Renata Barros Portfolio 2007-2009

Page 1

RENATA BARROS Selected works 2007-2009


Fugl fønix I was hired by Fantastic Norway Architects to design the façade of the Fugl Fønix Hotel, in Etne, a touristic destination in the west coast of Norway. The design was based on the bird, and covers the whole façade of the hotel. Category: 3D Client: Fugl Fønix Year: 2007 In partnership with Fantastic Norway Architects



soma magazine Soma is a free Brazilian magazine about art, culture and fashion. This is an illustration for one of their columnists. category: Illustration Client: Soma Magazine Year: 2008




Garden of forking paths The Garden of Forking Paths is a book by Jorge Luis Borges. The book was the starting point for creating a media that would relate with the content. The result were “labyrinth books�, which consisted of binding of coordinated pages. category: Experimental Client: Self-published Year: 2007




how to make it fantastic This book, part of an ongoing portfolio project for Fantastic Norway, was idealized as a form to show their method in a simple way. The first idea used different ingredients to form the numbers, an aesthetic reference to a cookbook. During the development of this work, the architects realized that this was not so effective in communicating the message, so we decided for an Instructions manual. The other proposal (next page) is inspired by elements of old-fashioned manuals and assembling leaflets. category: Portfolio Client: Fantastic Norway Year: 2008



HAPTER 2: OMPONENTS A mobile workstation

Waffles

Inhabitants

A local square

A red caravan

Struggling place

A prime mover

4

A local newspaper

5


A group of icons representing each step were created, and some pictures added to exemplify the process. The icons were used separately in other occasions, such as their Exhibition at the Venice Biennale.


fantastic Norway website Their website had to be as “fun” and unpretentious as are the architects themselves. Yet, It should be serious enough to show their work in a effective and simple form. Besides, they also wanted to be able to communicate to people - their moto - in different ways. To avoid a huge, complicated menu, all the pages work like “tools”, and can be accessed at any time, with no “returns”. category: Web Client: Fantastic Norway Year: 2007



Playcenter at school Playcenter is a tivoly park in S達o Paulo. In this project, they take kids from poorer parts of the city to the park and use the attractions as forms of relating to school subjects. This educational book was handed to students from 9-17 years old. category: Book Client: Playcenter Year: 2007 Illustration: Cesar Pelizer




fantastic Norway exhibition This was an exhibition held during the Venice Architecture Biennale, in September, this year. I was assigned the art direction of the walls and some promotional materials, such as T-shirts, flip-flops and posters. The company had a corner and wanted to show the steps of their method and the application of each. The challenge was to make all the information appealing. To solve that, every unneeded noise was removed and the information that had to stay was set in a simple and clean form. category: 3D, Posters, Promotional material Client: Fantastic Norway Year: 2008



These were posters given to the audience in the building. The quotes come from texts written about the company by sociologists, antropologists and others, placed in the back of them. .


T-shirts and flip-flops were given away to the press and friends that came to visit the caravan placed in front of the Biennale building.




Stimen Hotel The logo for Stimen hotel was created based on its architectural concept. The forms and the materials of the buildings and how they would be placed in the landscape resemble the idea of a shoal of fish. Therefore, the logo was created by the superposition of shapes that together would form a fish. Category: Identity Client: Fantastic Norway Year: 2007


THE UNGUIDE A magazine about experimental traveling and experiencing places, The Unguide was a personal project developed while doing a Master at Kusthøgskolen I Oslo, Norway. The magazine approaches tourism from a complete different perspective and uses design to inspire and provoke new forms of looking at travel. Category: Concept creation, editorial design Client: Self published Year: 2009


36

THE UNGUIDE THE SENSATION ROUTES OF SÃO PAULO

O =EE: 7BIE L;H D7 9>7F7 M?J> F´E Pingado is a classic from the Brazilian padaria breakfast, the inverted version of the cafe-au-lait. Make sure that you ask the waiter not to put too much sugar when you order it. Unless you want to start your day with a super sweet breakfast milk. Coxinha is a big hit among Brazilian snacks. Its constitution can vary depending on how mingy the cook is, but that is no reason to worry: coxinha is just like sex (or pizza): even when it is bad, it’s good. A boteco table that is not sponsored by a beer brand is not authentic. Don’t stop there. Keep looking: we promise cheap booze.

