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RV 73 FALL/AUTUMN 2011 $14.00 • £8.00 • € 15.00
4 RAW NEWS
RV73
Outsider events and exhibitions around the world
FALL/AUTUMN 2011
12
ART & DISABILITY Sue Steward traces the development and impact of special workshops and studios
WORLD’S BEST ART MAGAZINE
MEDAILLE DE LA VILLE DE PARIS
28 MINIATURE MASTERPIECES UTNE INDEPENDENT PRESS AWARD
Gary Santaniello introduces the obsessive detail of Dalton Ghetti
AMERICAN FOLK ART MUSEUM VISIONARY AWARD
Editor John Maizels Directors Henry Boxer, Sam Farber, Robert Greenberg, Audrey Heckler, Rebecca Hoffberger, Bill Hopkins, Phyllis Kind, Frank Maresca, Richard Rosenthal, Bob Roth
32 DANIELLE JACQUI
Art Editor Maggie Jones Maizels Senior Editor Julia Elmore Editorial Assistant Nuala Ernest Production Assistant Lauren Woods Managing Editor Carla Goldby Solomon Sub Editor Helen Banks Accounts Manager Judith Edwards Subscriptions Manager Suzy Daniels US Assistant Ari Huff French Editor Laurent Danchin Contributing Editors Michael Bonesteel, Jenifer P. Borum, Roger Cardinal, Ted Degener, Edward Madrid Gomez, Jo Farb Hernandez, Tom Patterson, Charles Russell
Michèle Perez brings us up to date with the phenomenal artist singulier from France
40 ANDREI’S AUTOMOBILES D.B Denholtz introduces the working models of Andrei Palmer
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44 IMAGINARY POP SUPERSTAR Tom Patterson reviews the lost-and-found homemade record cover art of Mingering Mike
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FLOWERINGS OF FOLKLORE Sara Ugolini introduces the spontaneous Italian artist Maria Concetta Cassarà
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57
REVIEWS Exhibitions and books
RAWNEWS RAMIREZ AT RICCO MARESCA
INTUIT SHOWS WITH SOFA
October 7, 2011 – September 2, 2012 The American Visionary Art Museum presents All Things Round: Galaxies, Eyeballs & Karma. Fifty-plus visionaries, engineers, tribal elders and philosophers exalt all that is circular and bubbling throughout existence. American Visionary Art Museum, 800 Key Highway, Baltimore, MD 21230. t: 410 244 1900 www.avam.org-
October 13 – November 12, 2011 Landscapes highlights the work of Martin Ramirez. The drawings imaginary landscapes depict inspired by dreams and recollections of the artist’s home in rural Mexico. Ricco Maresca Gallery, 529 West 20th Street, 3rd Floor, New York City, NY 10011. t: 212 627 4819 www.riccomaresca.com
Until January 14, 2012 You Better Be Listening: Text in Self-Taught Art features artists who use written words as an integral part of their art. September 4–6, 2011: The Intuit Show of Folk and Outsider Art will share centre stage in Festival Hall with Chicago’s much-anticipated art fair mainstay, The 18th Annual International Sculpture Objects & Functional Art Fair: SOFA CHICAGO 2011. September 16, 2011 – January 14, 2012: Eugene Von Bruenchenhein’s art works will be at the exhibition Eugene Von Bruenchenhein: From the Wand of the Genii. Intuit: The Centre for Intuitive and Outsider Art, 756 N. Milwaukee Avenue, Chicago, IL 60642. t: 312 243 9088 www.art.org
JJ Cromer
ALL THINGS ROUND
BONOVITZ DONATION TO PHILADELPHIA MUSEUM A collection of roughly 190 outsider art works have been donated to the Philadelphia Museum of Art. The gift comes from Jill and Seldon Bonovitz who have assembled, one of the finest privately-owned selftaught artist collections in the US. The museum will celebrate this new acquisition with an exhibition and in Spring, 2013. catalogue Highlights of the Bonovitz Collection include six works by William Edmonson and Martin Ramírez. The Philadelphia Museum of Art, 26th Street and the Benjamin Franklin Parkway, Philadelphia, PA 19130. t: 215 763 8100 www.philamuseum.org Bill Traylor
Martin Ramirez
