梁允睿 RAY LIANG
Interior Design Portfolio for Compulsory Curricular Internship
SELECTED WORKS 2019 - 2023
INTERIOR DESIGN —
PORTFOLIO
Yun-Jui Liang (Ray Liang) Politecnico di Milano, Italy MSc. Interior and Spatial Design Email: yunjui.liang@mail.polimi.it
PROLOGUE
I'm Yun- Jui Liang, also known as Ray Liang, a n i n t e r i o r d e s i g n e r f r o m Ta i p e i , Ta i w a n , with a six-year immersion in interior design. At Asia University, I earned a B.F.A. in Interior Design and was honored with the prestigious Founder's Award, reflecting my dedication and creativity. My undergraduate tenure was marked by excelling in design competitions and culminated in the Student Outstanding Achievement Award. Currently pursuing an MSc. in Interior and Spatial Design at Politecnico di Milano, Italy, I'm broadening my design horizons amidst diverse cultural influences. This portfolio showcases my passion and design ethos, featuring works embodying my vision — exploring new dimensions within spaces and transforming conventional perspectives into innovative narratives.
Yun-Jui Liang ｜ Ray Liang CONTACT +39 380 1438501 / Italy +886 916 649 109 / Taiwan E-MAIL yunjui.liang@mail.polimi.it
WEBSITE
CONTENTS
MASTER
01
UMARELL
03
ARIA: Project in the Air 2023 /06．Summer Milan, Italy
02
INTERPRETING DANIEL BUREN
07
Sunglasses Pop-up Shop based on Artistic Language 2023 /05．Spring Milan, Italy
BACHELOR
03
PARASITIZATION & REHABILITATION
09
Thesis Design Project 2020 /09．Summer ｜ 2021 /05．Spring Taichung, Taiwan
04
THE NONE RESIDENCES
19
Complex Residential 2020 /01．Winter Miaoli, Taiwan
05
FABRIC WAVE
23
Fashion Maker Space 2019 /03．Sping Taipei, Taiwan
FREELANCE
06
DELICATESSEN ROASTED FISH
27
Sichuan Roasted Fish Restaurant 2020 /06．Summer Taipei, Taiwan
03
01
UMARELL
01 UMARELL
ARIA: Project in the Air Politecnico di Milano ｜ Ephemeral and Temporary Spaces 2 Lab 2023 / 06 ．Summer Group Work
Yun-Jui Liang, Lingxi Zhang, Mayar Farrag, Federica Conetta
Role
Visualization /3D Modeling /Rendering /Techinal Drawing
Instructor
Anna Meroni, Claudia Mastrantoni, Giordana Ferri
Location
Milan, Italy
Site Area
4358.9 m2
The ongoing Ex-Macello project represents neighborhood expectations and imagination, but a divisive wall hinders community understanding and engagement. We aim to empower the wall with more possibilities, allowing residents to actively access updates and project details, fostering community involvement.
04
RAY LIANG PORTFOLIO
01 CONCEPT
UMARELL
INFORMATION GAP
PERISCOPE
Refers to elderly men observing construction sites, often seen with clasped hands behind their backs.
Perimeter walls block residents from accessing renovation information, hindering their involvement in the neighborhood’s changes.
Innovative mirrors offer 24/7 surveillance, letting visitors observe construction work through reflections for in-depth insights.
MASTER PLAN A
B
D
C
E
1
2 F
A
PAVILION A
: Social Gathering
B
PAVILION B
: Meeting (Table)
C
PAVILION C
: Corridor / Camera
D
PAVILION D
: Watchtower
E
PAVILION E
: Rest / Workshop
F
PAVILION F
: To Peek / Camera
1
PORTICO 1
: Photo Wall
2
PORTICO 2
: Info / Reception
Our pavilion concept enables residents and visitors to have an umarell-like experience by approaching the construction site, following the progress, and sharing insights and feedback. It aims to break down the barrier between the community and the construction site, fostering a sense of connection.
