Typ 4 typeface families

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Clemente Clemente Light Clemente Reg Clemente Bold-Italic Clemente Light-italic

Clemente Italic Clemente Bold Clemente Semi-Bold Clemente SBold-Italic

Clemente takes from a sans serif inspiration A B C D E F G H I J K L M N O P Q R S T U V W X Y Z taking the new generation look that now I abcdefghijklmnopqrstuvwxyz have seen being shif ted to for it’s simplistic design and easily comprehensible readability. A B C D E F G H I J K L M N O P Q R S T U V W X Y Z All the let ters have a fixed stroke width, simplifying each let ter for the reader and giving the each font a clean, crisp look. In italic format, serifs are added to help the reader lead into the next character maintaining readability when used in a body of text.

Above all is the angled “e” which gives the font a more modern feel and gives the illusion of leading into the next character.

It’s bold format gives of f a lot more information visually , ideal for headers and titles. Best of all with this typeface family is the sheer amount of versatility, the light format could be even used as a main header for a page layout and the bold format could be used for sub-headers for originality and asymmetric hierarchy.

abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz ABCDEFGHIJKLMNOPQRSTUVWXYZ abcdefghijklmnopqrstuvwxyz

B EL I E V E Just imagine what you can do

Essence Sans

Essence Sans Reg Essence Sans Light-italic Essence Sans Bold Essence Sans Light Essence Sans Bold-Italic Essence Sans Italic Essence sans is a font I typically use for web posts as the various bold and hairline strokes help to have variety in creating. This Typeface has several different types of its own font: Regular, Bold, Bold-italic, Light, Light-italic and Italic.

Regular Essence Sans has a simplistic design on top of a modern look with the angled “e” and the non-serifed letters. I find the font to be easy to ready and not overbearing with nicely kerned letters. Ideally I would like to use it as like a bold lettering for text as the one I would use for a body of text would be the Light Essence Sans.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z

A B C D E F G H I J K L M N Bold & Bold-italic make great display font that O P Q R S T U V W X Y Z compliments the regular font. Ideally I like to use both of these for main headers and sub-headers while avoiding them in paragraphs.

a b c d e f g h i j k l m n o p q r s t u v w x y z

The light and light-italic fonts I like to use as main body font because of how the hairline strokes make it easy to comprehend the spacing of each letter and grasp each word while speed reading.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Lastly, the Italics for this family are fairly comprehensible unlike “Times New Roman - Italic” which can blur with the words and can be troubling when doing important definitions in Italic.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

This font family I feel is fantastic with web documents and magazines. In fact I believe I have seen many similar fonts such as this in magazines I have read.

a b c d e f g h i j k l m n o p q r s t u v w x y z

a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z

Expansiva Expansiva Italic

Expansiva Bold

Expansiva Bold-italic

Expansiva Reg

These selections of fonts were derived from the need to have a somewhat futuristic font while still keeping it simple and comprehensible in readability. This can be sometimes unheard of but in the growing age of technology its good to compliment the changing times with a futuristic font family.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Common characteristics of each of these fonts is that most of the characters are a set width, with curved corners and have stroke separation in some of the characters. The lowercase letters are also a little higher than an En, roughly about 75% of the character height.

a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Expansiva with it’s various family members dish out a variety of uses, such as body font for the regular and the bold for sub-headers. Both italics can also help add information under the main header or in the body of text.

a b c d e f g h i j k l m n o p q r s t u v w x y z

BELIEVE Only you can make it happen

Sanvito Pro Sanvito Pro Bold

Sanvito Pro Light

Sanvito Pro Reg

Sanvito Pro Semi-bold

This Font family takes a more calligraphic approach and adds serifs in many different locations like on the capitol “A� and on the bowl ends of several other letters.

Because of the calligraphic nature of these fonts, each letter leans slightly to help direct visual traffic through the words. As such this can be great for speed reading or book publications.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z A B C D E F G H I J K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q r s t u v w x y z

BELIEVE With imagination, the sky is the limit

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