Raymond Wong Graduate Portfolio | BA Architecture (2022-2023)

Chi Yui Wong

Portfolio Graduate

Hi, I'm Chi Yui Wong. Growing up in Hong Kong and Beijing exposed me to diverse cultures, shaping my architectural perspective. Educated at Parsons School of Design and Central Saint Martins, I possess a strong foundation in architecture and a holistic design approach.

The interplay between science and humanistic principles is my true passion in architecture. It empowers me to create spaces that evoke meaningful emotions and foster social connections with people and the environment. Through in-depth exploration of a location's physical, cultural, and economic context, I develop a comprehensive understanding of its essence, enabling me to design environments that promote connection, harmony, and genuine responsiveness to their surroundings.

Chi Yui Wong

28 June 2001

contact

R aymon dwon g 20 19 @g m ail.c om li nked i n. co m/in /r ay mo nd- wo ng- 6 a6b a 51a 1

Hong Kong, China education

Cen t ral S ain t Mar t in s

(London) 2020-2023

BA Hons Architecture

First Class Honours

P arsons Sc hool o f De s ig n

(New York) 2019-2020

BFA Architecture

GPA: 3.74

Dulwich College B eijin g

(Beijing) 2010-2014

High School IB Diploma

experience

B.L.U.E. Architecture Studio

july - september 2022

Summer Architectural Internship in which I, supported multi-disciplinary team in developing designs, schmatic sketches/diagrams, models and documentation drawings. Assisted in the preparation of design presentations. Utilized BIM software as a tool for design drawings. Prepared presentations, including graphic design and PowerPoint.

- Gongti Stadium Redevelopment

- Dezhou Camping Centre

- Hangzhou Private Residence

Architectural Apprenticeship

June - August 2018

Under the guidance of Freelance architect Liu Zhe, I spent three months to studying traditional Chinese architecture. This experience allowed me to explore its principles, processes, and diverse forms. I actively contributed to architectural projects, visited sites, and assisted in model building, gaining valuable hands-on experience. This apprenticeship deepened my knowledge, passion, and appreciation for traditional Chinese architecture, providing me with a high understanding of a variety of timber construction methods.

- Tongzhou Woodworking and Crafts Centre

Buinina Primary School Project

June - July 2017

A student lead initiative, in which we raised funds for a local primary school located in Zimbabwe, to provide better facilities for thier education. With the funds we raised localy, our team travelled to Zimbabwe where we built classrooms using straw and brick to help the school accomodate more students as well as spending some time teaching students.

Bytedance Campus Ambassador

Feburary - June 2021

Assist HR to be responsible for campus talent attraction, hunting and recruiting. To run the ByteDance official networking community, work with other campus ambassadors in the expansion and promotion of Bytedance Campus relationship with students. At the same time, I reached out to campus ambassadors in over 100 universities around the world. In our network, we share our campus culture and exchange our experiences, in order to achieve great work results.

languages

Chinese NATIVE FLUENT ADVANCED English Cantonese

drafting / modeling

Rhinoceros 3D

autodesk autocad

autodesk revit sketchup

3ds modeling / rendering

vray

blender enscape

Fluent In Chinese and English

Fast Learner

Self - driven Proactive Collaborative

design skills personal general

Unreal Engine Twin Motion

presentation / design

Cinema 4d adobe photoshop adobe indesign

adobe illustrator

adobe Premire Pro

microsoft office

figma

Research and concept development

8 Years of experience in woodworking

Advanced digital manipulation skills (Adobe/ CAD)

Design development and technical illustrations

Extremely developed organizational skills

Threads of Teviot

Studio Brief : Made in Place Weaving Collective Market Yard

The project is an invitation to embrace a journey of cultural celebration, economic empow-erment, and sustainable transformation. It weaves together the aspirations of Bengali women, the curiosity of the youth, and the rich heritage of Teviot Estate into a harmonious tapestry of community-driven progress. With each stitch, it breathes life into the vision of a vibrant and inclusive communal hub, where mutual aid becomes the foundation for urban change, and the power of local action reshapes the very fabric of a place. It aims to create a weaving-based workshop center that celebrates the local culture and uplifts the economic and social well-being of the community. The innovative space is meticulously designed to highlight the unique textile production process, meticulously separating it into weaving, dyeing, and drying. It offers a captivating opportunity for people to immerse themselves in the process and engage at every stage of production.

