AF Files

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Naslov publikacije | Title of the publication | AF Files Izdavač | Publisher | Univeritet u Beogradu Arhitektonski fakultet University of Belgrade Faculty of Architecture Glavni i odgovorni urednik | Editor in chief | Vladan Djokić, dekan Vladan Djokić, dean Koncept i prelom | Concept and layout | Tamara Popović Aleksandra Milovanović Dizajn naslovne strane | Design of the cover page | Miloš Kostić Tiraž | Number of copies | 300 Štampa | Print | SAJNOS doo, Novi Sad Mesto i godina izdavanja | Place and year of issue | Beograd, 2020 Belgrade, 2020 Broj 1_2020 Issue 1_2020 ISSN 2683-6386

Sav materijal priređen u publikaciji štampan je u izvornom obliku dostavljenom od autora projekata. Opisi studio projekata štampani su u skladu sa sadržajem koji je naveden u kurikulumima predmeta.

All material prepared in the publication is printed in the original form submitted by the authors of the projects. Descriptions of studio projects are printed in accordance with the content specified in the subject curricula.

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UVODNA REČ: POVODOM POKRETANJA GODIŠNJE PUBLIKACIJE AF FILES

|6 Proces edukacije na Univerzitetu u Beogradu - Arhitektonskom fakultetu (UB-AF) teži profesionalnom obrazovanju kroz inovativne i izazovne studijske programe, vrhunsku operativnost i logičku usklađenost, sa kompetencijama za savremenu profesionalnu praksu što doprinosi postizanju veće kompetitivnosti na globalnom tržištu i uklapanju u evropske integracione tokove. Teži se podsticaju studenata u primenjivanju saznanja iz opštih nauka, savremenih dostignuća i otkrića, kao i na sistematskom provežbavanju empirijskih nauka i osnovnih principa iz arhitektonske i urbanističke prakse. Zahvaljujući kontinualnom unapređenju studijskih programa i jačanju saradnje sa drugim visokoškolskim institucijama, strukovnim organizacijama i mrežama edukacije, UB-AF poseduje verifikovana dostignuća od kojih su najznačajnija: Nacionalna akreditacija studijskih programa, ekvivalentsnost sa francuskom nacionalnom diplomom (omogućavanje stručne prakse i sticanja licence u Francuskoj), akreditovani kursevi prema standardima RIBA (Kraljevski institut britanskih arhitekata), kao i visok rang u regionalnom i međunarodnom kontekstu edukacije arhitekata (fakultet je rangiran u 100 najboljih škola u oblasti arhitekture i dizajna na listi magazina DOMUS, jednog od najcenjenijih i najstarijih časopisa za arhitekturu u svetu).

Nastavni kurikulumi u formi studio projekta, svake godine dostižu visok nivo kompleksnosti kroz praktično iskustvo i sistem učenja zasnovan na projektovanju povezan sa širokim okvirom teoretski i istraživački orijentisanih modula osnažujući studente da odgovore na savremene profesionalne izazove. Kako bi se stvorila dokumentaciona baza o dostignućima studenata, aktuelnim temama i pristupima, Arhitektonski fakultet u Beogradu inicira izdavanje godišnje publikacije AF Files. Težnja publikacije je da na sistemtizovan i pregledan način, u vremenskom opsegu jedne akademske godine zaokružuje aktuelne teme i perspektive u procesu edukacije na UB-AF. Teme studija, kao i pojedinačnih radova studenata koji su sadržaj ove publikacije predstavljaju širok spektar inovativnih pristupa i projektantskih dometa u okviru završnih studio projekata osnovnih, integrisanih i master akademskih studija na UBAF. Pored toga, sekcija Vannastavne aktivnosti teži da napravi pregled onih aktivnosti koje su se odvijale i uspešno realizovale u prethodnoj akademskoj godini, a koje su doprinele da studenti otvore nove horizonte razmišljanja, istraživanja i delovanja. Čestitamo svim diplomiranim inženjerima osnovnih i master akademskih studija i želimo im uspešno delovanje u profesionalnim izazovima u budućnosti. Nastavnicima i saradnicima se zahvaljujemo što svake godine teže da inoviraju kurikulume u okviru različitih kurseva, iniciraju vannastavne aktivnosti i postavljaju izazovne zadatke pred studente, čime održavaju osnovnu misiju našeg Fakulteta da prati savremene trendove obrazovanja u arhitekturi, urbanizmu, arhitektonskim tehnologijama arhitektonskom konstrukterstvu, unutrašnjoj arhitekturi i integralnom urbanizmu.

Dr Vladan Djokić, redovni profesor Dekan Dr Ana Nikezić, vanredni profesor Prodekan za nauku i nastavu

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INTRO: ON THE OCCASION OF THE LAUNCHING OF THE ANNUAL PUBLICATION AF FILES

University of Belgrade - Faculty of Architecture (UB-FA) defines professional education through innovative and challenging study programmes and high operational and logical coherence, equipping our graduates with excellent competences they will need in their practice in the field, and in doing so we contribute to achieving greater competitiveness in the global market and promote the objectives of the European integration process. We aim to encourage students to apply their knowledge of general sciences, advanced achievements and discoveries, as well as to systematically practice empirical sciences and basic principles of architectural and urban planning practice. The school’s strengths come from transformational achievements over the last decade, which have included the development of academic and performance spaces, programmes, policies and collaboration across academic programs. The most prominent of these developments are the national accreditation of Faculty’s programmes, diploma equivalent to a French national diploma in architecture (enabling professional practice and license acquisition in France), and validated Course Status for RIBA Part 1 and 2, as well as a regional and international high ranking (one of Europe’s Top 100 Schools of Architecture and Design by DOMUS Magazine, one of the oldest and most esteemed architecture magazines in the world).

Design based curriculums, increasing yearly in complexity, comprise the majority of study programmes. Through practical experience and a projectbased learning system linked with a wide variety of theoretical and research oriented modules, students are prepared for contemporary professional practice. In order to create a documentation base on student achievements, current topics and approaches, the UB-FA is initiating the annual publication AF Files. The aim of the publication is to complete the current topics and perspectives in the process of education at UB-FA in a systematized and reviewed way, in the framework of one academic year. The topics of the studio project modules, as well as the individual thesis of the students that are the content of this publication, represent a wide range of innovative approaches and design ranges within the final studio projects of Bachelor, Single-cycle-5-year and Master academic studies at UBFA. In addition, the Extracurricular Activities section aims to provide an overview of those activities that took place and were successfully implemented in the previous academic year, and which contributed to students opening new horizons of thinking, research and action.

Congratulations to all graduate students of bachlelor and master academic studies and we wish them successful action in professional challenges in the future. We thank teachers and teaching associates for striving to innovate curricula within different courses every year, initiate extracurricular activities and set challenging tasks for students, thus maintaining the basic mission of our Faculty to follow contemporary trends and challenges in education in Architecture, Urbanism, Architectural Technologies, Structural Engineering, Interior Architecture. and Integral Urbanism.

Dr Vladan Djokić, full professor Dean Dr Ana Nikezić, associate professor Vice-dean for Research and Education

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AF FILES

SADRŽAJ CONTENT

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Master akademske studije Arhitektura / Modul Arhitektura Master Academic Studies in Architecture / Module Architecture

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Master akademske studije Arhitektura / Modul Arhitektonsko Konstrukterstvo Master Academic Studies in Architecture / Module Structural Engineering

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Osnovne akademske studije Arhitektura Undergraduate studies in Architecture

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Master akademske studije Arhitektura / Modul Urbanizam Master Academic Studies in Architecture / Module Urbanism

184

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Master akademske studije Arhitektura / Modul Arhitektonske Tehnologije Master Academic Studies in Architecture / Module Architectural Technology

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Master akademske studije UnutraĹĄnja Arhitektura Master Academic Studies in Interior Architecture

Master akademske studije Integralni urbanizam Master Academic Studies in Integral Urbanism

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Integrisane osnovne i master akademske studije Arhitektura Single-cycle 5-year study programme in Architecture

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Pregled vannastavnih aktivnosti Overview of Extracurricular activities

Nominacije Nominations

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MASA-A MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL ARHITEKTURA / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE ARCHITECTURE / RIBA Part 2

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S01-A E-CALL: VATROGASNA STANICA E-CALL: FIRE STATION

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Nastavnik: mr Milan Vujović redovni profesor | full professor Mentorska komisija: dr Vladan Djokić redovni profesor | full professor dr Budimir Sudimac vanredni profesor | associate professor

Tematski okvir: Objekti specijalne namene - Vatrogasna stanica Prostorni okvir: Dorćol - Pamučni kombinat Pojmovi: Infrastruktura, umrežavanje, vanredna situacija, evakuacija, sinhonizacija U zadatom prostornom okviru uraditi projekat vatrogasne stanice (centra za vanredne situacije). Projektom predvideti komandno operativni centar sa dežurnim službama i različitim pripadajućim sadržajima: od garaže-voznog parka i centra za obuku i trening pa sve do prostora namenjenih za odmor, rekreaciju i obrazovanje, muzejskih, servisnih, magacinskh i tehničkih prostora. Savremenim arhitektonskim sredstvima redefinisati tradicionalne tipološke modele specijalizovanih javnih objekata.

Thematic framework: Special purpose facilities - Fire station Spatial framework: Dorcol - Cotton Combine Key terms: Infrastructure, networking, emergency, evacuation, synchronization The aim of the studio is to create a design project of a fire station (center for emergency) in a assigned spatial framework.

The project envisages a command and operational center with on-duty services and various related facilities: from a garagevehicle fleet and a training center to spaces intended for recreation and education, museum, service, warehouse and technical spaces. To redefine traditional typological models of specialized public buildings with contemporary architectural means.

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AFTERSHOCK URBANA TRAUMA AFTERSHOCK URBAN TRAUMA

Ivana Novaković Studio | E-Call: Vatrogasna stanica E-Call: Fire Station Nominacija | Nomination | INSPIRELI Awards 2019

S01-A

Analogija posmatranje traume kao psihoanalitičkog fenomena kome je podložan svaki pojedinac društva, sociološki posmatrano nameće zaključak da je čitavo društvo ponekad podložno traumetičnosti. Nesvakidašnji događaji koji razbijaju same koordinate našeg iskustvenog krajolika, ostavljaju društvo u moru preterane senzacije u periodu nakon vanredne situacije.

Stanje Aftershock-a u svojim početnim trenucima kida veze sa racionalnom stvarnošću i time generiše strah i nesigurnost oblikujući na taj način našu koncepciju sveta – sveta traume.

Zadatak istraživanja predstavlja sugerisanje mogućnosti za suočavanje društva sa urbanom traumom. Jedna od najupečatljivijih rana grada Beograda, Zgrada Generalštaba, locirana na raskrsnici dve izuzetno važne i frekventne gradske saobraćajnice svakodnevno biva percipirana kao mesto urbane traume izazivajući kod ogromnog broja korisnika traumatična sećanja na blisku prošlost koju teže potisnuti.

Projekat nudi programsko rešenje, aftershock terapiju, novim sadržajem (nova tipologija muzeja, gradske galerije, arhive) i tendencioznim prisećanjem na nemili događaj koje je društvo pretrpelo.

The analogy of viewing trauma as a psychoanalytic phenomenon to which every individual of society is subject, sociologically observed concludes that whole society is sometimes susceptible to trauma. Unusual events that break the coordinates of our experiential landscape, leaving the society in a sea of excessive sensation in the aftermath of emergencies. The nature of Aftershock in its initial moments breaks links with rational reality and thus generates fear and uncertainty thus shaping our conception of the world - the world of trauma. The research aims to suggest opportunities for coping with urban trauma One of Belgrade’s most striking wounds, the Yugoslav General Staff, located at the intersection of two extremely important and frequent city roads (Kneza Milos and Nemanjina), is daily perceived as a site of urban trauma, triggering traumatic memories of the near past that are hard to suppress. The project offers a programmatic solution, aftershock therapy, new content (new typology of museums, city galleries, archives) and a tendentious recollection of the unfortunate event that society has endured.

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GAME OF DRONES GAME OF DRONES

Kristina Kovačević Studio | E-Call: Vatrogasna stanica E-Call: Fire Station

S01-A

Istraživanje kroz projekat ima za cilj da uoči, analizira, ali i primeni, opšte fenomene savremenog društva. Postavlja se pitanje položaja čoveka u odnosu na digitalne i tehnološke promene i progrese. Digitalizacijom određenih teritorija, došlo je do tehnoloških, ali ne i prostornih, globalizacija, koje se već mogu zapaziti, doživeti i nazvati Četvrtom industrijskom revolucijom. Stoga, težnja je usmerena na uspostavljanje savremenog arhitektonskog koncepta koji se reflektuje na viziju o funkcionisanju gradova u budućnosti. Ispituje se razlika između savremenosti i budućnosti, jer postoje preklapanja, sveobuhvatno, razlike blede usled munjevitih tehnoloških napredaka, koje je složeno sagledati dok se ne ustale i ne dobiju primenu u teritorijalnim, urbanim i svakodnevnim okvirima.

Strukturalno definisan kroz različite razmere i principe oblikovanja, sve sa željom da postigne živopisan, romantičan, duhovit, ali i human, inovativan karakter. Projekat uspostavlja prisne i zavisne odnose čoveka naspram tehnologije, razmenjuju i upravljaju međusobnom prirodnom, tj. veštačkom inteligencijom.

Research through the project aims to identify, analyze, and apply, the general phenomena of modern society. The question arises of the position of man in relation to digital and technological change and progress. With the digitization of certain territories, there have been technological, but not spatial, globalizations, which can already be observed, experienced and called the Fourth Industrial Revolution. Therefore, the aspiration is aimed at establishing a contemporary architectural concept that reflects on the vision of the functioning of cities in the future. The difference between modernity and the future is examined, because there are overlapping, overall, differences that pale due to lightning-fast technological advances, which are complex to see until they stand up and become applicable in territorial, urban and everyday contexts. Structurally defined through various scales and principles of design, all with the desire to achieve a colorful, romantic, humorous, but also humane, innovative character. The project establishes the intimate and dependent relationships between man and technology, exchanging and managing the natural, that is. artificial intelligence.

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S02-A OBALE UMETNOSTI OSTRVA KULTURE COASTS OF ART ISLANDS OF CULTURE

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Mentor: arh. Zoran Lazović redovni profesor | full professor Mentorska komisija: dr Vladan Djokić redovni profesor | full professor dr Miodrag Nestorović redovni profesor u penziji | retired full professor

Stvoriti predlog novog pejzaža umetnosti, pejzaža (beo) gradskih obala u standardu savremenih evropskih prestonica.

Istraživanje međuodnosa svrhe, funkcije, sadržaja, forme i konteksta predstavlja pripremu za projektovanje arhitektonskih artefakata umetnosti, razvijanjem teme u fenomenu savremenih urbanih hibrida, primarno sa umetničkim sadržajima: teatri/ scene, filharmonije/opere, biblioteke/medijateke, muzeji/ galerije, koncertne sale (…likovne umetnosti, performans art, film, dizajn, moda, muzika, strip, arhitektura, …). Hibrid kulture čini najmanje jedan od navedenih sadržaja, a moguće je razviti parove, trijade i/ili mega miks centre kulture kao tematske parkove.

The studio is focused on searching for solutions to the new landscape of art, the landscape of Belgrade riverside in the standard of contemporary European capitals. Exploring the relationship between purpose, function, content, form and context is a preparation for the design of architectural artifacts of art, developing a theme in the phenomenon of contemporary urban hybrids, primarily with artistic content: theaters / stages, philharmonics / operas, libraries / media libraries, museums / galleries, concert halls (… Fine arts, performance art, film, design, fashion, music, comics, architecture,). A hybrid of culture makes up at least one of the listed contents, and it is possible to develop pairs, triads and / or mega mix centers of culture as theme parks.

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HETEROTOPIJA NA UŠĆU: NOVI GRAD EKSTRAVAGANTNOG SPEKTAKLA HETEROTOPY AT THE CONFLUENCE: A NEW CITY OF THE EXTRAVAGANT SPECTACLE Marko Aracki Studio | Obale umetnosti Ostrva kulture Coasts of Art Islands of Culture

S02-A

Cilj ovog rada jeste ispitivanje dometa i granica spektakla, odnosno njegove izrazite koncentracije i akumulacije na jednom novonastalom, heterotopskom prostoru, prostoru koji ih neprestano generiše. Ogromnom koncentracijom spektakla na ograničenoj teritoriji i najrazličitijim manifestacijama istog, dolazi do njegovog otelovljenja u svojevrsom simulakrumu, dok se preplitanjem materijalnog i nematerijalnog, realnog i hiperrealnog, stvarnog i nadstvarnog stvaraju uslovi za novu vrstu mesta, oaze – ostrva kulture. Zamišljen kao novi hibrid kulturnih, umetničkih i komercijalnih sadržaja, koji delujući zajedno čine prostor u kome koegzistiraju kultura, zabava, dokolica, rad, potrošnja i mediji. Nastajanjem ovakve, nove heterotopije u samom centru grada na području ušća, stvoriće se uslovi za najrazličitije interakcije prostora i programa odnosno događaja u, samo naizgled, haotičnoj konfiguraciji.

Prostor je istovremeno i hermetičan i otvoren, i paralelno i ogleda i uznemiruje - provocira svet izvan njega. Preeksponiranost odnosno zasićenje hepeningom stvara poseban doživljaj za sve posetioce, a novonastali grad spektakla služi kao svojevrsni poligon za simulacije.

The aim of this research is to examine the range and limits of spectacle, that is, its pronounced concentration and accumulation in a newly created, heterotopic space, a space that continuously generates them. The huge concentration of spectacle in a limited territory and its various manifestations results in its incarnation in a kind of simulacrum, while the interweaving of material and immaterial, real and hyperreal, real and supernatural creates conditions for a new kind of place, oasis - island of culture. Conceived as a new hybrid of cultural, artistic and commercial content, acting together, they form a space where culture, entertainment, leisure, work, consumption and media coexist. The emergence of such a new heterotopia in the heart of the city at the confluence will create conditions for the most varied interactions of spaces and programs, or events in a seemingly chaotic configuration. The space is at once airtight and open, and at the same time mirroring and disturbing - it provokes the world beyond. Overexposure or saturation with happening creates a special experience for all visitors, and the newly created city of spectacle serves as a kind of training ground for simulations.

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SINAPTIČKO POZORIŠTE SYNAPTIC THEATER

Loti Milošević Studio | Obale umetnosti Ostrva kulture Coasts of Art Islands of Culture

S02-A

„Sinaptičko pozorište“ jeste eksperimentalni i kritički master rad koji ima za cilj osavremenjivanje pozorišta, kako konceptualno tako i u pogledu arhitekture pozorišta, oba u okviru izabranog konteksta - grada Beograda. Uz osvrt na utemeljene geometrijske principe tradicionalnog pozorišta, koncepte savremenog pozorišta i pretpostavku polivalentnosti dela prostora pozorišta koji se imenuje „sinaptički prostor“, teži se pomirenju dva koncepta pozorišta, povlačeći arhitekturu pozorišta u zadnji plan sa jedne strane, a s druge - ističući njenu nužnost. Kao predmet istraživanja odabrana su dva „granična pozorišta“ : Plavo pozorište - pozorišna laboratorija“ i Jugoslovensko dramsko pozorište, gde se prvo posmatra kroz lupu „pozorišta solipsizma“, a potonje kroz lupu „pozorišta spektakla“. Projektantski metod jeste paradoks koji se definiše na sledeći način: iz ambivalencije, kroz prazninu u sinapsu.

Metodologija se oslanja na istraživanja i zaključke dva relevantna autora - Iana Mekintoša (Iain Mackintosh) i Pitera Bruka (Peter Brook), čemu se pridodaje promišljanje predlog i zaključak autorke teze.

“Synaptic Theater” is an experimental and critical master’s thesis aimed at modernizing the theater, both conceptually and in terms of theater architecture, both within the chosen context - the city of Belgrade. Taking into consideration the geometric principles of traditional theater, the concepts of contemporary theater, and the assumption of the polyvalence of a part of the theater space called “synaptic space”, it seeks to reconcile the two concepts of theater, drawing the architecture of the theater to the fore on the one hand and emphasizing its necessity. Two “border theaters” were selected as the subject of research: “Blue Theater - Theater Laboratory” and Yugoslav Drama Theater, where the first is viewed through the the “theater of solipsism” and the second through the “spectacle theater”. The design method is a paradox that is defined as follows: from ambivalence, through a gap in the synapse. The methodology relies on the research and conclusions of two authors - Iain Mackintosh and Peter Brook, which is upgraded through the reflection of the proposal and the conclusion of the author of the thesis.

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PROSTOR SOZERCANJA: URBANI METOH HILANDARA SPACE OF CONTEMPLATION: URBAN METOH OF HILANDAR

Aleksandar Marsenić Studio | Obale umetnosti Ostrva kulture Coasts of Art Islands of Culture

S02-A

Noel Arno govori „Ja sam prostor u kome sam“, i ova jasna formulacija u sebi sadrži preplitanje individue i svijeta.

Slično, Josif Brodski zaključuje da svaka pjesma smisleno poručuje svome čitaocu „budi kao ja!“. Ova ideja je sledstvena i arhitekturi, koja svojim ambijentima prenosi iskustvo na recipijenta. Pitanje koje se u radu postavlja jeste da li je savremena arhitektura saveznik čovjeku u težnji ka postizanju duhovnosti? Tarkovski kaže da je cilj čovjeka na zemlji da se duhovno uzdiže, dok Kjerkegor, kao doktor bolesnom pacijentu, svijetu prepisuje tišinu kao lijek, tvrdeći da se u tišini i smirenju nalazi izlečenje. Ovo su ključne ideje koje su pokrenule ovaj rad, čiji je cilj kreiranje tišine u buci, pejzaža prostorne Ikone na Savskoj padini koji se može okarakterisati kao predlog za stvaranje novog Svetog mjesta u Beogradu. Ideja je da ovaj meta-prostor bude duhovno kulturni centar koji će ljudima evocirati pitanje duhovnosti. Glavni motivi koji su se iz teze ovaplotili u arhitektonski diskurs su hijerarhijska podjela hilandarske crkve i liturgijsko poimanje vremena (Hronos Eon).

Noel Arnaud says, “ I am the space where I am,” and this clear formulation contains the intertwining of the individual and the world. Similarly, Joseph Brodsky concludes that each poem makes a meaningful message to his reader “be like me!”. This idea is also consistent with architecture, which transfers its experience to the recipient through its ambience. The question that arises in the research - is contemporary architecture an ally of man in the pursuit of spirituality? Tarkovsky says the goal of man on earth is to rise spiritually, while Kierkegaard, as a doctor to a sick patient, prescribes silence as a cure, claiming that there is healing in silence and calm. These are the key ideas that initiated this research and design, which aims to create silence in the noise, the landscape of the spatial Icon on the Sava slope, which can be characterized as a proposal for the creation of a new Holy Place in Belgrade. The idea is to make this meta space a spiritual and cultural center that will evoke the spirituality issue for people. The main motives that have been embodied in the thesis in architectural discourse are the hierarchical division of the Chilandar church and the liturgical conception of time (Chronos Aeon).

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S03-A CENTAR ZA PROMOCIJU NAUKE CENTER FOR THE PROMOTION OF SCIENCE

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Mentor: arh. Vladimir Lojanica redovni profesor | full professor Članovi mentorske komisije: dr Dušan Ignjatović vanredni profesor | associate professor dr Milica Milojević docent | assistant professor

Cilj master projekta je unapređenje i dopuna znanja i veština stečenih tokom studija, sa praktičnom primenom u kompleksnim i slojevitim gradskim uslovima, većih gradskih tema – poteza, celina. Dubljim istraživanjem slojevitih kontekstualnih uticaja i kreativnim pristupom konkretnim projektnim zadacima, cilj je doći do rešenja koja unapređuju gradsku sliku i programski oplemenjuju dosadašnje funkcije.

Tematski okvir zadatka se bazira na poznavanju i razumevanju pozicije koju nauka zauzima u današnjoj svakodnevnici, sa posebnim osvrtom na promociju i popularizaciju nauke, kao važnog konstituenta savremenog društva. Prostorni okvir zadatka se odnosi na područje trga Slavija u Beogradu.

The aim of the studio is to improve and supplement the knowledge and skills acquired during the studies, with practical application in complex and layered urban conditions, larger urban themes - moves, wholes. Through deeper research of layered contextual influences and a creative approach to specific project tasks, the goal is to reach solutions that improve the urban image and programmatically improve the existing functions. The thematic framework is based on knowledge and understanding of the position that science occupies in the conteporary everyday life, with special emphasis on the promotion and popularization of science, as an important constituent of modern society. The spatial framework of the task refers to the area of Slavija Square, Belgrade.

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THE PATH OF HOPE

Lazar Crnoglavac Studio | Centar za promociju nauke Center for the promotion of science Nominacija | Nomination | INSPIRELI Awards 2019

S03-A

Put je čovekova potreba koja ga pomera sa jedne na nepoznatu poziciju. Centar za promociju nauke predstavlja jednu skrilju u gradskom tkivu Beograda, koje je u konstantnoj transformaciji bez ikiakvih pretenzija za klasifikacijom i očuvanjem delova tog tkiva kao nečega bitnog. Ovaj centar se vezuje za infrastrukturu i koristi gradske tokove koje svoju kulminaciju dozivljavaju na trgu Slavija i njihovom distorzijom formira svoje postojanje. Konstantna protočnost i dinamičnost ovog prostora predstavlja jednu konstantu u gradu u kojoj se oslikava nepermanentnost i prolazak. Nauka ima sličan karakter prolazeći kroz konstantan process transformacije koj se olicava u trajanju kao trag prošlosti koji naglašava potencijal budućnosti, ona se može gledati i kroz filter dogme kada sav taj put koji je čovecanstvo prošlo sa naukom ustvari povežemo sa nekom potragom i osećajem koji nas vodi kroz taj put. U samom radu je iskorišćena metafora pećine kao odstupnice sa koje mozemo da posmatramo ono dinamično napolju dok tražimo ili kao metaforu ulaska u podzemni grad – lavirint u kome su se krila sva saznanja ovoga sveta kako pisu Arapski spisi.

The path is a human need that moves him from one to an unknown position. The Science Promotion Center is a slate in the urbanity of Belgrade, which is in constant transformation without any pretensions to classify and preserve parts of that urbanity as something important. This center is tied to the infrastructure and uses the city flows that culminate in Slavija Square and by their distortion forms its existence. Continuous flow and dynamism of this space is a constant in a city where permanent and transient is reflected. Science has a similar character by going through a constant transformation process that is characterized as a trace of the past that emphasizes the potential of the future, it can also be viewed through the filter of dogma when we actually connect all that path that humanity has traveled with science to some search and feeling that leads us through that path. The research uses the metaphor of the cave as a retreat from which we can look at the dynamic outside as we search or as a metaphor for entering an underground city - a maze in which all the knowledge of this world was hidden, according to Arabic scriptures.

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S04-A NOVI GRADSKI EPICENTAR: VIÅ ENAMENSKI GRADSKI KOMPLEKS KULTURE NEW CITY EPICENTER: MULTI-PURPOSE CITY COMPLEX OF CULTURE

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Nastavnik: arh. Dejan Miljković redovni profesor | full professor Članovi mentorske komisije: dr Zoran Đukanović vanredni profesor | associate professor dr Miodrag Nestorović redovni profesor u penziji | retired full professor

Tematski okvir studija je savremena ekonomija kulture kao novi pokretač gradskog razvoja, kao i uloga spektakla u savremenoj kulturi i revitalizaciji industrijskog nasleđa. Shodno tome program projekta je višenamenski kompleks koji će sadržajima kulture, uslužnim kapacitetima, smeštajnim jedinicama, rekreativnim površinama i ostalim komplementarnim programima činiti sadržaj - Novog gradskog epicentra.

Prostorni okvir je područje smederevskog priobalja reke Dunav u neposrednom okruženju Smederevske tvrđave i industrijskog nasleđa na toj lokaciji. Karakteristični gradski markeri na široj lokaciji, istorijski objekti, prostorne industrijske i ambijentalne celine, su okosnica prostorno-programske analize, u cilju definisanja individualne teme i uže lokacije intervencije svakog studenta.

The thematic framework of the studio is the contemporary economy of culture as a new driver of urban development, as well as the role of spectacle in contemporary culture and the revitalization of industrial heritage. The project program is a multi-purpose complex that will make the content of the New City Epicenter with cultural contents, service capacities, accommodation units, recreation and other complementary programs. The spatial framework is the Danube riverside within Smederevo city in the immediate vicinity of the Smederevo Fortress and the industrial heritage at that location.

Characteristic city markers, historical buildings, industrial and ambient units, are the backbone of spatial-program analysis, in order to define the individual topic and the narrower location of the intervention of each student.

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PROSTORNE SEKVENCE KAO ALUZIJE IDENTITETA TEATAR KULTURE | TEATAR SVETLOSTI SPATIAL SEQUENCES AS ALLUSES OF IDENTITY THEATER OF CULTURE | THEATER OF LIGHT Lidija Lukić Studio | Novi gradski epicentar: Višenamenski gradski kompleks kulture New city epicenter: Multi-propose city complex of culture Nominacija | Nomination | RIBA President’s Medals The Young Talent Architecture Award (YTAA): European Union Prize for Contemporary Architecture Mies Van Der Rohe Award 2020 UNIATA ’20 World’s best graduation projects ever created

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Tematski okvir projekta jeste savremena ekonomija kulture kao novi pokretač gradskog razvoja, kao i uloga spektakla u određenim sferama umetnosti i ljudske interakcije. Shodno tome program projekta je višenamenski kompleks koji će sadržajima umetnosti (kulture) i ostalim komplementarnim programima činiti sadržaj novog gradskog epicentra. Struktura otvorena za sve vrste multimedijalne umetnosti i izraza, istraživački orijentisani prostori, kroz neograničen broj disciplina, sfera i funkcija. Kao odraz različitih vrsta umetničkih koncepcija i najrazličitijih tipova umetnika razvijala bi tako potpuno novu i drugačiju umetničku scenu Smedereva, obuhvatajući potez Jezave ispred istočne fasade tvrđave. Nova arhitektura mogla bi se posmatrati kao refleksija, odnosno aluzija – figura kojom se podseća na ono pravo (prvobitno) – kontekst jezgra istorijskog grada. Teatar kao produkt savremenih tehnologija i shvatanja ovog vida umetnosti, predstavlja ujedno i segment, ali i neodvojiv – saliven deo strukture, koji „oživljava“ postojeći nasleđeni zatečeni spomenik.

The thematic framework of the project is the contemporary economy of culture as a new driver of urban development, as well as the role of spectacle in certain spheres of art and human interaction. Accordingly, the program of the project is a multifunctional complex that will, along with the contents of art (culture) and other complementary programs, generate the content of the new city epicenter - a structure open to all types of multimedia art and expression, research-oriented spaces, through an unlimited number of disciplines, spheres and functions. As a reflection of different types of artistic conceptions and different types of artists, the described structure would develop such a completely new and different artistic scene of Smederevo, encompassing the move of Jezava river in front of the eastern facade of the fort. New architecture could be seen as a reflection, or an allusion - a figure reminiscent of what was right (originally) - the context of the core of a historic city. Theater, as a product of modern technology and understanding of this form of art, is both a segment and an inseparable part of the structure, which “revives” the existing inherited monument.

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ZONA NE:PRIJATNE TIŠINE ZONE OF UNPLEASANT SILENCE

Marko Dedić Studio | Novi gradski epicentar: Višenamenski gradski kompleks kulture New city epicenter: Multi-propose city complex of culture Nominacija | Nomination | The Young Talent Architecture Award (YTAA): European Union Prize for Contemporary Architecture Mies Van Der Rohe Award 2020

Posmatrajući arhitekturu kao korelaciju prostora, prepoznajemo njen imperativ nametanja normi u kreiranju obrazaca interakcije pojedinaca sa pojedincem, pojedinaca sa prostorom kao i prostora međusobno. Tako pojam arhitekture ne odvojamo od pojma komunikacije - nematerijalne, semiotičke komunikacije i materijalne, prostorne komunikacije. Na prostorima sučeljavanja semiotičke i prostorne komunikacije obrazuju se uslovi za povećanje afiniteta ka intelektualnom razvoju zajednice. Zone razvijene komunikacije pogodan su prostor za obrazovanje institucija kulturnih centara. Prostorni kontekst programa institucije nametnuo se na područiju gradskog polja Smedereva. Kako zbog motiva dobre infrastrukturne povezanosti plovnih i železničkih puteva, kao i postojećih gradskih institucija, tako i simboličke snage međuprostora i konfrontacije bedemskog frotna sa gradom koja kreira zonu tišine.

Through understanding architecture as a correlation of space, we recognize its imperative to impose norms in creating patterns of interaction between individuals, individuals with space, and in-between spaces. Thus we do not separate the concept of architecture from the concept of communication - intangible, semiotic communications and material, spatial communications. At the interface between the semiotic and spatial communication conditions are created for increasing affinity for the intellectual development of the community. The developed communication zones are a suitable space for the integration of cultural center institutions. The spatial context of the institution’s program was imposed in the spatial framework of the Smederevo city. Both because of the motive of good infrastructural connectivity of the waterways and railways, as well as the existing city institutions, as well as the symbolic power of the intermediate space and the confrontation of the ramparts with the city creating the zone of silence.

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ISKUSTVO METALA CENTAR HAPTIČNE UMETNOSTI I SPEKTAKLA: SARTID METAL EXPERIENCE CENTER FOR HAPTIC ART AND SPECTACLE: SARTID Danica Pavićević Studio | Novi gradski epicentar: Višenamenski gradski kompleks kulture New city epicenter: Multi-propose city complex of culture Nominacija | Nomination | Nagrada Fondacije sestre Bulajić Sister Bulajić Foundation Award

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Stari industrijski kompleks železare Sartid u Smederevu predstavlja temu završnog master rada, koja kroz projektantski proces rekompozicije, adaptacije i prenamene postaje Novi (epi)centar od lokalnog i regionalnog značaja. U pogledu programa, naglasak je stavljen na kulturu i kulturne sadržaje, pored drugih funkcija koje ovaj prostor smešta. Novi centar osmišljen je kao mesto specijalnih senzacija i spektakla svakodnevnog življenja, koji onima koji u njemu borave omogućava multisenzorno iskustvo prostora. Prepoznavanjem zatečenih elemenata, uočavanjem veza izmedju njih i sistema u kojem funkcionišu je napravljena selekcija istih. Projektantski proces je podrazumevao dekompoziciju elemenata, a zatim njihovu ponovnu rekompoziciju uz ostvarivanje novih veza i odnosa i logike prostora svojstvenog Novom centru i novoj nameni. Ideja je bila doneti nešto novo u prostor stare železare, što neće negirati postojeće, već ga naglasiti i unaprediti, čime je ostvarena fizička i programska slojevitost projekta.

The old industrial complex of the Sartid ironworks in Smederevo is the topic of the final master project, which through the design process of recomposition, adaptation and conversion becomes the New (epi) center of local and regional importance. In terms of the program, emphasis is placed on culture and cultural content, in addition to other functions that this space accommodates. The new center is designed as a place of special sensations and spectacles of everydayness, which allows those who reside in it a multisensory experience of space. By identifying the existing elements, noting the connections between them and the system in which they function, a selection of elements is made. The design process involved the decomposition of the elements and then their recomposition with the creation of new connections and relationships and the logic of the space inherent in the New Center and the new purpose. The idea was to bring something new into the space of the old ironworks, which would not negate the existing ones, but emphasize and improve it, thus realizing the physical and programmatic stratification of the project.

