Renan L. Prado Ferreira - Portfolio - Italiano - 07/2024
Renan L. Prado Ferreira
Portfolio
Sto cercando opportunità per contribuire allo sviluppo di progetti di architettura e infrastrutture, preferibilmente utilizzando software BIM.
Dal 2017, collaboro con studi di architettura nello sviluppo di progetti di media e grande portata commissionati da aziende private e autorità pubbliche. Questi progetti includono case della comunità, centri sociali, condomini residenziali (verticali e orizzontali), musei e progetti complementari per aeroporti internazionali. In particolare, ho collaborato con lo studio MMBB nello sviluppo del progetto esecutivo per il Padiglione del Brasile all’Expo Dubai 2020, in cui Revit è stato utilizzato come piattaforma di lavoro per team multidisciplinari distribuiti in tre continenti. Successivamente, nello studio di architettura Pessoa, ho avuto la responsabilità di concepire il template BIM e il flusso di lavoro in base alle esigenze dello studio, che è ancora in uso e in evoluzione dal team di sviluppo del progetto. Negli ultimi mesi, ho collaborato con SPIBS, uno studio italiano specializzato nello sviluppo di progetti pubblici e interventi sul patrimonio edilizio utilizzando metodologie BIM.
L’anno scorso, grazie a una borsa di studio, ho completato un programma di laurea magistrale Erasmus di secondo livello, specializzandomi in “Architettura, Paesaggio e Archeologia”. Durante i miei studi in Brasile, Regno Unito, Portogallo e Italia, ho avuto l’opportunità di entrare in contatto con varie metodologie progettuali e flussi di lavoro. Avendo utilizzato Revit per oltre un decennio, ho una competenza avanzata in questo software e sono motivato ad applicarne gli strumenti per raggiungere l’eccellenza nella realizzazione del disegno architettonico, nella gestione delle informazioni e nell’integrazione di progetti complementari. Amo collaborare armoniosamente all’interno di un team e sono pronto per il prossimo grande passo della mia carriera.
Cordiali saluti,
Renan L. Prado Ferreira
Architettura, Paesaggio e Archeologia
Laurea Magistrale Professionale da Secondo Livello - Erasmus Mundus 2021 / 2023
Università Sapienza di Roma
Università di Coimbra
Università di Napoli Federico II
Università Tecnica Nazionale di Atene
Architettura e Urbanistica
Laurea
FAUUSP - Facoltà di Architettura e Urbanistica, Università di San Paolo
Completamento del corso
/ 2019 San Paolo, Brasile
FAUP - Facoltà di Architettura, Università di Porto
Programma di scambio studentesco concesso da FAUUSP
/ 2017 Porto, Portogallo
LSA - Scuola di Architettura di Leicester - Università De Montfort Programma di scambio studentesco Science Without Borders 2013 / 2014 Leicester, Regno Unito
UFV - Università Federale di Viçosa
Laurea (interruzione degli studi per trasferimento universitario) 2010 / 2013 Viçosa, Brasile
ESPERIENZA
SPIBS - Studio Progettazioni Integrali
case della comunità Roma, 09-2023 / 06-2024 intervento sul patrimonio edilizio.
Pessoa Arquitetos
architetto / responsabile BIM
São Paulo, 04-2021 / 09-2021 coinvolto in progetti abitativi - sviluppati utilizzando BIM.
Piratininga Arquitetos Associados
architetto
São Paulo, 08-2020 / 04-2021 studi di fattibilità e conceptualization di edifici su larga scala; sviluppo di progetti abitativi.
Estúdio Trópico
architetto
São Paulo, 02-2020 / 03-2020 progetto di ambiente residenziale multifamiliare, in collaborazione con MMBB.
MMBB
architetto / modellatore BIM
São Paulo, 09-2019 / 02-2020 Museo della Corte Suprema Federale, progetto pre-esecutivo, in collaborazione con Paulo Mendes da Rocha; Centro di Memoria Lupo, progetto esecutivo; Padiglione del Brasile Expo Dubai 2020, progetto esecutivo, in collaborazione con JPEG.ARQ e Ben.AVID, sviluppati utilizzando BIM.
