EST. 2014
VOLUME IV, ISSUE I FALL/WINTER 2017
MISSION STATEMENT
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WELCOME
Welcome
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editorial board Netanel Kamel ‘18 Editor-in-Chief Sarah Issever ‘18 Creative Director Ava Hornblass ‘18 Producer Tamar Bacalu ‘18 Olivia Bourkoff ‘19 Offir Cohen ‘18 Loren Elmann ‘19 Ava Hornblass ‘18 Tammy Krikheli ‘18 Maya Shalom ‘18 Ilana Steinmez ‘18
Beauty Edior Junior Editor Psych Editor Junior Editor Photography Editor Fashion Editor Copy Editor Fashion Editor
contributors Melissa Adler ‘18 Yola Ashkenazie ‘20 Lucy Doft ‘21 Basia Fellner-Dublin ‘22 Beatrice Kleager ‘20 Keren Kubersky ‘22 Jacob Leifer ‘18 Lia Michel ‘19 Grace Sasson ‘21 Samatha Sinesky ‘22 Hanna Slager ‘19 Aaron Solomons ‘20 Brooke Stonehill ‘19
Photographer Writer Photographer & Writer Writer Writer Writer Photographer Photographer Writer Photographer & Writer Writer Photographer Model & Photographer
Ms. Abramson Faculty Advisor Ms. Rabhan ‘92 Faculty Advisor Tamar Sidi ‘17 Alumni Advisor
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The Rabbi Joseph H. Lookstein Upper School of Ramaz 60 East 78th Street New York, NY 10075 This publication was generously sponsored by the Ramaz Parents Council in recognition and appreciation of the amazing work that our children produce
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A LOOK INTO THIS ISSUE EDITOR’S NOTE...................................................11 INTERVIEW: MONIKA BRAVO.............................12 INTERVIEW: LIZZIE GRUBMAN............................18 ARTS..........................................................21 PSYCHOLOGY............................................29 BEAUTY....................................................37 FASHION..................................................43 PHOTOSHOOT: PROJECTIONS...........................46 PHOTOSHOOT: ALL UP IN HAIR........................52 PHOTO JOURNALS..............................................59 CREDITS......................................................65
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EDITOR’S NOTE ear Readers,
In making this issue, I wanted to examine the light and darkness that surrounds us every day. There is a negative and there is a positive. This differentiation in our lives is something that we are aware of constantly as we are awake during the light and asleep in the darkness. When walking in the sun, we are followed by ourselves in the darkness – our shadows. Yet, we are constantly aware of both in our daily lives and they are pivotal parts of our perception of the world. By rejecting the darkness, we also reject the embodiment of light.
We want to show the beauty in that speculation, the intangible images that we make in our minds. By highlighting these split seconds of the unknown and the uncertain, we capture your mind in this state as well, forcing you to make that image and hold it in your mind as you see the unique picture that is only yours. Monika Bravo, a multi-disciplinary artist, highlighted this in an interview with me about her installation in the Prospect Park subway station (as shown on page 12): “I want to give people a platform to engage and establish a relationship with themselves, to be present, a This issue focuses on the silhouettes. condition for them to feel, and allow The dark shape and outline of some- them to feel what they want to feel.” one or something visible against a lighter background, or vice versa, Check out our new section called breaks down our vision of the world Photo Journals (page 59). In that secin the most basic sense: the interac- tion, Ramaz students take you with tion of light, dark, and shape. We see them to find the silhouettes beyond these everywhere: as we stand in the their own shadows. I hope this issue sun, as we watch others in the night, will allow you to pay more attention as we catch glimpses of odd forms to the beauty of silhouettes in your backlit in dark rooms that give us the life. creeps. They give us insight in ways that the actual image doesn’t by forcing us to imagine without a basis, to est, assume a picture in our minds that Editor-in-Chief can’t be proven without forcing light Netanel Kamel ‘18 into the picture.
