CHEF
FINE DINING IN THE SKIES
Q1 REFLECTIONS: Stories of Strength, Sustainability, and Success
Welcome to the first issue of 2025! With spring just around the corner, it’s a time to shift out of winter’s rhythm and invite fresh energy —whether it’s updating plans, setting new goals, or just enjoying longer days, this transition is the perfect time to reset and refocus.
In this Q1 edition, we explore themes of innovation, resilience, and cultural identity. From Executive Chef Hazel Karen Hevrøy’s high-flying culinary adventures to the inspiring story of a Parisian-Filipino labor advocate receiving the 2024 Banaag Presidential Award, we celebrate individuals breaking new ground. We also reflect on Filipino resilience, the unspoken narratives in art, and a shared sense of identity with ‘We Are Still Filipinos.’
This issue also takes you on a journey — from the breathtaking landscapes of Svalbard to the tropical waves of Surf, Sun, and Corgis, and present you with 7,641 reasons to visit the Philippines. We also highlight a stunning celebration of art for ocean conservation at the Grand Palais in Paris and explore how creativity serves as a powerful force for advocacy and change.
As always, our goal is to bring you insightful, compelling stories of our ‘kababayans’ near and far. Happy reading, and we look forward to bringing you more great stories in our next issue!
Rebecca Urbančík Garcia EDITOR-IN-CHIEF
HIGH-FLYING FOOD WITH EXECUTIVE CHEF HAZEL KAREN HEVRØY P6
CELEBRATING FILIPINO RESILIENCE P9
A PARISIAN-FILIPINO LABOR ADVOCATE RECEIVES THE 2024 BANAAG PRESIDENTIAL AWARD P14
7,641 REASONS TO VISIT P 16
A CELEBRATION OF ART FOR OCEAN CONSERVATION AT GRAND PALAIS, PARIS P21
PAINTING THE UNSPOKEN P26
FOLLOWING A VOCATION P28
STEP INTO YOUR GREATNESS P32
A GRAND DEBUT IN GLOBAL DESIGN AND SUSTAINABILITY P35
SMITTEN BY SVALBARD P38
SURF, SUN, AND CORGIS P41
THE UNSPOKEN CORE P44
‘WE ARE STILL FILIPINOS’ P47
MEET THE TEAM
Roots&Wings
roots & wings filipino magazine in europe published by rachel publishing co. stockholm, sweden 2009-2025
WOULD YOU LIKE TO JOIN OUR RAWMAGS TEAM? volunteer roles now open for bureau editor italy, denmark, finland, iceland, portugal, malta, greece, poland, turkey, ireland. email rawmags.rebecca@gmail.com
Gloria Hernandez Grejalde associate editor, philippines
Jennifer Fergesen associate editor, country editor, norway
Donna Patricia Manio lifestyle & country editor, philippines
Donna Avellana Künzler country editor, switzerland
Ieth Inolino Idzerda country editor, the netherlands
Rebecca Ûrbancik Garcia editor in chief, country editor, czech republic
Maria Josephine Renker country editor, germany
Zipriano “Zip” De Guzman country editor, luxembourg
Dennis Manaay country editor, france
Fideliz (Dee) Apilado associate country editor, france
Maria Gutehall country editor, sweden
Ralph Anthony Chan country editor, austria
MEET THE TEAM
FOLLOW US ON SOCIAL MEDIA
instagram: @raw.mags
twitter: @rawmags
facebook: @rawmags
youtube: @rawmags linkedin/rawmags
FEEDBACK PAGE What do you think of our magazine? Email rawmags.rebecca@gmail.com
Myla Arceno country editor, uk member advisory council
Alfonso Joaquin De Jesus De Vera social media/youth editor, austria
Anton Miguel D. De Vera youth editor, austria
Maria De Los Reyes associate country editor, uk
Dulce Lada country editor, spain
Luz Bergersen country editor, norway member advisory council
Atty. Aimee Alado -Blake legal counsel, uk member advisory council
Rachel Hansen publisher/founder, sweden member advisory council
Jenny Hansen art director/layout, philippines
Karen Hevrøy
High-Flying Food with Executive Chef Hazel
Bringing culinary expertise and care to the in-flight dining experience
By Luz Bergersen
The home of Hazel Karen Hevrøy, Executive Chef of Gate Gourmet AS, exudes sophistication, with carefully curated furniture that marries contemporary design and comfort, creating spaces that invite relaxation and inspire awe. Stepping into this modern haven feels like entering a realm where luxury and hospitality converge in perfect harmony. Every corner tells a story of thoughtful elegance, where sleek lines and rich textures blend seamlessly with an atmosphere of warm welcome.
The culinary experience she offers to her guests is also nothing short of extraordinary. A celebration of innovative flavors and artfully presented dishes takes center stage, transforming dining into a multisensory journey. The aroma of gourmet creations mingles with the soft glow of ambient lighting, setting the stage for intimate gatherings and memorable moments.
control, she ensures that every meal meets the highest standards of taste, presentation and safety.
Passionate about elevating airline cuisine, Chef Karen excels in creating diverse and high-quality menus to cater to global palates while adhering to strict aviation regulations. With a keen focus on sustainability, cost management and passenger satisfaction, she seamlessly blends culinary artistry with operational excellence. She has the privilege of working with exceptional culinary professionals and trusted experienced people, fostering a culture of collaboration, integrity and excellence.
“ I HONOR THE CHOICES THAT LED ME TO EMBRACE MY CULINARY DREAMS
Here, every detail is a testament to a passion for excellence, where hospitality is not just offered, but celebrated. The experience is both inviting and invigorating, leaving guests with a profound sense of comfort, delight, and the enduring impression of having been part of something truly exceptional.
And of course, Chef Karen herself, welcoming us warmly, is a sight to behold: She is young, beautiful, vibrant, vivacious, clean-cut, sharp and crisp!
Glamour with a big G!
CULINARY EXPERTISE IN THE SKIES
Chef Karen brings a wealth of culinary expertise, operational efficiency and innovation to the in-flight dining experience for the airline passenger and customers. With a deep understanding of largescale food production, menu engineering and quality
Chef Karen discovered her passion for cooking in childhood, a love that would eventually redefine her career path. Initially pursuing a degree in financial management and working in office administration, she maintained her interest in international cuisine as a cherished hobby. Determined to follow her true calling, she made the bold decision to study in London, earning diplomas in cooking, patisserie, and culinary management from Le Cordon Bleu London.
Driven by her culinary passion, she made the bold decision to leave her office job and pursue formal culinary education in London — a transformative experience that solidified her commitment to the art of cooking. Since then, she has fully embraced her career as a chef, leaving the corporate world behind and building a successful career as a chef.
She gained invaluable hands on-experience by working in various restaurants and hotels, steadily building her expertise and refining her culinary skills.
Today, as an operational executive chef specializing in airline catering, Chef Karen is renowned for creating exceptional dining experiences at 35,000 feet. now based in Oslo, norway, she continues to
evolve both personally and professionally, surrounded by inspiring individuals and a supportive community that fuels her passion for food.
Her journey stands as a testament to the power of following one’s dream and continuously striving for excellence, with each achievement paving the way for further development and success.
‘EVERY CHALLENGE IS AN OPPORTUNITY TO LEARN’
While we are proud of the many skillful Filipinoborn chefs in Oslo, we are especially proud of Chef Karen. She has solid skills earned from consistent study, training and experiences gathered from years of training and work experiences in top culinary institutions. Yet she has remained low key, humble, quiet, generous. Her work stands out and speaks for itself.
“Today, I celebrate the achievements that have brought me to this journey marked by courage, passion, and a commitment to excellence. I honor the choices that led me to embrace my culinary dreams, and I take pride in the bold decisions that have shaped my career,” says Karen.
“As I continue to grow and evolve, I am reminded that every challenge is an opportunity to learn, and every success is a stepping stone toward even greater heights. With gratitude for my past accomplishments and excitement for the future, I pledge to keep developing my skills, expanding my knowledge, and pushing beyond my limits. This is not the end, but the beginning of a new chapter, one defined by continuous learning, innovation, and a relentless pursuit of excellence. I am proud of who I am today, and I look forward to becoming even more tomorrow.”
Ever committed to continuous growth, Chef Karen actively pursues further studies and skill development to stay at the forefront. With a genuine passion for leadership, her steadfast commitment to learning and her enthusiasm for guiding her team serve as an inspiring testament to the power of following one’s dreams and embracing lifelong growth. Her journey stands as a testament to the power of following one’s dream and continuously striving for excellence, with each achievement paving the way for further development and success.
