SEÑAL NEWS KIDS | MIPJR 2022

4th

FRANCE IS THE FOURTH LARGEST PRODUCER OF ANIMATION AVAILABLE ON SVOD SERVICES AROUND THE WORLD.

69%

OF THE FRENCH ANIMATION PRODUCTIONS AVAILABLE ONLINE ARE SERIES. 32%

OF FRENCH ANIMATION ARE FILMS AND ONE-OFF SHOWS.

French productions represent 3.8% of the overall animation shows on global SVOD platforms. France is the fourth most important country for animation, only surpassed by the United States (39.8%), Japan (30.7%), and the United Kingdom (4.3%).

ZAG LAUNCHES NEW CONTENT DIVISION, ZAG STREAM

ZAG has launched ZAG Stream, a new division established to drive forward the company’s direct to streaming content business. The new initiative is set to be led by Maria Doolan, ZAG’s SVP of TV Content.

The first project from ZAG Stream is the animated superhero fantasy series, “Fairyon,” currently in preproduction. The project will be unveiled to buyers at the upcoming Mipcom. The announcement was made by Jeremy Zag, Founder and CEO of ZAG. “Fairyon” is a 13-part, one-hour episodic series for kids and families that explores the secret history of fairy tale.∙

CORUS LAUNCHES TELETOON+ KIDS STREAMER

Corus Entertainment unveiled its brand new premium streaming service for

kids, Teletoon+. The platform is available to subscribers via Amazon Prime Video Channels, Bell Fibe TV App and set-top-box, Virgin Plus, or RiverTV from 1st September for only $5.99 per month. The service features options for preschoolers to school-age kids to tweens to parents.∙

JETPACK TO LAUNCH A NEW ANIMATED SERIES, “KUNG FU PORK CHOPPERS!”

Jetpack Distribution has acquired the rights for the all-new animated series “Kung Fu Pork Choppers” from licensing company Centa IP, and it will be launching the series to global buyers at Mipcom. The deal comprises two seasons of 52 x 11-minute episodes of the CGI animated comedy-action-adventure series, targeting four-to-eight-year olds. The original series “GG Bond” launched in China in 2005 and has been consistently in the top five rated shows every year since, on average holding five of the top 10 kids’ slots each week. ∙

NETFLIX TO GLOBALLY STREAM NIPPON TV’S ANIME

Nippon TV has licensed 13 of its most popular anime titles to Netflix, to stream them non-exclusively around the world. The first titles started to stream on September 1st on Netflix are the ever-popular “Hunter x Hunter” first 38 episodes, slated to stream in 104 countries including Spain, Italy, Finland, Turkey, South Africa, Saudi Arabia, and the United Arab Emirates during the licensed period. Also started on September 1st are the beloved “Ouran High School Host Club” in 190 countries, and “Claymore” in 136 countries. Netflix will also stream shows like “Claymore,” “Death Note,” “Death Note: Relight 1,” “Death Note: Relight 2,” “From Me to You,” and “From Me to You 2nd Season.”

SERIOUS KIDS TO GLOBALLY DISTRIBUTE “MESSY GOES TO OKIDO”

UK indie Doodle Production has completed the production for the third season of “Messy goes to Okido” for CBeebies and HBO

Max. The company has also signed a worldwide distribution deal with Serious Kids for all 104 episodes and has big plans to provide interactive content based on the monthly Okido magazine via an all new app. “Messy Goes to Okido” is a Steam CG animated series for 3-6 year olds which aims to inspire the next generation of scientists. Messy Monster brings science to life as he adventures through the colourful world of Okido, with sidekick Zoom.

BANIJAY KIDS & FAMILY ACQUIRES KINDLE ENTERTAINMENT AND MOVIMENTI PRODUCTION

Banijay Kids & Family has acquired UK drama specialists Kindle Entertainment and Italian production company and animation focused creative hub Movimenti Production. Therefore, the expansive international Banijay Kids & Family division is now home to six production labels across France, the UK and Italy, alongside its distribution, marketing and licencing arm, Zodiak Kids & Family Distribution. Based in London, the award-winning, female-led Kindle Entertainment was established in 2007. Meanwhile, established in 2004 with bases in Milan, Florence and Rome, Movimenti Production has created and produced renowned animated TV series, feature films and short films.∙

CYBER GROUP AND OUTRIGHT GAMES LAUNCH “GIGANTOSAURUS: DINO KART” VIDEO GAME

Cyber Group Studios has teamed up with Outright Games to release “Gigantosaurus: Dino Kart” in 2023. The game will be available on Nintendo Switch, Playstation 4, Playstation 5, Xbox One, Xbox Series X, PC and Google Stadia. In the game, players can race around Cretacia in an action-packed kart championship. Friendly for all ages, the game offers eight different character options, including Bill, Mazu, Rocky and Tiny, who then try to stay clear of the Gigantosaurus.

