Reggae Festival Guide Magazine 2018 by RBA Publishing

Reggae Festival Guide 2018

Published by RBA Publishing, Inc.

dba REGGAE FESTIVAL GUIDE

P.O. Box 920, Arcata, CA 95518 707.630.3304 /ReggaeFestivalGuide @ReggaeFestivalGuide @ReggaeFestGuide

www.ReggaeFestivalGuide.com PUBLISHER Kaati

Kaati@ReggaeFestivalGuide.com

EDITOR Irene Johnson

Irene@ReggaeFestivalGuide.com

DESIGN AND PRODUCTION/ WEBSITE/E-GUIDE EDITOR Goran Petko/Aqua Design Goran@ReggaeFestivalGuide.com

EDITORIAL CONTRIBUTORS Chuck Foster, Dr. Nathanael Heyman, Tracey Heyman, Irene Johnson, Joana LeRoque, Lloyd Stanbury, Carter Van Pelt

PHOTO AND ART CONTRIBUTORS © Lee Abel, , depositphotos.com, Marissa E. of Bulldog Media, Tracey Heyman, Courtesy International Reggae Poster Contest, Courtesy Irish and Chin Inc., Justine Ketola, © Sista Irie Photography

ADVERTISING SALES Tom Andrews, Sean Bookman, Joana LeRoque

ADMINISTRATION/FESTIVAL CALENDAR Heather Penrod-Rudd The opinions of the contributors are not necessarily the views of RBA Publishing & Publicity Inc.

Reggae Festival Guide 2018

Reggae Fest

Publisher

Reggae Festival Guide magazine aims to provide not only the info needed to plan your festival calendar, but also articles that encompass the history, lifestyle, art and latest runnings in the industry to inspire and resonate with reggae fans. Our editor did another excellent job this year culling editorial of interest to die-hards and neophytes alike.

I am thrilled to include a Living Legend feature on one of my top-favorite performers of all time: Toots Hibbert of Toots and the Maytals. His songs are the only reggae songs I know every word to (besides Bob's, of course). For your listening pleasure, turn up the volume and listen to Toots and the Maytals while reading this magazine! We are going to alternate songs every few weeks, but we are starting out with “Time Tough” and will rotate in “Funky Kingston,” “54-46 Was My Number” and other classics. This year’s editorial includes several features specifically related to festivals and artists performing at festivals. Why this focus? In the industry and culture, reggae festivals provide us a cornerstone to connect with the reggae community – something we look forward to each year. Being a Cali Girl, I am surrounded by topnotch reggae festivals that I love to attend, but going to a European reggae festival

tival Guide

r’s Letter

has long been on my bucket list. How cool would it be to go to the Seasplash Festival in Croatia, Rototom Sunsplash in Spain or Uppsala Reggae Festival in Sweden??? What reggae festivals are you going to this summer? Be sure to tell our 520,000 Facebook followers and share your photos with us. Whether at festivals, online or through this magazine, let’s keep developing this precious reggae community.

One Love, Kaati, Publisher

FRONT COVER

Photo by © Lee Abel. The living soul of reggae, Toots Hibbert performs here at the short-lived Reggae Rising Festival in Northern California. Toots is credited by most historians with creating the word “reggae” in his 1968 hit with the Maytals, “Do the Reggay.” FRONT COVER PHOTOGRAPHER

Lee Abel loves Jamaica, reggae and photography. One of our most recognized reggae music photographers, her archives span over 30 years. Follow her on Instagram @leeabelphotography or contact her at lee@leeabelphotography.com

Reggae Festival Guide 2018

In This M Living Legend: Toots Hibbert

PAGE 28

By Carter Van Pelt Among us walks a reggae legend: Toots Hibbert of Toots and the Maytals. A 60-year veteran of the Jamaican music industry, the first use of the term “reggae” in a popular recording traces directly to him, placing Toots at the foundation of a global movement. Discover the man behind the music, his early life, legendary career and his significant impact on reggae culture.

Reggae and Visas for Work in the United States – A Reality Check

PAGE 38

By Lloyd Stanbury Despite a long tradition of live performances and touring in the U.S. by Jamaican and other foreign reggae artists, many in the industry remain unaware when it comes to compliance with the law that governs foreign entertainment workers. Author Lloyd Stanbury, an entertainment attorney and music business consultant, gives us a reality check on the current atmosphere.

PAGE 46

The Reggae Festival: It’s a Family Affair By Irene Johnson, Editor Lately, we’ve really been enjoying family-friendly festivals and festivals with offerings for the youngest rockers among us. People want to share their love of reggae music and the festival experience with their kids, and festivals are answering the call.

PAGE 51

Protecting Those Little Ears By Nathanael and Tracey Heyman Be sure to protect the ears of the youth in your life. The Heymans share research on why it’s important to protect young ears from loud music and give a few tips to safely enjoy concerts and festivals.

Reggae Festival Guide 2018

Magazine PAGE 52

Readings For Reasoning By Chuck Foster

Chuck Foster is back with book and zine suggestions to liven up your summer reading list. Whether you’re in the mood for an illustrated history of Bob Marley and the Wailers, a close look at Jamaica’s Alpha Boys' School, the story of David Rodigan’s career in reggae or one of the latest Small Axe book zines, you’re sure to find a new favorite!

PAGE 62

International Reggae Poster Contest

International Reggae Poster Contest is an initiative designed to celebrate positive international reggae culture and music, submitted by artists from around the globe. Learn more about the contest and the non-profit organizations it supports, and check out the vibrant poster winners from the last six years!

PAGE 68

World Clash Celebrates its 20th Anniversary By Joana LeRoque

For 20 years, reggae music visionaries Irish and Chin have evolved sound clash culture through World Clash; bringing the world’s top sound systems together in head-to-head battles. Get fired up over the Rumble Series clashes and Reggae Sumfest commemorative 20th anniversary celebration leading up to the grand World Clash event in October.

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Festival Runnings

Reggae Festival Guide 2018

FEATURED FESTIVALS

Jamaican musician and singer Lutan Fyah lights up the stage at Reggae on the River in 2017. Photo by ÂŠ Lee Abel

Featured Festivals are listed here in alphabetical order with their page number. On the following pages they appear in date order, so you can easily make your plans. The publisher, venues, promotors and musicians are not responsible for any changes or cancellation of events. SO CHECK BEFORE YOU GO & HAVE AN IRIE TIME!

