Architecture Portfolio_rishabh sharma

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ARCHITECTURE PORTFOLIO RISHABH SHARMA

rishabh.sharma8@yahoo.com



Integrated tourism development plan - Bateshwar, Agra

Integrated tourism development plan, Bateshwar

Primary school - Nepal

p p rr oo ff ff eessi ioonnal l ppoo rr tt ff oo ll ii oo

Primary school in Chhoprak -Gorkha, Nepal

Queen’s Court

Queen’s Court

Jageshwar temple documentation

Spout design with traditionl brass vessels

Spout design from traditional brass vessels

Jageshwar temple documentation -Bateshwar, Agra


PRIMARY SCHOOL IN CHHOPRAK -GORKHA, NEPAL Post-earthquake rebuilding + expansion Community driven pilot project Project Profile:

Project: Rebuilding of Sree Sarbodaya Lower Secondary School Site Location: Chhoprak village, Gorkha, Nepal Design Team: Rishabh Sharma, Dipon Bose, Samya Ghatak Financing NGO: Rescue Gorkha, Kathmandu- Nepal Altitude: 730m above msl Climate: Tropical Built up area: 130 m2 old wing, 100 m2 new wing Period of Construction: June ‘2015 - July ‘2015 (7 weeks)

**with Samya Ghatak & Dipon Bose


PRIMARY SCHOOL IN CHHOPRAK -GORKHA, NEPAL Post-earthquake rebuilding + expansion Community driven pilot project Duties undertaken Team leader of construction team Design and supervision on site Managing labour and resources with the help of locals

Community Empowerment Over years, villagers had somehow deviated from the vernacular technique of construction and have developed a false faith over the strength of cement. Without proper masonary bonds or proper reinforcements or in certain cases just plastering externally with cement, they believe will make the building stand. We tried to highlight the potential of the local resources, trained the villagers and spread the knowledge through involvement of the community. Bamboo as a cheaper substitte of timber came from the village, is used for truss, columns, lintels and window jaalis. Bamboo reinforcement is used for the RCC tie-beams at sill level and plinth level. Stones from the local mountains, riverside and from the dug foundation were used for the laying of foundation and wall below sill level.


PRIMARY SCHOOL IN CHHOPRAK -GORKHA, NEPAL Post-earthquake rebuilding + expansion Community driven pilot project

Stages of Construction

DEBRIS CLEARED

FOUNDATION DUG

FOUNDATION DUG

RUBBLE MASONRY RUBBLE MASONRY

Building Construction SILL TIE-BEAM CAST

SILL TIE-BEAM CAST

LINTEL BEAM TIED

LINTEL BEAM TIED

PARTITIONS & JAALIS

TRUSS PLACED

FIXED

ROOF, PARTITIONS & JAALIS FIXED


PRIMARY SCHOOL IN CHHOPRAK -GORKHA, NEPAL Post-earthquake rebuilding + expansion Community driven pilot project R E B U I LT W I N G

D E TA I L S

Styrofoam insulation between bamboo partition panelsV

Split bamboo partition

Double bamboo columns

Bamboo column Concrete tie beam Bamboo reinforcement

Mud plaster of clay, rice husk & cow dung Cow dung plaster

Random rubble masonry

Front Elevation

DETAIL OF THE BEAM

DETAIL OF THE PARTITION PANEL

NEW WING Existing CGI sheet roofing on iron truss

CGI sheet roofing or bamboo truss

Bamboo tie beam at lintel

Split bamboo

Bamboo column Bamboo reinforced concrete tie beam Random stone masonry till sill level

Mud plaster over split bamboo Mud plaster over stone masonry

Bamboo tie beam at lintel Double bamboo columns

Split bamboo Bamboo reinforced concrete tie beam

Random stone masonary

Bamboo reinforced concrete tie beam

Section AA’ Section BB’

A

A’

Floor Plan -Rebuilt wing

B

B’