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RISE Interview no. 1
The senior art history course, Power of Imagery, visiting artist
MONIKA BRAVO speaks with Netanel Kamel ‘18
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What is your background in? When did you decide that you want to become an artist? I actually have my background in fashion design and photography. I also studied a myriad of things. Since I have a very curious mind, I learned and speak 4 languages fluently, I studied and can understand 3 more. I decided I wanted to be an artist when I was 30. When I came to New York I didn’t want to go to art school because I did not want to be indoctrinated, that made me a bit insecure. With time, I managed to transform that liability into a very strong asset. I learned art by the practice of observation, by looking at it for long periods of time. Observation is key. I have also studied how the mind works and have had serious studies and practices in Astrology, Taoism, Buddhism, and Kabbalah just to name a few. 14
I learn things by looking at other things. Sometimes when I work with my assistants, I ask them to do certain tasks. Afterwards, I realize that I have found the shortcuts to things that people learned in school. When I was in school, I used to ask too many questions. Eventually, I was kicked out of school. No one understood I really wanted to learn‌. How did animation change your perception of time? My body of work is very wide, I mainly work in animation and its material is time. TIme is the most important aspect of the animated images because I use it as a tool to penetrate and hypnotize the viewer so they can leave this space and I can transport them to another way to see things.
Time is perceived culturally. We live according to the Judeo-Christian belief where there will be a second coming or an end, but in fact, this way of perceiving time was also shaped by colonization and the measurement of the globe as a way to navigate. To our ancestors and the eastern traditions, time is perceived by observing nature. We are nature, not better, not above it. We are it. What are your words of wisdom? There is an old saying by Hindu tradition that says something like this: “Every thought if repeated becomes an action, every action becomes a habit every habit becomes part of your character and that character becomes your destiny.” You have to believe in whatever you do and practice it. The power that is based on any lack becomes abuse for when I value what makes me feel secure, I give power to my needs and I stop empowering others before me. People don’t see the connection between the two which it’s so relatable to current events.
How does spirituality impact your life? Part of being connected to the idea of the absolute, to the source of life, to divinity or the sublime for me, is being connected to nature and to others. We are part of each other. For me, when you are spiritual you are wholesome and in touch with every part of you and in acceptance of the polarity into which we are born into, yin and yang, day and night, darkness and light. You understand that your actions will affect the people right next to you and people across the world. To be spiritual is to be in spirit or to be inspired and to be able to inspire others. What is the difference between “What do you think” and “How does that make you feel?” That, I may say is one of the most important things I learned through my Taoist teacher, who not only taught me Tai chi but how to meditate and how to observe things as they are; he taught me how to focus on observing my emotions, rather than reacting with my mind. Try asking yourself or others how something or someone makes them feel as opposed to what they think about the same. I learned how to be perceptive and trust the way my body shows me what I am feeling. I respond instead of reacting by habit. This is the essence of Buddhist practice. To have insight as to how things really are. The mind is very powerful, we are not just it. We are emotions, spirit, mind all manifested in flesh.
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What are the steps to observing something at its highest potential?
Can you tell me about your project in the subway station?
What are you looking at? How is that making you feel? Cultural and emotional conditions are always playing a role, especially if you can’t articulate your emotions, we have grown up with certain conditions, like seeds inside soil, we depend on the weather and the conditions around us that shape our minds. When we are in touch with our emotions and have learned to observe them as they are, we can always see the duality inside. There is an old Cherokee tale of a grandfather that tells his grandson that we have two wolves inside, one mean and envious full of hatred and pain, another sweet, gentle and compassionate, the boy asks the old man which one wins, he says, the one we feed. By embracing and integrating the polarity we can empower ourselves.
This project was commissioned by the MTA arts and design and is located in Prospect Avenue subway station on the R line in Brooklyn. There are five murals made of glass mosaics with ceramic printing. The images come from the last five years of my work, like an archeological research. Colors, shapes, local maps are woven to create a sensation of presence. I wanted to make it so powerful that people will see the mosaic and fall off the track from being so stricken by it. I felt the stations are always so absent, my intention was to create a piece where people will connect to themselves through my artwork. In the proposal I quoted, Italo Calvino and his seminal work Invisible Cities, describing memory, dreams as the essence of how we relate to each other
within the urbanscape. My process is like that of a painter, there is no time when you look at one painting. That's a sensation that I want people to feel. –
me to move into the next ideas, next works.
How do you feel now that the project is completed?