Bayfront Reggae & World Music Festival ....... 20

Nigeria Reggae Festival .........................................25

California WorldFest.................................................16

One Love One Heart . ..............................................24

Coney Island Reggae on the Boardwalk ......... 10

Oroville Rock Reggae JamFest ............................19

Durham Reggae Fiesta ...........................................16

Peter Tosh Birthday Celebration .........................25

Foothills Music Festival ..........................................22

Reggae Night . ...........................................................14

Island Reggae Festival ............................................17

Reggae on the River ................................................21

Ithaca Reggae Fest . .................................................11

Reggae Sumfest . ......................................................18

LA Reggae Vegan Fest ............................................26

Rototom Sunsplash .................................................23

Love Peace & Reggae ..............................................22

Sierra Nevada World Music Festival ...................13

More Music Festival .................................................15

Slightly Stoopid ........................................................11

Music in the Park ......................................................14

Victoria's Ska & Reggae Festival ..........................12

Click Here for a Complete List of Festivals Around the World

Reggae Festival Guide 2018

June 5 - Sept. 9

Reggae Festival Guide 2018

Coney Island Reggae on the Boardwalk

Brooklyn, NY

June 7 - Aug. 12

June 22 - 24

Schools Out for Summer

Tour, United States

Ithaca Reggae Fest

Ithaca, NY

Reggae Festival Guide 2018

June 20 - 24

Reggae Festival Guide 2018

Victoria's Ska & Reggae Fest

Victoria, BC

June 22 - 24

XXXX

Sierra Nevada World Music Festival

XXXXX

Boonville, CA

XXXX

Reggae Festival Guide 2018

June 22 - Aug. 24

Music in the Park

San Jose, CA

July 1

Reggae Night XVII

Hollywood, CA

Reggae Festival Guide 2018

June 24

XXXX

More Music Festival

Durango, CO

XXXXX

XXXX

Reggae Festival Guide 2018

July 12 - 15

Aug. 4

Reggae Festival Guide 2018

California Worldfest

Durham Reggae Fiesta

Grass Valley, CA

Durham, NC

July 14

Island Reggae Fest

XXXX

XXXXX

San Jose, CA

XXXX

Reggae Festival Guide 2018

July 15 - 21

XXXX

Reggae Festival Guide 2018

Reggae Sumfest

XXXXX

Kingston, Jamaica

XXXX

July 20 - 22

XXXX

Oroville Rock Reggae Jamfest

Oroville, CA

XXXXX

XXXX

Reggae Festival Guide 2018

July 21

Reggae Festival Guide 2018

Bayfront Reggae & World Music Festival

Duluth, MN

Aug. 2 - 5

Reggae on the River

Garberville, CA

Reggae Festival Guide 2018

Aug. 4 - 5

Aug. 24 - 26

Reggae Festival Guide 2018

Love, Peace & Reggae

Foothills Music Festival

Whitstable, United Kingdon

Browns Valley, CA

Aug. 16 - 22

Rototom Sunsplash

Benicassim, Spain

Reggae Festival Guide 2018

Sept. 1 - 2

Reggae Festival Guide 2018

One Love One Heart

Woodland, CA

Sept. 29 - Oct. 1

Oct. 19

Nigeria Reggae Festival

Awka, Nigeria

Peter Tosh Birthday Celebration

Berkeley, CA

Reggae Festival Guide 2018

Oct. 7

Reggae Festival Guide 2018

LA Reggae Vegan Fest

Van Nuys, CA

Reggae Festival Guide 2018

Living Legend:

Toots Hibbert By Carter Van Pelt

Photo by ÂŠ Lee Abel

Reggae Festival Guide 2018

he adjective “legendary” gets thrown around often describing influential musicians, but nothing could be more applicable to describe Frederick “Toots” Hibbert. A 60-year veteran of the Jamaican music industry, the first use of the term “reggae” in a popular recording traces directly to him, placing him at the foundation of a global movement. When “Do The Reggay” became a hit in 1968, his group the Maytals had already played an essential role in the emergence and popularity of Jamaica’s first international music: ska. The Maytals had been around for over a decade by the time Perry Henzell’s 1972 film, The Harder They Come, brought reggae and the mystique of Jamaican counterculture to an international audience. The Maytals, whose inspirational studio performance of “Sweet and Dandy” was one of the film’s most memorable scenes, benefited greatly from their inclusion in the film and on its soundtrack. Subsequent albums for Chris Blackwell’s Island Records, Funky Kingston (1973) and Reggae Got Soul (1976), ensured that Toots and the Maytals would be standard stock in record shops worldwide and their concert appearances in demand for decades to come. Today, the hits from Toots’ catalog are in any comprehensive review of the history of Jamaican music. More broadly, Rolling Stone named Toots Hibbert as one of the Top 100 Singers of all time. For advanced students of Jamaican music and culture, Toots Hibbert is the greatest example of the bridge between the traditions of the Jamaican revivalist churches and popular song, a critical nexus in the island’s cultural mix. Raised in May Pen, Clarendon,

Hibbert was exposed from an early age to the rhythmic and melodic framework of Jamaican gospel, and of course schooled in its Old Testament narratives. While these elements are at the core of his identity, an exposure to Rastafari also marked an essential phase in the young singer’s development, as he explained to archivist Steve Barrow in a 1995 Palm Pictures interview. “I used to go to church with my parents. It was a kind of clap-hand church. They used to have concerts. I was about 12. Every time I sang, people would clap and [be] joyful. Most of my songs are coming from the church, not political really, although sometimes people may find it that way too…I was about 13, coming to Kingston, I found this church called Coptic. That’s where I was for a long, long time, just to know about the truth of Rastafari.” It was in Trench Town, where Hibbert, then a barber, met the men who would become his singing partners – Henry “Raleigh” Gordon and Nathanial “Jerry” Matthias. “I made a four-string guitar and practice in the barber shop, sit under the guinep tree and sing. I teach them harmony and how to write songs, and they teach me how to grow up.” After an early dubplate for King Edwards, the Maytals, then known as the Vikings, started working for a host of producers including Prince Buster, Leslie Kong, Duke Reid, Byron Lee and Coxson Dodd, the latter of whom recorded the best of their early work, anthologized on the essential LP Never Grow Old. “Ska really lift up Jamaica. It was new at the time. After boogie, you have ska…We cut a whole lot of songs [for Dodd]. We didn’t care about the money. Some of the songs maybe we want to put together

Reggae Festival Guide 2018

Photo by Â© Lee Abel

Reggae Festival Guide 2018

better, but in those days, once you have a good voice, you just do it.” Hibbert explains that the name Maytals comes from a colloquial phrase (essentially synonymous with “ital”) that defines his personal philosophy. “It means ‘stick together in one love.’ It means ‘natural, organic.’ Everyone who is Rasta have to be maytal, once you say you is Rasta you have to do the right thing, maytal. It call fe a work, not just hair [dreadlocks] alone, you haffe maytal, doing the right thing. Treat people good when you can. Rasta have to be like a lamb…slow to anger – charity, love, freehearted, you always have that light shining.” One of the Maytals’ best known songs was recorded for the island’s annual festival song competition in 1966, a government sponsored program to encourage use of traditional themes in the creation of popular music and celebration of national heritage. The Maytals won with “Bam Bam” at the same time that ska had made a transition into a slower style called rocksteady, the precursor to reggae. “Bam Bam” was built on neo-African percussive elements, consistent with the festival concept. “When people believe in you, you have to try to do things very very very nice, in mind of what the audience might say,” he told Barrow. “This festival thing was very important. A lot of good artists entered at that time: Bob Marley, Clancy Eccles, Lord Creator, the Jamaicans, Derrick Morgan…Desmond Dekker. I came out as the number one, because my song was short and it made sense.” As Hibbert told Barrow, the word “reggae” developed as another colloquialism in Kingston in the late ‘60s. Reflecting the fluid nature of new words, it was applied to an emerging musical 34

