REDOT FINE ART GALLERY in conjunction with Tjala Artists presents
Tjintu Kuwaritja Wiru Mulapa - A Great New Day
5 t h March - 5 t h April 2014
For a high resolution, downloadable, PDF version of the this catalogue, with pricing, please send us an email to info@redotgallery.com Thank you.
c o n t e m p o r a r y
f i n e
i n d i g e n o u s
a r t
Sunset Time in Amata Country Source: Š Tjala Arts
Hector Burton at Work in Tjala Studio Source: Š Tjala Arts
“ The old people are proud of this Art Centre and what has been achieved working together. Everyday different families are in this building working together, remembering what the ancestors taught us, and passing it on. Keeping Tjukurpa alive. This is the most important thing.� Nyurpaya Kaika Chairperson Tjala Arts, 2014
Tjintu Kuwaritja Wiru Mulapa - A Great New Day
The ReDot Fine Art Gallery is very proud to welcome back, after a six year absence, the award winning artist of the Tjala Art Centre, which in recent years has gone through a major surge after bursting on the scene in the late 1990’s, as a female only art centre, with a staple of both young and old artists whom are inspiring the reclassification of the modern Indigenous art movement and the execution of oeuvres in an extremely modern and western approach, yet still remaining true to their traditional ancestral heritage. Tjintu Kuwaritja Wiru Mulapa - A Great New Day is a celebration of 30 outstanding new works, challenging the viewer to question previously held notions of Indigenous art and its position within today’s fast and modern contemporary art world. Typically large meandering canvases tell of complex, yet fundamental, stories of ownership and land rights fused with whimsical stories of creation handed from generation to generation. Tjala Arts has launched the careers of several key senior artists including Wawiriya Burton, Ruby Williamson, Tjungkara Ken, Ray Ken and Hector Burton, all of whom will be exhibiting in this strong ensemble of works and the art centre has proven itself to be one with an enormous depth of talent with a core body of emerging artists quickly establishing themselves as well. To that end several new works by recent Telstra award winner, Barbara Moore, whom develops and explores her Tjukurpa about her country in fluid almost whirlwind like patterns and bold brush stroke format, will be on show alongside other new starlets creating captivating artworks filled with artistic integrity. Known for its diverse range of styles, energetic mark making and rich colorful palate, this show will not disappoint those familiar with the history of Tjala arts. The artwork from this art centre is represented extensively in both public and private collections within Australia and internationally, including the National Gallery of Australia, the Museum of Victoria, the MuseÊ du Quai Branly - France, AAMU - Holland and the South Australian Museum. In addition in recent years the art centre has had a huge amount of success winning major art prize awards across the northern and western deserts of Australia as the wider audience acknowledge an amazing success story of the modern Indigenous art movement. The exhibition opens on Wednesday, 5th March and runs till Saturday, 5th April 2014 and it is a must-see for anyone interested in following the development of modern contemporary Indigenous art, from one of the Aboriginal art movements most refreshing and innovative art centres.
Giorgio Pilla Director ReDot Fine Art Gallery
Members of Aboriginal communities are respectfully advised that a number of people mentioned in writing or depicted in photographs in the following pages have passed away.
Welcome to Tjala Arts (Mick Wikilyiri, Barney Pan and Yaritji Young) Source: Š Tjala Arts
Various Tjala Artists (COLLABORATIVE)
Anumara Tjukurpa Acrylic on Linen 197 x 198cm 296-12
This work was created by Hector Burton and his brother Willy Kaika. This painting tells the Creation Time story of the caterpillars 'anumara'. The anumara is a large edible caterpillar with a hook on its tail. It is a story about kinship groups - represented by the North and the South. Hector is in one group - the South - (anumara) and his uncles, nephews, and fathers in the other (North - the other caterpillars - muya muya and ngalyakanti, literally 'hard forehead'). All the caterpillars travelled from places in the north and the south, and all met up in one resting place (ngura). When the minyma (women) and tjitji (children) arrive, the women dance in the fire and give the man the ceremonial stick. This is a beautiful ceremony, which Hector went through, long ago. This ceremony was not performed for a long time, until more recently, when men from Amata took part. It is important that these ceremonies are kept going.
