Offer Waterman & Co Modern British Art
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Offer Waterman & Co
11 Langton Street London SW10 0JL +44 (0)20 7351 0068 info@waterman.co.uk www.waterman.co.uk
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Allen Armitage Auerbach Boyle Caro Coper Hamilton Hepworth Hitchens Hockney Jones Kitaj Kossoff Landy Lanyon Lowry Moore Nicholson Paolozzi Penrose Riley Scott Sickert Turnbull Uglow Vaughan Wallis
Artists
Ivon Hitchens 1893–1979 July Flowers, c1943 oil on canvas 29 by 16 inches / 73.7 by 40.6 cm signed; titled on artist’s label verso Collections The Artist Leicester Galleries, London Private Collection, UK
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Walter Richard Sickert 1860–1942 Rue Saint Jacques, Dieppe, c1894–5 oil on panel 91/4 by 51/2 inches / 23.5 by 14.0 cm titled verso Collections The Artist Private Collection, Paris Thence by descent Exhibited Paris, Galerie Durand-Ruel, Walter Richard Sickert, December 1900, cat no.39
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Alfred Wallis 1855–1942 Steamer at Sea, c1930 oil on board 7 by 111/2 inches / 17.8 by 29.2 cm signed Collections The Artist Private Collection, UK, acquired directly from the above Thence by descent
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Sir Roland Penrose 1900–1984 God Help All The Leviathans, 1924 gouache with grit and sand on paper 81/4 by 51/2 inches / 21.0 by 14.0 cm Collections Private Collection, UK Private Collection, UK
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Ben Nicholson 1894–1982 Still Life with Jug and Profile, 1932 oil and pencil on canvasboard 13 by 16 inches / 33.0 by 40.6 cm Collections The Artist Private Collection, UK, c1937 Thence by descent Private Collection, UK Literature Herbert Read, Ben Nicholson, Paintings, Reliefs, Drawings, Volume I, Lund Humphries, London, 1955, cat no.34, illus colour
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Henry Moore 1898–1986 Reclining Figure, 1945 bronze with green patina 4 by 7 by 3 inches / 10.2 by 17.8 by 7.6 cm inscribed Moore on base edition of 7, unnumbered Collections The Estate of Miss Dorothy Smith Catherwood Waddington Galleries, London Private Collection, USA Exhibited London, Tate Gallery, Sculpture and Drawings by Henry Moore, Arts Council, 2 May – 29 July 1951, cat no.164, illus b/w p112, terracotta version exhibited Literature Herbert Read, David Sylvester, Henry Moore Volume 1: Complete Sculpture 1921– 48, Lund Humphries, London, 1988, HM no.242, illus b/w p15 (terracotta version) Note Conceived in 1945, the bronze editions of this cast were produced between 1945 and 1947. This bronze was one of two maquettes made in preparation for Moore’s major commission Memorial Figure, 1945 (HM no.262). The large scale Memorial Figure, was carved in Hornton stone and still stands on the top terrace at Dartington Hall, Devon, as a memorial to Christopher Martin, the hall’s first Arts Administrator, who died in 1944.
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Henry Moore 1898–1986 Working Model for Reclining Figure: Festival, 1950 bronze 8 by 173/4 by 51/2 inches / 20.3 by 45.1 by 14.0 cm stamped Moore on base edition of 7 plus 1 artist’s cast, unnumbered Collections Private Collection, Japan Fuji TV Gallery, Tokyo Fukuoka City Bank, Fukuoka, Japan, acquired February 1975 Private Collection, UK Literature Ionel Jianou, Henry Moore, Arted, Editions d’Art, Paris, 1968, cat no.275, p76, illus b/w pl.87 Robert Melville, Henry Moore: Sculpture and Drawings 1921–1969, Thames and Hudson, London, 1970, cat no.417, illus b/w Herbert Read, Alan Bowness, Henry Moore Volume 2: Complete Sculpture 1949–54, Lund Humphries, London, 1986, cat no.292, illus b/w p33 and plates 44 & 45 David Mitchinson, Celebrating Moore: Works from the Collection of The Henry Moore Foundation, Lund Humphries, London, 1998, cat no.160, pp227–228, illus colour pp227–8 Note This sculpture was the working model for the 71/2 ft long Reclining Figure: Festival, commissioned by the Arts Council for the Festival of Britain’s South Bank Exhibition in 1951. Another cast from this edition is in the collection of The Henry Moore Foundation.