THE FOLK TREE October 8 – November 5, 2011. Day of the Dead Altars and Ephemera exhibits traditional altars honouring loved ones who have passed away. The exhibition will also feature installations that deal with broader contemporary issues and concepts regarding death. On display will be a large selection of mixed media works by local artists as well as a number of Mexican folk art pieces that commemorate this major Mexican holiday. The Folk Tree, 217 South Fair Oaks Avenue, Pasadena, CA 91105. t: 626 795 8733 www.folktree.com
Eugene Von Bruenchenhein
HEARTSIDE GALLERY
FOUR SISTERS
FRESH ART
Until December, 2011 A retrospective of artist and sculptor Leroy Person continues on until the end of the year on at Four Sisters Gallery, Pearsall Welcome Centre, NC Wesleyan College, Rocky Mount, NC 27804–9906. t: 252 985 5268 www.ncwc.edu
October 19 – November 17, 2011. Ancestors, presented by Fresh Art, will display the work of artists with special needs from New York City social service agencies. The Gallery at HAI, 548 Broadway, 3rd Floor, New York, NY 10102. t: 646 262 3273 www.freshartnyc.org
September 2 – October 18, 2011 Willie Jones and Mark Wilson from Heartside Gallery and Studio have been invited to exhibit at The Museum of Everything’s Exhibition #4 in London. Willie started making art in 1998 at the prompting of his case worker, Mark was a much-loved, long standing studio artist who passed away in 2008. Heartside Gallery and Studio, 54 S. Division, Grand Rapids, MI 49503. t: 616 235 7211 www.heartside.org
Leroy Person
Milagros Zapata
Mark Wilson
Joel Garcia
LITTLE CITY November 4 – December 19, 2011 Share My Kingdom, which features work by artists from Little City, will be displayed at the Highland Park Art Centre, 1957 Seridan Road, Highland Park, IL 60035. t: 847 221 7161 http://theartcenterhp.org Also, Charles Beinhoff, Jeff Burke, Tarik Echols and Brian Kaplan from Little City have been selected to take part in The Museum of Everything’s Exhibition #4. Little City Foundation Centre for the Arts, 1760 W. Algonquin Road, Palatine, IL 60067–4799. t: 847 358 5510 www.littlecity.org
Harold Jefferies
ART & DISABILITY With the opening of the Museum of Everything’s London exhibition, featuring the work of artists with disabilities, Sue Steward traces the development and impact of special workshops and studios.
The Museum of Everything is launching Britain’s first major
laboration in the history of the store.
survey of art from progressive studios and workshops for
Museum of Everything founder, James Brett, sug-
self-taught artists with developmental and other disabili-
gests that art from progressive studios has been under-
ties. The exhibition will feature over 200 works from these
appreciated, not only by the art world, but by those within
organisations in one of the most visible locations in Lon-
the field of self-taught art. The reason, he suggests, is a
don: the department store, Selfridges, where the work will
simple misunderstanding of their collaborative nature.
occupy 15,000 square feet and form the largest art col-
Progressive studios, he says, do not teach. They simply
above Thomas Schlimm, Untitled, 2005, oil pastel on paper, 35 x 50 cm, 13.8 x 19.7 ins, Atelier HPCA, Germany. below Thomas Schlimm, Der Mann mit dem Messer, oil pastel on paper, 2005, 70 x 200 cm, 27.5 x 78.7 ins, Atelier HPCA, Germany.
Danielle Jacqui: La Maison de Celle Qui Peint and the Colossal d'Art Brut Michèle Perez brings us up to date with the phenomenal artist singulier from southern France
above The exterior of Maison de Celle Qui Peint, Danielle Jacqui’s house in Pont-del’Etoile in Provence, France. opposite Window detail. previous page Interior detail.
Danielle Jacqui was born on February 2, 1934, but shown in France, Japan, Switzerland (including at the it could be said that 1970 marked the beginning of a
Collection of Art Brut, Lausanne) and the United States
fresh life for her. It was then that she embarked on a new
(‘Love: Error and Eros’ at the Museum of American
professional adventure as a brocanteur, selling second
Visionary Art, 1998).
hand goods, and a personal artistic pursuit of her highly personal and unusual art.
