Riverfront Times - November 2, 2016

NOVEMBER 2–8, 2016 I VOLUME 40 I NUMBER 44

That Touch of Ink MEET SIX TATTOO ARTISTS CHANGING ST. LOUIS, ONE BODY AT A TIME

By Katelyn Mae Petrin

RIVERFRONTTIMES.COM I FREE

©2016 Goose Island Beer Co., Goose IPA®, India Pale Ale, Chicago, IL | Enjoy responsibly.

T:9.25 in

T:12 in

2

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

A SWIRL OF SPIRITS, SPECIALTY COCKTAILS & MERRIMENT

DELMAR HALL SATURDAY, DECEMBER

3 RD

VIP FROM 6 TO 10 PM GENERAL FROM 7 TO 10 PM

Don’t miss Holiday Spirits, featuring a variety of spirits from local, regional and worldwide distilleries. Guests will enjoy winter-themed cocktails, light bites, live music and much more.

R F T H O L I D AY S P I R I T S . C O M

The EyeWear Loft The Best Value in Sight 9644 Olive St. Louis, MO 63132 (314) 993-8111 www.theeyewearloft.com 50% off Prada and Gucci frames.

See store for details Eye Examinations Available

Learn how easy it is to get started on your degree program.

Check out our Information Sessions for Adults Everything you need to know in a quick, personal and informal session.

It’s all covered, from adult admission requirements and the simple application process to financial aid and class registration. You can even meet with a Webster academic advisor.

To choose the date and location for the Information Session most convenient for you, go to: webster.edu/stl

5 Convenient Campus Locations Gateway-Downtown • Scott AFB • Westport WingHaven • Webster Groves

4

RIVERFRONT TIMES

WSTL-563 GR_RFT_IS_11_2.indd 1

NOVEMBER 2-8, 2016

riverfronttimes.com 10/25/16 1:45 PM

THE LEDE

“There’s a great view of Grand right outside this window. This is my reality TV show for $50 a week, and when I’m not busy I’ll just clean up and stare out that window and watch everything go down. I’ve seen everything from people stealing somebody’s bike to unscrupulous activities to whatever on the street.

5

PHOTO BY THEO WELLING

“I’m originally a west county boy. I’ve seen shit down here on the south side that I used to see on the TV news. Now I see it live and in person. You know when you see somebody shot on TV it’s different than when you see somebody shot right in front of you.”

—BARRY ELLIS, A COOK AT THE BUTTERY IN TOWER GROVE SOUTH, PHOTOGRAPHED ON OCTOBER 19, 2016.

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

5

6

TABLE OF CONTENTS FEATURE

10.

That Touch of Ink

Meet Six Tattoo Artists Changing St. Louis, One Body At a Time

Written by

KATELYN MAE PETRIN Cover by

NICK SCHNELLE

NEWS

CULTURE

DINING

MUSIC

5

24

29

37

The Lede

Calendar

Your friend or neighbor, captured on camera

Seven days worth of great stuff to see and do

8

25

Team TIF

Film

St. Louis gives away hundreds of millions of dollars in tax incentives and abatements.

Sarah Fenske reports on a new website attempting to calculate the true cost of doing business

Robert Hunt previews seven films opening at this week’s St. Louis International Film Festival

9

Paul Friswold fastens his seatbelt for Mothers and Sons, now mounted movingly at the Rep

Raise Your Hands ... for What?

27

Stage

Progressives are bitterly divided on Amendment 3, Danny Wicentowski reports

Kultural Revolution

Four Strings and a Dream

Christine Meyer and Michael Miller’s path to opening Kounter Kulture was a long, strange trip, but oh the payoff for St. Louis food lovers, writes Cheryl Baehr

Thomas Crone profiles cellist Jake Brookman, a classical artist who also moonlights with some heavy acts

32

40

Side Dish

Christopher Krzysik of Blood and Sand found inspiration in the original Iron Chef

33

First Look

Lauren Milford visits Mona’s, while Cheryl Baehr tries the French dip at Eat Sandwiches

34

Bars

The B-Side brings a basic menu and a killer jukebox to Cherokee Street

B-Sides

A new petition vies to get KSHE in the Rock & Roll Hall of Fame

42

Homespun

American Wrestlers Goodbye Terrible Youth

43

Out Every Night

The best concerts in St. Louis every night of the week

44

This Just In

This week’s new concert announcements

6

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

40% OFF OUTDOOR DECOR IMPORTED FROM MEXICO

Null & Crossbones IN THE HEART OF THE DELMAR LOOP Publisher Chris Keating Editor in Chief Sarah Fenske

Dreadful Collectables Collectables, Jewelry, Wedding Cake Toppers, Accessories, Clothing, Artwork, Inscense, Rugs and so much more !

9319 B Midland Overland MO 63114

we make local look good. outfit your

outfit your crew withwith business custom custom t’s, t’s, hats hats && polos. polos.

E D I T O R I A L Arts & Culture Editor Paul Friswold Music Editor Daniel Hill Digital Editor Elizabeth Semko Staff Writers Doyle Murphy, Danny Wicentowski Restaurant Critic Cheryl Baehr Film Critic Robert Hunt Contributing Writers Mike Appelstein, Allison Babka, Sara Graham, Roy Kasten, Jaime Lees, Joseph Hess, Kevin Korinek, Bob McMahon, Nicholas Phillips, Tef Poe, Christian Schaeffer, Mabel Suen, Lauren Milford, Thomas Crone, MaryAnn Johanson, Jenn DeRose

A R T Art Director Kelly Glueck Contributing Photographers Abby Gillardi, Holly Ravazzolo, Mabel Suen, Steve Truesdell, Eric Frazier Micah Usher, Theo Welling, Corey Woodruff, Tim Lane P R O D U C T I O N Production Manager Robert Westerholt Production Designer Brittani Schlager

M U LT I M E D I A A D V E R T I S I N G Sales Director Colin Bell Senior VP Sales & Marketing Mike Lipel Senior Account Executive Cathleen Criswell Multimedia Account Executive Erica Kenney Account Managers Emily Fear, Jennifer Samuel C I R C U L A T I O N Circulation Manager Kevin G. Powers E U C L I D M E D I A G RO U P Chief Executive Officer Andrew Zelman Chief Operating Officers Chris Keating, Michael Wagner Human Resources Director Lisa Beilstein Senior Marketing & Events Director Cassandra Yardeni www.euclidmediagroup.com N A T I O N A L A D V E R T I S I N G VMG Advertising 1-888-278-9866, www.voicemediagroup.com S U B S C R I P T I O N S Send address changes to Riverfront Times, 6358 Delmar Blvd., Suite 300, St. Louis, MO 63130. Domestic subscriptions may be purchased for $78/6 months (Missouri residents add $4.74 sales tax) and $156/year (Missouri residents add $9.48 sales tax) for first class.