05
01
UMARELL
PAVILION A ｜ Social Gathering 35 m2
PAVILION B ｜ Meeting Space 32.1 m2
PAVILION C ｜ Corridor / Camera 14.9 m2
PAVILION D ｜ Watchtower 8.9 m2
PAVILION E ｜ Rest / Workshop 14.4 m2
PAVILION F ｜ To Peek / Camera 8.5 m2
PORTICO 1 To display visitors’ photo collections taken during their journey around the perimeter and as a hub for conversing and sharing experiences with fellow explorers.
06
RAY LIANG PORTFOLIO
PORTICO 2 As the central hub, it provides an overview of activities, navigation guidance, site info, pavilion details, and schedules through posters, screens, and interactive displays.
01
PAVILION A The prime location is next to the parking lot and offers ample space for gatherings or local organization activities, ideal for those arriving by car or seeking a versatile space.
PAVILION B The two-floor pavilion includes an information area with a periscope function and a second-floor meeting space with tables and chairs.
PAVILION C A narrow passage with a transparent PMMA waveboard that includes periscope features for information checking to attract visitors coming from the train station.
PAVILION D Positioned far from the main circulation area, this pavilion, the tallest, piques curiosity as an information hub with a periscope feature and evening lighting.
PAVILION E Available for organizations hosting children’s activities or individuals seeking relaxation, polycarbonate maintains outdoor connections and ensures privacy.
PAVILION F Serving as the journey’s starting point, it offers information and a camera for visitors to capture themselves and the progress of ongoing construction.
07
02
INTERPRETING DANIEL BUREN
02 INTERPRETING DANIEL BUREN Sunglasses Pop-up Shop based on Artistic Language Politecnico di Milano ｜ Arts and Languages of the Present 2023 / 05 ．Spring Yun-Jui Liang, Hu Xinyu, Selin Ilker
Role
Visualization /3D Modeling /Rendering
Instructor
Luca Guerrini
Location
Milan, Italy
Floor Area
12.96 m2
A’
Group Work
10
10 3
6
3
25
6
360 10
360 6 3 10
322 3
62
3
62
60
25
10 3 6
10
2
79
15
79
360
340 2
10 79
2
79
6 3 10
10
340
10 3 6
62
3
62
3
10
62
3
62
3
62
6 3 10
14
6 3 10
Shelves
79
25 15
120
Mirror
5 9
10 3
60
20 40
42
1
1
187
40
42
3
16
4
66
18
151
18
41
25
4
16
2
R120
69 31
79
A
40
322 360
2
Display Cabinet
40
A
31
40 69 241 330
79
25
25
2
69
40
40
60
79
40 100
60
100
120 69
40 120 3
6
3
10
6 10
25
40 15
5
A’
62
FLOOR PLAN
SECTION A-A
Inspired by Daniel Buren, our design disrupts space with black and white stripes, guiding customers through a visually stimulating experience that challenges traditional art-space perceptions. It incorporates an X-shaped shelving system, prismatic shapes, colored glass, and mirrors, inviting viewers to reconsider the connection between art, space, and the observer.
08
RAY LIANG PORTFOLIO
02
09
03
PARASITIZATION & REHABILITATION
03 PARASITIZATION & REHABILITATION THESIS: Modualr Juvenile Reform School Asia University ｜ Thesis Design Studio 2020 / 09 ．Summer ｜ 2021 / 05 ．Spring Indivudual
Yun-Jui Liang
Instructor
Jacksam Yang, Shou-Shu Liu
Location
Taichung, Taiwan
Site Area
9656 m2
Honorable Mention, Architecture MasterPrize 2021
Dating back to the 16th century, prisons were the only space where the country could use violence to rule their people. As the times have evolved, the concept of the prison has gradually changed from a punitive to a corrective one. In many countries around the world, including Taiwan, prisons are facing a dilemma of high over-incarceration and recidivism rates, and there is a strong correlation between the lack of prison space and correctional outcomes. This Thesis Design Project is an attempt to propose the possibility of solving the problem of over-incarceration and improving the effectiveness of correction.