Reggae Festival Guide 2018

style and its accompanying dance, distinguishing these from rocksteady. The Maytals took the street lingo, a derogatory slang term, and made it into a song. “One day [in Trench Town] myself, Raleigh and Jerry was sitting down, rehearsing, and there was a guy next door talking to a girl, a nice girl, but just for argument sake, we always say ‘streggay.’ Just a little vibe. If someone is going on and you don’t feel to talk to [her], you just say [s]he’s streggay. So we just say, come on, let’s do the reggay.” Among other highly recognizable hits in the Maytals catalog is, of course, “54-46 (Was My Number),” Hibbert’s narrative of his prison experience resulting from a ganja frameup. While the song’s reference to marijuana is oblique, it has become a resistance anthem with dozens of covers and derivative versions. “They told a lie on me, and I went to prison, [but] they hurt [from it] more than me, because I wrote about it.” Due in part to its inclusion on The Harder They Come soundtrack, “Pressure Drop” has also become one of Toots’ most enduring songs, ever present in his live sets. As he explains, the “pressure drop” implied in the song is not literally in reference to barometric pressure, but rather to oppression. “Pressure have to drop in order to make the people survive. The people need the pressure to drop, through all the world.” Hibbert is always quick to acknowledge the remarkable run he’s had with members of his backing band, who were with him since recording for Beverley’s (Leslie Kong) and on many subsequent recordings, as well as decades of touring. Guitarist Hux Brown, bassist Jackie Jackson, drummer Paul Douglas and organist Winston Wright gave the tracks recorded at Dynamic Sounds a professional musical arrangement and studio clarity that

Photo by Â© Lee Abel

Reggae Festival Guide 2018

Photo by © Lee Abel

reggae needed in its early years, as it was often derided as being simplistic. Douglas and Jackson have been a consistent part of Hibbert’s live shows for over 40 years. Hibbert’s self-productions date back to the late 1970s, and he has released a steady stream of quality material ever since. In 2004, the Richard Feldman production, True Love, helped revive Toots’ career once again and placed him with other stars of global stature, including Willie Nelson, who counts himself among the singer’s many accomplished admirers. In 2018, along with fellow reggae icons Jimmy Cliff and Ken Boothe, Hibbert is the last of the high-profile stars of his generation still performing. A well-documented concert hiatus from 2013 to 2016, due to a stage injury, deprived his fans of his inspired and energetic live shows. He has returned to live

Reggae Festival Guide 2018

performance gradually since 2016 and is on the road at age 76 with dates on the East and West Coasts of the U.S. During his interview with Barrow, Hibbert makes clear his faith and his understanding of his own work as the fulfillment of a greater design. “Everyone who listen to my music, they say it revive their spirit. If they was down, the music just lift them up. I [am] really proud of that. It wasn’t me by myself, it was the power of the Most High, as I say.” The writer wishes to dedicate this piece to the memory of Toots’ manager, Mike Cacia, who passed away in 2017. Carter Van Pelt has been a radio producer and host since 1991 and is founder of Coney Island Reggae On The Boardwalk. For more, visit coneyislandreggae.wordpress.com.

Reggae Festival Guide 2018

Reggae and Visas for Work in the United States

– A Reality Check

By Lloyd Stanbury

he U.S. music market is the largest in the world, with live music revenues more than triple, and recorded music revenues almost double, the revenues of any other country. I often hear the suggestion that foreign reggae artists who represent Rastafari should look to other markets to travel and work as performers, because the U.S. music industry is representative of the “Babylon System.” There may, however, be additional reasons encouraging foreign reggae artists to look to other markets for employment. The economic and political dynamics of the American reggae festival scene make the above statements even more interesting. Over the past 10 years, the reggae festival circuit in the U.S. has grown with the emergence of several new and successful events. Reggae On The Mountain was started in Topanga, CA, in 2009, California Roots was started in Monterey, CA, in 2010, Reggae Rise Up in St. Petersburg, FL, in 2015 and the Marley Brothers staged the first Kaya Fest in Miami in 2017. Along with older events such as Reggae on the River (now run by High Times Media), the Sierra Nevada World Music Festival and the Austin Reggae Festival, the U.S. market is clearly demonstrating increased demand for live reggae performers. 38

Reggae Festival Guide 2018

The laws of America require foreign artists and entertainers who intend to work in the U.S. to apply through the office of the United States Citizenship and Immigration Services. Foreign guest artists must normally obtain one of the following types of work visas: • O-1 or O-2 Visas for Individuals with Extraordinary Ability or Achievement; • P-1B Visa for a Member of an Internationally Recognized Entertainment Group; • P-2 Visa for an Individual Performer or Part of a Group Entering to Perform Under a Reciprocal Exchange Program; or • P-3 Visa for an Artist or Entertainer Coming to be Part of a Culturally Unique Program. Each of these temporary work visas is appropriate in different situations and filing for the wrong type of visa can significantly delay an entertainer’s entrance into the country. Despite a long tradition of live performances and touring in the U.S. by Jamaican and other foreign reggae artists, some performers, artist managers, booking agents and event promoters remain unaware when it comes to compliance with the law that governs foreign entertainment workers. In order to secure a U.S. work visa, performers must be able to qualify under one of the four categories mentioned.

The application process typically originates inside the U.S. and is normally initiated by a U.S.-based booking agency or promoter. The booking agent or promoter is required to file an application which includes documentary proof of performance engagement commitments, as well as the foreign performerâ&#x20AC;&#x2122;s eligibility under one of the above stated visa categories. The application process can take as long as 10 to 12 weeks, unless additional expedition fees are paid upon filing. Fees and costs for each application can easily run into several thousand dollars, which is prohibitive for most foreign performers. There is also the need for professional expert representation of both the foreign performer and the U.S.based booking agent or promoter in order to secure work visas in a timely manner. Artist Chronixx is identified with the Reggae Revival out of Jamaica. Photo by ÂŠ 2015 Sista Irie Photography

Matisyahu, a pioneer of American live reggae touring. Photo by ÂŠ 2015 Sista Irie Photography

The upsurge in American reggae music festivals in the past 10 years is a welcomed sign. In my opinion, one of the key factors contributing to the growth of the U.S. reggae festival market is the rising popularity of several very successful homegrown American bands that play reggae, whose singers and musicians are U.S. citizens. Bands such as Matisyahu, SOJA, Rebelution, Tribal Seeds, Iration, J Boog, The Green and Slightly Stoopid are regularly featured at reggae festivals in the United States. Proficiency and popularity as a live reggae performer is no longer exclusive to Jamaicans and other foreigners. American citizens who play reggae, and do not require work visas to perform and tour in the U.S., now make up a significant percentage of the artists playing at U.S. reggae festivals. Another very important factor contributing to the growth of the reggae festival

Reggae Festival Guide 2018

nationalistic tone, where the emphasis, according to Trump, is to put America first and protect American workers. In Donald Trump’s America, the American live reggae performer is a protected species. It should therefore not be surprising to find that as the reggae festival circuit grows in the U.S., there will be more and more homegrown reggae bands performing. While opportunities for foreign reggae performers increase in a growing festival market, the ability of foreign artists to take advantage of these opportunities may diminish. Australian artist Nattali Rize. Photo by © 2018 Sista Irie Photography

market in America is the often misunderstood and criticized “Reggae Revival” movement that introduced artists like Chronixx, Raging Fyah, Protoje, Jesse Royal , Jah9, Kabaka Pyramid and others to new American audiences. The impact of foreign reggae artists – such as Europe’s Alborosie, Gentleman and Mellow Mood, and Australian musician and singer Nattali Rize – on the U.S. reggae festival circuit should also be taken into consideration. Ignorance about the legal requirements and implications for foreign artists working in the U.S. and the expense involved in appropriately preparing visa applications have resulted in many foreign artists performing illegally in the United States. Entering and operating inside the U.S. in breach of immigration law is a major risk under “normal conditions,” but even more so risky today in light of the policies of the current American government administration. The topic of immigration to the U.S. has always been one to cause heated debates and the expression of diverse opinions. American immigration policy under Donald Trump has taken an extreme 42