Allow 6-10 days for standard delivery. www.riverfronttimes.com The Riverfront Times is published weekly

by Euclid Media Group Verified Audit Member Riverfront Times 6358 Delmar Boulevard, Suite 300, St. Louis, MO 63130-4719 www.riverfronttimes.com General information: 314-754-5966 Fax administrative: 314-754-5955 Fax editorial: 314-754-6416 Founded by Ray Hartmann in 1977

10% OFF CODE:

RFT

Book your adventure:

RHERooms.com

ESPIONAGE SKILLS HIGHLY VALUED BUT NOT REQUIRED. YOU HAVE 60 MINUTES. CAN YOU ESCAPE? Riverfront Times is available free of charge, limited to one copy per reader. Additional copies of the current issue may be purchased for $1.00 plus postage, payable in advance at the Riverfront Times office. Riverfront Times may be distributed only by Riverfront Times authorized distributors. No person may, without prior written permission of Riverfront Times, take more than one copy of each Riverfront Times weekly issue.

The entire contents of Riverfront Times are copyright 2015 by Riverfront Times, LLC. No portion may be reproduced in whole or in part by any means, including electronic retrieval systems, without the expressed written permission of the Publisher, Riverfront Times, 6358 Delmar Blvd., Ste. 300, St. Louis, MO 63130. Please call the Riverfront Times office for back-issue information, 314-754-5966.

6358 DELMAR BLVD. 314-899-9901 riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

7

8

NEWS

Tax Giveaway Totals Nearly $1 Million Per New Resident Written by

SARAH FENSKE

S

t. Louis has been giving away tens of millions of dollars in tax incentives. So what’s the payoff?

Andrew Arkills, a neighborhood activist in Tower Grove South and a number-cruncher by vocation, found himself wondering just that as he contemplated a May 2016 study showing that the city has given away $709.1 million in tax incentives and abatements over the last fifteen years. Such giveaways are often seen as necessary for shoring up city neighborhoods and reversing decades of population loss. But have they done as promised?

Arkills found himself pondering a simple metric to attempt to answer that question: population gain (or, this being St. Louis, loss). To that end, he created a spreadsheet that showed the total incentives given per neighborhood from 2000 to 2014 next to the population shift in that neighborhood. Divide one by the other, and you get the per-person investment.

In his analysis, Arkills included everything — not just the $709 million noted in the previous report, but also tax credits and other state incentives — for a total of $5.8 billion in giveaways and tax discounts. He also broke down population changes by race and gender.

Lined up this way, the numbers suggest that even billions of dollars in incentives have not resulted in significant population growth — and that the small bump in new residents has been dwarfed by the tax deals given to land them. The per-person cost of these incentives is staggering.

“The argument used by developers when they ask for these is that helps grow density and diversity,” Arkills

8

RIVERFRONT TIMES

Granted $2.5 million in tax abatements in the last fifteen years, Shaw has seen a significant decrease in black residents. | KELLY GLUECK notes. “But that argument doesn’t make sense when you look at the results.”

Arkills took a particularly close look at the city’s central corridor — Downtown, Midtown, the Central West End, Lafayette Square, Skinker-DeBaliviere and other neighborhoods between Delmar and Chouteau along the I-64 corridor.

Those neighborhoods have been gifted with $219 million in tax abatements and $338 million in tax increment financing from 2000 to 2014, offering price breaks that encourage developers to build everything from infill single-family homes to that new Whole Foods in the Central West End. That’s money that doesn’t go to schools or essential city services.

Yet the total population gain in the central corridor from 2000 to 2014 was just 4,499 people. All those tax rebates come out to $953,733 per new resident.

A lot of the action has been Downtown, which received $2.7 billion in tax breaks in the last fifteen years.

Yet for all that money, just 2,997 people have moved downtown. That’s a subsidy of $915,837 per person.

The tax breaks have been given even though, as Arkills points out, many central corridor neighborhoods are the same ones developers would be interested in even without incentives. Lafayette Square chalked up $2.7 million in tax

NOVEMBER 2-8, 2016

riverfronttimes.com

abatements, even though its housing stock is among the city’s priciest.

The Central West End garnered a combined $408 million in incentives, even though no one could argue the neighborhood is blighted. (Well, OK, people have argued that. But it’s downright laughable in light of the neighborhood’s soaring real estate prices.)

Arkills hopes his calculations will challenge the conventional wisdom that these massive subsidies are a necessary evil. He’s also interested in the racial impact — and kickstarting a conversation about what tax abatements and incentives mean in light of that.

And that’s because of this: Even as the central corridor gained new residents, it lost black ones.

Arkills’ spreadsheets show a 1,049 net loss of black residents in those neighborhoods from 2000 to 2014.

In essence, the city spent that $4.2 billion to gain a few white residents, but also to lose some black ones.

The numbers look even more troubling on a micro level.

In St. Louis, a tax increment financing subsidy often denotes a big development. That’s why you see the biggest TIF numbers in Arkills’ report in neighborhoods with office complexes and bigger projects.

But tax abatement projects can be smaller. They can be given to developers building a house or

two — filling formerly ravaged neighborhoods like Shaw and McRee Town (now Botanical Heights) with higher-end housing. Typically, the abatements help to attract well-heeled homebuyers who might need to be persuaded to take a chance on the city.

But the result in some neighborhoods is that black residents are increasingly being displaced for white ones.

According to Arkills’ research: * In Botanical Heights, $3.49 million has been given in tax abatements — and in the same time period, there’s been a 54 percent drop in black population. * In Shaw, $2.5 million has been given in tax abatements, with a 53.8 percent drop in black residents. * Tower Grove East has seen $1.4 million in tax abatements, with a 43.6 percent drop in black residents. * Forest Park Southeast (aka the Grove) has seen $2.6 million in abatements, with a 40.8 percent drop in black residents.

“You see all this money being invested, and you see how the racial makeup is changing,” he says. “We need to ask ourselves, why are we paying this money — to make a playground for white people?”

Arkills has been building a website to share his data with the rest of the city. You can see his spreadsheets in a sortable format online at teamtifstl. com.

NEW TOBACCO TAX, AMENDMENT 3, DIVIDES PROGRESSIVES

A

mendment 3 — the “Raise Your Hands for Kids” constitutional amendment increasing the state’s tobacco tax — represents many things to many activists and policy wonks.