Celebrating Filipino Resilience
Dr. Melvin Sanicas recognized for groundbreaking work in public health and vaccine innovation
By Donna Künzler
In the realm of public health and vaccine innovation, few names resonate as strongly as that of Dr. Melvin J. Sanicas. As a recipient of the prestigious 2024 Pamana ng Pilipino Presidential Award, Dr. Sanicas stands as a beacon of hope and inspiration for many, especially for his fellow Filipinos who aspire to make a mark in the global health landscape. Hailing from Bacolod City, negros Occidental, Dr. Sanicas' journey is a testament to resilience, dedication, and a profound commitment to improving health outcomes worldwide.
With an impressive academic background that includes a bachelor of science in biology and a doctor of medicine degree from the University of the Philippines, Dr. Sanicas’ pursuit of knowledge did not stop there. He further honed his expertise with master’s degrees in infectious diseases from the London School of Hygiene & Tropical Medicine and Vaccinology and pharmaceutical clinical development from the University of Siena in Italy. His educational journey is complemented by an advanced diploma in vaccinology from the University of Geneva and a diploma in infectious diseases from Institut Pasteur Paris. These qualifications are not merely accolades; they reflect Dr. Sanicas’ unwavering commitment to understanding the complexities of global health challenges.
the development, approval, medical education, and awareness campaigns of vaccines for tuberculosis, human papillomavirus, influenza, and the rapid response to COVID-19. Each of these endeavors reflects his commitment to mitigating the impact of infectious diseases and safeguarding lives. “The intersection of science, policy, and public health has been incredibly fulfilling for me,” he shares. “My hope is to ensure equitable access to life-saving vaccines, particularly for vulnerable populations.”
“ I’VE ALWAYS BELIEVED IN THE POTENTIAL OF SCIENTIFIC DISCOVERY TO IMPROVE LIVES.
Yet the journey has not been without its challenges. Dr. Sanicas acknowledges that the field of science is fraught with obstacles—from experiments that don’t yield expected results to financial constraints that threaten vital projects. “Resilience is essential in science,” he emphasizes. “Throughout my nearly two-decade career, I’ve faced numerous setbacks, but I’ve always believed in the potential of scientific discovery to improve lives.” His experiences navigating these challenges, particularly as an Asian scientist working overseas, have shaped his approach to work, reinforcing the importance of perseverance and adaptability in the face of adversity.
Dr. Sanicas’ professional path has been adorned with significant milestones that underscore his expertise in vaccinology. His hands-on experience as a Global Health Fellow at the Bill & Melinda Gates Foundation in Seattle, a visiting scientist at the University of Cape Town, and a Tuberculosis Fellow at the Curry International Tuberculosis Center at the University of California, San Francisco has equipped him with invaluable insights into the intricacies of vaccine development and public health policy. Through these roles, he has built a robust interdisciplinary network of experts, further enhancing his ability to drive impactful initiatives across the globe.
What fuels Dr. Sanicas’ passion for vaccine development and public health is a deep-seated belief in scientific innovation. His work has spanned
As a recent recipient of the Pamana ng Pilipino Presidential Award, Dr. Sanicas is not resting on his laurels. Instead, he is more committed than ever to advancing scientific innovations that can transform global public health. Mentorship plays a crucial role in his aspirations, as he seeks to inspire the next generation of scientists and public health professionals. Through formal and informal mentoring, he has guided students from his alma mater, which includes prestigious institutions such as the University of Leeds, the London School of Hygiene & Tropical Medicine, and the University of the Philippines. Additionally, leveraging social media, he has expanded his outreach to share medical insights and counter misinformation, thereby fostering a more informed public.
For aspiring public health professionals, Dr. Sanicas offers invaluable advice that resonates deeply in today’s fast-paced and often misleading information landscape. “Building expertise and credibility is
crucial,” he asserts. “In a world where misinformation can spread like wildfire, it’s vital to ground yourself in continuous learning and experience. You must embrace a learning mindset. Stay curious, ask questions, and don’t shy away from exploring the depths of your chosen field. This journey is not just about accumulating knowledge; it’s about understanding its application.”
He further encourages young scientists to “start small and stay consistent. It’s easy to feel overwhelmed by the vastness of global health challenges, but remember that every small step counts. Build your network, seek mentorship, and learn from those who have walked the path before you. Progress in global health is often a slow and steady journey, not a sprint.”
Dr. Sanicas emphasizes the importance of keeping one’s purpose in mind: “never lose sight of your ‘why.’
Understand the deeper purpose behind your work. This sense of purpose will not only guide you through challenges but will also fuel your passion and resilience. It will remind you that even the smallest contributions can lead to meaningful change in the lives of others.”
In celebrating Dr. Melvin J. Sanicas, we not only recognize his remarkable achievements but also honor the resilience and dedication of Filipinos in the global health arena. His story is a powerful reminder that with passion, perseverance, and a commitment to innovation, we can overcome challenges and make a significant impact on the world. As he continues to pave the way for future leaders in science and public health, Dr. Sanicas remains a true embodiment of Filipino excellence and resilience.
An introduction to Zita T. Cabais in Paris, France
A ParisianFilipino Labor Advocate Receives the 2024 Banaag Presidential Award
Interview by Dennis Manaay
Roots & Wings is proud to present Zita T. Cabais, from Paris, France, who was recently honored with the 2024 Banaag Presidential Award of the Philippines.
Zita T. Cabais’ Banaang Award citation reads:
“A trafficking survivor and human rights advocate based in Paris, (she is) recognized for her resilience and significant contributions in championing the rights of Filipino domestic workers and in fighting labor exploitation and human trafficking that have driven awareness for stronger policies towards decent work in France and across Europe.”
Ms. Zita T. Cabais is a tireless advocate for Filipino migrants in France and a staunch defender of labor and human rights. Her deep commitment to social justice stems not only from her advocacy work but
also from her personal experience as a survivor of human trafficking and modern slavery.
Ms. Cabais endured the harsh realities of labor exploitation, facing abuse and inhumane treatment that so many migrant workers suffer in silence. However, instead of allowing her past to define her, she chose to rise above it, turning her painful experience into a mission to protect and empower others. Her journey from being a victim to becoming a fierce advocate has made her a powerful voice for women and vulnerable workers, fighting against labor exploitation and advocating for systemic change.
As an active member of the Filipino community, Ms Cabais has been instrumental in organising and participating in forums that address labor rights, immigration policies, and the protection of migrant and human trafficking victims and survivors. She is frequently invited as a resource person in discussions tackling these critical issues, shedding light on the hidden struggles of domestic workers and undocumented migrants.
Her advocacy extends beyond speaking engagements — she is deeply involved in grassroots efforts to provide direct assistance to Filipinos in distress. Through her organisation Asosasyon Sanggunian Filipino (ASF), a member of the Comité Général des Associations en France, she works to provide support services, legal aid and awareness programs for fellow migrants.
In recognition of her exceptional dedication and contributions, Ms. Cabais was recently honored with the prestigious 2024 Presidential Award of the Philippines, a well-deserved acknowledgement of her unwavering commitment to her fellow Filipinos abroad.
Despite the hardships she faced, Ms. Cabais continues to stand as a beacon of hope and resilience,
proving that even in the face of adversity, one can create meaningful change. Her work has impacted countless lives, and she remains a vital force in advocating migrant rights, social justice, and the protection of women.
In her response speech delivered during the Awarding Ceremonies in Malacanang Palace, Zita T. Cabais stated:
“My story is but one of countless others. I was once one of those unseen, unheard individuals. But with the help of those who believed in me, I found my voice, and today, I use it not just to speak for myself, but all others still waiting to be heard. Many remain trapped in silence, unable to escape circumstances that strip them of their dignity and rights.
To be recognized for this year’s PAFIOO is both humbling and empowering. This moment is not mine alone — it belongs to every Filipino who continues to fight for justice, equality, and hope, even in the face of adversity.
As we celebrate this milestone, let us remind ourselves that every voice lifted in advocacy, every hand extended in service, brings us closer to a world where dignity and empowerment are not privileges but rights afforded to all. Together we will create a brighter, more compassionate future for every Filipino, wherever they may be.
May we continue to serve as beacons of hope and transformation, para sa Bagong Filipino. Merci beaucoup. Agyamanak, Maraming salamat po.
7,641 Reasons to Visit
Showcasing the Philippines’ breathtaking destinations at Spain’s FITUR 2025
By Dulce Lada
Photo by Jenny Hansen
SPAIN
Under the banner of the “Love the Philippines” campaign, the Philippines’ delegation brought the warmth, vibrance, and diversity of its 7,641 islands to the Spanish and Ibero-American markets at the highly anticipated 45th International Tourism Fair (FITUR) last January 2226, 2025 at IFEMA Madrid.