10
RAY LIANG PORTFOLIO
ASIA
TAIWAN
TAICHUNG
NANTUN
03
MASTER PLAN
11
03
PARASITIZATION & REHABILITATION MODULAR CELL TYPES
Average
Gratification Average Punishment
6.25 mq 6.25 mq/ person
Gratification
6.25 mq 6.25 mq/ person 2.5 x 2.5 x 2.5
2.5 x 2.5 x 2.5
Type A2
Type A1 Punishment
6.25 mq 6.25 mq/ person
Punishment
2.5 x 2.5 x 2.5
Average
12.5 mq 3.125 mq/ person
6.25 mq 6.25 mq/ person
Average
12.5 mq 3.125 mq/ person
Gratification
5 x 2.5 x 2.5
Type B4
12.5 mq 6.25 mq/ person
6.25 mq 11.96 mq/ person 2.5 x 2.5 x 5
1F
Type C1
2.5 x 2.5 x 2.5
Average
12.5 mq 6.25 mq/ person 5 x 2.5 x 2.5
12.5 mq 6.25 mq/ person
Gratification
5 x 2.5 x 2.5
Punishment
6.25 mq 3.125 mq/ person
Type B3
Type B5
Gratification
6.25 mq 6.25 mq/ person
Type A6
Type B2
Type B1
Punishment
5 x 2.5 x 2.5
5 x 2.5 x 2.5
unreliablity
2.5 x 2.5 x 2.5
2.5 x 2.5 x 2.5
Average
squeeze
privacy crowd
Type A3
Type A5
Type A4
Punishment
sunshine
12.5 mq 12.5 mq/ person 5 x 2.5 x 2.5
Type B6 6.5 mq 1.56 mq/ person
6.25 mq
2.5 x 2.5 x 5
2.5 x 2.5 x 5
2F
Type C2
Stairs Unit
Changing the modular parts can produce simple changes in the size of the cell and change the elements of the cell interior to create a different spatial feeling.
12
RAY LIANG PORTFOLIO
Discipline and Punish : the Birth of the Prison. New York :Pantheon Books, 1977 #split 分割 #single room 單人房 #w.c. privacy 如廁隱私
TYPE B5
#privacy 隱私 #sunshine 陽光 #single room 單人房
TYPE A2
Gratification
TYPE C1
Gratification
8 hours
#attic 閣樓 #single room 單人房 #dbl-entrance 雙出入口
封閉 壓迫 腳步聲
Gratification
overnight #sightline 視線 #unreliable 不安 #no privacy 缺乏隱私
Michel Foucault
TYPE B6
Gratification
8 hours #closed #squeeze #footsteps
#single room 單人房 #extra terrace 額外露臺 #w.c. privacy 如廁隱私
overnight #sightline 視線 #highlight 強光 #no privacy 缺乏隱私
1926-1984
overnight #sightline 視線 #unreliable 不安 #no privacy 缺乏隱私
#sightline #crowd #power
視線 擁擠 權力關係
03 TYPE A6
Punishment
TYPE A4
Punishment
TYPE A3
Punishment
TYPE A5
Punishment
TYPE C2
Punishment
CONCEPT ｜ GRATIFICATION & PUNISHMENT
1. SOLAR AZIMUTH
2. BUILDING BLOCKS
3. MERGING BUILDINGS
4. FRAME THE VIEW
5. PUBLIC AREA
6. COMPLETE BUILDING
By dividing the prison into three zones for correction in stages, the circulation and vision of each zone will cause strong psychological feelings to the prisoners in different periods.