Floor Plan -New wing


INTEGRATED TOURISM DEVELOPMENT PLAN, BATESHWAR A g r a , U t t a r P r a d e s h - I n d i a ( U n d e r I N TA C H , N e w D e l h i ) S u p p o r t e d b y : D e p a r t m e n t o f To u r i s m , G o v e r n m e n t o f U t t a r P r a d e s h Project brief: Bateshwar, once the serene place with over 101 temples forming the riverfront, is now in a delapiliated condition with unguided renovation done by the locals. To make it a world class tourist destination with its unique natural, built and cultural heritage, an Integrated Tourism Development Plan has been proposed. My role: On site survey and urban sketches of present elevations for the condition assessment, concept design for proposals, report presentation

Photograph by: Rishabh Sharma

On site sketch of riverfront from the other side of the Yamuna river bank

One of the main deities at Bateshwar

A

B

B

C


INTEGRATED TOURISM DEVELOPMENT PLAN, BATESHWAR Proposal for revitalization of water body

The land in between water channel and road has been sloped down, making the use of level difference. Local species of plant which will help in the recylce of water will grow here.

Schematic cross-section of site showing different layers of activities provided

Proposed water channel Road

Platform for sellers

Steps leading to water body

Sloped patch for local species

Left: Steps leading down to water body Towards Ghats &Temple

Schematic 3D views of the proposal

Raised platforms for sellers (lvl +2500mm) Towards Main shrine & Shauripur

Cobbled area

Sub-road

Steps leading down to the water. Designed in such a manner that people get the feel and interaction with water but do not actually disturb the water body.


INTEGRATED TOURISM DEVELOPMENT PLAN, BATESHWAR Proposed Areas for Pilot projects:

Proposal for Bateshwar Community Centre & Village Square Kund setup which can be used for multiple activites round the year.

YAMUNA RIVER

Area A:Proposal for providing basic amineties to the public. Area B:Proposal for Comunity centre

Chesse wall which can also act as a feature wall, with varying heights to visually screen the public toilet from the gathering space. Shed designed for religious gatherings, for resting and other social gatherings.

Area C:Proposal for car parking Area D:Revitalization of water body

Bird eye view of the proposed setup Bateshwar temple

Exisitng public toilet

Gathering space in between shops

Provision of parking for two wheeler vehicles.


JAGESHWAR TEMPLE DOCUMENTATION, BATESHWAR A g r a , U t t a r P r a d e s h - I n d i a ( U n d e r I N TA C H , N e w D e l h i ) S u p p o r t e d b y : D e p a r t m e n t o f To u r i s m , G o v e r n m e n t o f U t t a r P r a d e s h My role: On site documentation, preparation of documented drawings & report

Plan cut at 1500mm lvl from plinth

On site drawing of detailing

Reflected ceiling plan

Section BB

Section AA


INTERIOR FOR RESIDENCE OF CIRYL SHROFF

( C E O - C riy l Ama rcha nd Ma ng a ld a s )

Queen’s Court - New Delhi, India (under House of Heirloom- creating legacy) Role: Project Architect, concept design & execution on site Approved layout of the Appartment

Overlooking Living and Dining area

Built up area: 4000 sq.ft Project Type: Turn key project Project brief: Right from customising bespoke chandeliers to crafting bespoke furniture, down to the art that brings bare walls to life, the home embodies the clients’ journey thus far and offer them a space which accommodates their journey ahead. On site hand-painted door by an artist from Rajashan

Entrance Overloking Inlay work


INTERIOR FOR RESIDENCE OF CIRYL SHROFF Queen’s Court - New Delhi, India

( C E O - C riy l Ama rcha nd Ma ng a ld a s )

5 Fire placed cased in Semi precios stone

1,2- The space within has been screened with brass jali pannels, giving a hint of partition. The dining table yop has been inlayed with mother of perl, outlined with brass strips. 1

Overlooking Dining and entrance area

2 Brass jali at entr ance

3- The outdoor space has been designed as a breathing space and a blend between the modern look with the hint of royalty by placing mashals and handi (lights). Due to scarcity of space a vertical garden and astrotruff gives the benefit of green look around. 4- The study has been designed as a old school British look. The highly carved gothic columns in the bookself, teek wood flooring, green leather suited chair lifts the space enclosed. 5- Following the theme of semi precious stones throughout the appartment, the fireplace has been designed using Lapis stone, bodering the inner core with Tiger eye stone.