Various Tjala Artists (COLLABORATIVE)
Tjala Tjukurpa - Honey Ant Story Acrylic on Linen 198 x 197cm 147-12
Yaritji Young and Tjungkara Ken are telling the story of the Tjala or Honey Ants which are found about a metre underground beneath Mulga trees. The Honey Ant tunnels that lead down to the ant's nests are called nyinantu. The Honey Ant larvae are called ipilyka-ipilyka. Honey Ants are a highly favoured food source. When the Pitjantjatjara go looking for Honey Ants they look for the drill holes under the trees. When they see them, they shovel and dig down, following the tunnels to find the Honey Ants inside. They suck the honey-like liquid from the abdomen of the Honey Ant. The story of the Honey Ant is told across the Northern Territory into South Australia. The Honey Ant is an important link between Anangu mythology and inter-dependence on the environment. The Honey Ant Ancestors are related to the country around Amata.
Various Tjala Artists (COLLABORATIVE)
Ngayuku Ngura - My Country Acrylic on Linen 198 x 152.5cm 579a-12
In this painting Ruby Williamson and Wawiriya Burton have depicted their country. The different colours and designs represent variations in the landscape.
Wawiriya BURTON
Birth Date Language Place of Birth Community
1925 Pipalyatjara Pitjantjatjara Amata
Wawiriya started painting at Tjala Arts in 2008 but originally specialised in baskets and punu (wood carvings). Wawiriya is Ngangkari (traditional healer) and maintains strong traditional cultural ties, this is demonstrated in her paintings.
Collections Laverty Collection Merenda Collection Harriett & Richard England Collection 2008/2009 Art Gallery of South Australia 2009 National Gallery of Victoria Marshall Collection ArtBank Art Gallery of New South Wales
Awards 2010 Telstra Prize Finalist
Wawiriya BURTON
Ngayuku Mamaku Ngura - My Father’s Country Acrylic on Linen 198 x 152.5cm 512-12
Wawiriya Burton is a senior woman of law in the region. She is Ngangkari (traditional healer) and is a revered caretaker of Anangu law and culture. Here, Wawiriya is telling the story of her father’s country near Piplatjatjara, west of Amata. It depicts minyma mingkiri tjuta - meaning many small female desert mice. The mingkiri are pregnant and give birth to many babies. They then journey to the surrounding rockholes in search of food and water to feed their young. The dotted lines are mingkiri tracks.
Wawiriya BURTON
Ngayuku Ngura - My Country Acrylic on Linen 152.5 x 122cm 536-13
In this painting Wawiriya has depicted her country. The different colours and designs represent variations in the landscape.
Wawiriya BURTON
Ngayuku Ngura - My Country Acrylic on Linen 152.5 x 122cm 623-13
In this painting Wawiriya has depicted her country. The different colours and designs represent variations in the landscape.
Kunmanara KAWINY
Birth Date Language Place of Birth Community
c1921-2013 Pitjantjatjara In the bush near Amata Katjikuta
Kunmanara (Tjampawa) Katie Kawiny was a senior woman from Amata Community S.A. She was a cultural leader within her community and displayed great artistic skill as a result of her connection to culture. Tjampawa and her family are the traditional owners of the homeland called Tjurma which is adjacent to the Amata community.Tjampawa previously lived in Irruntju (also known as Wingellina), Western Australia, but moved with other family members back to their homeland called Katjikuta which is approximately 5kms northeast of Amata. Tjampawa joined Tjala Arts (then known as Minyamku Arts) around 1999. As well as painting, Tjampawa made animal figures and baskets from local grasses, purchased raffia and any material or items she finds lying around her homeland.