15%

deep-fried in oil

45%

dough

10% coffee

35%

chicken filling

5%

t nt of fa

amou huge ). liver to oh yeah re you rk fat, Prepa the ed in po fork. st try fri ju n te ach, s in om are of st ay s lw ng (a good (thi apeiro nd have a e seco If you k the ch y in th ria, as eling in t pada nice ga fe a es s ur os ay cl trust yo d, alw daria or oo pa r m e lle if th a bad best se u know w. To for the give yo layer) s windo ance: if they code adinho tr a lg en ith sa e the rve th kine w se es al ol ob ci , er am comm is good big as an over card as n, it’s ones). a hard in it, ru itional even inted e trad pizza: bar pr efer th of pr es s lway d slic cos, one (a sex an e bote For th is like . ha od in go Cox d, it’s it is ba when

75% milk

catupiry cheese

15% sugar

Photo: Richard Alexander Caraballo (CC)


44

45

THE UNGUIDE THE ROUTE OF SENSES IN SÃO PAULO

THE UNGUIDE COLOR BOOK

Pantone 032

Pantone 298

Pantone 151

Met in euisi tio commolobore cor in hendre magna alis alis nullutpat. Ut vullan erat wis acipit at aliquissit alit ipit nos augiat, cor ipsusci pisit, sim dolor seniam, conulputat enim zzrilit lam zzriure tisim iureriure miniam exer senissi tet utpat. Ed tie tie vulla facidui smodipis ate dolummo dionsequate faciliquat. Dui te dolummy nostrud magna feu faci eui te veliqui bla adit praestis nullan volor susto con eu faciduisit at. Iquis aute duipisl irit amcon henim eu feugait, sum esto odionse quamet praesed tis nullums andiamc onsecte modolore velit veniamet autpatem quam iustio et ip etum nonsequipit lam diam iuscili quatue dolobortie tem dolorpero eugait volorper sim zzrillutatem am dip eugiamet illaore dolorperat

ametum dolor ipsumsan hendrem aut augiam dolore feugue tie dolore dolore vendre faccum vent num iusci ting ex eugiam nos dolesecte dolor secte mo. Lorem iriureros aliquam quisit, sed min hendreet, volore facipsum nonsectet nis esendreet augiamc ommodipit lum ilit wiscilisis aciliqui ea feugue ea feuguerit la conse velestrud eumsand ignibh rit la conse velestrud eumsand ignibh ea faciduipit wis aliquisl dolenim v sit am venit et aciduip et la core digna feummolore tat. Wis nim del ea facilla facin vulla am quat prat aliquamcommy nissisit laore eugue tat prat delent la faccum inim venim iure ea conum quamet ipsum ing endio erilisi. Ciduisit ad mod tiscveros.

Pantone 354

?j½i h[Wb Galeria Pajé, at the downtown area of São Paulo, is “THE” place to buy electronic products. However, thousands of people (try to) shop in its narrow corridors every day, so if you are claustrophobic, you better just stay outside contemplating the huge Lego.

