HOUSE Of ALL - HOUSE Of ALL

Tiny Global Productions

LP PICI0050LP 0798234005822

CD PICI0050CD 0798234005839

These days everyone loves The Fall, but rarely has a band's rise to cult status been quite as lengthy, unpredictable and unprecedented as that of those lovable Mancunian misfits who went through more line -up comings and goings than anyone sane would bother to count. Martin Bramah, The Fall's singer until Mark E Smith's lesser guitar skills caused them to swap places, was, per Daryl Easlea, "possibly the last true equal to Smith in the group" and likewise the longest survivor of the original line -up. Yet while The Fall was later famous for their legendary productivity, Bramah often went great spans of time between releases, releasing fewer albums in thirty-five years (under any guise) than he has in the last seven with Blue Orchids - who already have a fantastic new album in the can. What caused HOUSE Of ALL to come together is something of a mystery. Bramah has joined forces with four other mighty Fall alumni: Steve Hanley, The Fall's longest-serving bassist, as well as his brother Paul Hanley, who drummed on what may be the best run of Fall records, from "Grotesque" to "Bend Sinister". The three have also played together as Factory Star, for a brief period. Joining them are two surprise members - drummer Simon Wolstencroft, who joined the Fall around the time Paul left, and more surprisingly, guitarist Pete Greenway, The Fall's longserving and final guitarist who has, to our knowledge, never played with the other four before. And the album? Recorded in a burst of intense creativity, we won't tempt to propagandise you, the album speaks or itself, but it wouldn't be a false boast to say that it stands with much of the best Fall or Blue Orchids music, displaying an energy and psychic impulse all its own, each member playing as sharply and with as much drive as ever, around manic motorik grooves and a shocking lack of 'compromise'. It's an album of depth which demands multiple visits to uncover its many dimensions, yet it still satisfies upon first listen.

Release date: 4/9/2021 claire rousay’s music zeroes in on personal emotions and the minutiae of everyday life - voicemails, haptics, environmental recordings, stopwatches, whispers and conversations - exploding their significance. a softer focus is her breakout album: a pop-inflected collaboration with artist and ceramicist Dani Toral that quickly won praise from the New York Times, Pitchfork, The Wire and more.... and quickly sold out. At last, American Dreams presents its longawaited reissue. Don’t delay.