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A RICHMOND MAGAZINE BOLD WOMAN OF 2020 & 2021
Supporting Needs of Female Business Owners & the Real Estate Community LEAH COLEMAN, OWNER REAL ESTATE COUTURE, AND OWNER, BOSS BABES RVA WITH A PASSION FOR REAL ESTATE AND
LEE SALTER CREATIVE FIRM
giving back, Leah Coleman has been able to
transfer those interests into her career as a Realtor, an entrepreneur, and a business leader. Coleman, who created her own investment company in 2018 called Real Estate Couture LLC, also works as a Realtor and is the new owner of Boss Babes RVA, an online networking group founded by Christine Greenberg with close to now 10,000 members. Coleman gives credit to the team of administrators & moderators who have helped Boss Babes engage with more than 97,000 comments in 2020, thousands more in 2021. BBRVA has become a real FORCE for good connections & helping others elevate. “We are kind of a little underground movement of our own,” Coleman says. While the group originally focused on business and professional questions and resources, Coleman and her fellow administrators recognized that there were other needs the group could meet, especially with the onset of the COVID19 pandemic. In a big step, they allowed people with personal needs to reach out as well. Through Coleman’s own businesses, she began helping more women with finding private & lending resources for real estate investments & encouraging renovation as a way to bring more inventory to the market, even helping with design, & resale/launching Airbnb's. She also has organized groups on
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investment, on entrepreneurship, women of faith prayer meeting on Zoom weekly, & piloted several successful collaborations. Yedda Stancil, fellow entrepreneur & author, helped gather a group of business & career women weekly over the summer/fall 2021 for launching her book & course called 'Shut Up & Sit: Finding Silence & the Life Changing Magic that Comes with It." Then, along with fellow wellness focused Boss Babes- joined a global retreat effort in Africa in fall 2021. Formerly, she had piloted an entrepreneurial retreat in Belize, 2019, with Impact Junkies. Now, as things begin to open up again, Boss Babes has returned to its business focus, and Coleman hopes to strengthen the network even more with more in-person events and educational opportunities. “Rise and rebuild is our theme,” Coleman says. She looks forward to planning Boss Babes meet-and-greets with business owners/ corporations, as well as getaways delivering on EXPERIENCES & a varying conversation series. “We want to begin to work on shifting a networking culture into more of a collaboration culture,” she says. "We can help everyone see our city & their business pursuits with greater vision and potential, doing all we can to influence each member to play bigger in life and in their work." “We are kind of a little underground movement of our own.”
“We are kind of a little underground movement of our own.”
leah@dodsonprop.com 804-484-2018 leahcoleman.co bossbabesrva.com
1/21/22 8:21 AM
ECONOMIC DEVELOPMENT
BACK IN THE COUNT Richmond readies the Diamond District for redevelopment — and a new ballpark
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must revolve around a new baseball stahave been bouncing around City Hall since 2001. But this time there’s a differdium for the Richmond Flying Squirrels. “The standards for minor league baseence: Instead of playing defense, respondball stadiums and facilities, they have ing to private developers and outside prochanged. And for us to remain competitive posals to relocate the baseball stadium (Shockoe Bottom, Mayo Island, next to as a home for minor league baseball, the the Federal Reserve Bank downtown), Flying Squirrels — they need a new home.” After more than 20 years of debate city planners are now driving the process. and hand-wringing over replacing The On the heels of the bungled Navy Diamond, built in 1985 and home to the Hill project, the proposed $1.5 billion city center development led by the late Squirrels since 2010, city officials say they Thomas F. Farrell, former president and are finally ready. As an outgrowth of the CEO of Dominion Energy, the Diamond Richmond 300 master plan, in late December the city issued an initial “Request for District represents something of a deparInterest” from developers, responses to ture. Unlike Navy Hill, shepherded by which were due Feb. 15. An evaluation Farrell and the business community, the panel is in the process of poring over the city developed its vision for the 67 acres before seeking out private developers. submissions and will select a “short list” of “People have asked, ‘How is this difdevelopment teams that will be invited to ferent?’ ” says Maritza Mercado Pechin, submit more detailed proposals. The city deputy director in the city’s plans to announce the winning The city is evaluating Department of Planning and team by late spring or summer. proposals to replace The Diamond and redevelop Development Review. The It’s familiar territory. Plans 67 acres in and around answer is in the master plan. to rebuild the aging ballpark the ballpark.
ERIC FOSTER
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hey gather under a tent in the parking lot, just beyond the outfield fences. On a chilly weekday morning in mid-January, development teams from across the country are here to get a tour of what Richmond Economic Development Director Leonard Sledge calls “the best redevelopment site along the Eastern Seaboard.” Roughly three dozen people are seated in folding chairs facing the grandstands of The Diamond on Arthur Ashe Boulevard, amid a sea of asphalt. Despite a biting wind, the mood is upbeat. The city has spent the past several years cobbling together parcels, demolishing and relocating city-owned buildings, and taking ownership of the baseball stadium in preparation for a major redevelopment. It now controls most of the 67 acres in and around The Diamond, save for 6.6 acres still owned by Virginia Commonwealth University. After months of planning, the city released its vision for the area in late December, dubbing the ballpark-anchored site as Richmond’s “Diamond District.” Plans call for mixed-use, mixed-income residential housing and retail, office buildings, and a hotel in what’s arguably Richmond’s most valuable piece of undeveloped property. It sits at a vital regional gateway just off Interstates 95 and 64, bordered by a thriving Scott’s Addition, the Museum District and the Fan, along with reemerging residential neighborhoods on the city’s North Side. “I just want to convey that Richmond is ripe for this development,” Sledge tells the assembled developers, making clear that whatever they dream up for the 67 acres as part of their initial proposals, it
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LOCAL
Q&A
NEARING THE END? Two years into the pandemic, Dr. Danny Avula says there’s good reason to be optimistic
D
Richmond magazine: How has the pandemic
changed your daily job as a health care professional? Dr. Danny Avula: For those of us who work in public health, COVID-19 completely subsumed anything we did before. In 2020 and 2021, we were completely focused on COVID. As in many aspects of our lives, other priorities had to take the back burner. The health department still traces other communicable diseases. We still do restaurant inspections. But the degree to which we’ve been able to offer some services has been scaled down, as staff has been redirected to combating COVID. I think that soon we’ll be at a point where we’re able to prioritize those other aspects of our job again.