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Henry Moore 1898–1986 Woman Reading, 1946 bronze 51/4 by 23/4 by 31/4 inches / 13.3 by 7.0 by 8.3 cm inscribed Moore on base edition of 7, plus 1 artist’s cast, unnumbered Collections Maxwell Davidson Gallery, New York Private Collection, USA, acquired 1975 Lillian Heidenberg Fine Art, New York Private Collection, UK Exhibited Much Hadham, The Henry Moore Foundation, Sheep Field Barn, Henry Moore: War and Utility, 2001–2, cat no.180, illus colour p23, another cast London, Waddington Galleries, Henry Moore: Sculpture & Drawings, 6 – 30 September 2006, this cast Literature Herbert Read, David Sylvester, Henry Moore Volume 1: Complete Sculpture 1921– 48, Lund Humphries, London, 1988, HM no.264
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Barbara Hepworth 1903–1975 Study for Lisa (Hands to Face), 1949 oil and pencil on board 18 by 10 inches / 45.7 by 25.4 cm signed and dated Collections The Artist Mr and Mrs F.E. Halliday, UK Private Collection, UK Exhibited London, Lefevre Gallery, New Sculpture and Drawings by Barbara Hepworth, February 1950, cat no.41 Venice, XXV Biennale, British Pavilion, An Exhibition of Works by John Constable, Matthew Smith and Barbara Hepworth, British Council, Summer 1950, cat no.119 Wakefield, City Art Gallery, Barbara Hepworth, Sculpture and Drawings, Festival of Britain, 19 May – 7 July 1951, cat no.90, touring to: York, City Art Gallery, 14 July – 12 August 1951 Manchester, City Art Gallery, 24 September – 21 October 1951 London, Whitechapel Art Gallery, Barbara Hepworth, Retrospective Exhibition 1927–1954, April – June 1954, cat no.129 St Ives, Parish Church, Exhibition on the Occasion of the Conferment of the Honorary Freedom of the Borough of St Ives on Bernard Leach and Barbara Hepworth, September – October 1968 Plymouth, City Art Gallery, Barbara Hepworth, 16 June – 16 August, 1970, cat no.69
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Barbara Hepworth 1903–1975 Two Figures (Blue Grey), 1951 oil and pencil on card 20 by 15 inches / 50.8 by 38.1 cm signed and dated; also signed, titled and inscribed verso Collections Denys Sutton, London Laing Gallery, Toronto Private Collection, Canada Thence by descent Exhibited London, Lefevre Gallery, New Sculpture and Drawings by Barbara Hepworth, October 1952, cat no.31 Toronto, Art Gallery of Toronto, An Exhibition of the Work by Barbara Hepworth on the Occasion of the Gift of Her Work, Torso I (Ulysses) 1958, From the Friends of Sculpture, 1964, cat no.14
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Barbara Hepworth 1903–1975 Curved Form on Red, 1962 oil and pencil on board 18 by 22 inches / 45.7 by 55.9 cm signed and dated; signed, dated and titled with dimensions verso Collections Gimpel Fils, London Private Collection, UK Private Collection, UK Exhibited London, Gimpel Fils, Barbara Hepworth: Sculpture & Drawing, June 1964 Literature Alan Bowness, Barbara Hepworth: Drawings from a Sculptor’s Landscape, Cory Adams and Mackay, London, 1966, illus b/w pl.53
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Peter Lanyon 1918–1964 Granite Country, 1964 gouache, indian ink and collage on paper 301/2 by 221/2 inches / 77.5 by 57.1 cm signed and dated Collections Gimpel Fils, London Basil Jacobs Fine Art, London Private Collection, UK Private Collection, UK Exhibited London, Gimpel Fils, Peter Lanyon, 17 September – 17 October 1964, cat no.21 London, Gimpel Fils, Peter Lanyon, 11 June – 6 July 1968, cat no.5