Collections Art Gallery of South Australia Art Bank Laverty Collection Marshall Collection National Gallery of Victoria Art Gallery of New South Wales Queensland Art Gallery - Gallery of Modern Art National Gallery of Australia Sims Dickson Collection
Kunmanara KAWINY
Seven Sisters Acrylic on Linen 198 x 152.5cm 784a-13
Kunmanara has depicted the Seven Sisters Story. This is a Tjukurpa Story (Creation Story) about the constellations of Pleiades and Orion. The sisters are the constellaton of Pleiades and the other star Orion is said to be Nyiru or Nyirunya (described as a lusty or bad man). Nyiru is forever chasing the sisters known as the Kunkarunkara women as it is said he wants to marry the eldest sister. The seven sisters travel again and again from the sky to the earth to escape Nyiru’s unwanted attentions. They turn into their human form to escape from the persistent Nyiru, but he always finds them and they flee back to the sky. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarpra (bush tomatoes) for the sisters to eat and the most beautiful Ili (fig) tree for them to camp under. However, the sisters are too clever for Nyiru and outwit him as they are knowledgeable about his magic. They go hungry and run through the night rather than be caught by Nyiru. Every now and again one of the women fall victim to his ways. It is said that he eventually captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually the sisters fly back into the sky to escape Nyiru, reforming the constellation. (In some cases the artist will secretly depict sexual elements as Nyiru is really only after one thing - sex).
Ray KEN
Birth Date Language Place of Birth Community
circa 1940 Pitjantjatjara/Yankunyjatjara Amaruna (near Indulkana) Amata
Ray grew up in Pukutja (Ernabella Mission). As a young man he worked as a stockman and ringer at the surrounding cattle stations. Ray had never painted before coming to Tjala Arts (formerly Minymaku Arts) in mid 2003. He works slowly and is very meticulous.
Collections National Gallery of Victoria Laverty Collection Art Gallery of South Australia Marshall Collection National Gallery of Australia
Awards 2009 Shortlisted for Telstra Prize 2011 Shortlisted for Telstra Prize
Weapons for the Soldier Acrylic on Linen 122 x 300cm 560-11
SGGST)
Ray KEN
Ray Ken has created this artwork as a part of the Tjala Arts Punu-nguru project. He says they are weapons for the soldier.
Ray KEN
Tali - Sand Dune Acrylic on Linen 198 x 152.5cm 747-13
Ray is telling the story of the sandhill country.
Ray KEN
Tali - Sand Dune Acrylic on Linen 152.5 x 122cm 475-13
Ray is telling the story of the sandhill country.
Sylvia Kanytjupai KEN
Birth Date Language Place of Birth Community
14 March 1965 Pitjantjatara Amata, South Australia Rocket Bore
Sylvia has been painting at Tjala Arts (formerly Minymaku Arts) since 1999. She is a commited and focused young artist, her mother Iluwanti and father Brenton also paint at Tjala Arts as do her twin daughters Kirsty and Serena Heffernan.
Collections Art Bank Marshall Collection Largerberg Swift Collection Richard and Harriett England Collection Wayne and Vicky McGeoch Collection Queensland Art Gallery Gallery of Modern Art Art Gallery of South Australia Maroondah Art Gallery
Sylvia Kanytjupai KEN
Seven Sisters Acrylic on Linen 198 x 152.5cm 749-13
Sylvia has depicted the Seven Sisters Story. This is a Tjukurpa Story (Creation Story) about the constellations of Pleiades and Orion. The sisters are the constellation of Pleiades and the other star Orion is said to be Nyiru or Nyirunya (described as a lusty or bad man). Nyiru is forever chasing the sisters known as the Kunkarunkara women as it is said he wants to marry the eldest sister. The seven sisters travel again and again from the sky to the earth to escape Nyiru’s unwanted attentions. They turn into their human form to escape from the persistent Nyiru, but he always finds them and they flee back to the sky. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarpra (bush tomatoes) for the sisters to eat and the most beautiful Ili (fig) tree for them to camp under. However, the sisters are too clever for Nyiru and outwit him as they are knowledgeable about his magic. They go hungry and run through the night rather than be caught by Nyiru. Every now and again one of the women fall victim to his ways. It is said that he eventually captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually the sisters fly back into the sky to escape Nyiru, reforming the constellation. (In some cases the artist will secretly depict sexual elements as Nyiru is really only after one thing - sex).