Pantone 012


46

47

THE UNGUIDE THE ROUTE OF SENSES IN SÃO PAULO

48

THE UNGUIDE COLOR BOOK

49

THE UNGUIDE THE ROUTE OF SENSES IN SÃO PAULO

THE UNGUIDE COLOR BOOK

eYWj[Z [j _i b b[dW J^_i ijh[ W CWZW [ Wj j^[ L_b^eeZ" m^[h _Y[ ekh d[_]^X dZ i[l[hWb d ] b_d oek YWd Å kij ijheb ]hW\Åj_ `WhekdZ$

Pantone 371

Pantone 304

Pantone 392

Pantone 370

Pantone 369

Pantone 159

Pantone 397

At Mercado Municipal you will find from plain normal vegetables to exotic fruits, weird spices and strange meat (fancy some crocodile filet?). Some classics are the “pastel de bacalhao” and the “mortadela sandwich”, but we also strongly recommend the juice stalls, where you can combine the fruits and create your own breakfast / lunch / dinner starter.

Pantone 222

Pantone 032

Beco do Aprendiz dunt ex eui ex euip el dolore mod ming elit dipsustrud dolorpe rostrud dolortionsed ero od. Lestrud do odipit loreet ad ea consenim ipit lobore ver se volore faccummy non utem quatem zzrit. Iquis autat veniam, sim quat. Ustrud tat ing euisi bla facipit ipsum nos aliquipit adit at. Ed duip estrud ea feu feum do enisl ex ercip eliquipit velesequisim eliquisl utat. Nim nit duis ad tatum quis aliquat. Gait, vel utatin ut velesenim iliquis. Pantone 709

Pantone 110

Pantone 191


?cW]_d[ j^[ idem _i iWdZ And that you are about to view Oslo through very strange glasses: your creativity. Relax yourself to relate to the stories we will tell.

MAGINARY

OSLO

k j oe m^bWb Ă…dfZWhj _ m ^_i _d j

PERSONAL SIGHTSEEING

WHAT IS OSLO FOR YOU?

A CITY IN RED


10

THE UNGUIDE STOCKHOLM SYNDROME

11

THE UNGUIDE STOCKHOLM SYNDROME

Photo: Kicki (CC)

TOCKHOLM YNDROME

If you are misguided you evidently need to be un-guided. Beware. In the late 50s there was this French Dude – Guy Debord – who created a method of un-guiding, on similar assumptions. Most citizens move around in fixed routes: the number of places they stop, during a normal day, can be counted on one hand (two, at most). They have their own worries – you know, lots of ins, lots of outs, lots of what have-yous. In short, we tend to move in closed circles. Debord’s idea was that to break habits we need rules. Otherwise we fall back into the sing-song of our everyday groove. We bring our worries


5x70m2 – studentenes sommerutstilling identity The exhibition held at DogA in May 2009 used over 3000 cardboard boxes. In a co-creation with the architecture company Fantastic Norway and the institution, the communication was based on the language usually found in these objects. The logo, based on barcodes so commonly found in these boxes, included the 5 schools in the exhibition. It was in the stickers applied to the boxes and name tags. Category: Exhibition design, Identity Client: DogA, Oslo Year: 2009


JIHI>AA>C<H6G@>I:@IJG 6K



Mari Svenningsen photography The photographer wanted a logo that related to photography. The camera display was used as a graphic reference to create the initials of her name. Category: Identity Client: Mari Svenningsen Year: 2009


A dolls’s house The fanzine is a personal project together with the photographer Hilde Holta-Lysel, the illustrator Esra Roise, and the journalist Astri Barballa. Printed in newspaper paper, the issue zero is about the new do-it-yourself culture and was launched late august 2009. Category: Editorial design Client: Self-published Year: 2009