If passed by voters on November 8, the ballot measure would pour millions of dollars into funding early childhood education by raising the state’s rockbottom taxes on cigarettes. Or, as opponents say, the measure is actually a smokescreen designed to benefit Big Tobacco. Then again, could it be that Amendment 3 is a Trojan horse slyly inserting financial support for religious institutions within the state constitution? Depending on whom you ask, Amendment 3 is all these things and none of them.

The disagreements are driving wedges between progressive allies, pitting the likes of the ACLU and Planned Parenthood — both oppose Amendment 3 — against a bevy of youth-oriented health organizations, as well as Missouri’s chapter of the NAACP, which supports it. These are groups that otherwise agree that extending early education can make a huge difference in kids’ lives and eventual careers. So what’s the trouble here?

At its most basic level, Amendment 3 would add a 60-cent tax on cigarettes.

An additional 67-cent “equity fee” would hit smaller tobacco companies, raising their prices to equal their name-brand competitors, which under a lawsuit settlement are obligated to reimburse Missouri for some medical costs linked to smoking.

In total, the taxes could raise more than $300 million annually, most of which would fund health and education programs for children from birth through age five. Missouri currently budgets just $37 million a year for early childhood education.

But the fact that Amendment 3’s marketing blitz is being bankrolled by tobacco giant RJ Reynolds — to the tune of more than $8 million — has caused consternation among health and education groups, including the Missouri National Education Association and the American Lung Association in Missouri. And some activists have cited other potential problems with the amendment’s proposed changes to the state constitution. The text is laden with

Raise your hands for kids... and Big Tobacco. But not stem cell research. It’s complicated! | SCHUB PHOTORAPHY/SHUTTERSTOCK provisions that have nothing to do with childhood education. The new tax revenue cannot be used “on behalf of any abortion clinic” or to fund research involving human embryonic stem cells. And speaking of research, Amendment 3’s authors also prohibit funds from going toward “tobaccorelated research of any kind.”

Washington University denounced Amendment 3 as a threat to Missouri’s constitutional protections on stem cell research. And Planned Parenthood and NARAL blasted the measure for including restrictions on abortions.

“While it is being sold as a health care initiative, this ballot measure is actively being pushed by anti-choice leaders as a way to steer government money to groups that play politics with abortion,” said NARAL Pro-Choice Missouri Executive Director Alison Dreith in a statement. Even some pro-life groups oppose Amendment 3 because simply using the word “abortion” would enshrine the concept with constitutional power. (The word “abortion” does not presently appear in the Missouri constitution.) The state’s largest pro-life group, Missouri Right to Life, is officially neutral on Amendment 3.

The ACLU-Missouri has also joined the opposition, citing a provision in Amendment 3 that would allow the new tobacco tax funds to be distributed to religious institutions.

“In one hidden line, the makers of Amendment 3 are undermining our

American ideal of protecting religion and democracy,” said Executive Director Jeffrey Mittman in a statement.

“Amendment 3 is a dangerous Trojan Horse that violates the constitutional rights of all Missourians.”

The various criticisms and strange alliances have gotten so complicated, the St. Louis Post-Dispatch’s editorial board initially endorsed the measure, only to retract its support in light of the stem-cell issue. The editorial board then flopped back to support after a retired Missouri Court of Appeals judge published a legal opinion stating, basically, that Amendment 3 wouldn’t affect any of the existing constitutional protections for stem-cell research.

But not everyone is so disturbed by the inclusion of language touching on stem cell research, religion and abortion. Notably, progressive St. Louis Alderwoman Megan Green, no friend to Big Tobacco, is among those supporting Amendment 3. In a series of blog posts published October 25, titled “Progressive Case to Vote YES on 3,” Green made the argument for supporting an amendment riddled with concessions to special interests and tobacco companies.

“Contrary to some of the information that is circulating about Amendment 3, it was actually drafted by a small group of early childhood professionals.

I know because I was involved in those conversations,” Green wrote.

Before joining St. Louis city government, Green worked for riverfronttimes.com

Child Care Aware Missouri as chief of data and communications. The organization, she says, was among the first at the table when the details of Amendment 3 were being hashed out and negotiated, a process that took about two years.

In one post, Green argues that including explicit restrictions on how the funding can and cannot be used — such as prohibiting money from going to abortions and stem cell research — were based, in part, on lessons learned from previous failures to pass statewide cigarette tax referendums.

Indeed, Amendment 3 will be the fourth attempt to raise Missouri’s lowest-in-the-nation cigarette taxes in the 21st century. Other proposals failed by narrow margins in 2002, with 49 percent in favor, and in 2006, with 48 percent. A 2012 ballot measure was even closer, with just over 50 percent of Missourians voting against the tax increase.

When you’re losing by a bare sliver of votes, Green writes, reducing opposition from pro-life groups and tobacco companies could make all the difference in the final tally. The stakes — the well-being of children — are too high for ideological purity, she argues.

“There are special interests driving both sides of this initiative to protect their interests,” Green concludes in one blog post. “If I’m going to side with a special interest, I’m going to side with the one who is also willing to support kids.” —Danny Wicentowski

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

9

That Touch of Ink

MEET SIX TATTOO ARTISTS CHANGING ST. LOUIS, ONE BODY AT A TIME

By Katelyn Mae Petrin Photos by Nick Schnelle

Sean Baltzell at work at Tower Classic Tattooing 10 RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

W

hen he talks about his work as a tattoo artist, Sean Baltzell like to repeat an old adage: “Prostitution may be the oldest profession in the world, but the prostitute definitely had a tattoo.

An abbreviated history of the artform lines the walls of Baltzell’s storefront at Tower Classic attooing. he printed designs known as ash — classic roses, eagles, reapers, tigers, sparrows, skulls, wolves, daggers and pinup dames, the oldies but goodies that you’ve seen time and again — hang in black frames on exposed brick walls. hat was the interest before interest was interest, alt ell says.

The selection isn’t random; the designs in this vintage collection span decades of the 20th century, mostly the years between the 1 40s and 0s.

“I’ve always been into history, I like tradition, like things that are being passed down, alt ell says. e s crafted his ash assortment

to re ect this. e seeks out certain artists and hunts for recreations of designs that catch his attention.

To Baltzell, what he’s doing isn’t so different from what the original tattooed Americans — most often soldiers, sailors and criminals — did when they curated tattoo collections on their own skin: traveling, taking a process inspired by more meaningful rituals in other cultures and choosing the designs they found appealing. e s ust looking for the ash that lasted. t s almost like the telephone game, he explains. ou can tell, , well, that guy painted Sailor Jerry’s design, and then this guy repainted it. ou can see the change, the evolution or the de-evolution of the design when it gets passed down.

