Finding Glam
Three newish shops expand the options for luxe, sophisticated home furnishings in Richmond
By Jennifer Robinson
Txtur
Setting up shop at 604 Hull St. in historic Manchester earlier this year, 87-year-old Roanoke-based furniture manufacturer Txtur o ers four Nordic-style collections of made-to-order pieces. An extensive range of fabrics, leather and wood options empowers total customization. From textured, muted neutrals to vibrant jewel tones, there’s something for every room, taste or corner of the home.
Whether you’re choosing glam or something more traditional, you’ll get a sense of the possibilities in this cozy yet sophisticated 1908 Richmond Seaboard railroad freight terminal turned furniture gallery. The stately restored floors, exposed brick walls and vaulted ceilings with exposed beams o er the perfect space to succumb to design inspiration.
Each customized piece is made at Txtur’s Roanoke factory. The ecofriendly company repurposes wood remnants in a proprietary process to create uniquely crafted tables. Fabric remnants are used to make pillows and zippered pouch bags. The company even o ers an upcycling program so customers’ used furniture doesn’t have to end up in a landfill.
At Txtur, the experience of customization and creating the right design is not just a process — it’s an adventure. Customers are encouraged to take their time when making furniture design choices. The Nordic Bistro and Bar inside the showroom o ers a unique opportunity to ponder options. You can dine in the intimate dining room or in one of the furniture spaces in the gallery to experience firsthand how your furniture choices will function with everyday use. The comfortable seating areas and natural light create an ideal atmosphere to discuss design ideas with the sta . Txtur is a sensory delight that o ers quality materials, craftsmanship and an eco-friendly approach to design.
Gramercy Collective
Living in Gramercy Park in New York City instilled the importance of creating a cozy, embracing living space to serve as a respite from the outside world for Morgan Pangraze, owner of Gramercy Collective. Her method for creating comfy spaces involves collecting and curating pieces that inspire joy.
At Gramercy Collective — a 16-person collective of fine art, antiques, unique vintage items and some newer pieces — you’re sure to find your own joy. The sundrenched store has an array of furniture, artwork, knickknacks, rugs and just about anything else you’ll need to create comfort.
Pangraze opened Gramercy Collective at 8526 Patterson Ave. last spring, and it’s become a go-to for Richmonders looking for pieces to glam up a space or inspire new designs. Customer service may be the key to Gramercy Collective’s success. No special request goes without a solution. If you’re looking for an appraiser or upholsterer, Pangraze is quick to o er a recommendation. Pangraze even allowed a 90-year-old shopper to take a chair home on loan to ensure it would suit a specific need for comfort.
With a vast assortment of items, an uncluttered shopping space and attention to customer service, Gramercy Collective o ers unique pieces that are sure to create relaxed luxury.
Courtesy Txtur; Hannah Huntoon Langhorne, Host Pretty Host Often
THE ENTRYWAY
The wallpaper is by Schumacher, the paisley tablecloth is by Kravet and the tape trim border by Jim Thompson. The mirror is by Made Goods and the mercury glass bell jar fixtures are by Visual Comfort.
KITCHEN
The cabinets were custom-made by Martin-Star Cabinetry, the range hood was custom-crafted from zinc with unlacquered brass strappings and the pendant lights are by Visual Comfort.
ASHLEY TAYLOR’S OFFICE
Originally designed as a home o ce, now used as an evening room, the space is grounded by the slate-hued velvet upholstery, while the black background grasscloth by Phillip Je ries adds dimension and the Schumacher Ikat fabric on the slipper chairs adds personality.
POWDER ROOM
The wallpaper is by Ferrick Mason, the sconces are from Visual Comfort with custom shades added, and the marble sink with brass fittings is by Palmer Industries from Ferguson
he might get on a sofa or chair.”
Flow is also important, with the kitchen connecting to the family room via two large arched openings. Guests can access the outdoor entertaining space via either the sunroom or the family room. And the butler’s pantry o ers critical additional prep and storage space for special events. Still, there might be more change for the house’s future. The Taylors are considering adding a pool and pool house, and Cooper is pondering wallpaper for the kitchen. “The kitchen still looks a little utilitarian, even though it’s showstopping with paneling and metals,” Cooper says.
For now, though, Taylor is content. “I had to warm up to the color that Elly helped me embrace,” she says. “The design has moved back toward traditional [styling] but with punches of modern design. The house feels very warm. I really feel comfortable [here]. I never want to leave my house.”
Both pages: Laurey Glenn
OFFICE
With no bedrooms on the first floor, the Taylors decided to install a Murphy bed in the o ce wall. They commissioned the drawings of Black influencers which, with the help of Rick’s Custom Frame + Gallery, are fully adhered to the Murphy bed and camouflage the latch that opens it.
PATIO
Accessible from both the family room and sunroom, the outdoor entertaining spaces were designed for yearround use with built-in ceiling heaters, a fireplace and an outdoor TV. The classic black iron furniture is by the British firm Heveningham