“With a remarkable 31% increase in visitor arrivals from Spain and a projected 6% growth in European outbound travel for the first half of 2025, the Philippines is poised to become a premier travel destination for European tourists,” according to Gerard Gerry Panga, Tourism Attaché to the UK and Director for northern & Southern Europe DOT-London.
A PHILIPPINE PAVILION BURSTING WITH CULTURE AND ADVENTURE
The Philippine pavilion was one of the most visually attractive, drawing in travel professionals, media, and eager tourists with its captivating cultural performances, interactive exhibits, and immersive experiences. Philippine Tourism Secretary Christina Garcia Frasco, though attending the ASEAn Tourism
Forum in Malaysia, entrusted Tourism Undersecretary Atty. Shereen Gail Yu-Pamintuan to lead the delegation, alongside the Philippine Ambassador to Spain, Philippe Jones Lhuillier.
“This participation at FITUR is very crucial for us because it allows our private stakeholders to be able to connect and engage with many industry leaders, travel professionals as well as our potential partners who can help build and enhance the tourism landscape in the Philippines, said Undersecretary Yu - Pamintuan.
Visitors were treated to live cultural showcases, including traditional folk dances and musical performances featuring indigenous instruments by Lahing Kayumanggi Dance Company, and Filipino cocktail experiences highlighting local flavors by Flair Bartender champion, Dennis Barela. The booth also served as a meeting hub for Philippine private sector partners, co-exhibitors, and government representatives, strengthening international collaborations.
This year’s participation goes beyond the welltrodden paths of Manila and Boracay, the Philippines spotlighted two stunning yet often-overlooked regions: Siargao and the Zamboanga Peninsula.
SIARGAO
The Surfing Capital and Eco-Tourism Haven
Often dubbed the “Surfing Capital of the Philippines,” Siargao has exceeded its reputation as a surfer’s paradise to become a model for sustainable and community-driven tourism.
Regional Director Ivonnie B. Dumadag (DOT Caraga, Siargao) presented Siargao’s offerings, emphasizing not just its world-class waves, but also its pristine lagoons, breathtaking islets, and thriving eco-tourism projects.
CLOUD 9
One of the world’s most famous surf breaks, attracting professionals and beginners alike.
SUGBA LAGOON & SOHOTON COVE
Hidden gems known for their turquoise waters and natural rock formations.
LOCAL COMMUNITY INITIATIVES
Sustainable tourism efforts, including homestays, mangrove conservation projects, and ecofriendly resorts.
With growing interest from the European market, Siargao is a go-to destination for travelers seeking adventure, nature, and sustainability in one idyllic island.
Photo by Jenny Hansen
ZAMBOANGA PENINSULA
A Fusion of Culture, History, and Natural Wonders
Meanwhile, Regional Director Dara May L. Cataluña (DOT Region IX, Zamboanga Peninsula) showcased the stunning diversity of the Zamboanga Peninsula, an underrated region that boasts its rich cultural heritage and breathtaking coastlines.
PINK SAND BEACH, SANTA CRUZ ISLAND
A rare natural wonder that mesmerized FITUR attendees.
THE VINTA EXPERIENCE
Traditional colorful sailboats that symbolize the deep-rooted maritime culture of Mindanao.
ZAMBOANGA’S CULINARY DELIGHTS
From curacha (spanner crab) in Alavar sauce to lokot-lokot (crispy native delicacy), the region’s flavors are as dynamic as its landscapes.
Zamboanga Peninsula’s distinct mix of Hispanic, indigenous, and Malay influences resonated strongly with the Spanish-speaking audience at FITUR, strengthening the Philippines’ historical ties with Spain while highlighting the region’s unique character.
Depart of Tourism Undersecretary Atty. Shereen Gail Yu-Pamintuan (center) led the Philippine delegation alongside the Philippine Ambassador to Spain, Philippe Jones Lhuillier (center-left). Photo courtesy: Ohzum Media Productions.
Photo by Mo Eid pexels.com
WHY FITUR 2025 MATTERS FOR PHILIPPINE TOURISM
FITUR 2025, which brought together 155,000 professionals and 9,500 companies through 884 stands representing 156 countries, closes its doors with 255,000 visitors, solidifying its role as a crucial business platform for global tourism.
The Philippines’ presence at the international trade fair was more than just a tourism promotion — it was a celebration of the country’s evolving travel landscape. Through active participation and collaboration of Director Azucena C. Pallugna (PhilippineDepartment of Tourism-Office of Market Development), Supervising Tourism Officer Stalin Samson and Executive Assistant Elaine Joy Serrano (Department of Tourism — Philippines),
and other government agencies such as TIEZA, Philippine Congress and Senate delegates headed by Representative Anna Veloso-Tuazon (3rd District of Leyte) and DG Eireen Palanca (Senate-Legislative Budget Research & Monitoring Office), and 11 Philippines-based travel companies, the country successfully positioned the Philippines as investment opportunity and tourism prospect to the Spanish and Ibero-American markets.
Beyond boosting visitor numbers, this event emphasized the importance of sustainable tourism, cultural preservation, and local empowerment. Siargao and Zamboanga Peninsula’s spotlight at FITUR proves that the Philippines is more than just one island— it’s a world of adventure, heritage, and warm Filipino hospitality waiting to be explored.
“Love the Philippines” campaign at FITUR 2025. Photo courtesy: Ohzum Media Productions.
Cultural performances by Lahing Kayumanggi Dance Company. Photo courtesy: Ohzum Media Productions.
The 45th edition of FITUR draws 255,000 visitors. Photo courtesy: Ohzum Media Productions.
A Celebration of Art for Ocean Conservation at Grand Palais, Paris
Filipino artists take part in a tribute to the ocean at Art Capital
By Dennis Manaay
The recent Art Capital exhibition held at the prestigious Grand Palais in Paris was a monumental success, drawing over 50,000 visitors eager to witness a compelling display of global artistic expressions. Among the standout presentations was a collective show titled "EAU La La! ART for Life in the Ocean," a tribute to the protection of the oceans. This exhibition, which was aligned with the United nations Oceans Conference held in nice, brought together a group of ten international artists, including Ambassador Junever
Mahilum-West and her fellow Filipino artist Margo Calderero-Le Lain, to raise awareness on ocean biodiversity and its crucial role in sustaining life.
A COLLABORATIVE ART MOVEMENT FOR OCEAN CONSERVATION
The Art Capital exhibition was not just a celebration of creativity; it was a call to action. The ocean is facing unprecedented challenges, from pollution to the degradation of marine life. As the Un Oceans Conference in nice turned the spotlight on ocean protection, this exhibition embraced its own
unique form of activism—art. The goal of the exhibition was to harness the power of visual art to inspire a sense of urgency and responsibility in preserving the oceans for future generations.
In their artistic expressions, the participating artists used a wide range of mediums to convey the fragile beauty and the critical role oceans play in sustaining life on Earth. For Calderero-Le Lain and Mahilum-West, this was an emotional and impactful campaign, as both artists have always championed environmental causes through their works.
FILIPINO ARTISTS IN THE SPOTLIGHT
H.E. JUNEVER MAHILUM-WEST
Junever Mahilum-West, the Philippine ambassador to France, is also an artist whose deep fascination with marine life has been central to her artistic journey. She showcased a series of fish-inspired artworks drawing inspiration from Kumataro Ito, a Japanese fish painter who documented marine species in the Philippines during the early 20th century. Mahilum-West’s pieces serve as both a tribute to Ito’s legacy and a modern plea for the protection of oceanic biodiversity.
Junever, also known as Amba Jones, is a proud alumna of the University of the Philippines. Her deep love for the arts has motivated her to pursue painting
independently. During her initial diplomatic assignment to Paris in the late 1990s, she had the opportunity to receive guidance from a small group of painters led by Masha S. She is also an honorary member of the Philippine Artists Group of Canada, a role she assumed after her service as Consul General to Toronto from 2012 to 2015.
After a brief hiatus from painting, she resumed in 2021 upon her second assignment to Paris. Given the demands of her schedule, she has chosen to continue her learning and exploration through YouTube, a convenient resource for her. Her realistic artwork is mostly
MARGO CALDERERO-LE LAIN
Margo Calderero-Le Lain, a wellestablished artist known for her bold and thought-provoking compositions, presented three new pieces that explore the themes of water and marine life. These works delve into the complex relationship between humans and the oceans, capturing both the serene beauty and the pressing threats that marine ecosystems face.
