Three Elegies arranged for Soprano and Piano

Page 1

richard r ussell

R ICHARD R USSELL

T h ree E l e gies Soprano
r Piano DESIGN FOR LIGHTNING MUSIC WWW . RDRUSSELL . COM RICHARD . RUSSELL @ MAC . COM


THREE ELEGIES I.

I Died for Beauty

EMILY DICKINSON

q=

Soprano

RICHARD RUSSELL 72

  

Pno.

died for Beauty

   

una corda until second movement

f

mp

p

but was scarce ad

    

p

justedinthe tomb,when

 

 

one who died for

     





 

Pno.

             

          f fp pp n. n.                                   

15

S.

                                   

9 S.

I

  

Piano

mf

 

 

     

  

 

pp

 

 

quest - ioned soft - ly

n.

            

  

p

 

pp





room.

 

    f

         

             

       

 fp

 

n.

in an ad join - ing

mf

He

   

Truth was lain

 

n.

    f

mp

  

"Why I failed"? "For Beau ty"I re plied, "And

      pp

             

     

     

like an offbeat heartbeat

Copyright © 2008 Design for Lightning Music (ASCAP)

 


2 22 S.

Pno.

   

I,

Pno.

S.

Pno.

   

pp

so

 

  



 

     

       

   

    

   

said.

f

                

as

 

     

Kins

-

     

n.

men,

     

met a

   



p

mf

talkedbe tween therooms,

 

    

f

f            

 

           

33

we Breth ren are," he

n.

And

fp

           

              

     

    

for Truth, them - self are One,

      

28

S.

   

p



night,

we

     

    

pp

almost whispered                               

un

-

til

 

the moss had reached our lips

   fp n.         

and coveredup our names.

   

 

   

 


II. Tichborne's Elegy CHIDIOCK TICHBORNE

Soprano

Piano

q = 80



Pno.

S.

Pno.

 

 

      

                               p                   

11

 

          

6

S.

RICHARD RUSSELL

 told,



     

 

           

mp                      mf

My tale was

         p     

        mf

My fruit is

               mf         

fall - en

      mf    

           

    

and yet my leaves

                

©2008 Design for Lightning Music (ASCAP)

heard and yet



are

green,

it was not

 

                

 


4

                

14

S.

ff

f

   

Pno.

       mf            



              

 

     

 

28

S.

Pno.

   



 

 

  

and yet I was

 not



p

mp

 

seen:

saw

      

  

 

 

the world,

               



p

 

 

                        

 mf

   

My thread

                mf

I

 

  

 

 

f              

   

  

Don't rush; a little slower

 

ff

 

 

                               

    

       

 

old

                               

    

Pno.

 

                          mp                    

f

24

S.

I am not

   

19

S.

mf

My youth is spent, and yet

   

Pno.

f

 

mp

  

is cut,

    and

          

  

     


31

S.

Pno.

       

yet it is not spun,

           

36

S.

  

now

 

Pno.

my

life

is

Pno.

f

 

done.

mp

 

 

 

now

 I

    mp

  

  

life

is

done.

       

    

p



      

  

  



now

my





p

 

and

  



 

 

 

live

    

f





 

                

 



                

And

 

    

 

and

     

mp



  

now I live,

mf

43

S.

             

 

5

    

and





  

   



  

 

f

 

     

 

40

S.



          

Pno.

 

mf





 

  

 

 repeat and fade

            

   






Exile

III.

(After the Chinese)

HART CRANE

q = 81

Soprano

Piano

5 S.

Pno.

Pno.

Pno.

     

p

 

 

My

  

 

 

day,

mf

f

shell.

  

  

      p           

   

 

   



  



p



mf

 

be - tween

us

 

   

as

  

   mp

Copyright © 2008 Design for Lightning Music (ASCAP)

And with the

   

              

   

 

                  

 

   

 

mp

since"fare - well."

 

  

      

freed laugh - ter

voice - less

    

      f

lips

hands have not touched

p

half spoken, on pitch mp

dis - tance a - gain ex - pands

        mf       

 

mf

           

          

mf

 

nor my

     

 

hands, no;

    

   

         

mp

      

pleas - ure since your

   

14

S.

  

                     

9

S.

 

RICHARD RUSSELL

  

 

an un - coiled

  

  

 

        mp

    

Yet love en -

  

   

 


7 19 S.

Pno.

mf

  

dures

  

Pno.

   

Pno.

Pno.

   

and a - lone.

  

 

dove's

wings

  

mf

cling

 

           

 

A

             

f

ff

 

 

   

a - bout my

    

 

    

 

 

                                      with surg

-

ing

gen - tle - ness

ff

                       

 

 

 

        

pause p

        

mf

tryst

ring has but worn

           

 

    

 mf

       

31

S.

though starv - ing

heart each night

26

S.

mf

f

    

22

S.

         

 

mp

more

   p

 

       

No need to hurry here mp

           and the

     

bright.

            p mp        

    

   

p

 

 

blue stone set in the

  



   



mp

      

 

     pp    

  



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