3 Outdoor terrace

4 Study/ office room


INTERIOR FOR RESIDENCE OF CIRYL SHROFF Queen’s Court - New Delhi, India

6 Mas ter bedroom

9 Daugther’s bedroom

( C E O - C riy l Ama rcha nd Ma ng a ld a s )

7 Master bedroom dresser room 8 Parent’s bedroom

1 0 Daugther’s bedroom

6- The master bedroom is a fusion of old royal style with new trends. Richly carved bed with perl embroidry at the head back, love letter wallpaper with brass hanging lights, makes it more than a contemporary look. 7- Following the same taste, the Hollywood style dresser, with English news wallpaper and chandelier add to the beauty of the space 8- The parents room has been designed as a look of a classic hotel room suit, as per their taste. Black leather bed, faded red wallpaper and mood lighting with crystal hangs, adds to the feel of the space. 9,10- The daughter’s room has been evolved from her taste towards pink, crystals and silver, keeping it delicate. The carved Gothic style statement chair and console lifts the small space.


SPOUT DESIGN for DUSTUDIO OFFICE, SWAYAM Auroville - India Dustudio, Auroville

My role: Survey of traditional brass vessels, Concept design, design development.

Design Brief: - The thought was to use the traditional brass vessel in the main stream. - The first step was to identify different shape of brass vessels with dimensions availiable in the market. - Cutting them in different forms, angles, shapes so as to come up with a unique spout design. - The brass vessel might retain its basic shape or be moulded into a whole new form. On Site location of Spouts


academic portfolio

ISBT- Ranchi

College of Infrastructural Studies

thesis’13


MIXED-USE DEVELOPMENT AT SABARMATI RIVERFRONT Ahmedabad, Gujarat-India THESIS’ 2013 Desertation sum-up:

THESIS MENTOR: Prof. Ritu Agrawal CONTACT: rituag_bitmesra@yahoo.com

provision of space for cultural and festive activites within provision for refreshment space, gettogthers, etc. Visual interaction with the surrounding

visual interaction within


MIXED-USE DEVELOPMENT AT SABARMATI RIVERFRONT Ahmedabad, Gujarat-India THESIS’ 2013 Location:

Ahmedabad

Ahmedabad, with a population of more than 6.3 million, is the sixth largest city and seventh largest metropolitan area of India, located on the banks of the Sabarmati River.

O v e r lo ok in g t h e e as t b an k V ie w o f Sit e from low e r Prom e n a d e

Project Need: Out of many following are the major reasons: •Since there was no regulation, haphazard and dull development came up along the riverfront. This project aims to give a distinct identity to the skyline of Ahmedabad along the Sabarmati River. •The idea of creating it as a new Central Business District (CBD) to revive the river value. •With the private sector involvement, this project will act as a financial backbone for the riverfront development. •In past, since riverside ‘Public-Private’ development has not yet taken place in India, it will serve as an example/benchmark for future riverfronts projects in India. Commercial hub

Park

Commercial hub

Park

Pan o ram ic v ie w s from t h e sit e

Gandhi bridge

Park

Proposed mixuse development

Nehru bridge Park

The appartments designed are a direct response to the present society, the escalating urbanization, and the climatic conditions for the region. They pay homage to the vernacular architecture of the surrounding area.The city of Ahmedabad is emgerging in terms of population and diversity. The appartments embody the charracteristics of the upper echelon of society within the community. These appartments are built within a tower oriented towards the east and the west to take advantage of the prevailing breezes and views of the Sabarmati river and the surrounding area.


