Portfolio Renata Barros by renata barros

REVISTA CAPRICHO \ DESIGN, ILLUSTRATION, EDITING AND PRODUCTION FOR ARTICLES RELATED TO FASHION, BEAUTY AND CULTURE. \ 2007

REVISTA CAPRICHO

PLAYCENTER BROCHURE \ PLAYCENTER IS A TIVOLY PARK IN Sﾃグ PAULO. IN THIS PROJECT, THEY TAKE KIDS FROM POORER PARTS OF THE CITY TO THE PARK AND USE THE ATTRACTIONS AS FORMS OF RELATING TO SCHOOL SUBJECTS. THIS EDUCATIONAL BOOK WAS HANDED TO STUDENTS FROM 9-17 YEARS OLD. \ 2007

6 FANTASTIC NORWAY \ IDENTITY SYSTEM. LOGO, BUSINESS CARDS, LETTERHEAD, ENVELOPES AND PATTERNS. \ 2008

Black

M100 Y100

Black

Pantone 485

FANTASTIC NORWAY

If you want to make archItectural work and

plannIng meanIngful and “avaIlable” for other than archItects, you have to talk to the ones It Is supposed to be meanIngful for. If you want “the natIves” to take part In the plannIng of cIty development, you have to talk to them. fInally, If you serIously want the

InhabItants to contrIbute to the urban development and cIty

plannIng, you have to lIsten to them. you also

need somewhere to do all thIs

talkIng and lIstenIng, and thIs Is

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THE UNGUIDE #00 2009

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THE UNGUIDE

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pace, please

THE UNGUIDE \ A MAGAZINE ABOUT EXPERIMENTAL TRAVELING AND EXPERIENCING PLACES, THE UNGUIDE WAS A PERSONAL PROJECT DEVELOPED WHILE DOING A MASTER AT KUNSTHØGSKOLEN IN OSLO, NORWAY. THE MAGAZINE APPROACHES TOURISM FROM A COMPLETE DIFFERENT PERSPECTIVE AND USES DESIGN TO INSPIRE AND PROVOKE NEW FORMS OF LOOKING AT TRAVEL. \ 2009

THE UNGUIDE 35

the unguide the route oF SenSeS in São Paulo

the anatomy oF São Paulo boteco tableS aria d the Pad

the unguide the route oF SenSeS in São Paulo

the unguide the anatomy oF São Paulo boteco tableS

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You will find beer and/or chope in every boteco in São Paulo. The difference between them is that chope isn’t pasteurized and it feels a bit “finer”. But more important than this is the colarinho issue (the white foam on top of the liquid): some love it, others hate it. The defenders say it keeps the liquid cold (Brazilians drink it as cold as it can be). The haters say that foam is for fools, and why waste space in the glass with it? We recommend you measure 2 fingers of foam. That will avoid fermentation and keep your chope cold. But being honest, you should try both and decide it yourself without being so precious. As long as it is cold and the company is good, we should all be happy.

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2 fingers of foam is the maximum, allowing some margin for width differences

how to eat pastel without burning the mouth t nor mal topog chapa raphy of pão na

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give a small bite in one side

A breakfast classic, this simple combination of the Brazilian version of the french baguette (a bit smaller) with butter on top and toasted on a hot plate is a delicious way to start your mornings in São Paulo. Head for the first padaria you see and enjoy: it goes with juices, milk and – depending on how strong your stomach is – even beer.

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Photo: henri bergius (cc)

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the unguide the anatomy oF São Paulo boteco tableS

the cru sty alp s

5/4/09 1:05:18 PM

and a second at the other.

blow trough one hole, so the hot air will slowly go away through the other.

Slowly, continue biting and blowing, until it’s fairly eatable.

eat the now safe and delicious pastel.

be a little more careful. They can be really nasty. Discovering yours is an art: you become friends with the owner, pay special bills, try tira-gostos before they even go to the menu. Mercearia is a very nice place to start.