RM: What lessons have been learned in the medical community from the COVID-19 pandemic?
Avula: There are a bunch, and there are some
that will continue to emerge. Since 9/11, one of the roles that federal funding has given local health departments is the ability to distribute medical countermeasures — flu shots, pills, medication. We practice that every year with the flu, and that practice has certainly helped. One of the things that went extraordinarily well last year was vaccine distribution. What we didn’t anticipate was the impact
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Dr. Danny Avula, the state’s former vaccination coordinator, was recently appointed commissioner of the Virginia Department of Social Services.
social media would have on patient behavior and patient trust, especially in relation to the vaccine. Now we recognize that there are a lot of forces at play, and that social media is a powerful shaper of opinion on health issues. In the future, we have got to leverage our voice as a health department and use social media effectively. That can only be so successful — government social media platforms are not going to compete with a celebrity like Nicki Minaj. So we also have to have nurses and doctors engaging the public in a broader sense — doing interviews with media, using our own social media platforms, showing up to city councils. There are a lot of intentional efforts on social media to provide information that can lead people astray, and we need to counteract that intentionally. Another lesson is about the makeup of our workforce. Our workforce needs to reflect the communities we hope to serve. For almost a decade now, we’ve done a lot to expand our programming in that area, but COVID showed we still need to augment that part of our workforce.
RM: What specific recommendations would you make now to prevent infection?
Avula: The most important thing to understand
is that vaccination is the best way to protect ourselves. What we’ll see is that with each new variant, the ability to protect oneself varies. Even fully vaccinated people are getting omicron at a high rate, but vaccination [protects] you against severe
disease. That’s the main goal — keeping people out of the hospital and keeping them from dying. We also know that there are habits and behaviors we’ve learned over the last few years that we need to practice when there are high case rates in our community. Before COVID, people would go to work and school with head colds all the time. But COVID is a different breed, and if we have cold symptoms, we need to get tested for COVID, and quarantine if we are positive. And when we are at work, in school and in public settings, wearing a mask is a helpful addition to vaccination.
RM: The Spanish flu ended when a more contagious, less deadly variant became dominant. How does the emergence of omicron compare to that scenario? Avula: The Spanish flu spanned a couple of years, and over time the pandemic petered out. But the flu is still around, and it evolves each year. That’s why you need a new flu shot each year — each year brings a new mix of mutations. Because omicron is so contagious, the combination of immunity from the vaccine plus the immunity from this round of infection will start to limit the number of people susceptible to future disease. COVID isn’t going to go away. But it will become an endemic, not a pandemic. Between natural immunity and immunity from the vaccine, I think we’re getting really close to that point. —D. Hunter Reardon
ZAID HAMID
r. Danny Avula, who served as the state vaccination coordinator under former Gov. Ralph Northam, has had a busy couple of years. In addition to running the state’s efforts to vaccinate millions of Virginians during the COVID-19 pandemic, Avula also practices clinically as a pediatric hospitalist. Avula recently stepped down as state vaccination coordinator. In early February, he was appointed commissioner of the Virginia Department of Social Services by Gov. Glenn Youngkin. Avula spoke with Richmond magazine about his experiences and lessons learned over the last two years, and his qualified optimism that the end of the pandemic is within sight.
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LOCAL
NEWS
District Court in 2015 by transgender high school student Gavin Grimm, who sued Gloucester County Schools for barring him from using the boys’ bathroom. The judge determined that the board’s action was unconstitutional because it violated transgender student Grimm’s Title IX rights, which prohibit sex-based discrimination. The ruling was upheld in the 4th Circuit Court of Appeals in 2020, and in June of last year, the U.S. Supreme Court The ACLU has on its side state law and declined to hear the case, allowing the lower court’s ruling to stand. recent precedent established in a federal case. Both indicate the school division is But the battle is far from over. Legislalegally liable for its decision to not grant tion was introduced in the Virginia Gengender-affirming bathroom access, says eral Assembly earlier this year that would Eden Heilman, legal director of the ACLU reverse the 2020 law, which requires divisions to adopt policies outlined by of Virginia. the Virginia Department of Education. “There’s no ambiguity in the school VDOE guidelines require school staff to board’s vote,” Heilman says in a statement. “The board members knew [their] use the preferred names and pronouns of actions were discriminatory and outside transgender students and allow students the law, but they did it anyway.” to use bathrooms and other facilities that align with their gender identity. The 2020 law, however, has been State Statute Lacks Clarity unevenly applied, requiring only that The basis of the ACLU lawsuit is state local school boards adopt policies that legislation that passed in 2020, which are “consistent with” the state’s model requires school divisions to adopt poliguidelines. Richmond and Chesterfield cies that protect the rights of transgenhave adopted policies closely der and nonbinary students. The Zweckbronners, resembling the state model, The legislation came on the from left to right: Harry, for example, while Henrico heels of a lawsuit filed in U.S. Bee, Grace and Ann
In Hanover County, a battle over rights heads to court By Leah Small
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race Zweckbronner, a 14-year-old transgender high school student in Hanover County, just wants to go to the restroom with her friends without feeling like a social pariah. Unfortunately, she can’t. So last December, she decided to do something about it. Zweckbronner is one of five students whose parents are plaintiffs in a lawsuit filed by the Virginia ACLU against the Hanover County School Board, which declined to adopt a state-mandated policy last fall allowing transgender students to use bathrooms and other facilities that align with their gender identities. “I finally just had enough,” Zweckbronner says. “I was tired of having to go somewhere else and missing the social aspect of going to the bathroom with friends.” Being barred from facilities that align with her gender identity, she says, is a near-constant reminder that she isn’t accepted for who she truly is. “There’s so much I have to deal with on a daily basis,” she says. “Not being able to use the girls’ bathroom is just another nail in the coffin of people not supporting me.” What might seem like a trivial exercise to some — using the restroom — has become ground zero in an ideological battle over transgender student rights in public schools across Virginia. During a heated meeting in November, the Hanover School Board voted 4-3 against revising policies to protect gender-affirming bathroom access for students. More than 50 people spoke ahead of the vote, including several transgender students.