Reggae Festival Guide 2018

So, yes, the United States has the largest market in the world for live music, but live reggae is also in demand in a wide range of other countries around the world. Many countries have restrictive immigration laws and regulations regarding the entry of foreign performers for work. The U.K. and European countries such as Germany, France and the Netherlands have their own rules and guidelines regarding entry of foreign artists to work. Countries in Africa, the Caribbean and Latin America – where demand for live reggae is also on the rise – are far less stringent with their visa entry requirements for foreign performers. The reality is that both American reggae fans and foreign reggae performers who can’t meet stringent work visa requirements may have to explore other options to present and enjoy live reggae music. How about a Love & Harmony Cruise or Welcome to Jamrock Reggae Cruise in the Caribbean? Big ships sailing on the ocean… we don’t need no commotion. One Love, Lloyd Stanbury Entertainment Attorney and Music Business Consultant

Lloyd Stanbury is a music industry professional whose expertise includes the practice of entertainment law, creative industries development consulting, training, artist management, music production and event promotion. His journey in the business of music started as a concert promoter in Jamaica, and he was instrumental in the establishment of the world’s first all-reggae radio station, IRIE FM. He has represented artists such as Chronixx, Protoje, Agent Sasco a.k.a. Assassin, Half Pint, Steely & Clevie and I-Taweh, and provided services to several international agencies involved in the cultural industries and intellectual property rights management. Stanbury is the author of the book REGGAE ROADBLOCKS, A Music Business Development Perspective. In August 2017, he was awarded the Order of Distinction by the Government of Jamaica for service to the music entertainment and media industries.

Reggae Festival Guide 2018

The Reggae Festival:

Itâ&#x20AC;&#x2122;s a Family Affair By Irene Johnson, Editor

Sierra Nevada World Music Festival offers arts and crafts, balloon making, face painting, interactive drum workshops, kid & family yoga, storytelling, free book give-away, bounce houses, water play, a festival parade and more! Photo by ÂŠ Lee Abel

Reggae Festival Guide 2018

ere at the Reggae Festival Guide, we’ve really been enjoying familyfriendly festivals and festivals with offerings for the youngest rockers among us. Our publisher Kaati has a granddaughter of toddler age and I myself have two young daughters, inspiring us to especially take notice while on the festival circuit. And it seems we’re not alone. Pregnant mother goddesses with painted bellies to parents with their kids in wagons in tow – people want to share their love of reggae music, as well as the festival experience, with their kids. From the Uppsala Reggae Festival in Uppsala, Sweden, to the LB27 Reggae Camp in Cegléd, Hungary, to the Durham Caribbean Festival in Ajax, Ontario, to the Island Reggae Festival in San Jose, CA, festivals worldwide are answering the call, making reggae festivals safe and fun for fans of all ages. At some festivals, this may mean strict rules against use of drugs or alcohol. Some adult-oriented festivals, like Jamaica’s biggest reggae festival, Reggae Sumfest, has one solution for the thousands of fans who travel from all over the world: all-inclusive hotels that provide babysitting and kid’s programs. Other festivals might focus energy and funds into making the facilities and grounds as clean and accessible as possible. Many festivals offer free admission to kids under a certain age, making it financially possible for the whole family to attend. And most, we’ve observed, offer some set of activities, program or area especially for the youth. In addition to expanding your children’s awareness of reggae as a genre and giving them lasting memories of reggae legends live on stage, you can also let them indulge

in the activities kids love. Increasingly, festivals seem to offer a variation of arts and crafts, face painting, games, group music activities, yoga, storytelling, dancing and more, making the overall festival experience a pleasant family-oriented vibe that is much appreciated. The reasons motivating this family-friendly shift are many. On a basic level, in order for parents to enjoy themselves, the kids need to be stimulated, kept busy and have fun with age-appropriate activities and opportunities to burn that endless energy they always seem to have. More holistically, a vision for many reggae festivals is to exemplify the core tenets of reggae. For example, Sierra Nevada World Music Festival (SNWMF) in Boonville, CA, is “dedicated to nurturing a world family peacefully united in celebration of the universal spirit of music… and committed to ensuring that the festival be family friendly – a place where youth can be exposed to the beauty of many cultures celebrating together and experience that our similarities are greater than our differences.” Likewise, the Positive Vibration Festival of Reggae in Liverpool, U.K., states, “Reggae uplifts and inspires people of all ages, including children and young people. With this in mind, we host a number of creative, educational and dance workshops for children, young people and families” – which includes an arts and crafts competition, participatory arts, soft-play activities, capoeira classes and special introductory dub poetry workshops. The Ziontific Summer Solstice Music Fest in Russell, MA, frequently falls on Father’s

Reggae Festival Guide 2018

Elizabeth Randolph of Haven Arts Studio, was 8 months pregnant at the California Roots Festival, and she not only enjoyed the festival, but also taught a live art workshop with her family all three days. Photo by Marissa E. of Bulldog Media

Day weekend, prompting many families to enjoy the festival as a getaway and campout under the stars in celebration of their fathers. Ziontific’s KidZone is jampacked with a variety of active games, kid’s yoga and playgroups, tons of crafts from dreamcatchers to mandalas to mask making, youth chorus, drum circle and more.

zone, storytelling, library, relaxation area and a corner with activities and talks for parents. It’s “a place to grow and learn, always from a perspective of absolute respect for the little ones and their universe, with spontaneous play and experiences as a means to explore this exciting world; a journey to be experienced as a family.”

In Benicàssim, Spain, Rototom Sunsplash celebrates its 25th anniversary this year and has been recognized by the United Nations Educational, Scientific and Cultural Organization (UNESCO) as an Exemplary Event for promoting a culture of peace and nonviolence, a philosophy that permeates each area of the festival. Youth enjoy MagicoMundo: six areas with water games, giant wooden games, construction, crafts, recycling and experimentation, painting and sculpture workshops, a free expression

The philosophies of these festivals and others hint at the importance of including youth and accommodating families – the heart of the matter goes far beyond creating a great festival. A festival is a tangible experience we can give the next generation that reflects the beliefs of reggae culture. Uniting with so many strangers that become sisters and brothers through this shared experience, in the same place, at the same time, dancing and singing together in celebration of the same song about love, peace and social change – that’s a powerful experience unique to

Reggae Festival Guide 2018

The Island Reggae Festival in San Jose, CA, provides hours of entertainment through free unlimited carnival rides and games. Photo by Justine Ketola

festivals. Making festivals family friendly makes it more possible to share this experience and promote these values with our kids. So, as you plan your next festival calendar, in addition to whoâ&#x20AC;&#x2122;s in the line-up, take a look at what offerings are made available for the kids in your life. It is both our joy and responsibility to bring up the next generation of reggae fans who will become active members of this community.

RFG Editor Irene Johnson sharing the reggae festival experience with her daughter Elena.