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the unguide the SenSation routeS oF São Paulo

good also very chapa a n o pã With Pingado is a classic from the Brazilian padaria breakfast, the inverted version of the cafe-au-lait. Make sure that you ask the waiter not to put too much sugar when you order it. Unless you want to start your day with a super sweet breakfast milk. Coxinha is a big hit among Brazilian snacks. Its constitution can vary depending on how mingy the cook is, but that is no reason to worry: coxinha is just like sex (or pizza): even when it is bad, it’s good. A boteco table that is not sponsored by a beer brand is not authentic. Don’t stop there. Keep looking: we promise cheap booze.

15%

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chicken filling

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catupiry cheese

75% 75%milk milk

15% 15%sugar sugar

Photo: richard alexander caraballo (cc)

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THE UNGUIDE

the unguide the route oF SenSeS in São Paulo

the unguide color book

Pantone 032

Pantone 298

Pantone 151

Met in euisi tio commolobore cor in hendre magna alis alis nullutpat. Ut vullan erat wis acipit at aliquissit alit ipit nos augiat, cor ipsusci pisit, sim dolor seniam, conulputat enim zzrilit lam zzriure tisim iureriure miniam exer senissi tet utpat. Ed tie tie vulla facidui smodipis ate dolummo dionsequate faciliquat. Dui te dolummy nostrud magna feu faci eui te veliqui bla adit praestis nullan volor susto con eu faciduisit at. Iquis aute duipisl irit amcon henim eu feugait, sum esto odionse quamet praesed tis nullums andiamc onsecte modolore velit veniamet autpatem quam iustio et ip etum nonsequipit lam diam iuscili quatue dolobortie tem dolorpero eugait volorper sim zzrillutatem am dip eugiamet illaore dolorperat

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ametum dolor ipsumsan hendrem aut augiam dolore feugue tie dolore dolore vendre faccum vent num iusci ting ex eugiam nos dolesecte dolor secte mo. Lorem iriureros aliquam quisit, sed min hendreet, volore facipsum nonsectet nis esendreet augiamc ommodipit lum ilit wiscilisis aciliqui ea feugue ea feuguerit la conse velestrud eumsand ignibh rit la conse velestrud eumsand ignibh ea faciduipit wis aliquisl dolenim v sit am venit et aciduip et la core digna feummolore tat. Wis nim del ea facilla facin vulla am quat prat aliquamcommy nissisit laore eugue tat prat delent la faccum inim venim iure ea conum quamet ipsum ing endio erilisi. Ciduisit ad mod tiscveros.

Pantone 354

it’s real! galeria Pajé, at the downtown area of São Paulo, is “the” place to buy electronic products. however, thousands of people (try to) shop in its narrow corridors every day, so if you are claustrophobic, you better just stay outside contemplating the huge lego.

Pantone 012

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THE UNGUIDE

Imagine the snow is sand And that you are about to view Oslo through very strange glasses: your creativity. Relax yourself to relate to the stories we will tell.

u t yo whlal finpdart wi his in t

mAGINAry

PErsoNAL sIGhtsEEING

whAt Is osLo for yoU?

osLo

A cIty IN rEd

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14 TELIO OPEN FRAME USER INTERFACE DESIGN \ TELIO PLANNED TO LAUNCH A TOUCH HOME PHONE BASED ON THE DEVICE DEVELOPED BY OPEN PEAK. BASED ON A STRATEGY ADOPTED BY THE ENGLISH 02 WITH THE JOGGLER (SEE PICTURE)THEY FOCUSED THEIR TARGET GROUP ON WOMEN, 50+, HOUSE WIVES, CLASS AB. THE DEVICE SHOULD BE, BESIDE A HOME PHONE, AS TASK ORGANIZER, RADIO AND NEWS READER. OPEN PEAK HAD ALREADY DEVELOPED SOME APPLICATIONS AND A BASIC GUI (PICTURE), BUT WE DECIDED TO START FROM THE SCRATCH IN ORDER TO MAKE THE NAVIGATION AND THE DESIGN MORE APPEALING TO THE TARGET GROUP. \ 2009