Margo was born and raised in the Philippines. Talented in various forms of art, she has developed an amazing expertise in diverse works: painting, jewelry, fashion design, sculpture and culinary art. French culture and traditions have authenticated her individuality when she moved to France in 1994. Her travels and experiences characterizes her style without forgetting her origin. Margo lets
her artwork narrate its own tale via her senses: the sensations of the atmosphere, the exotic scents, tantalizing tastes, the assortment of colors and the unique vibrations that linger on her skin. All of these reflections are quite enticing and invite spectators of her art to travel through her creations.
She founded ACCES – Art & Cross-Cultural Exchange Society in 2020, and combined ninong & ninang Association, which was founded by her family in the Philippines in 2005. “Art is our way of expression, revealing who we are and what we are. … The key to ACCES our dreams!” she says.
She dedicated her time using her art to support community outreach, volunteer work and fundraising activities. Since 2005, she has been supporting and
created using gouache, pen and colored pencils on paper, drawing inspiration from the interplay of light, vibrant colors, and childhood memories, particularly those of Philippine fish and fruits.
She has also recently been inspired by the "pasalubong" (Filipino culture: gift given from somebody coming from a travel trip) that she received, especially by a wine walking tour from her husband, which she views as a way of honoring the person who thoughtfully thinks of her. She finds her painting and drawing moments to be a relaxing and pleasant pause for herself.
sending needy children to school in Mauban (her hometown) and has expanded to Uganda and Tanzania in 2022. She believes that ART is a great tool to do great things, a UnIVERSAL way to connect with each other regardless of our beliefs, skin color, social status, age, language and nationality.
For Margo, “Art is not art if you do not do and share it with your heART.”
“I allow my emotions to lead me … let my energy take its course,” she says. “I combine different media and materials … whatever is necessary to achieve the vision of my art. I allow myself to get lost looking for perfection, and in the end stumble upon the perfect imperfection.”
A GLOBAL COLLECTION OF ARTISTIC VOICES
While Calderero-Le Lain and Mahilum-West were the Filipino leaders of the exhibition, they were joined by a vibrant mix of international artists, each contributing their unique perspective on ocean conservation. The exhibition featured:
CICI LANE
A Filipina-British artist, Lane's background in illustration and textile design brought a fresh, dynamic approach to marine life depiction. Her work eloquently communicates the intricate patterns and beauty of ocean life.
CORINNE PIRAULT
A French artist from Marseille with a deep admiration for Central American art, Pirault’s works reflect her passion for the natural world and its preservation, with many of her pieces inspired by the vibrant colors and creatures of the ocean.
EDD & SKOPIT
This mother-and-son duo introduced a captivating series called "Grains de Sable," a fusion of their distinct artistic styles. Their collaborative effort brought together abstract expressions with organic imagery, symbolizing the intricate yet fragile balance of the ocean’s ecosystem.
HAI HIANG LEE
Representing Singapore, Lee’s leadership and dedication to artistic excellence were reflected in his powerful work, which conveyed a message of unity and global responsibility toward ocean conservation.
“ ART IS NOT ART IF YOU DO NOT DO AND SHARE IT WITH YOUR HE ART.
SANDRA DISTABILE
A talented artist from Comizo, Italy, Distabile’s scientific approach to art was evident in her precise, analytical compositions that draw attention to the delicate ecosystems beneath the waves.
HAROLD KHAN
A Filipino-Singaporean visual artist based in Austria, Khan drew inspiration from anime and cartoons to create striking and imaginative works, illustrating the stark realities of the ocean’s plight in a way that resonates with a younger audience.
A MESSAGE OF OCEAN PROTECTION
The "EAU La La! ART for Life in the Ocean" exhibition was more than just an art showcase—it was a compelling call for action. Through their works, the artists of A.C.C.E.S.—the collective name for this group—invited viewers to reflect on their relationship with the ocean and recognize the urgent need for its protection.
As visitors walked through the Grand Palais, it was evident that this exhibition wasn’t merely a display of beauty; it was a declaration of the power of art to provoke change. The works, though varied in style and medium, shared a common thread: a deep concern for the environment and a belief in the transformative power of creative expression to spark dialogue and action.
IN CELEBRATION OF PHILIPPINE ART MONTH
In celebration of Philippine Art Month, an exciting exhibit
HONG MOOI CHUAN
This Singaporean artist brought her unique expertise in calligraphy to the exhibition, offering a delicate yet profound interpretation of the theme of water and life.
HWEE TIONG LIM
With a career spanning decades, Lim’s watercolor paintings captured the fleeting beauty of marine landscapes, and his work emphasized the need to safeguard the world’s oceans.
showcases the diverse and vibrant artistic traditions of the Philippines. Featuring both contemporary and traditional works, the exhibit highlights the rich cultural heritage, from indigenous art forms to modern expressions. Visitors can explore a wide array of mediums, including painting, sculpture, photography, and mixed media, all reflecting the dynamic fusion of local identity and global influences. The exhibit not only honors the country's artistic history but also serves as a platform for emerging artists, offering a glimpse into the evolving landscape of Philippine art.
LOOKING TOWARD THE FUTURE
With Art Capital being one of the most significant contemporary art events in Paris, the success of “EAU La La! ART for Life in the Ocean” was a testament to the growing importance of art in environmental advocacy. The participation of
artists from across the globe highlighted the universal relevance of ocean conservation, making it clear that the fight to protect our oceans transcends national boundaries.
As the global community continues to grapple with climate change and its impacts on marine ecosystems, initiatives like this— where art and activism converge— will undoubtedly play a crucial role in shaping a sustainable future. The A.C.C.E.S. collective’s collaboration at Art Capital has set a powerful example for how art can inspire change and unite people in the pursuit of a common goal: the protection of life in the oceans.
Painting the Unspoken
Swedish-Filipino
By Rachel Hansen
artist Katrina Larida exhibits her work at Artportable, Stockholm
Katrina Larida’s Stockholm exhibition UnSPOKEn delves into the unspoken vulnerabilities of the human experience, drawing profound inspiration from the artist's personal journey. At its core, the art speaks to the thoughts we keep hidden, the words left unspoken, and the fleeting details we notice but never express. It invites viewers to reflect on the quiet, introspective moments that shape our emotional world.
ABOUT THE ARTIST
Katrina Larida is a talented artist and fashion designer based in Stockholm, Sweden. Originally from the Philippines, she began her artistic journey at the age of 16, perfecting her craft as a portrait artist by sketching people in a
shopping mall. In 2016, Katrina pursued her studies in fashion design at Parsons School of Design in new York, where she lived for two years. During this time, she enriched her understanding of color theory and skillfully incorporated these concepts into her artwork while also drawing inspiration from the vibrant street art installations that surrounded her.
In 2019, Katrina exhibited a compelling series of paintings at Galleri Bellman, addressing the harmful impact of plastics on the planet and the environment. Through the use of irony, her work depicted human subjects suffocated in plastic, serving as a powerful commentary on sustainability. This critically acclaimed Plastic series has since sold out, showcasing her dedication to environmental
advocacy and her deep connection to nature. Her art is characterized by its rich use of symbolism and meticulous technique.
In 2022, Katrina unveiled her UnSPOKEn series at Artportable in Stockholm and at the Holy Art Gallery, a digital gallery based in London. Same year, she hosted an intimate art event at the stylish co-working space Lamb, located in the heart of Stockholm. The event was broadcast live on Instagram via multiple accounts, including Artportable, which has an audience of over 10,000 followers.
Currently, Katrina is focused on 3D fashion design, creatively bridging the gap between art and fashion through innovative techniques and forward-thinking concepts.
Following a Vocation
An interview with Sweden’s first Filipino priest
By Rachel Hansen
Fr. Gabriel Ballener Baldostamon arrived in Sweden in 2005. In conversation with Roots & Wings founder Rachel Hansen, he shares his fulfilling journey while enriching the community with spiritual leadership and guidance.
began to talk to my father about going to church when I was in the third year.
FR. GABE, AT WHICH POINT IN YOUR LIFE DID YOU DECIDE THAT YOU WANTED TO BE A PRIEST?
It’s a long story. I was born as the fourth child of 12 children. My parents were busy with their business of selling rice and dried fish in the market. They were good people, but they neglected to raise us as Catholics. There were no prayers and no talk about God at home.
We were sent to the public elementary school, where religion is not taught. After elementary school, my father sent me to a Catholic school run by the American Marist Brothers. On the first day, during the flag ceremony, the Director announced that all Catholic students are expected to attend Sunday Mass. Those who miss, and have no reason, will be punished. So I attended my first Mass. It was celebrated in Latin and the homilies in English. I did not understand much at all, but somehow I felt good and at home in the church.