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S05-A MEMORIJAL MEMORIAL

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Mentor: arh. Ivan Rašković redovni profesor | full professor Članovi mentorske komisije: dr Nenad Šekularac redovni profesor | full professor dr Ratka Čolić docent | assistant professor

Cilj zadatka je razumevanje odnosa između artefakata, pejzaža i korisnika kroz rekonceptualizaciju ideje spomen parka. Odnos razmere, percepcije i kompozicije kojim se stvaraju relacije između veštačkog i prirodnog predstavljaju poligon za definisanje novih prostorno-morfoloških tipologija spomen parka, ali i slojevitosti arhitektonskog oblikovanja i proizvodnje značenja u zatečenom društveno-kulturnom kontekstu. Tematski okvir se odnosi na preispitivanje modela savremenosti spomeničke arhitekture i prostora za njeno redefinisanje kroz formiranje razumevanja povezanosti memorije mesta, arhitekture pejzaža i kolektivnog sećanja.

The studio aims to challenge the relationship between artifacts, landscapes and users through the reconceptualization of the idea of a memorial park. The relationship between scale, perception and composition, which creates relations between the artificial and the natural, is a polygon for defining new spatial-morphological typologies of the memorial park, but also the layers of architectural design and production of meaning in the existing socio-cultural context. The thematic framework refers to the re-examination of the model of modernity of monumental architecture and space for its redefinition through the formation of understanding of the connection between memory of place, landscape architecture and collective memory.

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AGALMA: KONZUMIRANJE PRAZNINE MEMORIJALA AGALMA: CONSUMPTION OF MEMORIAL’S VOID

Đorđe Đurica Studio | Memorijal Memorial Nominacija | Nomination | RIBA President’s Medals The Young Talent Architecture Award (YTAA): European Union Prize for Contemporary Architecture Mies Van Der Rohe Award 2020

Robert Muzil (Robert Musil) je napisao da spomenici imaju čudnu moć da postanu nevidljivi, odnosno da se sagledavaju kao praznine u prostoru. Nagli nestanak socijalističkog narativa urušio je čitav simbolički sistem kojem su, kao prostorne manifestacije, pripadali memorijali koji tako postaju praznine u prostoru, ili eventualno tragovi onog nestalog. Koncept AGALMA se definiše kao: kolektivno konzumiranje praznine memorijala. Savremeno viđenje memorijala kao praznine u prostoru produkt je fokusiranog vida čoveka i površne percepcije potrošačkog društva. Agalma deluje potiskivanjem fokusiranog vida i znači percipiranje nesvisnih slika, čulnih osećaja i mentalnih utisaka prenesinih kroz diskontinuitetne fragmente zatvorenog prostora. Delovanjem na sva čula, intuiciju i podsvest, stvara se novi ‘’dublji’’ vid percepcije koji od diskontinuitetnih sugestivnih fragmenata iz unutrašnjosti memorijala kontinuriano konstruiše celinu.

UNIATA ’20 World’s best graduation projects ever created Tamayouz International Award for Graduation Projects 2020

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Robert Musil wrote that monuments have the strange power of becoming invisible, that is, of being perceived as voids. The crisis of monuments as voids in space is even more expressed in post-communist societies. The abrupt disappearance of the socialist narrative, aimed at homogenizing society through higher levels of socialization than national, destroyed the whole symbolic system to which memorials belonged as spatial manifestations. With the disappearance of the symbolic system, the monument becomes a void / trace in space. In what way can monuments (voids) become places of surplus (desire) formation? The concept of this project called ‘Agalma’ aims to answer the above question. The memory is made up of fragments that are not just visual images in our brains. In order to perceive the void as a surplus, ie. to use the form of ‘formless vision’ - focused /gestalt/ perception must be suppressed. Suppressing focused vision creates a sense of fear and uncertainty, which leads to sensitivities for intuitive / subconscious/ memory.

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SPOMENIK : KRAJOLIK : GRADOLIK MONUMENT: LANDSCAPE: CITYSCAPE

Dezire Tilinger Studio | Memorijal Memorial Nominacija | Nomination | Nagrada Fondacije sestre Bulajić Sister Bulajić Foundation Award UNIATA ’20 World’s best graduation projects ever created

Subotica, grad iz 14. veka, ima dugu urbanističku tradiciju i mnoge sačuvane mape, planove, karte i vedute koje svedoče tom razvoju. Međutim, trenutna zgrada urbanističkog zavoda u Subotici ne poseduje ništa što svedoči o značaju te institucije.

Neadekvatnost se ogleda u dotrajalosti objekta koji ne može da isprati nove planerske i urbanističke tendencije koje se oslanjaju na digitalizaciju i kolaboraciju. Mesto intervencije je nedovršeni potez između starog centra grada i modernističkog višeporodičnog naselja Prozivke, čime se aktivira plan sa početka prošlog veka i konačno završava jedna urbanistička epoha, a zgradom novog zavoda počinje druga. Za te drevne urbanističke planove Bogdanović (1976) kaže da preneti „na plan praktičnog urbanizma, to znači da jedna, recimo, dobro odabrana i pod određenim uslovima iscrtana planimetrijska figura može da garantuje ovakvu trajnost“.

Tamayouz International Award for Graduation Projects 2020

Subotica, a 14th-century town, has a long urban tradition and many preserved maps, plans, cartographies and trays that bear witness to this development. However, the current building of the Urban Institute in Subotica does not have anything that testifies to the importance of the institution. The inadequacy is reflected in the dilapidation of the facility, which cannot withstand new planning and urban tendencies that rely on digitization and collaboration. The site is an unfinished flow between the old city center and the modernist multifamily settlement of Prozivka, which triggers the plan from the beginning of the last century and finally ends one urban epoch, and the building of a new Institute begins another. Bogdanovic (1976) says of these ancient urban plans that “to transfer to the plan of practical urbanism, it means that, for example, a wellchosen and, under certain conditions, a planimetric figure drawn can guarantee such permanence”.

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KADRIRANJE SPOMENIKA FRAMING MONUMENT

Katarina Dimitrijević Studio | Memorijal Memorial Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

Ideja projekta je zasnovana na pronalaženju i primeni razvojnog principa građenja grupne forme u slučaju spomen parka Popina. Prostorna postavka projekta se nadovezuje na spomenik kao kontinualni nastavak niza elemenata spomenika koji sačinjavaju grupnu formu. Na lokaciji je prepoznata ideja kadriranja samog spomnika kroz spomenik i kao takva je poslužila za prostorni razvoj projekta. Brdo prekoputa Popine, koje ona i kadrira, poslužilo je kao lokacija za prosornoprogramsku reakciju na spomenik. U prostornom smislu težište projekta predstavlja kontinualni linijski prostor koji probija brdo i kadrira Popinu, što predstavlja noseću ideju projekta – pogled na Popinu iz novog ugla. Program projekta je istraživačka stanica sa vizitorskim centrom koji su smešteni u pet celina – oblikovnih segmenata koji po pravcu osovine projekta grade nastavak grupne forme.

The idea of the project is based on finding and applying the development principle of building a group form in the case of the Popina Memorial Park. The spatial layout of the project builds on the monument as a continuous of a series of monument elements that make up the group form. The idea of framing the monument itself through the monument was recognized at the site and as such served for the spatial development of the project. The hill across Popina, framed by the monument, served as the site for a spatial and programmatic response to the monument. In spatial terms, the focus of the project is a continuous line space that breaks through the hill and frames Popina, which represents the supporting idea of the project - a view of Popina from a new angle. The program of the project is a research station with a visitor center, which are located in five units - form segments that build the continuation of the group form along the axis of the project.

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IZVRNUTO ISKUSTVO SPOMENIKA INTERAKTIVNI PEJZAŽ DISTORTED EXPERIENCE OF MONUMENT INTERACTIVE LANDSCAPE

Milica Živković Studio | Memorijal Memorial Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

S05-A

Novokomponovani pejzaž se može definisati kao prostor interakcije. Takođe i dati mogućnost subjektivnog iskustva, doživljaja i korišćenja prostora. Pejzaž se definisao kao forma koja bi pružila mogućnost korišćenja prostora kao prostor koji ne ograničava, koji je slobodan. Prostor koji se može definisati kroz igru, a svojim oblikovanjem definiše svoju namenu.

Pejzaž koji se definiše kroz kretanje i vizure nadovezujući se na spomenik Popina kao polazište. Produžavajući obuhvat prostora spomenika pejzaž bi davao novo iskustvo prostora kroz konstantno kretanje i razvijanje prostora. Oblikovanje samog objekta je proisteklo iz topografije terena zamišljen kao interektivni pejzaž kako bi se sam objekat utopio sa kontekstom u kome se nalazi. Kretanjem menjamo percepciju posmatranja konstantnim promenama u visini kretanja i vizura ka spomeniku i kontekstu. Objekat predstavlja nastavak samog spomenika kroz kretanje i korišćenja prostora, zamišljen kao slobodan prostor. Predlog rešenja je zasnovan na tri elementa: edukativni centar, izložbeni prostor, multifunkcionalan/ slobodan prostor.

A newly composed landscape can be defined as a space of interaction. Also give the opportunity for subjective experience, experience and use of space. Landscape was defined as a form that would provide the opportunity to use space as a non-restrictive, free space. A space that can be defined through play, and by its design defines its purpose.

A landscape defined through movement and vistas, building on the Popina monument as a starting point. Extending the scope of the monument space would give the landscape a new experience of space through the constant movement and development of space. The design of the building itself stems from the topography of the terrain conceived as an interactive landscape in order to immerse the building itself with the context in which it is located. By moving, we change the perception of observation with constant changes in the height of movement and the view towards the monument and context. The building is a continuation of the monument itself through the movement and use of space, conceived as free space.

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ASTRONOMSKI PARK ASTRONOMY PARK

Jovana Ilić Studio | Memorijal Memorial

S05-A

Memorijal, kao šira tema projekta može da se tumači kao nesto što kroz vreme sadrži različita značenja u zavisnosti od u kome se nalazi i odnosa koji uspostavlja. Tema astronomskog parka proiziazi iz teme memorijala, ona se u isto vreme se bavi pitanjima prošlosti, sadašnjosti i budućnosti. Posmatrano i kroz koncept montaže vidimo vezu između arhitekture i filma. Termin montaža se može razumeti kao kompozicija, odnosno raspoređivanje elemenata prostora koji konstituišu posrednu sliku vremena, pomoću kojih se određuje celina.

Projekat astronomskog parka je na ovaj nacn režiran. Lokacija jeste u neposrednoj blizini spomenika Popina sa kojim je uspostavljena veza. Glavni elementi astronomskog parka su sunčani sat, instrumenti a određivanje položaja nebeskih tela, instrumenti za određivanje položaja planeta i instrumenti za određivanje položaja sazvežđa. Oni su postavljenji u prostoru razmišljajući o njegovom kadriranju, kretanju kroz njega, kao i o celokupnom značenju. Celina, kao jedna od glavnih nivoa montaže predstavlja nevidljivi kontinuitet, stalno se menja i stvara nešto novo što traje.

Memorial, as a broader theme of a project, can be interpreted as containing different meanings over time, depending on where it is located and the relationship it establishes. The theme of the astronomical park derives from the theme of memorials, while addressing issues of the past, present and future. Viewed and through the concept of montage, we see the connection between architecture and film. The term montage can be understood as a composition, that is, the arrangement of elements of space that constitute an indirect image of time, by which the whole is determined. The astronomical park project is directed in this way. The location is in close proximity to the Popina monument with which it was established. The main elements of an astronomical park are the sundial, the instruments of positioning the celestial bodies, the instruments for determining the position of the planets, and the instruments for determining the position of the constellations. They are set in space thinking about its framing, moving through it, as well as its whole meaning. The whole, as one of the main levels of assembly represents an invisible continuity, is constantly changing and something new is going on.

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SPOMENIK SPOMENIKU “KAD ZATREBA PONOVI ME” A MONUMENT TO A MONUMENT “WHEN YOU NEED ME, REPEAT ME”

Slaviša Berać Studio | Memorijal Memorial

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Usled transformacije kolektivne memorije društva i njenog nepouzdanog reproduktovanja, spomenik je postao mesto sukobljene društvene želje - da se pamti ili zaboravi prošlost.

Sećanje teži zaboravu. Slaveći mesto memorijala, kao odgovor na poslednji spomenik Bogdana Bogdanovića, posvećenom žrtvama Popinske bitke, projekat “Memorijal: Spomenik spomeniku” predstavlja njegovo ponovno modifikovano arhitektonsko tumačenje i oblikovanje. Nova struktura, kroz interpretaciju procesa sećanja i zaboravljanja, predstavlja otisak stare. Inspirisan natpisom “Kad zatreba ponovi me”, principom izvrtanja (anagrama – po Bogdanoviću) stvoren je podzemni izložbeno-arhivski prostor na otvorenom i zatvorenom, koji se organski integriše u morfologiju postojećeg memorijala, osvajajući prostor u neposrednoj blizini . Inicijalno zamišljen kao rov (ritualni put sa katarzičnim ishodom), nova struktura pozicionirana je na osi koju je, oblikovanjem postojeće, naglasio Bogdanović.

Due to the transformation of the collective memory of society and its unreliable reproduction, the monument became a place of conflicting social desire - to remember or forget the past. Memory tends to be forgotten. Celebrating the site of the memorial, in response to Bogdan Bogdanovic’s last monument dedicated to the victims of the Popina Battle, the project “Memorial: Monument to the Monument” represents his re-modified architectural interpretation and design. The new structure, through its interpretation of the process of memory and forgetting, is an imprint of the old. Inspired by the inscription “When You Need Me, Repeat Me”, the principle of twisting (anagram - by Bogdanović) created an underground exhibition and archive space in the open and closed, which organically integrates into the morphology of the existing memorial, conquering the space in the immediate vicinity. Initially conceived as a trench (a ritual path with a cathartic outcome), the new structure is positioned on an axis emphasized by Bogdanovic in shaping the existing one.

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S06-A VOLLMOND: VIDLJIV I NEVIDLJIV PROSTOR_ARHITEKTURA POKRETA / AKADEMIJA POKRETA VOLLMOND: VISIBLE AND INVISIBLE SPACE_ ARCHITECTURE OF MOVEMENT / ACADEMY OF MOVEMENT

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Mentor: dr Dragana Vasiljević Tomić vanredni profesor | associate professor Članovi mentorske komisije: dr Eva Vaništa Lazarević redovni profesor | full professor dr Branislav Žegarac redovni profesor | full professor

Teorijsko-programsko istraživanje u okviru teme odnosi se na savremene izvođačke umetničke prakse (performans, digitalni performans, pozorište, balet, hepening itd.) u kontekstu proširenog medija arhitekture. U procesu projektovanja arhitektura se interpretira ne samo kao formalno-programski fenomen već kao višemedijski događaj, događaj jer se višemedijska tekstualna pojavnost arhitekture odigrava u vremenskim intervalima konstituisanja individualne i kolektivne svakodnevice. Postavlja se pitanje, kako bi izgledala vizualizacija prostora koje telo obeležava dok se kreće kroz prostor? Programski se uspostavlja prostor kao odgovor na pokret, kao scenski ili vanscenski izraz ili oblik ponašanja koji definiše složeni odnos telesnog potencijala i telesnog ponašanja uslovljenog zvukom, tišinom, konceptom itd.

Theoretical and program-based research within the topic refers to contemporary practices of performing arts (performance, digital performance, theater, ballet, happening, etc.) in the context of an extended medium of architecture. In the process of designing, architecture is interpreted not only as a formalprogram phenomenon but also as a multimedia event, an event because the multimedia textual appearance of architecture takes place in time intervals of constituting individual and collective everyday life. The question is, what would a visualization of the space that the body marks as it moves through space look like? The program establishes space as a response to movement, as a stage or off-stage expression or form of behavior that defines a complex relationship between bodily potential and bodily behavior conditioned by sound, silence, concept, etc.

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SPEKULACIJE NESTABILNIH STANJA: MAPA KAO ALAT ARHITEKTONSKOG PROMIŠLJANJA SPECULATIONS OF UNSTABLE CONDITIONS: MAP AS A TOOL OF ARCHITECTURAL THINKING Kosta Dimitrijević Studio | VOLLMOND: Vidljiv i nevidljiv prostor_arhitektura pokreta / akademija pokreta VOLLMOND: Visible and invisible space_ architecture of movement / academy of movement Nagrada | Award | Godišnja nagrada Instituta za arhitekturu i urbanizam Srbije: Nagrada ‘‘Milorad Macura’’ za najuspešniji master rad iz oblasti arhitekture i urbanizma Annual award of the Institute of Architecture and Urbanism of Serbia: Award “Milorad Macura” for the most successful master’s thesis in the field of architecture and urbanism

S06-A

Pojam situacije definisane kao nestabilnog i iznova promenjivog stanja u prostoru, uzima se da pomiri vezu između arhitekture i pokreta, društva i prostora. Neodređenost njenih ishoda dovodi u pitanje postojanje arhitekture kao finalnog proizvoda već sugeriše tretiranje iste kao konstantnog procesa. Polazište za istraživanje čini svakodnevica, kao pojam koji vezuje generalnu kulturu društva i elemente kultivisane arhitekture, u njihovim relacijama otvara se interdisciplinarni prostor koji formira jezgro istraživanja. Oprostoreni rezultati analize služe kao poligon za spekulaciju daljih, mogućih, arhitektonskih, socioloških i filozofskih procesa, koji se u samom istraživanju paralelno odvijaju kroz teoretske modele i crtež. Sa tim u vezi, mapa se u istraživanju koristi kao alat za koji se pretpostavlja da može da isprati novouspostavljenu dinamiku arhitekture, koristeći se i zadržavajući nepredvidivi karakter strategije, a ne slike, reprezentacije. Mapom kao spekulativnim aparatom, koji dekodiranjem grada proizvodi i reakciju u istom, kao program projektnog zadatka proizašao je trg, koji za temelj ima skupštinu kao generator društva i društvenog života.

The concept of the situation, defined as an unstable and everchanging state of space, is taken to reconcile the connection between architecture and movement, society and space. The ambiguity of its outcomes calls into question the existence of architecture as the final product, but suggests the treatment of the same as a constant process. The starting point for research is everyday life, as a concept that binds the general culture of society and the elements of cultivated architecture, in their relations an interdisciplinary space opens, which forms the core of research. The extensive results of the analysis serve as a proving ground for the speculation of further, possible, architectural, sociological and philosophical processes, which in the research itself proceed in parallel through theoretical models and drawing. In this regard, map is used in research as a tool that is presumed to be able to flush out the newly evolved dynamics of architecture, using and retaining the unpredictable character of strategy, not images, of representation. The map, as a speculative apparatus, which, by decoding the city, produces a reaction in the same, produced a square as the program of the project task, which has as its foundation the assembly as a generator of society and social life.

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MUZEJ (REVOLUCIJE) HIBRIDNE UMETNOSTI MUSEUM (REVOLUTIONS) OF HYBRID ART

Valentina Ljubojević Studio | VOLLMOND: Vidljiv i nevidljiv prostor_arhitektura pokreta / akademija pokreta VOLLMOND: Visible and invisible space_ architecture of movement / academy of movement

S06-A

Ovaj master rad fokusira se na digitalizaciju i prikazivanje arhitekture i umetnosti u proširenim medijama, pokazujući kako se ovim načinom istraživanja i projektovanja, zapravo učestvuje u stvaranju umetnosti i arhitekture. Rad se nalazi u pet oblasti, u kojima se objašnjava primenljivost hibrida u arhitekturi, specifično kućama umetnosti, jer je upravo projekat jedne takve rezultat ove teze. U tezi se govori o prostoru, imaginaciji, i njihovim granicama, ispituje se relativnost definicija pomenutih termina i njihova preklapanja, što dalje vodi do revolucije digitalne tehnologije, kvantnog sveta i multiverzuma, kao stubova na kojima mogu da se grade novi imaginarni svetovi. Kroz savremene teorije prostora i arhitekture u ostalim vrstama umetnosti istražujem fluidnost. U projektu pokazujem kako će digitalizacija moći na izvodljiv i isplativ način da postane deo arhitekture, koji nosi u sebi sematntičku poruku za svoje korisnike. Na kraju rada implementacijom prethodnih istraživanja, koncepata, i komentara teza se dokazuje kroz projekat “Muzej (revolucije) hibridne umetnost” za koji biram lokaciju nikada izgrađenog Muzeja revolucije.

The Master project focuses on the digitization and presentation of architecture and art in expanded media, demonstrating how this way of research and design actually participates in the creation of art and architecture. The research is divided into five areas, explaining the applicability of hybrids in architecture, specifically to houses of art, because the project of one such is the result of this thesis. The thesis discusses space, imagination, and their boundaries, examines the relativity of definitions of these terms and their overlap, which further leads to the revolution of the digital technology, quantum world and multiverse, as pillars on which new imaginary worlds can be built. Through contemporary theories of space and architecture in other arts, fluidity has been explored. The design demonstrates how digitization will be able to become part of the architecture in a workable and cost-effective way, carrying a semantic message for its users. At the end of the design process, through the implementation of previous research, concepts, and commentary, the thesis is proved through the project “Museum (revolutions) of hybrid art”, for which the chosen site is the spatial foundations of the never built The Museum of the Revolution.

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S07-A SAVREMENE ‘‘OAZE’’ CONTEMPORARY “OASIS”

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Mentor: dr Aleksandar Videnović vanredni profesor | associate professor Članovi mentorske komisije: dr Uroš Radosavljević vanredni profesor | associate professor arh. Dragan Marčetić vanredni profesor | associate professor

Istraživanje predstavlja problematiku lociranja, programiranja, projektovanja i dizajniranja korisnih, višenamenskih javnih sadržaja, namenjenih funkcionalnoj podršci i programskom kompletiranju specifičnih lokaliteta u ruralnim prostorima, gradskim arealima, sa izraženijim naturalnim i predeonim karakteristikama. Tematski i lokacijski okvir elemenata istraživanja: master teze, projekta i završnog rada jeste široki spektar programskih sklopova koji doprinose ambijentalnosti, a koji se u programskom smislu oslanjaju na prihvat, boravak i različitu animaciju posetilaca (vizitora) na pozicijama izuzetnih prirodnih i stvorenih vrednosti na mapama putovanja.

The research presents the issue of locating, programming, designing and designing useful, multi-purpose public facilities, intended for functional support and program completion of specific localities in rural areas, urban areas, with more pronounced natural and landscape characteristics. The thematic and locational framework of research elements: master thesis, project and final work is a wide range of software packages that contribute to the ambience, and which in program terms rely on the reception, stay and various animation of visitors (visitors) in positions of exceptional natural and created values on maps travel.

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ŽIČARE VID UNAPREĐENJA TURISTIČKE PONUDE ROPEWAY A VIEW TO IMPROVING THE TOURIST OFFER

Aleksandar Majstorović Studio | Savremene ‘‘Oaze’’ Contemporary ‘‘Oasis’’ Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

Kompleks u Ovčar banji je čvorište na kome se ukrštaju svi kopneni, vodeni i vazdušni putevi u Ovčarsko - Kablarskoj klisuri.

Kompleks naleže na planinarske staze Kablara, pešački most koji spaja masive, prugu Požega-Čačak, stari put za Čačak, magistralni put, Zapadnu Moravu i novoprojektovano polazište žičare koje kompleks povezuje sa autoputem A2 na isključenju Pakovraće i poletištem paraglajdera na vrhu Ovčara. U okviru kompleksa se nalaze objekti železničke stanice, žičare (Ovčar Banja - vrh Kablara - vrh Ovčara - Autoput), kominukacijsko čvorište, ugostiteljsko - komercijalni centri, smeštajni objekti i informativno - prezentacioni centri. Kompleks je preplet svih navedenih vidova saobraćaja tako koncipiran da ne narušava prirodno i stvoreno okruženje, prihvati i usmeri posetioce, dopuni turističku ponudu, formira novi centar i težište na kompletnom predelu izuzetnih odlika Ovčarsko – Kablarske klisure kao dobru koje je pod zaštitom države I reda.

The complex at Ovčar Banja is a hub where all land, water and air routes in the Ovcar - Kablar Gorge intersect. The complex lies on the Kablara hiking trails, the pedestrian bridge that connects the massifs, the Pozega-Cacak railway, the old Cacak road, the main road, the West Morava and the newly designed cable car starting point, which connects the complex with the A2 motorway at the exclusion of Pakovrace and the paraglider airfield. Within the complex there are railway station facilities, cable cars (Ovčar Banja - Kablar peak - Ovčar peak - Highway), communication hub, catering and commercial centers, accommodation facilities and information and presentation centers. The complex is a combination of all these types of traffic so conceived that it does not disturb the natural and created environment, accept and direct visitors, supplement the tourist offer, form a new center and focus on the complete area of exceptional features Ovčarsko - Kablar Gorge as a property that is protected by the state and the first order.

S07-A

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SKLONIŠTE U TEATRU SHELTER IN THE THEATER

Nikola Nešković Studio | Savremene ‘‘Oaze’’ Contemporary ‘‘Oasis’’

S07-A

Cilj master rada bio je preispitati potencijal objekata za zaštitu civilnog stanovništva sa aspekta prostornog resursa, prenamene i adaptacije istog, za potrebe savremenog društva i njegovu upotrebu u mirnodopskim uslovima. Istraživanje fenomena skloništa kao polujavnog prostora s početka je imalo za cilj postavljanje teorijskog okvira koji bi, pored usmerenja uz pomoć autorovog senzibiliteta, posedovao utemeljenje u analitičkim i naučnim metodama, relevantnim za primenu u predstojećem procesu projektovanja. Obzirom, da je analizom ustanovljena potreba za sadržajem kulture u tretiranom delu grada, kao logičan ishod nameće se i sam projektni zadatak.

Isprva, se možda čini nelogičnim za postavku kulturnog sadržaja, jer je u pitanju rubni blok izgrađene strukture čije gravitaciono polje ne seže daleko, zadatak se sprovodi pod pretpostavkom daljeg širenja grada. U tom i takvom scenariju, adaptacija skloništa i pravljenje kulturnog centra, bi trebalo da proizađe kao novi epicentar kulture.

The aim of the master project Shelter in the Theater was to review the potential of facilities for the protection of civilians from the aspect of spatial resources, their conversion and adaptation, for the needs of modern society and its use in peacetime conditions. The study of the phenomenon of shelter as a semi-public space from the beginning was intended to set up a theoretical framework that, in addition to directing with the help of the author’s sensibilities, would have a foundation in analytical and scientific methods relevant for application in the forthcoming design process. Considering that the analysis established the need for cultural content in the treated part of the city, the project task itself is a logical outcome. At first, it may seem illogical to set cultural content, since it is an edge block of a built structure whose gravitational field does not extend far, the task being carried out assuming further expansion of the city. In this and such a scenario, the adaptation of shelters and the creation of a cultural center should emerge as the new epicenter of culture.

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S08-A BEOGRADSKI TOKOVI – PROSTOR NOVE ARHITEKTURE BELGRADE FLOWS – A SPACE OF NEW ARCHITECTURE

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Mentor: arh. Goran Vojvodić redovni profesor | full professor Članovi mentorske komisije: dr Uroš Radosavljević vanredni profesor | associate professor dr Dušan Ignjatović vanredni profesor | associate professor

Završni rad podrazumeva istraživački pristup pri formiranju odgovora na temu razvoja Beograda i njegovog dugo planiranog „silaska na reke“. Cilj rada predstavlja iniciranje analitičkog razmišljanja, razvijanja sposobnosti sagledavanja karaktera, osobenosti i mogućnosti unapređenja beogradskog priobalja.

Uspostavljanjem kritičkog stava prema zadatom kontekstu, kroz promišljanje novih programskih i prostornih mogućnosti, definiše se karakteristična zona u kojoj se interveniše. Težište rada je na iznalaženju odgovora na aktuelni društveni i kulturološki trenutak sa ciljem zadovoljenja potreba korisnika prostora i uspostavljanja novog epicentra aktivnosti Beograda.

The research approach is based in forming the answer to the topic of the development of Belgrade and its long-planned “descent to the rivers”. The aim of the research is to initiate analytical thinking, to develop the ability to perceive the character, features and possibilities of improving the Belgrade riverside. By establishing a critical attitude towards the given context, through the consideration of new program and spatial possibilities, the characteristic zone for intervention is defined.

The focus is on finding answers to the current social and cultural condition with the aim of meeting the needs of space users and establishing a new epicenter of Belgrade’s activities.

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ODRŽIVI RAZVOJ KULTURA PRIOBALJA BEOGRADA OPERA / BLOK 18 SUSTAINABLE DEVELOPMENT CULTURE OF THE BELGRADE RIVERSIDE OPERA / BLOCK 18 Sanja Petrović Studio | Beogradski tokovi – Prostor nove arhitekture Belgrade flows – A space of new architecture Nominacija | Nomination | The Young Talent Architecture Award (YTAA): European Union Prize for Contemporary Architecture Mies Van Der Rohe Award 2020

S08-A

Tematski okvir rada je vezan za tezu o održivoj arhitekturi koja u praksi ne postoji jer je svaka gradnja sama po sebi neekološka i podrazumeva degradaciju životne sredine. Kao četvrta dimenzija održivosti, kultura je ta koja arhitekturu čini održivom jer može biti novi pokretač razvoja grada. U skladu s tim, razvoj Novog Beograda i beogradskog priobalja je moguć kroz četvrtu dimenziju održivosti, odnosno kroz osmišljavanje i projektovanje objekta sa osnovnom namenom kulture. Objekat opere je projektovan kao landscape projekat, objekat koji je deo tla i koji izranja iz terena. Ideja o postizanju mimikrije prema zaleđu je uticala na stvaranje introvertne strukture sa velikim brojem procepa i useka koji doprinose njenom otvaranju ka reci. Projektovanjem objekta spektakla stvorena je scena koja prezentuje kulturne i umetničke događaje. Prostorni okvir obuhvata područje beogradskog priobalja, Blok 18, jednu od neaktivnih lokacija u gradu koja nosi veliki potencijal, a koja je nepravedno zapostavljena u odnosu na savremeni kontekst.

The thematic framework of the research is related to the thesis on sustainable architecture, which in practice does not exist because every construction is inherently non-ecological and involves environmental degradation. As the fourth dimension of sustainability, it is the culture that makes architecture sustainable as it can be a new driver for urban development.

Accordingly, the development of New Belgrade and the Belgrade riverside is possible through the fourth dimension of sustainability, that is, by designing and designing a building with the basic purpose of culture. The opera facility was designed as a landscape project, a part of the topography that emerges from the ground. The idea of mimicry toward the hinterland influenced the creation of an introverted structure with a large number of slits and notches that contribute to its opening to the river. By designing the spectacle object, a scene is created that presents cultural and artistic events. The spatial framework encompasses the Belgrade riverside area, Block 18, one of the inactive locations in the city that has great potential and is unfairly neglected in relation to the contemporary context.

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FREIZEITBAD FREIZEITBAD

Jovana Zorica Studio | Beogradski tokovi – Prostor nove arhitekture Belgrade flows – A space of new architecture

S08-A

Akvatorij stvoren za potrebe nekadašnjeg brodogradilišta „Tito“ ima izrazit prostorni i estetski potencijal koji je zbog prevaziđenosti namene, degradacije i zapuštenosti, potpuno neiskorišćen. Cilj je uspostavljanje modela za oporavak od potrošenosti i obesmišljenosti, prolaznosti i izolovanosti ove, a i drugih zona duž leve obale reke Save. Osmišljen je sistem postavki nedefinisanih do samog kraja. Prostorna mreža predviđa polja koja se prilagođavaju inputima uslovljenim potrebama, a ne prethodno zadatim prostornim okvirima koji bi unekoliko ograničili slobodu kreacije. Projekat se razvija iznad / ispod vode, sa mogućnošću faznog razvoja tako da reaguje na promene u kontekstu i otvoren je ka budućnosti. U skladu sa predviđenim programom (sportski centar / akva-park), prva faza kompleksa nazvana je Freizeitbad – nem. slobodno vreme, bazen, kupanje. U vizuelnom smislu, rešenje je kompozicija nastala od elemenata kojima se ostvaruje reminescencija na prethodnu, istorijsku namenu ove lokacije i otuda je rezultat reinterpretacija industrijsko - mašinske estetike.

The water area created for the needs of the former Tito Shipyard has a distinct spatial and aesthetic potential, which is completely unused due to its overcoming of purpose, degradation and neglect. The aim is to establish a model for recovery from wear and discomfort, transience and isolation of this and other zones along the left bank of the Sava River.

A system of settings is set up undefined to the very end. The spatial network envisages fields that are adapted to the inputs of conditioned needs, rather than predefined spatial frames that would somewhat limit the freedom of creation. The project is being developed above / below water, with the possibility of phase development so that it responds to changes in context and is open to the future. In accordance with the planned program (sports center / aqua park), the first phase of the complex was called Freizeitbad - free time, swimming pool, swimming. In a visual sense, the solution is a composition made of elements that accomplish the reminiscence of the previous, historical purpose of the site and is therefore the result of a reinterpretation of industrial - machine aesthetics.

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CENTAR AKTUELNE UMETNOSTI A CENTER OF CURRENT ART

Aleksandra Maksimović Studio | Beogradski tokovi – Prostor nove arhitekture Belgrade flows – A space of new architecture

S08-A

Osnovna ideja oslikana je kroz uspostavljanje univerzalnog modela za predstavljanje kulturnog fenomena u cilju očuvanja kulturnog identiteta grada i unapređenja javnog života stanovnika. Kulturni identitet grada ispoljen je kroz celokupno nasleđe - nultu kulturu, fenomena koji predstavlja identifikaciju najdominantnijih istorijskih uticaja u momentu formiranja nekog grada, i različitih subktultura koje se javljaju kao posledica ekspanzije kulture. U skladu sa savremenim tokovima razvoja javnog života Beograda, kroz istraživanje je prepoznata pozicija subkulture beogradskih splavova koja utiče na identiteta grada. Prostorni okvir za proveru modela predstavlja priobalje Beograda – leva obala reke Save. Pri koncipiranju prostorne strukture, osnovna namera je oslobađanje obala reke na način da se ne naruši značaj subkulture splavova u formiranju identiteta Beograda. Akcentovanjem prepoznatih vrednosti ove subkulture, uspostavljeni su parametri za koncipiranje kompleksa kulture – blizak kontakt objekata i vode, paviljonska struktura, aktuelne umetničke prakse, kao i učešće posetilaca u konzumiranju kulture.

The basic idea was portrayed through the establishment of a universal model for presenting the cultural phenomenon in order to preserve the cultural identity of the city and to improve the public life of inhabitants. The cultural identity is manifested throughout its entire heritage - zero culture, a phenomenon that represents the identification of the most dominant historical influences at the time of the formation of a city, and the various subcultures that occur as a result of the expansion of culture.

In line with contemporary developments in Belgrade’s public life, the research has identified the position of the Belgrade raft subculture that has a profound effect on the city’s identity. The spatial framework for model verification is represented by the Belgrade riverside - the left bank of the Sava River. In conceiving the spatial structure, the basic intention is to liberate the riverbanks in a way that the importance of the subculture of rafts in the formation of Belgrade’s identity is not undermined.

By accentuating the recognized values of this subculture, the parameters for conception of the culture complex were established - close contact of objects and water, pavilion structure, current artistic practices, as well as participation of visitors in the culture consuming.

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S09-A SINTETIÄŒKI KONCEPTI I URBANI FRAGMENT SYNTHETIC CONCEPTS AND URBAN FRAGMENT

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Mentor: arh. Aleksandru Vuja vanredni profesor | associate professor Članovi mentorske komisije: dr Miodrag Nestorović redovni profesor u penziji | retired full professor dr Milica Milojević docent | assistant professor

Raznovrsnost urbanog prostora najčešće je složenija od prvobitnih arhitektonskih, urbanističkih ili političkih ideja o gradu.