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William Turnbull b.1922 Hanging Sculpture, 1949 bronze height 48 inches / 121.9 cm edition no.1/6, plus 1 artist’s cast Collections The Artist Exhibited Waddington Galleries, William Turnbull, Beyond Time, 9 June – 3 July 2010, cat no.3, original plaster version illus b/w p18 Literature Richard Morphet, William Turnbull: Sculpture and Painting, exhibition catalogue, Tate Gallery, London, 1973, p23, original plaster version illus b/w fig.3 Patrick Elliott, ‘William Turnbull: A Consistent Way of Thinking’, William Turnbull: Sculpture and Paintings, David Sylvester, Merrell Holberton Publishers in association with Serpentine Gallery, London, 1995, p18 Ann Elliott, ‘Introduction’, Sculpture at Goodwood I, The Hat Hill Sculpture Foundation, Goodwood, 1995 Amanda A. Davidson, The Sculpture of William Turnbull, The Henry Moore Foundation in association with Lund Humphries, London, 2005, cat no.8, pp21 & 80, original plaster version illus b/w p15 fig.4
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Self-portrait with Hanging Sculpture, 1949, plaster version
Eduardo Paolozzi 1924–2005 Head Looking Up, c1956 bronze 101/4 by 121/4 by 61/4 inches / 26.0 by 31.1 by 15.9 cm unique Collections Alan Power (Son of E.J. Power) Private Collection, UK Exhibited London, Hanover Gallery, Paolozzi, 11 November – 31 December 1958, cat no.35, illus b/w Venice, XXX Biennale, British Pavilion, Victor Pasmore and Eduardo Paolozzi, with prints by Geoffrey Clarke, Henry Cliffe and Merlyn Evans, British Council, Summer 1960, cat no.K Brussels, Palais des Beaux Arts, Victor Pasmore and Eduardo Paolozzi, 23 September – 15 October 1961, cat no.37
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Laurence Stephen Lowry 1887–1976 The Reservoir, 1952 oil on board 191/4 by 37 inches / 48.9 by 94.0 cm signed and dated Collections Lefevre Gallery, London Private Collection, UK, since 1950s Thence by descent
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Kenneth Armitage 1916–2002 Reclining Figure, 1956 bronze with brown and green patina length 17 inches / 43.2 cm unnumbered edition Collections The Estate of Barbara Levinson Exhibited Venice, XXIX Biennale, British Pavilion, Kenneth Armitage, S.W. Hayter and William Scott, British Council, Summer 1958, cat no.73 London, Whitechapel Art Gallery, Kenneth Armitage, A Retrospective Exhibition of Sculpture and Drawings based upon the XXIX Venice Biennale of 1958, British Council, July – August, 1959, cat no.26 Bristol, Arnolfini Gallery, Kenneth Armitage, 5 – 30 June 1965, cat no.17 Literature Kenneth Armitage and Tamsyn Woollcombe, Kenneth Armitage Life and Work, Lund Humphries and The Henry Moore Foundation, Much Hadham, 1997, p144, cat no.KA60
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Keith Vaughan 1912–1977 Harrow Hill, Small Hut, 1967 oil on canvas 17 by 16 inches / 43.2 by 40.6 cm signed and dated verso Collections Private Collection, UK
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William Scott 1913–1989 Bottle and Fish Slice, c1949 oil on canvas 16 by 20 inches / 40.6 by 50.8 cm signed William Scott archive no.504 Collections Private Collection, UK Acquired by the Victoria Art Gallery, Bath Exhibited London, Leicester Galleries, Recent Paintings by William Scott, 1 – 22 February 1951, cat. no.19 Literature Norbert Lynton, William Scott, Thames & Hudson, London, 2004, illus colour pl.40
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William Scott 1913–1989 Circles Diminishing, 1961 oil on canvas 63 by 68 inches / 160 by 172.7 cm signed, dated and titled on stretcher William Scott archive no.123 Collections Hanover Gallery, London Private Collection, UK, acquired 1966 Peter Stuyvesant Collection, Netherlands Exhibited London, Hanover Gallery, William Scott, 17 May – 17 June 1961, cat no.8, illus b/w Lisbon, Calouste Gulbenkian Foundation, Arte Britanico no seculo XX, British Council, 13 February – 3 March 1962, cat no.63 illus colour, touring to: Coimbra, British Council Office, 17 – 31 March 1962 Porto, British Council Office, 10 – 28 April 1962 Eindhoven, Stedelijk Van Abbemuseum, Kompas 2. Contemporary Paintings in London, 1962, cat no.74, illus colour Bern, Kunsthalle, Victor Pasmore, William Scott, 12 July – 18 August 1963, cat no.35, illus colour Belfast, Ulster Museum, William Scott, 12 September – 5 October 1963, cat no.38, illus b/w Southampton, City Art Gallery, 1966–67, details untraced London, Tate Gallery, Recent British Painting, Peter Stuyvesant Foundation Collection, 15 November – 22 December 1967, pp54–5, cat no.17, illus b/w, touring to; Adelaide, The Art Gallery of South Australia, 1970, cat no.16, illus b/w Auckland, City Art Gallery, 15 August – 26 September 1971, cat no.16 Cape Town, South African National Gallery, 1973, cat no.16 Literature Robert Melville, ‘William Scott’, Motif 8, Winter 1961, illus colour fig.22 Alan Bowness, William Scott: Paintings, Lund Humphries, London, 1964, cat no.124, illus b/w