lll#VYdaah]djhZ"bV\Vo^cZ#cd

6 9DAAÉH =DJH: )SSUE 0RIS ./+


&-

&. (+

&OR *OAKIM (AUGLAND BAK PLATESELSKAPET 3MALLTOWN 3UPERSOUND üNNES DET INGEN ANNEN VEI ENN $)9 òRINGEN üKK TIDLIG GJĆR DET SELV BASILLEN INN I BLODET 3OM TENòRING OPPDAGA HAN BOKA n/UR BAND COULD BE YOUR LIFE 3CENES FROM THE !MERICAN INDIE UNDERGROUND n OG DEN #ALIFORNIA BASERTE LABELEN 334 2ECORDS SOM BLE STARTA AV "LACK &LAG GITARISTEN 'REG 'INN OG STòR FOR UTGIVELSER MED BAND SOM -EAT 0UPPETS (ÓSKER $Ó OG 3ONIC 9OUTH p $ET VAR BEGYNNELSEN Pò ALT FOR MEG ,O ü OG POST PUNK BANDA Pò TALLET VIDEREFĆRTE PUNKENS $)9 PRINSIPPER VED ò STARTE SINE EGNE LABELS OG DE HAR VäRT EN STOR INSPIRASJON FOR HELE 3MALLTOWN KONSEPTET &ORKORTELSEN AV 3MALLTOWN 3UPERSOUND ER JO OGSò 343 SOM ER EN SLAGS HYLLEST TIL 334 LABELEN OG DET DEN STO FOR FORTELLER *OAKIM SOM Nò HAR ARTISTER SOM $AYS *AGA *AZZIST OG +IM (IORTĆY I STALLEN !LLEREDE SOM òRING DREV HAN SIN EGEN ROCKEKLUBB I HJEMBYEN &LEKKEFJORD OG KORT TID ETTER BLE HAN LEDER FOR DEN SNART Sò OMFATTENDE &JELLPARKFESTIVALEN

4EKST !STRI "ARBALA

=VYYZ YZi ^``Z k²gi [dg Zc \_Zc\ Wg `ZiZ ejc`Z_ZciZg ^ Danbe^V i^Ya^\ e c^ii^iVaaZi! ]VYYZ `Vch`_Z kZg`Zc He^XZ <^gah! AVYn[Zhi ZaaZg YZccZ [Vco^cZc k²gi Zi [V`ijb#

&OTO 3TJäLT FRA INTERNET

)+

),

) TILLEGG SATT HAN Pò GUTTEROMMET MED DOBBELT KASSETTSPILLER OG DISTRIBUERTE PLATER I EKSEMPLARER FOR BROREN OG VENNENE HANS UNDER NAVNET 2ĆD "IL $ISTRIBUSJON p &ĆRST GIKK DET MEST I GITARBASERT STĆY OG LO ü *EG HAR FAKTISK NYLIG HENTA FRAM KASSETTENE SOM JEG GA UT DEN GANGEN OG DE HAR EN EKTHET SOM MAN IKKE üNNER I MYE KOMMERSIELL MUSIKK FORTELLER HAN p 6I GJORDE ALT SJĆL OG LäRTE ALT FRA BEGYNNELSEN *EG TROR DET OFTE ER EN FORDEL ò IKKE VITE Sò MYE OG AT VI BODDE I EN LITEN BY UTEN DOMMERE OG FOLK SOM VISSTE BEDRE ENN OSS VAR ABSOLUTT POSITIVT 6I VAR IKKE REDDE FOR ò DRITE OSS UT SOM MAN KANSKJE ER MER I EN STORBY SOM /SLO SIER *OAKIM SOM SNART LIKEVEL VAR Pò VEI TIL HOVEDSTADEN HVOR HAN I TILLEGG TIL ò BYGGE OPP 3MALLTOWN 3UPERSOUND üKK DRĆMMEJOBBEN Pò -OTORPSYCHOS DAVäRENDE LABEL 6OICES OF 7ONDER