Ako grad odredimo kao opštu formu ostvarenu procesima racionalizacije društvenih odnosa koje donosi monetarni sistem jasno je da manifestacija arhitekture predstavlja samo jedan od mnogobrojnih procesa stalne obnove grada. Iz ovog ugla, arhitekturu možemo gledati kao kompleks odnosa, relacione odnose ili kao sintaksu prostora. Analizirajući primere urbanih fragmenata, koji nose specifične osobenosti i prevazilaze namere arhitekture, konceptualizujemo relativnu složenost i raznovrsnost gradskog života i trudimo se da kroz urbani dinamizam, uz stalno lutanje paradigmi života, stvorimo novi, mogući i angažovani jezik prostora.

The diversity of urban space is usually more complex than the original architectural, urban or political ideas about the city. If we define the city as a general form achieved by the processes of rationalization of social relations brought by the monetary system, it is clear that the manifestation of architecture is only one of the many processes of constant renewal of the city.

From this angle, we can look at architecture as a complex of relations, relational relations or as a syntax of space. Analyzing examples of urban fragments, which carry specific features and go beyond the intentions of architecture, we conceptualize the relative complexity and diversity of urban life and try to create a new, possible and engaged language of space through urban dynamism, with constant wandering paradigms of life.

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ARHI–TEKTONSKA TOPOGRAFIJA: PREVOĐENJE PEJZAŽNOG ISKUSTVA U ISKUSTVO ARHITEKTONSKOG PROSTORA ARCHI–TECTURAL TOPOGRAPHY: TRANSLATING THE LANDSCAPE EXPERIENCE INTO THE EXPERIENCE OF ARCHITECTURAL SPACE Ema Vasilijević Studio | Sintetički koncepti i urbani fragmenti Synthetic concepts and urban fragments

S09-A

Predmet rada je ispitivanje metodološkog postupka disperzije ili razgradnje tla, njegove topografije, koja postaje ritam, sekvenca, fluid, pa tako fizički okvir postaje preduslov za nastanak imaginarne granice.

Dijalog između arhitekture i okruženja, predstavlja oblikovni kod ili zapis gradacije unutar mreže arhitektonsih i prirodnih elemenata, dok njeno oblikovanje, materijalizuje specifičnu teksturu takvih relacija.

Tkanje koje objedinjuje metodologiju, zapis i likovni kod, na taj način prelazi u prostorni izraz koji vezuje elemente u celinu, a u konačnom ishodu ističe arhitekturu i prikazuje njeno okruženje kao pokretnu i promenljivu celinu. Tada arhitektonska forma postaje samo zamrznut momenat tog procesa, dok se fluidnost čita u njenom programu. Cilj ovog istraživanja je da kroz parametre topografije, morfologije i slojeva koji su nama, golim okom, nevidljivi, formulisati arhitekturu koja postaje konstruisana; stvorena topografija. Istraživanje pokazuje načine koje nam novomedijska arhitektura omogućava, da bi postigli prevođenje pejzažnog koda u iskustvo arhitekture.

The subject of this research is the examination of the methodology of dispersion or decomposition of soil, its topography, which becomes rhythm, sequence, fluid, and thus the physical framework becomes a prerequisite for the emergence of an imaginary boundary. The dialogue between architecture and the environment is a form code or record of gradation within a network of architectural and natural elements, while its design materializes the specific texture of such relations. The weaving, which unites methodology, record and art code, thus turns into a spatial expression that binds the elements into a whole, and ultimately emphasizes architecture and presents its environment as a moving and changing whole. Then the architectural form becomes only a frozen moment of that process, while fluidity is read in its program.

The aim of this research is to formulate the architecture that becomes constructed through the parameters of topography, morphology and layers that are invisible to us, the naked eye; created topography. The research shows the ways that new media architecture allows us to achieve the translation of landscape code into the experience of architecture.

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GRAD I ALTERNATIVNI STILOVI ŽIVOTA CITY AND ALTERNATIVE LIFESTYLES

Katarina Lažetić Studio | Sintetički koncepti i urbani fragmenti Synthetic concepts and urban fragments

S09-A

Urbane sredine uvek su predstavljale čvorišta za okupljanje i formiranje zajednica istomišljenika, bilo to predmet interesovanja, životni stil, ideologija. Grad je raskršće u kom se kulture sudaraju, spajaju, evoluiraju. Ta kolizija uvek je jedinstvena i specifična, odiše duhom onih koji su je izgradili i ostavili trag na istoriju urbanog života, i doprineli njegovoj budućnosti. Ali kao što to oduvek biva, svaka tradicija ima svog antiheroja, koji je ekscentrik, buntovnik i prosleđuje svoju ideju promene. Svaka kultura ima svoje podkulture, i u životu svake od njih postoje suticanja, kakva često umeju poljuljati ideje sa obe strane, napraviti raspravu, čak i haos i najzad primirje, rođenje novih kultura. Ceo proces ishoduje u promeni urbanog života, uglavnom u pravcu njegovog razvoja u nešto naprednije. Kao posmatrač sa arhitektonskog stanovišta, ispitivala sam šta predstavlja klaster subkultura u današnjem Beogradu. Istraživanjem, definisali su se obrasci u razvoju urbanih subkultura i njihovo manevrisanje i delovanje u gradskom prostoru.

Urban environments have always been hubs for gathering and forming communities of like-minded people, be it a subject of interest, lifestyle, ideology. The city is a crossroads where cultures collide, merge, evolve. This collision is always unique and specific, it exudes the spirit of those who built it and left a mark on the history of urban life, and contributed to its future. But as it has always been the case, every tradition has its antihero, who is eccentric, rebellious and passes on his idea of change. Every culture has its subcultures, and in the life of each of them there are clashes, which can often shake ideas from both sides, make a discussion, even chaos and finally a truce, the birth of new cultures. The whole process results in the change of urban life, mainly in the direction of its development into something more advanced. As an observer from an architectural point of view, I examined what the cluster of subcultures in contemporary Belgrade represents. The research defined the patterns in the development of urban subcultures and their maneuvering and action in the urban space.

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S10-A CINE CITTA 2.0

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Mentor: arh. Milan Đurić vanredni profesor | associate professor Članovi mentorske komisije: dr Aleksandra Đukić vanredni profesor | associate professor

Cilj master teze jeste konceptualizovanje i projektovanje filozofske i estetske granice discipline arhitekture, problematizujući savremene dimenzije prostora (teritorije) i vremena (kao pitanje brzine). U svim ovim procesima iscrtavaju se “nove karte” stvarnog arhitektonskog prostora i projektuju novi scenariji buduće stvarnosti. Problematizovanje prostora i vremena posredstvom medijuma i metodologija “filma” koji oživljava tekst – sliku postupkom oduzimanja slike (kadriranje), otvara nova pitanja prostorno-vremenskog kadriranja u arhitekturi.

dr Jelena Ivanović Šekularac redovni profesor | full professor The aim of the master thesis is to conceptualize and design the philosophical and aesthetic boundaries of the discipline of architecture, problematizing the contemporary dimensions of space (territory) and time (as a question of speed). In all these processes, “new maps” of the real architectural space are drawn and new scenarios of the future reality are projected.

Problematization of space and time through the medium and methodology of “film” that revives the text - image by the process of taking away the image (framing), opens new questions of spatio-temporal framing in architecture.

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PROTETIČKA ESTETIKA ARHIVA: ARHITEKTURA POSTPEJZAŽA PROSTHETIC AESTHETICS OF AN ARCHIVE: THE ARCHITECTURE OF POSTLANDSCAPE

Đorđe Bulajić Studio | CINE CITTA 2.0 Nominacija | Nomination | UNIATA ’20 World’s best graduation projects ever created Tamayouz International Award for Graduation Projects 2020

S10-A

Promenljiv format filmskog grada današnjice, dovodi do raskola u razumevanju filmskog grada kao arhitektonskog koncepta i arhitektonskog programa. Filmski grad kao arhitektonski program, pod uticajem tehnologije, a i samog razvoja filma kao masovnog medija, gubi svoju prepoznatljivu arhitektonsku formu i funkciju. Tehnološka ekspanzija alata stvorila je jednu potpuno novu radnu ekologiju, koja ne zahteva prostorne karakteristike do sada poznatog filmskog grada. Sa tim u vezi, novi filmski grad preusmerava svoju funkciju u odnosu na tehnološke fenomene današnjice. Savremeni filmski grad, se više ne bavi pitanjem stvaranja ili snimanja filma, već se bavi problematikom arhiviranja filma i njegovog sadržaja. Nadahnut razvojem masovnih medija, film kao tehnološka simulacija, postaje svakodnevnica društva, te potpuno menja način na koji komunicira sa publikom. Savremeni film, nečesto proizvodi protetička sećanja. Sećanja koja ne dolaze iz čovekovog ličnog iskustva, sećanja koja su neprirodna, artificijelna, neautentična i kao takva nikada ne mogu biti deo jednog, jedinog, jedinstvenog, prirodnog, autentičnog, nedeljivog? Arhiva prošloga.

The changing format of contemporary film city leads to a rift in the understanding of the film city as an architectural concept and architectural program. The film city as an architectural program, under the influence of technology, and the development of film as a mass medium, loses its recognizable architectural form and function. The technological expansion of the tools used to make the film has created a completely new working ecology, which does not require the spatial characteristics of the so far known film city. In this regard, the new film city is redirecting its function in relation to the technological phenomena of contemporary society. The modern film city no longer deals with the issue of creating or shooting a film, but deals with the issue of archiving the film and its content. Inspired by the development of mass media, film as a technological simulation becomes an everyday part of society, and completely changes the way it communicates with the audience. Modern film often produces prosthetic memories. Memories that do not come from a personal experience, memories that are unnatural, artificial, inauthentic and as such can never be part of one, the only, unique, natural, authentic, indivisible? Archive of the past.

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DOKAZ PUNOĆE U DIGITALNOM: OSTRVO MAMULA PROOF OF FULLNESS IN DIGITAL: MAMULA ISLAND

Predrag Nedović Studio | CINE CITTA 2.0

Glad za iluzijom kao supstancija teze generiše dvije dubine koncepta: analogno i digitalno. Projekat predstavlja prostorni eksperiment koji ispituje mogućnost filmskog grada u savremenom kontekstu. Lokacija obuhvata ostrvo Mamula i dva morska odlivka u stijeni sjeverno od ostrva. Teza razrješava odnos analognog i digitalnog kao dijalog između šupljine stijene koju je generisala priroda i praznine čaure koja se razvija unutar nje. Odlivci se programiraju kao multifunkcija: od filmskog studija za snimanje koje zahtjeva vodu do kaustične komore u kojoj se sedimentišu olupine brodova. Arhitektura epskog konteksta instrumentalizuje tehnološke intervencije kao lirska tijela, trag Boga, koji kao takav može da ponese dokaz o punoći digitalne, alternativne stvarnosti.

The hunger for illusion as a substance of the thesis generates two depths of concept: analog and digital. The project is a spatial experiment that examines the possibility of a film city in a contemporary context. The location includes the island of Mamula and two sea castings in the rock north of the island.

The thesis resolves the relationship between the analog and the digital as a dialogue between the rock cavity generated by nature and the void of the cocoon that develops within it.

Castings are programmed as multifunctional: from a film studio for shooting that requires water to a caustic chamber in which shipwrecks are sedimented. The architecture of the epic context instrumentalizes technological interventions as lyrical bodies, a trace of a God, who as such can carry proof of the fullness of digital, alternative reality.

S10-A

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CELINA ISKAZANA ELEMENTOM THE WHOLE EXPRESSED BY THE ELEMENT

Milka Elizabeth Kovačević Zegarra Studio | CINE CITTA 2.0

S10-A

Kretajući se od tvrdnje da zbog hijerarhijske strukture u prirodnim sistemima ne možemo da posmatramo celinu i njene elemente kao dva odvojena pola, (zapravo i nije od bitnosti sagledavati ih zasebno sa obzirom da je važnije staviti na značaj raspored tih elemenata i njihova međusobna komunikacija kao i sam uticaj na celinu), ubrzo se nalazimo licem u lice sa činjenicom da je celina zapravo nedeljivi kontinuitet u smislu da se ona iskazuje u trajanju i definiše putem veza (komunikacije). Ruski režiser, Sergei Eisenstein, na ovu temu, daje primer Amecameca piramide i dvanaest stanica kroz koje hodočasnici prolaze kako bi došli do vrha piramide. Svaka stanica po sebi nema veliki značaj, međutim doživljena u zadatom redosledu, njihovo značenje postaje moćna celina. Ovaj glavni element se transponuje u projekat, rezultujući kao kontinualna putanja koja omogućava korisniku da se slobodno i sa lakoćom kreće po čitavoj lokaciji i između nivoa u objektu, sagledavajući kao celinu filmski grad koji je smešten na zapuštenoj vojnoj bazi u Limi, Peru.

Moving from the claim that due to the hierarchical structure in natural systems we cannot look at the whole and its elements as two separate poles, (in fact it is not important to look at them separately since it is more important to emphasize the arrangement of these elements and their mutual communication the influence on the whole), we soon find ourselves face to face with the fact that the whole is in fact an indivisible continuity in the sense that it is expressed in duration and defined through connections (communication).

Russian director, Sergei Eisenstein, on this topic, gives the example of the Amecameca pyramid and the twelve stations through which pilgrims pass to reach the top of the pyramid.

Each station in itself does not have much significance, however experienced in a given order, their meaning becomes a powerful whole. This main element is transposed into the design, resulting in a continuous trajectory that allows the user to move freely and easily throughout the location and between levels in the building, viewing as a whole a film city located on a neglected military base in Lima, Peru.

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S11-A SAN LETNJE NOĆI. POZORIŠTE. PRIRODNO JEZGRO BEOGRADA. A MIDSUMMER NIGHT’S DREAM. THEATER. NATURAL NUCLEUS OF BELGRADE.

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Mentor: dr Vladimir Milenković vanredni profesor | associate professor Članovi mentorske komisije: dr Milica Milojević docent | assistant professor

Cilj ovog Master projekta sadržan je u nameri da se interaktivnost arhitekture i pejzaža koncepcijski istraži. U pitanju je načelna otvorenost arhitektonske strukture ka formalnoj promenljivosti i programskoj mobilnosti u korist vidljivosti njene prirodnosti. Život arhitektonskog koncepta ispituje se u odnosu na estetiku nove generičnosti sa jedne i kinetičnosti strukture sa druge strane. Program pozorišta se tako javlja u direktnom temtskom i fizičkom kontaktu sa nebom, vodom, tlom i zelenilom Velikog ratnog ostrva, Ušća i Kalemegdana, dok se snoviđenje imenuje projektovanim metodom.

dr Nataša Ćuković Ignjatović vanredni profesor | associate professor The aim of this Master project is contained in the intention to conceptually explore the interactivity of architecture and landscape. It is a issue of the principled openness of the architectural structure towards formal variability and program mobility in favor of the visibility of its naturalness. The life of the architectural concept is examined in relation to the aesthetics of the new genericity on the one hand and the kinetics of the structure on the other. The program of the theater thus appears in direct thematic and physical contact with the sky, water, soil and greenery of the Great War Island, Ušće and Kalemegdan, while dreaming is called the designed method.

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ONIRONAUTIKA ONEIRONAUTICS

Mladen Maslovar Studio | San letnje noći.

Pozorište.

Prirodno jezgro Beograda.

A midsummer night’s dream.

Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination | Nagrada grada Beograda za stvaralaštvo mladih Belgrade city award for youth creativity UNIATA ’20 World’s best graduation projects ever created

S11-A

Ako je pozorište slika iz sna, i ako je po Šekspiru Pozorište više od realnosti, onda je san arhitektonski projekat. U snu, uostalom kao i u realnosti, važe sva paravila konstrukcije jednog sveta, samo što su sva to pravila malo izmenjena, i to svako od pravila na svoj načn. Zbog toga, ova teza o onironautici, kao istraživanje nanizanih slika iz snova (u noći najdužeg dana) počiva na analizi i sintezi dubine tog kadra. U njoj je snoviđenje tehnika poniranja, a arhitektonski projekat trajektorija koja se iscrtava na tom putu. Pozorište na otvorenom zamišljeno je kao trag po kojem je moguće preći na ‘’drugu stranu’’ bez jasne ideje o odlasku ili povratku. Struktura teze napravljena je po pravilima pozorišnih komada. Ima 5 delova i dramaturški je u formi narativa o zamišljenom svetu (svetu od slika) odvijajući se kroz ekspoziciju, zaplet, kulminaciju, peripetiju i rasplet. U slučaju ove ideje o kratkom snu letnje noći rasplet je konstrukcija (arhitektonska projekcija) novog horizonta na kojem se pojavljuje uvek nova slika realnosti.

If theater is a dream image, and if, according to Shakespeare, theater is more than reality, then a dream is an architectural project. In a dream, after all, as in reality, all the rules of the construction of one world apply, except that all the rules have been slightly changed, and each of the rules in its own way.

Therefore, this thesis about onyronautics, as a research of a series of dream images (on the night of the longest day), is based on the analysis and synthesis of the depth of that frame.

It is a dream of diving techniques, and an architectural project of a trajectory that is drawn on that path. Open-air theater is conceived as a clue along which it is possible to cross to the “other side” without a clear idea of ​​departure or return.

The structure of the thesis is made according to the rules of theatrical plays. It has 5 parts and is dramaturgically in the form of a narrative about an imagined world (the world of images) unfolding through exposition, plot, culmination, peripetia and unfolding. In the case of this idea of ​​a short dream on a summer night, the unfolding is the construction (architectural projection) of a new horizon on which a new image of reality always appears.

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ZAVOĐENJE NON-STOP NON-STOP SEDUCTION

Miloš Kapetanović Studio | San letnje noći.

Pozorište.

Prirodno jezgro Beograda.

A midsummer night’s dream.

Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination | INSPIRELI Awards 2019

S11-A

Zavesti znači postati fragilan. Zavesti znači umreti kao stvarnost i proizvesti se kao opsena. U takvoj dinamici, pozorišnom kulisom ostvaruje se princip nestajanja.

Isparavanje dekora realnog. Distanca kojom odbija da nam se direktno i u potpunosti preda, otvara mitološki potencijal ideje o onom što je iza. Zavođenje je estetika iščezavanja.

Pejzaž Velikog ratnog ostrva postaje predmetom projekcije oniričke slike. Nadolazeća plima remeti orijentaciju horizonta i otvara pitanje kosmološkog poredka vremena i prostora.

Veliki onirički potop je uvod u problem Velikog. Fragment pejzaža postaje scenografija. Skaliranjem klasičnih elemenata pozorišta, usložnjava se programski režim i dešava krhkost koju nije moguće do kraja iskontrolisati arhitektonskim gestom. San je više događaj nego što je arhitektonski program.

Performativnost pozorišnog komada u programskoj pukotini prerasta u prostornu akrobatiku.

To seduce means to become fragile. To seduce means to die as a reality and to produce oneself as an illusion. In such a dynamic, the theatrical backdrop realizes the principle of disappearance. Evaporation of real decor. The distance by which he refuses to surrender to us directly and completely, opens the mythological potential of the idea of what is behind.

Seduction is the aesthetics of disappearance. The landscape of the Great War Island becomes the subject of a projection of the oneiric image. The coming tide disturbs the orientation of the horizon and opens the question of the cosmological order of time and space. The Great Oneiric Flood is an introduction to the problem of the Great. A fragment of the landscape becomes the scenography. By scaling the classical elements of the theater, the program regime becomes more complicated and fragility occurs, which cannot be completely controlled by an architectural gesture. A dream is more of an event than an architectural program. The performativity of a theatrical piece in the program crack grows into spatial acrobatics.

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FORMA VAN FORME: FEROFLUIDNOST SCENE FORM OUT OF FORM: FEROFLUIDITY OF SCENE

Jelena Zlatanović Studio | San letnje noći.

Pozorište.

Prirodno jezgro Beograda.

A midsummer night’s dream.

Theater.

Natural nucleus of Belgrade.

Nominacija | Nomination | INSPIRELI Awards 2019

Ideja projekta ogleda se kroz promišljanje pojma forme kao morfogenetične strukture koja je neuhvatljiva u svom polju generativne deformacije. Razmatrajući arhitekturu pejzaža kao eksperimentalnu i teorijsku platformu koja prelazi u formu neposredne okoline,ona rezultira modelom ukrućenog oblika izgubljenog u fluksu, tj. fluksa u intezitetu. Kao što je svet jedan nestabilan spoj fluida,oblik je pokretljiva slaba svetlost koja se neprestano obnavlja, i ne obrazuje prema strogo određenim,stalnim i opšte shvatljivim datostima,već rađa različite vrste geometrije,unutar sam geometrije. Zato je odabran da se zaledi tačno onaj trenutak u predstavi ‘’San letnje noći’’, kada se svi izgube u šumi i svako krene da percipira realnost (objekat) na svoj nacin ,a različita promena ishoda večeri svakog karaktera je dovela do toga da se morfogeneza posmatra na emipirijski način.

The idea of the project is reflected through the consideration of the concept of form as a morphogenetic structure that is elusive in its field of generative deformation. Considering landscape architecture as an experimental and theoretical platform that transitions into the form of the immediate environment, it results in a model of a stiffened form lost in flux, i.e., flux in intensity. Just as the world is an unstable combination of fluids, form is a moving faint light that is constantly renewed, and does not form according to strictly defined, constant and generally understood givens, but gives birth to different types of geometry, within geometry itself.

That is why he was chosen to freeze exactly that moment in the play “Summer Night’s Dream”, when everyone gets lost in the woods and everyone starts to perceive reality (object) in their own way, and a different change in the outcome of each character’s evening led to morphogenesis is observed in an empirical manner.

S11-A

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S12-A ARHITEKTURA I / ILI UTOPIJA: POSLOVNI CENTRI BUDUĆNOSTI ARCHITECTURE AND / OR UTOPIA: BUSINESS CENTERS OF THE FUTURE

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Mentor: arh. Dejan Miletić vanredni profesor | associate professor Članovi mentorske komisije: dr Vladimir Mihajlov vanredni profesor | associate professor dr Žikica Tekić vanredni profesor | associate professor

Istraživanje treba da omogući različita polja delovanja i strategije u kojima je potrebno preispitati pojam utopije i njenih mogućih scenarija u kontekstu savremenog arhitektonskog projektovanja.Ispitivanjem odnosa između novih koncepata poslovanja i njihovog kombinovanja sa drugim funkcijama odgovoriti na pitanje da li formiranje poslovnog kompleksa budućnosti postaje realnost ili ostaje utopija. Očekuje se da nakon sprovedenog istraživanja, studenti ispitaju mogućnosti formiranja novih prostornih struktura na odabranoj ili predloženoj lokaciji.

The research should enable different fields of action and strategies in which it is necessary to re-examine the notion of utopia and its possible scenarios in the context of modern architectural design. By examining the relationship between new business concepts and combining them with other functions, answer the question of whether the formation of the business complex of the future becomes a reality or remains a utopia. It is expected that after the research, students will examine the possibilities of forming new spatial structures at the selected or proposed location.

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OZNAČAVANJE MESTA U TOKOVIMA NEMESTA FORMIRANJE ČVORIŠTA SAOBRAĆAJNE INFRASTRUKTURE MARKING PLACES IN NON-PLACE FLOWS FORMATION OF TRAFFIC INFRASTRUCTURE NODES Milica Surla Studio | Arhitektura i / ili utopija: Poslovni centri budućnosti Architecture and / or utopia: Business centers of the future

S12-A

Danas se transport i komunikacije odvijaju brzinom svetlosti, ne samo zato što se uniformisao na svim ključnim mestima ili nemestima trgovine, saobraćaja i potrošnje, već zato što postaje svakim danom sve virtuelniji. Međutim, takva situacija bi se mogla ‘iskoristiti’ u cilju stvaranja mesta na određenom toku, odnosno nemestu, ali i za projektovanje poslovnog centra budućnosti, s obzirom na sve veću mobilnost ljudi. Za to bi bila povoljna izuzetno frekventna lokacija, kako bi ustvari objekat privukao pažnju mase poslovnih ljudi koji putuju, ali i turista. U kontekstu definisanja koncepta projekta, izdvajaju se i tri glavne grupe korisnika po vremenu korišćenja određenog prostora, i poređane su po frekventnosti. Cela situacija sa čvorištem, tokovima i hipermobilnošću, kulminira sa postavljanjem velodroma iznad drive-in zone, što još više daje identitet ovom mestu. Pored toga, njegovi korisnici su izloženi da gledaju brzinu, trke, mobilnost.. u kojoj su oni sami, u kojoj i oni sami nesvesno učestvuju, hteli to oni ili ne.

Today, transport and communications are taking place at the speed of light, not only because it has been uniformed in all key places or places of trade, traffic and consumption, but also because it is becoming more virtual every day. However, such a situation could be “used” in order to create a place on a certain course, but also to design the business center of the future, given the increasing mobility of people. An extremely frequent location would be favorable for that, in order for the facility to actually attract the mass of business people who travel, but also tourists. In the context of defining the project concept, three main groups of users are singled out according to the time of use of a certain space, and they are sorted by frequency. The whole situation with the hub, flows and hypermobility, culminates with the placement of the velodrome above the drive-in zone, which gives even more identity to this place. In addition, its users are exposed to watch speed, races, mobility ... in which they themselves, in which they themselves unconsciously participate, whether they want it or not.

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PRELAZ PROSTORA TRANSITION OF SPACE

Marina Nikolić Studio | Arhitektura i / ili utopija: Poslovni centri budućnosti Architecture and / or utopia: Business centers of the future

S12-A

Akcenat istraživanja jeste upotreba arhitekture kao manifestaciju simulacije i kreativne sile koja ima moć da izazove emociju i pošalje konkretnu poruku kroz svoje stvaralaštvo, zatim splet simultanih događaja, čiji prostori pozivaju čoveka da postane deo njih, koji predstavljaju važan činilac karaktera savremenog grada, koji je spreman da privuče čovekovu pažnju. Ovo podrazumeva težnju da se bude u relaciji sa prirodom, ali na takav način da neutrališe i preokreće odnose koji su se trenutno sami „stvorili’’ reflektovali ili odrazili postavši mesto objektivnosti. Arhitektura zajedno sa korisnicima kreira situacije, momente, scene, događaje. Tema se implementira i analizira kroz projekat klimatorijuma na području Ade Huje, koji predstavlja odgovor na istraživačko pitanja – kako se kroz arhitekturu manifestuje simulacija. Intervencija na izabranom potezu odnosi se na projekat regeneracije i aktiviranja tog dela priobalja kao i na koncept praćenje uticaja, adaptaciju i ublažavanje uticaja klimatskih promena.

The emphasis of the research is the use of architecture as a manifestation of simulation and creative force that has the power to provoke emotion and send a concrete message through its creativity, then a set of simultaneous events, whose spaces invite user to become part of them, which is an important factor for attracting human attention. This implies the aspiration to be in relation to nature, but in such a way as to neutralize and reverse the relations that are currently “created” themselves, reflected or mirrored, becoming a place of objectivity. Architecture together with users creates situations, moments, scenes, events. The topic is implemented and analyzed through the climatic project in the area of ​​Ada Huja, which represents the answer to the research questions - how the simulation is manifested through architecture. The intervention on the selected stretch refers to the project of regeneration and activation of that part of the coast, as well as to the concept of monitoring the impact, adaptation and mitigation of the impact of climate change.

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S13-A NOVA NACIONALNA UNIVERZITETSKA BIBLIOTEKA U LJUBLJANI: ARHITEKTURA KOJA PODSTIČE NA RAZMIŠLJANJE NEW NATIONAL UNIVERSITY LIBRARY IN LJUBLJANA: THINKING ARCHITECTURE

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Mentor: arh. Borislav Petrović redovni profesor | full professor Članovi mentorske komisije: dr Danijela Milovanović Rodić docent | assistant professor dr Milan Radojević docent | assistant professor

Težište istraživanja jeste ideja o projektu Nacionalne univerzitetske biblioteke u Ljubljani, kao centra za širi spektar kulturalnih dešavanja, uz tumačenje i razumevanje njene idejne osnove, karaktera i identiteta, na lokaciji koja predstavlja jedno od značajnijih “mesta” u gradu. Rezultat je detaljan projektni zadatak koji sadrži određujuće elemente relevantne za odabranu prostornu i smisaonu celinu (urbanističke parametre, očekivane sadržaje, tražene površine, tehnološke zahteve i dr.), kao i definiciju očekivanja i efekata koje kandidat smatra bitnim u ciljnom određenju svog projekta. Teza master projekta odnosi se na širi socio-kulturološki kontekst, kao i pojedine specifične aspekte projektovanja, na osnovu kojih se uspostavlja prostorni i programski stav, u okviru projektnog zadatka.

The focus of the research is the idea of the project of the National University Library in Ljubljana, as a center for a wider range of cultural events, with interpretation and understanding of its conceptual basis, character and identity, in a location that is one of the most important “places” in the city. The result is a detailed project brief that contains determining elements relevant to the selected spatial and meaningful whole (urban parameters, expected contents, required areas, technological requirements, etc.), as well as the definition of expectations and effects that the candidate considers important in the target definition of his project. The thesis of the master project refers to the broader socio-cultural context, as well as certain specific aspects of design, based on which the spatial and program position is established, within the project brief.

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NOVA TEKTONIKA: NARODNA UNIVERZITETSKA KNJIŽNICA II NEW TEXTONICS: NATIONAL UNIVERSITY LIBRARY II

Tijana Mačkić Studio | Nova Nacionalna Univerzitetska biblioteka u Ljubljani: Arhitektura koja podstiče na razmišljanje New National Library in Ljubljana: Thinking Architekture Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

Predmet istraživanja je zasnovan na problematici projektovanja savremene biblioteke kao i utemeljenja nove tipologije objekata koji služe za konzervaciju kulturnog nasleđa u celini. Rad se referiše na arhitektonsko – istorijski kontekst – rimski grad – Emona, na čijim temeljima se nalazi Ljubljana, doprinos arhitekte Jože Plečnika, kao i nasleđe iz perioda socijalizma, kao i kulturno – istorijski kontekst, odnosno na probleme arhiviranja kroz analogne i digitalne formate i arhitektonske manifestacije. U tom okviru ispituje se problematika medija – prostora visoke kulture u kontekstu savremene tehnologije i njegov uticaj na formiranje novog miljea, odnosno ispitivanje konteksta objekta kulturnog karaktera u Ljubljani u kojima je prepoznat uskodefinisan arhitektonski izraz kroz iterativan razvoj. Jedna od predpostavki je da kulturno nasleđe u savremenom dobu ima ulogu novog tektonskog sloja (jedino) uz pomoć kojeg je moguće dalje projektovanje.

The subject of the research is based on the issue of designing a modern library as well as the establishment of a new typology of objects that serve for the conservation of cultural heritage as a whole. The paper refers to the architectural - historical context - the Roman city - Emona, on the foundations of which is Ljubljana, the contribution of architect Jože Plečnik, as well as heritage from the socialist period, as well as cultural historical context, regarding the problems of archiving through analog and digital formats and architectural manifestations. In this context, the issue of media - space of high culture in the context of modern technology and its impact on the formation of a new milieu, that is the context of cultural objects in Ljubljana in which narrowly defined architectural expression through iterative development is recognized. One of the assumptions is that the cultural heritage in the modern age has the role of a new tectonic layer (only) with the help of which further projection is possible.

S13-A

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S14-A “COWORKING”: ZAJEDNIČKI RADNI PROSTOR DEPO, BEOGRAD “COWORKING”: JOINT WORKSPACE DEPOT, BELGRADE

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Mentor: dr Đorđe Stojanović vanredni profesor | associate professor Članovi mentorske komisije:

Pojava prostora za zajednički rad u Beogradu menja uspostavljene standarde projektovanja objekata poslovne namene, prvenstveno usled uspostavljanja novih društvenih sistema i vidova zajedništva. Studenti će imati zadatak da analiziraju nove i promenljive potrebe poslovnih korisnika i zatim predlože nove prostorne obrasce.

dr Budimir Sudimac vanredni profesor | associate professor dr Aleksandra Stupar redovni profesor | full professor

The emergence of space for joint work in Belgrade is changing the established standards of designing business facilities, primarily due to the establishment of new social systems and types of community. Students will analyze the new and changing needs of business users and then propose new spatial patterns.

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RIZOMATSKE STRUKTURE U FUNKCIJI GENEZE FORME PROSTORA RHIZOMATIC STRUCTURES AS A FUNCTION OF THE GENESIS OF THE SHAPE OF SPACE

Tamara Radović Studio | “Coworking”: Zajednički radni prostor Depo, Beograd “Coworking”: Joint workspace Depot, Belgrade

Pri projektovanju radnog prostora polazi se od koncepta rizoma: Rizom (grč. rizom = masivni korijen, od rhizóō) – u botanici i vdendrologiji rizom je tip podzemnog stabla kod višegodišnjih zeljastih biljaka, koje može biti horizontalno ili koso položeno u odnosu na površinu tla. Sa donje strane rizoma polaze korenovi, često ima korenje koje izrasta iz čvorova.

Prostor čini mapu informacija koja je uvek odvojiva, spojiva, reverzibilna, promenjiva, dinamična, ima višestruke ulaze i izlaze I svoje linije kretanja. To je mreža niti koja može da pošalje nove izrasline bilo gdje duž svoje dužine, a koja nije podređena centralizovanoj kontroli ili strukturi.

Principi 1. veza 2. heterogenost 3. mnoštvenost 4. aoznačavajući prekid 5. kartografija The process of designing a workspace starts from the concept of rhizome: Rhizome (Greek rhizome = massive root, from rhizóō) - in botany and vdendrology, rhizome is a type of underground tree in perennial herbaceous plants, which can be laid horizontally or obliquely in relation to the soil surface. Roots start from the lower side of the rhizome, there are often roots that grow from the nodes.

Space makes a map of information that is always separable, connectable, reversible, changeable, dynamic, has multiple inputs and outputs and its own lines of movement. It is a network of threads that can send new growths anywhere along its length, and which is not subject to centralized control or structure.

S14-A

Principles 1. connection 2. heterogeneity 3. multiplicity 4. denoting an interruption 5. cartography

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FORMIRANJE ZAJEDNIČKIH PROSTORA ZA RAD FORMING COMMON SPACES FOR WORK

Vanja Bijelić Studio | “Coworking”: Zajednički radni prostor Depo, Beograd “Coworking”: Joint workspace Depot, Belgrade

Ovaj projekat za fokus ima temu formiranja zajedničkih prostora za rad. Cilj projekta je novi i drugačiji način funkcinisanja poslovanja, proistekao iz prostorne organizacije i oblikovanja.

Korisnicima se omogućava pristup svim etažama pomoću amfitatara i stepeništa, koja ujedno predstavljaju površine za za okupljanje na kojima oni mogu da rade, prezentuju, organizuju druženja i sl. Formiraju se prostori koje mogu da koriste različite grupe korisnika. Oni se sastoje od biblioteke, “open space” radnih prostora, odvojenih kancelarija za sastanke, prostora za relaksaciju, spremanje hrane i drugih zajedničkih aktivnosti za zaposlene. Glavni karakter prostora jeste dinamičnost koja se ostvaruje pomoću vertikalnih komunikacija. Izmađu korisnika ovog prostora povećava se osećaj zajednice i bliskosti.

Oduzimanjem i dodavanjem modula postignuto je formiranje novih tipova radnog prostora, kao i pospešivanje kvaliteta coworking prostora.

This project has the theme of forming common spaces for work. The goal of the project is a new and different way of functioning of business, derived from spatial organization and design. Users are provided with access to all floors through amphitheaters and staircases, which also represent gathering areas where they can work, present, organize gatherings and the like. Spaces are being formed that can be used by different groups of users. They consist of a library, “open space” workspaces, separate offices for meetings, spaces for relaxation, food storage and other joint activities for employees. The main character of the space is the dynamism that is achieved through vertical communications. The feeling of community and closeness increases between the users of this space. By subtracting and adding modules, the formation of new types of workspace was achieved, as well as the improvement of the quality of coworking space.