Reggae Festival Guide 2018

Protecting Those Little Ears ~ Taking Kids to Music Festivals ~ By Dr. Nathanael Heyman (Ph.D. Physiological Sciences) and Tracey Heyman Anyone who enjoys live music appreciates the “energy” experienced at a great show. There are many levels to the energy, some perhaps metaphorical. Some levels of this energy are, however, very much real in the form of sound waves. Yes, the music we come to soak in is generated by waves of energy travelling through the air around us, which eventually vibrate microscopic “hair” cells inside our ears. These hair cells ultimately turn the sound energy of vibration into an electrical energy our brain interprets as our favorite tune. The louder the sound, the more these ear components move. Unfortunately, excessively loud sounds can cause damage to these hair cells, leading to both temporary and permanent hearing loss (noise induced hearing loss: NIHL), especially for the little ones among us who enjoy rocking out. My wife recently brought this up as we prepared to take our little ones (ages two and four) to their first reggae festival, so we did a little research, including asking our ear, nose and throat (ENT) specialist and reading some scientific literature about protecting their ears. We came up with a few things that can be done to help the young ones (and big ones too) enjoy the music at concerts and festivals safely:

based points of interest here: First, decibels measure sound intensity using a logarithmic (huh?!) scale. This simply means that small increases in the number of decibels represent large increases in sound “energy.” Second, the intensity of this sound “energy” decreases with the square of the distance from the source. This simply means that moving twice as far from the stage lowers the sound intensity four times, and vice versa. Being up front might be exciting, but probably isn’t the best idea, especially for younger ears. 3. Recent research indicates that antioxidants (for example, vitamin C) and B vitamins for nerve protection may help to reduce the damage to hair cells and nerves. The data is not conclusive, but why not!? Enjoy some fresh squeezed fruit juice with that jerk chicken! The food is half the fun at a festival anyway!

1. Children should wear noise reducing headphones. We found some easily and fairly cheaply online. It took a little battling and bribing with fresh squeezed lemonade, but we managed to get the kids to wear them. 2. Most smartphones have free apps that measure the sound intensity in decibels and indicate dangerous levels. Two mathematically

Author Dr. Nathanael Heyman enjoying Kaya Fest with his daughter Natania. Photo by Tracey Heyman

Reggae Festival Guide 2018

Readings

For Reasoning By By Chuck Chuck Foster Foster

Photo by depositphotos.com

Reggae Festival Guide 2018

Alpha went on to play in Jamaica’s military and marching bands, drum and fife corps, big band orchestras of the ‘40s and ‘50s and as musicians in hotels and on cruise lines, as well as populating the clubs and studios of the island, before spreading the music around the world.

Alpha Boys’ School: Cradle of Jamaican Music By Heather Augustyn and Adam Reeves (Half Pint Press, 2017) The Alpha Boys’ School in Kingston, Jamaica, founded in 1880, was established as a home for “wayward youth” and initially functioned as a kind of trade school with Catholic overtones. But through the energy and dedication of a series of music teachers, and in particular the work of Sister Mary Ignatius Davies whose handson approach guided many greats including the legendary Don Drummond, it served as a training ground for musicians and singers who went on to establish ska, rocksteady and reggae in Jamaica and spread it worldwide. Schooled in classical music initially, the graduates of 54

Reggae Festival Guide 2018

The heart of the book is given over to careerspanning interviews with musicians (and sometimes musicians’ surviving family members) who got their early training at Alpha and went on to play jazz, ska, rocksteady and reggae at home and abroad. Some of the interviews were done by the authors, some are from newspaper files of the Gleaner, Star and other Jamaican papers going back to the ‘50s and ‘60s, and some are drawn from original interviews by Steve Barrow, Peter I and others. Other information is gleaned from interviews published in jazz magazines, album liner notes (a resource that may not be available to a future generation of writers), show advertisements and other increasingly ephemeral sources. The book is thus a treasuretrove of information and material which has either never seen the light of day or never before been widely available. Along the way, this in-depth history solves many a mystery. Interviews with the likes of Bobby Gaynair, “Deadly” Headley Bennet, Bobby Ellis and many others make for some of the most informative reading ever published about the people who actually helped create Jamaican music. Despite the long-term association with the Alpha School and ska, many of the musicians like “old boys” Tommy McCook, Glen Da Costa and others played jazz before helping to create ska. But the lives and careers of some of these players such as Joe Harriott, who emigrated to England and established U.K. free-form jazz as well as some of the earliest East/West crossover music, are as fascinating as those of players

like Rico Rodriguez, who ska, rocksteady and reggae fans may be more familiar with. For diehard ska fans, the chapter on The Skatalites, delineating the ups and down of their many twists and turns, is alone worth the price of admission. To the best of my knowledge, this is the first time anyone has ever put the incredibly diverse catalog of recordings issued under this band’s name into proper perspective. Of major importance is the book’s focus on musicians who were well known in Jamaica in their day but have slid into obscurity for various reasons. Roberto Moore’s essay on Sammy Ismay is a major case in point; I was amazed at how many of my favorite early songs he is credited with arranging and playing on. So little is known of so many of the artists treated, that the sections on Raymond Harper, Harold McNair, Alphonso Reese and many others are invaluable contributions to the history of Jamaican music. Fleshing out information on artists known and lesser known, the authors manage to convey both the dark and light sides of a career in music in a way that stands alongside classic biographies like Bernard Wolf/ Mezz Mezzrow’s Really the Blues. The “suggested listening” section near the back of the book is also a great asset. Though Alpha’s horn players often get the lion’s share of attention, many great Jamaican singers were schooled there as well, including Owen Gray, Leroy Smart, Johnny Osbourne and Apple Gabriel. DJ Yellowman, Jah Love sound selector Ilawi (father of Hempress Sativa) and drummer Leroy “Horsemouth” Wallace are among the other talents treated. All in all, the book is an excellent read and the authors have gathered a great amount of otherwise unavailable material together for an in-depth study of one of the major roots of reggae music.

Small Axe Bookzines 16, 17 & 19 By Ray Hurford (Muzik Tree, 2018) Three more issues of Ray Hurford’s marvelous reggae Bookzines have just arrived. Publishing in a new format with additional graphics and cool color covers, these Zines feature interviews, which originally appeared in his long out-of-print Reggae Files, with singers Bob Andy and Willi Williams and foundational DJ Dennis Alcapone, respectively covering their early careers and offering a broad overview of the music itself. Hurford’s insightful questions draw observations, memories, stories and facts that illuminate the early history of reggae and shed light on the producers, studios, other artists and milieu in which the music grew. Each of the Zines runs to fifty pages and contains excellent discographies on the artists in question. The format is stylized with cool color covers, but it’s the content that makes them among the more desirable publications currently available dealing with reggae. Black and white photos highlight significant players, record labels and jackets, and other artists mentioned in the interviews. Most of the artists covered have not been widely interviewed and Hurford always manages to bring out facts, stories and observations others might have missed. The continuing series is available here.

Reggae Festival Guide 2018

singers of the folk era, Richard Farina – I was surprised to come across this coffee-tablesized tome on an artist who has been mainly treated by recognized reggae authorities. But Bob Marley belongs to the world, and in an age where his songs are now played alongside contemporaries from the rock world who gleaned much more airplay than he in his life, it seems only fitting that Marley’s story reach the wider audience his music finally has.