CONTENT THAT OFFERS A FABULOUS AND UNIQUE VIEWING EXPERIENCE

THE AUSTRALIAN CHILDREN’S TELEVISION FOUNDATION WILL BE LAUNCHING THREE NEW DIVERSE PROGRAMS AT MIPJR FOR THE FIRST TIME. TIM HEGARTY, INTERNATIONAL SALES MANAGER AT THE COMPANY, TELLS THE GLOBAL APPEAL OF THESE UNIQUE PROPERTIES.

MORE TO COME

Tim Hegarty

Australian Children’s Television Foundation (ACTF) will launch three new unique and diverse programs at MipJunior and Mipcom, with episodes of each series screening for the first time. One of them is the much-anticipated live-action horror/comedy “Crazy Fun Park” (10x30 min) from creator Nicholas Verso and producer Joanna Werner, which follows a shy teen who wants desperately to fit in and enjoy his high school years if only his dead best friend and a posse of rotting ghouls would stop sabotaging him at every turn!

The second show is the factual/ adventure series “Built to Survive” (10x24 min), produced by Butter Media, which sees host Phil Breslin getting up close to the world’s most unique creatures to reveal the ultimate survivors of Australia’s most extreme habitats. ACTF will also launch the live-action

“Crazy Fun Park”

comedy/drama series “Barrumbi Kids” (10x24 min) to global buyers. Adapted from the novel by Leonie Norrington, the show is produced by Tamarind Tree Pictures and Ambience Entertainment and follows the escapades of best friends Tomias and Dahlia in a remote Northern Territory community where danger and adventure lurk behind every anthill.

“The reality is, no matter what country they’re from, kids love adventure, laughter, real-life stories, and a bit of harmless horror thrown in for good measure,”

Tim Hegarty, International Sales Manager at ACTF, stated. “Whether it’s Phil Breslin coming face-toface with a fearsome croc or taking on the rapids of a raging river in ‘Built to Survive’; or a dead best friend stuck in a creepy disused amusement park turning your life upside down in ‘Crazy Fun Park’; or an unlikely duo causing havoc in a remote town in Australia’s Northern Territory, broadcasters from around the globe will find content here that offers their audiences a truly fabulous and unique viewing experience,” he added.

As well as these new releases, ACTF will also bring the live-action drama series “MaveriX” (10x26 min), produced by Brindle Films, to MipJr and Mipcom for the first time. “MaveriX” tells the exhilarating story of a group of teenage motocross riders who make up the first intake of the MaveriX Academy, a training program designed to push the riders to their limits, all set against the spectacular backdrop of Australia’s red center. “MaveriX” premiered to Australian audiences on ABC ME last April and was released worldwide on Netflix in May. The show will be available to linear broadcasters in 2024.

At MipJr, ACTF will showcase episodes of the award-winning transgender series “First Day,” the live-action drama “More Than This,” the animated pre-school series “Kangaroo Beach,” the live-action comedy “Hardball,” the animated pre-school series “Little J & Big Cuz,” and the live-action comedy series “The Inbestigators.” “All are truly fabulous shows that I encourage buyers to take a look at if they haven’t already,” Hegarty said.

In addition, ACTF has a deep and rich catalog of content with everything from scripted comedy and drama to short-form animations, documentaries, and factual series, covering all age groups from pre-school to teens. “ACTF has wonderful shows to suit all broadcasters of children’s content, and after three years of absence, we very much look forward to once again being in Cannes and presenting our programs to buyers face-to-face,” he concluded.

By Romina Rodríguez

“THERE IS A SPECIFIC AND CLEAR ROLL-OUT STRATEGY FOR EACH IP”

MARTIN KRIEGER, CEO OF STUDIO 100 MEDIA, ENUMERATES THE LATEST TRENDS IN THE KIDS’ CONTENT ARENA WHILE EXPLAINING THE COMPANY’S DIFFERENT BUSINESS MODELS TO GET THE MOST OUT OF EACH IP.