TELIO OPEN FRAME USER INTERFACE DESIGN

23 CANCER TYPES ICONS \ AN INFORMATION SYSTEM BASED ON ICONS WHICH SHOULD WORK IN A DATABASE INFORMATION ABOUT CANCER. THE “TONE” OF THE ILLUSTRATIONS WAS CHOSEN TAKING INTO ACCOUNT THE LEGIBILITY AND THE SERIOUSNESS WITH WHICH THE THEME SHOULD BE FACED. \ 2009

Lymphoma

Leukemia

Sarcoma

Carcinoma

Myeloma

Mix

Lymphoma

Leukemia

Sarcoma

Carcinoma

Myeloma

Mix

Kidney Anal

Bowel Liver (colon & rectum)

BileLarynx Duct

Brain Liver Secondary

Leukaemia Bladder

Brain Lung Secondary

Leukaemia Bone other

Carcinoid Lung secondary

Breast Bone Secondary

Cervix Breast secondary

secundary

Hodgkin’s

Myeloma Ovary

non-Hodgkin’s Bowel (colon & rectum)

Kidney Kidney Pancreas Children’s cancers

Liver Liver

Lymph nodes secundary Lymph nodes secundary

Myeloma Myeloma

Brain

Larynx Larynx Penis Eye

Liver Secondary Liver Secondary

Lymphoma Hodgkin’s Lymphoma Hodgkin’s

Ovary Ovary

Brain Secondary

Carcinoid

Leukaemia Leukaemia other Leukaemia Leukaemia ProstateGullet Head other (æsophagus) & Neck

Lung Lung

Lymphoma non-Hodgkin’s Lymphoma non-Hodgkin’s

Pancreas Pancreas

Lung secondary Lung secondary

Melanoma Melanoma

Penis Penis

Cervix CANCER TYPE ICONS

Breast Breast Kaposi’s sarcoma

Breast secondary Breast secondary

Mesothelioma Mesothelioma

Prostate Prostate

REC LAUNCH OF NEW SOLAR PANEL \ REC IS LAUNCHING A NEW PANEL WITH THREE MODULES. THE CONCEPT, “THREE IS THE MAGIC NUMBER” WAS INCORPORATED IN THE WEBSITE, WITH WEBCAMS OVER DIFFERENT CITIES IN THE WORLD. PIECES OF INFORMATION RELATIVE TO THE PRODUCT APPEAR ON TOP OF EACH LANDSCAPE. \ 2010

REC LAUNCH OF NEW SOLAR PANEL

28 FANTASTIC NORWAY WEBSITE \ THEIR WEBSITE HAD TO BE AS “FUN” AND UNPRETENTIOUS AS ARE THE ARCHITECTS THEMSELVES. YET, IT SHOULD BE SERIOUS ENOUGH TO SHOW THEIR WORK IN A EFFECTIVE AND SIMPLE FORM. BESIDES, THEY ALSO WANTED TO BE ABLE TO COMMUNICATE TO PEOPLE - THEIR MOTO - IN DIFFERENT WAYS. TO AVOID A HUGE, COMPLICATED MENU, ALL THE PAGES WORK LIKE “TOOLS”, AND CAN BE ACCESSED AT ANY TIME, WITH NO “RETURNS”. \ 2008

FANTASTIC NORWAY WEBSITE

32 EUROVISIONS’ IDENTITY \ THE EXHIBITION WAS A WORK BETWEEN NORSK FORM, EUROPAN AND FANTASTIC NORWAY. THE DESIGN, BASED ON THE SILHOUETTES OF THE EXHIBITION, BRANDS EACH CITY WITH A MODULAR SILHOUETTE WHICH CAN BE PLACED IN ANY ORDER. \ 2009

EUROVISION´S IDENTITY

EUROPAN

The actual urban configuration has grown around this productive activity, with two main centres; Kotkansaari and Karhula. Nowadays the town’s main character is still strictly connected with the sea and harbour activity. The big emptiness in the competition’s area gives the opportunity of designing a proper ‘city’s piece’, on which we can express and realize a contemporary idea of living.