I am discovering new things that I didn't see before and it gives me the chills because I see how the things are connected that I never thought were happening. I am in touch with the intangible parts of life but I feel that all the information that I receive daily it’s downloaded to me because I am connected to the source, I am just a vehicle and my purpose in life is to connect, communicate and inspire others to be themselves. To be an artist and to be able to teach is an incredible privilege.
When I saw it in its completion, I cried a lot with tears of joy. For months I anticipated the coming of the project, I was working daily with the artisans via photos, they are in Germany. I knew every inch of it, but seeing it live, was a beautiful encounter. After few days, I made a ritual. I let the work go, I am the mother and creator of my projects and once they are finished I make a closure, I let them become part of the world. I will always be responsible for it but no longer attached to them, that allows
Do you see it as a viewer or as a person that made it?
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RISE Interview no. 2 GRACE SASSON ‘21 SPEAKS WITH PUBLICIST
LIZZIE GRUBMAN Lizzie Grubman is an American publicist who represents many celebrties. In the past, she has represented celebrities like Britney Spears and Jay- Z. She started her own PR firm in 1996 and has been working ever since. I had pleasure of asking her a few questions about what it means to be a publicist, and how she portrays her clients to the public.
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GS: What made you want to work in PR? LG: I started my company at a young age; it's a great social job where no two days are the same. Beyond that, I love my clients and would do anything for them. The most rewarding part of my job is a good success story and getting my clients to that elevated place. GS: What exactly does it mean to be a publicist? LG: On a day to-day basis I'm either promoting a celebrity, placing a hair product in a beauty column/fashion magazine, or having a food critic write about one of the restaurants we represent. I'm the jack of all trades. The job is endless and keeps me up all night! GS: How do you control how the public views your client? LG: With my many years of experience I have a close relationship with the media. In this case, we do a lot of damage control when necessary. You never know what is going to come up so you always have to be prepared. GS: How would you cover up a scandal or take care of one?
LG: I don't believe in cover ups: honesty is the best policy. It's the way you put it out to the public that matters. GS: How do you get your client more exposure? LG: Relationships...relationships..relationships... GS: What makes you want to work with someone? And what kind of relationship do you need to have with your client? LG: I have to believe in my clients ability and have a passion for what they can do. We need to have good chemistry if we’re going to work together. GS: What do you love the most about your job? LG: What I love most is making people successful, famous, and building long lasting careers and relationships with my clients. GS: How did you get to where you are today? LG: Hard work, passion and determination
LEARN MORE ABOUT PUBLICIST LIZZIE GRUBMAN AT
@LIZZIEGRUBMAN
@LIZZIEGRUBMANPR
WWW.GRUBMANPR.COM 19
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Arts
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RISE | ART
THE WARHOL:
Beatrice Kleeger and Lucy Doft, ‘21
Andy Warhol was born An-
drew Warhola on August 6, 1928 in Pittsburgh, Pennsylvania. He suffered from Sydenham Chorea (a neurological disorder resulting in involuntary movements caused by a bacterial infection) as a child. His condition caused him to be stuck at home for long periods of time, which gave him the opportunity to develop a love for art and creativity. Warhol attended Carnegie Institute of Technology, and he later moved to New York City after graduating. His first work appeared in Glamour magazine, 1949. Warhol became an award-winning illustrator known for combining drawing and basic printmaking in his art. He self published many books of art and was also an entrepreneur. In 1960 he turned his attention to pop art and soon started photographic silk screen printing, and also produced many films. On June 3, 1968, Valerie Solanas shot Warhol. He survived severe injuries to his abdomen and chest, but never fully recovered. He cofounded Interview Magazine in 1969. On February 22, 1987 he died as a result of complications after a surgery to remove his gall bladder. Andy Warhol is very influential and well known even to this day, and has many works on exhibit all over the world. We made a trip to Sotheby’s
to see some of his work in their contemporary collection. Warhol’s iconic style revolves around silhouettes. The dark outlines of the subject and the vivid colors make the pieces stand out. While at the galerie, we saw a few of his many paintings. Warhol drew inspiration from subjects people recognized and used them as symbols of consumer culture such as Campbell’s soup cans, power such as money and Mao Zedong, and later in his life, himself. Through his portrayal of these ideas and symbols that were either universal, historically relevant, or distinguishable, everyone is able to relate to his art. Although all of his works are breathtaking, we find that his selfportraits are the most intriguing. A self portrait serves as a window into the artist’s inner thoughts and soul. This particular portrait was done after he was shot. The blank stares into the oblivion depict a great uncertainty in life or even identity, perhaps having to do with mortality. What is most striking about this self portrait are the strokes near the bottom of the piece. Throughout his entire career Warhol was never one to leave a personal touch on his artwork, but these brushstrokes bind him to the piece. Warhol was able to connect regular people to the world of art, and continues to help them find meaning in it.