Though our tattoo scene doesn’t tend to make it onto top ten lists, t. ouis can lay claim to significance in the art form s e olution. ne of the longest-running tattoo shops in America, Trader Bob’s Tattoo Shop, is located

riverfronttimes.com

in t. ouis, and was founded by the legendary Bert Grimm, who spent a number of his early decades at t. ouis parlors.

These days, the Missouri Division of Professional Registration records 50 tattoo parlors in t. ouis ity and ounty alone. f you consider the number of nearby shops in llinois or ust outside the county, there are even more artists to choose from. ach of these shops has its own personal are many artists follow in the footsteps of Grimm and other iconic traditional tattooers, while others branch out into modern and experimental styles.

We sought out a few of the most interesting, well-reputed artists working in t. ouis today, people who work with teams of ust a few artists and who ink a range of looks and follow different philosophies. hey are a ust a sample of the excellent creators plying the tattoo trade here, but are an exemplary sample nonetheless — one with much to say about the past, the future, the art, and the life of the tattoo artist in t. ouis. Continued on pg 12

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

11

INKED

Baltzell’s work takes its cue from tattoo history. | COURTESY OF SEAN BALTZELL

Continued from pg 11

food RI V E R F R O N T T IM ES. CO M 12

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

ow 34, Sean Baltzell opened Tower Classic fi e years ago off anchester in the city’s Grove neighborhood with the hope that other like-minded folks would wander through the door. efore becoming a full-time tattoo artist, his Facebook bio notes that he studied arty ife at . he shop began with ust him and a few friends; now he works with a six-artist team. e co-owns ll ity attoo and lton attoo o. as well, but spends most of his time at Tower Classic, where he built the dark-wooded, vintage-style booths himself.

Baltzell keeps himself busy; he talks fast and taps his fingers as he speaks. e garnished his shop with snippets of the past: ornate frames, Sweeney Todd-style barber chairs, bar stools made from tractor seats.

The funky, natural variations on a design that’s been passed down through many artists often appeal to Baltzell far more than a perfectly rendered recreation. e explains ou start out with a skull and dagger, and 30 years later, after dozens of artists and tattoos use it as a ump-

N

ing-off point, you might find a folky, weird skull with a lopsided aw that, through its ourney among so many creators, has gained a sort of charm. is shop follows a similar sort of logic, using its artists’ expertise to evoke the past rather than push trendy new forms or techni ues.

“In 30 years, I don’t care how technical the tattoo is, with all these little highlights and tricks [so] it looks like a photograph — it s going to be beaten down by time and sun, he explains. hats why the shop won t do watercolors, which feature intricate line work and mingling colors like the paintings that inspire their name, or other more impressionistic styles. ts not that he hates these tattoos. ho am I to say that my panther on my arm is cooler than somebody’s water tattoo he asks rhetorically. hey re ust not what he does.

“We really try to look into the past and pay homage to the classics, the designs that have really withstood the test of time, he says. personally have always loved walking into a shop that has good designs on the wall and ust being enamored with them, the antiquity of them or the intage nature of them, and ust

really find something that some guy in the 20s or 0s got tattooed on him and that I can still look at, and it speaks to me as well.

And so Baltzell’s traditional American tattoos have the same aesthetic as the ash on his walls thick, black linework, bold colors. is colleagues co er a range of other traditional styles, including Japanese traditional (which look like woodblock paintings on the skin . eryone applies their own spin to the classic forms. ut ust because they alue the old ways doesn t mean they re ust copy-pasting ash from their walls.

The shop specializes in custom work based in tradition — that perfect fusion, in alt ell s words, of modern and traditional. f someone comes in and asks for a tiger, he’ll page through his tiger ash, find an awesome old tiger and then look at wildlife books and recent tattoos. he result is indeed a fusion — classic styles with contemporary in uences.

To Baltzell, there’s little more important than a tattoo’s ability to weather the ages — on the skin as much as with its style.

“The black is gonna be the thing

that s remaining, he says. think that’s why we tend to drift towards things with heavy black outlines, heavy black shading, because it’s truly the structure of the tattoo. hats what s gonna last.

For Baltzell, the popularization of tattoos — and, subse uently, tattooing — has taken something from the art. efore, he says, the tattoo artist was something of a carny, wandering from place to place.

“The original tattooers, they weren t necessarily fine artists. e re talking about craftsman, weirdoes, eccentric people who were more into it for maybe the money or the spiritual reason, he says. nowledge was passed down from master to apprentice, and, for awhile, the knowledge was kept close to the artists breasts. ut now designing tattoos has become an increasingly iable career for fine arts students, and the technique is no longer passed ust from master to apprentice — it s e erywhere, including interest.

To Baltzell, something has been lost in that wa e of popularity. he sacredness or intimacy of tattooing has been compromised slightly, he explains.

Continued on pg 14

JOIN US FOR THE PREmiere!

Thursday NOV

10 | 7pm

Q&A with filmmakers follows Produced by the Missouri History Museum, this documentary is equal parts travelogue and historical narrative, and explores the sights, landscapes, and stories found along Route 66 in Missouri.

Available for purchase in the Museum’s shop beginning November 10.

Lindell and DeBaliviere in Forest Park

(314) 746-4599 | mohistory.org riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

13

INKED

Chelsea Holloway’s shop, Earth Alchemy Tattoo Collective, is on Cherokee Street.

Continued from pg 13

F

or helsea olloway, however, the “democrati ation of knowledge has gi en her — and others — the opportunity to oin a field that once was insular.

“I feel like the more open people are, the better people get, and the more chances minorities get to enter the field, she says. he more it gi es a le el playing field so that you don t ha e to fit a specific white guy profile to be a successful artist. olloway, , certainly doesn t fit that profile herself. ike most other artists, she’s collected tattoos for herself o er the years. ut as the mother of two children, she hasn’t had much time to participate in some of the rites of passage of her trade, traveling all over the globe in pursuit of more styles and skin to put to ink. ut that hasn t stopped her from applying her fine arts education to learn the form, producing excellent work, and — after a number of odd obs and se en years of tattoo gigs — opening up her own shop last year. olloway, who grew up in t. ouis ounty, says she wanted to be a tattoo artist since she was six-

14

RIVERFRONT TIMES

teen — perhaps not coincidentally, her age when she got her first ink. t was totally different, she says.

“It was a street shop by a military base, where I picked some tribal designs off the wall.

Now she does her work in a much different way. arth lchemy Tattoo Collective, her shop on Cherokee Street, stands in sharp contrast to the darker environments of many street shops. t has a totally windowed storefront, soft pastel walls, vintage-looking boxes and framed artwork — what olloway describes as a “very zen kind of atmosphere.