13
03
PARASITIZATION & REHABILITATION
N
2 4
3 15
5
1
6
10
7
8
9 11 1. Main Entrance 2. Modular Prison Exhibition 3. Reception Registration 4. Cooperative Store 5. Reception Security Check 6. Gratification Reception Area 7. Zone I / Textile Factory 8. Zone I / Cell Components Factory 9. Zone I / Agriculture 10. Outdoor Space 11. Basketball Court(Half-Court) 12. Rock Climbing Area 13. Prisoners' van Parking Lot 14. Fitness 15. Canteen
14 12
13
0
12.5
87.5M 37.5
GROUND FLOOR PLAN In circulation planning, relatives are allowed to go deep into the center of the prison during reachable reception, and visitors are also entitled to visit the exhibition of modular cells in the more external area
N
3 2
1
4 5
12
7
13
6
8 9
11 10
0
12.5
87.5M 37.5
1. Zone II / Passage 2. Basketball Court 3. Zone II / Reading Area 4. Central Station 5. Zone I / Classroom 6. Zone I / Horticulture 7. Zone III / Passage to Central 8. Zone III / Administrative Office 9. Zone III / Classroom 10. New Inmates Zone / Office 11. Zone II / Outdoor Space 12. Basketball Court(Half-Court) 13. Zone II / Kitchen Site
3RD FLOOR PLAN As inmates pass through the various zones of the prison, framed scenes in the passageways capture views of the city, the behavior of other inmates, and the available gratification.
14
RAY LIANG PORTFOLIO
CONCEPT MODEL ｜ CROSSING THE MODULAR STACK
03
CONCEPT MODEL ｜ MODULAR CONSTURCTION
15
03
PARASITIZATION & REHABILITATION
N
7
8
4
5 6 2 1
2
9
3
1. Juvenile Detention Centre-Zone I 2. Juvenile Detention Centre-Zone II 3. Juvenile Detention Centre-Zone III 4. Taichung Prison 5. Taichung Peide Prison Hospital 6. Correctional Education Center 7. Detention Center 8. Juvenile Detention House 9. Renyou Bus Station
VISITOR LOBBY From here, visitors and inmates' families can get a partial view of the prison through the windows and either go to the reception or the prison exhibition hall to learn more about the prison.
DISCIPLINE
S
TIVE
RELA
DISCIPLINE
S
R
IVE ELAT
DISCIPLINE
DISCIPLINE
S IVE
AT REL
DISCIPLINE
S
ATE
INM
RELATIVES
INMATES
DISCIPLINE USER ACTIVITIES
Zone II
Village
Zone I
Zone II
Zone III
Juvenile Detention Centre Building Road
Stream Waterfront
Wasteland Road
TERRAIN SECTION Located in the foothills of Dadu Plateau, the beautiful scenery gives the inmates a visual interaction with the outside world and the accompanying psychological impact creates a stronger desire to return to society.
16
RAY LIANG PORTFOLIO
03
ZONE II ｜ PASSAGEWAY Inmates passing through prison zones see city views, inmate behavior, and benefits through framed scenes,
which strongly influence their psychology, achieving internal supervision.
01 Being Observed
02 Limited Freedom
03 Temporary Meeting
04 Distance with Family
05 Interface of Freedom
06 The Outside World
VISUAL SENSE The space is made more transparent by using the staggering of heights and floors, changing the confinement and darkness caused by the division of various functional spaces in the prison.
17
03
PARASITIZATION & REHABILITATION
RECEPTION AREA A scenic area above the stream where well-behaved inmates can have face-to-face meetings with their families, visible to other inmates passing through the passage above.
Reading Area
Zone II
Zone II - Zone I Pathway Central Station
Zone II / Basketball Court
WEST SIDE SECTION
Entrance
Exhibition Hall
wc Visitation Passage
18
RAY LIANG PORTFOLIO
Reception Registration Waiting Area
Gratification Reception Area Check Point
Stream
03
ZONE I ｜ CLASSROOM The terrace classroom serves as the pathway between the basketball court and cells. Vertical circulation is employed to both segment the space for practical purposes and enhance a feeling of openness.
Zone I / Basketball Court
Zone I / Horticulture Zone I
Zone I
The design allows visitors to enter more deeply into the prison, and the circulation is divided into sections to ensure the security requirements of the prison.