Martin Krieger

The lineup of Studio 100 Media for Mipcom will feature shows like “Vegesaurs,” which is produced by Cheeky Little Media from Australia and which has already been broadcast with excellent ratings on ABC Australia. Moreover, the company will launch content extensions of “100% Wolf” and “Mia and me.” To describe the global appeal of the company’s slate, Señal News spoke with Martin Krieger, CEO of Studio 100 Media.

What specific new trends and programming needs do you observe in the kids’ content arena?

“We are seeing an increase in the importance of issues such as diversity and sustainability in the kids’ content area. Producing a series that brings awareness and puts these key matters at center stage is not just a logical consequence; it’s a wonderful long overdue development. Our industry has a certain responsibility when it comes to inspiring children, and we must contribute to making them understand what is going on in the world. With shows like ‘FriendZSpace’ and ‘SeaBelievers,’ we are clearly addressing diversity and environmental protection issues. In terms of programming, we have seen growth in the AVOD / FAST channel area since 2021, with more and more players emerging. FAST channels have not been a significant part of our business yet, but we’ve now started expanding our activities in this area.”

How do you manage all the different business models available to get the most out of each project?

“There is a specific and clear roll-out strategy for each IP, including different exploitation windows to which

we are committed. On top of that, a dedicated YouTube and social media strategy has become a crucial piece of the puzzle, especially if you want to build up a brand that can extend to other business areas like licensing & merchandising or theme parks, which are industry segments that our group is very active in.”

How crucial is it to find great coproduction partners according to the needs of each title?

“It is key for each IP to find the right coproduction partners, and reliability is highly important, especially if you intend to collaborate on multiple show seasons. Over the years, Studio 100 and our studios Flying Bark Productions and Little Airplane have established great relationships around the globe, and as the production space is constantly changing, the list of partners is steadily growing.”

How do you evaluate the international performance of “Mia and me - The Hero of Centopia”?

“’Mia and me - The Hero of Centopia’ was a much-awaited movie by loyal fans of the TV series. While it has faced much competition in the cinemas from the bigger studio animation releases, we are very pleased with its performance. The title is still to be released in the UK, US, Latin America, and a few other countries in the coming months, and we hope the IP continues to increase its fan base worldwide and, of course, also with the support of the launch of season 4 of the TV series.”

Studio 100 has partnered with Australia’s POP Family Entertainment and Ireland’s Telegael for the animated comedy film “Being Betty Flood.” What is the global potential of that project?

“’Being Betty Flood’ was very well received by international audiences when we first announced it in Cannes last May. This story will resonate with families all around the globe; it deals with themes like growing up, fitting in, and finding your true self, as well as the importance of family values, while keeping the topics light and funny for all to enjoy. We are delighted with the production, look, and compelling story. International audiences will be very pleased with it, and we believe this title has great potential when it comes to its theatrical release in cinemas next year.”

By Diego Alfagemez

“Vegesaurs”

“CLIENTS ARE LOOKING FOR CONTENT WITH POSITIVE VALUES”  Safaa Benazzouz

SAFAA BENAZZOUZ, DEPUTY EVP OF DISTRIBUTION AT XILAM ANIMATION, EXPLAINS HOW BUYERS’ NEEDS HAVE BEEN CHANGING IN RECENT YEARS, DEFINES THE COMPANY’S STRATEGY, AND DETAILS WHAT PROJECT IT IS CURRENTLY WORKING ON.

As a major player in animation, Xilam is an integrated studio that creates, produces, and distributes original programming in almost 200 countries for both children and adult audiences. Despite the pandemic, the company never stopped working, and today it is involved in many projects. Safaa Benazzouz, Deputy EVP of Distribution at Xilam Animation, explained how buyers’ needs have been changing in recent years, defined the company’s strategy, and detailed what project it is currently working on.

What changes do you see in clients’ needs after the pandemic and its effects on the media landscape?

“I think people are pleased to get together again. You see much

motivation in the meetings. Acquisition needs are clear, and customers know very well what they want. They look for strong ideas and, above all, content with positive values. Everything that has to do with educational content is highly sought after, as is everything related to the environment. At the same time, comedy is always the most demanded content, although there is also a trend towards animation production for adults.”