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JAY PAUL
FIGHTING FOR ACCESS
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LIVING
Cherry blossoms abloom fronting the Martin Luther King Jr. Memorial in West Potomac Park
distance is the trendy Duke’s Grocery, where the sockeye bowl is jammed with flavor. Although the seared diver scallops at Le Sel left me wanting to eat there every night, I found the vibrant Barcelona Wine Bar close by. The trendy spot was packed, but the manager Carlos found a spot for me at the chef’s table so I could see all the action. The potato tortilla and braised pork were amazing, but when Chef Ricky brought the Gambas Al Ajillo, it was, as he said, life-changing. The flavor-packed food and lively atmosphere were only topped by the friendly and attentive staff.
OLD AND NEW
A CAPITAL EXPERIENCE Spring is a fine time to explore Washington By Kari Smith
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or Richmond residents, a trip to our nation’s capital is just a two-hour drive or ride on one of Amtrak’s trains away. Since Washington-area traffic can be awful, and driving and parking downtown can be cumbersome and expensive, taking the train is a convenient option: Historic Union Station will place you in the middle of the action.
TREAT YOURSELF For an upscale boutique hotel experience, the stylish Kimpton Banneker Hotel in Dupont Circle provides a walkable hub for many popular attractions. In addition to impeccable service and thoughtful amenities such as a fitness center and shuttle service, the hotel boasts an impressive breakfast and dinner menu in its
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ground-floor French bistro, Le Sel. Or take in impressive city views while enjoying the open-air rooftop bar, Lady Bird. For an alternative breakfast experience, try my favorite — the Avocado Smash — at the Scott Circle location of Bluestone Lane, just steps from the hotel’s front door. My top lunch spot within walking
SIGHTS TO SEE Be sure to check the hours of your favorite attraction or museum before going, as pandemic-related changes have closed the doors of some museums several days a week. Some of my picks include the Smithsonian’s National Museum
Quayola concert at Artechouse
COURTESY OF WASHINGTON.ORG; BOTTOM: TOM MESIC
TRAVEL
This trip marked my first visit to the National Archives Building, where I viewed the Declaration of Independence, the U.S. Constitution and the Bill of Rights. The Washington Artechouse will thrill the artist in you with innovative technology-driven art, and the Smithsonian’s “Futures,” in the Arts and Industries Building, is a fascinating place for dreamers to peek into the future (on display until July 6)
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TRAVELER RICHMONDMAG.COM
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C Smith, a Richmond native, is credited with establishing a vast and influential area of the jazz landscape, one defined by a fluidity of sound and an uplifting spiritualism. As he sat at that Rhodes piano in LA, his career was zooming skyward. Stints with great jazz players were already in his rearview mirror. But that particular moment found Smith drifting in a sonic direction that would soon reach across the globe and that has since spanned generations of musicians who have followed in his footsteps. “Seems like all the songs I did — ‘Give
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all it the Big Bang of the cosmic sound. In 1970, at the storied Record Plant recording studio in Los Angeles, Lonnie Liston Smith Jr. first sat at a Fender Rhodes electric piano. While he waited for the other players to unpack at a recording session for the Pharoah Sanders album “Thembi,” Smith familiarized himself with the Rhodes. Then, as he began to play, history happened. “Everybody ran over,” Smith recalls, “Pharoah, the engineer, everyone said, ‘What are you doing?’ I said, ‘I don’t know, I’m just writing this song. It’s the first time I’ve played the Fender Rhodes.’ They said, ‘We’ve got to record this right now. What are you going to call it?’ I was studying astral projection, and it sounded like we were floating, so I said, ‘Let’s call it “Astral Traveling.” ’ ” Peace a Chance’ and ‘Expansions’ — people say they need that now,” Smith says. “They definitely need ‘Visions of a New World’ because I think this is the first time in the history of mankind when the whole world is shut down at the same time.”