The 1980s were also an important decade for Jacqui. She met Raymond Reynaud, another artist of
The early 1970s were a founding period for
remarkable talent who became the leading figure in the
Jacqui. She met Claude Leclercq, her second husband,
loose grouping known as artists singuliers, and with the
who became a close companion in her artistic career until
help of Dr Jean-Claude Caire and his wife Simone, who
his death in 2000. A fellow brocanteur and a man with a
published a mass of information about self-taught French
rich personal history, Claude shared with Jacqui, a ‘state
artists in their journal Bulletin d’Ozenda, was able to
of complementarity and mutual enrichment’. The period
befriend and exchange ideas with a network of other
from 1973 onwards marked Jacqui’s participation in the
artists in southern France. The 1980s also saw Jacqui
photos: Bernard Consoloni.
first of what was to become a long line of both group
begin her masterful embroideries, each of which
www.organugamme.org
and solo exhibitions. Since then, her work has been
required three years of work.
Miniature Masterpieces Gary Santaniello introduces the obsessive detail of Dalton Ghetti
above Dalton Ghetti, close up at work.
Dalton Ghetti works in an unconventional medium, of the strain on his eyes, Ghetti requires months, on an almost unimaginable scale. Small wonder, then, that his creations defy easy description.
sometimes even years, to complete individual pieces.
Alphabet, simple block letters atop a line of 26
Ghetti, 50, creates unforgettable works of art
idiosyncratic pencil stubs, took more than 2 years to
on the tips of discarded pencils, some of them stubs,
finish. Chain, 23 independently moving and impossibly
working on a shaft of graphite a mere 2.2 mm in
small links, 5 cm long, connecting the top and bottom of
diameter. Using only a razor blade and a sewing needle,
a pencil, took almost 3 years. The elegant Giraffe, just
with no magnification, he painstakingly sculpts objects
2.5 cm tall, took 18 months.
from everyday life that are simple, clever and imaginative,
As a child in school in his native Brazil, Ghetti
all incredibly small but with exquisite detail and precision.
sharpened his pencils with a razor blade he carried
Working little more than an hour a day because
with him. Soon, using different small tools, he carved
left Key. right Mailbox.
left Heart. right Heart on chain.
Rediscovering an Imaginary Pop Music Superstar Tom Patterson reviews the lost-and-found homemade record-cover art of Mingering Mike
above Some of Mingering Mike’s record labels.
Stories about discoveries of previously unknown related dreams. He lost track of the work years later, bodies of outsider art have become so familiar over the
after being diverted from his creative path, but
last few decades that the pattern is now a regular art-
fortunately – and unlike so many self-taught artists
world paradigm. Were it not for such discoveries, artworks produced by many visually creative individuals who operate outside the art system and do not regard themselves as artists would likely remain forever unknown. That would have almost certainly been the
whose art is belatedly rediscovered – he remained very much alive when an appreciative collector stumbled onto the lost work. The impetus for Mike’s art was his fantasy career as a massively popular singer of soul and funk tunes. As a teenager living in
fate of works by the artist known as Mingering Mike. This
Washington, D.C., in the late 1960s, he began a prolific
urban African-American man was a young amateur singer
songwriting practice that, according to his estimate,
and songwriter when he began making drawings and
eventually yielded more than 4,000 songs in those
related art objects as an outgrowth of his private music-
genres. He tape-recorded himself singing many of them,
sometimes with vocal accompaniment by a male cousin
grooves. He enclosed the discs in the homemade
whom he nicknamed ‘the Big D’. The resultant
sleeves, some of which he even slipped into cellophane
audiotapes consisted of spirited vocals rhythmically
shrink-wrap packaging with affixed price stickers.
underpinned by makeshift percussion. He made no
The self-billing he conceived for most of these
effort to publish his songs or have them
idiosyncratic artworks stemmed from whimsical
commercially released, but he extended his
wordplay in which he fused the terms
superstar fantasy to the packaging of his
‘mingling’ and ‘merging.’ The combination
music, creating hand-drawn, hand-lettered, one-of-a-kind covers and sleeves for the ersatz
above Boogie Down at the White House
yielded the catchy but meaningless gerund ‘mingering,’ hence ‘Mingering Mike’. He envisioned
vinyl records he also made. These ‘records’ consisted of
this alter-ego as such an entertainment success that he
nothing more than cardboard discs with circular, pasted-
was able to sponsor the careers of other musical artists,
on labels containing handwritten song titles surrounded
including his two singing-partner cousins and a host of
by hand-drawn spiral patterns mimicking hair-thin record
non-existant solo singers and singing groups – Audio
’MIKE’S FIGURE DRAWING IS REMINISCENT OF COMICBOOK SUPERHEROES’
Andrei’s Artistic Automobiles D.B. Denholtz introduces the striking models of Andrei Palmer
Andrei Palmer’s funky and audacious scratch-built light up, door handles, hand-sewn fabric interiors – all
‘PALMER PREFERS USING HIS MEMORY TO LOOKING AT PICTURES IN MAGAZINES AND BOOKS’
cars are examples of a unique mind vigorously
built onto a frame made from scrap wood, chicken wire
exercising and rearranging the million details of an
and wooden dowels.