S14-A

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ZAJEDNIČKI PROSTOR ZA RAD COWORKING SPACE

Minja Radenković Studio | “Coworking”: Zajednički radni prostor Depo, Beograd “Coworking”: Joint workspace Depot, Belgrade

Projekat zajedničkog prostora za rad predstavlja prostornu organizaciju niza medjusobno povezanih, ali perceptivno nezavisnih delova. Koncept predstavlja opna koja se deformiše, proširuje i sužava po obodu. Osnova se razuđuje kako bi se oformio sistem podprostora koje nije nužno dalje deliti.

Nastaju radni prostori različitih veličina, bez fizičkog odvajanja prostora. Razuđivanjem osnove nastaju i atrijumi kao mesto vizuelnog kontakta i veze otvorenog javnog prostora u parteru i radnih prostora na višim etažama. Istovremeno se i olakšava velika struktura i nastaju nova neformalna mesta za rad, susret, dokolicu. Povećanjem obima obezbeđuje se bolji uslovi osunčanja i prirodnog provetravanja radnog prostora. Takođe, duža linija fasade omogućava veći broj radnih mesta uz samu fasadu. Distanciranjem opne nastaje bafer zona koja, na prvom mestu, postaje zvučni izolator.

The common work space project is a spatial organization of a series of interconnected but perceptually independent parts. The concept is a membrane that deforms, expands and narrows around the perimeter. The basis is divided in order to form a system of subspaces that do not need to be further divided. Workspaces of different sizes are created, without physical separation of space. By dividing the base, atriums are also created as a place of visual contact and connection between open public space on the ground floor and working spaces on higher floors. At the same time, the large structure is facilitated and new informal places for work, meeting, leisure are created. Increasing the volume provides better conditions for sun exposure and natural ventilation of the work space.

Also, the longer line of the facade enables a larger number of working places along the facade itself. By distancing the membrane, a buffer zone is created which, in the first place, becomes a sound insulator.

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S15-A PROIZVODNJA GRADA: POST-INDUSTRIJSKA FAZA DUNAVSKE ULICE CITY PRODUCTION: POST-INDUSTRIAL PHASE OF DUNAVSKA STREET

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Mentor: arh. Nebojša Fotirić vanredni profesor | associate professor Članovi mentorske komisije: dr Uroš Radosavljević vanredni profesor | associate professor dr Jelena Milošević docent | assistant professor

Devastirana, post-industrijska gradska matrica koja prati koridor železničke infrastrukture kojim je određena nevidljiva nametnuta granica razdvajanja teritorije grada u odnosu na vodeni tok Dunava postavljena je kao prostorni okvir zadatka, i to uz tok Dunavske ulice. Anticipirajući razrešenje saobraćajnih tokova železnice i tranzitnog teretnog i drugog saobraćaja u odnosu na gradsku matricu Beograda koja inklinira ka obali Dunava, praznina koja ostaje otvara prostor za promišljanje novih programskih i prostornih mogućnosti ove linije beogradskog priobalja. Ovakav prostorni kontekst visokog urbaniteta i gustine, podrazumeva programsku hibridnost.

The devastated, post-industrial city matrix that follows the railway infrastructure corridor, which determined the invisible imposed boundary separating the city’s territory in relation to the Danube watercourse, was set as the spatial framework, along the Danube Street. Anticipating the resolution of railway traffic flows and transit freight and other traffic in relation to the city matrix of Belgrade, which inclines towards the Danube bank, the gap that remains opens space for thinking about new program and spatial possibilities of this line of the Belgrade riverside. This spatial context of high urbanity and density implies programmatic hybridity.

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POTROŠAČKA UTOPIJA FORMALNA I FUNKCIONALNA PRENAGLAŠENOST OBEĆANE SREĆE CONSUMER UTOPIA FORMAL AND FUNCTIONAL PRE-EMPHASIS OF PROMISED HAPPINESS Anamarija Mrđanovački Studio | PROIZVODNJA GRADA: Post-industrijska faza Dunavske ulice CITY PRODUCTION: Post-industrial phase of Dunavska Street Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

S15-A

Ovaj rad bavi se proučavanjem uloge arhitekture obećane sreće u savremenom potrošačkom društvu, istraživanjem manifestovanja arhitekture luksuza u kulturno-istorijskom kontekstu današnjice i potvrđivanjem fenomena hedonizma kao jednog od savremenih konzumerističkih težnji putem pojma spektakla u arhitekturi. Problematizacija teme zasniva se na formiranju arhitektonskih i ambijentalnih celina koje se javljaju kao reprezentacije i simboli konzumerističkih ideologija- simuliranjem potrošake utopije kroz arhitekturu.

U oblikovnom smislu, potrošačka utopija se projektuje u vidu monumentalnog objekta, introvertne forme, izmeštene u odnosu na postojeću gradsku matricu. U funkcionalnom smsilu, potrošačka utopija se projektuje kao objekat koji treba da podrži programske sadržaje velnes i spa centra sa luksuznim hotelskim smeštajem. Akcenat je na vodenim sadržajima i prostorima za relaksaciju koji dominiraju u raspodeli prostora.

Ovim radom, potrošačka utopija definisana je u teoretskom i projektantskom smislu. U arhitekturi obećane sreće ona se manifestuje kroz prenaglašenost u svojoj formi i funkciji.

This thesis deals with the study of the role of the architecture of promised happiness in modern consumer society, research of the manifestation of luxury architecture in the cultural-historical context of today and confirmation of the phenomenon of hedonism as one of contemporary consumerist aspirations through the notion of spectacle in architecture. The problematization of the topic is based on the formation of architectural and ambient wholes that appear as representations and symbols of consumerist ideologies - by simulating consumer utopia through architecture. In terms of form, the consumer utopia is projected in the form of a monumental object, an introverted form, displaced in relation to the existing urban matrix. In a functional sense, the consumer utopia is projected as an object that should support the program contents of the wellness and spa center with luxury hotel accommodation. The emphasis is on water facilities and relaxation areas that dominate the distribution of space. In this paper, consumer utopia is defined in theoretical and design terms. In the architecture of promised happiness, it is manifested through overemphasis in its form and function.

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DUALNI CIKLUS TRŽNICE: READAPTACIJA NAPUŠTENOG INFRASTRUKTURNOG KORIDORA DUAL MARKET CYCLE: READAPTATION OF AN ABANDONED INFRASTRUCTURE CORRIDOR Mirjana Marić Studio | PROIZVODNJA GRADA: Post-industrijska faza Dunavske ulice CITY PRODUCTION: Post-industrial phase of Dunavska Street

S15-A

Projekat se bavi istraživanjem dominantniog infrastrukturalnog koridora kao dominantnog prostornog i istorijkog fenomena, adaptivnom prenamenom forme u odnosu na osnovni koncept i rađjanje nove funkcije. Prenamena funkcije u novom vremenskom kontekstu koja podstič raznovrsnost i kompleksnost samog procesa prilagođavanja. Integrisanje saobraćajne infrastrukture kao deo novog sistema za usluge i mogućnost za brzu vezu i komunikaciju sa ostalim delovima grada. Industrijska žaleznica kao tok koji generiše stvaranje nove strukture koja se implementira u već postojeći tranzitni i lučni sistem. Koridor železničke infrastrukture, kao granica prostora, okidač i generator događaja, konstantan inicijator protočnosti i mobilnosti prostora. Višeznačno raskršće, mesto preklapanja i različitih vrsta kretanja. Stvaranje vertikalne hibridne strukture koja prevazilazi dominantne tokove i postaje deo urbane proizvodje grada. Arhitektura koja ima potrebu za integracijom u novi sistem , stvaranje prostora koji ujedno predstavlja neku vrstu spektakla i događaj.

The project deals with the research of the dominant infrastructural corridor as a dominant spatial and historical phenomenon, the adaptive conversion of form in relation to the basic concept and the birth of a new function. Conversion of a function in a new temporal context that encourages diversity and complexity of the adaptation process itself. Integration of traffic infrastructure as part of the new service system and the possibility for fast connection and communication with other parts of the city. Industrial railway as a flow that generates the creation of a new structure that is implemented in the already existing transit and port system. Railway infrastructure corridor, as a boundary of space, trigger and event generator, constant initiator of flow and mobility of space. An ambiguous crossroads, a place of overlap and different types of movement. Creating a vertical hybrid structure that transcends dominant flows and becomes part of the city’s urban output.

An architecture that needs to be integrated into a new system, creating a space that is both a kind of spectacle and an event.

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SAMOORGANIZUJUĆI ARHITEKTONSKI SKLOP - AUTOPOEZIS P(L)EJSMEJKER SELF-ORGANIZING ARCHITECTURAL ASSEMBLY - AUTOPOETRY P(L)ACEMAKER Nenad Đorđević Studio | PROIZVODNJA GRADA: Post-industrijska faza Dunavske ulice CITY PRODUCTION: Post-industrial phase of Dunavska Street

S15-A

Pojam autopoezis preveden u kontekst arhitekture ozačava mogućnost samoorganizacije i automatskog generisanja arhitektonskog sklopa. Pejsmejker se metaforički odnosi na sam postupak koji je projektom primenjen, radi se o revitalizaciji, određenog prostora, objekta i mesta. Plejsmejker (spravitelj mesta) je direktan odgovor na temu Proizvodnje grada i predstavlja sistem kontinualne izgradnje nekog mesta. Cilj ovog projekta je preispitivanje samoorganizujućih, autogeneričkih sistema na uspostavljanje odnosa i pravila nastajanja i postojanja arhitektonskog sklopa. Inspiracija je pronađena u matematičkom konceptu poznatijem kao ćelijski automat koji može generisati određene arhitektonične strukture. Potrebno je principijelno kontekstualizovati matematički sistem. Da bi se definisao i primenio sistem samoorganizovanja potrebno je definisati zajedničke elemente ćelijskog automata i arhitekture: što su zapravo ćelije i grid.

Pošto je grid podloga, na samoj lokaciji se već nalazi objekat koji nosi takve karakteristike. Radi se o skladištu luke Beograd koje postaje predmet projektovanja.

The term autopoetry translated into the context of architecture denotes the possibility of self-organization and automatic generation of an architectural assembly. The placemaker metaphorically refers to the procedure that was applied through dizajn, it is about the revitalization of a certain space, object and place. A placemaker (place manager) is a direct answer to the topic of City Production and represents a system of continuous construction of a place. The aim of this project is to re-examine self-organizing, autogeneric systems to establish the relationship and rules of origin and existence of the architectural complex. Inspiration was found in a mathematical concept better known as a cellular automaton that can generate certain architectural structures.

It is necessary to contextualize the mathematical system. In order to define and apply the system of self-organization, it is necessary to define the common elements of the cellular automaton and architecture: what cells and grid are actually.

Since the grid is the base, there is already an object on the site that has such characteristics. It is a warehouse of the port of Belgrade which becomes the subject of design.

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S16-A NOVO U STAROM – TRANSFORMACIJA AMBIJENTA, DORĆOL / SKADARLIJA NEW IN THE OLD TRANSFORMATION OF THE AMBIENCE, DORĆOL / SKADARLIJA

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Mentor: arh. Vesna Cagić Milošević redovni profesor | full professor Članovi mentorske komisije: dr Ksenija Lalović vanredni profesor | associate professor dr Dušan Ignjatović vanredni profesor | associate professor

Tematski okvir Master rada je istraživanje mogućnosti (re) kontekstualizacije i afirmacije potencijala lokacije bivših industrijskih / servisnih / skladišnih komleksa, danas neaktivnih ili privremenim sadržajima aktiviranih prostora, u urbanom tkivu Beograda. Tema rada je i preispitivanje arhitekture kao discipline uzročno-posledično vezane za socioekonomsko-kulturolške karateristike ambijenta u kome se odvija, a u kontekstu savremenog društva. Prostorni okvira za izbor konretne lokacije je područja Donjeg Dorćola (uključujući i Dunavsko priobalje) i Skadarlije.

The thematic framework of the Master’s thesis is the research of (re)contextualization and affirmation possibilities of the location of former industrial / service / storage complexes, today inactive or temporarily activated by spaces, in the urban fabric of Belgrade. The topic of the research and design is the re-examination of architecture as a discipline causallyconsequentially related to the social, economical, and cultural characteristics of the environment in which it takes place, and in the context of contemporary society. The spatial framework for the selection of a specific location is the areas of Donji Dorćol (including the Danube riverside) and Skadarlija.

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SABIRNI CENTAR COLLECTION CENTER

Ana Milenković Studio | NOVO U STAROM Transformacija ambijenta, Dorćol / Skadarlija NEW IN THE OLD Transformation of the ambience, Dorćol / Skadarlija

S16-A

Dorćol, jedno od najstarijih i najvažnijih naselja u Beogradu, istovremeno je multikulturalna raskrsnica koja treba da vrati svoj nekadašnji karakter, stvaranjem vibrirajućeg prostora „drugosti“, koji narušava kontinuitet i normalnost svakodnevnog haotičnog. Definisanjem veze između kulturne smrti i epohalnog prosvetljenja, prošlosti i budućnosti, a prisustvom u sadašnjosti, nastaje most kulturnih potreba ljudi, kao odraz celokupne zajednice. Uspostavljanjem uporedivih odnosa dva međusobno nespojiva prostora, nastaće žarište interakcije, komunikacije i izvora informacija modernog vremena. Vodeći princip tokom projektovanja je povezivanje heterogenih tokova koje je Dorćol izvorno posedovao i njihova kulminacija na području gde ta veza nedostaje. Program je orijentisan na kulturnu nadogradnju ovog područja, pre svega u vidu obrazovanja, koje se suptilno provlači kroz različite sadržaje. Naime, objekat ima dve zone, naučnu i umetničku, na suprotnim stranama marine, povezane neutralnim, zajedničkim sadržajima. Linearni potez koji prelazi vodu i spaja obe obale je “neutralna” zona.

Dorcol, one of the oldest and most important settlements in Belgrade, is at the same time a multicultural crossroads that should return to its former character, by creating a vibrating space of “otherness”, which disrupts the continuity and normalcy of the everyday chaotic. By defining the connection between cultural death and epochal enlightenment, past and future, and the presence in the present, a bridge of people’s cultural needs is created, as a reflection of the entire community. By establishing comparable relations between two mutually incompatible spaces, a focus of interaction, communication and sources of information of modern times will emerge. The guiding principle during the design is the connection of heterogeneous flows that Dorcol originally possessed and their culmination in the area where this connection is missing. The program is oriented towards the cultural upgrade of this area, primarily in the form of education, which is subtly permeated through various contents. Namely, the facility has two zones, scientific and artistic, on opposite sides of the marina, connected by neutral, common facilities.

The linear move that crosses the water and connects both shores is the “neutral” zone.

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GASTRONOMSKI CENTAR COOKING ACADEMY

Jelena Bošković Studio | NOVO U STAROM Transformacija ambijenta, Dorćol / Skadarlija NEW IN THE OLD Transformation of the ambience, Dorćol / Skadarlija

S16-A

Globalna konkurencija stvorila je potrebu da se grad predstavi kao centar nečega po čemu je prepoznatljiv. Redizajniranje slike grada je primarni zadatak što uključuje brisanje svih njegovih potencijalno negativnih elemenata ikonografija, dok dekontekstualizacija tradicionalne kulture postaje presudni izvor ekonomije simbola. Razumevanje prošlosti grada postaje mešavina fragmenata koji se beskrajno množe i simuliraju. Kao negativna posledica širenja gradskog područja pojavljuju se napuštene industrijske zone. Pomenuti prostori predstavljaju pogodna mesta (potencijal) za smeštanje novih sadržaja, koji za cilj imaju oživljavanje čitavog podrčja. Industrijska zona uz obalu Dunava predstavlja centralno gradsko jezgro, kao i prostor koga karakteriše atraktivnost jer predstavlja sponu grada sa rekom. Proces rekonstrukcije objekta Termoelektrane na Dorćolu podrazumeva uvođenje novih sadržaja u isti.

Koncept Gastronomskog centra kao pokretač oživljavanja područja posmatra se kao polazna tačka za formiranje ‘’mreže’’ brendiranja grada. Mesto okupljanja, kao i promovisanje tradicionalne kulture.

Global competition has created the need to present the city as the center of something by which it is recognizable. Redesigning the image of the city is the primary task, which includes erasing all its potentially negative elements of iconography, while the decontextualization of traditional culture becomes a crucial source of the economy of symbols. Understanding the city’s past becomes a mixture of fragments that are endlessly multiplied and simulated. Abandoned industrial zones appear as a negative consequence of the expansion of the urban area. The mentioned spaces represent suitable places (potential) for accommodating new contents, which aim to revive the entire area. The industrial zone along the riverbank of the Danube represents the central city core, as well as the area which is characterized by attractiveness because it represents the link between the city and the river. The process of reconstruction of the Thermoelectric Power Plant in Dorcol implies the introduction of new contents in it. The concept of the Gastronomic Center as a driver of revitalization of the area is seen as a starting point for the formation of a “network” of branding the city. A gathering place, as well as the promotion of traditional culture.

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MASA-U MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL URBANIZAM / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE URBANISM / RIBA Part 2

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S01-U SINTURBANIZAM: NOVE TERITORIJE GRADA SYNTHURBANISM: NEW TERRITORIES OF THE CITY

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Mentor: dr Vladan Djokić redovni profesor | full professor Konsultant: dr Milica Milojević docent | assistant professor

Interpretacija koncepta SINTURBANIZMA kroz savremeni kontekst predstavlja osnovno polazište za ispitivanje teze.

Kroz tezu se istražuju prostorni i idejni koncepti novih gradova i teritorija. Kroz inovativne i sinergijske pristupe aktuelizuje se fenomen sinteze koja se posmatra kao forma jedinstva i delovanja raznorodnih elemenata, gde pod diktatom osnovnog smisla tog jedinstva nastupaju promene u osnovnim svojstvima do tada samostalnih elemenata. Izbor lokacije i programa predstavlja rezultat istraživanja u okviru teze.

Članovi mentorske komisije: arh. Zoran Lazović redovni profesor | full professor dr Budimir Sudimac vanredni profesor | associate professor

Interpretation of the concept of SYNTHURBANISM through the contemporary context is the basic starting point for examining the thesis. The thesis explores the spatial and conceptual concepts of new cities and territories. Through innovative and synergistic approaches, the phenomenon of synthesis is actualized, which is viewed as a form of unity and action of diverse elements, where under the dictates of the basic meaning of that unity, changes occur in the basic properties of until then independent elements. The choice of location and program is the result of research within the thesis.

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INDUSTRIJA SENZACIJE INDUSTRY OF SENSATION

Diana Popčić Studio | SINTURBANIZAM: Nove teritorije grada SYNTHURBANISM: New territories of the city

S01-U

Kada govorimo o Novoj Teritoriji grada, jasno definisana teritorja Šećerane predstavlja deo mrtvog tkiva Beograda, onaj deo koji je potrebno iznova osvojiti. Arhitektura se ne bavi uslovima dizajna, već dizajnom uslova koji će najviše dislocirati tradicionalni i regresivni aspekt našeg društva i istovremeno reorganizovati ove elemente na najslobodniji način - na koji naše iskustvo postaje iskustvo događaja, organizovanih kroz arhitekturu. Dajte nam događaj, šok, za koji se smatra da će arhitekturu naših gradova učiniti prekretnicom u kulturi i društvu. Cilj je programski i prostorno projektovana fikcija.

Projektom Industrije Senzacije možemo postići događaj unutar projektovanog okvira. Način na koji vršimo prevođenje starog programa i prostora u novi je konceptualno redefinisanje pojmova vezanih za samu proizvodnju (šećera ili opštu) i konstruisanjem različitih scenarija- načina korišćenja u odnosu na otvorene i zatvorene kapacitete obuhvaćene Teritorijom.

Prostor koji težimo da kreiramo mora biti samo u određenoj meri fiksan, on mora nuditi veliki broj opcija korišćenja: akt, vežba, edukacija, afirmacija.

When it comes to the New Territory of the city, the clearly defined territory of the Sugar Factory is a part of the dead tissue of Belgrade, the part that needs to be reconquered. Architecture does not deal with design conditions, but with the design of conditions that will most dislocate the traditional and regressive aspect of our society and at the same time reorganize these elements in the freest way - in which our experience becomes the experience of events organized through architecture. Give us an event, a shock, which is believed to make the architecture of our cities a turning point in culture and society. The goal is a programmatically and spatially projected action. With the Industry of Sensation project, we can achieve an event within the designed framework. The way in which we translate the old program and space into the new one is conceptually ordering the concepts related to the production itself (sugar or general) and constructing different scenarios - ways of use in relation to open and closed capacities covered by the Territory. The space we strive to create must be only to a certain extent, it must offer a large number of options for use: act, exercise, education, and information.

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NEONOMADSKI URBANIZAM KONCEPT LINEARNOG GRADA NEONOMAD URBANISM THE CONCEPT OF A LINEAR CITY

Miljana Drinčić Studio | SINTURBANIZAM: Nove teritorije grada SYNTHURBANISM: New territories of the city

S01-U

Neonomadski urbanizam se služi kretanjem kao alatom za definisanje prostora. Kapaciteti i vremenski faktor direktno su određeni urbanom strukturom i funkcijama - velodrom na mestu unutar teritorije grada obeleženom stanovanjem sa jedne, te infrastrukturom u vidu komunikacije sa druge strane.

Privremeno stanovanje, radni prostor i ugostiteljstvo čine dodatne, prelazne sadržaje datih polariteta. Nova teritorija se posmatra kao susret programskih odlika prostora; tako se preklapanje sadržaja doživljava kao granica iako ona fizički ne postoji. Nju odlikuje disperzivnost celine, veza datih segmenata.

U pogledu urbanog planiranja, ona je ekstenzija jezgara unutar sistema, čime dolazi do preklapanja osobenosti i sadržaja kroz kretanje, osnovnom odlikom savremenog nomada. Tako sintezna celina biva prilagođena novom okviru kao disperzivna celina. Interakcije su procesi koji oblikuju mesta, i to na način na koji Delez govori o mobilnosti - kroz intenzitet. Linearni grad dozvoljava razvijanje teritorije i postizanje disperznog sistema unutar gusto izgrađene urbane matrice, novog pejzaža savremenog doba.

Neonomad urbanism uses movement as a tool to define space. Capacities and time factor are directly determined by the urban structure and functions - the velodrome on the spot within the city territory marked by housing on the one hand, and infrastructure in the form of communication on the other hand. Temporary housing, work space and catering facilities are additional, transitional contents of the given polarities. The new territory is seen as an encounter with the programmatic features of the space; thus the overlap of content is perceived as a boundary even though it does not physically exist. It is characterized by the dispersiveness of the whole, the connection of the given segments. In terms of urban planning, it is an extension of the core within the system, which leads to the overlap of features and content through movement, the basic feature of the modern nomad.

Thus the synthetic whole is adapted to the new framework as a dispersive whole. Interactions are the processes that shape places, in the way that Deleuze talks about mobility - through intensity. The linear city allows the development of the territory and the achievement of a dispersed system within a densely built urban matrix, a new landscape of the modern age.

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S02-U URBANA REGENERACIJA SMEDEREVA KROZ KULTURU I TURIZAM URBAN REGENERATION OF SMEDEREVO THROUGH CULTURE AND TOURISM

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Mentor: dr Aleksandra Đukić vanredni profesor | associate professor dr Massimo Crotti vanredni profesor | associate professor Politechnico Di Torino Članovi mentorske komisije: dr Aleksandra Krstić Furundžić redovni profesor | full professor arh. Dejan Miletić vanredni profesor | associate professor

Osnovni cilj rada je osposobljavanje studenata za celokupni razvoj projekta od strateškog značaja za lokalnu gradsku sredinu kroz urbanu regeneraciju. Ovim se obuhvata postupak uočavanja teorijskog okvira urbanističke intervencije u prostoru, njegovog prilagođavanja poligonu kroz terensko istraživanje i istraživanje uzornih primera, potom postavljanje urbanističkog koncepta i programa, koji se dalje razvija u urbanistički ili urbanističko-arhitektonski projekat velikog formata i ključnog značaja za lokalnu sredinu. Poligon za istraživanje je Grad Smederevo, posebno njegov podunavski deo, koji poseduje velike pogodnosti za razvoj sadržaja u okviru kulture, turizma i promocije nasleđa.

The aim of the studio is to enable students for the overall development of a project of strategic importance for the local urban environment through urban regeneration. This includes the process of observing the theoretical framework of urban intervention in space, its adaptation to the polygon through field research and research of examples, then setting the urban concept and program, which is further developed into an urban or urban-architectural project of large scale and key importance for the local environment. The research site is the City of Smederevo, especially its Danube spatial framework, which has great benefits for the development of content within culture, tourism and heritage promotion.

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URBANISTIČKA REGENERACIJA KROZ KULTURU I TURIZAM URBAN REGENERATION THROUGH CULTURE AND TOURISM

Marko Milosavljević Studio | Urbana regeneracija Smedereva kroz kulturu i turizam Urban regeneration of Smederevo through culture and tourism

S02-U

Geneza Master projekta, u ovom slučaju podrazumeva razradu kompleksnog rešenja, protkanog različitim metodama istraživanja u prisustvu mentora sa Arhitektonskog fakulteta u Beogradu i Politehnike u Torinu, koji su kontinualno pratili razradu ovakvog zadatka. Projekat je nastao kao tema istraživanja braunfild lokacija u gradu Smederevu, gde se nakon izbora pogodne lokacije, koristi prostor nekadašnjeg industrijskog kompleksa „Milan Blagojević“. Regeneracija u ovom smislu podrazumeva obnovu postojećeg stanja sa preformulisanjem prostora u kome se aktivna industrija zadržava pod drugačijim okolnostima, a istovremeno se formira ideja „kulturnog-turizma“. U želji da se tradicija i istorija ovog grada istaknu u punom svetlu, cilj je iskoristiti postojeće stanje i reaktivirati ga po motivima baziranim na „prošlosti Smedereva“ sa rutom reke Dunav. U okviru projekta se razvijaju edukativni prostori, turističke površine, definiše se obala i kontakt sa rekom, a istovremeno se formira otvoreno-zatvoreni izložbeni prostor u direktnom kontaktu sa novo-pozicioniranom industrijom.

The genesis of the Master project, implies the elaboration of a complex solution, interwoven with different research methods in the presence of mentors from the Faculty of Architecture in Belgrade and the Politechnico Di Torino, who continuously monitored the elaboration of such a task. The project is based on the research of brownfield locations in the city of Smederevo, where, after choosing a suitable location, the space of the former industrial complex “Milan Blagojevic” is used. Regeneration in this sense implies the renewal of the existing situation with the reformulation of the space in which the active industry is kept under different circumstances, and at the same time the idea of ​​“cultural-tourism” is formed. In order to highlight the tradition and history of this city in full light, the goal is to use the existing situation and reactivate it based on motives of the “past of Smederevo” with the route of the Danube River. Educational spaces and tourist areas are being developed, the riverside and contact with the river are being defined, and at the same time an open-closed exhibition space is being formed in direct contact with the newly-positioned industry.

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S03-U NS 2021: (RE)AKTIVACIJA INDUSTRIJSKE ZONE ALMAŠKOG KRAJA NS 2021: (RE)ACTIVATION OF THE INDUSTRIAL ZONE OF THE ALMAŠKI DISTRICT

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Mentor: dr Aleksandra Stupar redovni profesor | full professor Članovi mentorske komisije: dr Lidija Đokić redovni profesor | full professor dr Tatjana Jurenić docent | assistant professor arh. Ivan Rašković redovni profesor | full professor

Cilj zadatka je aktivacija segmenta bivše industrijske zone Novog Sada, u sklopu Almaškog kraja kao dela grada specifičnog po svojoj istoriji, morfologiji i kulturnoj raznolikosti.

Intervencija u urbanom tkivu je inicirana programom ’’Novi Sad, Evropska prestonica kulture 2021’’, kojim se razvija koncept kulturnih stanica u gradu. Odabrana zona Almaškog kraja nalazi se u delu tradicionalnog gradskog centra, dok se težište intervencije nalazi uz Kosovsku ulicu. U sklopu zadatka potrebno je osmisliti novu ili unaprediti postojeću funkciju objekta kožare koji bi, zajedno sa tek aktiviranom kulturnom stanicom Svilara, funkcionisao kao manji kulturni distrikt.

Pored rekonstrukcije/reciklaže objekta zadatkom se rešava i uređenje dela Ulice Đorđa Rajkovića, sa funkcijom pešačke zone.

The aim of the Master Project is to activate the segment of the former industrial zone of Novi Sad, within the Almaški district as a part of the city specific for its history, morphology and cultural diversity. The intervention in the urban fabric was initiated by the program “Novi Sad, European Capital of Culture 2021”, which develops the concept of cultural stations in the city. The selected zone of the Almaški district is located in the part of the traditional city center, while the focus of the intervention is along Kosovska Street. As part of the project brief, it is necessary to design a new or improve the existing function of the tannery, which, together with the newly activated Svilara cultural station, would function as a smaller cultural district. In addition to the reconstruction / recycling of the facility, the task also solves the arrangement of the part of Đorđe Rajkovića Street, with the function of a pedestrian zone.

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RAZVOJ KULTURNIH AKTIVNOSTI U OBJEKTIMA INDUSTRIJSKOG NASLEĐA: MEJKERSPEJS DEVELOPMENT OF CULTURAL ACTIVITIES IN BUILDINGS OF THE INDUSTRIAL HERITAGE: MAKERSPACE Danijela Urukalo Studio | NS 2021: (Re)aktivacija industrijske zone Almaškog kraja NS 2021: (Re)activation of the industrial zone of the Almaški District Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020 UNIATA ’20 World’s best graduation projects ever created

S03-U

Predmet rada su objekti bivšeg industrijskog nasleđa i mogućnost njihove obnove. U istraživanju su kombinovane metode i tehnike: analiza izvora i literature, posmatranje i prikupljanje podataka na terenu, kritička i komparativna analiza studija slučajeva i sinteza. Prikazano je kako kultura koja je interpretirana mejkerspejsom treba da bude živa veza između baštine prošlosti i zahteva modernog informacionog društva buducnosti. Makerspace je izrastao iz maker kulture − pokreta posvećenog zanatstvu i pojedinačnoj proizvodnji nasuprot masovnoj produkciji i potrošnji. Poslednjih godina se uspešno razvija i aktivno primenjuje. Suštinu mejkerspejs koncepta čini mogućnost da učesnici radionica i projekata mogu da izrađuju samostalno, uz pomoć edukatora ili drugih učesnika, digitalne i fizičke predmete u javnom prostoru deleći ponuđenu opremu, sredstva i materijale. Jedan od ključnih momenata je taj da se na raspolaganje stavljaju tehnička oprema i pomagala velike materijalne vrednosti koje pojedinci najčešće nisu u mogućnosti da sami nabave.

The subject of the research are the buildings of the industrial heritage and the possibility of their renewal. The research combines methods and techniques: analysis of sources and literature, observation and data collection in the field, critical and comparative analysis of case studies and synthesis.

It is shown how the culture interpreted by Makerspace should be a living link between the heritage of the past and the demands of the modern information society of the future. Makerspace grew out of maker culture - a movement dedicated to crafts and individual production as opposed to mass production and consumption. In recent years, it has been successfully developed and actively applied. The essence of the Makerspace concept is the possibility that workshop and project participants can create independently, with the help of educators or other participants, digital and physical objects in public space by sharing the offered equipment, resources and materials. One of the key points is that technical equipment and aids of great material value are made available, which individuals are usually not able to procure themselves.

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REAKTIVACIJA INDUSTRIJSKE ZONE ALMAŠKOG KRAJA PO PRINCIPIMA CIRKULARNE EKONOMIJE REACTIVATION OF THE INDUSTRIAL ZONE OF THE ALMAŠKI DISTRICT ACCORDING TO THE PRINCIPLES OF CIRCULAR ECONOMY Aleksandra Til Studio | NS 2021: (Re)aktivacija industrijske zone Almaškog kraja NS 2021: (Re)activation of the industrial zone of the Almaški District

S03-U

Кoncept Grada Кolaža zasniva se na ideji da grad može da se čita kao kolaž – nastao ‘’lepljenjem’’ segmenata ljudske istorije.

Vremenska i prostorna iteracija daju osnov gradu kao celini sa posebnom vrednošću, čineći ga ujedno i poligonom za razvoj.

Civilizacijska komponenta od čoveka čini plemenitog divljaka – biće prirode koje je kultivisalo društvo. Upravo njegova istorija daje mu sposobnost za moralno i duhovno uzdizanje. Osnov za razoj Almaškog kraja zasniva se na premisi da je kulturno nasleđe osnovno i nužno za razvoj kulturne matrice grada.

Kulturno nasleđe, prepoznato i ’kolažirano’ na mapi grada, određuje granice prostornog obuhvata koji čini značajnu istorijsku celinu. Pitanje održivosti kulturnog programa, koje je večiti problem u razvoju grada, rešava se uspostavljanjem sistema cirkularne ekonomije koji ima za cilj postizanje samoodrživosti kulturno-istorijske celine. Ekološka inicijativa u ovom prostoru i izgradnja ECO HUB-a kao centra okupljanja zajednice povezuje tradicionaln način života sa novim globalnim trendovima koji menjaju sliku grada.

The concept of the City of Collage is based on the idea that the city can be read as a collage - created through “adhesive” segments of human history. Temporal and spatial iteration provide the basis for the city as a whole with special value, making it also a polygon for development. The civilizational component makes man a noble savage - a being of nature cultivated by society. It is his history that gives him the ability for moral and spiritual upliftment. The basis for the development of the Almaški district is based on the thesis that cultural heritage is basement and necessity for the development of the cultural matrix of the city. Cultural heritage, recognized and ‘‘collaged’’ on the city map, determines the boundaries of the spatial scope that makes up a significant historical whole.

The issue of sustainability of the cultural program, which is an eternal problem in the development of the city, is solved by establishing a system of circular economy which aims to achieve self-sustainability of the cultural-historical whole. The environmental initiative in this area and the construction of the ECO HUB as a community gathering center connects the traditional way of life with new global trends that are changing the image of the city.

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MASA-AT MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL ARHITEKTONSKE TEHNOLOGIJE / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE ARCHITECTURAL TECHNOLOGIES / RIBA Part 2

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S01-AT SPA CENTAR SPA CENTER

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Mentor: dr Lidija Đokić redovni profesor | full professor Članovi mentorske komisije: dr Jelena Živković vanredni profesor | associate professor arh. Nebojša Fotirić vanredni profesor | associate professor

Prostor za predah od urbanog životnog tempa, prostor za fizičku i mentalnu revitalizaciju. Rezultati analize potreba i mogućnosti u domenu prostornog i funkcionalnog konteksta, kao i tehnoloških mogućnosti treba da budu primenjeni na projektu. Uticaj materijalizacije objekta na odnos spoljnog i unutrašnjeg prostora, kao i doprinos osvetljenja njegovoj prezentaciji su značajne teme istraživanja. Objekat i njegovo neposredno okruženje treba da predstavljaju kvalitativni doprinos prezentaciji šireg urbanog prostora, koja se odnosi, kako na siluetu, tako i na njegov imidž.

A space for a break from the urban pace of life, a space for physical and mental revitalization. The results of the analysis of needs and possibilities in the domain of spatial and functional context, as well as technological possibilities should be applied to the project. The influence of the materialization of a building on the relationship between external and internal space, as well as the contribution of lighting to its presentation are important research topics. The building and its immediate surroundings should represent a qualitative contribution to the presentation of the wider urban space, which refers to both the silhouette and its image.