Bob Marley and the Wailers: The Ultimate Illustrated History By Richie Unterberger (Quarto Publishing Group, 2017) Words like “ultimate” or “definitive” may be questioned when applied to an artist who has already inspired dozens of books and will undoubtedly inspire dozens more, but this one serves as both an excellent introduction for music (and especially rock music) fans as well as a nice summing-up of information for those who have already delved deeply into the existing books on one of the most significant singer-songwriters of the 20th century. Having read a couple of earlier books by this author – a band bio of The Byrds and the excellent Urban Spacemen and Wayfaring Strangers containing an essay on one of my favorite 58

Reggae Festival Guide 2018

Drawing mainly on published sources – there are virtually no independent interviews by the author – Unterberger does a fine job of collating material from hundreds of books and magazine articles to summarize the facts while trying (as others have before) to separate myth from history, readily admitting various sources have shed their own subjective light on the subject. The Bob Marley that emerges here remains larger than life, in keeping with his impact on reggae and the spread of Rasta culture. The book traces Marley’s history from his earliest recordings, through the early recordings with a shifting line-up to the “classic” trio of Bob, Peter Tosh and Bunny Wailer, and into his solo career with The Wailers, now the name of his band. Most importantly, it documents his stand against racism, oppression and injustice and his championing of the Rastafarian lifestyle. If you haven’t followed the ins and outs of Marley’s career, this book makes comprehensible many things that might seem confusing, like at what point in his career the I-Threes became an important part of his touring band, the significance of his global outreach and the many elements that make his life and music so relevant to the world we live in today. There’s a reason why Bob Marley’s music and image have come to

represent revolutionary ideals, youth culture, black solidarity, herb smoking and dreadlocks, as well as an international spirit of oneness as much at odds with the establishment today as it was when he first broke through in the 1970s. At the forefront of anti-apartheid messaging in those times, songs like “Johnny Was” from Rastaman Vibration anticipate the Black Lives Matter movement of today. The book is filled with cool graphics, from Soviet bootleg Marley covers, uncommon photos, historical documents, rare posters, album covers and 7” single record labels, both original rarities and contemporary reissues. Colorful striking imagery has always been a part of the spirit of reggae and is well reflected in the visuals here. There are reviews of each album, some from Unterberger and some from other authors like Garth Cartwright, Pat Gilbert, Harvey Kubernik and Chris Salewicz; sections on significant eras, producers, related artists and a selected discography and bibliography; as well as fascinating inside stories such as Chris Blackwell’s remarks on Lee Perry’s uncredited involvement in some recordings. Even if you’ve devoured the major biographies from Stephen Davis and Timothy White to John Missouri and Roger Steffens, you’ll find this book an informative overview and visual treat.

Rodigan: My Life In Reggae By David Rodigan with Ian Burrell (Constable, 2017) Any reggae fan who grew up or spent significant time in England will know David Rodigan by his last name alone, as he was, for many, the premier reggae radio DJ in the U.K., even though the music had already made great inroads there (compared with the U.S.) by the time he began. Nonetheless,

his show broke new ground for the music and helped keep reggae in the forefront with artist interviews, top-grade selections and informative presentations. In recent years, he’s toured with his sound system, put together anthologies of the music he’s loved and promoted all his adult life, and become better known outside of England. In this engaging book, he tells the story of his life, his lifelong love affair with reggae and his career in the music with amusing anecdotes and a dollop of the style that put him at the forefront of U.K. reggae. Rodigan’s story is one many reggae lovers can relate to. As a music enthusiast who took a deep plunge into reggae at a time when the general public didn’t understand the attraction of the music or was put off by the raw, rebellious elements of the Jamaican

Reggae Festival Guide 2018

style, he pushed forward to help spread the word to the widest audience possible. Chapter headings detail the various styles of the music – roots, dub, toasting, jungle, etc. – and the authors interweave Rodigan’s more personal life history like riffs within the melodic structure. The structural conceit works well, mainly because Rodigan’s life cannot be separated from his work in reggae, allowing his personal history and the growth and stylistic changes in the music over time equal standing in this fascinating history of the fight for – and against – reggae in the broader world of U.K. media. Rodigan’s passion for reggae is apparent as he relates encounters with musical greats like Bunny Wailer, Alton Ellis, Bob Andy, Peter Tosh, Bob Marley, as well as his visits to Channel One, King Tubby’s, Treasure Isle, Harry J’s, Black Ark and others at a time when they were producing some of their finest work. These are experiences that simply can’t be duplicated and Rodigan’s enthusiasm is evident in even the latter-day telling. He really gets rolling as he describes his lengthy tenure as a London club DJ, the growth of the MC scene in England and his time at Capital Radio, U.K. Kiss FM, BBC 2 and 1xtra radio. You’re given a bird’s eye view of the London reggae scene at a time when artists like Dennis Brown and Gregory Isaacs were at their creative peak. What comes across is the man’s enthusiasm for reggae music, from ska, rocksteady and roots through dub, ragga, dancehall into drum and bass, dubstep and whatever the next incarnation of reggae-rooted music may be. Even though he gravitated toward a wider mix of music on his later stints, he’s continued to advocate for reggae and feature it as part of a broader spectrum of sound.

Though the root of reggae music will always be the island in the Caribbean from which the Alpha Boys’ School players and artists like Bob Marley emerged, David Rodigan’s book makes it clear that frontline reggae soldiers can emerge from any culture if the individuals involved are committed to the lifeforce that makes reggae instrumental in uniting people from around the world. The concept of One Love has driven the music from the beginning, and the contributions of thousands of artists, musicians, producers, graphic artists, higglers and fans around the world have helped to build a foundation that continues to provide inspiration and solace to people from every walk of life united in the belief that we are stronger when we band together for our common good. Chuck Foster recently celebrated 20 years as host of Reggae Central on KPFK in L.A. (you can hear the show live or archived at www.KPFK. org). He is the author of Roots Rock Reggae: An Oral History of Reggae Music From Ska To Dancehall (Billboard Books, 1999) and The Small Axe Guide to Rock Steady (Muzik Tree/I Am the Gorgon, revised edition 2016).

Reggae Festival Guide 2018

2017 Grand Winner: Vinicio Sejas, Bolivia

International Reggae Poster Contest Highlighting the Globalization of Reggae Through Art All images provided courtesy of the International Reggae Poster Contest.

2017 winners: Professional 1st place: Naufan Noordyanto, Indonesia; Student 1st place: Adriana Garcia, Bolivia

Reggae Festival Guide 2018

2017 winners (l to r, top to bottom): Professional 2nd place: Fonzo Moto, Germany; Professional 3rd place: RĂşben Pereira, Portugal / Student 2nd place: Jiheng Liu, China; Student 3rd place: Myrto Giotakou, Greece

Reggae Festival Guide 2018

he International Reggae Poster Contest (IRPC) is an initiative designed to celebrate positive international reggae culture and music, highlighting the globalization of reggae and the resounding impact of its message. The umbrella term “reggae” encompasses all the popular Jamaican music genres: ska, rocksteady, roots reggae, dub, dancehall and the unique Jamaican sound system. Reggae is more than music – it’s a culture. It encompasses music, art, dance, politics, religion, the local Jamaican language of patois and social commentary. Artists are called to reflect this vibrancy in their submissions. IRPC was founded in 2011 by two artists: the late Michael Thompson (a.k.a. Freestylee, Artist Without Borders) from Jamaica and Maria Papaefstathiou from Greece. For each of the six contests thus far, artists are directed to create an original poster design that captures the energy and vibe of reggae; the rest is up to the artist’s imagination.

stimulates urban transformation. The IRPC is a global campaign that uses the powerful tools of social media and creative expression through the medium of the visual arts. The other important objective of IRPC is to help raise awareness of the Alpha Boys’ School, a vocational institution for underprivileged youths, located in the heart of Kingston and founded in 1880 by the Sisters of Mercy. This school is a great Jamaican success story, producing some of the most notable legends in the history of reggae, including Don Drummond of the Skatalites, singer Desmond Dekker and one of dancehall’s first superstars: Yellowman. Without this fertile training ground, we might not have seen the flourishing of the global music we call reggae. IRPC believes that this remarkable institution should be celebrated and replicated, and works to achieve this by selling and auctioning its posters.