Inspired by the area’s vibrant market heritage, the proposed space doubles as a bustling marketplace, drawing inspiration from the essence of life in Teviot Estate. It not only provides a sustainable source of income for Bengali women but also imparts valuable textile skills to the enthusiastic youth who are passionate about textile produc-tion. This communal hub becomes a meeting place where people can unite, exchange knowledge, and revel in the celebration of local culture.

Project Type: Urban Regeneration/ Cultural Centre

Program: Market, Workshop, Educational, Commercial

Location: London, UK

Level: Third Year Design Thesis

University: Central Saint Martins, UAL

Tutors: Shawn Adams , Emma Twain

Software:

Located in London, the Teviot Estate in Poplar is undergoing a process of regeneration. This mid-century estate holds a distinctive charm due to its diverse cultural makeup. However, previous regeneration initiatives have often failed to meet the needs of the existing community. Our studio firmly believes that fostering productive industry should play a key role in the emerging commercial strategy for this area. In order to fully comprehend the potential benefits of regeneration, we will conduct a comprehensive examination of the current context and future proposals.

Poplar is a lively and multicultural neighborhood renowned for its rich cultural heritage, particularly with its sizable Bangladeshi population, which accounts for 41% of the community. Analysis of census data and research reveals that the area has grappled with high levels of unemployment. Through site visits and interviews, it has become evident that language barri-

ers have hindered effective communication, contributing to this issue. Presently, the site consists predominantly of residential spaces, with limited community areas that are scheduled for demolition to make way for new master plans. In the past, Poplar thrived as a bustling hub of industry and market activity, but it has lost much of that vibrancy over time. Consequently, a sense of community has dwindled, creating a pressing concern.

The primary objective of our project is to revitalize the community spirit through active community engagement and a celebration of the local heritage. Moreover, we seek to empower the Bangladeshi community, which has encountered difficulties in finding employment and establishing stable sources of income. By addressing these challenges, we aim to reintroduce a sense of community pride and restore the area's former vitality.

To address the problems on-site and harness the skills of local residents and available resources, a comprehensive program was developed. This program focuses on the complete weaving process, allowing the talented Bangladeshi women in the area, who possess textile crafting skills, to utilize their expertise and generate a stable income. The project encompasses five primary spaces: the Sorting Area, Recycling Labs, Weaving and Drying Studios, and Dyeing Rooms. Together, these spaces form a circular production cycle that follows sustainable practices, encompassing the entire lifecycle of textile production. The overarching idea is to create a platform where both locals and visitors can intersect at any stage of production, facilitating the sale or donation of their goods. This approach fosters a dynamic market exchange while honoring the area's rich heritage.

Early Sketch of Programatic Strategy

Floor Plan Drawing 1:200

1:50 Sectional Drawing Through Weavingand Drying Space

Design Concept

The building has been designed to adapt and transform according to specific interior requirements. With a focus on user navigation and enhancing the overall experience, the architectural design creates a seamless and circular effect. The interior spaces are carefully divided to cater to textile production while serving as a vibrant community hub. The proposal outlines five distinct spaces, ensuring efficient workflow and fostering engaging interactions.

Strategically distributed, these spaces revolve around a central piazza square, creating connectivity and serving as a marketplace to revive the area's market identity. The building's facade features inviting shop fronts with expansive windows, seamlessly integrating the spaces with the marketplace concept.

The roof structure adopts a funnelled shape, maintaining flexibility while prioritizing ventilation and lighting. The angled roofs are strategically oriented to optimize natural light distribution in each space. Manual louvres are incorporated for optimal ventilation, allowing for efficient airflow during processes like drying and dyeing. This design approach ensures a comfortable and efficient environment for textile production.

initial concept sketch illustrating the roof forms of each space

1:100 Drawing of East Elevation

a.Upcycled Brick Cladding

b.Fabricast Beams

c.Steel Cladding

d.Polycarbonate Panels

e.Glulam Beams

Foundation to wall detail

Cavity Insulation

Brick Panel Wall Cladding

Helical wall ties

Gound Level

Depth of pile 8 meters

Floor TimberDecking

Floor Screed

Batting insulation

damp - proof membrane

Reinforced concrete ground beam cast in trench of mini pile heads.