Tjungkara KEN
Birth Date Language Place of Birth Community
1/10/1969 Pitjantjatjara Amata Rock Bore
Tjungkara Ken is a young and dedicated artist and is quickly becoming one of Tjala Arts key members. Tjungkara started painting casually in 1997 but increased her commitment to her work in 2008. Her mother’s country is Wingalina and her father’s country is Amata, Tjungkara depicts this country and it’s tjukurpa (dreaming) in her paintings with her distinctive style. Mountain ranges, rock holes and elements of the land are illustrated through her detailed work.
Collections Art Bank The Marshall Collection Lagerberg Swift Collection National Gallery of Victoria Art Gallery of South Australia Queensland Art Gallery, Gallery of Modern Art Richard and Hariette England Collection Wayne and Vicki McGeoch Collection National Gallery of Australia Laverty Collection Corrigan Collection
Awards 2010 National Aboriginal and Torres Strait Islander Art Award
Tjungkara KEN
Seven Sisters Acrylic on Linen 198 x 122cm 723-13
Tjungkara has depicted the Seven Sisters Story. This is a Tjukurpa Story (Creation Story) about the constellations of Pleiades and Orion. The sisters are the constellation of Pleiades and the other star Orion is said to be Nyiru or Nyirunya (described as a lusty or bad man). Nyiru is forever chasing the sisters known as the Kunkarunkara women as it is said he wants to marry the eldest sister. The seven sisters travel again and again from the sky to the earth to escape Nyiru’s unwanted attentions. They turn into their human form to escape from the persistent Nyiru, but he always finds them and they flee back to the sky. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarpra (bush tomatoes) for the sisters to eat and the most beautiful Ili (fig) tree for them to camp under. However, the sisters are too clever for Nyiru and outwit him as they are knowledgeable about his magic. They go hungry and run through the night rather than be caught by Nyiru. Every now and again one of the women fall victim to his ways. It is said that he eventually captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually the sisters fly back into the sky to escape Nyiru, reforming the constellation. (In some cases the artist will secretly depict sexual elements as Nyiru is really only after one thing - sex).
Paniny Mick
Birth Date Language Place of Birth Community
circa 1939 Pitjantjatjara Rocket Bore, near Mulga Park, Northern Territory Rocket Bore
Paniny is a respected senior Amata woman who paints for Tjala Arts (formerly Minymaku Arts). Paniny came to Amata from Rocket Bore when she was a young girl with her parents, her elder brother Marla, and sisters Yarityji and Maringa. Paniny has worked as a teacher’s aide with the pre-school children and as a representative on the Women’s Council. Paniny began her artistic career creating batik at the Tjurma Arts and Crafts Centre five years ago. Since Tjala Arts was established in 1999 Paniny has become one of Tjala Arts' highly regarded painters.
Collections Northern Territory Museum and Art Gallery National Heritage Board, Singapore Art Museum Art Gallery of South Australia
Awards 2002 Tandanya/Arts SA Aboriginal Artists’ Fellowship Award
Paniny MICK
Ngayuku Ngura - My Country Acrylic on Linen 101.5 x 101.5cm 534-13
In this painting Paniny has depicted her country. The different colours and designs represent variations in the landscape.
Barbara Mbitjana* MOORE
Birth Date Language Place of Birth Community
26/07/1964 Anmatyerre/English Alice Springs Amata
*Skin name not common to Pitjantjatjara people
Barbara grew up in Tea Tree and moved to Amata to live with her husband. Barbara is a Aboriginal senior health worker for Nganampa Heath. She works in a full time position at Amata Clinic and also commits to her painting practice working at the Art Centre on a daily basis. Barbara first began to paint at Tjala Arts (formerly Minymaku Arts) in April 2003.