My father refused to be convinced. He told me that the important thing is to be a good person. One can pray anywhere, he said.
But when I was in the second year of college, I talked to him again. This time I asked him who is paying for my tuition. He answered: I am. Then I asked him what he is paying for. He answered: For the knowledge and truth the teachers are giving you.
Then I said to him that the knowledge and truth given to me and paid by him, I also give to him. And one of the truths is going to Mass on Sundays. He became angry with me for a few days. But the next Sunday, he got up early and took a bath and dressed up. I noticed it, but did not say anything. But I wondered where he was going. There is only one place I could think of — the church. The next Sunday, my mother went with him. And he never missed Sunday Masses from that time on.
I think that this was the beginning of my vocation. I entered the Passionista Seminary and was ordained as the First Filipino Passionista on December 21, 1971.
PLEASE TELL US ABOUT THE PASSIONISTAS.
The next Sunday, I went to church not out of fear of punishment but to feel good and be at home with God and the community. I even volunteered to be an altar boy by serving Mass. This meant learning the Latin responses and prayers.
I also noticed that my favorite subject was religion. My grades were always excellent. So I became knowledgeable about God and His church. I even
The Passionist Congregation was founded by St. Paul of the Cross in the year 1720 at the age of 26. In his early years, his mother raised him up with a great devotion to the passion and sufferings of Jesus in atonement for the sins of mankind.
She taught him to love the Mass, for in the Mass the mystery of his passion and resurrection is being
renewed. She taught him how Jesus humbled himself by obeying his father to become a man so that man can see, feel, hear and experience God in human terms.
Christ showed mankind that sin brought suffering and death into the world and only the suffering of the Son of God and His death can restore eternal life to man. If man wants to gain eternal life, he must follow Christ who declared himself as the way, the truth and the life.
This is the essence of what St. Paul of the Cross wanted to preach to the world. And he gathered men who believed in this message and instituted the Passionist Congregation.
He wrote the rules and constitution of the Congregation in 1720, and more than 300 years have passed. As of now, the congregation has spread in
Europe, in the U.S.A., Latin America, Africa and Asia, including the Philippines.
The congregation has produced holy men like St. Paul of the Cross, St. Vincent Strambi, St. Gabriel of the Sorrowful Virgin, St .Charles of Argus and St. Innocentius Camorra.
The general headquarters are in Rome beside the famous Colosseum.
FATHER GABE, THIS YEAR 2025 MARKS YOUR 20TH YEAR OF YOUR PRESENCE IN SWEDEN. WHY DID YOU COME TO SWEDEN?
It all started when the Passionistas in England were invited by the Bishop of Stockholm to help in establishing a minority Catholic church in Sweden. They arrived in the year of 1951, and they labored with zeal and great enthusiasm. They established the parishes in the provinces of Kalmar, Växjö, Jönköping and Angered. They labored for more than 50 years.
Because of the declining of their vocation, the English province decided to end their mission in 2003. But before they pulled out they asked other provinces if they could send a volunteer to take their place.
My superior asked me if I was interested, and I responded “no” because I was starting an apostolate among the poor prisoners in General Santos City. But my superior told me that it was already decided that I am the one to be sent.
And so I came to Sweden on December 6, 2005. I was sent to Malmö to study the language, because the last parish of the Passionista was already given to the Franciscans. I was also told to look for my own apostolate.
QWHAT ARE YOUR MOST CHALLENGING MOMENTS AS A PASSIONISTA PRIEST IN SWEDEN?
Since the Passionist fathers are officially no longer a mission group, I felt lost. I was supposed to be of help to them. But now I have to look for something to do in Sweden.
It is fortunate that the parish in Malmö had an English Mass on Sunday afternoons. So the parish priest asked me to take charge of it. While doing my studies on the Swedish language, I also organized
the choir for the Mass. Most of the members were Filipinos. The Mass was well attended, for there were many foreign students.
As I progressed in my Swedish, I was also asked to celebrate Mass in Swedish. I became like an Assistant Parish Priest.
The next challenge was organizing a Tagalog Mass for Filipinos once a month. Since there was a good number of Filipinos wanting to have their Mass in Tagalog, the parish gave us a slot in the Sunday schedule.
And thus the first Tagalog Mass began in Sweden. Inquiries from other parishes started coming, and this began the expansion to other provinces like Helsingborg, Gothenburg, Trollhättan and Stockholm.
This became the pattern of my apostolate. Work in the parish and reach out to Filipinos.
My superior, knowing that I needed help, sent another Passionist in the person of Fr. Robert Wapano, cp. He came in 2007, and with him the Bishop challenged us to take over the parish of Linköping, of which I became the Parish Priest.
Since I was tied up in the Parish, my superior sent for another priest in the person of Fr. nelson Caserial, cp who arrived in 2011.
Filipino communities. Many Filipinos are becoming active in their parishes as members of the pastoral council, as catechists, as members of choirs.
The Annual General Assembly is very much appreciated by families. It is a moment of meeting other Filipinos with their families and establishing friendships.
The bishop is most happy with us during the Assembly because he is with joyful, friendly people.
The Simbang Gabi, which started 2 years ago in Stockholm, has spread to Gothenburg, Malmö and Linköping.
Another achievement is that we have national officers who are responsible for helping the missionaries in managing the communities.
“ IF MAN WANTS TO GAIN ETERNAL LIFE, HE MUST FOLLOW CHRIST WHO DECLARED HIMSELF
AS THE WAY, THE TRUTH AND THE LIFE.
And then in 2014, Fr. Ronjo Toledo cp arrived. With the four of us, we reached out to 28 communities all over Sweden.
WHAT IS IT YOU CONSIDER AS YOUR MOST IMPORTANT ACHIEVEMENT AS A FILIPINO PRIEST IN SWEDEN?
I think the most important achievement is what began in confusion became a clear mission—which was to help the Parish consisting of different nationalities and reaching out in particular to Filipinos.
The Bishop is satisfied with the administration of the Parish and above all is very happy with the
THE FILIPINOS IN SWEDEN, FROM THE WORDS OF HIS EMINENCE CARDINAL ANDERS ARBORELIUS, ON HIS HOMILY AT THE SIMBANG GABI LAST DECEMBER, “HAVE BEEN SPREADING A LOT OF JOY, FAITH AND LOVE” WITH THEIR PRESENCE IN SWEDEN. WHAT IS YOUR MESSAGE TO THE FILIPINOS IN EUROPE?
For the most part, we Filipinos in Europe are migrants and workers. We earn for our sustenance and send financial aid to our relatives in the Philippines. We work hard and are generous with our time. We are peaceful and not troublesome and therefore very much appreciated. We are a happy people — the karaoke crowd.
What is behind these characteristics of Filipinos? I believe it is basically our faith in God as our Father and in Jesus our brother and in the Holy Spirit as our guide. Sometimes we are not aware of this, but it is these that influence us.
Therefore be aware more and more of God’s presence in your daily activities. Going to church and being active in your community is helpful not only for yourself but also for others.
Step Into Your Greatness
Discovering the life-changing insights of Demee Koch's new book
By Donna Künzler
In an era where conscious beauty and ethical entrepreneurship are becoming increasingly vital, Demee Koch stands at the forefront of a transformative movement. As the founder and CEO of DE MOI, she champions sustainable practices within the beauty industry, advocating for products that nourish both people and the planet. With over 20 years of experience, Demee has diversified her impact through various ventures, including her role as a founding investor of BeMe LLC (Soursop nutrition), a company dedicated to the health and wellness sectors. Her work exemplifies a commitment to integrating social responsibility into business, making her a beacon of change in a world that yearns for greater purpose and accountability. I recently had the privilege of interviewing Demee to explore the insights from her new book and the inspirations behind it.
QWHAT MOTIVATED YOU TO WRITE “BOLD, BRAVE, AND A LITTLE BIT EXTRA,” AND WHAT KEY MESSAGE DO YOU HOPE READERS TAKE AWAY FROM IT?
to lean into their purpose, and to be bold despite the loneliness or judgment they may face, I’ll know it has served its purpose.
QTHE BOOK CONTAINS 365 DAILY REFLECTIONS. CAN YOU SHARE HOW YOU SELECTED THE TOPICS FOR THESE REFLECTIONS AND WHY YOU BELIEVE DAILY INSPIRATION IS IMPORTANT?
The inspiration behind “Bold, Brave, and a Little Bit Extra” comes from a deep calling to wake people up to their own power and potential. I want readers to understand that they already have within them everything they need to create the life they dream of. It’s not about becoming someone new but about unshackling yourself from the fears, doubts, and limiting beliefs that have been ingrained in us by society, culture, or even our upbringing.