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MEDICINSKO-TERMALNI SPA CENTAR U SOKOBANJI MEDICAL-THERMAL SPA CENTER IN SOKOBANJA

Ines Anić Radosavljević Studio | SPA Centar SPA Center

S01-AT

Sokobanja je banjsko turističko mesto u jugoistočnoj Srbiji na prosečnoj nadmorskoj visini od 400 m. Budući da se Srbija, uprkos izuzetno povoljnim prirodnim resursima za razvoj banjskog turizma, još uvek ubraja u nedovoljno razvijene destinacije, od posebnog značaja za buduće unapređenje ovog vida turizma i pozicioniranje banja kao turističkih destinacija, jeste upravo njihova transformacija od tradicionalnih lečilišta u moderne centre spa turizma. Proučavanjem lokacijskih potencijala definisan je tip spa centra koji treba da iskoristi izvore termalne vode uočene u blizini lokacije kao i negativne jone u vazduhu. Spa centar ima za cilj da spoji stari i novi deo Sokobanje i da novi identitet mestu. To se postiglo denivelacijom terena koji pravi trg na lokaciji i predstavlja potencialno mesto okupljanja. Da bi se objekat uklopio u okruženje korišćeni su zakošeni stubovi koji prolaze celom visinom objekta i imitiraju prirodno stablo drveta. Akcenat je na spratu objekta koji je formiran kao jedininstven zastakljeni prostor sa bazenima i kontinualnim terasama oko celog objekta.

Sokobanja is a spa tourist place in southeastern Serbia at an average altitude of 400 m. Since Serbia is still one of the underdeveloped destinations, of particular importance for the future improvement of this type of tourism and positioning spas as tourist destinations, despite extremely favorable natural resources for the development of spa tourism, this research challenge their transformation from traditional spas to modern spa centers. The study of location potentials defined the type of spa center that should use the thermal water sources observed near the location as well as the negative ions in the air. The spa center aims to connect the old and the new part of Sokobanja and give a new identity to the place. This was achieved by leveling the terrain that makes the square on the site and represents a potential gathering place. In order for the building to fit into the environment, sloping pillars were used that run the entire height of the building and imitate a natural tree trunk. The accent is on the first floor of the building, which is formed as a unique glazed space with swimming pools and continuous terraces around the entire building.

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SPA CENTAR NA DUNAVU SPA CENTER ON DANUBE

Jelena Blagojević Studio | SPA Centar SPA Center

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Prirodno-geografske karakteristike Podunavlja predstavljaju jedan od osnovnih preduslova za razvoj turizma na ovom području. Regioni područja Dunava imaju prirodne, kulturne i istorijske potencijale koji mogu da definišu određene vrste turističke ponude. Prednost položaja turističkog naselja Beli Bagrem na Dunavu omogućava formiranje turističke regije na ovom prostoru. Analizom tipologije SPA centara i same lokacije, tip koji se izdvaja kao najpribližniji onome što je potrebno ovoj lokaciji je destinacijski spa centar. Ova vrsta SPA centra za osnovnu svrhu ima razvoj zdravih navika kod korisnika i poboljšanje kvaliteta života, a najčešće u prirodnom okruženju. Rešenje turističko destinacijskog SPA centra na lokaciji Podunavlja se pojavljuje kao predlog povezanog i osmišljenog obilaska područja Podunavlja. Akcenat je na principu usklađenosti sa prirodom, odnosno na principu očuvanja postojeće šume bagrema. Poštovan je princip povezivanja komplementarnih sadržaja i razdvajanja sadržaja koji nisu u direktnoj srodnosti.

Natural and geographical characteristics of the Danube region represent one of the basic preconditions for the development of tourism in this area. The regions of the Danube area have natural, cultural and historical potentials that can define certain types of tourist offer. The advantage of the position of the tourist settlement Beli Bagrem on the Danube enables the formation of a tourist region in this area. By analyzing the typology of SPA centers and the location itself, the type that stands out as the closest to what is needed for this location is the destination spa center. This type of SPA center has the basic purpose of developing healthy habits of users and improving the quality of life, most often in the natural environment. The solution of the tourist destination SPA center on the location of the Danube region appears as a proposal for a connected and designed tour of the Danube area. The emphasis is on the principle of harmonization with nature, ie on the principle of preserving the existing acacia forest. The principle of linking complementary contents and separating contents that are not directly related is proposed throug design process.

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S02-AT MUZEJ AUTOMOBILA IZAZOVI NOVIH MATERIJALA I TEHNOLOGIJA AUTOMOBILE MUSEUM CHALLENGES OF NEW MATERIALS AND TECHNOLOGIES

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Mentor: dr Branislav Žegarac redovni profesor | full professor Članovi mentorske komisije: dr Eva Vaništa Lazarević redovni profesor | full professor dr Dragana Vasiljević Tomić vanredni profesor | associate professor

Informatička revolucija, tokom poslednjih tridesetak godina, dovela je do nastanka novih tehnoloških pronalazaka koji su bitno uticali na društvo i ponašanje ljudi. Uprkos tome arhitektura je u mnogim aspektima ostala konzervativna i rezistentna na savremena tehnološka dostignuća, nove materijale i procese. Tema ovog projekta je istraživanje mogućnosti primene novih materijala, tehnologija i transfera tehnologija. Muzej automobila predstavlja sadržaj koji nije opterećen funkcionalnim i ekonomskim parametrima i kao takav je pogodan za realizaciju ovog programa, odnosno za ispitivanje različitih formi, konstrukcija i materijala.

The information revolution, during the last thirty years, has led to the emergence of new technological inventions that have significantly influenced society and human behavior. Despite that, architecture has remained conservative and resistant to modern technological achievements, new materials and processes in many aspects. The topic of this studio is to explore the possibilities of applying new materials, technologies and technology transfers. The Automobile Museum presents content that is not burdened with functional and economic parameters and as such is suitable for the realization of this program, ie for the examination of various forms, constructions and materials.

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INTERAKTIVNA ARHITEKTURA: POJAVNOST I ČULNOST INTERACTIVE ARCHITECTURE: APPEARANCE AND SENSUALITY

Ana Nikolić Studio | Muzej automobila Izazovi novih materijala i tehnologija Automobile museum Challenges of new materials and technologies

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Tema završnog master rada je „Muzej automobila i ostalih vozila“ sa master tezom pod naslovom „Interaktivna arhitektura-pojavnost i čulnost“, koja se bavi organizacijom prostorno ambijentalnih uređenja izložbenih delova, kao i konstrukcijom i materijalizacijom objekta. Lokacija za muzej automobila i ostalih vozila određena je u Beogradu između Mosta Gazele i Novog Želežničkog mosta, tačnije muzej je projektovan na Starom Železničkom mostu, kao restauracija napušenih delova grada i ponovno oživljavanje istih. Koncept se zasniva na aludiranje automobilske petlje sa obe strane obale, dok je most veza različitih sadržaja i komunikacija između dva Savska šetališta. Spiralni objekat, sa strane „Beograda na Vodi“, projektovan je u vidu muzeja sa pratećim sadržajima, dok je, sa novobeogradske strane, spriralna petlja predstavljena u vidu pešačke javne zone koja se spaja sa pasarelom na mostu. Zona mosta sastoji se iz javnog dela koji obuhvata javne sadržaje sa kojih se pristupa preko pasarele, i muzejskog dela na etaži iznad, koji je povezan sa muzejem unutar objekta.

The topic of the final master’s project is “Museum of Cars and Other Vehicles” with a master’s thesis entitled “Interactive Architecture-Appearance and Sensuality”, which deals with the organization of spatial and ambient arrangements of exhibition content, as well as the construction and materialization of the building. The location for the museum of cars and other vehicles was determined in Belgrade between the Gazela Bridge and the New Railway Bridge, more precisely, the museum was designed on the Old Railway Bridge, as a restoration of abandoned parts of the city and their revival. The concept is based on the allusion of a car loop on both sides of the coast, while the bridge is a link of different contents and communications between the two Sava promenades. The spiral building, on the side of “Belgrade Waterfront”, is designed in the form of a museum with accompanying contents, while, on the New Belgrade side, the spiral loop is presented in the form of a pedestrian public zone that connects with the footbridge on the bridge. The area of ​​the bridge consists of a public part that includes public facilities from which access is via a footbridge, and a museum part on the floor above, which is connected to the museum within the building.

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AUTOINDUSTRIJA I ARHITEKTURA: UTICAJ VETRA NA KONCEPCIJU OBJEKTA AUTOMOTIVE INDUSTRY AND ARCHITECTURE: INFLUENCE OF WIND ON BUILDING CONCEPTION Milan Vlajić Studio | Muzej automobila Izazovi novih materijala i tehnologija Automobile museum Challenges of new materials and technologies

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Tema Muzej automobila, izazovi novih tehnologija i materijala mi je bila inspiracija za povezivanje specifičnih stvari iz autoindustrije i objekta u arhitekturi. Glavna specifičnost u autoindustriji jeste aerodinamika i uticaj vetra. Sa druge strane svedoci smo da se sve više priča o zelenoj gradnji i samoodrživim objektima te sam želeo da povežem vetar i uticaje vetra sa objektom. Bitno je graditi u skladu sa kontekstom, ali se većina nas osvrće samo na kontekst sa aspekta arhitekture, ali najvažniji jeste klimatski kontekst. Svaka lokacija ima svoje specifičnosti i razlike. Istraživanjem sam definisao 5 kategorija uticaja vetra, kao i odnosa objekata sa vetrom. To su sledeće kategorije: minimum otpora, koncentracija, difuzija, skretanje, materijalizacija. Analizirajući premere uvideo sam da svih 5 kategorija mogu implementirati u svoj objekat. Sledeća bitna stvar u autoindustrije jeste i motor, srce samog automobila, kao i sistem španera i zupčastog kaiša koji pokreće većinu bitnih operacija uz sagorevanje u samom motoru - ovaj motiv je postao generator daljeg oblikovanja.

The theme Car Museum, Challenges of New Technologies and Materials was my inspiration for connecting specific things from the automotive industry and buildings in architecture. The main specificity in the automotive industry is aerodynamics and the influence of wind. On the other hand, we are witnessing more and more talk about green building and self-sustaining facilities, so I wanted to connect the wind and the effects of the wind with the facility. It is important to build in accordance with the context, but most of us look only at the context from the aspect of architecture, but the most important is the climatic context. Each location has its own specifics and differences. Through my research, I defined 5 categories of wind influence, as well as the relationship of objects with the wind. These are the following categories: minimum resistance, concentration, diffusion, deflection, materialization. Analyzing the measurements, I saw that I can implement all 5 categories in my building. The next important thing in the automotive industry is the engine, the heart of the car itself, as well as the spanner and timing belt system that drives most essential operations with combustion in the engine itself - this motif became a generator of further shaping of the museum.

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S03-AT GOOGLE CENTAR SRBIJA GOOGLE CENTER SERBIA

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Mentor: dr Aleksandar Rajčić vanredni profesor | associate professor Članovi mentorske komisije: mr Milan Vujović redovni profesor | full professor dr Jelena Živković vanredni profesor | associate professor

“Četvrta industrijska revolucija” i ekspanzija informatičkih tehnologija rezultuje potrebama za ljudskim i prostornim resursima za poslovanje i obuku u ovoj oblasti. Za potrebe razvoja GOOGLE regionalnog centra, studenti će analizirati adekvatne lokacije, uz analize koncepcijskih, funkcionalnih i oblikovnih karakteristika primera iz aktuelne arhitektonske prakse, konkursnih i realizovanih rešenja, upoznati se sa mogućim rešenjima i valorizovti ih. Na osnovu prethodnih analiza, cilj je da kandidati predlože sopstveni projektni zadatak, na osnovu koga će isprojektovati zgradu/kompleks GOOGLE Serbia.

The “Fourth Industrial Revolution” and the expansion of information technology result in the need for human and spatial resources for business and training in this area. For the needs of the development of the GOOGLE regional center, students will analyze adequate locations, with analyzes of conceptual, functional and design characteristics of examples from current architectural practice, competitive and realized solutions, get acquainted with possible solutions and valorize them. Based on previous analyzes, the goal is for candidates to propose their own project assignment, based on when they will design the GOOGLE Serbia building / complex.

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GOOGLE CENTAR SRBIJA GOOGLE CENTER SERBIA

Tina Ostojić Studio | GOOGLE Centar Srbija GOOGLE Center Serbia Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

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Novoprojektovani kompleks je u funkciji poslovanja, edukacije i rekreacije, kao i komercijalnog sadržaja. Formira “čvorište” iz kog polaze pomenute funkcije i predstavlja bazu koja ih povezuje zajedničkim aktivnostima. U njegovom centru ugrađen je atrijum kroz više etaža i pristup sa svake u njega.

Postoje dva ulaza u zgradu, od kojih je jedan rezervisan samo za zaposlene i u toj zoni se nalazi poslovanje. Spona u vidu rekreativnih i komercijalnih sadržaja je u sredini, a na suprotnom kraju edukacija. U blizini ulaza za zaposlene projektovan je objekat za parking bicikala, kao i tuševi i svlacionice, povezan toplim koridorom do glavnog objekta. Prizemlje čini ulazni hol, info pult, restoran, izložbeni prostor pratece funkcije i atrijum.

Na sledecem spratu napravljen je prostor za edukaciju,dok je na samom krovu otvorena bašta i slobodne zelene površine.

Na njima mogu da sade biljke i da se brinu o njima. U delu poslovanja pored open-space kancelarija i konferencijskih sala, biblioteke, zajednickih prostora, postoje i delovi za odmor. Zona rekreacije sadrži spa, saunu, bazen i teretanu.

The designed complex is in the function of business, education and recreation, as well as commercial content. It forms a “hub” from which the mentioned functions start and represents the base that connects them with joint activities. In its center, an atrium is built through several floors and access from each to it. There are two entrances to the building, one of which is reserved for employees only and the business is located in that zone. The link in the form of recreational and commercial content is in the middle, and education is at the opposite end.

Near the entrance for employees, a bicycle parking facility has been designed, as well as showers and locker rooms, connected by a warm corridor to the main building. The ground floor consists of an entrance hall, info desk, restaurant, exhibition space, ancillary functions and an atrium. On the next floor there is a space for education, while on the roof itself there is an open garden and free green areas. They can plant plants on them and take care of them. In the business part, in addition to open-space offices and conference halls, libraries, common areas, there are also parts for rest. The recreation area includes a spa, sauna, swimming pool and gym.

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S04-AT aBIOgeneza aBIOgenesis

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Mentor: dr Budimir Sudimac vanredni profesor | associate professor Članovi mentorske komisije: mr Milan Vujović redovni profesor | full professor dr Danilo Furundžić docent | assistant professor

Abiogeneza je teorija po kojoj živa materija može nastati iz nežive. Istraživanje održivih sistema i uspostavljanje novih urbanih i arhitektonsih hibridnih modela za rešavanje ekonomskih, socijalnih, kulturnih i tehnoloških problema savremenih gradova, uključujući nedostatak hrane, prirodnih resursa, infrastrukture, zagađenje kao i razvijanje sistema i strategija budućeg razvoja osnovni su ciljevi predloženog zadatka. Studijom se teži da studenti kritički sagledavaju i istražuju adaptibilnost i uticaj novih tehnologija na arhitektonske projekte na osnovu dinamične ravnoteže između korisnika i tehnologije.

Abiogenesis is the theory that living matter can arise from inanimate matter. Exploring sustainable systems and establishing new urban and architectural hybrid models to solve the economic, social, cultural and technological problems of modern cities, including food shortages, natural resources, infrastructure, pollution and developing systems and strategies for future development are the main objectives of the proposed task. The study aims to critically examine and explore the adaptability and impact of new technologies on architectural design based on the dynamic balance between users and technology.

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MEGASTRUKTURE BUDUĆNOSTI: KRISTAL SOLI KAO ABIOGENEZNI MATERIAL MEGASTRUCTURES OF THE FUTURE: SALT CRYSTAL AS ABIOGENESIS MATERIAL

Jana Petrović Studio | aBIOgeneza aBIOgenesis Nominacija | Nomination | RIBA President’s Medals

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Inspiracija za istraživanje kristala soli kao abiogeneznog materijala, pronađena je u korelaciji „duha mesta“ zadate lokacije master projekta (Varšave) i održive arhitekture budućnosti. Vodeći se regionalističkim principima u arhitekturi, koje odlikuju veza topografije, klime, lokalnih materijala i tradicionalne lokalne kulture sa novoprojektovanom arhitekturom, formirana je direktna veza sa svim navedenim u istraživanoj kristalnoj strukturi molekula soli. Polazna tačka istraživanja je pronađena u nekadašnjem simbolu poljske industrije, najvećem i najstarijem rudniku soli Velička. U potrazi za abiogeneznom, samoodrživom arhitekturom, kristal soli se izdvojio kao potpuno organski materijal, pogodan za gradnju, što je istraživano kroz postojeće primere u praksi.

Na ovaj način zadovoljena su osnovna načela regionalističke arhitekture, pri korišćenju lokalnih materijala i direktnom vezom sa tradicionalnom lokalnom kulturom, u konceptu održive arhitekture.

The inspiration for the research of salt crystals as an abiogenesis material was found in the correlation between the “spirit of the place” of the assigned location of the master project (Warsaw) and the sustainable architecture of the future.

Guided by regionalist principles in architecture, which are characterized by the connection of topography, climate, local materials and traditional local culture with the newly designed architecture, a direct connection was formed with all the above in the investigated crystal structure of salt molecules. The starting point of the research was found in the former symbol of Polish industry, the largest and oldest salt mine in Wieliczka.

In the search for abiogenesis, self-sustaining architecture, the salt crystal stood out as a completely organic material, suitable for construction, which has been researched through existing examples in practice. In this way, the basic principles of regionalist architecture are met, in the use of local materials and a direct link with traditional local culture, in the concept of sustainable architecture.

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VISLA MULTIFUNKCIONALNI NEBODER VISTULA MULTIFUNCTIONAL SKYSCRAPER

Filip Janićijević Studio | aBIOgeneza aBIOgenesis Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

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Projektom nebodera na obali reke Visle istražuju se aerodinamički principi organskih formi elemenata direktno nastalih kao odgovor na fenomen: vetar, u svrsi kreiranja uspešnijeg aerodinamikog odnosa izučavanog fenomena i objekata visoke spratnosti - nebodera. Prepoznati konstruktivni principi elemenata korišćeni su u aeroRemodelizaciji bazične, tipske forme visokih objekata, preciznije u remodelizaciji spoljnog omotača – Opne. Pored značajnog uticaja na aerokarakteristike objekta, uticaj prirodnih elemenata znatan je i u estetskim aspektima. Glavna karakteristika je postojanje spomenute staklene opne projektovane sa ciljem smanjenja pritiska vetra i stvaranjem povoljnih uslova za uspešno korišćenje otvorenih prostora na velikim visinama. Mogućnost otvaranja i kreiranja funkcionalnih zelenih terasa na vertikalnoj strukturi je dodatna tema projekta. Projekat eksperimentalno izučava vertikalne odnose izmedju diferencijalnih funkcija u vertikalnoj strukturi, njihove komunikacije, odnos funkcije i zelenih vertikalnih oaza, funkcije i visine.

The project of skyscraper on the banks of the Vistula River investigates the aerodynamic principles of organic forms of elements directly created in response to the phenomenon: wind, in order to create a more successful aerodynamic relationship between the studied phenomenon and high-rise buildings skyscrapers. The recognized constructive principles of the elements were used in the aeroRemodelisation of the basic, typical form of tall buildings, more precisely in the remodeling of the outer shell - the membrane. In addition to the significant influence on the aero-characteristics of the building, the influence of natural elements is also significant in the aesthetic aspects. The main feature is the existence of the mentioned glass membrane designed with the aim of reducing wind pressure and creating favorable conditions for the successful use of open spaces at high altitudes. The possibility of opening and creating functional green terraces on a vertical structure is an additional topic of the project. The project experimentally studies the vertical relationships between differential functions in a vertical structure, their communications, the relationship of function and green vertical oases, function and height.

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ABIOGENEZA ABIOGENESIS

Saša Mladenović Studio | aBIOgeneza aBIOgenesis

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Sama reč soliter sa sobom nosi konotaciju ponosa i uspeha - može se tumačiti kao savremena verzija drevnog simbola zemljine osovine. Kula koja po određenim verovanjima i filozofijama predstavlja sam centar sveta i povezuje Zemlju sa rajem. Skoro magijska simbolika, natprirodna, u sprovedenom istraživanju dovedena je u direktnu vezu sa prirodom. U njoj su takođe prepoznati naizgled neobjašnjivi procesi i sistemi. Adaptabilnost koju priroda nosi u svakom svom biću impresivna je koliko i verovanje u kosmičku osu koja povezuje nebo i zemlju. Razlika je u dokazivanju i otkrivanju sistema koji omogućavaju takve promene. Upravo istraživanje ovih i sličnih modela na primeru koralnih grebena rezultiralo je konkretnim smernicama radi unapređenja kvaliteta života na zemlji. Kroz arhitekturu, primenom proučenih sistema, moguće je rešiti veliki procenat savremenih problema modernih gradova.

Poput ekosistema koralnog grebena i savremeni soliter sa sobom nosi određenu odgovornost prema svojim korisnicima - njegove obaveze podrazumevaju namirivanje svih ljudskih potreba.

The term solitaire carries with it a connotation of pride and success - it can be interpreted as a modern version of the ancient symbol of the earth’s axis. A tower that, according to certain beliefs and philosophies, represents the very center of the world and connects the Earth with paradise. Almost magical symbolism, supernatural, in the conducted research was brought into direct connection with nature. It also recognizes seemingly inexplicable processes and systems.

The adaptability that nature carries in each of its beings is as impressive as the belief in a cosmic axis that connects heaven and earth. The difference is in proving and discovering the systems that enable such changes. It is the research of these and similar models on the example of coral reefs that has resulted in concrete guidelines for improving the quality of life on earth. Through architecture, by applying the studied systems, it is possible to solve a large percentage of modern problems of modern cities. Like the coral reef ecosystem, the modern solitaire carries with it a certain responsibility towards its users - its obligations imply meeting all human needs.

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MASA-AK MASTER AKADEMSKE STUDIJE ARHITEKTURA MODUL ARHITEKTONSKO KONSTRUKTERSTVO / RIBA Part 2 MASTER ACADEMIC STUDIES IN ARCHITECTURE MODULE STRUCTURAL ENGINEERING / RIBA Part 2

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S01-AK MISIJA I VIZIJA: HOLISTIÄŒKI PRISTUP PROJEKTOVANJU OMLADINSKOG STADIONA FK BEOGRAD MISSION AND VISION: HOLISTIC APPROACH TO DESIGN OF THE YOUTH STADIUM OF FC BELGRADE

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Mentor: dr Miodrag Nestorović redovni profesor u penziji | retired full professor Članovi mentorske komisije: dr Aleksandru Vuju vanredni profesor | associate professor dr Zoran Đukanović vanredni profesor | associate professor

Istraživanje problema projektovanja savremene arene sporta koja predstavlja integraciju modernog stadiona sa multifunkcionalnim komplementarnim sadržajima i javnim otvorenim prostorima. Posebno će se istraživati mogućnosti primene novih tehnologija i medija, konstrukcija i materijala, sa fokusom na ispitivanje relacija struktura-forma, strukturamaterijal, kao i različitih nekonvencionlnih, transformabilnih i adaptibilnih tehničkih rešenja. U radu će se forsirati holistički pristup projektovanju, sa težištem na aspektu konstruktivnog sistema i savlađivanju problamatike velikog raspona.

The studio is based on the research problem of designing a modern sports arena that represents the integration of a modern stadium with multifunctional complementary facilities and public open spaces. In particular, the possibilities of application of new technologies and media, constructions and materials will be explored, with a focus on examining the structure-form, structure-material relations, as well as various unconventional, transformable and adaptable technical solutions. The studio will force a holistic approach to design, with a focus on the aspect of the constructive system and overcoming large - span systems problems.

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REVITALIZACIJA FUDBALSKOG STADIONA FK BEOGRAD REVITALIZATION OF THE FOOTBALL STADIUM FC BELGRADE

Jana Stefanović Studio | Misija i vizija: Holistički pristup projektovanju Omladinskog stadiona FK Beograd Mission and vision: Holistic approach to design of the Youth Stadium of FC Belgrade

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Interpetacija teme master završnog rada, Misija i vizija: holistički pristup projektovanju Omladinskog stadiona OFK Beograd, odnosi se na pokušaj revitalizacije urbanističkog poteza stadiona na Karaburmi. Zatečeno stanje ukazuje na destruktivni položaj uz finansijsko-političku borbu za opstanak, a živopisni istorijat Omladinskog stadiona i Beogradskog sportskog kluba govori da ovakav prostor zaslužuje znatno više. Projekat je fokusiran na inovativan način funckionisanja čitave lokacije kao samoodrživog sistema i stadiona kao dela tog sistema; obuhvata kompleks sportsko-turističkog karaktera sa stadionom, zajedničkim sadržajima i hotelom.

Koncept je zasnovan na uočenom dualitetu, odnosno, načelu prema kojem pojmovi poseduju dve prirode, najčešće kontradiktorne, koje u arhitekturi stvaraju ravnotežu; dualitet u osnivanju kluba, dualitet u osnivanju stadiona, dualitet između uskih saobraćajnica Stare Karaburme i bulevara Bogoslovije.

Ideja je pretočena u generisanje dve kružne strukture koje istovremeno predstavljaju ljušturu za dešavanja unutra (stadion i multifunkcionalni prostor), kao i oklop za dešavanja spolja (zeleni krov).

Interpretation of the topic of the master’s thesis, Mission and vision: a holistic approach to the design of the Youth Stadium OFK Belgrade, refers to the attempt to revitalize the urban framework of the stadium in Karaburma. The current situation indicates a destructive position with a financial and political struggle for survival, and the colorful history of the Youth Stadium and the Belgrade Sports Club shows that this kind of space deserves much more. The project is focused on innovative ways of functioning of the entire location as a self-sustaining system and the stadium as part of that system; includes a complex of sports and tourist character with a stadium, common facilities and a hotel. The concept is based on the perceived duality - the principle according to which the concepts have two natures, most often contradictory, which create balance in architecture; duality in founding the club, duality in founding the stadium, duality between the roads of Stara Karaburma and the boulevard of the Theological Seminary. The idea was translated into the generation of two circular structures that represent a shell for events inside (stadium and multifunctional space), as well as armor for events outside (green roof).

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VEK ROMANTIKE - NOVOMEDIJSKE DIZAJN STRATEGIJE U PROJEKTOVANJU OMLADINSKOG STADIONA THE CENTURY OF ROMANCE - NEW MEDIA DESIGN STRATEGY IN YOUTH STADIUM DESIGN Kristina Rvović Studio | Misija i vizija: Holistički pristup projektovanju Omladinskog stadiona FK Beograd Mission and vision: Holistic approach to design of the Youth Stadium of FC Belgrade

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Smatra se da nove tehnologije doprinose promenama u ponašanju društva ili se mogu posmatrati kao uzrok takvih dešavanja. S obzirom na činjenicu da arhitektura komunicira sa više različitih korisnika nije teško okarakterisati arhitekturu kao medij masovne komunikacije. Ovaj projekat je baziran na novomedijskoj arhitekturi, tačnije mogućnosti primene novomedijskih dizajn strategija na projektu revitalizacije Omladinskog stadiona, u svrhu očuvanja njegovog identiteta, istorijskog značaja, kao i oživljavanju dobro poznat brenda.

Osnovna postavka projekta je podela parcele na tri zone (fudbalski stadion, multifunkcionalni objekat, hotel). Sve tri zone su povezane trakom koja ima glavnu karakteristiku da formira beskonačnost prostora. U svakom delu projekta primenjeni su novi mediji, uz umerenost, a traka beskonačnosti je glavni element novih medija napravnjena od parametarske strukture, koja u sebi sadrži ekrane, koji pričaju priču u svako doba dana, a na hotelu njihov dizajn predstavljen je na fasadi bez novomedijskog karaktera. Ekranski mediji se smatraju najadekvatnijim za uprostoravanje priče.

New technologies are considered to contribute to changes in society’s behavior or can be seen as the cause of such events.

Given the fact that architecture communicates with several different users, it is not difficult to characterize architecture as a medium of mass communication. This project is based on new media architecture, more precisely the possibilities of applying new media design strategies on the project of revitalization of the Youth Stadium, in order to preserve its identity, historical significance, as well as revive a well-known brand. The basic setting of the project is the division of the plot into three zones (football stadium, multifunctional facility, hotel). All three zones are connected by a strip that has the main characteristic of forming an infinity of space. New media were applied in each part of the project, with moderation, and the infinity bar is the main element of the new media made of a parametric structure, which contains screens that tell the story at any time of the day, and at the hotel their design is presented on the facade without new media character. Screen media are considered the most adequate to expand the story.

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S02-AK ČUVAJMO PROŠLOST ZA BUDUĆNOST LET’S KEEP THE PAST FOR THE FUTURE

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Mentor: dr Nenad Šekularac redovni profesor | full professor Članovi mentorske komisije: arh. Dejan Miletić vanredni profesor | associate professor

Istraživanje mogućnosti i uspostavljanje metodologije za projektovanje konstrukcija velikih raspona, kao smernica za planiranje, projektovanje i njihovu realizaciju. Istraživanjem pristupa projektovanju konstrukcija iznad graditeljskog nasleđa, analizom izvedenih konstrukcija i vrednovanjem ostvarenih rezultata moguće je doneti zaključke na osnovu kojih će se pristupiti rešenju zadatka projektovanja konstrukcije velikog raspona iznad ostataka graditeljskog nasleđa.

dr Jelena Živković vanredni profesor | associate professor

Exploring the possibilities and establishing a methodology for designing large-span structures, as a guideline for planning, design and their implementation. By researching the approach to the design of structures above the architectural heritage, analysis of constructed structures and evaluation of the achieved results, it is possible to draw conclusions on the basis of which the problem of designing a large span structure above the remains of the architectural heritage will be solved.

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ZAŠTITNA KONSTRUKCIJA IZNAD BAZILIKE SA TRANSEPTOM PROTECTIVE STRUCTURE ABOVE THE TRANSEPT BASIL

Marta Adamović Studio | Ćuvajmo prošlost za budućnost Let’s keep the past for the future Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020 UNIATA ’20 World’s best graduation projects ever created

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Tematski okvir zadatka se odnosi na projektovanje zaštitne konstrukcije iznad arheoloških ostataka Bazilike sa transeptom, najvažnijim sakralnim zdanjem Caričinog grada u doba cara Justinijana I, kao i projektovanje zaštitne konstrukcije iznad Termi, javnim kupatilom nalik antičkom, zajedno pozicioniranih u Donjem gradu. Projektantski pristup zastupa stav isticanja kulturnog i istorijskog bogatstva arheološkog lokaliteta, to predstavljanja funkcionalne i morfološke strukture i hijerarhije prostora po principu konstrasta. Konstrast je proizašao iz pitanja na koji način oblikovanje zaštitne konstrukcije utiče na arheološki lokalitet sa aspekta morfologije, kao i na to da Ii je legitimna promena identiteta arheološkog nalazišta uvođenjem nove arhitekture. Rešenje zaštitne konstrukcije iznad Bazilike sa transeptom predstavlja rezultat istraživanja, analize i sinteze prikupljenih podataka na lokalitetu na kojem je objekat planiran. Koncept se zasniva na jedinstvu istorijske baštine i savremene tehnologije, preplitanju dva nivoa pravoizvodnih krovnih ravni, formiranih od naspramnih lukova elipse, koje se ponavijaju u ritmu nekadašnjih stubova.

The thematic framework of the project refers to the design of the protective structure above the archeological site of the Basilica with the transept, the most important sacral building of the Empress’ city in the time of Emperor Justinian I, as well as the design of the protective structure above the Terme, an ancient public bath. The design approach is based on emphasizing the cultural and historical richness of the archaeological site, that is, the presentation of the functional and morphological structure and hierarchy of space according to the principle of contrast. The contrast arose from the question of how the design of the protective structure affects the archaeological site from the aspect of the morphology, as well as whether it is legitimate to change the identity of the archaeological site by introducing new architecture. The design solution is the result of research, analysis and synthesis of the collected data at the site where the building is planned.

The concept is based on the unity of historical heritage and modern technology, the intertwining of two levels of straight roof planes, formed by opposite arches of the ellipse, which are repeated in the rhythm of the former pillars.

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PROJEKAT ZAŠTITNE KONSTRUKIJE IZNAD ARHEOLOŠKOG NALAZIŠTA JUSTINIANA PRIMA - CARIČIN GRAD PROJECT OF THE PROTECTIVE STRUCTURE ABOVE THE ARCHEOLOGICAL SITE OF JUSTINIANA PRIMA - EMPRESS CITY Tijana Filipović Studio | Ćuvajmo prošlost za budućnost Let’s keep the past for the future Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020 UNIATA ’20 World’s best graduation projects ever created

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Tema master završnog rada odnosi se na projektovanje i proračunavanje zaštitnih konstrukcija iznad arheoloških ostataka Bazilike sa transeptom i Termi izvan Caričinog grada. Projektovanju se pristupilo sa premisom formiranja jedinstvenog nivoa modularnosti koji bi odgovarao svakom tipu arheološkog nalazišta. Inkorporiranje principa modularnih elemanata u proces projektovanja konstrukcije predstavlja veliki izazov budući da u određenoj meri ograničavajuće utiče na oblikovne mogućnosti celokupne konstrukcije. Predložena rešenja, utemeljena na istraživanju, analizama studija slučaja, te analizama podataka prikupljenih na lokalitetima, zasnivaju se na repetativnosti izabranih modularnih elemenata čijim rasporedom u prostoru dolazi do formranja zaštitne konstrukcije. Budući da je morfologija prostora zahtevala različite pristupe temi modularnosti, konačno rešenje čine dva tipa nivoa modularnosti: konstruktivno polje i linijskih elemenata povezanih na jedinsven način (čvorna veza) .

Materijal konstrukcije u oba slučaja čine LLD nosači, dok krovni pokrivač, u zavisnosti od potreba zaštite od sunčevog zračenja, predstavljaju sendvič lim paneli ili leksan.

The master’s thesis is related to the design and calculation of protective structures above the archaeological remains of the Basilica with the transept and the Baths outside the Empress’ city. The design was approached with a premise of forming a unique level of modularity that would suit each type of archaeological site. Incorporating the principles of modular elements into the design process of a structure is a great challenge since it has a certain limiting effect on the design possibilities of the entire structure. The proposed solutions, based on research, analysis of case studies, and analysis of data collected at sites, are based on the repetitiveness of selected modular elements whose arrangement in space leads to the formation of a protective structure. Since the morphology of the space required different approaches to the topic of modularity, the final solution consists of two types of modularity levels: the constructive field and the line elements connected in a unique way (node ​​connection). The construction material in both cases consists of LLD girders, while the roof covering, depending on the need for protection from solar radiation, is sandwich sheet metal panels or lexan.

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INTERPRETACIJA I KONZERVACIJA INTERPRETATION AND CONSERVATION

Milutin Vučković Studio | Ćuvajmo prošlost za budućnost Let’s keep the past for the future Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020 UNIATA ’20 World’s best graduation projects ever created

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Konfiguracija terena i postojeća saobraćajna infrastruktura na lokaciji kao ulazni podaci formiraju prilaznu zonu lokaliteta Caričinog Grada sa njegove istočne strane. Odmah, nakon prijemnog prostora, pred bedemima lokaliteta nalazi se prvi objekat koji je predmet istraživanja na temu interpretacije u konzervaciji ostataka - Terme. Drugi ciljni objekat za natkrivanje i interpretaciju predstavlja Bazilika s transeptom u neposrednoj blizini od ulaza. Ova ulazna partija kao celina može predstavljati jedinstvenu rekonstruisanu sliku nekadašnjeg Caričinog Grada u sjaju koju nose nove tehnologije u zaštiti arhitekture.