everyday object and reassembling it into something
Their size, at an average of 25 to 36 inches in
wholly its own. An unschooled, untaught thing of
length, is also surprising, because the works have a
beauty – in other words, traditional ‘outsider’ work from
physicality and heft that seem to belie the feeling that
a new generation.
these are fragile cardboard pieces which may come apart
‘Andrei’s Artistic Automobiles’, as he has titled
at the seams at any moment. In fact, when handled, the
his output, are hand-formed from recycled cardboard,
cars are extremely solid – even a little heavier than they
covered in spray-painted glossy poster board and further
appear.
detailed with metallic paper that he cuts and shapes to
Andrei Palmer was born in 1987 in Ceausescu’s
look like chrome; with clear plastic for windshields,
Romania and his earliest years, from birth to 6 years,
sometimes vinyl tops, pieces of cut mirror for side- and
were spent in a series of orphanages. Enduring neglect
rear-view mirrors, headlights and brake lights that really
and abuse, the children of such environments are often
Flowerings of Folklore Sara Ugolini introduces spontaneous Italian artist Maria Concetta CassarĂ
her youth there before moving to Bologna. In Mirto, the
undulating way. More than autonomous scenes having
village outside Messina where she comes from – like
their own narrative development, Cassarà’s paintings
everywhere in Sicily – religious rites and beliefs have
contain elements to be admired, especially the trappings
never lacked occasions to openly express themselves.
that exist in the focussing of the observing eye.
They come into contact with all working environments
above All works are Untitled, 50 x 35 cm, 19.7 x 13.8 ins. centre Maria Concetta Cassarà at home, 2011, photo: Matteo Cuccodrillo. opposite Untitled, 70 x 50 cm, 27.5 x 19.7 ins.
It is less of a vocation for storytelling and
from local craftsmanship to the neighbourhood pastry
action that expresses itself in the work of Maria
shop, where, for example, the form of bread known as
Concetta, than an enjoyment of the staging found in, for
varba (Saint Joseph’s beard), with its unusually luxuriant
example, the arrangements of votive altars and surfaces.
locks and full beard, is markedly reminiscent of the male
It is difficult not to think of the customs linked with ritual
visages in Maria Concetta’s paintings.
celebrations in southern Italy, such as the typically
Like sugarcraft figurines or statuettes in a
Sicilian practice of setting up shelved constructions and
manger, the animals painted by Cassarà have rigid limbs
tables for the so called ceni i San Giuseppe (suppers of
and are hoisted onto a pediment. The pedestal is
Saint Joseph). In different regions of Sicily on March 18th,
straight and horizontal, or sometimes curved in an
the eve of the religious festival, numerous families
4 RAW VISION 123 Facsimile reprint of the historic first three issues with classic articles.
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La Cathedral, Hauser, Norbert Kox, Anna Zemankova, Anita Roddick, Laffoley.
Gugging, Art & Psychiatry, Bill Traylor, Marie-Jean Gil, De Stadshof, Margaret’s Grocery.
Salvation Mountain, Joseph Yoakum, Dos Santos, Scottish Outsider Art, Morton Bartlett.
17 Alfonso Ossorio, Irish Naïves, Nick Blinko, Ray Materson, Le Carré Galimard.
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Adolf Wölfli, Art Cars of Texas, David Zeldis, Albert Louden, Cellblock Visions.
Jimmy Lee Sudduth Burgess Dulaney, St EOM, Gaston Mouly, Dulaney, Mr Eccles, SPACES.
20 Rio Museum, Voodoo Flags, Carvers of Poland, Naïves of Taiwan, Edward James.
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Dr. Leo Navratil, Ilija Bosilj, Simon Sparrow, Melvin Way, Pradeep Kumar.