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Anthony Caro b.1924 Floor Piece Hè, 1972 painted steel 193/4 by 463/4 by 281/4 inches / 50.2 by 118.7 by 71.8 cm unique Collections Galerie Beyeler, Basel Private Collection, UK Literature Dieter Blume, Anthony Caro, Catalogue Raisonné Vol. I: Table and Related Sculptures 1966–1978, Galerie Wentzel, Cologne, 1981, cat no.130, illus b/w p192
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Allen Jones b.1937 8th Bus / A Happy Red, 1962 oil on canvas 24 by 241/2 inches / 61.0 by 62.2 cm Collections Private Collection, UK Exhibited London, Arthur Tooth & Sons, Allen Jones: Recent Paintings, February – March 1963, cat no.12, illus b/w
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Richard Allen 1933–1999 Untitled (Pop Collage), c1963 paper collage laid on board 48 by 72 inches / 121.9 by 182.9 cm Richard Allen estate no.ENPC 8 Collections Estate of the Artist
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Mark Boyle 1934–2005 Untitled, c1962–3 collage and assemblage on wooden palette 22 by 171/2 by 4 inches / 55.9 by 44.5 by 10.2 cm Collections Private Collection, UK Exhibited London, Woodstock Gallery, Erections, Constructions & Assemblages by Mark Boyle, 29 July – 17 August 1963, touring to: Edinburgh, Traverse Art Gallery, August – September 1963 Glasgow, Citizens Theatre Gallery, September 1963
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Richard Hamilton 1922–2011 Release, 1972 screenprint with silver foil collage 271/2 by 37 inches / 69.8 by 94.0 cm (sheet size) signed and inscribed Johnny’s Printer’s Proof in pencil edition no.145/150, plus 15 artist’s proofs Collections Private Collection, UK Exhibited Edinburgh, Inverleith House, Royal Botanic Garden, Richard Hamilton, Protest Pictures, 1963–2008, 31 July – 12 October 2008, cat no.10, illus colour, another edition London, Serpentine Gallery, Richard Hamilton, Modern Moral Matters, 3 March – 25 April 2010, illus colour p40, another edition Literature Richard Hamilton, Richard Hamilton: Collected Works 1953–1982, Thames and Hudson, London, 1982, illus b/w p105 Waddington Graphics, London, Richard Hamilton Prints 1939– 1983, in association with Edition Hansjörg Mayer, Stuttgart, 1984, cat no.81, illus colour p60 Étienne Lullin, Richard Hamilton, Prints and Multiples 1939–2002, Kunstmuseum Winterthur and Richter Verlag, Dusseldorf, 2003, cat no.83, illus colour p115
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David Hockney b.1937 Mo at Carennac, 1970 ink on paper 17 by 14 inches / 43.2 by 35.6 cm initialled, dated and titled Collections M. Knoedler & Co Inc., New York Davis & Long Company, New York Robert Miller Gallery Inc., New York Annely Juda Fine Art, London Diane Gilson Gallery, Seattle, Washington Private Collection, Northern California, 1978 Exhibited Minneapolis, Dayton’s Gallery 12, David Hockney: Drawings, October – November 1974, touring to: Los Angeles, Margo Leavin Gallery New York, Davis & Long Company, American–English Paintings, Watercolors and Drawings, 9 November – 3 December 1977, cat no.39 Literature ed. Nikos Stangos, David Hockney by David Hockney, My Early Years, Thames and Hudson, London, 1976, p223, cat no.294 illus b/w