Since its start, the IRPC has received over 6,000 amazing posters. You’ll see references to sound system culture, Rastafari, the doctrine of One Love, war and, almost certainly, Bob Marley. Amazingly, these pieces of art come from all over the world, from the far reaches of China, over to Mexico, across to Russia, Ghana, Iceland, Poland, South Africa, Costa Rica, Turkey, Kazakhstan, Iran and beyond. Clearly, reggae has a huge impact that is felt worldwide.

IRPC also raises awareness for the HELP Jamaica! (HJ) non-profit organization, which raises funds to support and establish library and education projects in deprived Jamaican communities with the aim of providing free access to education, books and computers, homework assistance and other activities particularly for children and youth who don’t otherwise have access to these facilities. HJ’s programs aim to strengthen and inspire individuals and thus improve, uplift and unite the community.

This impact is actually what IRPC aims to highlight, and through this, start an international conversation and vision of erecting a world-class Reggae Hall of Fame museum and performance center in Kingston, Jamaica, that will celebrate the voice, vision and vocabulary of Jamaican popular music. The ideal architect for this grand enterprise is Frank Gehry, a name synonymous with inspiring architectural design that

The 6th International Reggae Poster Contest of 2017 received 1060 poster submissions from 582 designers in 68 countries. Like their artwork, this response beautifully illustrates how people worldwide resonant with the messages, lifestyle, art and music of reggae. Winners were announced in May 2018. For more information about IRPC and to view all amazing past poster submissions, visit ReggaePosterContest.com.

Reggae Festival Guide 2018

Past winners (l to r, top to bottom): 2016: 1st place: Julia Egorova, Russia; 2nd place: Cortney Benvenuto, United States; 3rd place: Simona Galizia, Italy/ 2015: 1st place: Seyed Abbas Mirqeisari, Iran; 2nd place: Oktay Barkin, Turkey; 3rd place: Li Wei, China / 2014: 1st place: Andreas Wikstrรถm, Sweden; 2nd place: Avi Marciano, United States; 3rd place: Dariush Allahyari, Iran / 2013: 1st place: Balazs Pakozdi, United Kingdom; 2nd place: Andrew Cachia, Malta; 3rd place: Lenin Baru Vรกsquez Felipe, Mexico / 2012: 1st place: Alon Braier, Israel; 2nd place: Zafer Lehimler, Turkey; 3rd place: Rosario Nocera, Italy

Reggae Festival Guide 2018

Irish & Chinâ&#x20AC;&#x2122;s Celebrates its 20

By Joana L

A crowd of over 7,000 celebrates World Clash Jamaica in 2004. Photo courtesy of Irish and Chin, Inc.

Reggae Festival Guide 2018

s World Clash 0th Anniversary

LeRoque

Reggae Festival Guide 2018

xcitement is heating up among sound clash enthusiasts as sound system contenders battle for the chance to compete in the grand World Clash event in October. There are sound clashes all over the globe, but there’s only one World Clash – founded by reggae music visionaries Irish and Chin – that brings the world’s top sound systems together head-to-head.

Clash in New York City in 1998, that sound clash culture evolved worldwide. Through rules, set rounds and referees, World Clash brought structure to sound clash culture and attracted the attention of global audiences. Soon, the event grew in popularity and expanded to what it is today. Generating many selector and sound system stars over the years, World Clash celebrates its 20th anniversary this year.

For those who may not know, a sound system is a group of DJs (or selectors), audio engineers and MCs who contribute and work together as one, playing and producing music over a large PA system or sound reinforcement system, typically for a dance event or party. A sound clash, then, is an organized competition between two opposing sound systems.

World Clash features the winners of preliminary Rumble Series clashes, which are currently held in Canada, Antigua, the U.S., Japan, England and Germany – leading up to the championship in Toronto, Canada, this October.

Sound clashes in Jamaica date back to the 1950s, but it wasn’t until Irish and Chin launched World

At the time of publication, three preliminary Rumble clashes have been held and three more will take place throughout June. The Canada Rumble, held on March 3rd, was won by Toronto sound system Mystic Sound, who had placed

Recognized for his stand-out attire just as much as his talent, selector Ricky Trooper scored a strong presence at World Clash Jamaica stagings. Photo courtesy of Irish and Chin, Inc

Reggae Festival Guide 2018

Garfield "Chin" Bourne (l) presents Lloyd “King Jammy” James (c), David Rodigan (r), Jack Scorpio and Downbeat the Ruler (not pictured) with lifetime achievement awards for their contributions to the growth of competitive sound system culture. Photo courtesy of Irish and Chin, Inc.

third in last year’s Canada Rumble. “Canada Rumble 2018 was the kick-off to a whole year of Irish and Chin’s search for the champions of tomorrow’s clash arena. The audience got to witness good performances from six sounds that are hungry for fame. Some brought their A game and others were just not prepared for the challenge. Nevertheless, there can only be one champion,” said Irish and Chin co-founder and World Clash promoter Garfield “Chin” Bourne. (1) Next up, the first ever Caribbean Rumble, which took place in Antigua on March 31st, was won by Antigua’s 3 Sevens (MC Panther and Selector Federal). “I believe that Caribbean Rumble is the ideal addition to the Rumble Series brand,” said Bourne. “The Caribbean plays a vital role in sound clash, so showcasing some of their most talented sound systems was critical. I truly enjoyed the whole clash…but I have to admit…it was the mystery round that really

sparked a buzz for me, as sounds had no choice but to be innovative and quick on their feet with tunes from whatever genre they picked (singers, God Bless, ganja man, etc).” (2) The U.S. Rumble, held May 5th in New York City, was won by Dynamq Sound International’s Kennedy Lorya. Dynamq mastered the art of music, execution and entertainment, defeating what many have hailed as the best set of contenders yet for the clash – including Revolution (Washington, D.C.), Jah Mikey One (California), Black Magic (Atlanta, GA), Webbzite (Rochester, NY), Banky Hype (New Jersey) and defending champions Platinum Kids (New York). (3) Soon to come, the Rumble Series will journey to Japan (June 9th), Europe (June 23rd) and the U.K. (June 30th) to see who will represent each territory and eventually compete in the World

Reggae Festival Guide 2018

Clash, with hopes of winning the coveted “World Clash Champion” title. But we won’t have to wait for the official World Clash event in October to continue celebrating its 20th anniversary. Between 2001 and 2010, crowds upwards of 8,000 jammed the event center at Pier One to witness World Clash. . . and now it's back! Irish and Chin have joined forces with Jamaica’s premier music festival, Reggae Sumfest, to hold a spectacular, commemorative 20th anniversary celebration! The World Clash brand will take the Sumfest stage on July 19th at Pier One in Montego Bay, Jamaica, featuring many of World Clash’s top stars over the years, including Mighty Crown, Tony Matterhorn, Black Kat and Ricky Trooper. Chin, too, is excited for the festivities, declaring, “I can’t think of a better way to celebrate 20 years of the World Clash brand! Returning to Jamaica and bringing World Clash to Reggae Sumfest is extremely exciting to me, as fans have been asking for this for many, many years. What a great homecoming!” Sound clash fans will be guaranteed the clash of a lifetime should they attend any of the upcoming Rumbles, Reggae Sumfest or World Clash events! For more information, visit: irishandchin.com. Sources: (1) www.jamaicaobserver.com (2) sflcn.com (3) sflcn.com

Garfield "Chin" Bourne, of Irish and Chin, told Reggae Festival Guide: "It's an honor to see see World Clash celebrate it's 20th Anniversary in an entertainment industry that has seen many brands come and go over the years. I am especially thrilled that Irish and Chin has played a part in keeping Jamaica's rich indigenous art form of sound clash alive for many years, while exposing it to international audiences. Further, I am happy that World Clash believed in the talent of numerous selectors and sounds, giving them a platform to shine. World Clash, in some form or fashion, has helped either launch or cultivate the careers of many of today's star selectors and sound systems."