MY LIFE COMPARTMENTALIZED Samantha Sinesky ‘22 24
When thinking of displayed works of art in polish was a muted grey. a museum, one might think of grand paintings, sculptures, or artifacts of great value and luxury. However, the exhibit at The Metropolitan Museum of Art called “Sara Berman’s Closet” proves that a lot can be said with very little. This exhibit, curated by her daughter, Maira and her grandson, Alex Kalman, represents the aesthetically minimalist wardrobe of Sara Berman. During her lifetime, Sara has traveled with her family from Belarus, to Tel Aviv, to New York. After 38 years of living in an uppermiddle class residence with many rooms and belongings, she divorced her husband and moved into a humble studio apartment in Greenwich Village. Beginning her “new life,” Sara maintained an extremely simple and organized closet, containing apparel of variations of white tones, such as cream, beige and eggshell. These all contribute to the impression of an all-white wardrobe. Now independent and living alone for the first time, Sara really had a domicile of her very own and the opportunity to build her personal identity. Perfectly folded sweaters, blouses, socks, linen, and other essentials represent the beauty of “less is more”. Even the shoes she wore were practical flats or oxfords, no high heels or platform pumps. Every belonging down to her nail
Sara’s closet did not only contain clothing, but also items that were meaningful to her, such as a cookie cutter, a potato grater for preparing latkes, and a recipe box. In addition, she kept a tiny notebook dedicated to design patterns to be used to knit sweaters for Maira’s dog, and three of her son-inlaw’s wristwatches that she wore once he died. The precision of Sara Berman’s closet does not just represent her simple lifestyle, but the ability to establish order in her life After experiencing Sara Berman’s closet, I started thinking about my own closet and what it says about me. I encourage you all to look into your own closet and discover what it says about you. Is it filled with athletic wear, party dresses, or monochromatic looks? Do you prefer comfortable clothing such as sweats, or the more tailored, crisp, button-down collared shirts? Do you wear iconic clothing of your era, or do you set your own style? Do you horde old clothing or do you frequently keep updating? Are you a minimalist or a conspicuous consumer? The Met Fifth Avenue agreed to exhibit Sara Berman’s closet as a work of art and individual expression that may have defined an era. Does your closet measure up?
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RISE | ART
Robert Rauschenberg: Among Friends Loren Elmann ‘19
An exhibit of collaboration, Robert
Rauschenberg’s “Among Friends” outlines the balance between art, life, and the people met along both journeys. Presented are over 250 paintings, sculptures, drawings, prints, photographs, and sound and video recordings from the six decades of his career- most of which underwent some form of artist collaboration as he felt collaboration to be imperative in all aspects of life. “My whole area of art has always been addressed to working with other people,” he reflected. “Ideas are not real estate.” This exhibit is no longer on display, but it was incredible, so be sure to check it out online. In 1959, he wrote, “Painting relates to both art and life. Neither can be made. (I try to act in that gap between the two.),” and I believe this exhibit was a celebration of just that.
Psychology
BODY LANGUAGE: WHAT DOES IT MEAN?