Zone I / Textile Factory Zone I / Cells
Zone I / Cell Components Factory
19
04
THE NONE RESIDENCES
04 THE NONE RESIDENCES Residential Complex for All Ages Group
Asia University ｜ Commercial Space Design Studio 2 - Competition 2020．Winter Indivudual
Yun-Jui Liang
Quality Award, Decor House Award 2020
Instructor
Shih-Yuan Liu
Silver Award, Taiwan Good Design Award 2020
Location
Miaoli, Taiwan
Winner, Architecture MasterPrize 2020
Floor Area
620.9 m2
Winner, DNA Paris Design Awards 2020 Honorable Mention, International Design Awards 2020 Excellence Award, FCDA International Design Awards 2020 Official Selection, London International Creative Competition 2020
The 2020 Décor House Award responds to the surging global elderly population. Emphasizing safety for all age groups, the residential design prioritizes smooth circulation and functional public spaces, steering clear of sharp angles. Rooted in Hakka culture, the design translates tradition into a contemporary vocabulary, resulting in a residential complex devoid of angles and sharp edges.
20
RAY LIANG PORTFOLIO
SAF
ETY
ALL
ES
AG
Fillet
Embrace NONE SHARP ANGLE CONCEPT
The design incorporates the beauty of the Hakka Rush-weaving, and continues the arcing approach of the traditional Hakka Roundhouse, effectively reducing the sharp angle to create a safe living space, and emphasizing the sense of Trustworthiness enclosed by the curved wall.
04 4 7
5
6
8 2 1 3
1. Lobby 5. Container of Fresh Delivery
2. Reception Counter 6. Elevator
3. Staff Lounge 7. Yoga Classroom
4. Supermarket 8. Reading Center
0
1
7M 3
1st FLOOR PLAN Scale : 1/200 cm
21
04
THE NONE RESIDENCES
MASTER BEDROOM ｜ 2F The protrusions are substantially rounded off, precisely fillet and curved walls are done to free the hostile protrusions and deliver a sense of cleanliness, coziness, and trustworthiness.
1
5
6
2
7 4
3
8
1. Entryway 5. Bedroom
8
2. Living Room 6. Bath
3. Kitchen 7. Maser Bedroom
2nd FLOOR PLAN Scale : 1/100 cm
22
RAY LIANG PORTFOLIO
4. Dining 8. Balcony
0
0.5
3.5M 1.5
The wall from the entryway extends into a cabinet, shoe cabinet, and TV wall, while the other wall extends into the tables and countertop of kitchen. The curved shape provides a sense of trustworthiness and hidden functionality of the home need.
LIVING ROOM ｜ 2F
04
As a room for young children, the interior spaces including closets, bed cabinets, and bookshelves follow curved walls and fillet design as a way to avoid the risk of injury caused by children falling.
BEDROOM ｜ 2F
23
05
FABRIC WAVE
05 FABRIC WAVE Fashion Maker Space
Asia University ｜ Commercial Space Design Studio 1 2019．Spring Indivudual
Yun-Jui Liang
Instructor
Shan-Shan Ho, Jung-Hsuan Chan
Location
Taipei, Taiwan
Floor Area
469.4 m2
Bronze Award, Taiwan Society of Interior Designers Student Award 2019 Excellence Award, IAI Design Award 2019 Finalist, K-Design Award 2020
The 2019 Taiwan Society of Interior Design Competition site, once the 1937 Songshan Tobacco Factory in Taipei's Songshan Cultural and Creative Park, is now an art exhibition center. The objective is to craft an exclusive space for fashion designers, preserving the monument's original look while modernizing the interior. The design incorporates dynamic fabric imagery for both aesthetics and functionality.
24
RAY LIANG PORTFOLIO
05
SKETCH 2019．February 25
05
FABRIC WAVE
WAVE MOTION 01
WAVE MOTION 02
WAVE MOTION 03
INVERT 01
WAVE MOTION 04
WAVE MOTION 05
WAVE MOTION 06
INVERT 02
THE DANCING FABRIC Through concept models, it is possible to observe the movement of fabric through wind and translate it into a functional spatial volume.
