Music, The Story of Anthropic Birth ( work in progress - day 1 )

BY DILIP RAJEEV

Music is the story of anthropic birth.

The One is the whole principle, it leads to the

two the generative ends, the male and female, generating and dissolving. Three is a state of activity established between one and two. The numbericals are thus aspects generated between one and two. The five is dissolution. Three generation. Four is fountaining of matter in formation.

From one to two. Six is dissolutionary circulation on the axis. Seven a formative brethrough. Eigh the establishment of formative circulation. Nine the whole man-generative 3 dualistically acting.

A scale is a progressive set of stages where one may move, generating an Anthropos. 1 and 2 are necessary in the scale. 1 as the origin, 2 as what results. A 3 natured movement starts creation in between. 3 against a substratum perception of 2, two being one dualizing into two. 3 is thus the man forming. Pa, the expression of potentialities. 5 is dissolution. Return of the matter generated by the 3, to the source, along the anthropic form. 5/4, 4 being the fountain that needs establishment for that to happen. 4/3 is the birth of the inverse Anthropos, extending into inner spaces. 9 against 8 is active multiplication of the anthropic principle. 5 against a perception of generation, 5/3 is the ordering of the growing into anthropic form On anestablished circulatory, when there is 3 and 5, there is the fountainbeing substructured, and refined, in dissolution.

1 emergence, 9/8 the multiplicatory forces propelling formation, a anthropic form inducing dissolution established on that, 5/4, a generative fountaining of the man into deeper spaces, 4/3, fountaining reflected into higher spaces, 3/2, dissolutioing of those triadic forms in anthropic form, 5/3, a substructuring dissolution, 15/8, leading to the next world, the 2. To identify 8 points ona scale leading from Earth to Heaven.

Rhythm 1 against 1 is dance.

1 against 2 is evolution.

1 against three is the human from earth.

2 against three is the human from heaven.

3 against four is the fire in the fountain.

Four is structured fountaing in matter. A five beat is human structuring. 6 circulatory of the seed.

8 established circulation on axis.

All things and phenomenon have a four natured rhythm. Distinctly whole human perceptions like love, etc are five natured.

The human body The human form creates perception of itself and the world. The human form, is thus the world.

In music, we attempt to capture that formative movement, of the world in the Anthropos.

Perception is electrical impulsing returned on to the neuroanatomical axis. And the impulsing’s form is the number. Through music we attempt to artificially generate this impulsing on the axis, imitating nature, nature being the guide of all true art.

Since a whole-perception is a world, the whole perceiving the world maps to it. The human body is thus the creative space of all perception.

The Number Numbers are fundamental perceptions of the human body. In their evolution, they imitate evolution in the greater Cosmoses, and worlds. A form such as a circle, has a perception of 3.1415926535.., the pi, associated with is, as that form of impulsing, on the anthropic seed generates a circular space, in the nature of that Anthropos. The impulsing evolves the seed signature. And the impulsing seems origined in a creation-program. The cells contain what is in effect a system, a machine, that uptakes these impulses, and converts or transforms them to chemical movement. Every cell has its own numerical rhythming, generating its structure. This involves the inherent internal rhythem, and the rhythm of the cells outside. Carbon of nature 12 is perception of 3 and 4, structuring and fountaining. Nitrogen ,of nature 7, is perception of ordering it into the larger or finer fractal structure.

Prime numbers are whole perceptions of the body with its processes. Processes that are wholeunits and do not allow breaking down into sub-processes. All numbers are thus multiplications and merging of prime movement.

To generate ,say, the Pi movement in the human body. We hold the three perception, as a basis On the seed – to keep it evolving. And then proceed to the sequence of impulsing. 1,4,1,5,9, etc.

Musically, we may say, we keep playing the 3/2 as a harmonic basis. Then we attempt to generate 1,4,1,5,9 in time-space as we had generated the nature of 3 in 3/2 perception. Three on the created dual space. The lower fundamental note, the Sa, or the Do in western music, is a perception of 1.

To generate a sustained perception of 4 in the human body, we need a three aspect, generation of that which may be fountained, or four-ed. To four being to have things Balanced out and ordered.

Similarly 5, to dissolution is perceived best in the fountain, the 4. 9 best against 8, that which generates it – or rather, on which it is established. To 8 things, we may perceive 8/5 or 8/7. TO perceive 3 and acting together, say 15/8. It may result formt eh masculing aspect 3 naturedly impulsing and the feminine aspect 5 naturedly impulsing. The system perceives it as an order of 15. There are two kinds of fifteen thus. Or 15 in general is a superposition of those two kinds.