VARDØ

EUROPAN

Cedant tenebrae soli - darkness shall give way to the sun. The motto in Vardø’s coat of arms has a forceful message. As a place swept in darkness 2 months of the year, exposed to cold winds from the Arctic and dramatically located on an island far North East in Norway this force must clearly be present in the lifeblood of its inhabitants. Vardø is by all means walking the talk. Northern Norway’s oldest and easternmost town was once a prosperous trade centre with strong ties to Russia, a regional strategic point. But in recent years Vardø has suffered due to the changes in the fishing industry, previously a corner stone of the society. As the new map of the Northern hemisphere is drawn, Vardø can again find a strategic role. The town wants to use its proud history, unique location, striking scenery and strong local culture to reposition itself regionally and internationally.

A DOLL’S HOUSE Issue #0 Pris: 15 NOK

A DOLL’S HOUSE \ THE FANZINE WAS A PERSONAL PROJECT TOGETHER WITH THE PHOTOGRAPHER HILDE HOLTA-LYSEL, THE ILLUSTRATOR ESRA ROISE, AND THE JOURNALIST ASTRI BARBALLA. TWO ISSUES WERE LAUNCHED, ONE ON THE DO IT YOURSELF CULTURE AND THE OTHER ON WICCA AND OCULTISM. \ 2009 AND 2010

A DOLL’S HOUSE

Tekst: Astri Barbala

Hadde det ikke vært for en gjeng bråkete punkejenter i Olympia tidlig på nittitallet, hadde kanskje verken Spice Girls, Ladyfest eller denne fanzinen vært et faktum.

Foto: Stjælt fra internet

A DOLL’S HOUSE

Styling: Elisabet Alma

Hva hadde vel barndomsåra vært uten et par marerittfremkallende hekseskikkelser?

Model: Lilja Hronn

Man regner med at det ble reist formelle rettslige trolldomsanklager mot ca 100 000 personer, og blant disse ble om lag 40 000 straffet med døden, enten ved henging, halshugging eller brenning på bål.

Photo: Saga Sig

Pink and golden lace underwear by Damaris. Headband by Thelma design.

Det anses at rundt halvparten av rettssakene fant sted i Tyskland, men Norge var heller ikke uskyldig i denne sammenhengen. Hekseprosessene her i landet foregikk mellom 1567 og 1754, men de fleste heksebålene brant i et relativt kort tidsrom fra 1617 og til ut på 1660-tallet, og det siste norske heksebålet sloknet i 1695. Likevel ble ikke hekseforfølgelsen for alvor avskaffet før i 1842. Man regner med at over 250 kvinner og rundt femti menn ble henrettet i norske hekseprosesser, og Finnmark var et av de verste områdene i Europa. Særlig ille var det da skotten Lord Cunningham var lensherre her mellom 1620 og 1641, og innflyttede kvinner i små fiskevær var særlig utsatt. Som første land i verden har Norge nå fått en komplett oversikt over alle rettsdokumentene i hekse- og trolldomssakene, og de finnes nå fritt tilgjengelige på en nyopprettet database. Her er det lagt ut flere detaljerte beskrivelser av rettsprosesser mot hekseanklagede kvinner og menn. Det var ikke måte på detaljrike og overbevisende forklaringer fra vitnenes side, og det er for eksempel nøye beskrevet hvordan en tiltalt hadde blitt observert mens hun forvandlet seg til en ulv, eller hvordan en annen hadde flydd over landsbytakene iført ravnedrakt. Men selv om hekseprosessene er et avsluttet kapittel i Europa, er hekseforfølgelser sjokkerende nok et økende problem flere steder i verden. I flere afrikanske land blir kvinner (og noen menn) stadig utpekt for å ha forårsaket dødsfall og sykdommer med hjelp av trolldom, og mange har også blitt beskyldt for å stå bak AIDS-epidemien. Man regner faktisk med at like mange har blitt drept som følge av hekseanklager de siste femti årene i verden som det har blitt i hele Europas historie. I Sør-Afrika er forholdene for de anklagede såpass ille at det har blitt opprettet egne gettoer for kvinner som er på flukt etter hekseanklager. Tanzania har opplyst at over 5000 mennesker døde mellom 1994 og 1998 som følge av heksejakt, og i 2006 ble 432 angolske gatebarn forlatt eller misbrukt etter å ha blitt utpekt som hekser. Heldigvis finnes det moderne heksehistorier som er litt mer hyggelige. Den tradisjonelle definisjonen på ei heks som ond og usosial passer dårlig på dagens selverklærte hekser og personer i moderne pa-