A MUSICAL UPBRINGING Smith, 81, who now lives in Twin Hickory in Short Pump with his wife, Louise, grew up in Church Hill, surrounded by musicianship to a rare degree. His father, Lonnie Sr., sang with the nationally known gospel group The Harmonizing Four, rub-
bing elbows with some of the genre’s biggest names. “All the gospel groups used to come by the house,” the younger Smith remembers. “Sam Cooke when he was with the Soul Stirrers, the Dixie Hummingbirds, Sister Rosetta Tharpe. She was crazy about my father and the Harmonizing Four. … She moved to Richmond, and I used to listen to her play guitar and said, ‘Wow, this is different.’ ” Smith says his father was always on the lookout for new sounds, and not just within the world of gospel. “He loved all
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times you reach [inside the piano] to the strings. Trying all kinds of things.” Given Smith’s adventurous approach, both with Sanders and soon after with Argentine saxophonist Gato Barbieri, it seemed preordained that he would link up with Miles Davis in the early 1970s. Recording for Davis’ albums “On the Corner” and “Big Fun” demanded Smith make new strides in his development as an artist, some of which were spurred by the legendary trumpeter’s signature directness. “Can I take it home and practice?” Smith asked upon being assigned to play an unfamiliar Yamaha electric organ. Davis’ reply: “No.” Then there’s the time Smith learned at the last minute that he’d be one of three keyboardists playing simultaneously. Davis’ words of encouragement: “What the f--- are you waiting for?” “That’s how Miles made you strong,” Smith says. “He’d get upset if you weren’t creating every day or every night you were performing with him.” One crucial leap forward during Smith’s time with Davis resulted not from the bandleader’s gruff motivational style, but from Smith’s application of the tools Davis was using. “He had all these pedals hooked up on the floor on his trumpet,” 70
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he recalls. “ I said, ‘Now, if I hook these pedals up to the Fender Rhodes, I wonder what would happen?’ And it worked.” “It’s not often that you get to be innovative and popular and uplifting all at the same time,” Branch says of Smith. “He may be the definitive musician to combine those three things.”
WORLDWIDE SUCCESS Smith recorded his 1973 debut, “Astral Traveling,” at the encouragement of Bob
“I had to try to FIGURE OUT ways to get more
SOUND. So I’m using my 10 FINGERS, but then sometimes you might use your
FOREARM.”
Thiele, the producer and Flying Dutchman label owner who recorded countless jazz greats, including John Coltrane. Audiences responded quickly, and within months, Smith left Davis’ ensemble to form his own. While he saw similar success with his second effort, “Cosmic Funk,” his third album, “Expansions,” launched his career as bandleader into the stratosphere. “That just took off worldwide,” Smith says. The music database Discogs lists 33 pressings of “Expansions,” including multiple editions from 1975, the year it was released, manufactured as far away as Germany, France and South Africa. “Bob Thiele was dealing with RCA Records, and they started scrambling,” Smith says. “They had to go back and reprint thousands and thousands.” Smith’s breakthrough LP landed at No. 10 on Billboard’s year-end jazz albums chart for 1975. “Back in the days when he released the ‘Expansions’ album, there was no genre called smooth jazz,” says Branch, a founder of the Richmond Jazz Society. “He would be the bridge between smooth jazz and spiritual jazz, because his music is very smooth and very appealing and very soothing, not as abrasive as some of the other spiritual jazz or some of the avant-garde jazz.” The title track of “Expansions” is a jazzfunk touchstone, featuring a buoyant blend of treated keyboard sounds and fusion elements, with vocals from Smith’s brother Donald entreating listeners “to understand we all must live in peace.” “My father and my mother were very spiritual,” Smith says. “I was expanding on making it more universal, that gospel and that spirituality that I received from them. Let’s take it to the whole world and expand their minds, so we can have a vision of the new world, everyone living in peace and harmony.” Those themes remained at the forefront of Smith’s music, from a string of late-1970s albums on Columbia Records to an early-1980s run on Bob Thiele’s newly formed Doctor Jazz imprint. A key col-
FROM LEFT: COURTESY LONNIE LISTON SMITH; ZAID HAMID, PIANO COURTESY THE CULTURAL ARTS CENTER AT GLEN ALLEN
Musician Pharoah Sanders (left) and Smith in France, 1977
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Musical partner and friend Marcus Miller (left) listens as Smith plays the keys of the cosmos.
laborator during this period was two-time Grammy winner Marcus Miller. The iconic bassist and composer was just 16 when he was introduced to Smith, yet Miller quickly earned Smith’s confidence, and some of Miller’s earliest compositions found a home on Smith’s Columbia-era albums. “He provided me with that stage as a writer,” Miller says, “and he would let me arrange the band and tell them what I thought they should play, which was kind of crazy, because I’m this little 16-, 17-yearold kid instructing the older guys. But he got a kick out of it.” Identifying and empowering promising young players is among the highest callings a masterful jazz musician can answer. Miller draws a direct line from Smith’s support to that of Miles Davis, with whom Miller would also go on to collaborate. “Once [Smith] figured out that I had some talent,” Miller recalls, “he’s like, ‘C’mon, do your thing.’ And I’m doing the same thing with young guys in my group. I don’t know if Miles had a mentor, or if it just came from him, but that’s a tradition that’s being passed down through generations.”
There may be no better lens through which to view Smith’s lasting impact than that of Devonne Harris, who plays keys for Richmond group Butcher Brown and produces beats as DJ Harrison. “Here’s a guy who took his dream and his vision and actually made it happen,” Harris says. “For a lot of creatives who are here in Richmond, that’s definitely influential.” Harris grew up surrounded by Smith’s music — “My dad had a lot of his records,” he says — and he sought out those same albums upon starting his own collection. He’s since continued down Smith’s trailblazing path by customizing the sound of his keys. “He creates his own textures,” Harris says. “I’ve definitely picked up on that from him.” Smith returned to Richmond from New York in 1988, seeing in his hometown qual72
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ities that local artists such as Harris continue to benefit from: a location that’s convenient for East Coast touring and easy access to air travel. Ironically, Smith was in Atlanta being interviewed for radio when Butcher Brown first crossed his radar a handful of years ago. “The interviewer said, ‘Man, have you heard this group from Richmond, Butcher Brown? Let me play this record for you,’ ” he recalls. Smith made contact via the group’s drummer, Corey Fonville, and he arranged to visit the Butcher Brown home studio. “We jammed a little bit, we hung out, he played the Rhodes and started playing some of his hits,” Fonville recalls. “It was a very special moment.”