(VA ER FORSKJELLEN Pò ò DRIVE ET SELVSTENDIG PLATESELSKAP OG ET MAINSTREAMSELSKAP 6ELDIG MYE 6ED ò HA EN MINDRE SELVSTENDIG LABEL STòR JEG FRI TIL ò Gò MOT STRĆMMEN NòR DET GJELDER MUSIKKTRENDER *EG SKRIVER HELLER ALDRI KONTRAKT MED ARTISTENE JEG SIGNER JEG HAR INGEN INTERESSE AV ò LòSE FAST FOLK SLIK SOM DEN KOMMERSIELLE PLATEBRANSJEN GJĆR )NGEN HAR STUKKET ENDA HELLER SIER HAN MED ET SMIL OG FORTELLER AT HAN HENTER MYE INSPIRASJON FRA HVORDAN ANDRE SELVSTENDIGE PLATESELSKAPER DRIVES SOM 3UB0OP 8, OG 4OUCH AND 'O &RA SISTNEVNTE HAR HAN BLANT ANNET ADOPTERT DEN SòKALTE METODEN HVOR PROüTTEN DELES LIKT MELLOM ARTIST OG LABEL p -USIKERNE FòR STORT SETT FRIE TĆYLER AV MEG JEG HAR IKKE TRUA Pò ò nüLE NEDn OG INNGò KOMPROMISSER MED ARTISTENE 0UBLIKUM ER IKKE Sò DUMME AT DE IKKE SKJĆNNER DET NòR DET HAR BLITT INNGòTT KOMPROMISSER MENER *OAKIM SOM LIKEVEL IKKE VIL AVSKRIVE MAINSTREAMSELSKAPENE p 6I TRENGER OGSò DE STORE SELSKAPENE OGSò ETTERSOM MUSIKKBRANSJEN FUNGERER SOM EN SLAGS NäRINGSKJEDE HVOR MAN ER AVHENGIG AV HVERANDRE *EG MENER LIKEVEL AT INDELABELENE STòR STERKERE OG BEDRE RUSTET I TĆFFE TIDER SOM Nò SIDEN VI HAR IKKE LIKE MYE ò TAPE DA PENGER IKKE STòR I FOKUS

.òR ER DET FARE FOR AT EN SELVSTENDIG LABEL BLIR nFOR STORn .òR MAN MISTER KONTROLLEN $ET ER EN KUNSTFORM ò DRIVE EN MUSIKKLABEL OG DET KAN BLI KONČIKTER NòR DET ER MANGE MED FORSKJELLIG SMAK SOM SKAL MENE NOE $ET ER IKKE BRA MED STORE ! 2 AVDELINGER FOR EKSEMPEL *EG MENER DET ER BEST AT ET HODE STYRER SIER *OAKIM SOM SELV STòR BAK DET MESTE SOM FOREGòR Pò 3MALLTOWN 3UPERSOUND p $ET HAR BLITT EN DEL AV LIVET MITT 3MALLTOWN ER LITT SOM MITT FORFATTERSKAP OG DA FUNKER SJELDEN OM MAN HAR FOR MANGE INVOLVERTE SIER HAN (VA ER DINE BESTE RòD TIL ANDRE SOM VIL GJĆRE DET SELV I MUSIKKBRANSJEN *EG PLEIER ò SI AT DET GòR IKKE AN ò LäRE SEG OPP I DENNE BRANSJEN ALT HANDLER OM ERFARING $ET ER OGSò VIKTIG ò STOLE Pò SEG SJĆL OG HA GOD SELVTILLIT OG GI LITT FAEN I HVA ANDRE RòDER DEG TIL 3IGNER ALDRI NOEN FOR AT DU TROR DE KAN SLò AN DET ER EN STOR TABBE MANGE GJĆR *EG ER KUN INTERESSERT I MUSIKK JEG LIKER JEG DRIVER IKKE MED DETTE FOR ò TJENE PENGER SIER *OAKIM BESTEMT p 3AMTIDIG ER JEG IKKE REDD FOR AT BAND BLIR nSTOREn DET ER ALLTID üNT AT GOD MUSIKK KOMMER UT TIL FOLK 3ELV OM NOE FòR SUKSESS BETYR DET IKKE AT MAN HAR BLITT SELL OUT 0OENGET ER MER AT MAN HAR EN HOLDNING TIL DET MAN DRIVER MED OG HAR PRINSIPPER SOM MAN FĆLGER HELE VEIEN %LLERS ER DET VIKTIG ò üNNE EN BALANSE MELLOM DE FORSKJELLIGE MUSIKKSJANGERNE MEN AT MAN HAR EN SLAGS RĆD TRòD UTEN AT DET BLIR FOR DEüNERT (VA BETYR $)9 FOR DEG $)9 ER MIN RELIGION OG BETYR ALT BOKSTAVELIG TALT *EG HAR ALLTID GJORT ALT SELV OG PRĆVET OG FEILET Pò VEIEN &OR MEG STòR BANDET 3ONIC 9OUTH FOR DET ULTIMATE GJĆR DET SELV PROSJEKT $E ER SELVE DEüNISJONEN Pò $)9 I MUSIKKBRANSJEN AVSLUTTER *OAKIM OG NOE SIER OSS AT DET BARE ET ER TIDSSPĆRSMòL FĆR 3MALLTOWN GRÓNDEREN SELV üNNES UNDER $ I