Ideja intervencije je veza između konzervacije i interpretacije arhitektonskog nasleđa sa namerom što vernije savremene prezentacije prošlosti. Fokus istraživanja jesu načini na koje se postiže interpretacija pojedinačnih segmenata objekata zaštitnom konstrukcijom ili rekonstrukcijom, uz naglasak na korišćenju materijala i konstruktivnih sistema koji nose pečat današnjice i ne narušavaju integritet stare strukture. Cilj je da se svi slojevi prošlosti arhitektonskog nasleđa sagledavaju čitko i razumljivo, pa čak i oni delovi koje je vreme uklonilo.

The configuration of the terrain and the existing traffic infrastructure on the location as input data form the access zone of the site of Empress City on its eastern side. Immediately after the reception area, in front of the walls of the site, there is the first building that is the subject of research on the topic of interpretation in the conservation of remains - the Spa. Another target object for covering and interpretation is the Basilica with a transept in the immediate environment of the entrance. This entrance zone as a whole can represent a unique reconstructed image of the former Empress’ City in splendor carried by new technologies in the protection of architecture. The idea of ​​the intervention is a connection between the conservation and interpretation of the architectural heritage with the intention of presenting the past as faithfully as possible. The focus of the research is on the ways in which the interpretation of individual segments of buildings is achieved by protective construction or reconstruction, with an emphasis on the use of materials and structural systems that bear the seal of today and do not violate the integrity of the old structure. The aim is to highlight all the layers of the architectural heritage in a readable and understandable way, even those parts that time has removed.

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MAS-UA MASTER AKADEMSKE STUDIJE UNUTRAÅ NJA ARHITEKTURA

MASTER ACADEMIC STUDIES IN INTERIOR ARCHITECTURE

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S01-UA NOVI POGLEDI: ASTRONOMSKA OPSERVATORIJA NA ZVEZDARI A NEW PERSPECTIVE: ASTRONOMICAL OBSERVATORY ON ZVEZDARA

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Nastavnik: Dr Milena Kordić docent | assistant professor Mentorska komisija: Mr Dragan Jelenković redovni profesor | full professor Arh. Zoran Stepanović docent | assistant professor

Arhitektonski kompleks Astronomske opservatorije na Zvezdari projektovan je kao kompleks sa Upravnom zgradom i paviljonima u koje je smeštena astronomska oprema.

Projekat je izuzetno vredan primer arhitekture modernizma sa elementima akademskog istoricizma karakteristične za međuratni period. Kompleks je građen između 1930. i 1932. godine po projektu češkog arhitekte Jana Dubovog. Studenti biraju jedan od paviljona za rekonstukciju i projekat enterijera.

Postupak istraživanja postojećeg, nasleđenog materijala podrazumeva otkrivanje i identifikaciju tragova nekadašnjih scenarija života i njima pripadajućih fragmenata prostora i programa.

The architectural complex of the Astronomical Observatory in Zvezdara is designed as a complex of administrative buildings and pavilions where is located astronomical equipment. The project is an extremely valuable example of modernist architecture with elements of academic historicism characteristic of the interwar period. The complex was built between 1930 and 1932 according to the project of the Czech architect Jan Dubovy. It is under the protection of the Institute for the Protection of Cultural Monuments and is located at 7 Volgina Street. Students choose one of the pavilions for reconstruction and interior design. The process of researching existing, inherited material involves discovering and identifying traces of former life scenarios and their associated fragments of space and programs.

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KONSTRUISANJE PRAZNINE: ESTETIKA SLUČAJNOG CONSTRUCTION OF THE GAP: THE AESTHETICS OF THE RANDOM

Marko Riboškić Studio | Novi pogledi: Astronomska opservatorija na Zvezdari New views: Astronomical observatory on Zvezdara Nominacija | Nomination | Tamayouz International Award for Graduation Projects 2020

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U radu se razmatra proces arhitektonskog projektovanja koji se fokusira na transformaciju praznina u program, a dok se razvija osećaj programa. Rad sugeriše da takva transformacija praznina ima potencijal da integriše unutrašnje i spoljašnje prostore. Ključni element dizajna je definisanje arhitektonskih preduslova koji nameću korisniku da zauzme (ko)autorstvo sopstvenog javnog prostora. Odnos između je ono što će upoznati nove prostorne dimenzije sa dinamičnom koegzistencijom različitih aktivnosti zasnovanih na poziciji struktura, sa naglaskom na neprogramiranu i ljudsku maštu tog prostora. Ako bi dizajniranje elemenata s namernim razmatranjem minimalističkih i apstraktnih oblika rezultiralo neograničenim vlastitim ograničenjima, stoga bi bilo moguće da prilagodljive i fleksibilne jedinice služe ne samo jednoj svrsi, nego i mnogim. Estetika slučajnog bavi se time kako se predložene i nametnute strukture apsorbuju i koriste od strane okoline. Lepota i poezija prolaznosti mogu se ceniti za dizajniranje razmišljanja da je sve prolazno i da se neizbežno menja u konceptu vremena.

The thesis discusses the process of architectural design that focuses on the transformation of gaps in a program while developing a sense of the program. The thesis suggests that such a void transformation has the potential to integrate interior and exterior spaces. A key element of the design is to define the architectural preconditions that impose the user to take (co) authorship of his own public space. The relationship between is what will introduce new spatial dimensions to the dynamic coexistence of different activities based on the position of structures, with an emphasis on the unprogrammed and human imagination of that space. If designing elements with careful consideration of minimalist and abstract forms would result in unlimited constraints of their own, it would, therefore, be possible for adaptable and flexible units to serve not only one purpose but many as well. The aesthetics of chance deals with how proposed and imposed structures are absorbed and used by the environment. The beauty and poetry of transience can be appreciated for designing the thinking that everything is transient and that it inevitably changes in the concept of time.

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KULTURNO-ZABAVNI CENTAR VOJSKE SRBIJE CULTURAL AND ENTERTAINMENT CENTER OF THE SERBIAN ARMY

Jovana Potkonjak Studio | Novi pogledi: Astronomska opservatorija na Zvezdari New views: Astronomical observatory on Zvezdara

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Istraživanjem paradoksa kao mehanizma razvoja kroz temu master teze - Tragom paradoksa, produbljeno je značenje traga utisnutog na lokaciji. Paradoks arhitektonske intervencije se ogleda kroz uvezivanje naizgled kontradiktornih programskih relacija, a sve to u cilju otkrivanja novih mogućnosti kako u programskom tako i u fizičkom pogledu. Tema kulturnozabavnog programa Vojske Srbije je proistekla iz superponiranja slojeva istorijskog konteksta Astronomske opservatorije i sadašnjeg trenutka u kojem konstantno preispitujemo poziciju javnih institucija. Ideja prostorne intervencije je proširenje kapaciteta prostora opservatorije, bez preteranog narušavanja postojeće strukture u cilju očuvanja spomenika kulture. U skladu sa temom istraživanja i metodom dekonstrukcije, cilj je određene prostorne elemente zatečenih objekata izmestiti sa trenutne pozicije. Zadatak novoformiranog odnosa elemenata je stvaranje opne koja će pored osnovne funkcije smeštanja novog programa , omogućiti i novi način kretanja i sagledavanja postojeće strukture.

By researching paradox as a mechanism of development through the topic of the master thesis - Trace of paradox, the meaning of the trace imprinted on the location is deepened.

The paradox of architectural intervention is reflected through the importation of seemingly contradictory program relations, all to discover new possibilities both in the program and in physical terms. The topic of the cultural and entertainment program of the Serbian Army stemmed from superimposing the layers of the historical context of the Astronomical Observatory and the current moment in which we continuously re-examine the position of public institutions. The idea of​​ the spatial intervention is to expand the capacity of the observatory space, without excessive disruption of the existing structure in order to preserve cultural monuments. Following the research topic and the method of deconstruction, the goal is to move certain spatial elements of the existing objects from the current position. The task of the newly formed relationship of elements is to create a membrane which, in addition to the primary function of accommodating a new program, will also enable a new way of moving and perceiving the existing structure.

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NOVA POLJA ZNANJA NEW FIELDS OF KNOWLEDGE

Dunja Đokić Studio | Novi pogledi: Astronomska opservatorija na Zvezdari New views: Astronomical observatory on Zvezdara

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Svako znanje počinje od određene informacije. Tu informaciju prvo sami procesuiramo i na nju reagujemo, svaka individua na drugačiji način. Kada informaciju analiziramo, sledi potreba da o toj informaciji sa nekom drugom individuom, sa drugačijim razumevanjem iste, porazgovaramo, da utiske o informaciji razmenimo. Kada na svoje utiske o informaciji, dodamo drugačije poglede na istu, formira se znanje. Što se tiče samog projekta Astronomske opservatorije, njena istorija, teren, postojeći objekti, arhiv su svih informacija koje su nam potrebne za formiranje nove arhitekture. Određivanjem pojma polja, kao alatom analize tih informacija, dolazimo i do pojma superpozicije kao načina razmene informacija sa različitih pogleda. Rezultat superpozicije je skup kriterijuma koji kao reakcija na date nam informacije daju znanje o tome šta je to nova arhitektura koja potpuno odgovara datom kontekstu.

Da li postoji način da se ova otkrivena četiri koraka ka znanju impliciraju u dato polje i da se stvori novi program istraživačkog centra u kom se razumevanjem konteksta i razmenom informacija iz različitih oblasti, različitih pogleda na svet, dolazi do novih znanja?

Every knowledge starts with certain information. We first process this information ourselves and react to it, each individual in a different way. When we analyze information, there is a need to talk about that information with another individual, with a different understanding of the same, to exchange impressions about the information. When we add different views to the information about our information, knowledge is formed. As for the Astronomical Observatory project itself, its history, terrain, existing facilities, are an archive of all the information we need to form a new architecture. By defining the concept of fields, as a tool for analyzing this information, we come to the concept of superposition as a way of exchanging information from different points of view. The result of superposition is a set of criteria that, in response to the given information, additionally give us knowledge of what the new architecture is that fits the context perfectly. Is there a way to imply these discovered four steps towards knowledge in a given field and to create a new research center program in which new knowledge is gained by understanding the context and exchanging information from different fields, different worldviews?

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PAVILJON U PAVILJONU: CENTAR ZA PROMOCIJU ARHITEKTURE PAVILION IN THE PAVILION: CENTER FOR THE PROMOTION OF ARCHITECTURE

Milutin Jovanović Studio | Novi pogledi: Astronomska opservatorija na Zvezdari New views: Astronomical observatory on Zvezdara

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Projektna lokacija obuhvata kompleks Astronomske opservatorije u Zvezdarskoj šumi. Kompleks je nastao tridesetih godina dvadesetog veka u duhu samog početka moderne arhitekture u Srbiji. Kao najmoderniji urbanističkoarhitektonski kompleks tog vremena, kreiran je kroz ideje funkcionalizma, odnosno načelom da ,,forma sledi funkciju” , odakle nastaju astronomski paviljoni specifične forme u odnosu na njihovu namenu. Novi paviljon zamišljen je kao jedna živa materija sačinjena od čelične (tensegriti) strukture, koja će većim delom natkrivati paviljone opservataroje, dok će na pojedinim tačkama upadati kroz plafone ili zidove objekta i time transformisati njegov enterijer. Ova žičana struktura gradi enetrijerske elemente i u poptupnosti dominira, kako spoljašnjim, tako i unutrašnjim prostorom. Spoljašnja struktura sačinjena od trougaonih krovnih elemenata, kontrolisana je softverom, koji reguliše upad svetla. Kompleks paviljona, integrisan novim paviljonom postaje centar za promociju arhitekture, koji u svom program sadrži prostor za održavanje radionica, predavanja, biblioteke, salona za promociju novih materijala i tehnologija u arhitekturi.

The project site includes the Astronomical Observatory complex in the Zvezdara Forest. The complex was created in the thirties of the twentieth century in the spirit of the very beginning of modern architecture in Serbia. As the most modern urbanarchitectural complex of that time, it was created through the ideas of functionalism, through the principle that “form follows function”, from which astronomical pavilions of specific form in relation to their purpose are created. The new pavilion is conceived as a living matter made of steel (tensegrity) structure, which will mostly cover the observatory pavilions, while at specific points it will invade through the ceilings or walls of the building and thus transform its interior. This wire structure builds interior elements and completely dominates both the exterior and interior space. The external structure, made of triangular roof elements, is controlled by software, which regulates the intrusion of light. The pavilion complex, integrated with the new pavilion, becomes a center for the promotion of architecture, which in its program includes space for workshops, lectures, libraries, salons for the promotion of new materials and technologies in architecture.

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S02-UA PROSTOR I MESTO SPACE AND PLACE

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Nastavnik: Dr Milan Maksimović docent | assistant professor Mentorska komisija: Arh. Dragan Marčetić vanredni profesor | associate professor

Osnovni cilj rada na predmetu predstavlja formiranje novog prostorno-programskog koncepta u fizičkom okviru delimično urušenog objekta poznatog kao “španska kuća” u Ulici Branka Krsmanovića u Beogradu. Putem teorijskog istraživanja i istraživanja kroz projekat ispituju se teorijski modeli koncepta aktivnog prostora i postavljaju elementi novog idejnog rešenja unutrašnje arhitekture kroz rad na kompleksnom zadatku rekonstrukcije i adaptacije. Namena prostora može varirati različite oblike javnog korišćenja.

Dr Grozdana Šišović docent | assistant professor

The main aim of the program is the creation of a new spaceprogram concept of the physical framework of the partially collapsed building known as the “Spanish house” in Branko Krsmanović Street in Belgrade. Through theoretical research and research through the project, theoretical models of the concept of active space are examined, and elements of a new conceptual solution of interior architecture are set through work on a complex task of reconstruction and adaptation. The purpose of the space can vary in different forms of public use.

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SAVAMALSKI AMFITEATAR SPOJ APOLONSKOG I DIONIZIJSKOG SAVAMALA AMPHITHEATER THE CONNECTION OF APOLLO AND DIONYSUS

Katarina Sakić Studio | Prostor i mesto Space and place

S02-UA

Okolnost u kojoj se nalazimo proizilazi iz činjenice da živimo u društvu u kome smo nasledili dugu istoriju religiozno duboko utemeljenog neprijateljstva prema telu. Sa pojavom Hrišcanstva u evropskoj kulturi, centralnu ulogu igraju duh, forma i racionalnost dok su energija, vitalnost, telesnost gotovo potpuno zanemareni, gotovo demonizovani. Cilj rada na zadatku rekonstrukcije i adaptacije delimično urušenog objekta poznatog kao „Španska kuća“, usmeren je ka stvaranju javnog, društvenog prostora za plesne i sportske aktivnosti.

Cilj koncepta ovog prostora, je da korisnicima omogući i približi značaj telesnog razvoja, kroz pokret na aktivan (učestvujući) ili pasivan (posmatrajući) način. Oivičena arhaičnom, romantičnom fasadom, amfiteataskog oblika, unutrašnjost prostora je u potpunosti formirana od betonskog jezgra. Dve visefunkcionalne sale raspolažu prostorom od dve spratne visine. Gornja sala sa gledalištem, je u potpunosti odvojena od fasade, zbog čega se prostor vizuelno ne percipira kao siguran, već pomalo nestabilan i neizvestan.

The circumstance in which we find ourselves stems from the fact that we live in a society in which we have inherited a long history of religiously deeply grounded hostility towards the body. With the emergence of Christianity in European culture, the central role is played by spirit, form and rationality, while energy, vitality, corporeality are almost entirely neglected, almost demonized. The goal of the design of reconstruction and adaptation of the partially collapsed building known as the “Spanish House”, is aimed at creating a public, social space for dance and sports activities. The goal of the concept of this space is to enable and bring closer to the users the importance of physical development, through movement in an active (participating) or passive (observing) way. Bordered by an archaic, romantic façade, amphitheatrically shaped, the interior of the space is completely formed of a concrete core.

Two multifunctional halls have a space of two storeys. The upper hall with the auditorium is completely separated from the facade, which is why the space is not visually perceived as safe, but somewhat unstable and uncertain.

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PERCEPTIVNI ASEMBLAŽ PERCEPTIVE ASSEMBLAGES

Luka Minić Studio | Prostor i mesto Space and place

S02-UA

Master teza istražuje relacije između individualnih percepata i njihovih uslova (percepcijsko-čulni ambijentalni i društvenointerakcijski) na zadatoj lokaciji objektu Šećerane. Kroz sklop različitih mišljenja koje su postavili Žil Delez, Manuel De Landa, Kim Douvi i Gaston Bašlar, o mestu i postojanju, objekat Šećerane biće razmatran kao celina koja se formira iz tih međusobnih odnosa. Shodno tome u radu će se potencirati da taj odnos nije proizvod stvari nego njihovih veza sa svakim pojedincem tj. intimnim bićem svakog pojedinca. Osnovna pretpostavka formulisana je tako, da se u najširem smislu analizira mreža višestrukih relacija percepata i uslova kroz funkcionalne, kulturne i telesne kapacitete arhitekture. To otvara mogućnosti individualnih doživljaja u arhitektonskom projektovanju i tako omogućava da vlastita produkcija arhitekte služi za svako unutrašnje biće korisnika budućih prostora koji su bili korisnici prostora Šećerane, i da se na taj način formira kako oblikovno tako i funkcionalno novo kulturno stečište Beograda koje je neraskidivo vezano za višeslojno kulturno nasleđe koje je sam Beograd.

The master thesis investigates the relations between individual perceptions and their conditions (perceptualsensory, ambient and social-interaction) at a given location of the Šećerana building. Through a set of different opinions set by Gilles Deleuze, Manuel DeLanda, Kim Dovey and Gaston Bachelard, about the place and existence, the Šećerana building will be considered as a whole that is formed from these mutual relations. Accordingly, the thesis will emphasize that this relationship is not a product of things but of their connections with each individual, ie. the intimate being of each individual. The basic assumption is formulated in such a way as to analyze in the broadest sense the network of multiple relations of perceptions and conditions through the functional, cultural and physical capacities of architecture. This opens the possibility of individual experiences in architectural design and thus allows the architect’s own production to serve every inner being of the users of future spaces who were users of the Šećerana space, and thus form both a formally and functionally new cultural meeting place of Belgrade.

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MAS-IU MASTER AKADEMSKE STUDIJE INTEGRALNI URBANIZAM

MASTER ACADEMIC STUDIES IN INTEGRAL URBANISM

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S01-IU IDENTITET MALIH GRADOVA SRBIJE IDENTITY OF SMALL SERBIAN CITIES

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Nastavnik: Dr Jelena Živković vanredni profesor | associate professor Mentorska komisija: Dr Zoran Đukanović vanredni profesor | associate professor Dr Um. Milorad Mladenović redovni profesor | full professor

Kako saznanja o konceptu identiteta urbanih naselja, kao i rezultate istraživanja identiteta i specifičnosti malih gradova Srbije na poligonu opštine Ćićevac prevodimo u konkretne strategije, akcije i projekte? Kako se pitanja identiteta sagledavaju na strateškom, a kako na operativnom nivou?

Odgovori na ova pitanja se razmatraju u okviru osnovne teme istraživanja identiteta urbanih naselja, sa specifičnom temom “Identitet malih gradova Srbije” na poligonu opštine Ćićevac.

Poligon za izradu integralnih urbanih projekata je teritorija Opštine Ćićevac, a razvojni okvir planska dokumenta na lokalnom, nacionalnom i nadnacionalnom nivou.

How do we translate the knowledge about the concept of the identity of urban settlements, as well as the results of research into the identity and specifics of small towns in Serbia on the example of the municipality of Ćićevac into concrete strategies, actions and projects? How are identity issues perceived at the strategic level and the operational level? The answers to these questions are considered within the primary topic of research on the identity of urban settlements, with a specific topic “Identity of small towns in Serbia” on the example of the municipality of Ćićevac. Polygon for the development of integrated urban projects is the territory of the Municipality of Ćićevac, a development framework planning documents at the local, national and supranational level.

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RAZVOJ TURIZMA U FUNKCIJI REVITALIZACIJE I OČUVANJA IDENTITETA RURALNIH NASELJA TOURISM DEVELOPMENT IN THE FUNCTION OF REVITALIZATION AND PRESERVATION OF THE IDENTITY OF RURAL SETTLEMENTS Marina Georgijević Studio | Identitet malih gradova Srbije Identity of small Serbian cities Nominacija | Nomination | INSPIRELI Awards 2019

S01-IU

Veliki broj ruralnih naselja u Srbiji se poslednjih godina sve više suočava sa problemom napuštenosti, što se dešava i sa selom Braljina u opštini Ćićevac. Braljina je autentično srednjevekovno srpsko selo specifičnog identiteta, bogato prirodnim i kulturnim, graditeljskim nasleđem. Fundamentalni cilj ovog projekta je razvoj ruralnog turizma u seoskom ambijentu, uz aktiviranje lokalne zajednice i isticanje potencijala ovih područja kroz uređenje prostora i uvođenje novih programa.

Zbog toga, ovaj projekat svojim konceptom predviđa veći broj povezanih i smislenih intervencija u otvorenim i zatvorenim javnim prostorima, u kojima bi se formirala nova čvorna mesta sa raznolikim sadržajima. Povezivanje postojećih i planiranih čvorišta uz formiranje novih poteza na priobalju Južne Morave, zaokružilo bi projekat u jednu celinu gde dolazi do prožimanja prirodnog bogatstva i kulturnog nasleđa. Time bi se stvorilo šarmantno „lice Braljine“ koje bi postalo prepoznatljivo i jedinstveno ruralno područje – dobro mesto za život, rad i posetu.

In recent years, a large number of rural settlements in Serbia are increasingly facing the problem of abandonment, which is also happening with the village of Braljina in the municipality of Ćićevac. Braljina is an authentic medieval Serbian village with a specific identity, rich in natural and cultural, architectural heritage. The fundamental goal of this project is the development of rural tourism in a rural environment, with the activation of the local community and highlighting the potential of these areas through landscaping and the introduction of new programs. Therefore, this project envisages a larger number of connected and meaningful interventions in open and closed public spaces, in which new nodes with various contents would be formed. Connecting the existing and planned hubs with the formation of new moves on the riverside of South Morava would complete the project into one whole where there is a permeation of natural wealth and cultural heritage.

This would create a charming “face of Braljina” which would become a recognizable and unique rural area - a good place to live, work and visit.

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OSNIVANJE ISTRAŽIVAČKIH CENTARA U CILJU REVITALIZACIJE RURALNIH NASELJA ESTABLISHMENT OF RESEARCH CENTERS FOR THE PURPOSE OF REVITALIZATION OF RURAL SETTLEMENTS Ana Dodić Studio | Identitet malih gradova Srbije Identity of small Serbian cities Nominacija | Nomination | INSPIRELI Awards 2019

S01-IU

Cilj projekta je revitalizacija, povezivanje i razvoj postojećih prirodnih i izgrađenih celina regeneracijom prostora i uvođenjem novih sadržaja i aktivnosti. Prostorni obuhvat projekta predstavlja selo Trubarevo koje se nalazi na jugu opštine Ćićevac. Sa svim svojim kvalitetima i raznolikostima terena i prirodnih sadržaja, Trubarevo ima veliki potencijal za razvoj različitih sadržaja i aktivnosti. Kombinacijom prostornih jedinica formira se kompleks u kome nastavni centar smešten u postojećem objektu osnovne škole u Trubarevu predstavlja centralni objekat. U postojeće seoske kuće smeštaju se prateći sadržaji poput mesta za ishranu i smeštaj ili dodatni prostor za nastavne aktivnosti. Sadržaji se raspoređuju i kombinuju prema kapacitetima datih seoskih kuća, dok je seoska škola fiksan element kompleksa. Kombinovanjem postojećih i uvođenjem novih sadržaja formiraju se zone namene. Njihovom raznovrsnošću i preklapanjima život u naselju dobija na kvalitetu i otvaraju se nove mogućnosti za razvoj. Predviđene namene su: stanovanje, edukacija, sport i rekreacija, uslužne delatnosti i saobraćaj.

The goal of the project is the revitalization, connection and development of existing natural and built units by regenerating the space and introducing new contents and activities. The spatial scope of the project is the village of Trubarevo, which is located in the south of the municipality of Ćićevac. With all its qualities and diversity of terrain and natural facilities, Trubarevo has excellent potential for the development of various facilities and activities. The combination of spatial units forms a complex in which the teaching center located in the existing building of the primary school in Trubarevo is the central building. Accompanying facilities such as places for food and accommodation or additional space for teaching activities are being implemented in the existing village houses.

The facilities are arranged and combined according to the capacities of the given village houses, while the village school is a fixed element of the complex. By combining the existing and introducing new contents, purpose zones are formed. With their diversity and overlaps, life in the settlement has gained in quality, and new opportunities for development are opening up. The intended purposes are housing, education, sports and recreation, service activities and traffic.

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HEDONISTIČKI CENTAR STALAĆ HEDONISTIC CENTER STALAĆ

Milja Mladenović Studio | Identitet malih gradova Srbije Identity of small Serbian cities

S01-IU

Hedonistički centar Stalać je kompleks formiran na uzvišenju iznad grada Stalaća, na lokalitetu Kule Todora od Stalaća.

Kako bi formirao celinu na način koji afirmiše identitet mesta, kompleks se sastoji iz različitih prostornih celina koje funkcionalno odgovaraju postojećim prirodnim, kulturnim i društvenim resursima. Prostor platoa ispred kule se nalazi na ruševinama srednjevekovnog utvrđenja, prekriven staklom, kako bi se ostvarila vizuelna komunikacija sa prostorom arheološkog lokaliteta u zemlji. Gabarit platoa definisan je uskim vertikalnim stubovima kojima se rekonstruiše nekadašnji prostor utvrđenja i kreira introspektivni punkt. Tretiranjem platoa kao mesta okupljanja i kao arheološkog nalazišta, ostvaruje se mogućnost kreiranja mesta dužeg zadržavanja, što stvara potrebu za formiranjem prostora distribucije lokalnih proizvoda. Budući da sama predmetna lokacija obiluje vinogradima, koji čine značajan element identiteta i tradicije, u okviru kompleksa se javlja objekat vinoteke koji kroz koncept hibridne arhitekture postiže dualni karakter u prostornom smislu - kao vinoteka i muzej sa vidikovcem.

The Hedonistic Center Stalać is a complex formed on a hill above the town of Stalać, on the site of the Todor Tower of Stalać. In order to form a whole in a way that affirms the identity of the place, the complex consists of different spatial units that functionally correspond to the existing natural, cultural and social resources. The spatial frame of the plateau in front of the tower is located on the ruins of a medieval fortress, covered with glass, in order to achieve visual communication with the area of the archeological site in the ground. The size of the plateau is defined by narrow vertical pillars which reconstruct the former area of the fortification and create an introspective point. By treating the plateau as a gathering place and as an archeological site, the possibility of creating a place of longer retention is realized, which creates the need to form a space for the distribution of local products. Since the subject site abounds in vineyards, which are an essential element of identity and tradition, within the complex, there is a wine shop that through the concept of hybrid architecture achieves a dual character in terms of space - as a wine shop and museum with a lookout.

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S02-IU IDENTITET MALIH GRADOVA SRBIJE IDENTITY OF SMALL SERBIAN CITIES

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Nastavnik: Dr Ratka Čolić docent | assistant professor Mentorska komisija: Dr Ksenija Lalović vanredni profesor | associate professor Arh. Ivan Rašković redovni profesor | full professor

Kako saznanja o konceptu identiteta urbanih naselja, kao i rezultate istraživanja identiteta i specifičnosti malih gradova Srbije na poligonu opštine Ćićevac prevodimo u konkretne strategije, akcije i projekte? Kako se pitanja identiteta sagledavaju na strateškom, a kako na operativnom nivou?

Odgovori na ova pitanja se razmatraju u okviru osnovne teme istraživanja identiteta urbanih naselja, sa specifičnom temom “Identitet malih gradova Srbije” na poligonu opštine Ćićevac.

Poligon za izradu integralnih urbanih projekata je teritorija Opštine Ćićevac, a razvojni okvir planska dokumenta na lokalnom, nacionalnom i nadnacionalnom nivou.

How do we translate the knowledge about the concept of the identity of urban settlements, as well as the results of research into the identity and specifics of small towns in Serbia on the example of the municipality of Ćićevac into concrete strategies, actions and projects? How are identity issues perceived at the strategic level and the operational level? The answers to these questions are considered within the primary topic of research on the identity of urban settlements, with a specific topic “Identity of small towns in Serbia” on the example of the municipality of Ćićevac. Polygon for the development of integrated urban projects is the territory of the Municipality of Ćićevac, a development framework planning documents at the local, national and supranational level.

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FORMIRANJE KORIDORA ZAŠTITE OD ŠTETNIH UTICAJA VODA U SLUŽBI POLJOPRIVREDE FORMATION OF A CORRIDOR FOR PROTECTION AGAINST HARMFUL EFFECTS OF WATER IN THE SERVICE OF AGRICULTURE Milan Milenković Studio | Identitet malih gradova Srbije Identity of small Serbian cities

Sveobuhvatni cilj rada jeste unapređenje upravljanja rizicima od poplava i pronalaženje adekvatnog načina zaštite od poplava, sa fokusom na opštinu Ćićevac. Samo unapređivanje predstavlja realizaciju niza aktivnosti i mera koje uključuju ne samo lokalno stanovništvo već i opštine koje se graniče sa opštinom Ćićevac, a na njihovoj teritoriji se nalazi sliv reka Južne, Zapadne i Velike Morave. Ono što su očekivani rezultati projekta, a vezani su za unapređenje upravljanja rizicima, jesu e-platforma sa svim potrebnim informacijama, koja će se koristiti na regionalnom nivou, za celokupan sliv takozvanog Tromoravlja, ali i za formiranje Plana detaljne regulacije koridora zaštite. Kao završni rezultat projekta jeste formiranje koridora zaštite od štetnih uticaja voda, koji će imati ulogu u poljoprivredi. Pored akumulacije viška vode koja se može koristiti u poljoprivredi, koridor se može koristiti i za rekreaciju.

The overall goal of the research and project is to improve flood risk management and find an adequate way of flood protection, with a focus on the municipality of Ćićevac. The improvement represents the realization of a series of activities and measures that include not only the local population but also the municipalities bordering the municipality of Ćićevac, and on their territory, there is a basin of the rivers Južna, Zapadna and Velika Morava. The expected results of the project, related to the improvement of risk management, are the e-platform with all the necessary information, which will be used at the regional level, for the entire basin of the so-called Tromoravlje, but also for the formation of the Detailed Regulation Corridor.

The final result of the project is the formation of a corridor for protection against the harmful effects of water, which will play a role in agriculture. In addition to the accumulation of surplus water that can be used in agriculture, the corridor can also be used for recreation.

S02-IU

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RAZVOJ SOCIJALNOG PREDUZETNIŠTVA KROZ OSNAŽIVANJE LOKALNIH UDRUŽENJA ZA OČUVANJE TRADICIJE DEVELOPMENT OF SOCIAL ENTREPRENEURSHIP THROUGH STRENGTHENING LOCAL ASSOCIATIONS FOR PRESERVATION OF TRADITION Milena Đukić Studio | Identitet malih gradova Srbije Identity of small Serbian cities

S02-IU

Projekat se bavi socijalnom i ekonomskom dimenzijom održivog razvoja, inkluzijom i razvojem projekata socijalnog preduzetništva u cilju ekonomskog osnaživanja stanovništva i podrške razvoju ruralnog turizma kroz zaštitu i promociju graditeljskog nasleđa, što je prepoznato i kao jedan od strateških prioriteta urbanog razvoja u Strategiji održivog i integralnog urbanog razvoja Republike Srbije do 2030. godine.

Opšti cilj projekta je postizanje inkluzivnog urbanog razvoja Opštine Ćićevac kroz podsticanje ličnog i profesionalnog razvoja socijalno ugroženih grupa stanovništva i njihovog doprinosa društvenoj zajednici i lokalnom ekonomskom razvoju. Programski koncept projekta čini razvoj socijalnog preduzeća kroz umrežavanje i pružanje mentorske podrške lokalnim udruženjima žena za izradu narodnih rukotvorina i tradicionalnog veza, mapiranje i aktivacija graditeljskog nasleđa kao prostornog resursa za razvoj aktivnosti socijalnog preduzeća, mesta promocije novih sadržaja i proizvoda, i edukacije.

The project deals with the social and economic dimension of sustainable development, inclusion and development of social entrepreneurship projects in order to economically empower the population and support the development of rural tourism through protection and promotion of architectural heritage, which is recognized as one of the strategic priorities of urban development of the Republic of Serbia until 2030. The general goal of the project is to achieve inclusive urban development of the Municipality of Ćićevac by encouraging personal and professional development of socially endangered groups of the population and their contribution to the social community and local economic development. The program concept of the project is the development of social enterprise through networking and providing mentoring support to local women’s associations for making folk handicrafts and traditional embroidery, mapping and activation of architectural heritage as a spatial resource for developing social enterprise activities, places to promote new content and products, and education.

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MAPIRANJE I DIGITALIZACIJA OBJEKATA KULTURNOG NASLEĐA NA MOJSINJSKOJ SVETOJ GORI MAPPING AND DIGITALIZATION OF CULTURAL HERITAGE OBJECTS ON MOJSINJE HOLY MOUNTAIN Milica Tomašević Studio | Identitet malih gradova Srbije Identity of small Serbian cities

S02-IU

Projekat “Mapiranje i digitalizacija objekata kulturnog nasleđa na Mojsinjskoj Svetoj gori” ima za cilj da identifikuje, mapira i arhivira arhitekturu i spomenike koji su deo našeg kulturnog nasleđa, ali još uvek nisu prepoznati kao takvi. Kroz usmenu istoriju, kreativne digitalne alate i aktivno učešće lokalne zajednice i volontera u vidu letnje škole, projekat razvija metodologiju prikupljanja podataka i nastoji da preispita spomenike kao mesta koja nose značajnu simboličku moć za stanovnike i buduće posetioce ovih znamenitosti. Kulturno nasleđe će kroz projekat biti prezentovano na kreativan način, kroz izgradnju geo-lokacijske participativne internet platforme, koja će informisati javnost o značaju kulturnog nasleđa i omogućiti korisnicima da učestvuju u kreiranju sadržaja.

Opšti cilj projekta je očuvanje i promocija kulturnog nasleđa Mojsinjske Svete gore kroz digitalizaciju mapiranih objekata na predmetnoj lokaciji u svrhu bolje pristupačnosti objektima kulturne baštine, umrežavanja objekata kulturnog nasleđa i podizanja nivoa svesti lokalne zajednice.

The project “Mapping and digitization of cultural heritage sites on Mojsinje Holy Mountain” aims to identify, map and archive the architecture and monuments that are part of our cultural heritage, but have not yet been recognized as such. Through oral history, creative digital tools and the active participation of the local community and volunteers in the form of a summer school, the project develops a data collection methodology. It seeks to re-examine monuments as places of significant symbolic power for residents and future visitors. Cultural heritage will be presented creatively through the project, through the construction of a geo-location participatory internet platform, which will inform the public about the importance of cultural heritage and enable users to participate in creating content. The general goal of the project is to preserve and promote the cultural heritage of Mojsinje Holy Mountain through the digitalization of mapped objects at the location in order to better access cultural heritage sites, networking cultural heritage sites and raising awareness of the local community.