This book is deeply personal to me because it reflects my journey—not just the successes but also the challenges of being misunderstood and judged. There’s a loneliness that comes with stepping outside the mold, with daring to dream bigger than others think you should. It used to hurt deeply when I was judged or misunderstood, but over time, I learned to lean into my purpose, my “why,” instead of the hurt. I’ve gone from being an island girl who dreamed in flip-flops to a global entrepreneur making an impact. And through it all, I’ve learned that braveness isn’t the absence of pain but the courage to keep going despite it. If this book inspires others to embrace their uniqueness,
The 365 reflections in this book are not just feel-good affirmations; they are meant to challenge you, to make you sit with yourself, and to perform a deep, honest audit of your beliefs, actions, and dreams. These reflections are bold, thought-provoking, and often uncomfortable, but they are necessary. They ask you to question the things you’ve always accepted as “truth” and to unlearn limiting beliefs passed down through culture, society, or past traumas. This part of the book also reflects my journey of learning to deal with the pain of being judged or misunderstood. I’ve learned to let go of things that no longer serve me and to focus on my purpose instead. These reflections remind readers that it’s okay to feel hurt but not to let that hurt hold you back. Lean into your why, and let it guide you through the noise of judgment and doubt. And remember, don’t overthink it. Life isn’t about doing everything perfectly; it’s about showing up, trying, and learning along the way. Be brave, be bold, and while you’re at it, add a little extra. Let your journey be one of fashion, passion, and unwavering purpose because life is too short to be anything but unapologetically you.
QYOU ADDRESS THEMES OF SELF-DOUBT AND RESILIENCE IN YOUR BOOK. WHAT PERSONAL EXPERIENCES INSPIRED YOU TO INCLUDE THESE THEMES, AND HOW DO YOU SUGGEST READERS TACKLE THEIR OWN SELF-DOUBT?
Self-doubt is something I wrestle with daily. Even now, there are moments when I wonder, “Am I doing the right thing? Can I really handle this? Am I biting off
more than I can chew?” Imposter syndrome is real, even for someone like me who’s achieved so much. But here’s what I’ve learned: it’s okay to doubt yourself; it’s part of being human. The key is not to stay there. Have faith in yourself and your dreams, even when it’s hard. Take the leap, even when you’re scared. Being brave doesn’t mean being fearless; it means showing up and taking action despite the fear. I’ve also learned that being judged and misunderstood is part of the journey. It used to hurt me deeply, and I still feel that sting sometimes. But I’ve realized that my purpose, my “why,” is bigger than the pain of judgment. Leaning into that purpose has helped me move forward even when it feels lonely. To anyone facing self-doubt or judgment, I’d say this: the limits you have are the ones you set for yourself. Lean into your why, and trust that you’re on the right path. Part of overcoming self-doubt is also about learning to forgive yourself when you stumble, to ask for help when you’re unsure, and to celebrate yourself when you succeed.
start. Be willing to try, to grow, and to embrace the unique impact you’re meant to make.
HOW DO
YOU DEFINE EMPOWERMENT, AND WHAT ROLE DOES PURPOSE PLAY IN LIVING A BOLD LIFE? CAN YOU SHARE AN EXAMPLE FROM YOUR OWN JOURNEY THAT ILLUSTRATES THIS?
Empowerment, for me, is recognizing that you have a role to play in this world, one that only you can fulfill. It’s about knowing that your voice, your actions, and your existence matter. Purpose is what gives our lives meaning; it’s the reason we wake up in the morning and decide to make a difference, no matter how small. I believe that every person has an important contribution to make, from the CEO to the garbage collector. We all have a role to play in making the world better. For me, my purpose is clear: to inspire, empower, and create impact. I’ve faced the loneliness of being misunderstood and judged, but my purpose has always been my anchor. It’s what keeps me moving forward even when it feels hard. Along the way, I’ve faced challenges, heartbreaks, and failures, but I’ve also learned the importance of letting go, forgiving myself, and staying true to my values. And above all, don’t overthink your role. Just
BEYOND THE BOOK, WHAT ACTIONS OR INITIATIVES DO YOU HOPE TO INSPIRE IN YOUR READERS? HOW DO YOU ENVISION “BOLD, BRAVE, AND A LITTLE BIT EXTRA” INFLUENCING THEIR LIVES IN A MEANINGFUL WAY?
This book is more than just words on a page; it’s a wake-up call. It’s a reminder to be your boldest, bravest self. And while you’re at it, add a little extra. Dream as big as you can; don’t limit yourself. What I really want readers to take away is this: your dreams have power. When you truly believe in them, when you have faith not just in the dream but in yourself, and when you act from a place of purpose that goes beyond selfinterest, your dreams will start to manifest. Here’s how: Write your dreams down, say them out loud, and focus on them. When you commit to your dreams this way, you’ll naturally start doing what it takes to make them happen. You’ll attract the right people, find yourself in the right environments, and discover opportunities that align with your purpose. More than anything, I want readers to take themselves seriously. Believe in the possibility of becoming the boldest, bravest, and most extraordinary version of yourself. This is your journey. You have the power to make your dreams come true. All it takes is faith, action, and a commitment to showing up for yourself every single day.
As Demee Koch continues to inspire individuals to embrace their potential and pursue their dreams, her book, “Bold, Brave, and a Little Bit Extra,” serves as a powerful reminder that greatness lies within each of us. Through her insights and experiences, she encourages readers to step into their authenticity, challenge their limitations, and create a life filled with purpose and passion. The journey may be fraught with challenges, but with courage and determination, anyone can unlock their true greatness.
“Bold, Brave, and a Little Bit Extra” is available on major e-commerce platforms, including Amazon.
A Grand Debut in Global Design and Sustainability
The Philippines shines at Ambiente 2025 in Frankfurt
By Maria Renker
The Philippines made a significant debut at Ambiente 2025, the world’s largest consumer goods trade fair held at Frankfurt Messe from February 7 to 11, 2025. This participation was spearheaded by the Center for International Trade Expositions and Missions (CITEM) under the Design Philippines banner, with substantial support from the Office of Senator Loren Legarda.
The showcase featured a diverse array of products, including home décor, houseware, festive and seasonal décor, furniture, and lighting fixtures. These items were crafted from indigenous materials and designed to cater to contemporary living, reflecting the Philippines’ rich cultural heritage and commitment to sustainability.
A total of 52 enterprises participated, with 21 hailing from Quirino Province and 17 from the Western Visayas region, specifically the provinces of Aklan, Antique, negros Occidental, and Iloilo. This initiative was in collaboration with the Design Center of the Philippines (DCP).
During the event, the Philippine Ambassador to Germany, H.E. Irene Susan B. natividad, visited the Philippine Pavilion at Frankfurt Messe, where she met with the delegation of exhibitors, designers, and representatives from CITEM and DesignPhilippines. Ambassador natividad expressed her pride and admiration for the exceptional craftsmanship and innovation showcased by Filipino artisans, emphasizing how the country’s first-ever participation in the prestigious trade fair marks a
significant milestone in promoting Philippine design and sustainable products to the global market. She engaged with exhibitors, learning about their creative processes, the indigenous materials they use, and their aspirations for expanding their reach in Europe and beyond. Her visit reinforced the Philippine government’s commitment to supporting local industries and further strengthening bilateral trade relations between the Philippines and Germany in the field of home and lifestyle products.
DesignPhilippines promotes the country as a sourcing destination for finely crafted products, celebrating Filipino creativity, craftsmanship, and sustainability. It serves as a global design movement that nurtures local artisans and contemporary designs.
CITEM, the export promotions arm of the Philippine Department of Trade and Industry (DTI), has spent 40 years establishing the country as a premier destination for quality export products and services.
This participation not only highlights the Philippines’ dedication to promoting its local industries on the global stage but also underscores its commitment to sustainable and ethical craftsmanship.
Some
CONTEMPORANEO
A furniture company based in Olongapo City, known for creating pieces using recycled wood chips from Philippine mahogany.
AZCOR LIGHTING
Specializes in innovative lighting solutions that blend traditional craftsmanship with modern design.
BON ACE
Offers a range of fashion accessories and home décor items that highlight Filipino artistry.
BUTTON N’ THINGS
Part of the Western Visayas group, showcasing unique handcrafted products.
TUMANDOK CRAFTS INDUSTRIES
An exhibitor from Western Visayas, specializing in handcrafted items that reflect the region’s rich cultural heritage.
CLASSIC COLLECTIONS
SOUTH SEA VENEER
SCT FURNISHING, INC.
MORE THAN A CHAIR
TADECO (TAGUM AGRICULTURAL DEVELOPMENT CO., INC.)
