its unusually luxuriant

example, the arrangements of votive altars and surfaces.

locks and full beard, is markedly reminiscent of the male

It is difficult not to think of the customs linked with ritual

visages in Maria Concetta’s paintings.

celebrations in southern Italy, such as the typically

Like sugarcraft figurines or statuettes in a

Sicilian practice of setting up shelved constructions and

manger, the animals painted by Cassarà have rigid limbs

tables for the so called ceni i San Giuseppe (suppers of

and are hoisted onto a pediment. The pedestal is

Saint Joseph). In different regions of Sicily on March 18th,

straight and horizontal, or sometimes curved in an

the eve of the religious festival, numerous families


4 RAW VISION 123 Facsimile reprint of the historic first three issues with classic articles.

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PDF D/LOAD ONLY Palais Idéal, Wölfli, Reynaud, Hawkins, Bottle Village, S.A. Townships.

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17 Alfonso Ossorio, Irish Naïves, Nick Blinko, Ray Materson, Le Carré Galimard.

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20 Rio Museum, Voodoo Flags, Carvers of Poland, Naïves of Taiwan, Edward James.

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Dr. Leo Navratil, Ilija Bosilj, Simon Sparrow, Melvin Way, Pradeep Kumar.

43 Thornton Dial, Richard Greaves, M Grunenwaldt, Jane Kallir on Outsider Art.

53 Toraja Death Figures, Chauvin Sculptures Josef Wittlich, Baptista Antunes, Nigerian Sculpture.

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44 Bruno Weber’s Weinrebenpark, Theo, Jane-in- Jane Sobel, Lanning Garden.

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56 Maura Holden, Clarence Schmidt R.A. Miller, Hans Krüsi, Silvio Barile, the Shock Ward.

47 Scottie Wilson, Gavin Bennett, Bispo Do Rosario, Art Behind Bars, Elizabeth Layton.

57 Burning Man, Matsumoto, Aloïse Corbaz, Nicholas Herrera, William Fields, Hawkins..

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Hamtramck Disney, Roger Cardinal, Ken Grimes, Criminal Tattoos, Rudov Garden.

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60 Tom Duncan, de Saint Phalle, Movie Posters, Spanish Sites, Rosa Zharkikh.

70 Womens’ environments, Electric Pencil, Gugging, JJ Cromer River Plate Voodoo

61 Sam Doyle, A. Santiago, Myrtice West, Lost In Time, Romanenkov.

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Mario Mesa, Tim Lewis, Joel Lorand, Taya Doro Mitchell, Chelo Amezcua, Clayton Bailey

Masao Obata, Takeshi Shuji, Henriette Zéphir, John Toney, Edward Adamson, Larry Williams


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