23 SUL
tirocinante
São Paulo, 09-2017 / 02-2019 progetti esecutivi di comunicazione visiva e segnaletica per gli aeroporti di Florianópolis, Porto Alegre e Fortaleza, utilizzando BIM.
Claudio Simões Arquitetura
tirocinante
Bragança Paulista, 01-2013 / 02-2013 sviluppo di progetti, modellazione elettronica e supporto in cantiere.
Portoghese lingua madre Inglese fluente Italiano base
PAULO DANCE COMPANY
SÃO
Canoas Memorial - Vertical Cemetery
247 Arquitetura
Design Development
2020
Housing Projects
Pessoa Arquitetos
Design Development
2021
Image: Pessoa Arquitetos
Images: 247 Arquitetura
Brazilian Pavilion Expo Dubai 2020
MMBB
w/ JPEG.ARQ, Ben-Avid
Final Design
2019
Image: Joana França
SUL
Visual Communication and Wayfinding Project 2018
Image: 23 SUL
23 SUL w/ ps.2 design
Visual Communication and Wayfinding Project 2017-2019
Florianópolis Airport
THE ARCHAEOLOGICAL LANDSCAPE OF BOCA DO RIO
ALA Master Thesis’ Project Proposal
Tutors: J. Mendes Ribeiro, J. Bernardes, M. conceição
2023 l Vila do Bispo, Portugal
Boca do Rio witnessed a series of occupations by Man over time, including the establishment in Roman-era of a Salted-Fish-Industry. The estuary, a mediator between three river streams and the sea, emerges as a central point within a broader archaeological context, but it lacks legibility due to its current configuration, traversed by a recently built parking lot.
After a careful study of the role of the area in an expanded territory, considering its historical human settlement, it was concluded that Boca do Rio is an archaeological landscape.
The developed research unfolds in the proposal of sev¬eral interventions at the site, encompassing a network of trails, the insertion of archaeological markers, and the de-velopment of an architectural project based on excavating and revealing historical structures.
ARCHAEOLOGICAL MARKER
0 2,5 5m
ARCHAEOLOGICAL MARKER - SECTION
0 25 50m
+76,70m
EXCAVATION PLANS
URBAN INTERVENTION IN PIANURA
w/ Enzo de Dio, Mario Carvalhal
Tutor: Francesca Coppolino, Pasquale Miano
International Design Workshop, diARC UNINA
2022 l Naples, Italy
The Neapolitan suburb of Pianura and its fast growth during the 20th century culminated in a fragmented urban fabric. The massive train infrastructure and the predominance of car-oriented spaces generates a series of residual open spaces. The proposal, as part of a larger urban strategy, takes advantage of Archaeology to structure an urban intervention. The Mausoleum of Polo Artigianale and the reconstituted trace of an ancient Roman road become both the focal point and the main axis of the new park, composed of green areas, piazzas, preexisting vineyards expansions, bike paths, and sports and leisure areas. It is expected the integration with the daily life of Pianura community through a complex of buildings, including a Pavilion for Exhibitions, the renovated Polo Artigianale warehouse and a new soft mobility bridge, connecting the southern side of the train rail with the existing station.
SITE PLAN
SAN GALGANO ABBEY MUSEUM
w/ Victória Baggio
Start for History competition
2020 l Chiusdino, Italy
Conceived as a supporting building for the Abbey of San Galgano, the Museum’s primordial white rectangular prism is precisely arranged within the monastic complex. The existing elements define its boundaries and sculpt its subtractions, creating exterior patios and distributing the program layout around a central void. The building promotes fluxes of contraction and expansions, from the inner corridors to the wide openings, generous zenithal lights, and new spaces for conviviality around its serene architecture. The Museum reverberates the landscape, frames particular external elements, bonding it with the internal exhibitions of religious artworks, encouraging visitors for the exploration of the surrounding architecture and landscape.