How has the company’s strategy evolved during the different stages of the pandemic?

“In 2020, there were very urgent requests for content and renewals. Since we have many shows without dialogue, we were able to bring an interesting offer for buyers. It also happened that some countries had a better situation with Covid than others and that not all were at the same level, mainly from an economic perspective. We always have to adapt to what is happening with the global situation.”

How did you evaluate that situation in the Latin American market?

“In Latin America, the strategy is always to localize the product. When business is more difficult, we try to put content on AVOD platforms, like Tubi or Pluto TV. That is part of our strategy in the region, and we have had an excellent income that way. In some cases, content that was never broadcasted on television ends up finding an audience on those new platforms.”

Do the needs of linear and nonlinear clients change much?

“In the case of AVOD platforms, we seek to carry short programs without dialogue. On the other hand, on television, we usually point to programs with dialogue, more oriented to the preschool segment. In SVOD, all programs have possibilities, and each platform has different needs. We see that for AVOD, we can choose the show we want to put on and in which way, while in SVOD, it is the buyer who chooses each show. It is a very dedicated approach because what we do is almost a programming job.”

What projects are current projects of Xilam’s pipeline?

“This year, we launched ‘Buddybot,’ a comedy for children aged 6 to 10, which we will produce for the French public channel France Télévisions. It is the story of a friendship between a normal 12-year-old girl and a small robot that comes from the future, from a time when the consequences of climate change are important. The two heroes will act to save the planet and teach habits of daily life that seek to solve this problem. The show does not aim to instruct but to approach the subject in a rather comical way.”

By Diego Alfagemez and Federico Marzullo

“Mr Magoo”

“MAGIC LIGHT PICTURES IS KNOWN FOR ITS HIGH PRODUCTION VALUES”

MURIEL THOMAS, INTERNATIONAL DISTRIBUTION DIRECTOR AT MAGIC LIGHT PICTURES, SPOTLIGHTS TWO ANIMATED SERIES THAT LEAD THE COMPANY’S PROPOSAL AT MIPCOM AND DISCUSSES KIDS’ CONTENT TRENDS IN THE POST-PANDEMIC LANDSCAPE.

At this year’s Mipcom, Magic Light brings two animated properties to the global market, “Pip and Posy” and the new “The Smeds and The Smoos,” both focused on human connection and friendship. Muriel Thomas, International Distribution Director at the company, reflects on both series’ curated work.

What will be the Magic Light new offer at MipJr and Mipcom?

“’Pip and Posy,’ our pre-school series that has performed fantastically well, has been commissioned for a second series. It will begin airing in Spring 2023, and we’ll have another 52 episodes. A charming, warm and humorous animated series that joyfully celebrates their great friendship, laughter, games, its ups and downs, and connects amazingly well with children and parents alike. The series is now rolling out worldwide, and the licensing program has just launched. We also have our tenth half-hour special based on the Julia Donaldson and Axel Scheffler books ‘The Smeds and The Smoos,’ which premieres this Christmas

on BBC One. It is a beautiful story about divisions and coming together. An animated intergalactic adventure relates how the red Smeds and the blue Smoos must learn to overcome their differences and work together to find young Janet Smed and Bill Smoo, who eloped to escape their families’ long-standing rivalries.”

How would you define the production quality of these properties?

“Magic Light Pictures is known for its high production values to ensure quality and longevity. Every frame is carefully considered; we never want this to change. We work consistently with the finest acting and creator talent to ensure that our productions have the Magic Light vein of quality running through them. Everything we produce needs to be something we can be proud of and which delivers on our values and will delight audiences.”

Do you observe any new trends in the post-pandemic kids’ landscape?

“Strong storytelling must always remain on trend, but, post-

pandemic, a special focus on human connection and friendship seems to have occurred. ‘Pip and Posy,’ with their great friendship at its heart, is proof of that, and ‘The Smeds and The Smoos’ also features themes around relationships, understanding one another, and accepting our differences.”

What are your production and distribution goals for the short term?

“Our strategy is to carry on producing half-hour specials in the future; they are much-loved and have huge longevity, plus a massive global appeal. They are aired and streamed in 50 languages and over 180 countries. We are currently in post-production on ‘The Smeds and The Smoos’ and in production on the second series of ‘Pip and Posy’ until the end of 2023. In distribution, we continue to bring those beautiful specials to the market and strengthen the presence of ‘Pip and Posy’ internationally.”