Hanna Slager ‘19
Tamar Sidi ‘17
RISE | PSYCHOLOGY
We use body language to communicate
in the first few moments after birth by shivering, which signals our mothers to cover us in a blanket. It is thus embedded in our lives. As infants, before we can speak, we survive through body language. As we grow older we become more sophisticated in our verbal communication and nuance in language. However, these early habits, conscious or not, are always conveying what we cannot speak. The way words are spoken, depending on aspects such as posture and eye contact, is much more effective than the words themselves. Are these abilities something we pick up from other people or would we potentially develop them innately ? A study done of judo players at the 2004 Olympic and Paralympic Games by ----- suggests the latter. Blind and sighted competitors demonstrated the same body language patterns, which shows that many are innate biological responses. These universal subconscious responses are primarily directed by the limbic brain. It is the first part of the brain that reacts to emotional information. It reacts to the world in “real time” and demonstrates what we really feel. Without realizing it, we raise our eyebrows when
we see a friend or our lips “compress” and our jaw clinches when we hear bad news. The magnitude of the limbic activity is in proportion to the strength of an emotional response. For example, the arousal to danger comes on faster, and with far more intensity than an arousal to a potential reward. Emotional reactions come without deliberation. They translate into a speedy involuntary body movement or gesture. There is a universal commonality in nonverbal communication. Accordingly, an athlete's nonverbal display of victory and defeat are the same around the world. However, there are many culturally-influenced body language signals Microexpressions are the small movements the muscles around your eyes and mouth make. They express the seven universal emotions: disgust, anger, fear, sadness, happiness, contempt, and surprise. Microexpressions happen so quickly that they are extremely difficult to control. What we do with our eyes also -- with staring, creepiness and not looking enough --- it’s disinterest. A neck held high, straight back, and rolled back shoulder all imply confidence and self control. It all comes down to who we are with our self expression.
The Phsyche and Light
Light plays a significant role to the moods and feelings of humankind. In fact, the specific shade has a sronger impact than the color itself. Sophia Rein ‘21
The impact of lighting on our psyche is prev-
alent in understanding our moods during specific times of the day. However, contrary to popular belief, it is not necessarily the color of the light (black or white, light or dark) that dictates our response to it, but rather the intensity. The Journal of Consumer Psychology published a study conducted on this topic. Study Researcher Alison Jing Xu states, “Evidence shows that on sunny days people are more optimistic about the stock market, report higher well-being and are more helpful,
while extended exposure to dark, gloomy days can result in seasonal affective disorder. Contrary to these results, we found that on sunny days depression-prone people actually become more depressed.” To explain this, let’s focus on the hormone melatonin- a receptor that is influenced by light. Namely, the following aspect says it all: the higher the light exposure, the more melatonin we produce. This is why many, in a dimly lit environment, have trouble staying awake. (The melatonin responds to our surrounding environment
and prepares us for relaxation.) Accordingly, the higher the intensity of the light, the more intensely our emotions will riseso if we are in a particularly bad mood in a particularly dark room, our emotions will intensify and consequently, our mood will worsen. Researchers suggest “that these effects arise because light underlies perception of heat, and perception of heat can trigger the hot emotional system. Thus, turning down the light, effortless and unassuming as it may seem, can reduce emotionality in everyday decisions,
most of which take place under bright light.� Therefore, we can derive this important message: We must be mindful not to allow our negative emotions to intensify, because they can lead us to make disadvantageous decisions and to suffer for prolonged periods of time. To do so, we must be wary of our emotions and our surroundings at all times. This will enable us to lead healthier, exceedingly positive lifestyles. Ava Hornblass ‘18
Beauty
Charcoal as a Beauty Essential? Keren Kubersky ‘22
Most of us don’t associate charcoal with glamour. I tend to associate charcoal with fuel and barbecues on summer nights in my backyard. However, I recently checked out Into the Gloss (an awesome beauty blog by Glossier CEO, Emily Weiss) which explores some of the latest beauty trends in the industry. I learned that charcoal, once thought of as irrelevant, has taken on an entirely new role in the beauty world. Here are some key charcoal trends that I am excited about:
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RISE | BEAUTY
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Toothpaste
I tested the Tansmile activated charcoal toothpaste and was surprised by its taste and by how normal the experience was. Although using black toothpaste may seem counterintuitive, charcoal is said to actually whiten teeth. I would not, however, recommend using this every day. Instead, use it two or three times a week, as charcoal toothpaste can cause tooth sensitivity.