“It doesn’t feel like you’re walking into some place where all these super cool people are udging you, she says — an experience she says she’s had walking into some parlors herself. arth lchemy was born from olloway s frustration with the standard tattoo establishment business structure, in which artists generally give a large cut (often around 50 percent) to an owner in exchange for space. he wanted to democratize: share resources, cut overhead costs and work independently, rather than

NOVEMBER 2-8, 2016

riverfronttimes.com

artists giving a percentage to a shop owner. o she opened her collecti e, a co-op shop where artists rent their own spaces and control their own business.

Their business model isn’t the only thing that s untraditional. arth lchemy is one of ust two shops in t. ouis that s run by and filled mostly with women. he other, ucky at attoo, opened ust this year, staffed by three of t. ouis most popular lady artists.

The shop also has no flash, which means all the work is custom, and the artists don’t have a stylistically specific framework.

That gives them the freedom to explore different styles, different inks, different skins. try not to box myself into a corner, she says.

Many of the tattoos she’s gotten are traditional, and she lo es them. ut as an artist, she finds the style limiting. t s ery much a boys club sort of thing, the code. raditional is where it all started so it’s very important to them to hold onto that, she explains, adding, nd it is a great style. specially for learning about what works and what doesn t. olloway more often works in

thinner lines and softer colors, sometimes using a neo-traditional style that modernizes and adds dimension to the art. er designs are recognizable by their incredibly clean, delicate linework. ome of the most striking are delicate flowers, bright faces, geometric designs washed in pastels.

As a newer shop owner and mother, she hasn’t had the time to develop and explore as much as she d like. ut it s all part of a ourney the uest is endless. really feel like there’s no ceiling as to how far you can take your art, she says. olloway says she d like to create more tattoos she’s really inspired by. he recalls being commissioned to design an alien monster — something she didn’t think would excite her. ut she started drawing and loved the experience of imagining the creature from nothing.

“It reminds me of being a kid and what inspired me to get into art in the first place, she says.

“So far I haven’t been able to use tattooing that way, but it’s totally possible. see artists doing it all the time. he says she hopes she ll be able to build her clientele toward Continued on pg 16 that.

GO FURTHER. GO TOGETHER.

Commuting on mass transit is a great thing.

But, that last mile (or more) from your stop to your final destination can sometimes be tough.

You can easily close that gap with a little teamwork.

Citizens for Modern Transit and Zimride by Enterprise team you up with fellow commuters to close that gap between local transit stations and your home, work or school. It’s so much easier when you join together. And, you’ll be improving air quality and reducing road and parking congestion, too!

Go Further. Go Together.

Learn more and sign up for the free Zimride transit connection at

cmt-stl.org/zimride

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

15

INKED

att odel has already arge, custom pieces can t reached that point of be that wham-bam-thank-youcreati e exibility and ma am style of work, he says. t control at his shop, was a lot like trying to built custom agtime attoo. t took choppers at eineke. years to get there, but he s found it.

When he visited a friend in ow 41, odel began working Austria, he found the answer: at a street shop on the oop, ron an appointment-only shop. fter ge attoo and iercing. hen working at a south city parlor I started tattooing, there was called Ragtime with its previous fourteen shops from allon, owner, odel inherited the shop llinois to allon, issouri, he and began crafting it into his recalls. ot all were superb. own image. ow he says he has e liked ron ge, and it taught appointments booked months in him a lot. ut he didn t like the ad ance. pace in ol ed with that set-up — e likes to oke that the shop isn t the amount of nervous energy with the place for your first tattoo — walk-ins, the lack of exibility, and but it s not really a oke. he shop the randomness of his days. is for the planner, not the drop-in. ou had fi e minutes to win If the six- to twelve-week wait their trust, to convince them period feels like too much, on top you’re not selling them a bag of of that, some consultations require goods, and get them out DATE AND TIME:DATE 11/08/2016 at 6:30 PMof there AND TIME: 11/08/2016 at 6:30two PM appointments. he shop tries with a good tattoo. nd then you to limit business to the devoted SPEAKERS: Mary Fink, APN, MSCN SPEAKERS: Mary Fink, APN, MSCN ha eBarbara fi e more on the list seeker who wants ust the right Green,people MD Barbara Green, MD DATE ANDDATE TIME:AND 11/08/2016 at 6:30 PM for that day, he says.

The MS Center of Saint Louis TIME: 11/08/2016 at 6:30 PM The MS Center of Saintpiece: Louis with no advertisements and e dreamed of creating large, no phone, it operates by referral DATE AND DATE TIME: AND 11/08/2016 TIME: 11/08/2016 at 6:30 PM at 6:30 PM SPEAKERS: Mary Fink, APN, MSCN SPEAKERS: Mary Fink, APN, MSCN custom LOCATION: Patrick's Sports Bar and Grill LOCATION: Patrick's Sports Bar and Grill tattoos with clients who’d and total word of mouth.

Barbara Green, MDGreen, MD Barbara West Port Plaza SPEAKERS: SPEAKERS: Mary Mary APN, Fink, MSCN APN, MSCN been342 342Drive West Port Plaza Drive odel has also structured the The MSFink, Center of Saint Louis tattooed a few times, knew The MSMD Center of Saint Louis Saint Louis, MO 63146 Barbara Green, Barbara MD Louis, MO 63146 DATE AND TIME: DATE 11/08/2016 AND TIME: at 11/08/2016 6:30Green, PM DATE at 6:30 AND PM TIME: DATE 11/08/2016 AND TIME: atSaint 6:30 11/08/2016 at 6:30 PM to combat a walk-in, ink up what they wanted, andPM were willspace The MS Center The MS of Center Saint Louis of Saint Louis LOCATION:LOCATION: Patrick's Sports Bar and Grill Patrick's Sports Bar and Grill EVENT CODE: TR369412 (1321565) ing to wait to let him make his art mentality — the nondescript, outEVENT TR369412 SPEAKERS: SPEAKERS: Mary Mary MSCN Fink,Drive APN, SPEAKERS: MSCN Mary SPEAKERS: Fink,CODE: APN, MSCN Mary Fink,(1321565) APN, MSCN 342Fink, WestAPN, Port Plaza 342 West Port Plaza Drive LOCATION: LOCATION: Patrick's Patrick's Sports Bar Sports and Grill Bar and Grill as perfect as possible. ut that ust of-the-way shopfront doesn’t even Barbara Green, Barbara MD Green, MD Barbara Green, MD Barbara Green, MD Saint Louis,Saint MO Louis, 63146MO 63146 342Center West342 Port Plaza Port Drive Plaza Drive The MS The of West MS Saint Center Louis of Saint Louis MS Center in of Saint The MS Louis Center of Saint wasnThe t possible a street shop. haLouis e a lobby.