MIXED-USE DEVELOPMENT AT SABARMATI RIVERFRONT Ahmedabad, Gujarat-India THESIS’ 2013

For a brief duration of time I studied the built environment in the old city from three aspects -nature, Culture & architecture

Ahmedabad

AIR

First Floor

Section Old city

Ground Floor

Elevation

Heavy base & light canopy Sabarmati River

WATER EARTH SUN

Exit

Front street Plinths & paths, attachments & detachments

Roofing

City profile

Openings

Height vs Width

Roof

House Section

Back Alley Centre Back

Front

Lid Roof

Back West

Second

Side South

First

Side North

Ground

Front East

Floor

Funnels

Shaft

Paving

Tank Plinth

Less exposure - Less heat

Entrance


MIXED-USE DEVELOPMENT AT SABARMATI RIVERFRONT

Ahmedabad, Gujarat-India THESIS’ 2013 ORG A N I Z AT ION OF S PAC E S A N D N AT U R A L S O U RC E

Sectional cut out of duplex

Common lobby Primary guest sitting Living area Dining area Kitchen Bedroom Master bedroom Open Balcony Guest room Open terrace Family living area Study room

Breeze Daylight

2BHK prototype

Sectional cut out

Duplex L o w e r LV L

Up p e r LV L

Windows/ doors with louvers maintain the continous flow of air without interuption and privacy at the same time.

The appartment unit rely on cross breezes from the nearby waterfront for cooling down the interior spaces.


MIXED-USE DEVELOPMENT AT SABARMATI RIVERFRONT Ahmedabad, Gujarat-India THESIS’ 2013 Floor Plans

STRUCTURE The entire structure is divided into three cores, making it more stable. The glass facade is supported additionally with steel braces.

M AT E R I A L & C OL O U R

Level +0.0m plan

Level +16.5m plan

Level +9.9m plan

Level +62.7m plan

Level +13.2m plan

Level +66.0m plan

Glass, steel & concrete are the three basic construction materials used. True construction, brutallistic architecture, influenced the choice of material & treatment of facade.



college

of infrastructural studies :

Architecture, Civil Engineering, Environmental Science 5 th s e m e s t e r d e s i g n s t u d i o


college

of infrastructural studies :

Architecture, Civil Engineering, Environmental Science

Workshop LH

Hydraulic Lab

Concrete Lab

Forest behind

LH LH

Architecture Library

Soil Lab LH

Civil Library

LH

First Floor Plan

Environmental Lab

Lab Staff rooms

Entrance

Ground Floor Plan

Common reading room

Second Floor Plan


college

of infrastructural studies :

Architecture, Civil Engineering, Environmental Science Open space merging with the forest cover beyond it.

Graffiti on walls, slits opening at various places, creating interesting places for interaction

Various cuts provided at different places for proper light and ventilation. Punctured at different places for easy air movement

Cut out at the entrance lobby, creating a atrium kind of space

sit outs at different places Barier free entrance

Covered informal siting area. Space for open group discussions and talks



INTER STATE BUS TERMINAL (ISBT) AT R A N C H I 8 th S e m e s t e r D e s i g n S t u d i o

S i m p l e

s t r u c t u r e

w i t h

i c o n i c

i d e n t i t y

a n d

s u s t a i n a b l e

a p p r o a c h


INTER STATE BUS TERMINAL (ISBT) AT R A N C H I

CUT SECTION

Provision of rain water harvesting by providing curved roof profile sloping center