Collections Art Gallery of South Australia Artbank Wayne and Vicki McGeoch Collection Corrigan Collection National Gallery of Australia
Awards 2012 Painting Prize, National Aboriginal & Torres Strait Islander Art Award
Barbara Mbitjana MOORE
Ngayuku Ngura - My Country Acrylic on Linen 197 x 198cm 486-13
In this painting Barbara has depicted her country. The different colours and designs represent variations in the landscape.
Barbara Mbitjana MOORE
Ngayuku Ngura - My Country Acrylic on Linen 198 x 152.5cm 185-13
In this painting Barbara has depicted her country. The different colours and designs represent variations in the landscape.
Barbara Mbitjana MOORE
Ngayuku Ngura - My Country Acrylic on Linen 198 x 122cm 791-13
In this painting Barbara depicted her country. The different colours and designs represent variations in the landscape.
Barbara Mbitjana MOORE
Ngayuku Ngura - My Country Acrylic on Linen 152.5 x 122cm 295-12
In this painting Barbara has depicted her country. The different colours and designs represent variations in the landscape.
Barbara Mbitjana MOORE
Ngayuku Ngura - My Country Acrylic on Linen 152.5 x 122cm 621-13
In this painting Barbara has depicted her country. The different colours and designs represent variations in the landscape.
Tjimpayi PRESLEY
Birth Date Language Place of Birth Community
2/12/1967 Pitjantjatjara Pukutja - Ernabella Katjikuta
Tjimpayi is the daughter of Tjampawa Katie Kawiny who is also a painter at Tjala Arts. Tjimpayi is well known for her ‘punu’ woodblocks, a process that involves burning the design into a wooden surface using hot wire however, she is also a talented painter and has recently started making beautiful work on canvas.
Tjimpayi PRESLEY
Seven Sisters Acrylic on Linen 152.5 x 101.5cm 744-13
Tjimpayi has depicted the Seven Sisters Story. This is a Tjukurpa Story (Creation Story) about the constellations of Pleiades and Orion. The sisters are the constellaton of Pleiades and the other star Orion is said to be Nyiru or Nyirunya (described as a lusty or bad man). Nyiru is forever chasing the sisters known as the Kunkarunkara women as it is said he wants to marry the eldest sister. The seven sisters travel again and again from the sky to the earth to escape Nyiru’s unwanted attentions. They turn into their human form to escape from the persistent Nyiru, but he always finds them and they flee back to the sky. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarpra (bush tomatoes) for the sisters to eat and the most beautiful Ili (fig) tree for them to camp under. However, the sisters are too clever for Nyiru and outwit him as they are knowledgeable about his magic. They go hungry and run through the night rather than be caught by Nyiru. Every now and again one of the women fall victim to his ways. It is said that he eventually captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually the sisters fly back into the sky to escape Nyiru, reforming the constellation. (In some cases the artist will secretly depict sexual elements as Nyiru is really only after one thing - sex).
Ruby Tjangawa WILLIAMSON
Birth Date Language Place of Birth Community
circa 1940 Pitjantjatjara In the bush south of Wingellina Amata
Ruby is a Pitjantjatjara senior law woman committed to fostering traditional law and culture, story-telling, hunting, punu (wood) carving, dancing and painting. She was born around 1940 in the bush, somewhere out west of Amata. Ruby said her family came to Amata when she was a young girl, most likely around the mid 1950’s. At that time Amata was a cattle station called Musgrave Park, which would eventually be returned to the Pitjantjatjara people in the mid 1960’s. Ruby married a young cattleman who worked at Musgrave Park and nearby stations. His family are the traditional owners of the country around Amata. Tragically, her husband died in his early forties leaving Ruby to bring up their five children on her own. Ruby has been painting with Tjala Arts (formerly Minymaku Arts) since 2000 and is receiving attention and acclaim for her unique, contemporary style. She is a prevailing artist whose imagery is distinctly modern in its ideas, perspective and application. Ruby is still developing and experimenting. All of her works have a quirkiness and freshness that makes it difficult for non-Aboriginal people to pigeon hole her artworks or compare her works with other Aboriginal artists. Ruby is receiving attention and acclaim for her contemporary style on canvas and also for her 'punu' woodblocks, a process that involves burning the design into a wooden surface using hot wire. The National Gallery of Australia purchased a selection of her prints in 2004.