M

Continued from pg 14

Matt Hodel’s shop is not for spur-of-the-moment shoppers. | COURTESY OF MATT HODEL

Saint Louis, Saint MO Louis, 63146 MO 63146 EVENT CODE: TR369412 (1321565) EVENT CODE: TR369412 (1321565) LOCATION: LOCATION: Patrick's Sports Patrick's Bar andSports Grill LOCATION: Bar and Grill Patrick's LOCATION: Sports BarPatrick's and GrillSports Bar and Grill EVENT CODE: EVENT TR369412 CODE: TR369412 (1321565) (1321565) 342 West Port342 Plaza West Drive Port Plaza Drive 342 West Port Plaza342 Drive West Port Plaza Drive Saint Louis, MO Saint 63146 Louis, MO 63146 Saint Louis, MO 63146 Saint Louis, MO 63146 EVENT CODE:EVENT TR369412 CODE:(1321565) TR369412 (1321565) EVENT CODE: TR369412 EVENT CODE: (1321565) TR369412 (1321565)

DATE AND TIME: 11/08/2016 at 6:30 PM

DATE AND TIME: SPEAKERS:

SPEAKERS:

Mary Fink, APN, MSCN Barbara Green, MD 11/08/2016 at 6:30 PM The MS Center of Saint Louis

LOCATION: Patrick's Sports Bar and Grill Mary Fink, APN, MSCN 342 West Port Plaza Drive Barbara MD DATE ANDGreen, TIME: 11/08/2016 DATE at 6:30AND PM TIME: 11/08/2016 DATE AND at 6:30 TIME: PM 11/08/2016 at 6:30 PM Louis, MO DATE AND TIME:Saint 11/08/2016 at 63146 6:30 PM The MS Center of Saint Louis SPEAKERS: Mary Fink, APN, SPEAKERS: MSCN Mary Fink, SPEAKERS: APN, MSCN Mary Fink, APN, MSCN

EVENT CODE:Mary TR369412 (1321565) SPEAKERS: Fink, APN, MSCN Barbara Green, MD Barbara Green, MD Barbara Green, MD Barbara Green, MD The MS Center of Saint Louis The MS Center of Saint Louis The MS Center of Saint Louis The MS Center of Saint Patrick's Sports Bar and GrillLouis

LOCATION:

342 West Port Plaza Drive LOCATION: Patrick's Sports LOCATION: Bar and Grill Patrick'sLOCATION: SportsAND Bar and Grill Patrick's Sports at Bar andPM Grill DATE AND TIME: 11/08/2016 at 6:30 AND PM DATE at 6:30 TIME: PM 11/08/2016 6:30 LOCATION: Patrick's Sports DATE Bar and GrillTIME: 11/08/2016 342 West Port Plaza Drive 342 West Port Plaza Drive 342 West Port Plaza Drive Saint Louis,342 MO 63146 West Port Plaza Drive Saint Louis, MO 63146 Saint Louis, MO 63146 Saint Louis, MO 63146 SPEAKERS:

EVENT CODE:

Mary MSCN Saint Fink, Louis,APN, MOSPEAKERS: 63146 Barbara Green, MD EVENT CODE: The TR369412 (1321565) EVENT MS Center of SaintCODE: Louis TR369412 EVENT CODE: (1321565) TR369412 (1321565)

Mary Fink, SPEAKERS: APN, MSCN Mary Fink, APN, MSCN Barbara Green, MD Barbara Green, MD TR369412 EVENT (1321565) CODE: TR369412 (1321565) The MS Center of Saint Louis The MS Center of Saint Louis

LOCATION:

Patrick'sLOCATION: Sports Bar and Grill Patrick's Sports Bar and Grill 342 West Port Plaza Drive 342 West Port Plaza Drive Saint Louis, MO 63146 Saint Louis, MO 63146

Patrick's SportsLOCATION: Bar and Grill 342 West Port Plaza Drive Saint Louis, MO 63146

EVENT CODE: TR369412 (1321565) EVENT CODE: TR369412 EVENT (1321565) CODE: TR369412 (1321565)

16

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

t any time in his day, odel says, he could run to the store and grab a soda without worrying that a customer might do something dangerous. art of this is because odel s on-the-downlow business model seems to be attracting exactly the sort he wants; many of his clients have been getting tattoos for as long as odel s been tattooing.

“I’m not gonna make someone who’s been getting tattooed for twenty years sit in a lobby and wait like a little kid, he says. wning the shop has also gi en odel the ability to further culti ate his own style. hen you’re in a street shop, you always wonder, is someone coming in for your ag or your shop s ag t Ragtime (which also operates on a space rental basis, similarly to arth lchemy , he urges his artists to become the product. odel does that himself by sitting down with a client and trying to develop a “strong visual language based on that person’s personal experiences. e asks them to list emotions and ideas that they want wrapped into the tattoo. odel s work takes a

similar aesthetic as Tower Classic, that thick black linework and bold colors, but he exaggerates and emboldens his designs — fullback dragons and ribcage snakes, seething with the emotions that his can as demands. odel has watched the t. ouis scene grow over the past two decades; he’s at the point where he’s started inking up children and grandchildren of his early clients. e points to two particular figures who defined the local aesthetic before his time. rader Bob’s, which moved to its current location on South Jefferson in 1976, developed a particularly t. ouis spin on the traditional style, with one of its owners, itch itchell, taking the lead.

And Brad Fink, the founder of Iron Age, locally pioneered the idea of “giving somebody something different every time they came in. eryone who watched Brad unfold, it definitely set the precedent for how tattoos were supposed to be done in the idwest, odel says. odel s work extends from that ethos.

Hodel, at work with a customer, urges artists to “become the product.”

Continued on pg 18

SHUBERT DESIGN FURNITURE VAUGHAN BASSET BEDROOM SET

CRAFTCENTRAL

HOLIDAY SOCIAL Friday, Nov. 11th • 5-9pm Debuts of over 10 Local Artists, Wine, Cheese & Great Company!