View of Departure Lounge from Restaurant

Entrance Lounge


AT R A N C H I

Planing acording to Visibility Index

INTER STATE BUS TERMINAL (ISBT) Arrival 30 Bus parking

Departure 60 Bus parking

Two wheeler parking

Dep

art

ure

Drop

off

Visibility from Entrance

P E n tu b l i c ran ce

Staff parking

F L O OR P L A N & C I RC U L AT ION

Visibility from Tic ke t Co u nt e r Pub Exi lic t

Drop

Visibility from Enquiry Counter

off

Arr

iva

l Four wheeler parking


competition portfolio

EVOLO’ 13

Redesiging Taj Mahal

Yuva Ratna’ 11

ANDC’ 12

ANDC’ 11


ANDC’11

‘ S A M A G A M ’- A N E I G H B O U R H O O D H U B i n A u r o v i l l e , Ta m i l N a d u s e l e c t e d a m o n g To p 2 0 t e a m s a l l o v e r I n d i a The thought behind was to create a ‘M i c r o c o s m w i t h i n t h e M a c r o c o s m’ o r s a y ‘A n A u r o v i l l e w i t h i n a n A u r o v i l l e’

Site plan Auroville

Distribution of levels

Derived zonning for plaza

Allignment so as to overlook the Matri Mandir

Activity/ Culture zone D e s i g n b r i e f : A platform for people to come together,creating a sense of habitat and serving the existing neighbourhood as a shared physical facility. A place which manifests traditional learning, to one and all, towards the environment by generating sensitivity amongst the general mass there.

Community Zone

The Greens

‘Samagam’, a gathering, has thus been strategically been placed overlooking the Matri Mandir, within the premises of the Town Hall. This will act as a free space for people from all background to come, learn, participate, watch, read, interact, hence promoting unity and knowledge.

Amphitheatre

N

Site Layout

Photograph taken on Auroville Foundation day


ANDC’11

‘ S A M A G A M ’- A N E I G H B O U R H O O D H U B i n A u r o v i l l e , Ta m i l N a d u s e l e c t e d a m o n g To p 2 0 t e a m s a l l o v e r I n d i a South East view, merging with the surrounding

Water body provided at amphitheatre and activity zone keeps the surrounding cool and gives a soothing effect.

Night view - Activity zone

The wind flows from SE (coast) towards NW. The alignment of plaza is in such a way that it falls in stream line, leaving no space under wind shadow.

Cultural zone is provided in open spaces, surrounded with trees preventing any artificial use of entry to make up the surrounding.

Local materials are proposed for construction, which includes soil from the site, nearby query stones, clay, fired bricks, bamboo.

No r t h We s t v i e w

Interior view

Night view - Amphitheatre


ANDC’11

‘ S A M A G A M ’- A N E I G H B O U R H O O D H U B i n A u r o v i l l e , Ta m i l N a d u s e l e c t e d a m o n g To p 2 0 t e a m s a l l o v e r I n d i a B

Toilet Green roof (+2.1)

A

G.L. (0.0)

cafe

Exhibition area (-1.0) (-1.6)

Library

Exhibition space

S e c t io n A A’

Lvl +1.0 Slope

A’ Green roof (+3.0) Green roof (+2.1) G.L. (0.0) Exhibition area (-1.0) (-1.6)

Slope

B’ Layout Plan

Section BB’

Since Auroville is a self sustained and community driven, the idea behind designing simple layout plan with organic shape was to involve the local artisians, community people, volenteers and surrounding village workers, who can create the space with themselves with minimum supervision.

North Elevation

East Elevation

South Elevation

We s t E l e v a t i o n



ANDC’12

‘ K A S H I M U L A ’-’ U P L I F T M E N T A N D C O M M U N I T Y F O R M A T I O N ’ i n V a r a n a s i , U . P. s e l e c t e d a m o n g To p 2 0 t e a m s a l l o v e r I n d i a The weaver class of Varanasi is chosen, who’s talent was worldwide known but now forgotton. The aim of the project is to come up with a solution where the community is self driven & sustained.