ganske samfunn som hevder de bruker sine magiske krefter til religiøse og positive formål. Heksereligionen wicca oppsto i sin moderne form i 50-årene, etter at ”wiccas far”, antropolog og okkultist Gerald Gardner, hadde gitt ut boka Witchcraft Today. Boka er i dag ansett som en av religionens viktigste tekster sammen med flere av verkene til den beryktede engelske magikeren Aleister Crowley. Ifølge wicca finnes det ikke et klart skille mellom svart og hvit magi eller onde og gode krefter, da alt og alle har både positive og negative sider i seg. Hovedprinsippet i wicca kan sammenlignes med Kardemommeloven fra Thorbjørn Egners Kardemommeby: “An ye harm none, do what ye will”. Med andre ord; så lenge man ikke plager andre kan man gjøre hva man vil. Et annet viktig prinsipp er den såkalte Universets lov, som sier at om man gjør noe godt, får man det tre ganger sterkere tilbake. Dette gjelder dog også den andre veien, så om ei heks bruker magi som gir negative konsekvenser for andre, går dette til sist utover henne selv, tre ganger så sterkt. På verdensbasis er det i dag om lag 800 000 mennesker som regner seg som medlemmer av en eller annen form for wicca. I den vestlige verden har det skjedd mye siden de store hekseprosessenes tid, og det er nå mye større aksept for ”utradisjonelle” trosretninger. Men når omfanget av menneskeforfølging på grunnlag av beskyldninger om hekseri fremdeles er såpass omfattende som det er i resten av verden, må konkusjonen dessverre bli at det er en lang vei å gå før vi virkelig får bot med hekseforfølgelsene. I eventyrene er dog heksene fremdeles – stort sett, i alle fall – forfriskende onde. For hva hadde vel barndomsåra vært uten et par marerittfremkallende hekseskikkelser? wicca.no og wiccan-world.com

Hovedprinsippet i wicca kan sammenlignes med Kardemommeloven: “An ye harm none, do what ye will”. Med andre ord; så lenge man ikke plager andre, kan man gjøre hva man vil.

størst mellom 1560 og 1630. Man regner med at det ble reist formelle rettslige trolldomsanklager mot ca 100 000 personer. Blant disse ble om lag 40 000 straffet med døden, enten ved henging, halshugging eller brenning på bål.