(,

OPPSLAGSVERKENE

&%

&&

p 4EKST !STRI "ARBALA

= cYVgWZ^Y Zg ^``Z ]kV YZi Zc \Vc\ kVg# EgZ`i^\Z BVgi]V HiZlVgi"ineZg ]Vg c [ ii ]VgY `dc`jggVchZ Vk b^a_³WZk^hhiZ ^cY^ZWVWZh d\ cZiihVb[jcc bZY ejc`Vii^ijYZ# BZc Zg YZc cnZ ] cYVgWZ^YhW³a\Zc Zi h`g^ii i^aWV`Z ^ a^`Zhi^aa^c\h`VbeZc4

ò TALLET VAR KNIPLINGSSTING OG STRIKKEOPPSKRIFTER SYNONYMT MED HJEMMEVäRENDE FRUER IFĆRT NYSTRĆKNE BLOMSTERFORKLäR $E VAR OGSò SUNNHETSTEGN FOR KJERNEFAMILIEIDEALET DER FAMILIESTRUKTUREN VAR BASERT Pò AT MANNEN I HUSET TJENTE TIL LIVETS OPPHOLD MENS HANS SĆTE KONE HOLDT SEG HJEMME MED BARN BRĆDBAKING OG FORMIDDAGSSLADRING MED NABOKONA (ADDE DATIDAS HUSFRUE SETT HVA DAGENS UNGE KVINNER BRUKER DEN KVINNELIGE KULTURARVEN TIL HADDE DE NOK SATT KIRKEKAFFEN I HALSEN &OR GòR MAN INN Pò NETTSAMFUNN SOM 'ET#RAFTY COM OG #RAFTSTER ORG OG SJEKKER UT MEDLEMMENES SISTE PUSLEPROSJEKTER ER DET IKKE BARE BLOMSTER SOM BRODERES Pò KJĆKKENTAVLENE MEN OGSò DĆDNINGEHODER OG -ORRISSEY TEKSTER %I ANNA SIDE %TSY COM ER EN ONLINE MARKEDSPLASS FOR ALT SOM HAR MED HòNDLAGEDE PRODUKTER ò GJĆRE OG TELLER Nò OVER SELGERE AV ALT FRA GRĆNNE BRUDEKJOLER TIL nMAGISKEn MASSASJEOLJER 3IDA HAR SIDEN DEN BLE STARTET OPP I BLITT Sò POPULäR AT ENTUSIASTISKE BRUKERE HAR FòTT SITT EGET NAVN %TSYANS OG DEN HAR BLITT GENIERKLäRT AV SòVEL 6OGUE JOURNALISTER SOM SPIRITUELLE HIPPIETYPER .OE SOM I ALLE FALL ER SIKKERT ER AT DET ò VäRE CRAFTY HAR BLITT KULT )FĆLGE ENGELSKORDBOKA BETYR CRAFTY ò VäRE nLISTIGn MEN DEN MER RIKTIGE OVERSETTELSEN I DENNE SAMMENHENGEN ER nHENDIGn ELLER nČINK MED HENDENEn %N AV DE SOM STòR I BRESJEN FOR DENNE NYE TYPEN HENDIGE MENNESKER ER $EBBIE 3TOLLER REDAKTĆR FOR DET POPKULTURELLE FEMINISTMAGASINET "UST ) TILLEGG TIL ò STò BAK HòNDVERKSBĆKENE n3TITCH Nl "ITCHn OG n(APPY (OOKERn INKLUDERER HUN STADIG VEKK $)9 GUIDER OG %TSY SELGERE I BLADET ) SIN ANMELDELSE AV 'ET#RAFTY GRUNNLEGGER *EAN 2AILLAS BOK MED