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OASA OSNOVNE AKADEMSKE STUDIJE ARHITEKTURA / / RIBA Part 1

UNDERGRADUATE STUDIES IN ARCHITECTURE / / RIBA Part 1

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SP4 URBANA STRANA URBAN SIDE

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Rukovodilac studijske celine | Head of the study unit mr Milan Vujović redovni profesor | full professor

Projektovanje gradskog bloka u kontekstu starog gradskog jezgra, njegovo koncepcijsko, modelsko i tipološko istraživanje, osnovne su teme zadatka. Teorijski nivo projekta zahteva istraživanje kako projektantskih ili programskih, tako i svih ostalih (socioloških, istorijskih, kontekstualnih…) odrednica koje definišu gradski blok, uz pokušaj da se analizira i istakne specifična veza sa bogatim i kompleksnim arhitektonskim nasleđem u starom gradskom jezgru. Konačni rezultat trebao bi da bude iskazan kroz izradu arhitektonsko- urbanističkog projekta koji je po svom sadržaju, značenju i prezentaciji internacionalno prepoznatljiv, komunikativan i jasan, a po načinu izrade individualan i potkrepljen čvrstim projektantskim i teorijskim stavovima.

The main topics of the studio is the design of the city block in the context of the old city center, its conceptual, model and typological research. The theoretical level of the project requires research of both designing or programming, as well as all other factors (sociological, historical, contextual…) that define the city block, with an attempt to analyze and highlight the specific link with a rich and complex architectural heritage in the old town nuclei. The final result should be expressed through the development of an architectural and urban project which is by its content, meaning and presentation internationally recognizable, communicative and clear, and by way of making is individual and supported by solid architectural and theoretical positions.

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Filip Karzić Nastavnik | Teacher | Arh. Vladimir Lojanica, redovni profesor | full professor Saradnik | Associate | Dr Maja Dragišić, asistent | teaching assistant

SP4-01

Parcela se nalazi na uglu Kameničke ulice i ulice Gavrila Principa pa sve do ulice Lomine gde su postojeći objekti izgrađeni bez obzirnosti prema kontekstu i urbanističkim pravilima unutar zadate parcele i u okolini. Koncept projekta se zasniva na stvaranju uređenih blokova gde svaki blok predstavlja jednu kulturu, u zavisnosti od lokacije u kojoj se nalazi. Blok se razdvaja na javni prostor (galerije, restorani, muzej) i privatni stambeni prostor, povezujući ih prateći sadržaji koji su esencijalni za stvaranje ambijenata po kojoj se svaka kultura razlikuje. Zadata lokacija je na oštrijoj padini i zbog potrebe rešavanja pada u korist ljudi, tradicionalna japanska arhitektura je bila idealan primer za rešavanje problema. Japan je 78% stenovit i veliki procenat objekata je izgradjeno na oštrim padinama, parkovi i trotoari su adaptirani tako da pešacima bude komforno. Ta ideja je primenjena unutar zadatog bloka gde unutrašnji prostor sadrži znatno niži pad terena i stvaranje opne koja povezuje javni i privatni deo bloka pretvara se u prostor koji predstavlja pauzu između okoline i unutrašnjosti i ujedno privlači posetioce.

The plot is located on the corner of Kamenička Street and Gavrila Principa Street all the way to Lomina Street, where the existing buildings were built regardless of the context and urban rules within the given plot and in the surroundings. The concept is based on the creation of arranged blocks where each block represents one culture, depending on location in which it is located. The block is divided into public space (galleries, restaurants, museum) and private living space, connecting them with accompanying contents that are essential for creating an ambience in which each culture differs. The location is on a steeper slope, and due to the need to solve the fall for the benefit of the people, the traditional Japanese architecture was an ideal example for solving the problem.

Japan is 78% rocky, and a large percentage of buildings are built on steep slopes, parks and sidewalks have been adapted to make pedestrians comfortable. This idea is applied within a given block where the interior space contains a significantly lower slope of the terrain and the creation of a membrane connecting the public and private part of the block turns into a space that represents a break between the environment and the interior and attracts visitors.

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Una Korica Nastavnik | Teacher | Arh. Vladimir Lojanica, redovni profesor | full professor Saradnik | Associate | Dr Maja Dragišić, asistent | teaching assistant

Koncept rada se zasniva na ideji projekta Terazijske terase i otvaranja vizura od samog centra grada ka reci Savi. Potez Terazijskih terasa je preveden u linearnu formu koja se nadovezuje na nov planirani metro sa tunelom kroz zadatu lokaciju. Liniski park, kao infrastruktura koja se prožime, sastoji se od niza komercijalnih i kulturnih sadržaja i uokviren je stambeno poslovnim objektom koji naglašava sam potez.

Glavni objekat se useca u teren kompletno i sadrži četiri podzemne etaže koje su namenjene kako garaži za stanovnike, tako i za posetioce i sekundarni sadržaj. Fasadna obrada podeljena je na tri motiva – drvo, beton i staklo – koji kao i sam urbanizam, usmeravaju i naznačavaju linijski potez. Cilj projekta je bio da savlada denivelaciju terena a istovremeno iskorsti potencijal morfologije maksimalnno, da kreira novi atraktivan sadržaj i da ispoštuje predviđenu infrastrukturu.

The concept of the project is based in the idea of the Terazije Terrace urban span at the heart of Belgrade and the continuum of the view offered by a linear flow of form, connected to the planned metro station with a tunnel passing through the very structure, a spanning infrastructure incorporated. The residential unit is Composed of commercial content and enveloped by galleries and cultural hotspots. The building itself cuts into the terrain completely and contains four underground levels, hiding the garage entirely and sustaining efficiently on the steeply tilted terrain. The facade is split into three segments - wood, concrete and glass, each symbolic of the activity beneath.

SP4-01

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Čarna Vuković Nastavnik | Teacher | Arh. Dejan Miljković, redovni profesor | full professor Saradnik | Associate | M. Arh. Miloš Stojković, asistent | teaching assistant

Tokom prvih analiza i izradom prvih skica, nastali su obrisi forme koja je odisala kontrastom. Ona se ulivala i stapala sa terenom, a ipak tako jasno izdvajala u odnosu na okruženje.

Ona je odavala utisak jasnog razdvajanja funkcija, a opet ih je spojila jednom opnom. Forma mog objekta je sa jedne strane stamena, teška, čvrsta, a sa druge strane (u bukvalnom smislu) protočna, otvorena i transparentna. U okviru te jedne forme mogu se izdvojiti tri poteza: stanovanje (ka Lominoj ulici), komercijalna zona (ka ulici Gavrila Principa) i zelena zona koja čini prelaz između ostale dve. Blok se sastoji od tri objekta koji su mestimično povezani platformama na različitim spratovima.

Prostori između objekata savladani su stepenicama i rampama sa kojih se direktno može stupiti u zelenu oazu ovih objekata, kao i na njihove krovove sa kojih se otvara pogled ka reci.

Based on the site analyzes and the making of the first conceptual sketches, the outlines of a form that exuded contrast were created. It flowed and merged with the terrain, and yet it stood out so clearly in relation to the environment. The form gave the impression of a clear separation of functions, and yet it connected them with one membrane. The shape of my object is on one side staunch, heavy, solid, and on the other side (literally) flowing, open and transparent. Within this one form, three moves can be distinguished: housing (towards Lomina Street), the commercial zone (towards Gavrila Principa Street) and the green zone that forms the transition between the other two. The block consists of three buildings that are connected in places by platforms on different floors. The spaces between the buildings are overcome by stairs and ramps from which users can directly enter the green oasis of these buildings, as well as their roofs from which the river can be seen.

SP4-02

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Milica Smiljanić Nastavnik | Teacher | Mr Milan Vujović, redovni profesor | full professor Saradnik | Associate | M. Arh. Snežana Zlatković, asistent | teaching assistant

SP4-03

Kako je zadatkom bilo definisano, projekat je trebalo da objedini različite sadržaje, formirajući grupu objekata različitih namena u okviru jednog bloka. Odatle se prvenstveno javila potreba za ispitivanjem načina povezivanja i komunikacije između objekata javne namene – u ovom slučaju komercijalnih i poslovnih objekata – i višeporodičnog stanovanja, ali i između otvorenih, zajedničkih prostora. U prostornom smislu, kompaktna, kvadratna osnova podeljena je dijagonalom koja direktno razdvaja ove sadržaje, ali je suština samog prostora postojanje nekoliko pasarela koje povezuju objekte u okviru jedne celine, kao i međusobno povezivanje dve celine. Pasarele direktno povezuju unutrašnje prostore javnih objekata, zatim krovne bašte istih, a putanja se dalje pruža ka stambenoj zoni, gde zalazi u objekte i prelazi u prostrane zajedničke terase koje zauzimaju cele etaže. Unutrašnji prostor komercijalne i poslovne zone osmišljen je u velikoj meri kao open space – fluidan, povezan prostor čime se sam koncept projekta oslikava i u unutrašnjosti. Stambeni objekti bazirani su na galerijskom tipu stanovanja – sastoje se iz niza stanova orjentinsanih ka unutrašnjem prostoru bloka.

In line with the assignment, the project aims to unite different contents, forming a group of buildings of different purposes within one block. Hence, the need arose primarily to examine the manner of connection and communication between public facilities - in this case, commercial and business facilities - and multi-family housing, but also between open, shared spaces. In the spatial sense, the compact, square base is divided by a diagonal that directly separates these contents, but the essence of the space itself is the existence of several footbridges that connect objects within one whole, as well as the interconnection of two wholes. The walkways directly connect the interiors of public buildings, then the roof gardens of the same, and the path continues to the residential zone, where it enters the buildings and passes into spacious common terraces that occupy entire floors. The interior of the commercial and business zone is primarily designed as an open space - a fluid connected space, which reflects the concept of the project in the interior. Residential buildings are based on the gallery type of housing - they consist of a series of apartments oriented towards the interior of the block.

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Teodora Arsenijević Nastavnik | Teacher | Arh. Ivan Rašković, redovni profesor | full professor Saradnik | Associate | M. Arh. Miloš Kostić, asistent | teaching assistant

SP4-04

Kako je predmetna teritorija oduvek planirana kao zeleni koridror, a usled modernizacije prerasla u gusto naseljene gradske blokove vrlo lošeg boniteta ideja je pronalaženje kompromisa. Pomirenje ovih zamisli i posledica ogleda se u konceptu koji nudi paralelan vid stanovanja, iznad postojeće fizičke sturkure i infrastrukture grada. Odizanje stanovanja na potrebnu distancu omogućava kvalitetnije bivstvovanje u nezagađenom vazduhu uz nesmetano cirkulisanje ljudi, aktivnosti, življenja u parteru istog. Težnja ka očuvanju duha mesta koji se decenijama usled blizine glavne železničke stanice očuvao izrodio je projektovanje buduće glavne metro stanice u Beogradu, koji postaje sastavni deo projekta i okosnica u oblikovnom definisanju buduće strukutre. Poroznost kao oblikovni koncept primenjen u terenu za infrastrukturu tunela, metroa, biciklističkih tunela, u parteru vrtova, vodenih površina, primenjen je i u oblikovanju stanovanja u vidu strukture čija transparentnost u vidu ošupljenosti omogućava nesmetano propuštanje svetlosti do postojeće strukure.

As the observed territory has always been planned as a green corridor, and due to modernization it has grown into densely populated city blocks of very poor worthiness, the idea is to find a compromise. Reconciliation of these ideas and consequences is reflected in the concept that offers a parallel type of housing, above the existing physical structure and infrastructure of the city. Raising housing to the required distance enables a better quality of life in unpolluted air with unhindered circulation of people, activities, living on the ground floor. The desire to preserve the spirit of the place, which has been preserved for decades due to the proximity of the central railway station, gave birth to the design of the future central metro station in Belgrade, which becomes an integral part of the project and backbone in defining the future structure. Porosity as a design concept applied in the terrain for the infrastructure of tunnels, subways, bicycle tunnels, in the ground floor of gardens, water surfaces, is also applied in the design of housing in the form of a structure whose transparency in the form of hollowness allows light to reach the existing structure.

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Ivana Varinac Nastavnik | Teacher | Arh. Goran Vojvodić, redovni profesor | full professor Saradnik | Associate | M. Arh. Ana Zorić, asistent | teaching assistant

SP4-05

Slika Beograda kakva danas postoji ubrzo će se promeniti izgradnjom Beogradskog - Waterfront-a, a funkcija parka date lokacije, Terazijske terase, izgubiće funkciju i svoj čuveni pogled ka reci i novijem delu grada. BW nametnuo je novi visinski standard datog područja, i sve što bude nicalo u budućem periodu nastojaće to da nadmaši kako bi uhvatilo bar deo tog pogleda, dok će samo najprivilegovaniji uživati u tom luksuzu. Projekat je zasnovan kao kritičko istraživanje standardnog tipa stambenog objekta današnjice i njegovo potencijalno funkcionisanje implementiranjem u visinu. Cilj je bila potraga za novim oblikom stanovanja, koji bi u isto vreme zadržao sve kvalitete jednostavne organizacije i bio prilagođen budućim potrebama. tSa porastom visine proređuje se struktura, stanovi su komforniji, izdignutiji i ekskluzivniji. Sem što su jedinice multiplikovane po vertikali, takođe su i rotirane u cilju postizanja što veće privatnosti unutar stanova.

Rezultat je jedinstvena struktura koje može da se širi, niže, menja i razvija u skladu sa različitim predstojećim stambenim potrebama i vizurama Beograda.

The image of Belgrade as it exists today will soon change with the construction of the Belgrade Waterfront (BW), and the function of the park of the given location, Terazije Terrace, will lose its function and its splendid view of the river and the newer part of the city. BW has imposed a new height standard for a given area, and anything that will sprout in the future will try to surpass it to capture at least part of that view, while only the most privileged will enjoy that luxury. The project is based on a critical research of the standard type of residential building today and its potential functioning by implementation in height. The goal was to search for a new form of housing, which would, at the same time, retain all the qualities of a simple organization and be adapted to future needs. As the height increases, the structure becomes thinner, and the apartments are more comfortable, elevated and more exclusive. Apart from the fact that the units are multiplied vertically, they are also rotated in order to achieve greater privacy inside the apartments. The result is a unique structure that can be expanded, lowered, changed and developed in accordance with the various upcoming housing needs and views of Belgrade.

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Mila Luković Nastavnik | Teacher |

,,…umesto svesti, to stvara novu nesvesnost’’, nesvesnost o postojećem i potencijalnom, iako očiglednom i intimnom.

Dr Vladimir Milenković, vanredni profesor | associate professor Saradnik | Associate | M. Arh. Mila Mojsilović, asistent | teaching assistant

“...instead of consciousness, it creates a new unconscious” ,unconsciousness of the existing and the potential, though obvious and intimate.

SP4-06

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Teodora Ćirić Nastavnik | Teacher | Dr Ana Nikezić, vanredni profesor | associate professor Saradnik | Associate | M. Arh. Hristina Stojanović, asistent | teaching assistant

SP4-07

Projekat se bavio temom invertovanja klasičnog gradskog bloka, na primeru bloka okruženog ulicama Gavrila Principa, Lominom, i Kameničkom. Zbog karakteristika lokacije, kao što su velika denivelacija terena i postojanje značajnog pešačkog pravca koji predstavlja Kamenička ulica glavni potezi su bili izmeštanje stanovanja/privatnog na kotu Lomine ulice i propuštanje javnih sadržaja i poslovanja na lokaciju sa kote ulice Gavrila Principa. Na taj način se pojavljuje struktura koja funkcioniše tako što komunacijama uvezuje ove dve ulice i blokove iznad i ispod njih, dok je stanovanje direktno vezano za Lominu, a glavnim jezgrima se omogućava vertikalna komunikacija na niže etaže. Zbog nepostojanja standardnih jedinica na terenu u padu, projektovano komunicira kao jedinstven sistem koji omogućava primarno pešaku da se nesmetano kreće kroz blok, kako horizontalno tako i vertikalno.

Suprotno od situacije zatečene na terenu. Ideja o invertovanju pozicije privatnog i javnog nastaje iz provokacije zatvorenošću bloka i njegovih sadržaja, kao i nemogućnost direktnog kretanja kroz blok.

The project dealt with the topic of inverting a classic city block, on the example of a block surrounded by Gavrila Principa, Lomina, and Kamenička Streets. Due to the characteristics of the location, such as the significant levelling of the terrain and the existence of a significant pedestrian route representing Kamenička Street, the first moves were to displace housing/ private on the elevation of Lomina Street and to pretermit public facilities and business from Gavrila Principa Street. In that way, a structure appears that functions by connecting these two streets and blocks above and below them with communications, while housing is directly connected to Lomina, and the central cores enable vertical communication on the lower floors. Due to the lack of standard units on the ground in the slope, it is designed to communicate as a unique system that allows pedestrians primarily to move freely through the block, both horizontally and vertically. Contrary to the situation found on the ground. The idea of ​​inverting the position of the private and the public arises from the provocation of the closedness of the block and its contents, as well as the impossibility of direct movement through the block.

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Teodora Simonović Nastavnik | Teacher | Dr Đorđe Stojanović, vanredni profesor | associate professor Saradnici | Associates | M. Arh. Nemanja Kordić, asistent | teaching assistant M. Arh. Anđela Karabašević, istraživač-pripravnik | research assistant

SP4-08

Kaskadirani platoi - javne terase, raznolike visine objekata, javna stepeništa orjentisana ka reci samo su neki od mehanizama u kojima se stvara vizuelna veza sa rekom Savom ali i kontekstualna veza sa idejom o Terazijskoj terasi. Na ovom području detektujemo najrazličitije korisnike, društvene grupe i u ovom projektu pokušala sam da afirmišem zajedničku saradnju ali i da stvorim uslove za život u takvoj heterogenoj zajednici. Projektovala sam tri tipa stanovanja i to : kule koje imaju najviše privatnosti i najatraktivniji pogled, urbane vile koje imaju kontakt sa zemljom i pripadajućim platoom, ali i male jedinice za iznajmljivanje i povremeno korišćenje koje se nalaze u zelenim atrijum i sadrže najrazličitije zajedničke sadržaje. Javni prostori su takođe različiti - postoje platoi koji su javni, na kojima su kafići, zelenilo, parkovi, i poluamfitiatralno stepenište koje je takođe javno i predstavlja mesto okupljanja.

Pored toga postoje i zeleni atrijumi, odnosno privatna dvorišta u kojima borave korisnici sva tri tipa stanovanja, predstavljaju izolovane zelene oaze u samom centru gradske matrice. Sva tri tipa stanovanja ima direktnu vezu sa svakim tipom javnog prostora.

Cascading plateaus - public terraces, various heights of buildings, public staircases oriented towards the river - are just some of the mechanisms in which a visual connection with the Sava River is created, but also a contextual connection with the idea of the ​​ Terazije Terrace.

In this area, we detect various users, social groups, and in this project I strive to affirm cooperation, but also to create conditions for living in such a heterogeneous community. I designed three types of housing: towers that have the most privacy and the most attractive view, urban villas that have contact with the land and the plateau, but also small units for rent and occasional use that are located in the green atrium and contain various common facilities.

Public spaces are also different - some plateaus are public, with cafes, greenery, parks, and a semi-amphitheater staircase that is also public and represents a gathering place. In addition, there are green atriums, i.e. private courtyards in which users of all three types of housing live, represent isolated green oases in the very center of the city matrix. All three types of housing have a direct connection with each type of public space.

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Filip Pavlović Nastavnik | Teacher | Dr Grozdana Šišović, docent | assistant professor

SP4-09

Ideja diplomskog projekta je podjela lokacije na zone za poslovanje i stanovanje uz nekoliko različitih komunikacija u vidu staza i stepeništa. Ideja je obogatiti susjedstvo zonama okupljanja na kaskadama u vidu malih zelenh parkova, kao i trgom u delu poslovanja, čime dobijamo plemenitiji vid stanovanja u centru. Između “Beograda na vodi” i samog centra, ova lokacija ima primamljiv položaj, međutim postojeće stanje je takvo da se mora izvršiti radikalna intervencija.

Prilikom projektovanja vođeno je računa da zgrade daju ljepšu sliku grada, a da se spratnošću uklope u širu okolinu. Projekat nastaje u savremenoj epohi, kao neophodan korak u sustizanju modernih standarda stanovanja. Ovakvom intervencijom bi se revitalizovao dio grada, koji ima lošu reputaciju, stvaranjem novih radnih mjesta, privlačenjem novog stanovništva i najbitnije od svega, podstakao bi se razvoj susjednih blokova.

Veliki akcenat je takođe na vizurama, otvaranju ka Savi, kao i očuvanju vizura sa Terazijske terase.

The idea of ​​the project is to divide the location into business and residential zones with several different communications in the form of paths and stairs. The idea is to enrich the neighborhood with gathering zones on cascades in the form of small green parks, as well as a square in the part of business, which gives us a nobler kind of housing in the center. Between “Belgrade Waterfront” and the center itself, this location has an attractive position, but the current situation is such that radical intervention must be carried out. During the design, care was taken that the buildings give a more beautiful picture of the city, and that the floors fit into the wider environment. The project originates in the modern era, as a necessary step in catching up with contemporary housing standards. Such an intervention would revitalize the part of the city, which has a bad reputation, by creating new jobs, attracting new population and most importantly, would encourage the development of neighboring blocks. Great emphasis is also on the views, opening to the Sava, as well as preserving the views from the Terazije Terrace.

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Nevena Jašić Nastavnik | Teacher | Dr Verica Krstić, docent | assistant professor

SP4-10

Ideja je da se objekat napravi kombinacijom modula, koji su analizirani. Postoji osnovni modul i varijante redukovanja njegove visine, širine, dužine. Ne postoji tačno određeni programi po etažama, već je sve razigrano. / kuhinja / mesto gde bi se dovodili naši i strani kuvari, različitih specijalizacija, koji bi podučavali naše ljude; Verovatno bi se napravila podela prema receptorima ukusa na jeziku - na: slatko, slano, gorko, kiselo i ljuto. / edukativni deo / postojao bi prostor u kom bi radili, vežbali, učili, a pored toga bi postojao i prodajni prostor; / prodaja / velika cirkulacija ljudi može samo da pomogne, jer se najbolji proizvod može dobiti osluškujući ljude; Sa prodajnim prostorom, mogu se dobijati direktne kritike. / uzgoj / pored ostalih prostora, postojale bi i male bašte; U okviru bloka, postojale bi male obradive površine, gde bi se gajile razne stvari, koje bi se posle koristile u kuhinji. / stanovanje / stambeni prostor bi bio predviđen za predavače, polaznike kursa/studente, a ukoliko neko želi, postoji mogućnost i kupovine stana.

The idea is to make the object a combination of modules, which are analyzed. There is an essential module and variants of reducing its height, width, length. There are no specific programs on floors, but everything is playful. / kitchen / a place where our and foreign chefs would be brought, of different specializations, who would teach our people; A division would probably be made according to the taste receptors on the tongue - sweet, salty, bitter, sour and spicy. / educational part / there would be a space in which to work, practice, study, and in addition, there would be a sales space; / sales / great circulation of people can only help, because the best product can be obtained by listening to people; With retail space, direct criticism can be obtained. / cultivation / in addition to other areas, there would be small gardens; Within the block, there would be small arable land, where various things would be grown, which would then be used in the kitchen. / housing / living space would be provided for lecturers, course participants / students, and if someone wants, there is a possibility of buying an apartment.

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Mirko Pantović Nastavnik | Teacher | Dr Aleksandra Stupar, vanredni profesor | associate professor Saradnik | Associate | M. Arh.,M. Urb. Aleksandar Grujičić, asistent | teaching assistant

SP4-11

Fuzija je pojam koji može imati više od jednog značenja, ali prava esencija se krije u stapanju, spajanju i interakciji. Projekat Fusion70 opisuju tri ključne reči - cirkulacija, transparentnost i dostupnost. Nivo refleksije poziva ljude da iskuse prostor i da se u istom osećaju drugačije. Fusion70 je sinteza komercijalnog i stambenog, ali takođe ima karakter javnog prostora izvedenog terasastim trgovima koji su najbolje objašnjeni pojmovima -konektivnost i dostupnost. Ovaj urbani prostor je mnogo više od običnog javnog prostora koji ima čaroban pogled na reku i služi za okupljanje ljudi i obavljanje dnevnih aktivnosti, ovo je prostor vizionara. Koncept poroznosti je nezaobilazno pomenuti - linija vida se lako probija kroz strukturu i njene staklene površine i time čini da korisnik bude svestan svog okruženja i kretanja. Fuzija je jedinstvo forme i života, stakla i betona, transparentnog i čvrstog, radnog i životnog, kreativnog i funkcionalnog, ali pre svega ljudi i prirode. Kroz Fusion70 želeo sam da pružim ljudima ne samo kreativan i green dizajn, već i poseban urbani javni prostor koji istinski inspiriše ljude i forsira interakciju medju njima.

Fusion is a term that can have more than one meaning, but the real essence lies in blending, merging and interacting. The Fusion70 project is described by three keywords - circulation, transparency and accessibility. The level of reflection invites people to experience the space and to feel different in there.

The Fusion70 is a synthesis of commercial and residential, but it also has the character of a public space in the form of terraced squares that are best explained by the terms – connectivity and accessibility. This urban space is much more than an ordinary public space that has a magical view of the river and serves to gather people (for their daily activities); this is a space of visionaries. The concept of porosity is essential - the line of sight easily breaks through the structure and its glass surfaces, making the user aware of its environment and movement. Fusion is the unity of form and life, glass and concrete, transparent and solid, working and living, creative and functional, but above all people and nature. Through Fusion70, I wanted to provide people with not only creative and green design but also a unique urban public space that truly inspires people and forces interaction between them.

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Dejan Vujačić Nastavnik | Teacher | Dr Jelena Ivanović Šekularac, redovni profesor | full professor Saradnik | Associate | M. Arh. Nikola Macut, asistent | teaching assistant

SP4-12

Veoma atraktivna, a takođe i zahtevna lokacija usled topografije terena u užem gradskom jezgru uticala je na formiranje arhitektonskog i urbanističkog rešenja čitave blokovske celine unutar koje ovaj objekat predstavlja ugaoni reper. U prizemlju pozicionirani su lokali i zone vertikalnih i horizontalnih komunikacija. Spratne etaže projektovane su kao tipske sa po pet stanova različitih površina, dok su podzemne etaže predviđene za tehničke prostorije, ostave i garažu. Posebna pažnja u procesu projektovanja pridata je projektovanju fasadnih sklopova, gde se težilo formiranju različitih planova u sklopu geometrizovanih fasadnih površina uz prisustvo transparentnih staklenih površina, koje naročito dominiraju u zoni prizemlja. Za materijalizaciju fasada su odabrani linijski elementi u vidu termički tretiranih drvenih letvi i kompozitni pločasti elementi. Razlika između pomenutih materijala je pored postavljanja u dva različita plana izvedena i kroz upotrebu određenih tonova, gde su linijski u tonovima prirodnog drveta, dok su pločasti u belom tonu, sve u cilju postizanja određenog likovnog kvaliteta fasadnog sklopa ovog objekta.

A very attractive, and also demanding location due to the topography of the terrain in the inner city, influenced the formation of the architectural and urban solution of the entire block unit within which this building represents the urban landmark. On the ground floor, there are commercial facilities and zones of vertical and horizontal communications. Floors are designed as typical with five apartments of different sizes, while the underground floors are provided for technical rooms, storage and garage. Special attention in the design process was focused on the design of facade assemblies, where the aim was to form different plans within the geometrized facade surfaces with the presence of transparent glass surfaces, which especially dominate in the ground floor zone. Linear elements in the form of thermally treated wooden slats and composite panel elements were selected for the materialization of the facades. The difference between the mentioned materials, in addition to being placed in two different planes, was made through the use of certain tones, where they are linear in tones of natural wood, while the panels are in white, all in order to achieve a certain artistic quality of the facade.

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Jelena Joksimović Nastavnik | Teacher | Arh. Dragan Marčetić, vanredni profesor | associate professor Saradnik | Associate | M. Arh. Andrej Josifovski, asistent | teaching assistant

SP4-13

Koncept se zasniva na korišćenju nagiba terena, što nije bila karakteristika ranijih tema koje smo obrađivali, kao i uvođenju pešačke zone po čitavoj lokaciji kao proširenja Knez Mihailove ulice i Terazijske terase. Uvidela sam značaj vizura u tom delu grada i to iskoristila uvodeći krovove koji postaju rampe i terase na različitim visinama stvarajući različite vizure ka reci.

Kamenička ulica je bila jedna od najlepših pešačkih ulica koju turisti prvo primete kada se od autobuske stanice upute ka centru grada.Želela sam da razvijem i proširim pešacku zonu Kameničke ulice ubacivanjem rampe kao njenog sa zelenim zonama i platoima-stepeništima kao mestima za okupljanje i odmaranje. Ispod tribina smešten je kompleks tržnog centra koji se zavrsava objektom-vidikovcem kao proširenjem ulice Lomine. Takođe stvaranjem velikog platoa u nivou ulice Gavrila Principa želela sam da čitav komples okrenem ka centralnom platou gde bi se odvijali multifuncionalni sadržaji po potrebi i koji bi se sagledavali sa tribina i iz objekata. Drugi objekat ima jednostavnu formu njegova unutrašnjost je fluidna sa funkcijom izložbenog prostora.

The concept is based on the use of the slope of the terrain, which was not a feature of earlier topics we covered, as well as the introduction of a pedestrian zone throughout the location as an extension of Knez Mihailova Street and Terazije Terrace.

I saw the importance of views in that part of the city which are interpreted through the project in a form of ramps and terraces at different heights creating different views towards the river.

Kamenička Street was one of the most beautiful pedestrian streets that tourists first notice when heading from the bus station to the city center. I wanted to develop and expand the pedestrian zone of Kamenička Street by inserting a ramp with green zones and stepladders as places to gather and rest.

Below the stands is a shopping center complex that ends with a lookout building as an extension of Lomina Street. Also, by creating a large plateau at the level of Gavrila Principa Street, I wanted to turn the whole complex towards the central plateau where multifunctional facilities would take place as needed, and which would be viewed from the stands and from the buildings. The second building has a simple form, its interior is fluid with the function of the exhibition space.

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Tamara Plećević Nastavnik | Teacher | Dr Milan Radojević, docent | assistant professor Saradnici | Associates | M. Arh. Damjana Lojaničić asistent | teaching assistant Dr Aleksandra Čabarkapa asistent | teaching assistant

Ideja objekta je proizašla iz potrebe da se poboljša stanje na zadatoj lokaciji, kako svojim sadržajem i namenama, tako i svojim oblikovanjem. *Okruženje koje zgrada obezbeđuje [sklonište / izlaganje] svom strukturalnom pristupu, kako se percipira [javno / privatno], i kako koristi svoj kontekst [pogledi / karakteristike].* Strma lokacija zahteva jak strukturalni koncept od samog početka, gde se koriste karakteristike koje bi ravna lokacija možda želela da pokaže njegovu izloženost i način na koji zgrada komunicira sa svojim aspektima severa, istoka, juga i zapada. Čitava postavka objekta zasnovana je na vizurama, koje su odbrana i oblikovanje zgrade na nivoima važnosti i prioriteta.

The idea of the building is derived from the need to improve the situation at a given location, as its content and purpose, as well as its design. * The environment that the building provides [shelter / exposure] to its structural approach, how it is perceived [public / private], and how it uses its context [views / characteristics]. * A steep location requires a strong structural concept from the outset, where the characteristics used a flat location might want to show its exposure and the way the building communicates with its aspects of north, east, south and west. The entire layout of the building is based on views, which are the defense and design of the building at the levels of importance and priority.

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IASA INTEGRISANE OSNOVNE I MASTER AKADEMSKE STUDIJE ARHITEKTURA

SINGLE-CYCLE 5-YEAR STUDY PROGRAMME IN ARCHITECTURE

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SP4A VRAČARSKA INTERVENCIJA VRAČAR INTERVENTION

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Rukovodilac studijske celine | Head of the study unit arh. Goran Vojvodić redovni profesor | full professor

Težište rada podrazumeva ispitivanje prostornih, programskih i konceptualnih potencijala lokacije definisane ulicama: Braničevskom, Šumatovačkom, Maksima Gorkog i Južnim bulevarom na Vračaru. U prostornom kontekstu gradskog urbaniteta, projektovane celine mogu biti određene kao manji gradski centri ili kao multifunkcionalne celine sa prisustvom više komplementarnih funkcija, uz ispitivanje mogućnosti za unapređenje i obogaćivanje postojećih sadržaja (kontekstualnost). Akcenat studija je na projektovanju tipologije višeporodičnog stanovanja sa pratećim višenamenskim, obrazovnim, kulturnim, poslovnim, sportskim, trgovačkim i uslužnim funkcijama.

The focus of the studio is to examine the spatial, program and conceptual potentials of the location defined by the streets: Braničevska, Šumatovačka, Maksima Gorkog and Južni boulevard in Vračar, Belgrade. In the spatial context of urbanity, designed units can be defined as smaller urban centers or as multifunctional units with the presence of more complementary functions, with the examination of possibilities for improvement and enrichment of existing contents (contextuality). The emphasis of the studio is on designing the typology of multifamily housing with accompanying multipurpose, educational, cultural, business, sports, trade and service functions.

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Tijana Žišić Nastavnik | Teacher | Arh. Miloš Komlenić, docent | assistant professor Saradnik | Associate | M. Arh. Vladan Stevović, asistent | teaching assistant

Vračar je posmatran kao stari, ali luksuzni i kvalitetan deo Beograda za život. Tokom prethodne decenije, puno toga se promenilo na posmatranoj lokaciji. Mnogo starih kuća je zamenjeno malim zgradama ili porodičnim vilama i jedna po jedna, male zelene oaze koje su disale između ovih zidova – nestale su.

Ova intervencija je kao algoritam koji objašnjava put kojim Vračar treba da evoluira. Na trenutnom planu kvarta, postojeći objekti su markirani i svaki pravougaonik ili kvadrat, koji predstavlja svojevrsnu kuću ili zgradu – dobio je novu funkciju od mogućih tri: novo kolektivno stanovanje (različitih tipova), park ili javna bašta ili bazen / vodena površina. Ovim putem, ne samo da bi konkretni blok bio u potpunosti restauriran, u eksterijeru, enterijeru i ambijentu, već bi se ustanovilo ponašanje u specifičnim prostorima sa istorijskom vrednošću, za buduće projekte.

Vračar is seen as an old, but luxurious and quality area to live in.

During the last decade, there has been a lot going on around the pointed location. Small buildings or family villas have replaced a lot of old houses, and one by one, small green oases between the objects became extinct. This specific intervention is like a pattern that explains how Vračar should evolve. The old site plan was taken, objects marked, and then for every rectangle or square, that represented the old house or building, the new function has been chosen between the three possible: a new building, public garden/park or a pool. This way, not only would the specific block be renewed, but also - a way of behaving in such areas of significant historical value is explained and prepared to be used on future projects.

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Mitra Vasiljević Nastavnik | Teacher | Dr Jelena Ristić Trajković, docent | assistant professor Saradnik | Associate | M. Arh. Aleksandra Milovanović, istraživač-pripravnik | research assistant

Vračarska intervencija bazirana je na razumevanju konteksta i delovanju u skladu sa njim. Programsko-prostorni koncept odgovara na potrebe savremenog načina života. Koncept je definisan odnosom prema morfologiji terena, okruženju i izgrađenim strukturama. Stanovanje je planirano kao dugačak trakt uz ulicu gde bi svaka jedinica imala svoju baštu i privatni ulaz, a javni prostor bi činile zelene površine u unutrašnjosti bloka. Takođe, obzirom na dužinu trakta i nedovoljan broj javnih površina, u okviru traktova su napravljene pauze između stambenih jedinica koje formiraju zajedničke prosotre i povezuju saobraćajnice sa unutrašnjim delom bloka. Komercijalna zona je planirana duž novoprojektovane podzemne ulice koja bi vodila do garaža i povezivala dve susedne ulice.