MANMADE ENVIRONMENT

MANMADE ENVIRONMENT \ THE DESIGN WORK FOR EXHIBITION ON LANDSCAPE ARCHITECTURE CURATED BY THE DANISH ARCHITECTURE CENTRE AND LAUNCHED IN SEPTEMBER 2010 AT NORSK FORM INCLUDED THE WHOLE IDENTITY PROFILE, EXHIBITION DESIGN, INFORMATIONAL MATERIAL AND THE DESIGN OF THE CATALOGUE. WORKING WITH SUCH AN EXHIBITION, WHICH WILL TRAVEL THROUGH 5 COUNTRIES AND WILL BE BILINGUAL IN EVERY COUNTRY, DEMANDED A LOT OF COLLABORATIVE WORK AND A COMPLEX PROJECT MANAGEMENT. \ 2010

MANMADE ENVIRONMENT

AT THE EXHIBITION, DIFFERENT MATERIALS, SHAPES AND DEPTHS WERE USED IN ORDER TO EMPHASIZE THE MESSAGES COMUNICATED BY THE IMAGES AND DIAGRAMS PRESENTED BY SEVERAL LANDSCAPTE ARCHITECT PROJECTS. THE WORK HAD TO BE DESIGNED TAKING INTO CONSIDERATION THE “TRAVELING” ASPECT OF THE EXHIBITION. A COMPLEX SYSTEM OF NUMBERING AND BOARD MAPPING WAS CREATED ON THE SIDE, MAKING IT ACCESSIBLE FOR THE NEXT EXHIBITOR TO MOUNT IT WITHOUT PROBLEMS.

MANMADE ENVIRONMENT

THE DOTTED LINES, PART OF THE VISUAL PROFILE, ARE USED IN ORDER TO CREATE DIFFERENT DEPTHS AND LANDSCAPES, DEPENDING ON HOW ONE LOOKS AT THEM.

MANMADE ENVIRONMENT

INVITATION

MANMADE ENVIRONMENT

SHAPING LANDSCAPES

Most of us never reflect on how many of the places we visit are planned by landscape architects. The field comprises small-scale measures that provide modest enrichments of our daily life, as well as the complex structural and strategic interventions that determine whether nature will prevail over us – or vice versa. What physical measures enable diversity in public spaces? Can landscape analysis contribute to new growth in rural areas that have lost their original industrial base? What are the consequences of a new high-speed rail system between Oslo and Copenhagen? Which technologies can alleviate an area afflicted by frequent flooding? This book is also a catalogue for MANMADEENVIRONMENT, an exhibition touring the Nordic countries from 2010–2012, which examines numerous innovative landscape architecture projects in the Nordic region. The book presents articles and reference projects to underscore how landscape architecture ideally can contribute to sustainable solutions, the promotion of better health and the improvement of living conditions for residents in both urban and rural areas.

The book is sponsored by:

Photos cover: 1:1 Landskab, Aurland Naturverkstad, Christina Capetillo, Christina Natalie Lunde, Erik Andersson, Landslag, Scandinavian Green Roof Institute, Sigfús Már Pétursson, SYKE and Vibeke Rønnow.

CATALOGUE COVER

MANMADE ENVIRONMENT

INfRASTRucTuRAl lANdScApES

transport and communication In addition to being an essential prerequisite for well-functioning settlement patterns and urbanization, the establishment of good infrastructure and communications directly affects development of the landscape – in cities and elsewhere. The case study “Street of Islands” shows how landscape architecture based on a comprehensive approach, and with sensitivity to detail, can promote sustainable settlement and achieve significant reductions in CO2 emissions. In “Back to the Celebration,” doctoral research fellows Nina Marie Andersen and Marius Fiskevold analyze how infrastructure affects our experience of the landscape and why this requires a revitalization of the concepts we use in our professional discourse, and the future scenario described in “Three Nations – One Region” examines the radical changes that may come as a consequence of the high-speed railway between Oslo and Copenhagen.

SOcIAl lANdScApES

commons Creating well functioning public spaces is a substantial challenge in most urban areas, as well as in smaller towns and settlements. Our communities are becoming increasingly diverse and multicultural. At the same time, our commons are under constant pressure from commercial interests. Ethnologist Nicolai Carlberg shares his insights on how architectural choices affect the degree of diversity of our public spaces in his article “Diverse Urban Space.” This directly applies to the case of Nørrebro Park in Copenhagen, which demonstrates how structural measures in architecture and landscape may change the use of an area so that it is more inclusive by being inviting to the various groups of a neighborhood. The question of what should be public spaces, and what our public should be like, is highly political, since we all have different opinions of what constitutes a good life. Landscape Architect Thorbjörn Andersson elaborates in his article “Will to Change.”