CSM PHILIPPINES
NATURES LEGACY EXIMPORT, INC.
33 POINT 3 EXPORTS
ALBERTINA
JALIKEE
AEROSTONE
JIREH FORGE
KLASSY COLLECTIONS
EMERGING EXPORTERS
TAHANAN FURNITURE
PARTNER ARTISAN COMMUNITY (FROM ANTIQUE & TARLAC)
ANTIQUE DEVELOPMENT FOUNDATION
MADDELA FLOWERS
RJS FURNITURE MANUFACTURING MELISA ALIPIO FURNITURE, INC
Smitten by Svalbard
A dispatch from the world’s northernmost Filipino community
By Khristin Aina Grana
Ican still remember vividly that endless day in the heart of July 2022, just a few days before I turned 27. The midnight sun cast its glow over Svalbard’s majestic fjords and mighty mountains. I was on board MS nordstjernen — a classic ship taking passengers on adventures around the waters of Spitsbergen. With a gentle lurch, we set sail, beginning our journey from Longyearbyen and cruising towards 80 degrees north. The sun refused to surrender to the night, unravelling the beauty west of the island, where cliffs draped in emerald green and earthy brown in broad daylight. I heard the waves crashing against the vessel; I marvelled at the turquoise blue waters. The air was still, as if the world held its breath along with mine.
KHRISTIN AINA
GRANA was one of the first people I encountered when I arrived in Longyearbyen, Svalbard, the northernmost town in the world. She can often be found behind the counter of the hotel and hostel Gjestehuset 102, welcoming visitors to the unique place she now calls home. Born in Mindanao, she is one of over 100 Filipino nationals who live in Svalbard — making them the largest non-Norwegian population group on the island (a visa-free territory under Norwegian sovereignty). Though she writes poetry and prose as a hobby, this is her first published piece. I hope readers will take her as an example and be inspired to write about their own experiences living in often-overlooked communities around Europe.
— Jennifer Fergesen, Norway country editor
At that very moment I knew I was smitten by Svalbard.
Coming from the tropics down in the south of the Philippines, it might appear ironic to people to find me living the Arctic life as an equator girl. I’ve lost track of the number of times people have asked me the question, “Why Svalbard?” Whether you believe in destiny or not, my answer will always be — fate. It's my whole story squeezed into one word, since going to Svalbard was never really in my plans. In fact, I never knew there was an inhabitable island close to the north Pole until a few days before my flight. This is just one tale among many other tales of locals who chose to make the island their homes. Many curious, adventurous souls have decided to make their way to the Arctic, having no expectations, but eventually forging an unexpected connection to the island. A connection which feels like a warm embrace on a stormy night. A connection that comes with a sense of belonging and reassurance, one that caresses like a blanket of peace.
I spent my life being surrounded by the vibrant green landscapes and the warm breezes of the South until life led me north. Living in Svalbard has taught me to dance through the rhythm of the seasons, to find beauty in contrasts, and to cherish the ever-changing light. I have never truly grasped the depth of one's attachment for a place until I lived here.
One quiet morning, I looked out my window from the edge of town and thought, 'Am I the only one that feels this?'
“ SVALBARD
“It is the contrast between the extremes of nature and the simplicity of life.”
“I can't quite put it into words, but it's simply the feeling of belonging— of being home.”
HAS
JUST
A WAY OF PULLING YOU IN — THE MORE YOU LEARN, THE MORE YOU LONG TO KNOW.
Curious about how others perceive Svalbard, I asked those around me; 'What makes Svalbard so special to you?'
I could see them gather their thoughts, as if waiting for the feeling to align with their words.
“The humbling sensation of my insignificance amidst this vast Arctic tundra.”
“The slow polar nights and the active polar days.”
“The feeling of being at peace and being one with nature.”
“The warmth of being in a diverse tight-knit community.”
“The colliding of the orange and blue on an autumn day.”
“The pastel view one morning in February, and the sunset on my window frame.”
“Other than its surface, Svalbard is its people.”
“It's the fact that I always look forward to coming back.”
Their words captivate me, resonate with me, and unfold like pieces of a larger story.
Everyone that has seen and experienced the island surely carries their own tale — a story of that unexplainable interest, an obscure fascination, and an indefinite connection, all rooted to one reason; Svalbard and everything that comes with it. Svalbard has just a way of pulling you in—the more you learn, the more you long to know. From the moment you experience it, it just lingers with you forever. It has now been seven years since I first stepped foot on this island so far north that I now call home. From the snowcovered landscape that welcomed me in April 2018 to the never-sleeping glorious days in the summertime; from the fleeting moment of fire before the world turns to ice to the harsh, long nights of the dark winter; from the soft hues of light that creeps back in February to that one unforgettable cruise north. I am certain there is no getting over it.
The thought of living such a life is just overwhelmingly good. I speak for those whose feelings mirror my own and whose sentiments are one with mine; I am quite sure I am not the only one smitten by Svalbard.
Surf, Sun, and Corgis
Meet Siargao’s Cutest Café Crew
By Jenny Hansen
Mommy dog Covy with her 7 puppies: Grumpy, Happy, Dopey, Sneezy, Docy, Bashy and Sleepy.
PHILIPPINES
The tropical paradise island of Siargao is known as the surfing capital of the Philippines, but did you know it is also home of the country’s very first corgi café? FilipinoSwedish entrepreneur Carl Hansen (the author’s brother), together with his partner Colleen Vidal, opened this unique café, Isla Corgis, in late 2023. This was not their initial plan, but when their beloved Welsh cor gi had seven adorable, healthy puppies, they found themselves unable to part with them. As avid travelers, they were inspired by the popular phenomenon from Japan, where you can find different types of animal cafés in many cities.
Located in the area of Jacking Horse, right on the beach and just a few steps from the world-famous surf spot Cloud 9, you can find this very special café. From the outside it looks like a regular island café, and if you’re just passing by on your way to the beach you are welcome to order fruit shakes, coffee or milk teas on the go. If you want to step inside and meet the dogs, you will first be greeted and presented with the guidelines. It is important to note that these dogs are not just pets. They are an important part of Carl’s and Colleen’s family, and there are a few
essential rules to follow to ensure the safety and happiness of the dogs and the visitors.
The aura of the place is very welcoming, and you can tell that the staff really care about and love all of the corgis. After making sure that you understand the do’s and don’ts, you will need to sanitize your hands and feet and change into clean slippers that will be provided to you. There is no entrance fee, as long as you order a drink upon arrival you are welcome to enter and will also be given a handful of treats to feed the doggies with. Inside you will find the mama dog, Covy, and her seven Corgi puppies, all named after Snow White’s seven dwarves. All have unique personalities and varying abilities to do different tricks such as sit pretty, play dead or shake paws.
It is very touching to see that both the owners and the staff are animal lovers through and through. You can see them regularly engage in sponsoring the care for strays in the area, as well as fundraising and donating to nGOs that are dedicated to the same cause. Almost instantly, Isla Corgis became a success and an attraction that dog lovers from all over the world make sure to not miss out on when visiting the island.
Owners Carl and Colleen together with the corgis and their German Shepherd Cory
The staff of Isla Corgis
The Unspoken Core
A personal essay on art, process and grief
By Cat Jimenez
It’s two days before the deadline, and I’m still wondering why the hell I chose to write about myself. A truly questionable life decision. And yet, here I am, oscillating between overanalyzing sentence structures and remembering that I still haven’t done my laundry. What a moment.
I could have let Ralph write this. He would have made it sound sleek, effortless, maybe even impressive. But no—instead, Ralph is now my editor, and I’m left balancing my high expectations with my, let’s say, “developing” writing skills. Did I choose the right battle? We’ll find out.
Hi, I’m Cat Jimenez, and I have bad time management. Professionally, I am a performer, dancer, and choreographer. I’ve performed in spaces like Impulstanz Festival and Ars Electronica and explored battle spaces around the world. I have been lending my skills as an outside eye and coach for other artists and their productions and had the pleasure of curating Kultursommer Wien for the past three years.
People see me in productions, on stage, in battles, in residencies, on social media— the visible, tangible outcomes of my work. While I’m juggling multiple projects, I’m also busy on multiple fronts, like maintaining my physicality through different training sessions, documenting and refining my artistic practice, writing applications, calculating budgets and negotiating, prepping
for castings, and updating my portfolio. I don’t believe in multitasking, but apparently, I live by it.
But what truly fascinates me is the process. The inner work.
ZOOMING IN
I spend a lot of time observing objects—how they move, breathe, exist within a space. And the context in which objects exist. How meaning shifts when you change perspective, how an object’s significance can transform simply by the way we engage
the core of things. That core isn’t always pretty, but it’s alive. That’s what excites me.