“Having him over at the house was like our own private master class,” Harris says. “It was great. It was almost like he wanted to come into our world. Obviously, we know so much about his world.” As a beatmaker, Harris understands another important facet of Smith’s legacy: hip-hop sampling. Smith’s compositions have been sampled heavily, perhaps most notably on Jay-Z’s “Dead Presidents,” a song that incorporates the lilting piano from Smith’s “A Garden of Peace.” Smith’s 1977 “Live” album was crucial to Harris’ early exploration of sampling, and repurposing Smith’s music is one way to acknowledge that influence. “He’s one of the artists that understands that sam-
COURTESY LONNIE LISTON SMITH
LEGACY AND INFLUENCE
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CAMP GUIDE
Summer and Day Camps A sampling of camps in and around Virginia * = Day camp or day-camp option offered To see an extended version of this list, visit richmondmag.com/camps.
*Brilliant Summer at St. Catherine’s Hundreds of coed offerings include Young Explorers, Design Your Day Camps, Special Interest Camps and more. Age 3 to rising 12th graders. 6001 Grove Ave., 804-288-2804 or st.catherines.org. *Camp Blue Sky Day Camp programs for schoolaged children (grades K-5) with STEM activities, outdoor exploration, field trips and more. Five area locations, 804-747-5900 or leafspringschool. com/programs. *Camp Ganim Day camp for ages 2-5. Offers opportunities to interact with nature, plus swimming, music and art. 5403 Monument Ave., 804-285-6500 or weinsteinjcc.org. *Camp Hilbert From the morning flagpole assembly to canoeing on beautiful Lake Rosalie, campers (grades K-8) enjoy a range of activities. 2240 Maidens Road, Goochland, 804-545-8650 or weinsteinjcc.org. *Chesterfield County Parks and Recreation Camps focused on nature, history, therapeutic recreation and traditional camps for ages 5 to 15. 804-7481623 or chesterfield.gov/parks. *Collegiate Summer Quest More than 175 camps, from sports to academic enrichment, for 3-yearolds to adults. 103 N. Mooreland Road, 804-7419714 or collegiate-va.org. *Cub Scout Day Camp For boy and girl Cub Scouts and their siblings in grades one through five. Activities include archery, BB-gun range, fishing and more. Multiple locations in the RichmondPetersburg area. 804-355-4306 or hovc.org. *Great Summer Escape Day camps for rising first graders to age 12 at multiple Richmond community center locations. 804-646-5733 or rva.gov/parks-recreation. *Hanover County Parks and Recreation Camps for elementary- and middle-school-age children. 804-365-7150 or hanoverparksrec.com. *Henrico County Recreation and Parks
Various programs, including performing arts, visual arts, nature and sports camps. 804-501-7275 or henrico.us/rec.
*Richmond Department of Parks, Recreation and Community Facilities Various programs including
sports, performing and visual arts, and nature. 804-646-5733 or rva.gov/parks-recreation. *St. Christopher’s Summer Programs An extensive variety of half-day and full-day, specialty, athletic, academic and day camps for boys and girls ages 3-18. 711 St. Christopher’s Road, 804-282-3185, ext. 5327, or stchristophers.com. *Saint Gertrude High School Programs for girls who will be entering fourth to ninth grades. Activities include volleyball, basketball and more. 12829 River Road, 804-708-9500 or saintgertrude.org. *Specialty Camps Offered from June 21-Aug. 26 for grades K-8, these include sports, art, science and leadership. 5403 Monument Ave., 804-545-8658 or weinsteinjcc.org. *The Steward Summer Experience Over 80 camps for grades JK-12, including sports, arts and innovation. 11600 Gayton Road, 804-740-3394 or stewardschool.org/summer.
*Trinity Episcopal School’s Summer Discovery Program Sports, music, art, academic and college-
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prep camps for all ages. 3850 Pittaway Drive, 804-272-5864 or trinityes.org/summer. *YMCA Camp Thunderbird Activities such as music, zip line, mountain biking and more. The EveryBuddy program is available for children with special needs. Ages 8-17. 9300 Shawonodasee Road, Chesterfield, 804-748-6714 or ymcarichmond.org/locations/camp-thunderbird. *YMCA of Greater Richmond Various branch locations offer day, specialty and sports camps and summer child care for toddlers to teens. 804-6499622 or ymcarichmond.org/camp.
RELIGIOUS
*Camp Hanover Day and overnight sessions for elementary, middle and high school youth. Christian focus. 3163 Parsleys Mill Road, Mechanicsville, 804-779-2811 or camphanover.org. *CharacterWorks Day camps in musical theater for ages 6-13; separate program for ages 14-19. 804-306-9159 or cworkstheater.org. *Good Shepherd Episcopal School Fun, educational camps in hiking, computers and everything in between. Reserve spots early. 4207 Forest Hill Ave., 804-231-1452 or gses.org. Oak Hill Christian Service Camp A fun, safe experience for campers from kindergarten to college. 8451 Oak Hill Camp Road, Mechanicsville, 804-779-3050 or oakhillcamp.org. Westview on the James Methodist overnight summer camps for ages 7-15, and Adventure Trek programs for ages 13-16. 1231 Westview Road, Goochland, 804-457-4210 or westviewonthejames.org.