Are you looking for new partners to expand your global footprint?

“We have been working with a large number of global partners over many years and will continue to do so. We are also always looking for new ways for our content to reach the audience both locally and globally. We aim for collaborations with synergy and purpose, with partners whose brand values match ours and can bring something special.”

“The Smeds and The Smoos”

By Romina Rodriguez

QUICKIES

TEAMTO PRODUCES “BEHIND THE BEATS” FOR YOUTUBE ORIGINALS KIDS & FAMILY

YouTube Originals Kids & Family announced the launch of “Behind the Beats,” a new animated pop music anthology series produced by TeamTO and 22D Music Group in partnership with France Télévisions. Created

Corinne Kouper

by Baptiste Jaquemet, “Behind the Beats” is produced by Corinne Kouper (TeamTO) and Emmanuel Deletang (22D Media Group). Craig Hunter (YouTube Kids & Family Originals) is the creative lead for YouTube on the series, with Zoë Di Stefano as a creative executive. The creative leader at France Télévisions is Pierre Siracusa.

Episodes 1 to 4 will debut on Friday, 18 th November, on Insert Channel Hyperlink and the YouTube Kids app. “Behind the Beats” is an animated series for families that tells the stories of how talented musicians with incredibly different styles came together, revealing the often-unexpected origins of new

UNIQUE AND HIGHQUALITY SERIES FOR KIDS ALL AROUND THE WORLD

musical genres. “This new animated musical series from TeamTO hits a sweet spot for family co-viewing, filling a gap for parents who want to watch something with their kids that they will enjoy. This series has it all; it’s educational, inspiring, and just fun to watch for anyone who loves and appreciates music,” Craig Hunter, Global Head of Kids & Family Originals for YouTube, said.

Produced in modern music and videogame graphic style, “Behind the Beats” offers more than just a unique point of view on great musical moments; it inspires viewers to explore their own creativity, showcasing how many artists started their careers in unusual ways. “When we discovered this project, we dreamed of bringing it to a local and an international audience, so we are genuinely thrilled to partner with both YouTube and France Télévisions. We cannot imagine a better way to launch this series on both digital platforms and public broadcasters, all made possible by the incredible resources and expertise of the 22D Music Group,” Corinne Kouper, SVP of Production and Development, TeamTO, commented. •

Tristan Clark

Prime Entertainment will showcase “Runes” at Mipcom, among different animated shows like the animated short film collection, “Vanille,” “Looking For Santa,” and “Don’t Die Dumb.” “’Runes’ has great global potential since the

series brings a different type of animation to the table. It features spectacular animation in both 2D and 3D”, Tristan Clark, Head of Communication at Prime Entertainment Group, said. “Runes” is an epic adventure series with a universe punctuated by action and fantasy, combined with suspense, magic, and legendary creatures. Above all, the series follows the quest of a child, certainly an extraordinary one, destined to take his place on the throne of Normandy. “The writing is carried by emotion and humor with moments of fun and whimsy, all in a dynamic atmosphere,” Clark added. The backdrop of the series is

11th -century Normandy, which offers a rich and imaginative portrait of an exciting era in history. “This vibrant setting makes room for many characters that will resonate with the audience. This season has 26 episodes that run for 22 minutes, keeping it fresh and exciting,” Clark stated. Since “Runes” is a series, there is more narrative and character progression, allowing a more extensive fan base to grow. On top of this, the series is produced by Prime’s sister company Les Armateurs and coproduced by media powerhouses ZDF Studios, ZDF Germany, and France’s Canal+. “Through exciting storytelling and inspiring characters, ‘Runes’ appeals to a wide demographic and remains an enriching family series,” Clark said.

“ALL OUR PROPERTIES ARE PRODUCED TO THE HIGHEST QUALITY AND HAVE COMEDY AT HEART”

 Alison Taylor

ALISON TAYLOR, DIRECTOR OF DISTRIBUTION AT AARDMAN, HIGHLIGHTS

THE POTENTIAL OF THE COMPANY’S ANIMATION SLATE, WITH SIX NEW SERIES LAUNCHING AT MIPJR, ALL AVAILABLE FOR DISTRIBUTION THIS YEAR.