64/65 proDuctivE lAnDscApEs Case scenario

overview

cASE ScENARIO:

REGIONAL PARKS

proDuctivE lAnDscApEs

rEAlitiEs & visions

The establishment of Regional parks is a progressive measure for rural communities facing population decrease, lack of economic growth and conflicts between preservation and the exploitation of their natural or cultural heritage. By combining knowledge about the landscape with the understanding of local potential, Aurland Naturverkstad generate new strategies for area management through their parks.

infrAstructurAl lAnDscApEs

sociAl lAnDscApEs

8 Million city Welcome to 2025, when the whole region around Oslo, Gothenborg and Copenhagen has changed because of the new high-speed trains.

fighting DEpopulAtion The concept of regional parks is a progressive measure to help rural communities find new potential in landscape and natural resources.

pErforMAtivE lAnDscApEs usEr involvEMEnt A green and multicultural meeting place provides new identity and common ground in a divided neighborhood in Copenhagen.

systEMic rEclAMAtion

connEcting thE Dots

Students challenge development of an exhausted and contaminated industrial area in the suburbs of Oslo, with focus on natural resources and ecological processes.

In Kuopio, Finland, a narrow road stretching across small islands became the sustainable solution to urban growth.

globAl outlook

urbAn friction

Based on mapping, analysis, landscape planning and heritage management, Aurland Landscapeworks generates new strategies for rural development that are utilized in collaboration with local communities.

Aurland Naturverkstad

ADAptAtion

There is a long tradition of such parks in Europe, and this is integrated with the concept of sustainable management, local development and value creation. The first nature and cultural parks were established in England and Germany in the 1950s, with the intention of ensuring access to attractive recreational areas. In Norway, there was little knowledge about regional parks until the 21st century. The starting point was the need for a restructuring of the agricultural and rural industries, and landscape qualities were increasingly seen as part of a product development and marketing based on agriculture. Aurland Landscapeworks was a key contributor in this phase, and since then has also been the main driving force for generating interest in this concept in Norway and in further development. The practice is a multidisciplinary consultancy firm for landscape assessment, dynamic conservation and asset-based community development. So far, the Norwegian model is unique in being rooted in the European Landscape Convention.

Stuttgart’s climate planning strategy is seen as one of the best examples of heat island management in the world. This article is one of four providing a global outlook, produced by sustainablecities.dk.

swEDish Eco-city

Ethnologist Nicolai Carlberg on how design inflicts on diversity in public spaces. Who decides what is “the good life”?

Organized as a partnership between local communities, public authorities and business and industry, a regional park is a concept of enabling the comprehensive utilization of cultural and natural resources.

In Augustenborg a small-scale pilot project proved to have a major impact on its local environment. A run-down neighborhood with flooding problems was transformed by professionals and residents.

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SPREADS

CV RENATA BARROS \ VOGTS GT. 70A OSLO - NORWAY \ T. +47.9412.8189 \ RENATA@RENATABARROS.NET \ WWW.RENATABARROS.NET

EDUCATION \ .MASTER DEGREE. 2007 – 2009 KUNSTHØGSKOLEN I OSLO [OSLO NATIONAL ACADEMY OF ARTS] CREATED, DESIGNED AND PUBLISHED THE MAGAZINE “THE UNGUIDE” ABOUT EXPERIMENTAL TRAVELING

PROFESSIONAL EXPERIENCE \ . FREELANCER [OSLO]. MAI 2009 – NOW FREELANCER GRAPHIC DESIGN WORKING FOR SEVERAL PROJECT AND CLIENTS INCLUDING MELD DESIGN, NORSK FORM, FANTASTIC NORWAY, DOGA, SIX SIDES, ETC.