43 Thornton Dial, Richard Greaves, M Grunenwaldt, Jane Kallir on Outsider Art.
53 Toraja Death Figures, Chauvin Sculptures Josef Wittlich, Baptista Antunes, Nigerian Sculpture.
63 Howard Finster, Michel Nedjar, James H Jennings, Nannetti Graffiti, Rosemarie Koczy.
44 Bruno Weber’s Weinrebenpark, Theo, Jane-in- Jane Sobel, Lanning Garden.
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55 PDF D/LOAD ONLY Thornton Dial, Ben Wilson, Ramirez, Little Chapel, Josef Hofer, Zemánková.
26 Alex Grey, The Lacemaker, Luna Rossa, Sekulic, Uddin, Mary Nohl.
27 Art & Madness, Lee Godie, Palace Depression, Ody Saban, Benavides, AVAM.
28 Y5/P5, Chomo, Arning, Leonov, Benno Kaiser, The Tarot Garden, Gene Merritt.
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Mary Proctor, Carlo Zinelli, Dernier Cri, Art Brut, Jersey Shell Garden.
Picassiette, Benefiel, Vodou, Charles Dellscahu, Mediumistic Art, Van Genk.
Mary T Smith, Jephan de Villiers, Matt Lamb, Old Curiosity Shop, Mithila Painters.
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Van Genk, Purvis Young, Makiki, Marcel Storr, RA Miller, Madge Gill.
Watts Towers, Bessie Harvey, Marginalia, F. Monchâtre, Tree Circus.
Palais Idéal, Judith Scott, Charles Russell Donald Pass, Outsider portraits.
Henry Darger, R/stone Cowboy, Thévoz: Chiaroscuro, Pearl Blauvelt, Castle of Bressse
46 Finnish Outsiders, Sylvain Fusco, Art on the Boundaries, Roy Ferdinand.
56 Maura Holden, Clarence Schmidt R.A. Miller, Hans Krüsi, Silvio Barile, the Shock Ward.
47 Scottie Wilson, Gavin Bennett, Bispo Do Rosario, Art Behind Bars, Elizabeth Layton.
57 Burning Man, Matsumoto, Aloïse Corbaz, Nicholas Herrera, William Fields, Hawkins..
48 Hung Tung, Photography, Bernard Schatz, Jessie Montes Atelier Oppo.
58 Lobonov, Garden of Eden, Zindato, JB Murray, Anthony Jadunath, Seymour Rosen.
49 Mammi Wata, Fred Ressler, Mary Whitfield, Isaiah Zagar, Alex Grey.
59 Emery Blagdon, Mind Control, ZB Armstrong, Bali, Imppu (Finland), Mari Newman.
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20 years of RV, Speller, Norbert Kox, Haiti street art BF Perkins Damian Michaels.
Philly/K8, Sefolosha, Palmer, Belardinelli, Ludwiczac, Oscar’s sketchbook.
MacKendree Long, Renaldo Kuhler, Sonabai, Outsider Films, Giov Bosco, Finster/Ginsberg
Paul Amar, Phyllis Kind, D M Diaz, W Dawson, Joe Minter, Survivors, Martindale, Little People
Colin McKenzie, Eugene Andolsek, Surrealism/Madness, Bruly-Bouabré, INSITA, Churchill D.
40 Eli Jah, Herbert Singleton, Marie-Rose Lortet, Ross Brodar, Catalan site.
41 Gayleen Aiken, Junkerhaus, Tessa DeCarlo, Kurt Haas, P Lancaster, Minnie Evans.
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Hamtramck Disney, Roger Cardinal, Ken Grimes, Criminal Tattoos, Rudov Garden.
August Natterer, New Gugging, George Widener, Paul Hefti, Anny Servais.
60 Tom Duncan, de Saint Phalle, Movie Posters, Spanish Sites, Rosa Zharkikh.
70 Womens’ environments, Electric Pencil, Gugging, JJ Cromer River Plate Voodoo
61 Sam Doyle, A. Santiago, Myrtice West, Lost In Time, Romanenkov.
42 Boix-Vives, Fred Smith, Rosa Zharkikh, Donald Mitchell, Weltmachine.
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Mario Mesa, Tim Lewis, Joel Lorand, Taya Doro Mitchell, Chelo Amezcua, Clayton Bailey
Masao Obata, Takeshi Shuji, Henriette Zéphir, John Toney, Edward Adamson, Larry Williams