OUR PRICE

$1,899.99 NIGHT STAND AVAILABLE FOR

MADE IN USA

QUEEN BED , DRESSER , LANDSCAPE MIRROR AND CHEST * KING ALSO AVAILABLE

LAURA MATTHEWS SOFA

*$269.99each

HOOKER RECLINER MSRP $2,620

25% OFF MERCHANSIE CRAFTSTL.COM INFO@CRAFTSTL.COM 8500 DELMAR BLVD. 314-736-4803

MSRP

$3,799.99

OUR PRICE $899.99*

MSRP $1,499.99 MADE IN USA

OUR PRICE $769.99* WHILE SUPPLIES LAST

WHILE SUPPLIES LAST

*Limited stock available, previous sales excluded, some restrictions apply.

161 GAYWOOD DR. | MANCHESTER, MO 63021 | (636) 394-2220 MON-SAT 10AM-6PM • SUN 12PM-5PM

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

17

INKED

Continued from pg 17

Enigma Tattoos’ co-owner Toph, left, at work on his business partner Ty.

or Toph and Ty, co- background. owners of a street shop Both began as fine artists in on the oop called school — oph, , playing with nigma attoos ody a little bit of e erything and y, Piercing, tattooing is 31, progressing from oils to grafa more pragmatic affair. oph fiti to tattooing, where he plans says, “We like to try and be able to remain for the rest of his cato accommodate everybody who reer. hose one-word names are talks through the door. stage names; in real life, they are hat doesn t always work out — Christopher McDermott and Tyler they do get the occasional request cey, but use oph and y for that looks like something out of branding purposes. a op 10 orst attoos listicle, “Tattooing is the end-all-beand as artists, they can t ustify all, proclaims y. irst time in putting their names (and reputa- the history of the world where tions) behind a hideous design, as an artist can maybe gain a little less reputable shops sometimes recognition before they re dead. do. f it s gonna look like shit and ou gotta lo e that. specially, my name’s gonna be on it, I really he says, now that the medium is don t want nothing to do with it, percei ed as an actual art form. says y, the talker of the two.

The shop walls are covered in a The two became business pastiche of cultural references — owners ust this year, when they Ty has collected paintings and work bought the shop from its founder by artists he likes, including Toph after each working there for a who still dabbles in oil painting . few years. series of punk char- The pair like their contractors to acters from The Simpsons taunt be artists in arious media, not ust passers-by on elmar. y plans ink on esh. rtist-owned shop, to add a whole Fox-themed set artist-rounded shop, says y. e of ash that includes characters want to take care of the artists as from Bob’s Burgers and Family much as the customers.

Guy. lassic rock blares in the heir bodies of work differ.

18 RIVERFRONT TIMES NOVEMBER 2-8, 2016 riverfronttimes.com

F

Toph works with portraits; Ty likes traditional work. hey mix ash and custom, and they create all manner of tattoos in all manner of styles. y wea es sacred geometry into old ash and builds balanced designs in dotwork and linework, sometimes black and shading, sometimes colors. oph likes photorealism, and some of his portraits look like they could be real. y calls oph a computer scanner, but says he himself won t touch a portrait.

“All of our people got little different styles about them, says y. nigma s other two artists like scripts, neo-traditional, and Japanese traditional. hat di ersity is an advantage, in some ways, over a specialty shop because if a returning client wants a different style tattoo, someone at nigma is likely already an expert. o need to find a new shop.

“We try and work as a team o erall, rather than ust a bunch of guys doing their own thing, says oph. n the oop, they field a mix of walk-ins and appointments, and although they do prefer ap-

pointments, all that foot traffic can be exciting. t s not like you re working at a shop that’s on an old country highway and there’s a gas station up the road and ust that mini-mall. here, oh shit, you don’t have a lot of real options on anything. alk-in customers are gonna be slower and you won’t have such a wide variety of art to choose from. n the oop, y says, ou got all kinds of different skin, all kinds of different people, all kinds of different shit.

And Toph says the location has brought by far the best customers he’s worked with: “They have good ideas, they ha e good attitudes. nd that s what gets him excited — a exible customer who will take his ad ice and let him do his ob. or y, the ob has a simple appeal: It’s somewhere he can be an artist in peace, sit there, and have people come to him because they like his work. ust kinda do my own thing and try to make my customers happy, he says. ust trying to make a living doing what lo e. up. tory of our li es, adds oph.

Continued on pg 20

NOW HIRING FOR ALL POSITIONS We’re hiring for several Food & Beverage positions such as, Cocktail Servers, Banquet Servers & Food Servers. We’re also looking for Assistant Managers for our fast-growing Food & Beverage team.

Not exactly what you’re looking for?

Don’t worry, we have many other positions available!

Visit lumiereplace.com/careers for a complete list of job openings. Make sure you search by zip code “63102”!

MORE WELCOMES. MORE CONVERSATION. MORE SMILES. 314-881-7777 | LUMIEREPLACE.COM | 999 NORTH 2ND ST. ST LOUIS, MO 63102 Void for persons ineligible to game or excluded from Lumière Place Casino for any reason. Must be age 21 or older to gamble. Gambling problem?

Call 1-888-BETSOFF. ©2016 Tropicana St. Louis, LLC. All Rights Reserved.

Voted Favorite Mexican Restaurant -2016 RFT Readers Poll

NEW BOOK AVAILABLE! LOCAL AUTHOR

Joseph E. Hahn WRITTEN 60 YEARS AGO , JUST PUBLISHED BY 81 YEAR OLD AS HIS FIRST BOOK

HITCHHIKING THROUGH EUROPE During the Summer of 1956

BARNES & NOBLE BOOK SIGNING FENTON LOCATION SUNDAY NOV . 20 2-4 PM SPENT ONLY $160 ON EUROPEAN TRAVEL OF 10 COUNTRIES , WITH TOTAL COST OF SUMMER TRAVEL $720

AVAILABLE ON AMAZON . COM

Mon - Fri: 10AM - 9PM Sat - Sun: 9AM - 9PM latejanataqueria.com WHITEHALL PLAZA : 3157 N Lindbergh Blvd, 314-291-8500 riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

19

INKED

hris Sabatino likes to look at his shop’s logo, a furrow-browed, tusked creature named Two Tusk, and wonder, “What’s he feeling? Why are people attracted to him e thinks that the answer, and the thing that draws people off the sidewalks of Cherokee Street into his shop, Art Monster, can be summed up in two words icious concern.

Sabatino, 38, never planned to become a tattoo artist. ut, he says, “If you have art inside you, you can’t help but push it in any direction you possibly can. hen it became clear that tattooing provided an alluring path, he opened Art Monster nine years ago — before herokee boomed with hipster art initiati es — and set about turning the shop into a ha en for the artistically-inclined. is goal was to try something new. e remembers looking at walls of flash and thinking, “Do I want to pick a sticker off a wall and stick it on my body for life? robably not. o he set about to make Art Monster “something a little different — a fully custom illustrative shop, where every

C

Continued from pg 18

Chris Sabatino takes a fine art approach to the human canvas. | COURTESY OF CHRIS SABATINO

single piece is one of a kind. e started out on his own and let the shop grow as he found artists he wanted to work with. ow Sabatino splits his time between Art Monster and a graphic design teaching post. he shop combines watercolor and geometrical styles with the goal of taking a fine-art approach to the human can as. utside that basic premise, all of the artists follow their own beat.