Charcoal Juices
The LuliTonix Black Magic Juice and Pressed Juicery Activated Charcoal Lemonade are just two of the many activated charcoal juices out there. Charcoal juice is the mix of two trends- juice cleanses and charcoal. Similar to the effect of charcoal, juice cleanses remove toxins and unwanted substances from our bodies. I am skeptical about the effectiveness of these cleanses, but drinking charcoal sounds kind of fun, right?
Nose Strips
The BIORÉ Nose strips have recently become popular for eliminating blackheads and unclogging pores. I have used them a few times, and have found them to be extremely effective. It’s hard to know whether this is because of a placebo effect, but regardless, my nose has felt even more fresher than before.
Face Masks
Charcoal face products have been said to detoxify and improve the look and feel of your skin. Charcoal’s ability to absorb and deeply cleanse skin is why so many companies in the industry have used charcoal as a main ingredient in select products. I would definitely recommend the TYJR Peel Off Mask and Origins Clear Improvement Active Charcoal mask. Just be careful because they can become a bit messy and have the potential to stain. 40
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Fashion
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RISE | FASHION
SUNGLASSES
Year Round?
Sunglasses are my favorite accessory. I be-
adventurous mood. Serious supermodel vibes.
YOLA ASHKENAZIE ‘21
lieve sunglasses rule over all other accessories. Why? On a bad hair day you rest them on your head, they cover you on the days you’re just not feeling yourself, you can avoid awkward eye contact, and honestly they just make you look cooler. Sunglasses are the power move to elevate your whole look. Personally, I cannot resist buying a new pair of sunglasses weekly, and I can finally admit that I own too many pairs of sunglasses. Here’s my take on sunglasses to wear with an outfit and to match your mood that day. First, a casual Sunday. You’re sporting jeans and a striped t-shirt, but you can’t decide which sunglasses to pair with this outfit. I’d go for oversized circular sunglasses. They’re low key, and not too out there. At the same time not too boring that you’d yawn from your outfit. My go-to circular sunglasses are Karen Walker. On a day you wanna look extra trendy I would go for Bella Hadid-esque; small oval sunglasses. To pull off this look, you have to be daring, but if you style it right I promise it’ll be worth it. For example, don’t be afraid to wear jean on jean. Blue skinny jeans, a white t shirt, jean jacket, and a bulky belt is super cool and in style. And to take this outfit to another level wear Quay Australia’s “Purple Honey” glasses, the perfect geometrical oval-ish sunglasses. Wear the gold/ yellow lenses if you’re in an extra
I know those days when you just feel like crawling up in a ball and watching Netflix in bed all day, but you have to go out. Those days you just feel like hiding. I’d go with the Olsen twins look- oversized, black, non reflective glasses. Blend in, hide your face, and walk out confident. When I’m in a mood like this I wear a low key outfit. Think black jeans, black kimono. Then we have the I wanna be chill but not boring but not too out there days. Me most of the time. I get it. For these days I recommend Ray Ban “round” glasses. Try a color, green, maybe blue, so you’re not boring yet still on the DL. I know everyone gets in those moods where you want to take risks and be extra exotic. For these moods I recommend one of the Adam Selman x Le Specs frames. A Gigi Hadid favorite (mine too!), and seen on the likes of Sofia Richie, Leandra Medine, and Kendall Jenner. High waisted jeans would complete the look with these sunglasses. But if you’re daring enough to wear one of these go crazy with your outfit. You do you and don’t be afraid. There are sunglasses to go with every mood, every outfit. Experiment and you’ll find your go-to sunglasses. And if you’re like me you might even plan an outfit around one pair of sunglasses!