Joana LeRoque has been listening to reggae most of her life, and firmly believes it is a healing for the world. She fuljoys being part of the Reggae Festival Guide team. She joyously supports artists and festivals as a publicist, social media manager, consultant and all-around advocate for spreading the good messages in reggae music worldwide.

Reggae Festival Guide 2018

Festival Runnings The publisher, the venues, the promoters and the musicians are not responsible for any changes or cancellation of events. SO CHECK BEFORE YOU GO & HAVE AN IRIE TIME! May 25 - 27

Camp Reggae

Turtle Town, Tennessee, USA

May 25 - 27

Sunshine Reggae Festival

Lauterbourg, France

May 25 - 27

Kentucky Reggae Festival

Louisville, Kentucky, USA

May 25 - 27

California Roots Music & Arts Festival

Monterey, California, USA

May 26

Reggae Fest Cleveland

Cleveland, Ohio, USA

May 27

Love 4 Music Festival

Huddersfield, United Kingdom

June 2

Joe Higgs Day: Memorial & Music Awareness Tribute

Key West, Florida, USA

June 2

Livication Reggae Festival

Miami, Florida, USA

June 5 - Sept. 9

Coney Island Reggae on the Boardwalk

Brooklyn, New York, USA

June 7 - Aug. 12

Schools Out for Summer

Multi, USA

June 8 - 9

Positive Vibration - Festival of Reggae 2018

Liverpool, United Kingdom

June 9

Reggae in the Desert - Las Vegas

Las Vegas, Nevada, USA

June 15 - 17

Rast'Art Festival #9

Sannerville, France

June 15 - 18

ZIONTIFIC Summer Solstice Music Festival

Russell, Massachusetts, USA

Reggae Festival Guide 2018

June 16

Durham Caribbean Festival

Ajax, Ontario, Canada

June 20 - 24

Victoria's Ska & Reggae Festival 19th Annual

June 22 - 24

Sierra Nevada World Music Festival

Victoria , British Columbia, Canada Boonville Mendocino County Fairgrounds, California, USA

June 22 - 24

Ithaca Reggae Fest, 2nd Annual

Ithaca, New York, USA

June 22 - Aug. 24

Music in the Park

San Jose, California, USA

June 23 - 24

Kuranda Roots Festival

Kuranda, Cairns, Australia

June 24

More Music Festival

Durango, Colorado, USA

June 27 - 28

Uppsala Reggae Festival

Uppsala, Sweden

June 30

Feeling Festival

Tenerife, Spain

June 30 - July 4

International African Arts Festival, 47th Annual

Brooklyn, New York,, USA

June 30

Jamaica Day Reggae Festival

Hyattsville, Maryland, USA

July 1

International Reggae Day Festival

Kingston, Jamaica

July 1

Reggae Night XVII

Hollywood, California, USA

July 5 - 8

Ostroda Reggae Festival

Ostroda, Poland

July 6 - 8

African/Caribbean International Festival of Life

Chicago, Illinois, USA

July 6 - 8

Summerjam Festival, The 33rd

Cologne, Germany

July 7 - 8

Levitate Music & Arts Festival

Marshfield, Massachusetts, USA

July 8

Peace Love & Happiness Reggae Festival

San Jose, California, USA

July 10 - 14

Overjam International Reggae Festival

Tolmin, Slovenia

July 12 - 15

California WorldFest

Grass Valley, California, USA

July 14

Island Reggae Festival, 7th Annual

San Jose, California, USA

July 15 - 21

Reggae Sumfest

Kingston, Jamaica

July 17 - 23

Bababoom festival

Fermo, Italy

July 19 - 22

Dub Camp Festival

JouĂŠ-sur-Erdre, France

July 19 - 22

Seasplash Festival

Pula , Croatia

July 20 - 22

Oroville Rock Reggae Jamfest

Oroville, California, USA

Reggae Festival Guide 2018

July 21

Battle Creek Caribbean Festival

Battle Creek, Michigan, USA

July 21 - 22

Jerk Jam, The

Fareham, United Kingdom

July 21

Bayfront Reggae & World Music Festival

Duluh, Minnesota, USA

July 21 - 22

Summer Reggae Wine Festival

Mt. Airy, Maryland, USA

July 24 - 28

LB27 Reggae Camp

CeglĂŠd, Hungary

July 25 - 29

Iboga Summer Festival

Tavernes de la Valldigna, Spain

July 26 - 29

Guitarfish Festival,8th Annual

Cisco Grove, California, USA

July 26 - 30

Roots & Culture Reggae Festival

Latisana (UD), Italy

July 26 - 28

Summer Vibration Reggae Festival

Selestat, France

July 27 - 29

Reggae in Wulf

Friedberg (Bavaria), Germany

July 27 - 29

NorthWest World Reggae Festival

Sandy, Oregon, USA

July 27 - 28

Uppsala Reggae Festival

Uppsala, Sweden

July 27 - 29

Montenegro Sun Reggae fest

Budva, Montenegro

July 28 - 29

Black Forest On Fire

Berghaupten, Germany

July 29

Reggae on the Grass

Denver, Colorado, USA

Aug. 4 - 5

Love Peace & Reggae

Whitstable, United Kingdom

Aug. 4

Durham Reggae Fiesta

Durham, North Carolina, USA

Aug. 4

Caribbean Afr'am Festival

Killeen, Texas, USA

Aug. 9 - 12

Boomtown Fair

Bristol, United Kingdom

Aug. 10 - 11

One Love Festival

Ladysmith, BC, Canada

Aug. 16 - 22

Rototom Sunsplash

Benicassim, Spain

Aug. 17 - 18

Rastafest

Toronto, Ontario, Canada

Aug. 18

Charlemont Reggae Festival

Charlemont, Massachusetts, USA

Aug. 18

One Love Music Fest

Somerset, New Jersey, USA

Aug. 18

Righteous Rockers Music Festival

Tampa, Florida, USA

Aug. 24 - 26

Foothills Music festival

Browns Valley, California, USA

Reggae Festival Guide 2018

Aug. 24 - 27

Cannabis Cup-Canada

Lake Cowichan, BC, Canada

Aug. 30 - Sept. 3

Surrounded by the Sound Music & Arts Festival

Long Creek, South Carolina, USA

Sept. 1 - 2

One Love One Heart

Woodland, California, USA

Sept. 8 - 9

Jerk, Seafood & Vegan Fest

Chicago, Illinois, USA

Sept. 8

Soul Rebel Festival, The 17th Annual

Boulder, Colorado, USA

Sept. 15 - 16

Reggae on Route 66

Victorville , California, USA

Sept. 29 - Oct. 1

Nigeria Reggae Festival

Awka, Anambra State, Nigeria

Oct. 6 - 7

Autumn Reggae Wine Festival

Mt. Airy, Maryland, USA

Oct. 7

LA Reggae Vegan Fest

Los Angeles, California, USA

Oct. 27 - 28

Reggae Wellness

Port Antonio, Jamaica

Reggae Festival Guide 2018