Brick Panel Wall Cladding

Helical wall ties

Collection of Models and Material Testing

Timber Joist

Timber Deck

Timber Frame

Wallboard

Wall to Window Opening Detail

200 mm diameter according to design

Cavity Insulation

Roofing Detail

Typical Spacing of piles 1.8m - 2.5 m

bored and cast in site piles of mass concrete maximum spacing to

Snape Seam Standing Seam

typical loading 40 to 125 kN per pile

Threads of Teviot

Glulam Beam

Plywood

Timber Rafters Batting Insulation Batting Insulation

Timber Board Finish

Embodied Carbon Calculations

Stage 1 - 2

Piles

Concrete - 5.026 m3

Mass of piles = 2500kg/m3 x 5.026 m3 =

12,565 kg

Concrete Carbon Coeffecient = 0.237

Embodied carbon = 2,977 kgCO2e

Ring Beam

Concrete - 9.609 m3

Mass of Ring Beam= 2500kg/m3 x 9.609 m3 =

24,022 kg

Concrete Carbon Coeffecient = 0.237

Embodied carbon = 5,693 kgCO2e

Stage 4

Timber Secondary Frame

Timber - 4.831 m3

Mass of Timber = 500kg/m3 x 4.831 m3 =

2.415.5 kg

Timber Carbon Coeffecient = 0.512

Embodied carbon = 1,236.7 kgCO2e

Fabricast

Fabricast - 46.836 m3

Mass of Fabricast = 1200kg/m3 x 46.836 m3 =

58,775.8 kg

Fabricast Carbon Coeffecient = 0.243

Embodied carbon = 13,657.4 kgCO2e

Stage 6

Poly Carbonate Panels

Poly Carb- 5.011 m3

Mass of PolyCarb= 1200 kg/m3 x 5.011 m3 =

6,013.2 kg

Poly Carb Carbon Coeffecient = 3.310

Embodied carbon = 19,903.692 kgCO2e

Timber Frames

Timber - 0.931 m3

Mass of Timber= 420kg/m3 x 0.931 m3 = 391.02 kg

Timber Carbon Coeffecient = 0.263

Embodied carbon = 102.838 kgCO2e

Stage 3

Timber Primary Frame

Timber - 46.592 m3

Mass of Timber = 420kg/m3 x 46.592 m3 =

19,568 kg

Timber Carbon Coeffecient = 0.263

Embodied carbon = 5,146 kgCO2e

Upcycled Brick

brick - 34.574 m3

Mass of Brick = 1700kg/m3 x 34.574 m3 =

58,775.8 kg

Brick Carbon Coeffecient = 0.199

Embodied carbon = 11,696.3842 kgCO2e

Stage 5

Steel Cladding

Steel - 10.052 m3

Mass of Steel = 7800kg/m3 x 10.052 m3 =

78,405.6 kg

Steel Carbon Coeffecient = 2.74

Embodied carbon = 214,831.34 kgCO2e

The Material Strategy implemented in this project incorporates a meticulous approach to sourcing materials, with a significant focus on utilizing onsite resources. This deliberate choice not only minimizes the need for manufacturing new materials but also has a substantial impact on reducing the project's overall embodied carbon footprint. By sourcing materials onsite, the project significantly decreases the carbon emissions associated with the production and transportation of materials.

The decision to prioritize onsite sourcing of materials contributes to the project's sustainability goals by reducing the reliance on external suppliers and minimizing the carbon emissions generated throughout the entire life cycle of the materials. By avoiding the transportation of materials from distant locations, the project further mitigates its environmental impact, leading to a reduced whole-life carbon footprint.

By consciously selecting materials that are readily available onsite, the project promotes resource efficiency and embraces a circular economy mindset. This approach not only minimizes waste generation but also maximizes the utilization of existing resources, enhancing the project's overall sustainability performance.

Through the Material Strategy's emphasis on sourcing materials onsite, the project demonstrates a comprehensive understanding of the environmental implications associated with material selection and procurement. By minimizing embodied carbon and reducing transportation-related carbon emissions, the project showcases a holistic approach to sustainable design and construction, contributing to a greener and more environmentally responsible built environment.

Back to the Creek

Studio Brief : Building the Civic Creekside Discovery Centre

This project celebrates the strong community networks, creative talents, and rich heritage of Deptford. It aims to take you on an immersive journey through the area, allowing you to understand the urban and social issues that currently affect it. Deptford is a treasure trove, with a vibrant and diverse population that represents a mix of cultures and traditions. However, the area's vibrancy also presents challenges, as regeneration projects threaten to erode its identity and urban fabric.

To address these issues, this project analyzes the existing conditions in and around Deptford to identify key opportunities and potentials for the site. It focuses on four main user groups: creatives, youth, conservationists, and visitors. Research shows that these demographics lack adequate and safe spaces to belong and work within the site. Therefore, the project aims to create a much-needed civic hub in Deptford, offering a range of educational, leisure, entertainment, and social programs. By doing so, it seeks to enhance the potential of the targeted user groups and promote social cohesion within the community.