Vračar intervention is based on understanding the context and acting in accordance with it. The program-spatial concept responds to the needs of the contemporary way of life. The concept is defined by the relationship to the morphology of the terrain, the environment and the built structures. The housing is planned as a long tract along the street where each unit would have its own garden and private entrance, and the public space would consist of green areas inside the block. Also, due to the length of the tract and the insufficient number of public areas, breaks were made within the tracts between the housing units that form common spaces and connect the roads with the inner part of the block. A commercial zone is planned along the newly designed underground street that would lead to the garage and connect the two adjacent streets.

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Anja Popović Nastavnik | Teacher | Dr Ivana Rakonjac, docent | assistant professor

Projekat prenamene crkve predlaže novi, nekonvencionalni centar na Vračaru. Vračarska crkva je lišena svoje prvobitne funkcije i postaje srž i inspiracija za hotelski kompleks koji je okružuje. Monumentalne zidine koje je obgrljuju, ogoljavaju se pred svima i besramno prikazuju njihov užitak. Prihvatanjem svojih želja i potreba oni spoznaju sebe u ekstazi rajskih vrtova i termi. Time stvaraju novo vreme u kojem je sve zarobljeno osim neuhvatljivog zvuka crkvenih orgulja.

The reuse project of the church is proposed as a new, unconventional center in Vračar. The church in Vračar has been deprived of its original function and is becoming the core and inspiration for the hotel complex that surrounds it.

The monumental walls that embrace it strip naked in front of everyone and shamelessly display their pleasure. By accepting their desires and needs, they come to know themselves in the ecstasy of paradise gardens and spas. This creates a new time in which everything is captured except the elusive sound of the church organ.

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Komisija za selekciju najuspešnijih završnih master radova za 2018/2019. godinu | Commission for the selection of the most successful final master’s theses for 2018/2019 academic year | arh. Dejan Miljković redovni profesor | full professor rukovodilac studijske celine Master završni rad | head of the study unit arh. Vladimir Lojanica redovni profesor | full professor šef Departmana za arhitekturu | head of the Department of Architecture dr Aleksandra Stupar redovni profesor | full professor šef Departmana za urbanizam | head of the Department of Urbanism dr Jelena Ivanović Šekularac redovni profesor | full professor šef Departmana za Arhitektonske tehnologije | head of the Department of Architectural Technology Internacionalni članovi komisije za 2018/2019. godinu | International members of the commission for 2018/2019 academic year | Lilly Kudić Head of Architecture, London South Bank University, UK Milica Topalović Associate Professor ARCHITECTURE OF TERRITORY, Architecture and Territorial Planning, Department of Architecture, ETH Zurich Ajla Selenić Architecture – Design – Art, Helsinki, Finland

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NOMINACIJE NOMINATIONS

Arhitektonski fakultet u Beogradu duži niz godina realizuje aktivnost nominacija najuspešnijih master završnih radova za priznate nacionalne i međunarodne studentske nagrade i konkurse u cilju promocije Fakulteta i prezentacije studentskih rezultata na nacionalnoj i međunarodnoj akademskoj sceni.

Komisija za selekciju najuspešnijih završnih master radova za 2018/2019. godinu, donela je odluku o nominacijama za 3 nacionalne i 5 međunarodnih studentskih nagrada ispred Univerziteta u Beogradu – Arhitektonskog fakulteta. Master završni projekti su realizovani u okviru četvrtog semestra programa Master akademske studije Arhitektura – II godina, Master akademske studije Unutrašnja arhitektura – II godina i Master akademske studije Integralni urbanizam – II godina.

The Faculty of Architecture in Belgrade has a well-developed practice of nominating the most successful master’s theses for recognized national and international student awards and competitions in order to promote the Faculty and present student results on the national and international academic scene. Commission for the selection of the most successful final master’s theses for 2018/2019 academic year, made a decision on nominations for 3 national and 5 international student awards in front of the University of Belgrade - Faculty of Architecture. Master final projects were realized within the fourth semester of the program Master of Academic Studies in Architecture - 2nd year, Master of Academic Studies in Interior Architecture - 2nd year and Master of Academic Studies in Integral Urbanism - 2nd year.

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RIBA PRESIDENT’S MEDALS Nominacije | Nominations | RIBA Part 2 Đorđe Đurica Lidija Lukić Best Dissertation Award Jana Petrović

RIBA President’s Medals su nagrade koju svake godine dodeljuje Kraljevski Britanski institut arhitekata -RIBA i predstavljaju najstarije i najprestižnije nagrade u arhitektonskom obrazovanju u svetu koje datiraju još od 1836. godine, kada je Kraljevski Britanski institut arhitekata dodelio Džordžu Godvinu(George Godwin) prvu srebrnu medalju za esej “Priroda i svojstva betona”. Trenutni format nagrada je uspostavljen 1986. godine, kada je veliki broj studentskih nagrada, stipendija i priznanja zamenjen bronzanim i srebrnim medaljama kako bi bili nagrađeni izvanredni studentski radovi u okviru verifikovanih programaRIBA part 1 i RIBA part 2, dok se od 2001. godine dodeljuje i nagrada za najbolju disertaciju.

RIBA President’s Medals are awards given annually by the Royal British Institute of Architects – RIBA and represent the oldest and most prestigious awards in architectural education in the world, dating back to 1836, when the Royal British Institute of Architects awarded George Godwin the first silver medal for the essay “Nature and Properties of Concrete“. The current award format was established in 1986, when a large number of student awards, scholarships and honors were replaced with bronze and silver medals to reward outstanding student work within the verified RIBA part 1 and RIBA part 2 programs, and since 2001 and Best Dissertation Award.

YOUNG TALENT ARCHITECTURE AWARD - EUROPEAN UNION PRIZE FOR CONTEMPORARY ARCHITECTURE MIES VAN DER ROHE AWARD 2020 Nominacije | Nominations | Sanja Petrović Marko Dedić Đorđe Đurica Lidija Lukić

The Young Talent Architecture Award (YTAA) organizuje Fondacija Mies van der Rohe uz podršku Kreativne Evrope(Creative Europe), kao ekstenziju nagrade Evropske unije za savremenu arhitekturu- Mies van der Rohe. Ova nagrada se dodeljuje u partnerstvu sa Evropskom asocijacijom za arhitektonsku edukaciju (EAAE), čiji je Arhitektonski fakultet u Beogradu formalni član i Savetom arhitekata Evrope (ACECAE).

The Young Talent Architecture Award (YTAA) is organized by the Mies van der Rohe Foundation with the support of Creative Europe as an extension of the European Union’s Award for Contemporary Architecture – Mies van der Rohe. This award is presented in partnership with the European Association for Architectural Education (EAAE), of which the Faculty of Architecture in Belgrade is a formal member and the Council of Architects of Europe (ACE-CAE).

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INSPIRELI AWARDS 2019 Nominacije | Nominations | Architecture Lazar Crnoglavac Miloš Kapetanović Jelena Zlatanović Ivana Novaković Urban Planning Marina Georgijević Ana Dodić

Inspireli Awards je globalno studentsko takmičenje u oblasti arhitekture, urbanog dizajna, pejzažne arhitekture i unutrašnje arhitekture pod medijskim pokroviteljstvom vodeće globalne digitalne platforme ArchDaily. Osnovni cilj nagrade je omogućavanje novim talentima da ispričaju svoje arhitektonske priče i podignu svest o sopstvenom profesionalnom svetu.

The Inspireli Awards is a global student competition in architecture, urban design, landscape architecture and interior architecture sponsored by the leading global digital platform ArchDaily. The main goal of the award is to enable new talents to tell their architectural stories and raise awareness of their own professional world.

NAGRADA FONDACIJE SESTRE BULAJIĆ SISTER BULAJIĆ FOUNDATION AWARD Nominacije | Nominations | Dezire Tilinger Danica Pavićević

Nagrada Fondacije sestre Bulajić raspisuje se svake godine za po dva najbolja odbranjena diplomska rada na osnovnim studijama Arhitektonskog fakulteta – Univerziteta u Beogradu.

The Sister Bulajic Foundation Award is awarded each year for two of the best-defended master’s theses of undergraduate studies program at the Faculty of Architecture – University of Belgrade.

NAGRADA GRADA BEOGRADA ZA STVARALAŠTVO MLADIH BELGRADE CITY AWARD FOR YOUTH CREATION Nominacije | Nominations | Mladen Maslovar

Nagrada grada Beograda za stvaralaštvo mladih dodeljuje se za delo koje predstavlja najvrednije ostvarenje u naučnom i umetničkom radu učenika i studenata, odnosno za samostalni rad učenika ili studenata koji predstavljaju doprinos u određenoj oblasti nauke, originalno tumačenje nekog problema, delimično ili potpuno novo rešenje praktične primene određenih naučnih rezultata ili umetničko dostignuće koje se po vrednosti naročito ističe.

The Belgrade City Award for Youth Creation is awarded for a work that represents the most valuable achievement in the scientific and artistic work of students and students, or for the independent work of students or students who represent a contribution in a particular field of science, an original interpretation of a problem, a partial or completely new solution of practical application certain scientific outputs or artistic achievement that stands out in particular.

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TAMAYOUZ INTERNATIONAL AWARD 2020 Nominacije | Nominations | Aleksandar Majstorović Anamarija Mrđanovački Katarina Dimitrijević Milica Živaković Đorđe Bulajić Tijana Mačkić Danijela Urukalo Marta Adamović Filip Janićijević Tina Ostojić Marko Riboškić Dezire Tilinger Đorđe Đurica Nagrada mentora Ivan Rašković

Tamayouz International Award for Graduation Projects je globalni konkurs za diplomske projekte u oblasti arhitekture, urbanog dizajna, urbanog planiranja, arhitektonskih tehnologija i pejzažnog dizajna. Nagrada je aktuelna na internacionalnom nivou od 2012. godine, razvijajući se od nacionalne do globalno priznate nagrade, prvenstveno zbog kredibiliteta kritičara – počevši od Zahe Hadid koja je učešćem u radu žirija 2012. godine doprinela globalnom brendiranju nagrade. Nagrade se dodeljuju za pojedinačne diplomske projekte, za najbolju školu arhitekture i najboljeg mentora.

The Tamayouz International Graduation Projects Award is a global competition for graduate projects in architecture, urban design, urban planning, architectural technology and landscape design. The prizes are awarded internationally since 2012, evolving from a national to a globally recognized award, primarily because of the credibility of the critics – starting with Zaha Hadid, who contributed to the global branding of the award through participation in the jury in 2012. Awards are given for individual graduate projects, for the best architecture school and the most successful mentorship.

UNIATA ’20 WORLD’S BEST GRADUATION PROJECTS EVER CREATED

Nominacije | Nominations | Marta Adamović Danijela Urukalo Dezire Tilinger Đorđe Bulajić Mladen Maslovar Lidija Lukić Đorđe Đurica

UnIATA je globalni arhitektonski izazov bijenalnog karaktera sa fokusom na diplomske akademske projekte koji ilustruju novu generaciju najboljih svetskih arhitekata, urbanista i pejzažnih arhitekata i pružaju uvid u trenutne trendove u arhitektonskom obrazovanju širom sveta. Nagrada se dodeljuje za najbolje master projekte i najbolje škole arhitekture koje nominovani diplomci i njihovi mentori predstavljaju kao tim.

UnIATA is a global biennial architectural challenge focusing on graduate academic projects that illustrate the next generation of the world’s best architects, urban planners and landscape architects and provide insight into current trends in architectural education worldwide. The prize is awarded for the best master projects and the best architecture schools represented by the nominated graduates and their mentors as a team.

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2018/2019

PREGLED VANNASTAVNIH AKTIVNOSTI OVERVIEW OF EXTRACURRICULAR ACTIVITIES

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Univerzitet u Beogradu - Arhitektonski fakultet je živopisno mesto, koje organizuje različite događaje u prostorijama Fakulteta i van njega. Vannastavne aktivnosti uključuju ne samo ogroman broj studenata i nastavnog osoblja, već i lokalne i međunarodne partnere i širu javnost. Svake godine organizujemo izložbe, konferencije, radionice i druge događaje koji nadopunjuju postojeće studijske programe. UB - AF promoviše nove ideje i inovativne prakse i uspostavlja institucionalne i profesionalne veze sa međunarodnom zajednicom.

University of Belgrade - Faculty of Architecture is a vibrant place, pulsing with a variety of on-site and off-site events that engage not only a vast number of students and teaching staff, but local and international partners and the public at large.

Each year we organize exhibitions, conferences, workshops, and, other events to complement the existing study programmes. UB - FA promotes new ideas and innovative practices, and establishes institutional and professional links with the international community.

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RADIONICA NEPREDVIĐENI IMPULSI MODERNIZMA: SLUČAJ NOVOG BEOGRADA WORKSHOP UNFORESEEN IMPULSES OF MODERNISM: THE CASE OF NEW BELGRADE

Organizacija | Organization | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture U saradnji sa | In collaboration with | Detmold škola za arhitekturu i unutrašnju arhitekturu | HS OWL: Detmold School of Architecture and Interior Architecture Univerzitet u Antverpenu, Belgija | University of Antwerp, Belgium Uz podršku | With support of | Reuse of Modernist Buildings (RMB), DOCOMOMO Germany Erasmus+ Datum i mesto realizacije | Date and place of realization | UB-AF, Novembar 2018 | UB-FA, November 2018

Arhitektonski fakultet u Beogradu u saradnji sa HS OWL: Detmold School of Architecture and Interior Architecture (Hochschule OWL – Detmolder Schule für Architektur und Innenarchitektur, Nemačka) i Univerzitetom u Antverpenu (University of Antwerp, Belgija), uz podršku projekta Reuse of Modernist Buildings (RMB), DOCOMOMO Germany i Erasmus+, a povodom DOCOMOMO Germany + RMB konferencije (Berlin – mart 2019), održao je radionicu “Unforeseen Impulses of Modernism: The Case of New Belgrade Blocks” u periodu od 19. novembra do 29. novembra 2018. godine. Na radionici je učestvovalo 55 studenata Osnovnih, Integrisanih i Master Akademskih Studija Arhitekture, organizovanih u 15 timova. Studenti su se bavili identifikovanjem i mapiranjem nepredviđenih impulsa modernizma, reakcija na prostor i intervencija u prostoru koje su se generisale kroz vreme; zatim razumevanje potreba i potencijala, i na kraju predlog budućih intervencija uz pomoć prepoznatih elemenata / principa / impulsa modernizma, a u savremenom kontekstu novobeogradskih blokova.

Faculty of Architecture in Belgrade in collaboration with HS OWL: Detmold School of Architecture and Interior Architecture (Hochschule OWL - Detmolder Schule für Architektur und Innenarchitektur, Germany) and the University of Antwerp, Belgium, with the support of the Reuse of Modernist Buildings project RMB, DOCOMOMO Germany and Erasmus +, and for the occasion of the DOCOMOMO Germany + RMB conference (Berlin - March 2019), held a workshop “Unforeseen Impulses of Modernism: The Case of New Belgrade” in the period from November 19 to November 29, 2018. The workshop was attended by 55 students of Undergraduate, Integrated and Master Academic Studies of Architecture, organized in 15 teams. Students were engaged in identifying and mapping the unforeseen impulses of modernism, reactions to space, and interventions in space that were generated over time; then understanding the needs and potentials, and finally proposing future interventions with the help of recognized elements / principles / impulses of modernism, and in the contemporary context of the New Belgrade blocks.

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Graphic by Aleksandra Maksimović, Nevena Đurić, Katarina Dimitrijević, Milica Božović

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RADIONICЕ U ĐERDAPU И SMEDEREVU PROJEKAT “DANURB” WORKSHOPS IN ĐERDAP AND SMEDEREVO “DANURB” PROJECT

Organizacija | Organization | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture INTERREG Dunavski transnacionalni program | INTERREG - Danube Transnational Programme Datum i mesto realizacije | Date and place of realization | Đerdap, Novembar, 2018 | Djerdap, November, 2018 Smederevo, Februar 2019 | Smederevo, February 2019

Dvadeset studenata I godine Master akademskih studija Integralni urbanizam 2018/19 i i nastavno osoblje sa predmeta MASIU-11030 Savremeni urbanistički koncepti na Arhitektonskom fakultetu u Beogradu učestvovali su 30. novembra 2018. godine na prvoj DANUrB nacionalnoj studentskoj radionici u Đerdapu. Takođe, grupa od 25 studenata sa IV i V godine Integrisanih akademskih studija arhitekture i nastavno osoblje sa predmeta IASA-48061: STUDIO M06 Urbanizam – PROJEKAT 2018/19 na Arhitektonskom fakultetu u Beogradu, učestvovala je 26. februara 2019. godine na trećoj DANUrB – DANube Urban Brand / Dunav kao urbani brend nacionalnoj studentskoj radionici u Smederevu.

U oba slučaja radilo se o jednodnevnom terenskom radu i sastanaku. Svi učesnici iz Beograda su posetili nekoliko važnih mesta u Đerdapu i Smederevu i susreli se sa lokalnim stejkholderima, sa kojima su započeli poslednju fazu DANUrB istraživanja u vezi projektne strategije.

Twenty first-year students of the Master of Academic Studies Integral Urbanism 2018/19 and teaching staff from the subject MASIU-11030 Contemporary Urban Concepts at the Faculty of Architecture in Belgrade participated on November 30, 2018 at the first DANUrB national student workshop in Đerdap.

Also, a group of 25 students from IV and V years of Integrated Academic Studies of Architecture and teaching staff from the subject IASA-48061: STUDIO M06 Urbanism - PROJECT 2018/19 at the Faculty of Architecture in Belgrade, participated on February 26, 2019 in the third DANUrB - DANube Urban Brand / Danube as an urban brand, national student workshop in Smederevo. In both cases, it was a one-day fieldwork and meeting. All participants from Belgrade visited several important places in Đerdap and Smederevo and met with local stakeholders, with whom they started the last phase of DANUrB research regarding the project strategy.

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USPEH NAŠIH STUDENATA NA MEĐUNARODNOM KONKURSU: UN-HABITAT 2018 THE SUCCESS OF OUR STUDENTS IN THE INTERNATIONAL COMPETITION: UN-HABITAT 2018

Studenti | Students | Nikola Mitrović Nevena Jeremić Jovana Ćorković Jelena Đurđević Datum i mesto | Date and place | Vuhan, Kina, Decembar 2018 | Wuhan, China, December 2018

Studenti četvrte godine Integrisanih akademskih studija Arhitektonskog fakulteta u Beogradu: Nikola Mitrović, Nevena Jeremić, Jovana Ćorković i Jelena Đurđević, u konkurenciji od preko 200 registrovanih timova i 53 konkursna rada iz celog sveta, završili su među 15 najboljih timova na UN-HABITAT 2018 urbanističkom studentskom konkursu – Vuhan, Kina (UNHABITAT 2018 International Urban Design Student Competition Wuhan, China) i dobili mogućnost da učestvuju na konferenciji Wuhan Placemaking Week održanoj u Vuhanu, u NR Kini od 06-12. decembra 2018. godine. Studentski tim našeg fakulteta učestvovao je na konkursu na predlog nastavnika: dr Biserke Mitrović, van. profesorke i asistenta Predraga Jovanovića, mentora na predmetu IASA-36071 Studio 04b – Urbani razvoj i obnova 2017/18, u trećoj godini integrisanih studija arhitekture. U okviru konferencije i radionice “Placemaking For Communities”, naši studenti su imali priliku da prošire svoja znanja iz oblasti urbanizma i da razmene iskustva sa ostalim učesnicima kroz kreiranje novih koncepata zasnovanih na revalorizaciji konkursnih rešenja.

Fourth year students of the Integrated Academic Studies of the Faculty of Architecture in Belgrade: Nikola Mitrović, Nevena Jeremić, Jovana Ćorković and Jelena Đurđević, in the competition of over 200 registered teams and 53 competition papers from around the world, finished among the 15 best teams at UN-HABITAT 2018 Urban student competition - Wuhan, China (UN-HABITAT 2018 International Urban Design Student Competition Wuhan, China) and were given the opportunity to participate in the Wuhan Placemaking Week conference held in Wuhan, China from 06-12. December 2018. The student team of our faculty participated in the competition at the suggestion of the teacher: Dr. Biserka Mitrović, out. Professor and assistant Predrag Jovanović, mentors on the subject IASA-36071 Studio 04b - Urban Development and Reconstruction 2017/18, in the third year of integrated architecture studies. Within the conference and workshop “Placemaking For Communities”, our students had the opportunity to expand their knowledge in the field of urbanism and to exchange experiences with other participants through the creation of new concepts based on the revaluation of competitive solutions.

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Graphic by Nikola Mitrović, Nevena Jeremić Jovana Ćorković Jelena Đurđević

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“STARA, NE DAM TE!” REALIZACIJA PROJEKTA UREĐENJA SALE DOMA KULTURE U SELU DOJKINCI “STARA, WE ARE NOT GIVING YOU AWAY!” REALIZATION OF THE PROJECT OF ARRANGING THE HALL OF THE HOUSE OF CULTURE IN THE VILLAGE OF DOJKINCI

Inicijativa | Initiative | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture U saradnji sa | In collaboration with | Stanovnici sela Dojkinci na Staroj planini | Residents of the village of Dojkinci on Stara Planina Predstavnici inicijative Odbranimo reke Stare planine | Representatives of the initiative Let’s Defend the Rivers of Stara Planina Mentori | Mentorship | Dr Danijela Milovanović Rodić, docent | assistant professor Božena Stojić, student doktorskih studija | PhD Student Datum i mesto realizacije | Date and place of realization | Dojkinci, Mart 2019 | Dojkinci, Mart 2019

Stanovnici sela Dojkinci na Staroj planini i dvadesetjedan student i studentkinja sa nastavnicima Arhitektonskog fakulteta u Beogradu realizovali su zajednički projekat “Uređenje sale Doma kulture u MZ Dojkinci” u periodu od 13. do 17. marta 2019. godine. Projektom je zapušten i neiskorišćen prostor uređen u prostor zajednice u kojem se mogu odvijati različite aktivnosti od značaja za unapređenje života ljudi u selu: sastanke, seoske proslave, radionice, prezentacije, izložbe, projekcije, predstave i sl. Idejni projekat je formulisan u jesenjem semestru školske 2018/19. godine u okviru predmeta MASA23040-04: Arhitekte i građanske inicijative za održivi razvoj u saradnji studenata i nastavnika Arhitektonskog fakulteta sa stanovnicima sela Dojkinci sa Stare planine i predstavnicima inicijative Odbranimo reke Stare planine. Projekat je koncipiran u skladu sa razumevanjem da arhitekte mogu svojim znanjima i veštinama doprineti razvoju i unapređenju kvaliteta života zajednica i stanovnika u udaljenim, često siromašnim ruralnim predelima Srbije.

Residents of the village of Dojkinci on Stara Planina and twentyone students with teachers of the Faculty of Architecture in Belgrade realized a joint project “Arranging the hall of the House of Culture in MZ Dojkinci” in the period from 13 to 17 March 2019. The project arranged neglected and unused space into a community space where various activities of importance for improving the lives of people in the village can take place: meetings, village celebrations, workshops, presentations, exhibitions, projections, plays, etc. Preliminary design has been formulated in the fall semester of the school year 2018/19. within the subject MASA-23040-04: Architects and civic initiatives for sustainable development in cooperation of students and teachers of the Faculty of Architecture with the inhabitants of the village Dojkinci from Stara Planina and representatives of the initiative Let’s Defend the Rivers of Stara Planina. Project is conceived in accordance with the understanding that architects can contribute with their knowledge and skills to the development and improvement of the quality of life of communities and inhabitants in remote, often poor rural areas of Serbia.

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ICA 2019 BEOGRAD 21. MEĐUNARODNI KONGRES ZA ESTETIKU ICA 2019 BELGRADE 21ST INTERNATIONAL CONGRESS OF AESTHETICS

Organizatori | Organizers | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture Društvo za estetiku arhitekture i vizuelne umetnosti Srbije (DEAVUS) | Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) Međunarodna asocijacije za estetiku (IAA) | International Association for Aesthetics (IAA) Studenti volonteri | Student volunteers | 57 studenata Osnovnih, Integrisanih, Master i Doktorskih Akademskih studija arhitekture Univerziteta u Beogradu Arhitektonskog fakulteta | 57 students of Undergraduate, Integrated, Master and doctoral Academic Studies of the University of Belgrade - Faculty of Architecture Datum i mesto realizacije | Date and place of realization | UB-AF, Jul 2019 | UB-FA, July 2019

Univerzitet u Beogradu – Arhitektonski fakultet, Društvo za estetiku arhitekture i vizuelne umetnosti Srbije (DEAVUS) i Međunarodna asocijacija za estetiku (IAA) organizovali su 21. međunarodni kongres za estetiku ICA 2019 Beograd od 22. do 26. jula 2019. godine, sa temom kongresa “Mogući svetovi savremene estetike: estetika između istorije, geografije i medija”.

Na kongres je pristiglo preko 550 apstrakata, a Arhitektonski fakultet je bio domaćin za preko 300 učesnika iz 55 zemalja.

Zainteresovani studenti imali su priliku da pruže svoj izuzetan doprinos u pripremi i realizaciji događaja, u saradnji sa timom sa Arhitektonskog fakulteta. Volonteri su učestvovali u izradi materijala za događaj, komunikaciji sa učesnicima događaja, promociji događaja, organizaciji konferencije i podršci tokom trajanja događaja. Studenti su pokazali izuzetnu motivaciju da aktivno učestvuju u organizaciji, inicijativu da podele svoje ideje, svoju kreativnost i komunikativnost, a njihov doprinos je zapažen kako od organizatora konkursa, tako i od učesnika na kongresu.

University of Belgrade - Faculty of Architecture, Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) and the International Association for Aesthetics (IAA) organized the 21st International Congress of Aesthetics ICA 2019 Belgrade from July 22 to 26, 2019, with the topic “Possible Worlds of Contemporary Aesthetics: Aesthetics between History, Geography and Media”. The congress received over 550 abstracts, and the Faculty of Architecture hosted over 300 participants from 55 countries. Interested students had the opportunity to provide their outstanding contribution in the preparation and implementation of the event, in cooperation with the team from the Faculty of Architecture. Volunteers participated in the production of materials for the event, communication with event participants, event promotion, conference organization and provided their support during the event. The students showed exceptional motivation to actively participate in the organization, with the initiative to share their ideas, creativity and communication. Their contribution was noticed by both the organizers of the competition and the participants in the congress.

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METRO-MILIEU: RURALNA EKONOMIJA KAO RELACIONI JAZ IZMEĐU RAZLIČITIH RAZMERA STAMBENOG PROSTORA METRO-MILIEU: (ALTER)RURALITY AS A RELATIONAL GAP BETWEEN INHABITING SCALES

Organizacija | Organization | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture ARENA (Architectural Research Network) Datum i mesto realizacije | Date and place of realization |

Cilj Simpozijuma Metro-milieu: ruralna ekonomija kao relacioni jaz između različitih razmera stambenog prostora je da osmisli nove oblike saradnje koji povezuju istraživanja, nastavu i praksu, lokalno i međunarodno, angažujući studije drugog i trećeg ciklusa. Dok se u arhitekturi doprinosi „drugih“ disciplina često posmatraju kao peridisciplinarne usluge, kroz simpozijum je testiran inverzni interdisciplinarni pristup u kojem „druga“ disciplina zauzima centralno mesto: • • •

UB-AF, Maj 2019 | UB-FA, May 2019

nova ili inverzna interdisciplinarnost: rad arhitekte vođen drugom disciplinom; rad sa specifičnim primerima (alter)ruralnih sredina; forme rada u vidu okruglih stolova, radionica, šetnji i projektantskih studija.

The goal of the Metro-Milieu: (Alter)Rurality As A Relational Gap Between Inhabiting Scales is to devise new forms of cooperation that connect research, teaching and practice, locally and internationally, engaging second and third cycle studies. While in architecture the contributions of “other” disciplines are often viewed as peridisciplinary services, the symposium tested an inverse interdisciplinary approach in which the “other” discipline occupies a central place: new or inverse interdisciplinarity: • • •

new or reversed interdisciplinarity: work as architects under leadership of a different discipline, from a different disciplinary angle, along specific sub-themes; working on a rooted site in multi-scale specific (alter)rural settings; key-note conferences, workshops, round tables, exhibition, walks, debates.

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RADIONICA “AMONG SCALES” PROGRAMIRANJE PREDEONE EKOLOGIJE – NOVE MODERNOSTI BEOGRADA WORKSHOP “AMONG SCALES” PROGRAMMING OF LANDSCAPE ECOLOGY NEW MODERNITIES OF BELGRADE

Organizacija | Organization | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture ARENA (Architectural Research Network) Datum i mesto realizacije | Date and place of realization | UB-AF, Maj 2019 | UB-FA, May 2019

Povodom međunarodnog naučnog skupa: “Metro-milieu: ruralna ekonomija kao relacioni jaz između različitih razmera stambenog prostora” (23-26.05.2019), Arhitekonski fakultet u Beogradu organizovao je interdisciplinarnu radionicu usmerenu na programiranje predeone ekologije ka uspostavljanju nove modernosti Beograda. Cilj radionice bio je mapiranje sinergije stambenih obrazaca i predeone ekologije Beograda kroz povezanost, hijerarhiju i fragmentaciju. Kroz navedene perspektive, učesnici radionice razvijali su generativne alate za uspostavljanje ravnoteže, optimizacije i harmonije između ekoloških procesa i stambenih obrazaca u procesu planiranja i dizajna predeone strukture. Rezultati studentskih radova postignuti tokom radionice bili su vrednovani od strane kritičara (selekcione komisije za izložbu), a najbolji radovi bili su izloženi na Metro-milieu: (alter)Rurality Simpozijumu od 23. do 26. maja 2019. godine na Arhitektonskom fakultetu u Beogradu.

On the occasion of the international scientific conference: “Metro-milieu: rural economy as a relational gap between different dimensions of housing” (May 23-26, 2019), the Faculty of Architecture in Belgrade organized an interdisciplinary workshop aimed at programming landscape ecology to establish a new modernity in Belgrade. The aim of the workshop was to map the synergy of housing patterns and landscape ecology of Belgrade through connection, hierarchy and fragmentation. Through these perspectives, workshop participants developed generative tools to establish balance, optimization and harmony between environmental processes and housing patterns in the process of planning and designing a landscape structure. The results of student works achieved during the workshop were evaluated by critics (selection committee for the exhibition), and the best works were exhibited at the Metro-milieu: (alter) Rurality Symposium from 23 to 26 May 2019 at the Faculty of Architecture in Belgrade.

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Graphic by Marija Stojković, Nevena Ašković, Sofija Todorović

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RADIONICA RURAL SHOWER WORKSHOP RURAL SHOWER

Organizacija | Organization | Univerzitet u Beogradu – Arhitektonski fakultet | University of Belgrade - Faculty of Architecture ARENA (Architectural Research Network) Datum i mesto realizacije | Date and place of realization | UB-AF, Maj 2019 | UB-FA, May 2019

U okviru međunarodnog naučnog skupa: “Metro-milieu: ruralna ekonomija kao relacioni jaz između različitih razmera stambenog prostora” (23-26.05.2019), Arhitekonski fakultet u Beogradu organizovao je interdisciplinarnu radionicu “Rural Shower”. Cilj radionice bio je istraživanje potencijala privremenih javnih prostora u ruralnim sredinama. Studenti su radili na projektu trodimenzionalne strukture – oblaka u nivou krošnji drveća na Adi Međici. Cilj ovakvog vida intervencije u prostoru je projektovanje potencijalnih situacija za alternativnu socijalizaciju korisnika u ruralnom okruženju, isticanjem lokalnih mikroklimatskih uslova i korišćenjem jednostavnih prirodnih resursa – vode i sunca – za štimovanje atmosfere ruralnih javnih prostora. Radionica se odvijala tri puta u toku semestra, u vidu dvočasovnih Tête-à-tête susreta nastavnika i studenata. Sastanci su obuvatali individualno projektovanje, testiranje prototipa predloga studenata, i grupni rad na realizaciji jednog odabranog predloga.

Within the international scientific conference: “Metro-milieu: rural economy as a relational gap between different sizes of housing” (May 23-26, 2019), the Faculty of Architecture in Belgrade organized an interdisciplinary workshop “Rural Shower”. The aim of the workshop was to explore the potential of temporary public spaces in rural areas. Students worked on a project of a three-dimensional structure - clouds at the level of tree canopies on Ada Međica. The goal of this type of spatial intervention is to design the potential situations for alternative socialization of users in rural areas, highlighting local microclimatic conditions and using simple natural resources - water and sun - to tune the atmosphere of rural public spaces. The workshop took place three times during the semester, in the form of two-hour Tête-à-tête meetings of teachers and students. The meetings included individual design, testing of prototype student proposals, and group work on the implementation of one selected proposal.

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Model by Dušan Međedović , Uroš Majstorović

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USPEH NAŠIH STUDENATA NA MEĐUNARODNOM TAKMIČENJU TEXTILE STRUCTURES FOR NEW BUILDINGS 2019 THE SUCCESS OF OUR STUDENTS IN INTERNATIONAL COMPETITION TEXTILE STRUCTURES FOR NEW BUILDINGS 2019

Studenti | Students | Maša Žujović Nevena Jeremić Isidora Kojović Datum i mesto realizacije | Date and place of realization | Frankfurt, Nemačka, Maj 2019 | Frankfurt, Germany, May 2019

Studenti IV godine Integrisanih akademskih studija arhitekture i I godine Master akademskih studija arhitekture: Maša Žujović, Nevena Jeremić i Isidora Kojović su na međunarodnom studentskom takmičenju Textile Structures for New Buildings 2019 osvojile prvu nagradu u kategoriji Urban Living- City of Future. Takmičenje po 15. put organizuje vodeći međunarodni sajam tehničkog tekstila Techtextil uz podršku međunarodne asocijacije za membranske konstrukcije TensiNet. Rad naših studenata je zajedno sa ostalim nagrađenim radovima prikazan na izložbi: Textile Student Competition u okviru međunarodnog sajma Techtextil koji je održan u Frankfurtu u periodu od 14. do 17. maja 2019. godine, kada im je na svečanoj ceremoniji dodeljena nagrada. Ove godine takmičenje je bilo vezano za manifestaciju Urban Living – City of Future i orijentisano na mogućnosti tekstilne arhitekture da unapredi život u urbanim okruženjima. Rad naših studenata Voro-Membrane izdvojio se specifičnim procesom projektovanja membranskih struktura zasnovanom na prirodnim algoritmima i procesu rasta u kome se forme razvijaju pod uticajem kompleksnih prostornih uslova.

Students of the 4th year of Integrated Academic Studies of Architecture and the 1st year of Master of Academic Studies of Architecture: Maša Žujović, Nevena Jeremić and Isidora Kojović won the first prize in the category Urban Living - City of Future at the international student competition Textile Structures for New Buildings 2019. The competition is organized for the 15th time by the leading international fair of technical textiles Techtextil with the support of the international association for membrane constructions TensiNet. The work of our students, together with other awarded works, was shown at the exhibition: Textile Student Competition within the international fair Techtextil, which was held in Frankfurt from 14 to 17 May 2019, when they were awarded at the ceremony. This year’s competition was related to the Urban Living - City of Future event and focused on the possibilities of textile architecture to improve life in urban environments. The work of our VoroMembrane students was distinguished by a specific process of designing membrane structures based on natural algorithms and a growth process in which forms develop under the influence of complex spatial conditions.

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Model by Maša Žujović, Nevena Jeremić, Isidora Kojović

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CIP - Каталогизација у публикацији Народна библиотека Србије, Београд 72 AF Files ... / glavni i odgovorni urednik Vladan Đokić. 2020, br. 1- . - Beograd : Univerzitet u Beogradu, Arhitektonski fakultet, 2020- (Novi Sad : Sajnos). - 25 cm Godišnje. - Tekst uporedo na srp. i engl. jeziku.

ISSN 2683-6386 = AF Files COBISS.SR-ID 17802505

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