‘ One for All and All for One ’ -an approach to interdependent community

Nature

Built Structure

Space for dying & drying of fabric

Display & Shops

Space given to vendor at different junctions

Food Court Amphitheatre

Community House that Breathes

Independent Lifestyle Solution

Improve Quality of Living

Question the Existing Situation

K e y features guiding the pro j ect

Sloped farming across river bank

Residential entry nodes

Community market/ Haat

N S ite L a y out

(not to scale)

Primary school

Exiting prevailing situation

What can be done ? -a thought

- Over congestion, migration & insufficient open spaces. -Random arrangement of clusters = haphazard pathways,unorganized traffic movement. -Not sufficient space for trees & open space.

-Interweaving entire space into a green web. -Interweaving entire space into a green web. -Segregating different spaces. -Organized spatial volumes.


ANDC’12

‘ K A S H I M U L A ’-’ U P L I F T M E N T A N D C O M M U N I T Y F O R M A T I O N ’ i n V a r a n a s i , U . P. Zoning of Site

Idea of Zonning started from the methodology of weaving, where two threads of weft and one of warp are interweaved toghter to get one fabric Main flow of traffic

Evolution of Residential Complex

Entry nodes

Concept of honeycomb housing

Organic terrace farming providing insulation from severe heat

Breaking down the nodes for wind inflow

Efficient wind flow due to Venturi effect

One hexagon comprising of 12 units

Courtyard providing common interaction space for the residents. North lighting

Typical Layout of an Industrial Unit Layout & form of Industrial unit is simply guided by the wind flow & North lighting direction.

Outer pheriphery left for dying and drying of fabric

Entry to Workstation Space for setup of looms Display & shop area Storage

Recreational space & space for drying of fabric

Display & commercial area also acting as a congregation space

Sea wind from river Ganga


ANDC’12

‘ K A S H I M U L A ’-’ U P L I F T M E N T A N D C O M M U N I T Y F O R M A T I O N ’ i n V a r a n a s i , U . P. Response to surrounding Landscape Primary tourist attraction; the entire manufacturing and sale cum exhibition is done on the upper side of the site.

Assi Ghat

Open recreational space; Residential units are setup next to it

Key Features Provision of open market/Haat, restricting the need to rush out to city for purchasing daily needs

St. Ravidas Park River Ganga

Fertile Alluvial soil at the banks of river which is used for seasonal farming

Tree belt blocking the main road traffic noise and pollution

Multipurpose Amphitheatre for holding events by NGO bodies. Most of the weavers happen to be Muslims, who pray in open air, this area (which is in the west direction i.e the direction of mecca) can be used as a prayer area during prayer hours. Manufacturing units

Spaces left in-between for Daily house-old chores

C ross section of site

(not to scale)

Response to Existing cityscape Compact narrow lanes, which is the characteristic of settelment in Varanasi, ensure shaded interspatial enclosures reducing the temperature.

Cultural centre separating Congregational Commercial/ joint between industrial & space for buyers & industrial zones tourists / Food court display space

Congregation for weavers Outer periphery for Dying & Drying of silk


I N T E R P R E TAT I O N C E N T R E F O R R A I N F O R E S T E C O S Y S T E M B i r l a W h i t e Yu v a R a t n a A w a r d s 2 0 1 1 1st prize in East Zone

site plan

Basic form is derived from the shape of the snake body and basic planning is based on its (snake) orientation around its surrounding trees and land profile. Minimum construction to keep maximum open space, also no concrete pavement for minimum heat island effect.


I N T E R P R E TAT I O N C E N T R E F O R R A I N F O R E S T E C O S Y S T E M Observatory Decks installed on trees at different hieghts

Admin. block

Common toilet

Reception

Glass covered paths to create interest in visitor circulation

Exhibition Public hall Entrance

Mini Theatre

Funnel shaped vessels placed at top of trees to collect rain water

Cafeteria/ Interaction zone Kitchen/ utility

Scholar study area

Public library Research Library

Research centre

Bird eye view

Reading area

Bridge made by the criss crossing of roots of rubber tree (ficus elastica)