SPECIAL INTERESTS
*ArtHaus Summer Camps [Tentative] Ages 4-16. Explore clay, paint, mixed media and more. 1811 Huguenot Road, Suite 303, Midlothian, 804-8974278 or arthausrichmond.com. *ArtVenture Summer Camp Visual Arts Center of Richmond classes for ages 5-14. 1812 W. Main St., 804-353-0094 or visarts.org. *Camp Ashland Hands-on history program for grades two to six. 804-368-7314 or ashlandmuseum.org. *Camp Half-Blood At this camp for rising second to fifth graders, kids become heroes as they go on quests and battle foes. Based on the Percy Jackson YA novels, immersive lessons range from swordplay to ancient Greek crafts. Weeklong sessions run June 27-July 22. Forest Hill Park, W. 42nd Street and New Kent Avenue. 929-829-4732 or camphalfbloodbklyn.com/foresthillpark. Camp Invention One-week elementary enrichment program inspired by the inductees of the National Inventors Hall of Fame for kindergartners through sixth graders. Multiple locations, 800-968-4332 or invent.org/camp. *The Carmel School Summer programs for pre-K through middle school students. Session topics include reading comprehension, STEAM-related instruction, art and more. Ruther Glen, 804-4483288 or thecarmelschool.org. CENTERS Summer Programs at VSU Offers a variety of enrichment programs in literacy, STEM and
education for students in grades 1-12. 804-7218817 or vsucenters.org.
*Chesterfield Historical Society of Virginia Summer Camps Offers the Diggin in History Archaeology Camp for ages 8-13 at Historic Trinity Church, Heritage Crafts and Games Camp for ages 8-13 and Historic Crafts and Trades Camp for children ages 8-13 at Castlewood. 804-751-4946 or chesterfieldhistory.com. *Club SciKidz/Tech Scientific STEM-related camps in science and technology and the arts for prekindergartners through eighth graders. Locations in Chesterfield and Henrico, 804-5484787 or clubscikidzrva.com. *CodeVA’s Eureka Workshop Offers arts-integrated summer camps, a robotics team and other out-ofschool programs. 300 E. Broad St., 804-727-9817 or codevirginia.org. *Critter Camp Rising first through ninth graders who love animals will find many programs to choose from at the Richmond SPCA. 2519 Hermitage Road, 804-521-1327 or richmondspca. org/camp. *CSz Comedy Camps for Kidz Half- and full-day camps on improvisation and collaboration, basic acting, and sketches for rising fifth to 12th graders. 8906 W. Broad St., 804-266-9377 or cszrichmond. com/comedy-camps.
*The Cultural Arts Center at Glen Allen
Youth summer camps and art programs allow children’s curiosity to flourish as they create art in a variety of media. Summer and private classes are also available. 2880 Mountain Road, 804-2612787 or artsglenallen.com. *Doodle Dynamo A place where kids imagine, design and create, offering various art-themed camps for rising first through eighth graders. Millwood School, 15100 Millwood School Lane, 804-256-3545 or doodledynamo.com. *Encore Studio Instruction in ballet, tap, jazz, hip-hop and acro, among other activities. Ages 3-18. Weeklong camps, eight-week instructional sessions and weekly workshops. 15584 Westchester Commons Way, 804-794-2646 or encorestudio.com. *GreenSpring Summer Music Institutes Three weeks of programming, including one week of online sessions. Instruction in a variety of instruments for ages 8-22 at all skill levels. 4101 Grove Ave., 804-353-7001 or greenspringmusic.org/summer-1. Guardian Christian Academy Weekly themes include sports and reading. 6851 Courthouse Road, 804-715-3210 or gcakids.com.
*Kids’ and Teens’ Camps at the Virginia Museum of Fine Arts Cross-cultural learning, fun and
creative projects, and more. Five-day camps are offered weekly, June 27-Aug. 19, for ages 5-17. 200 N. Arthur Ashe Boulevard, 804-340-1405 or vmfa.museum. *Knights of Summer Blessed Sacrament Huguenot Catholic School summer camps for age 3 through 5th grade include STEAM skills, crafts, sports, cooking and more. 2501 Academy Road, Powhatan, 804-598-4211 or bshknights.org. *Latin Ballet of Virginia Four Arts in Education Summer Day Camps help students connect dance forms to language and culture. The Cultural Arts Center at Glen Allen, 2880 Mountain Road, 804356-3876 or latinballet.com/camp. *Marianne Kelley’s School of Dance Camps with dancing instruction for ages 3 and up. 1807 Huguenot Road, Suite 115, 804-292-5917 or mksdance.com. *Maymont Summer Camps Outdoor adventures, games, crafts and more for preschool to middle school kids. 2201 Shields Lake Drive, 804-3587168 or maymont.org/summer-camps.