Collections National Gallery of Australia Northern Territory Museum and Art Gallery Art Gallery of South Australia Flinders University Museum Adelaide Festival Centre Lagerberg-Swift Collection Araluen Arts Centre Collection National Gallery Victoria Marshall Arts Collection Queensland Art Gallery Gallery of Modern Art Sims Dickson Collection Owen and Wagner Collection of Aboriginal Art, USA
Awards 2002 Tandanya/Arts SA Aboriginal Artists’ Fellowship Award 2009 Shortlisted Telstra Prize
Ruby Tjangawa WILLIAMSON
Ultukunpa - Honey Grevillea Acrylic on Linen 197 x 198cm 391-11
Ruby is telling the story of the Ultukunpa or Honey Grevillea flower which is a favourite bush food of the Anangu (people) Pitjantjatjara. Ultukunpa grows in the sandy soils on the plains. The flowers can be picked and placed in a billycan of water to create ’honeywater’ (cordial) or they can be sucked for their sweet honey dew.
Ruby Tjangawa WILLIAMSON
Ngayuku Ngura - My Country Acrylic on Linen 152.5 x 198cm 785-13
In this painting Ruby has depicted her country. The different colours and designs represent variations in the landscape.
Yaritji YOUNG
Birth Date Language Place of Birth Community
circa 1955 Pitjantjatjara Pukatja (Ernabella), South Australia Rocket Bore
Yaritji Young has been painting at Minymaku Arts since late 2000. She is a senior law woman and is committed to fostering law and culture. Yaritji was born in Ernabella, South Australia and now resides at Rocket Bore, a homeland north of Amata in Nortern Australia. Her works are drawn from the Dreaming Tjala – Honey Ants. Yaritji Young is an emerging artist who demonstrates great skill.
Collections National Heritage Board, Singapore Art Museum Art Gallery of South Australia Artbank GOMA - Queensland Art Gallery NATSIAA - Awards 2013
Yaritji YOUNG
Ngayuku Ngura - My Country Acrylic on Linen 198 x 152.5cm 503-12
In this painting Yaritji has depicted her country. The different colours and designs represent variations in the landscape.
Yaritji YOUNG
Ngayuku Ngura - My Country Acrylic on Linen 198 x 122cm 759-13
In this painting Yaritji has depicted her country. The different colours and designs represent variations in the landscape.
Yaritji YOUNG
Seven Sisters Acrylic on Linen 152.5 x 122cm 743-13
Yaritji has depicted the Seven Sisters Story. This is a Tjukurpa Story (Creation Story) about the constellations of Pleiades and Orion. The sisters are the constellaton of Pleiades and the other star Orion is said to be Nyiru or Nyirunya (described as a lusty or bad man). Nyiru is forever chasing the sisters known as the Kunkarunkara women as it is said he wants to marry the eldest sister. The seven sisters travel again and again from the sky to the earth to escape Nyiru’s unwanted attentions. They turn into their human form to escape from the persistent Nyiru, but he always finds them and they flee back to the sky. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarpra (bush tomatoes) for the sisters to eat and the most beautiful Ili (fig) tree for them to camp under. However, the sisters are too clever for Nyiru and outwit him as they are knowledgeable about his magic. They go hungry and run through the night rather than be caught by Nyiru. Every now and again one of the women fall victim to his ways. It is said that he eventually captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually the sisters fly back into the sky to escape Nyiru, reforming the constellation. (In some cases the artist will secretly depict sexual elements as Nyiru is really only after one thing - sex).
Sunset time in Amata Country Source: Š Tjala Arts
In conjunction with
REDOT FINE ART GALLERY ArtSpace@Helutrans, Tanjong Pagar Distripark, 39 Keppel Road, Gallery 9 Unit #01-05, Singapore 089065 +65 6222 1039 • info@redotgallery.com
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For a high resolution, downloadable, PDF version of the this catalogue, with pricing, please send us an email to info@redotgallery.com Thank you.