Aardman will have its biggest MipJr ever, introducing six new series to the international market. Alison Taylor, Director of Distribution at Aardman, tells the strategy behind this packed launch agenda.

What is the company’s international approach regarding sales and acquisitions?

“It’s a very exciting Mipcom for Aardman, with six new series launching at MipJr, the most we’ve ever launched at a market. These include ‘Lloyd of the Flies’ and ‘The Very Small Creatures’ by Aardman, ‘Pop Paper City’ (Love Love Films), ‘Interstellar Ella’ (Fabrique Fantastique and Apartment 11), ‘Happy the Hoglet’ (Paper Owl Films) and ‘Colour Blocks’ (Blue Zoo Animation). All of these series are delivering this year, so we’re looking for additional international partners to license these fantastic preschool

and kids properties. Regarding acquisitions, our primary focus is to look for preschool content to complement our existing quality portfolio, ideally for delivery in 2025. Nevertheless, we’re also now on the lookout for a stand-out kids TV series that we can distribute globally across all platforms.”

What are the distinctive qualities and global appeal of the titles you will launch in Cannes?

“All of the properties we will launch at Mipcom are produced to the highest quality and have comedy at heart. Kids love to laugh, and each show we’re taking to Mipcom will deliver on this front. Each series also has something different from the next, whether the target audience or viewing experience. For example, ‘Pop Paper City’ encourages the audience to make crafts by watching the series. ‘Interstellar Ella’ and ‘Colour Blocks’ both have edutainment take-outs within the stories. ‘Happy The Hoglet’ supports an international movement to make the audience feel happy, while ‘Lloyd of the Flies’ is an animated sitcom with hilarious misadventures that are sure to relate to the audience. ‘Very Small Creatures’ is a non-dialogue show that looks adorable and promotes empathy, fun, and friendships.”

How would you describe the latest trends and consumer behaviors in the kids’ content landscape?

“The media landscape and kids’ viewing habits have been evolving for years, and this doesn’t seem

to be changing any time soon.

There is less loyalty to channels and platforms than there once was, and what’s more important for kids is that they can find their favorite shows whenever they want, on whatever platform is available to them. There is also a shift to digital-first programming taking shape, and it’s going to be interesting to see how this plays out in the wider broadcast and financing landscape. Kids also often want the whole brand experience: view the show, watch the movie, buy the book or toy, and play an interactive game that features their favorite character. That is why characters and brand development potential remain key to the series we produce and distribute on behalf of other studios.”

What are the most important deals that you secured during 2022?

“Every property we finance and distribute, we approach globally, whether by securing a global deal, a pan-territory deal, or a more territory-by-territory approach. We have recently announced a global deal with Netflix and BBC1 on the brand new ‘Wallace & Gromit’ film, which will be released globally on Netflix and BBC1 in the UK in 2024. We’ve also finalized a pan-territory license across EMEA for ‘Interstellar Ella’ with HBO Max in Europe and Cartoonito in EMEA. There are ongoing conversations on new IP that we’re not quite ready to announce yet, but it’s fair to say it’s a very busy period for the studio and Aardman as a distributor.”

By Karla Florez

ANNECY MIFA 2022

Mediawan Kids & Family Team

Sépideh Shirazi-Moayed, Marina Narishkin & Bonnie Lener (MILLIMAGES)

Opening Ceremony – “Minions The Rise of Gru”

Mickaël Marin, Arnaud Miquel, Véronique Encrenaz, Marcel Jean, Sophie Garnier (CITIA)

Netflix

Chris Meledandri and some of the team from the film “Minions The Rise of Gru”

Mifa Pitches Awards

Safaa Benazzouz (XILAM)

Hélène Etzi (DISNEY)

Jérôme Alby & Fanny Gilabert (MEDIATOON)

Marcel Jean, Jennifer Lee & Mickaël Marin (CITIA)

2022 Residents Emilio Ramos, Balázs Turai, Zsuzsanna Kreif

Lilian Eche, Amandine Fredon, Benjamin Massoubre, le fils d’Aton Soumache, Cédric Pilot, Marcel Jean

Jury members at dinner in the Les Trésoms Hotel

Walk of Fame – Artists’ handprints Guillermo Del Toro, Joe Dante, Jennifer Lee, Masaaki Yuasa, Georges Schwizgebel