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company’s roasting equipment and its wholesale clients. “I’ve been thinking about my own cafe or shop or roastery forever, but I helped build that business, and I don’t want to compete with Lamplighter,” Smith says. “I love them — they brought me into all of this. It was the only thing I can envision to keep us here and in the industry. The relationship has really been beneficial for everyone to focus on one thing.” The feeling of loyalty to one another and to the business — particularly in an industry where turnover rates are high — paired with the idea of building a future from a place that provided a foundation was echoed both by Smith’s fellow workers and Lamplighter’s owners. Lamplighter co-owner Noelle Forest describes it as a rebirth. “When this opportunity came up to transition, that part of it was along the lines of what we would Afterglow’s like to see happen anyway,” dark roast blend she says, noting that this shift will help test the business model. “Instead of building things back to the way they were, how can we pivot and reshape?” Lamplighter now operates solely out of its original Addison Street location. Forest says of streamlining the business,
“I’m excited about collabora“It’s where it all started, and having (Above, from left): Maves tive coffee sourcing and buying,” that be the one place that has roasting coffee Smith says. “Everybody has to stayed with us is amazing, and we beans, Delacruz packaging want to see that location bloom in figure this out with me — consenbeans, Smith the future.” sus-building, the best and hardest with a freshbrewed latte Forest says that when she startpart about a cooperative venture. ed Lamplighter in 2009 with a small I like the freedom to be able to experiment and be creative; it’s a really and scrappy squad, the intention wasn’t freeing concept.” for massive expansion but to build a coffee Each partner at Afterglow will own community. However, she adds, over time an equal share of the company and the company grew into more of a traditional business — three cafes and almost receive the same pay. They will work four 80 employees — a shift that was not necdays a week, five if needed. There will be essarily aligned with their ethos. no clocking in and out, and no set time requirements. Currently in a phase of “dreaming and scheming,” plotting renovations and dis“We all trust each other, we’re all workcussing long-term goals for Lamplighter, ing towards the same goals,” Smith says. Forest is excited to do less and see how, The aim is for everyone not only to in turn, that could lead to more. No longer have their basic needs met, but also to be roasting, Lamplighter will source its able to thrive. And while the empowerment and ability to shape their own beans directly from Afterglow, and Lampfutures may sound like an idyllic way of lighter’s namesake coffee blend will only working, they believe it can and should be available directly at its Fan shop. be the way it always is. “It’s the same coffee we want, roasted “For us, this is how we would like to how we want, by people we know and trust on the same see the world operate more,” Forest says. equipment,” Forest says. “All “People should have a say over how that the same great things from work gets done. While they may not have that team, but now [we] been shareholders in Lamplighter, they can focus solely on this.” absolutely created value and created a lot Smith and his Afterof what it was, so for them to then be able glow co-owners are lookto transition to taking ownership of that ing forward to exploring [roasting] operation felt like, for me, a what’s possible. great next step.” R RICHMONDMAG.COM
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SPONSORED CONTENT
A RICHMOND MAGAZINE BOLD WOMAN OF 2020 & 2021
Supporting Needs of Female Business Owners & the Real Estate Community LEAH COLEMAN, OWNER REAL ESTATE COUTURE, AND OWNER, BOSS BABES RVA WITH A PASSION FOR REAL ESTATE AND
LEE SALTER CREATIVE FIRM
giving back, Leah Coleman has been able to
transfer those interests into her career as a Realtor, an entrepreneur, and a business leader. Coleman, who created her own investment company in 2018 called Real Estate Couture LLC, also works as a Realtor and is the new owner of Boss Babes RVA, an online networking group founded by Christine Greenberg with close to now 10,000 members. Coleman gives credit to the team of administrators & moderators who have helped Boss Babes engage with more than 97,000 comments in 2020, thousands more in 2021. BBRVA has become a real FORCE for good connections & helping others elevate. “We are kind of a little underground movement of our own,” Coleman says. While the group originally focused on business and professional questions and resources, Coleman and her fellow administrators recognized that there were other needs the group could meet, especially with the onset of the COVID19 pandemic. In a big step, they allowed people with personal needs to reach out as well. Through Coleman’s own businesses, she began helping more women with finding private & lending resources for real estate investments & encouraging renovation as a way to bring more inventory to the market, even helping with design, & resale/launching Airbnb's. She also has organized groups on
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investment, on entrepreneurship, women of faith prayer meeting on Zoom weekly, & piloted several successful collaborations. Yedda Stancil, fellow entrepreneur & author, helped gather a group of business & career women weekly over the summer/fall 2021 for launching her book & course called 'Shut Up & Sit: Finding Silence & the Life Changing Magic that Comes with It." Then, along with fellow wellness focused Boss Babes- joined a global retreat effort in Africa in fall 2021. Formerly, she had piloted an entrepreneurial retreat in Belize, 2019, with Impact Junkies. Now, as things begin to open up again, Boss Babes has returned to its business focus, and Coleman hopes to strengthen the network even more with more in-person events and educational opportunities. “Rise and rebuild is our theme,” Coleman says. She looks forward to planning Boss Babes meet-and-greets with business owners/ corporations, as well as getaways delivering on EXPERIENCES & a varying conversation series. “We want to begin to work on shifting a networking culture into more of a collaboration culture,” she says. "We can help everyone see our city & their business pursuits with greater vision and potential, doing all we can to influence each member to play bigger in life and in their work." “We are kind of a little underground movement of our own.”
“We are kind of a little underground movement of our own.”
leah@dodsonprop.com 804-484-2018 leahcoleman.co bossbabesrva.com
1/21/22 8:21 AM
editor’s letter
A
lthough Punxsutawney Phil predicted six more weeks of winter weather last month, at R•Home magazine, we’ve been thinking flower-filled thoughts for the past few months. From scouting some of the incredible homes on the Garden Club of Virginia’s Historic Garden Week tours to getting the lowdown on the Library of Virginia’s upcoming exhibition on Charles Gillette, the man credited with creating the ultimate Virginia garden, and a look at the hottest shops for indoor plants in town, we’ve got a serious case of spring fever. And as Earth Day approaches on April 22, we’ve also been thinking about ways we can make a difference at home. Buying furniture and decorative accents from thrift, vintage and antique stores is one way; incorporating salvaged materials in new construction is another. On Page 42, Meridith Ingram talks with contractor Travis Gardner about his dedication to using salvaged materials in his building projects wherever possible. Interior designer Kathy Corbet — among the honorees in our annual R•Home Readers’ Favorites — is known for her creative approach to design. She’s also an advocate for repurposing family heirlooms and vintage items. In this issue, she shares some of her personal favorites, including an outdoor bar crafted from a vintage Flexible Flyer sled, with writer Kyra Molinaro on Page 36. There’s traditional, and then there’s “new Southern traditional,” an updated style that’s a little traditional, a little glam and a little bit modern at the same time. On Page 54, Taylor Peterson takes us on a tour of an Ampthill Road home filled with luscious floral fabrics that designer Lori Loomis updated for a young Richmond family. In anticipation of Historic Garden Week, Paula Peters Chambers leads us through Marsha Andrews’ captivating English Tudor Revival-style cottage on Page 46. One of the first houses built in the neighborhood adjacent to the Carillon, Richmond’s World War I Memorial, it will open to the public on April 27. As the ongoing pandemic has refocused our attention on our homes, it’s meant that many of us are rethinking the way we use our spaces and are remodeling for better functionality. It’s also meant that many of our favorite craftsmen, service companies and home furnishing retailers have expanded their offerings. Learn more about their services in the results of our annual Readers’ Favorites survey on Page 62. THINK SPRING!