CV Professional experience

Education .Master degree. 2007 – 2009 Kunsthøgskolen i Oslo [oslo national academy of arts] Created, designed and Published the magazine “the unguide” about experimental traveling . Post-graduation [Latu-Sensu] . 2003 – 2004 Faculdade de Belas Artes de São Paulo [São Paulo School of Fine Arts] Post-Graduation course and monograph on Graphic Design Wrote the article “Books that Changed the World - of Graphic Design” as a result of the post graduation course held in São Paulo School of Fine Arts. . Graduation [Bachelor degree] . 1999 – 2002 Escola Superior de Propaganda e Marketing [College of Marketing and Advertisement] Bachelor in Advertisement

.Extracurricular courses. 2004 Attendee at Congresso Brasileiro de Pesquisa e Desenvolvimento em Design - P&D [Brazilian Congress of Design Research and Development - R&D] 2009 Presenter at Pecha Kucha / Ikea about The Unguide project. 2009 Guest lecturer at BAS - Bergen Arkitekt Skole - with “design basics” workshop

Since 2002 working as a freelance designer. . Tiber A.S. [Oslo]. Dec 2008 – April 2009 Part-time graphic designer for all sorts of design materials made for the company’s clients. . Studio8 Design [London]. Apr 2008 One month Working with several magazine projects, signage and book covers. . Tempi A.S. [Oslo]. Dec 2007 Freelance graphic designer for packaging and promotional materials . Capricho Magazine [São Paulo] . Jan 2006 - Mar 2007 Working as a Senior Designer at the biggest magazine in Brazil for teenagers from 14-19 years old. The job includes, besides designing the pages, also photo production, budget management and others.


Languages

. JungleDrums Magazine and Record Magazine (London, UK) . Jan 2005 - Dec 2005 Art Director Worked designing the pages and advertisements part-time at JungleDrums, a bilingual magazine for Brazilians and people interested in Brazilian culture. Also, Record Magazine (a tv schedule mag), was published and I was responsible for creating the whole graphic project. . MalvernHouse English School (London, UK). Mar 2005 - Nov 2005 Art Director At their house agency I was responsible for creating, producing and coordinating the printing process of all the promotional materials (course catalogs, brochures, posters etc). .

Rex Design [SĂŁo Paulo] . Aug 2003 - Nov 2004: Senior Graphic Designer Rex is one of the most important design offices in Brazil, working with several clients, including Motorola and Unilever. Working at their editorial branch, mainly designing their books, catalogs and some promotional materials. . La Fabbrica do Brasil [SĂŁo Paulo] . Jan 2001 - Aug 2003 Art Director Creating, producing and coordinating the printing process of educational materials (folders, teacher books, presentations) for clients like Fiat, NestlĂŠ, Philips and Tim.

English. proficient Portuguese. proficient Spanish. proficient Norwegian. intermediate


hire me renata barros + 47.9806.0288 + 55.11.37175139 renata@renatabarros.net


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.