LANGUAGES \ PORTUGUESE. MOTHER TONGUE ENGLISH. PROFICIENT SPANISH. PROFICIENT NORWEGIAN. INTERMEDIATE

. POST-GRADUATION [LATU-SENSU] . 2003 – 2004 FACULDADE DE BELAS ARTES DE SÃO PAULO [SÃO PAULO SCHOOL OF FINE ARTS] POST-GRADUATION COURSE AND MONOGRAPHY ON GRAPHIC DESIGN WROTE THE ARTICLE “BOOKS THAT CHANGED THE WORLD - OF GRAPHIC DESIGN” AS A RESULT OF THE POST GRADUATION COURSE HELD IN SÃO PAULO SCHOOL OF FINE ARTS.

. TIBER A.S. [OSLO]. DEC 2008 – APRIL 2009 PART-TIME GRAPHIC DESIGNER FOR ALL SORTS OF DESIGN MATERIALS MADE FOR THE COMPANY’S CLIENTS.

COMPUTER SOFTWARES \ PHOTOSHOP INDESIGN ILLUSTRATOR OFFICE PACKAGE

. GRADUATION [BACHELOR DEGREE] . 1999 – 2002 ESCOLA SUPERIOR DE PROPAGANDA E MARKETING [COLLEGE OF MARKETING AND ADVERTISEMENT] BACHELOR IN ADVERTISEMENT CONGRESSES AND PRESENTATIONS \ 2004. ATTENDEE AT CONGRESSO BRASILEIRO DE PESQUISA E DESENVOLVIMENTO EM DESIGN - P&D [BRAZILIAN CONGRESS OF DESIGN RESEARCH AND DEVELOPMENT - R&D] 2009. PRESENTER AT PECHA KUCHA / IKEA ABOUT THE UNGUIDE PROJECT 2009. GUEST LECTURER AT BAS - BERGEN ARKITEKT SKOLE - WITH “DESIGN BASICS” WORKSHOP

. CAPRICHO MAGAZINE [SÃO PAULO] . FEB 2006 - MAY 2007 WORKING AS A SENIOR DESIGNER AT CAPRICHO, THE BIGGEST MAGAZINE IN BRAZIL FOR TEENAGERS FROM 14-19 YEARS OLD. THE JOB INCLUDES, BESIDES DESIGNING THE PAGES, ALSO PHOTO PRODUCTION, BUDGET MANAGEMENT AND OTHERS. . MALVERNHOUSE ENGLISH SCHOOL (LONDON, UK). MAR 2005 - AUG 2005 ART DIRECTOR AT THEIR HOUSE AGENCY I WAS RESPONSIBLE FOR CREATING, PRODUCING AND COORDENATING THE PRINTING PROCESS OF ALL THE PROMOTIONAL MATERIALS (COURSE CATALOGS, BROCHURES, POSTERS ETC). . REX DESIGN [SÃO PAULO] . AUG 2003 - NOV 2004: SENIOR GRAPHIC DESIGNER REX IS ONE OF THE MOST IMPORTANT DESIGN OFFICES IN BRAZIL, WORKING WITH SEVERAL CLIENTS, INCLUDING MOTOROLA AND UNILEVER. WORKING AT THEIR EDITORIAL BRANCH, MAINLY DESIGNING THEIR BOOKS, CATALOGS AND SOME PROMOTIONAL MATERIALS. . LA FABBRICA DO BRASIL [SÃO PAULO] . JAN 2001 - AUG 2003 ART DIRECTOR CREATING, PRODUCING AND COORDENATING THE PRINTING PROCESS OF EDUCATIONAL MATERIALS (FOLDERS, TEACHER BOOKS, PRESENTATIONS) FOR CLIENTS LIKE FIAT, NESTLÉ, PHILIPS AND TIM.

BASIC KNOWLEDGE OF DREAMWEAVER AND FLASH

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