Susan W. Morgan
Find us at R•Home magazine on Facebook and @rhomemag on Instagram.
CHECK OUT R•HOME ON CBS 6 DURING ‘VIRGINIA THIS MORNING’!
Tune in for our home and garden tips on the following Wednesdays: March 9, March 23, April 6 and April 20.
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EDITOR’S NOTE
In our Jan-Feb 2022 issue, the photos on Page 66 were incorrectly credited. Stewart Allen was the photographer.
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design
d ne r's r to G ar T he d o o cr af te d as w ce o ffi e ag ed p in w it h sa lv se t. an d lo ck
Salvaged and Upcycled Travis Gardner shares ‘why’ he incorporates salvaged building materials in his new home projects By Meredith Ingram Photos by Kip Dawkins
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ravis Gardner started his career strategizing in the conference room, but now, after years of working in the field on renovation projects, he’s become a true visionary. After earning his MBA at UVA’s Darden School of Business, early career moves in the real estate/housing markets paved the way for launching his own design/build firm, Gardner Construction, in 2010. Since then, his company has helped clients renovate their houses into the homes of their dreams using superior materials — including salvaged pieces — and craftsmanship. “At our heart, we’re a team of craftsmen who are passionate about historic neighborhoods and well-built homes and structures,” he says. R•Home spoke with Gardner to learn about how upcycling building materials takes their renovation projects to the next level.
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INTERVIEW R•Home: Why is incorporating salvage important? Travis Gardner: I had an architect who I admire a lot who once shared this belief with me, one I really hold on to as a guiding light for all projects: A home should tell a story, and that story should feel very authentic and natural. Even when it’s not the authentic story … we want [our projects] to feel like the structure it was intended to be from the beginning. People crave that authenticity. Reusing material is a way to add a warmth, an authenticity to the project. … We’re not reusing material because it’s less expensive. It’s a lot of work.
R•Home: What are some interesting pieces you’ve salvaged and transformed? Gardner: For [a staircase in a finished garage], we took this scrap piece of 2-by-6 tube steel that was sitting in the scrap yard. You can see how a maple leaf decomposed and etched itself into the steel. That was just so cool, and we thought, "How do we leverage this?" We made a desk for my kids; the inlay in the desk is from my great-greatgrandparents' farm table that had been passed down. The legs were in bad shape, no one had a place for it, but we wanted that to live on, that memory, so we built it into that desktop.
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Gardner added a mahogany inlay made from his great-greatgrandparents farm table to this built-in DESK.
R•Home: How do you determine what pieces to use? Gardner: Truthfully, we look for opportunities to reuse and recycle/upcycle everywhere. … With clients, we say, “If we’re pulling this stuff out, how cool would it be if we use some of this wood and take the very material that we just pulled out of here and put it back in?” And you can tell the story of this renovation to friends and family, and it becomes a living part of the project. Right now, we’re working on [a project], and [the client] has his grandfather’s bell, and says, “Oh by the way, be careful with that bell, it has sentimental value.” So we ask, “Should we consider coming up with something for it?” You quickly get a sense of what people are really excited about. When they are, then it’s worth figuring out. A lot of times, you have to take the material and find the right artisan. It starts with that material. How do we get the most out of this? … By having a degree of artistic license, whether in-house or working with someone to collaborate to really bring out the reclaimed material into the project … [we find materials that are] too cool to not do something with.
Portrait: Ash Daniel
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The shipladder-style STAIRS are crafted from scrap yard steel.
The DINING ROOM TABLE has a 12-foot, liveedge maple top cut from a tree that came down by Gardner's house.
TRAVIS GARDNER incorporates salvaged materials in his building projects wherever possible.
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Over time, Andrews enlarged the kitchen, but she did not want to sacrifice the original charm.
The petite French ormolu desk came from a local auction years ago.
Williams of Art to Di For, that take flight on the walls of the main floor’s study. “The house has a lot of beautiful architecture but no crown molding,” Beverly notes. “We’ve tried to make the most of little cubby areas and concentrate on making the great things look great, and edit down the other pieces. You can’t have a Daum piece next to something from [a box store].” Blue accents are found throughout the house, but the breakfast room — tucked between the dining room and the kitchen — gets its own full-color treatment, with the walls and ceiling painted in Sherwin Williams Scanda, a cornflower blue. “We did go crazy [there],” Beverly says, laughing. Andrews credits Beverly for helping her embrace something different for that space. “She brought that pop of color,” Andrews says. “I had to think about it, because I could have done traditional again. I really needed her [encouragement] to go that extra step.” Color is also supplied in abundance by pieces of artwork throughout the house, many of which were created by Andrews herself and aren’t for show or sale. “I have fun with them,” she says. “I have enough pressure in other parts of my life [that] in my painting, I just want to enjoy.” As she’s updated the home’s interior, Andrews has contemplated what changes, if any, to make to the Charles Gillette garden at the rear of the property. “I thought about putting in a pool,” she laughs. “But sometimes you can make changes, and it enhances things — sometimes you leave it alone.”
Find the full schedule for Historic Garden Week on Page 34
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