2,3,5,7, These may be thought of as the prime perceptions. The perception of seven is perception of the system projected externally. It is not musical in nature, as inner movement within the higher system, within the brain, is of the nature of 2,3,5. To imitate that innermovement int eh cecrebral space, we need only those three numbers. In symbolic form 7 is the projected axis. I is the whole cerebralspace. 2 its dualized nature, 3, they together, as if a mapping were made over the cotices. 5, its interaction dissolutioning and ordering perception. The brain is the program interpreting reality. The form of the fundamental seed.

The generation of seven is naturally governed by the inner brain-program. The inner perceptions of the brain gets projected on to the spinal axis. Much as the body will feel cold if we imagine a wintry space.

If we think of the two aspects of the brain as II , each with an active and a passive state, and whats between as generated again in a manifest or unmanifesting state, we have a system describably as movement between 8 states.

The brain becomes a whole seed principle, that reflects itself as active and passive – reflecting between themselves each other’s inner nature.

Each aspect reflects the other’s movement. Programs are formed in the brain – as say 3.114159 generates a kind of fire water perception and movement. Programs for perceiving gestalts exist in the brain. These were programs in the primordial seed. Or programs that evolved as the primordial seed perceived its own nature. The program refines itself. We perceive circles, triangles, etc., as programs activiated. More complex gestalts may form in circuitry. And this perception gets reflected inwards affecting the ordering of the inner structure of the manifest seed. The primordial program would be unchanged by the manifest. It evolves and distills reality.

Circuitry that were distorted too far from the primordial program is adjusted, maintaining a fractal-seed order. Generating a richer reality. And it may pr

For the perception of the brain movement. We have 111 where the system is active, manifesting as a whole. In the manifest numerical, we will say it is the 2 perception against 1. The brain theundaental seed moves into the manifest as two. When all is unmanfiesting we have 000, we will say this is the return to the whole, the perception of union, 1.

101 would be both sides manifesting, while dissolutioning perception, the idea of 5.

010 would be both sides unmanifesting into the manifest axis, extending creative projection, the idea of the perception 3. The three interaction, the brain structuredly bonding generates the projection naturally, dissolving from either side.

011 has the fountaining, the male unmanifesting, the female receiving, thus the idea of 4.

100 has the idea of the male manifesting the the female receiving. 3 for the active manifesting, and 5 for the dissolutioning. So the perception of 15.

110 is 15 but a strong manifestation underscores the perception so again 5. Abstracted best as 5 over 3.

001 I the male the ais, all unmanifest entirely into the feminine, the receptive. The farthest movement of the transmutando, hence 9.

000 – Sa 001-RI 010- GA 011- MA 101-PA 110 – DHA 100 – NI 111 - SA These eight movements, we may assume, generate all perception in the cerebral space. The numbers as such are the nature of movements on the cerebro spinal axis.

While numbers are primordial impuleses, each musical note is a resultant movement in inner seed space. Generating transformations in internal programs. Activting fundamental programs.

These programs project forth their movement, on to the body space, generating the perception of the body. Generating the worlds.5/4 activates the program of perceiving and ordering the world into the primodial seed structure. 5/3 structuring underneath such dissolution. The system is dissolutioning-ordering nad creating at the same time.

The seed plays itself so to speak. The seed plays its own music. These manifest as structure, the digestive circulatory, etc. A good piece of music, encourages the primordial seed growth, orders the human and his worlds.

Temporal movement and Meaning There is temporal ordering in various aspects of a piece. The overall rhythm if a four beat speaks of fountaining in the system. Activates the fountaining programs in the seed. Five of dissolutionary anthropic form. Activates the entire form. The senses of the numericals thus transpose into evolutionary time.

Say a mesure as a temporal form of 1,1. There is balance, a mutal dance. Activity, its reflection.

Balanced movement of male and female. If we say have a form of 3, 1, its activity in the source, penetration generating a whole perception, return of fire to the source, and so forth. 1:3, matter made a whole, dissolved into water. Initial beat is of masculine nature, the one it enters of feminine nature.

Melody What is the nature of movement between numbers. What does a movement from, say, a lower Sa to a higher Sa affect in the Anthropos. An evolution from an unmanifest whole, to a manifest dual, say. There perception on a pure body, is the guide. Words merely attempt to map it to ordinary experiences.

Movements from Sa Sa

have

//voices // the goal of music //as sexual movement.