FLATTEN
WAVE MOTON
INVERT
CONCEPT By capturing the waving, twisting, and invert moments of the fabric, the soft, rhythmic, and continuous nature of the fabric defines the character of the space. A large number of curved surfaces form a strong impression of visual style. The pure white theme resonates with the unprocessed fabric inviting designers to add color and vitality to the scheme.
26
RAY LIANG PORTFOLIO
ISO Isometric Projection of the whole fashion maker space. ENTRANCE N
2 1
05 3
4
5
7
8
6
1. Reception Desk 5. Presentation Runway
2. Dress up Area 6. Presentation Area
3. Disscussion Area 7. Sewing Area
4. Pattern Making Area 8. Photo Studio
0
1
7M 3
FLOOR PLAN Scale : 1/200 cm
27
06
DELICATESSEN ROASTED FISH
06 DELICATESSEN ROASTED FISH Sichuan Roasted Fish Restaurant Freelance Project ｜ Renovation 2020．Summer Designer
Yun-Jui Liang
Logo Design
Hank Huang
Client Location
Delicatessen Roasted Fish 伙房烤魚 Taipei, Taiwan
Floor Area
85.9 m2
Design Area
54.5 m2
This design revamps the brand’s black and red theme, replacing the original red with a vibrant orange-red. It retains the original broken and rough walls, seamlessly blending traditional and modern elements. To address the prevailing pandemic, the design relocates the grilling area from a closed kitchen to a prominent spot at the restaurant entrance, aligning with the client’s emphasis on takeout services in their business transformation plan.
28
RAY LIANG PORTFOLIO
06
29
06
DELICATESSEN ROASTED FISH Huo
Fang
Fire
Kao
Yu
Grilled
Fish
Fire
Partner
House
CONCEPT Capturing the character of "Fire" #df1a14 in the chinese name of the restaurant, and redefining the colors of the #a73a35 brand, also reinforcing the sense of " Roasting" temperature in the space.
ELEVATION Scale : 1/50 cm N
11 1
13
9 2 10
7 3
5
12
9 4 ENTRANCE
6 8
1. The Image Wall 5. Grill Area & Order for to go 9. Serving 13. Way to Storage & WC (No design needs)
2. Aquarium 6. Display Wall 10. Beer Kegerator
3. Charbroiler 7. Kitchen (No design needs) 11. Display Cabinets
4. Checkout Counter 8. General Supply 12. Dining Area
FLOOR PLAN Scale : 1/100 cm
30
RAY LIANG PORTFOLIO
0
0.5
3.5M 1.5
Chinese Elements
Signboard
Structure
Corridor
Image Wall
Dining
06
To Go
ISO Isometric Projection of the restaurant space.
31
06
DELICATESSEN ROASTED FISH
INTERIOR PERSPECTIVE ｜ I The interior of the restaurant retains the old wall surface and adds traditional Chinese windows to create a chinese vista effect.
INTERIOR PERSPECTIVE ｜ II The ceiling uses various traditional Chinese windows to create a sense of layering, and the display cabinets are used to conceal the smoke ducts protruding from the kitchen.
32
RAY LIANG PORTFOLIO
CONCRETE OLD (Rough) RED BRICKS OLD (Rough)
WALNUT RUSTIC PLANK SOLID SOFTWOOD PAINT WITH WOOD LACQUER (Rustic) OAK COCO EURO NERO
HIGH-PRESSURE LAMINATE SHEET RUST IRON
WOOD VENEER LIGHT GRAY CONCRETE
DARK GRAY CONCRETE
HIGH-PRESSURE LAMINATE SHEET
LIGHT BULB
#878685
#535353
TEXTILE NYLON 100% #65000B (Rosewood Color)
#a73a35
BRAND COLOR Redefining the Brand
06
MATTE PAINT
MATERIAL BOARD Use of materials and elements in the space.
33
梁允睿 Ray Liang Portfolio Selected Works 2019 - 2023 Produce & Edited by Yun-Jui Liang © 2023