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David Hockney b.1937 Greg, Howard Johnsons, Downtown Motor Inn, New Orleans, 1976 ink on paper 14 by 17 inches / 35.6 by 43.2 cm initialled, dated and titled Collections Private Collection, New York Private Collection, Melbourne Literature ed. Nikos Stangos, David Hockney by David Hockney, My Early Years, Thames and Hudson, London, 1976, three related drawings of the sitter illus b/w p283
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Bridget Riley b.1931 Series 41 Blue added (b) single reverse, 1980 gouache on paper 391/2 by 21 inches / 100.3 by 53.3 cm signed, dated and titled Collections The Artist Exhibited London, Karsten Schubert, Bridget Riley, Paintings and Gouaches 1979–80 & 2011, 7 October – 29 November 2011, illus colour p30
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Euan Uglow 1932–2000 Polygons, 1970 oil on canvas laid on board 8 by 53/4 inches / 20.2 by 14.5 cm signed verso Collections Georgia Georgallas Exhibited London, Haunch of Venison, The Mystery of Appearance, 7 December 2011– 18 February 2012, illus colour p102 Literature Catherine Lampert, Euan Uglow, The Complete Paintings, Yale University Press, New Haven and London, 2007, cat no.240, illus colour p104
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Hans Coper 1920–1981 Cycladic Arrow, c1975 stoneware height 103/4 inches / 27.3 cm impressed with artist’s monogram HC Collections Private Collection, UK Exhibited Chipping Camden, Robert Welch Gallery, Hans Coper, 1975, possibly exhibited Literature Tony Birks, Hans Coper, Marston House, London, 2005, similar examples illus colour pp194–5
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William Turnbull b.1922 Horse, 1946 bronze 28 by 14 by 21 inches / 71.1 by 35.6 by 53.3 cm edition no.4/4 Collections The Artist Private Collection, UK Exhibited London, Waddington Galleries, William Turnbull: Sculptures 1946–62, 1985–87, 28 October – 21 November 1987, cat no.1, illus colour p13, artist’s cast Edinburgh, Scottish National Gallery of Modern Art, Scottish Art Since 1900, 17 June – 24 September 1989, touring to: London, Barbican Art Gallery, 8 February – 16 April 1990, cat no.332, artist’s cast London, Waddington Galleries, William Turnbull: Horses – Development of a Theme, Other Sculptures and Paintings, 22 June – 20 July 2001, cat no.1, illus colour p5, another cast Wakefield, Yorkshire Sculpture Park, William Turnbull: Retrospective 1946–2003, 14 May – 9 October 2005, p5 exhibition guide, artist’s cast Literature Richard Morphet, William Turnbull: Sculpture and Painting, exhibition catalogue, Tate Gallery, London, 1973, p22, illus b/w fig.1 Bernard Cohen, ‘William Turnbull: Painter and Sculptor’, Modern Painters, Winter, 1995, pp30–35, illus colour p30; text originally published in Studio International, Vol.186, July – August 1973, pp9–16 David Sylvester (intro) and Patrick Elliott, William Turnbull: Sculpture and Paintings, Merrell Holberton, London, 1995; published to accompany the exhibition Bronze Idols and Untitled Paintings, Serpentine Gallery, London, 1995–6, p11, illus colour pl.1 Amanda A. Davidson, The Sculpture of William Turnbull, The Henry Moore Foundation in association with Lund Humphries, London, 2005, p78, cat no.2, illus b/w p12 fig.1
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Frank Auerbach b.1931 Portrait of Gerda Boehm, 1971 oil on board 28 by 24 inches / 71.1 by 61.0 cm Collections Marlborough Fine Art, New York Private Collection, New York Literature William Feaver, Frank Auerbach, Catalogue RaisonnĂŠ, Rizzoli, New York, 2009, cat no.299, illus colour p271
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Leon Kossoff b.1926 Fidelma, 1998 oil on board 31 by 22 inches / 78.7 by 55.9 cm Collections Private Collection, New York Exhibited New York, Mitchell-Innes and Nash, Leon Kossoff: Recent Paintings and Drawings, 11 April – 20 May 2000, cat no.26, illus colour p27, touring to: London, Annely Juda Fine Art, 1 June – 22 July 2000 Literature This painting will be included in the forthcoming Leon Kossoff catalogue raisonné edited by Andrew Dempsey, Stephanie Farmer and Andrea Rose to be published by Modern Art Press.