SÃO PAULO DANCE COMPANY
Final Graduation Work, FAUUSP
Tutor: Marta Bogéa
Examination Board: F. Fanucci, A. C. Barossi and M. Bogéa
2018 / 2019 l São Paulo, Brazil
The São Paulo Dance Company is proposed to be relocated to a new building with proper dimensions and a program dedicated to the needs of the institution. The project foresees not only different appropriations of its space by the dance professionals, but also enhances the conviviality between agents from different art fields and public, articulating other two important cultural buildings and their activities.
It is only possible due to its structural logic, where the new volumetry is supported by walls along the boundaries of the site, opening and setting the block free, suggesting a “cultural corridor” within the city.
PEACE PAVILION
w/ Victória Baggio
Kaira Looro competition
2019 l Sedhiou, Senegal
Conceived as an Architecture exposed to the surroundings and its multiple aspects, the Peace Pavilion boundaries are composed of pivoting walls. Its central opaque monolithic volume hosts the most intimate rooms, stimulating a deeper thought in its visitors, working together with its narrow corridors, developing its role as a transitional space between the main rooms of the Pavilion. The program distribution allows the public to have a transformative experience, perceiving and connecting the Pavilion content with its context, passing from the Exhibition Hall facing the city to the Contemplation area and its contact with the Natural landscape.
CRATER PARK
FAUUSP
Tutors: Alexandre Delijaicov, Angelo Bucci
2018 l São Paulo, Brasil
Drawing from the established urban network within the Colônia Crater, a westeast axis is imagined traversing the districts of Vargem Grande and Colônia, as well as the Sorocabana Railway and the future Billings Dam Ecoport.
Crater Park is conceived as a unifying component for these neighborhoods. Located in the preexisting green area, it is composed of clearings and minimum and maximum elevation levels that intersect the mentioned axis.
Serving as landmarks and infrastructure for the park, two access buildings are constructed, named as “Ponte” (Bridge) and “Rampa” (Ramp), which share the same structural and material logic, but are distinguished by their specific placements: While the first one overcomes the minimum elevation and encloses a public swimming pool, the second one is integrated with local roads and utilizes the maximum elevation of its position to house the park’s viewing point.
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
AUP 193 - ARQUITETURA PROJETO: OPTATIVA IV
PROFESSORES: ANGELO BUCCI E ALEXANDRE DELIJAICOV
RENAN LUIS PRADO FERREIRA - 8481221 03/08/2018
1:2000
EDIFÍCIO-PONTE 772m (mín.)
PARQUE ALTO 783m (média)
PARQUE BAIXO 773m (média)
PARQUE DA CRATERA
EDIFÍCIO-RAMPA 804m (máx.)
SECONDARY SCHOOL CAMPO 24 DE AGOSTO
FAUP
Tutor: João Paulo Loureiro
2016-2017 l Porto, Portugal
Two blocks separate the school’s most restricted program from facilities with potential public use, as an auditorium and a sports court. Their geometric relationship establishes two open spaces, serving as the main access and the building’s courtyard.
The school’s perimeter is sealed by a cotinuos white wall, contrasting with the exposed concrete wall composing the two upper floors. The logic of detaching theses walls from the floor is used to highlight the free spaces, as well as to allow a fluid transition between open and covered spaces.
Two opposing accesses potentializes the public use of the school, which can have its interior converted into a street for the city.
RELIGIOUS LIBRARY
OF ORVIETO
LSA
Tutor: Jamileh Manoochehri
2013-2014 l Orvieto, Italy
Orvieto maintains its architecture and historical urban fabric, relying on this base to be recognized as a “Cittaslow”, in opposition to the dynamics of large cities. Its buildings demonstrate the intuitive capacity of its citizens to build a harmonious, almost theatrical urban landscape, where each street and space plays an essential role in the plot.
The land, between the level difference of Via Della Cava and Via Malabranca is evolved by a rich context, composed of an underground network of passages, gardens, subtle vegetation and one of the few accesses to the walled city, which culminates in Piazza della Republica and in Piazza San Giovenale, two of the main city’s landmarks.
For the Orvieto Religious Library project, there is the search for a design that can be inserted between such ancient elements and, at the same time, capable of contributing to the urban space and the daily life of the city. It is an effort to make the contemporary building act naturally in a classic play.
