Studio Air Ren Katherine Jin
CONTENTS
01. Expression of Interest
1.1. Case for Innovation
1.1.1. Architecture as a Discourse
1.1.2. Computing in Architecture
1.1.3. Parametric Modelling
1.1.4. Case for Innovation Conclusion:
I.2. Research Project
I.2.1. Scope of Possibilities
I.2.1.1. Input/Association/Output Matrix
I.2.1.2. Reverse-Engineered Case-Study
I.2.1.3. Material Effects
I.2.1.4. Assembly Methods
I.2.2. Research Project Conclusion
I.3. Expression of Interest Conclusion: Competitive Advantage
I.4. Learning Objectives and Outcomes: Interim
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01. Expression of Interest 1.1. Case for Innovation
Dresden’s Military History Museum / Daniel Libeskind
With Polish-Jewish descent, American architect Daniel Libeskind often deals with difficult designs that evolves a complex mix of emotions. His famous designs includes : Jewish Museum Berlin, Felix Nussbaum Haus, Imperial War Museum North, Denver Art Museum, Westside Shopping and Leisure Centre, Danish Jewish Museum, and the under construction One World Trade Center. Like Frank Gehry, Libeskind is an expressionist. He is radical and expressive. The designs share mere similarities with each other. Often attracts critics’ disccussion. But as he believes, architecture should be risky, vibrant,unexpected and create critics.
“I wanted to create a bold interruption, a fundamental dislocation, to penetrate the historic arsenal and create a new experience. The architecture will engage the public in the deepest issue of how organized violence and how military history and the fate of the city are intertwined.” —Daniel Libeskind, 2012
The ‘killing’ of the ancient building. The extension dramatically slices the 135 year old original museum through centre, destory the building’s symmetry and massives with an open and transparent glass façade, revealing some parts of the original building through opacity. It metaphors the openness and exciting new German democracy society pushes the severe authoritarian past. Libeskind’s design gave ‘life’ to the almost-abandoned-museum. It invites people to examine violent German past and experience the hope & courage and passion for peace.
1.1.1. Architecture as a Discourse - State of Art Project
1.1.1. Architecture as a Discourse
- State of Art Project
Ground zero master plan / Daniel Libeskind
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Daniel Libeskind: 17 Words of Architectural • • • • • • •
Create a space that has never existed before A space we’ve never entred except our mind and our spirit Yet it is what architecture is based on Architecture is not based on concrete, steel and elements of the soil. Architecture is based on wonder. It is a story, told by hard materials. A story struggles against impossibilities.
MEMORABLE vs FORGETABLE
DEMOCRATIC vs AUTHORITARIAN EXPRESSIVE vs NEUTRAL
OPTIMISM vs PESSIMISM
RADICAL vs CONSERVERTIVE EMOTIONAL vs COOL
SPACE vs FASHION
COMMUNICATIVE vs MUTE POINTED vs BLUNT RAW vs REFINED
RISKY vs SAFE UNEXPETED vs HABITUAL
INEXPLICABLE vs UNDERSTOOD
REAL vs SIMULATED
HAND vs COMPUTER POLITICAL vs EVASIVE COMPLEX vs SIMPLE
1.1.1. Architecture as a Discourse State of Art Project - contributed to the architectural discourse
Design Approach Attributed to the brief of the Gateway Project - Memorable:
• art instalment should mirror that complexity
• not only remembered by Wyndham City but also makes Wyndham remembered by the rest, the passing-bys, the never-beens. • should not be recognised from any preceding designs.
- Hands:
- Communicative: • • • • •
art of communication reaches subjects that are not explicitly available vibrant and pluralistic an art instalment that is not just an ‘art instalment’ stimulating
- Pointed: • even in a small site on freeway it has the power through its leverage to transform Wyndham City
- Raw & Unexpected & Real • • • • • • • • •
not just some abstract objects Untouched by experiences Untouched by expensive materials The art instalment is not just something we aesthetically appreciate But moves ahead in unexpected directions, making people curious, to wonder ‘why’, to make people explore further on the subject Leads to more possibilities beyond the site itself creates sparkle of new energy reaches human heart human soul - touches us and connects us
• Make computer respond to our design, not design respond to computer technology
- Inexplicable • • • •
the experience should be inexplicable in words it should operate in light, proportion, material and technologies. that connects people to varies sources that isn’t really frontal but is imbedded in the lives, history, and the city
- Emotional & Expressive & Radical:
• emotion is an important dimension that should be introduced into city life • the art instalment should be an expression of the city that tells a story • a story that is on-going and not static
• and people push the story forward - Optimism • most importantly • that we believe the art instalment is going to make an positive impact on Wyndham City • that can drive the entire social & political aspects of Wyndham City forward with big ideas • struggles through disbelieves • struggles through each problematic issues
- Complexity: • it represents Wydham not just in terms of spatial complexity - City, Country, Coast, but also the complexity of our thoughts, mind experiences.
1.1.1. Architecture as a Discourse -Approach of ideas attribute to the brief
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
Boolean Patterning
Arbitrary Points
Surface grid
ASSOCIATED TECHNIQUES -Using Sets
I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
surface normal
Overlapping Patterns
Explicit GridsW
ASSOCIATED TECHNIQUES -Using Sets
I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
Boolean Patterning
Arbitrary Points
Surface grid
ASSOCIATED TECHNIQUE: MULTIPLE MATH FUNCTIONS
By Vera Cramer I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
surface normal
Overlapping Patterns
Explicit Grids
ASSOCIATED TECHNIQUE: MULTIPLE MATH FUNCTIONS
By Vera Cramer I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
Boolean Patterning
Arbitrary Points
Surface grid
ASSOCIATED TECHNIQUE: Attractor Point
By Stephane yeow I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
surface normal
Overlapping Patterns
Explicit Grids
ASSOCIATED TECHNIQUE: Attractor Point
By Stephane yeow I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
Boolean Patterning
Arbitrary Points
Surface grid
ASSOCIATED TECHNIQUE: MULTIPLE MATH FUNCTIONS
By isabel deakin I.2.1.1. Matrix combination: Input/Association/Output Matrix
Data Driven Components
Data Driven Extrusion
Data Driven Rotation
Data Driven Shading
surface normal
Overlapping Patterns
Explicit Grids
ASSOCIATED TECHNIQUE: MULTIPLE MATH FUNCTIONS
By isabel deakin I.2.1.1. Matrix combination: Input/Association/Output Matrix
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Matrix Development1
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Matrix Development2
01. Expression of Interest
I.2. Research Project
DIGITAL FABRICATION
• AAA
PACHUBE • pacube collects real time data frOMonline and we used them as attrac points • however the data only updates every 15 minutes • since we were looking for something dynamic, t this was uncessesful.
EXCEL/GHOWL • SSS
FIREFLY BREATHOSC KANGAROO WEAVERBIRD • SSS
DIGITAL EXPERIMENTATION
• AAA
CIRCLES & COLOUR
POLYLINE VERTICAL
POLYLINE & Z- VECTOR
LINE EXTRUSION & SURFACE NORMAL
I.2.1.1. Matrix combination: Input/Association/Output Matrix
MATERIALITY
PLASTIC
W
MESH
DEFORMED SURFACE
experiementing shapes
deformed + layering
COMBINATION
LAYERING
DESIGN SYSTEM
OUTCOME