The proposed Creekside Discovery Centre serves as a community hub, incorporating various essential features. It includes learning classrooms, comfortable lounging areas, indoor art studios, a museum, an art gallery space, a civic cafe, an outdoor terrace, and a garden. The center is located in the Creekside area, which is currently a hotspot for creative individuals and an integral part of Deptford's identity. However, it has been somewhat overshadowed by the social activity on the high street. The proposal aims to replace a decaying building and reunite the ostracized and isolated users by offering new opportunities, connecting with the urban landscape, celebrating the area's unique

qualities, and creating new spaces and programs that foster collective city hacking, pride in heritage, skill sharing, and an architecture that disrupts the site's homogeneity. The proposed structure is envisioned as a colorful combination of timber and polycarbonate, serving as a beacon on the urban front that celebrates craftsmanship and human scale.

Project Type: Urban Regeneration/ Cultural Centre

Program: Educational, Conservation, Arts, Hospitality

Location: London, UK

Level: Second Year Design Thesis

University: Central Saint Martins, UAL

Tutors: Oscar Brito, Alex Warnock Smith, Nisha Kurian

Software: RhinocerosAutocadCinema 4dSketchupPhotoshopIndesignIllustrator

Interior Space : Studio Space

Interior Space : Classroom Space

Interior Space : Gallery Space

Interior Space : Cafe/Lounge Space

Chengde Camping Retreat

B.L.U.E Architecture Studios Chengde Visitor Centre

During my internship at B.L.U.E Architects, I had the opportunity to contribute to the Chengde Camping Centre project. My main responsibilities included creating a scaled model of the proposal, developing architectural plans, and crafting perspectives to present to clients. Additionally, I actively participated in the project’s evolution through numerous client meetings and iterative processes, which eventually led us to the final design. Situated in Chengde, a region in China, this project was commissioned by a private developer aiming to establish a camping retreat in the mountainous area. As camping has become a growing trend in the country, our studio was entrusted with the task of designing the visitor center for this camping retreat. Our design approach sought to harmonize the structure with the surrounding natural environment. Emphasizing the distinctive large stones in the area, we integrated them as structural pillars that support the roof and upper levels of our building. The overarching theme was to create a structure that appears to emerge organically from the stones themselves, blending seamlessly with the landscape.

The project posed an intriguing engineering challenge, as the client’s requirement was to have the stones serve as structural support for the building. This added a layer of complexity to the structure but presented an engaging problem to solve. Through a series of trials, tests, and consultations with engineers, we devised a solution: creating anchors that would securely attach the stones to one another. This innovative approach ensured the structural integrity of the building while maintaining the aesthetic vision of incorporating the stones into the design.

Project Type: Urban Regeneration/ Community Centre

Program: Market, Workshop, Educational, Commercial

Location: Chengde, China

Level: Professional

Studio : B.L.U.E Architecture Studios

Collaborators: Viki Chou, Xia Cong

Software: RhinocerosAutocadV-RaySketchupPhotoshopIndesignIllustrator

1:100 Drawing Ground Floor Plan

1:100 Drawing Roof/Terrace Plan

2018

Traditional Chinese Woodcraft

Architectural Apprenticeship

Liu Zhe

Having spent a significant portion of my adolescence in Beijing, I was constantly surrounded by traditional Chinese architecture. As my interest in the field of architecture grew, I was fortunate to secure an apprenticeship with Liu Zhe, a freelance architect who specializes in restoring and revitalizing traditional Chinese architectural designs. Under his guidance, I acquired a comprehensive understanding of traditional woodworking techniques, ranging from sourcing timber to mastering the intricate rules governing the placement of each joint.

With the knowledge I gained, I had the opportunity to assist Liu in various projects. One particular undertaking involved creating a wood workshop for the youth, where the client desired a space that would embody the essence and activities taking place within it. Taking inspiration from Kengo Kuma and drawing upon the images on the left, I proposed the concept of a timber column resembling a tree, highlighting timber joints and construction. To illustrate my idea, I constructed a model of the column.

This valuable experience enabled me to develop a profound understanding, as well as honing my skills, in both modern and traditional woodworking. Equipped with expertise in model making and construction, I am now well-prepared to apply these skills to future design and construction projects.

Project Type: Urban Regeneration/ Retrofitting

Program: Market, Workshop, Educational, Commercial

Location: Beijing, China

Level: Professional/ Apprenticeship

Tools:

Chi Yui Wong2023