Projections Photography: Ava Hornblass Art Direction: Netanel Kamel
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WINDOWS TO THE SOUL When a photographer is designing
their shoot, they are given the power to influence what the viewer sees and what emotions the image provokes in its admirers. It’s an art that only the truly gifted can master and accomplish. The key to creating the perfect picture is enhancing certain features by using different lighting and shadowing techniques. This allows editors to pinpoint exactly what the photographer wants the viewer to focus on and is essentially a visual way of “reading in between the lines.” It helps the photographer deliver their message through color, mood, and perception. Exposure to light determines whether the photo has a sharp or soft finish around it’s angles, or whether it appears natural or artificial. The same picture can be interpreted in endless ways, depending on what is highlighted and what is
understated. Many like to focus on the eyes because they might deliver a different message from what the rest of the photo is portraying- there is a reason why they’re nicknamed the “windows to the soul.” When looking into the eyes, you begin to understand the feeling behind the photo and the subject- they can express innocence or anger, ecstacy or sorrow. Simply taking in the image as a whole can not provide the intense sensation that one can obtain by illuminating certain aspects. Even the smallest details ask you to reevaluate your thoughts and help you dig deeper into the theme of the image, the meaning behind it, and what the photographer intended for you to see. But ultimately, it’s up to you to choose how to let the image impact your thoughts and how you see the world around you.
CAMERYN GUETTA ‘19
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ALL UP IN HAIR Directed and modeled by Olivia Burkoff ‘19 & Brooke Stonehill ‘19
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RISE | BEAUTY
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PHOTO
JOURNALS Discover the places where Ramaz students explore, but never without their camera.
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Darkness Sophia Rein ‘22
Light is the most powerful tool a
photographer can incorporate into their work. Light isn’t even tangible yet a photographer has the ability capture light from a single moment in time. Light has the ability to create joy, freedom, beauty and strength within a photograph. The absence of light has an even more striking effect on a photographers work. Darkness can create thrill, mystery, fear and rebellion within a photograph. Many of my pictures involve bright geometric shapes surrounded by complete darkness. The charcoal black backgrounds paired with illuminated shapes creates depth. From the pitch black backgrounds, color emerges and immediately catches the observer’s eye. While the array of glowing colors is beautiful, let us not forget the fascination and secrecy of darkness.
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These photos were taken at South Street Seaport, Mana 61 Contemporary in New Jersey, and 3LD Art & Technology Center.
Scorched in Life’sSamantha Lesson Sinesky Stretching
vastly over a large swath of arid and unforgiving earth, is Canyon Point, Utah. It is hard to believe that this inhospitable rugged terrain is the home to plants and animals and the grandest representation of the forces of nature. Jack Rabbits hop throughout the desert shrubbery while snakes slither to rocks warmed by the sun. Fields of Indian Rice Grass in hues of yellow and green let their wild hairs cascade freely in the breeze. As dawn breaks, the shell of the sky cracks and the sun seeps its golden rays onto the earth below. Baking under scorching rays, the ground splits like chapped lips. A landscape ruled by mountains, tinged red from iron, one is a minute figure against the regal fixations that are able to survive in the most spectacular vistas. Their peaks stab the sky above and bleed into the clouds. The sky creates the perfect background for nature’s glorious masterpiece. On stopping to reflect on this great expanse, one is engulfed by a blissful silence. I felt that I was at once a spectator and also a minute part of the grandeur of this natural force. I was able to unwind in this plane of serenity. It was only afterwards, that I had the opportunity to note small sprouts in the sand and tiny insects. Short greens budding out of dark cracks. With the demands of urban life, we are hard pressed to leave our consciousness even slightly ajar to let in the serenity and to replace the polluting intensity. I wish to capture a fragment of this harmony and bring it back to my bustling city life. 62
These photos were taken in Page, Arizona.
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CREDITS All photographs in this publication have been taken by the students of the Ramaz Upper School (unless otherwise noted)
FRONT COVER IMAGE Tammy Krikheli ‘18 BACK COVER IMAGE Tammy Krikheli ‘18 INSIDE COVER PAGE IMAGE Ava Hornblass ‘18 EDITORS’ NOTE PAGE IMAGE Silhouettes by Sylvia TABEL OF CONTENTS PAGE IMAGE Ava Hornblass ‘18 BEAUTY ART Maya Shalom ‘18 FASHION COLLAGE Netanel Kamel ‘18 CREDIT ART Olivia Bourkoff ‘19
RISE MAGAZINE EST. 2014 FOUNDERS: Moselle Kleiner ‘17 Tamar Sidi ‘17 EDITORS-IN-CHIEF Netanel Kamel (2017-2018) Moselle Kleiner (2014 - 2015) Tamar Sidi (2014 - 2017)
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