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Leon Kossoff b.1926 The Rape of the Sabines, No.4, 1995 charcoal on paper 22 by 293/4 inches / 55.9 by 75.6 cm signed twice in pencil Collections Private Collection, USA
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R.B. Kitaj 1932–2007 The Billionaire in Vincent’s Chair, 1999 oil on canvas 60 by 24 inches / 152.4 by 61.0 cm signed Ronald Collections Marlborough Fine Art, London Private Collection, Tokyo Exhibited London, National Gallery, Encounters: New Art from Old, 14 June – 17 September 2000 London, Elastic Residence, Risk Management, 13 October – 27 November 2011 This painting will be included in the forthcoming Kitaj retrospective at the Jewish Museum, Berlin, 21 September 2012 – 27 January 2013 Literature Richard Morphet, Encounters: New Art from Old, National Gallery, London, 2000, pp 204–13, illus colour p204 Marco Livingstone, Kitaj, Phaidon, London, 2010, p57 and p254, cat no.227, illus colour
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Michael Landy b.1963 Untitled, 1997 ink on paper 271/2 by 191/2 inches / 69.8 by 49.5 cm signed and dated Collections The Artist Private Collection, UK, acquired directly from the above Exhibited Budapest, Mucsarnok Kunsthalle, Micro/Macro: British Art 1996– 2002, British Council, 21 March – 1 June 2003, p161, illus b/w p63
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Michael Landy b.1963 H2NY Interrupted Climax, 2007 oil stick on paper 60 by 48 inches / 152.4 by 121.9 cm signed and dated verso Collections Thomas Dane Gallery, London Private Collection, Europe
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Offer Waterman & Co Offer Waterman & Co was established in 1996. As dealers and agents in Modern British Art, we handle the finest paintings, drawings and sculpture from the 20th Century onwards. The gallery works closely with private, institutional and corporate collectors from across the UK and internationally. In addition to our specialist knowledge of 20th Century British art, we have an in-depth understanding of the art market as a whole. Our expertise and experience enables us to assist clients with the acquisition of American and European Modern and Contemporary art. We are always looking to acquire important paintings, drawings and sculpture and will purchase, or consign, directly from private and corporate collectors. We are interested to hear from current or future collectors and all enquiries are treated in the strictest confidence. In addition to maintaining a wide inventory of 20th Century British Art, our services to clients include: Discreet negotiation for purchase or sale on behalf of private, corporate and institutional collections. Confidential advice on the purchase of art at auction. Valuations for the purpose of sale, insurance, probate, estate and inheritance tax. Advisory work for funding bodies. Curatorial services including: research, cataloguing, conservation, framing, display and lighting advice.
Contact Offer Waterman James Gould Rebecca Beach Polly Checker Imogen Haines
11 Langton Street London SW10 0JL +44 (0)20 7351 0068 info@waterman.co.uk www.waterman.co.uk
The gallery is open Monday to Friday, 10am to 6.30pm, and Saturday by appointment
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Modern British Artists
Adams
Denny
John
Rego
Aitchison
Dobson
Jones
Rie
Allen
Doig
Kennington
Riley
Andrews
Feiler
Kitaj
Roberts
Armitage
Fell
Kossoff
Scott
Auerbach
Flanagan
Landy
Scully
Bacon
Freud
Lanyon
Self
Barns-Graham
Frink
Lin
Sickert
Bell
Frost
Lowry
Smith
Bevan
Gabo
McWilliam
Spencer
Blake
Gaudier-Brzeska
Martin
Sutherland
Blow
Gertler
Meadows
Tilson
Bomberg
Gill
Milow
Tower
Boyle Family
Ginner
Minton
Trevelyan
Brown
Golding
Moore
Tucker
Burra
Gore
Moss
Tunnard
Butler
Grant
Munnings
Turnbull
Caro
Hamilton
Nash
Uglow
Caulfield
Hepworth
Nevinson
Vaughan
Chadwick
Heron
Nicholson
Wadsworth
Clough
Hilton
Ofili
Wallis
Coker
Hitchens
Paolozzi
Wilding
Collins
Hockney
Pasmore
Willing
Coper
Hodgkin
Penrose
Wood
Craxton
Hoyland
Piper
Wyndham-Lewis
Davie
Hume
Potter
Wynter
Deacon
Jackson
Redpath
Yeats
Forthcoming art fairs: Masterpiece, London 28 June – 4 July 2012 Pavilion of Art and Design, London 10 – 14 October 2012 TEFAF, Maastricht 15 – 24 March 2013
Research Rebecca Beach and Polly Checker Design Anne Sørensen Photography Simon Bevan, Prudence Cuming Associates and Peter Stone Printing Hampton Printing Ltd
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