Entrance view



REDESIGNING TAJ MAHAL

F O R M A L D E S I G N CO M P I T I T I O N -ZO N A S A’ 1 1 1st prize Pillar representing Design brief: Redesigning TAJ MAHAL “monument of love” as a modern landmark incorporating the past culture and design features.

love for Human being

Pillar representing love for God

Observation Deck Pillar representing love for Prophet

Jali in form of calligraphy, allowing natural light and breeze inside

Mausoleum

The Dome

Purgation via water



SPACEPAD

eVo l o 2 0 1 3 S k y s c r a p e r C o m p e t i t i o n

The spacepad would be visible to the naked eye from earth, appearing as a streak of light, thus symbolizing the change in the era of space travel.


SPACEPAD

eVo l o 2 0 1 3 S k y s c r a p e r C o m p e t i t i o n

what next

the unknown space in early ages

curiosity let to the discovery of telescope

MAN CAN NEVER LIVE IN SPACE

the experience of Space artificially through Planetarium

initiative to take the common man into Outer Space

In future, Man will stay in outer space

Aim integrate Space with the Earth. redefine the word natural, as Outer Space too would seem natural to man.


SPACEPAD

eVo l o 2 0 1 3 S k y s c r a p e r C o m p e t i t i o n Glass Observatory for 360 degree view & experience weightlessness

Level: +330 km to +440 km Low Earth Orbit

EARTH

Level: +13 km Commercial Aircraft Altitude Level: +8.8 km Mount Everst Level: +/- 0 Sea Level

Axis

Entire Length of Unit = 600m

Circulation through High Speed Capsule Elevators Docking station Artificial Gravity is achieved by rotating the dwelling unit, placed at 224m from the center, at a speed less than 2 RPM, around a central rotating disc that includes a perpendicularly acting force of 1g

sun

Individual Hexagonal Frames are made of Graphene, one of the strongest materials tested till date, making it strong and durable.

1 UNIT

The Frames are equipped with rotatable Hexagonal Solar Pannels that would orient towards thee sunlight guided by the built-in sensors.

CLUSTERING:

a solution for increase in space traffic/junk


TRAVEL DIARIES

Everyone has oceans to fly, As long as you have the heart to do it. Is it reckless? Maybe But what do dreams know of boundaries? - AMELIA EARHART Photographs taken from Canon Powershot, 12X zoom, 12.1 MP and Canon 500D


Places explored so far

Amer fort- Jaipur, Rajasthan

Sath Kaman- Gujarat

Gwalior fort- M.P.

Jahangir Palace- Orchha, M.P.

Baidianath Temple- Deoghar, Jharkhand

Nani Daman Fort- Daman

Vivekananda rock- Kanyakumari, T.N.

Pondicherry


Jagdish Temple- Udaipur, Rajasthan

Taj Mahal- Agra, U.P. City Palace- Udaipur, Rajasthan

Rock-cut Jain Temple- Chanderi, M.P.

Chattrai-Orchha, M.P.

Victoria Memorial- Kolkatta, W.B.

Lodhi Garden- New Delhi


Amer fort- Jaipur, Rajasthan

Sun Temple- Modhera, Gujarat Chaturbhuj Temple- Orchha, M.P.

Bhuj Palace- Gujarat

Taj Mahal- Agra, U.P.

City Palace- Udaipur, Rajasthan


MIX - MEDIUM WORK

‘ hid d e n be n e at h th e r ainbow of silen ce’ T he u n h e ard vo ices of LGB T commu n ity

‘ The a n ge r b ehi nd’ Cha rcoa l a n d Si ndo o r


CHARCOAL WORK


Dot pen detailing of a village scene in Gujarat


P a n n e l d e s i g n f o r D e l h i M e t r o s t a t i o n - I N TA C H ( P r o t o t y p e d e s i g n ) My role: Concet design, photo documentation of the selected monument, immitating the inscription by hand caligraphy, design execution


RISHABH SHARMA rishabh.sharma8@yahoo.com + 9 1 - 9 5 4 6 0 7 0 1 9 4


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