Right now, I’m deep into my research for Magic Thing—a grieving piece, which explores loss, transformation, and the ephemeral nature of existence. Grief isn’t just about losing someone; it’s about the rupture in meaning that follows. It’s not the object itself that breaks us, but the web of emotions and histories tied to it, forcing a reckoning with who we are in its absence. When I share my process with others, I see how people light up in recognition—grief, it turns out, is movement itself. It burns, shifts, dissolves, and reforms. This specific work blends dance, somatic research, and an attention to detail that borders on obsession to embody this constant state of flux. And yet, do I feel like I’m far enough along in my research? Of course not. The more I learn, the more I realize how much I still don’t know.
with it. This curiosity extends beyond objects to the inner body— which can be anything, really: a thought, an emotion, a collective experience. And transformation just happens. Movement is never just movement; it carries history, memory, and the unspoken. And if you dig deep enough, you get to
CONNECTING
This inquiry into loss is also deeply tied to my experience as a Filipinx artist in the diaspora. Migration is often framed as an opportunity, but what rarely gets discussed is the grief woven into it. Leaving home—whether by choice, necessity, or generational circumstance—creates a void that many don’t dare name, fearing it diminishes the privilege of being here. The first generation rarely speaks of it. The second
and third generation, however, is beginning to.
This unspoken grief connects not just the Filipinx experience, but all experiences of displacement, disconnection, and systemic loss. And it’s a potent ground for artistic work—something raw, urgent, and necessary. To me, this is where the conversation about grief expands—it’s not just personal; it’s structural, global. And it connects us more than we realize.
ZOOMING OUT
Of course, just as I’m getting into the depths of all this, I start wondering if I’m even structuring this article correctly. Am I leading you, dear reader, to a satisfying conclusion? Or am I spiraling into yet another philosophical detour? Classic Cat. But here’s the thing: navigating the art world is its own balancing act. Working between institutional frameworks and the raw energy of artistic practice— while existing in a world that often measures value in productivity— means constantly negotiating what gets lost and what remains potent. How do you maintain the integrity of your work while playing the game?
Ralph tells me that writing is a great process for looking inward. And honestly? He’s right. Finding the right words is like finding the right movement— when it clicks, it just feels true. Curating, choreographing, writing—it’s all the same pursuit in different forms. And maybe, just maybe, this scattered mind at the beginning of this piece found some sense of cohesion in the end. Or at least, that’s what I’ll tell myself to justify these last two days of frantic typing.
(And yes, I still need to do my laundry.)
“ MIGRATION IS OFTEN FRAMED AS AN OPPORTUNITY, BUT WHAT RARELY GETS DISCUSSED IS THE GRIEF WOVEN INTO IT.
‘We Are Still Filipinos’
Insights from Roots & Wings’ youth editor on being a young Filipino abroad
By Alfonso de Vera
There is no doubt that there are plenty of Filipinos living abroad. In fact, as of 2019 there are over 15 million Filipinos living abroad, so we can assume the number has only increased in the past six years. Whether it be in search of better opportunities or to support their family back home, they all have a reason for why they’re residing abroad but it mainly boils down to one thing: family.
As Filipinos, family and familial relationships play an integral part of our culture. Wanting the best for your spouse and children is a common trait for Filipinos which is why a lot of Filipinos decide
to settle down abroad, so that their children may have a better future. Living abroad brings plenty of opportunities, privileges, and experiences that not that many Filipinos can experience in the Philippines. However, is it really all sunshines and rainbows for the children? While they may be able to experience diverse perspectives and cultures while growing up abroad, how connected do they really feel to their Filipino roots? That’s what I set out to find out.
By asking and talking to Filipinos over the age of 14 that were raised or even born abroad, I’m able to bring forth their unique perspective as well as
Photo by Migs Reyes via Pexels
their one of a kind experiences to the forefront. The perspective of the Filipino youth living abroad is an interesting thing. There are plenty of preconceived notions that others may have towards Filipinos living abroad which further creates a divide between us. With this, I wish to close that gap by hopefully even an infinitesimal amount by showing the perspectives of different Filipino youths living abroad.
DIVERSE OPPORTUNITIES
While the Filipinos who I surveyed all come from different countries—Sweden, Austria, the UK—they still share some similar perspectives. When asked about what advantages they have for being a Filipino born or raised abroad, their answers went hand in hand with each other. Plenty emphasised the opportunities and diversity they were able to garner due to living in countries outside of the Philippines. With their environment being culturally diverse, they not only get to experience different cultures on a daily basis, but are also able to educate themselves on more topics.
Filipino youth abroad are able to connect with people from diverse backgrounds, whether from their friend group or strangers they meet on the street. And with the large pool of opportunities they have in their grasp, they are able to have a more positive and optimistic view of their future, feeling as if anything is possible. When asked about what they hope to accomplish in five years, many of them already have a path in mind. As most of the participants are still studying, most of them wish to be able to finish their studies and further their educational career as well
as find a great job, and living abroad will surely help further those goals.
But of course, whenever the sun shines on one side of the globe, there is always a dark side. While Filipino youth do admit that they are more lucky and privileged than some of their peers, that doesn’t mean they have their own hardships and struggles. While their struggles may not be strictly in the physical sense, plenty have shared their issues with their own identity. When asked about the disadvantages of being born or raised abroad, all of their answers shared a common theme: a disconnect to their own Filipino culture.
A CULTURAL DISCONNECT
While their families have of course tried their best to raise them in a Filipino environment, that can only bring so much when living in a predominantly white country. With all of them being forced to assimilate to their residing country’s language and culture, the Filipino part of their lives has to take a back burner. Many of them expressed their disappointment in their own inability to speak a Filipino language, as this is not only the language their parents speak, but also serves as a bridge between them and their own Filipino culture and heritage. Being unable to speak Filipino means that their connection to being Filipino feels shaky and can disappear at any moment. But one of the more pressing issues that Filipino youth abroad face is racism.
While luckily the majority have not experienced any prejudice or blatant racism, some unfortunately have experienced the ugly side of living in a foreign
Photo by NamikazeMinato via Pixabay
country. The scale of how severe these cases of racism were ranged from subtle to obvious. Subtle things like experiencing microaggressions from not only their peers but also authority figures happened pretty often, which made it difficult to speak up about, especially when you’re trying to fit into a society where you are obviously different. These little comments may seem harmless to the speaker, but feel like an attack of tiny needles to Filipino youth.
On the opposite side of the scale, participants described their appearances being made fun of and stereotypes being pushed on them, with some aggressors even going as far as telling them to “go back to their own country.” But what is “their own country” when they were born or grew up in the country they’re living in?
QUESTIONS OF IDENTITY
While they may have been brought up in a different country, they are still Filipinos. Do they feel the same, however? When asked how connected they felt to their Filipino heritage, the majority answered positively, saying that they strongly felt connected to Philippine culture. While a select few answered on the lower end of the scale, none of them outright felt detached or cleaved from their Filipino heritage. This question was also paired with whether or not they identified as more Filipino or non-Filipino. Their answers were the same. They all identify as Filipino, and their reasoning boiled down to one point: They were born Filipino.
Their parents are Filipino, they were raised with Filipino culture, some are even constantly surrounded by Filipino peers. There are still some, however, who feel less connected to their heritage compared to their peers, saying that they sometimes feel very “othered” when in the Philippines, having difficulty relating to other Filipinos.
While speaking to participants and going through their answers, I could truly relate to everything they said. I myself am a Filipino who was raised in countries that had different cultures than mine, and even though I spent half of my childhood abroad and half of it in the Philippines, I related to every single one of their answers. Their feelings of misplacement no matter where they are truly resonated with me.
But seeing that other people, my peers, have experienced similar things to what I have made me feel more seen and I hope they do too. Even though we were raised or born abroad, and feel too Filipino in the country we live in but at the same time not Filipino enough in the Philippines, at the end of the day, we are still Filipinos.
Photo by Migs Reyes via Pexels
Call for Contributors
Roots & Wings, the online Filipino magazine in Europe, founded in 2009, is looking for more voluntary contributors and country editors, especially in the following countries:
Italy, Denmark, Finland, Iceland, Portugal, Malta, Greece, Poland, Turkey, Ireland
You do not need a degree in journalism, but you should enjoy writing, be flexible, open-minded, and curious, and have a good overview and friendly contacts with the Filipino community where you live.
If you'd like to be part of our happy and dynamic team, please send your CV and a writing sample to rawmags.rebecca@gmail.com
Photo by cottonbro studio via Pexels