“We each have our own style of doing many different styles, he says.

And for Sabatino, it’s really the art — e en perhaps more than the ink — that matters. y his approach, they’re not all that separate. n his own work, he s creating designs that illustrate the human body, seeking the lines that accentuate arious body parts. t s not ust a drawing on the skin he designs the tattoo for the body itself.

In photos, the tattoos’ geometries move in line with bone and muscle. t s a bit of fashion, he says.

Sabatino says some clients come in offering up the tabula rasa of their skin; they don’t have an idea for a design, they ust know they want the style. nd those, he says,

Support your 2nd Amendment right! Get a new one year NRA membership (or renew for one year) for $30 ($10.00 discount).

AND get a $20 gift card for your next visit.

Election Day is Tuesday, November 8!!

SessionFixture.com

4 www.midamericaarms.com T-Th 10-7 F 10-8 Sa 9-4 8205 Gravois Rd. St. Louis MO 63123 314-631-3130

IN S

G

CLOTHING FROM NEW BORN TO 86" IN PANTS • Hooded Sweatshirts to 10X • Coats to 8X • Thermals up to size 8X • Dickies Pants to size 72 • Long Sleeve Shirts to 8X • Dickies Boots to size 14 • Boy’s & Men’s Suits up to 72 • Men’s Dress Slack Sets up to 8X • Polo Style Shirts to 8X • Men’s Dress Shirts up to 8X • T-Shirts & Sweatpants up to 10X

A T ATIONS A AI A 20

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

W

Insulated Coveralls Sizes Medium-6X Also available in black

NEW Merchandise Arriving Daily!

HO S

ON- I 9-

SAT 9 30-3 S N 11-3

1401 WASHINGTON • 314-436-0999

are rt onster s fa orite clients.

Tattoos aren’t the only custom work that rt onster does. ownstairs is a fine art studio with tools for painting, metal work, sculptures, airbrushing — an outlet for other art. uch that comes out of the basement makes its way up to the top oor. ecently, he was commissioned to create a ram’s head sculpture for a fan of the sports team. e re definitely not e lde attoo hop, he says. e attributes much of his inspiration — and the shop s success — to ebecca abatino, his wife and the ueen of the shop. he doesn’t tattoo, but Sabatino says she s an artist in her own right. he s a dreammaker, he says. hile alt ell and odel point to t. ouis history of tattoos, abatino points to its future — and change. e sees more artists focusing on accentuating the body, and thanks to rt onster, they often come to t. ouis as isitors. think t. ouis is on definitely the up-and-coming of tattoos, abatino says.

With today’s digital connections, Sabatino notes that it’s less important for an artist to be rooted in any one scene or city. hanks to social

“If you have art inside you, you can’t help but push it in any direction you possibly can.” media, they can take styles from wherever they want, and learn from each other without barriers — something that can help tattoo artists in a mid-size city both be inspired by, and inspire, the best of the best. ll day long, we are in uenced by great artists around the world, abatino says.

And what should artists do with that knowledge? low it up, abatino says. n

Of Art Monster, says Chris Sabatino, “We’re definitely not Ye Olde Tattoo Shop.”

IN THE CWE OPEN 12-8PM

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

21

A SWIRL OF SPIRITS, SPECIALTY COCKTAILS & MERRIMENT

DELMAR HALL SATURDAY, DECEMBER

3 RD

VIP FROM 6 TO 10 PM GENERAL FROM 7 TO 10 PM

Don’t miss Holiday Spirits, featuring a variety of spirits from local, regional and worldwide distilleries. Guests will enjoy winter-themed cocktails, light bites, live music and much more.

R F T H O L I D AY S P I R I T S . C O M

CALENDAR

23

WEEK OF NOVEMBER 4-9

FRIDAY 11/04 Famous Fictional: Versus

Grand Rapids Ballet brings Romeo & Juliet to the Touhill. | COURTESY OF DANCE ST. LOUIS

Famous Fictional, the group show at Mad Art Gallery (2727 South Twelfth Street; www.madart.com), is back for its tenth year. Artists create portraits of pop culture and fictional characters in all media.

There’s a different theme for each outing; this year’s guiding principle is “versus.” Den Smith’s wooden sculpture is based on the fable of the tortoise and the hare, but with apanese sci-fi monster turtle Gamera and the rabbit from Donnie Darko in place of more mundane fauna. Both characters are mounted on wooden wheels so they can be used as pull toys. Barbara Rutledge chose surprise hit Stranger Things as her inspiration; her embroidered p o r t ra i t s a r e i m m e d i a t e l y recognizable. Famous Fictional opens with a free reception from 7 to 11 p.m. tonight.

Grand Rapids Ballet: Romeo & Juliet Despite its unhappy ending, Romeo & Juliet remains a perpetual crowdpleaser. Is it the young love theme people are attracted to, or perhaps the two against the world defiance that binds the two lovers? Mario Radacovsky takes the latter approach for his specially commissioned adaptation of the rokofie ballet.

His focus is on the social barriers that insulated the wealthy Capulet and Montague families, and how Romeo and Juliet are willing to break those barriers for love. Grand Rapids Ballet dances Radacovsky’s interpretation of Romeo & Juliet at 8 p.m. Friday and 2 and 8 p.m.

Saturday (November 4 and 5) at the Touhill Performing Arts Center on the University of Missouri-St. Louis campus (1 University Drive at Natural Bridge Road; www.touhill. org). Tickets are $30 to $50.

BY PAUL FRISWOLD

Vita Eruhimovitz: Synthetic Landscapes Vita Eruhimovitz’s new show, Synthetic Landscapes, is all about the artist’s fears of a mechanized future and the rise of man-made environments over the natural world. Her mixedmedia pieces combine sculptural and electronic elements with traditional painting methods. A

vertical abstract painting that could be a noxious landscape has metal washers stuck to its surface; artificial clouds of colored Plexiglass are bolted to the painting in rising tiers.

Synthetic Landscapes opens with a free reception from 6 to 9 p.m. Friday, November 4, at the Kranzberg Arts Center (501 North Grand Boulevard; www.kranzbergartscenter.org).

The work remains up through Sunday, December 18, and the gallery is open Wednesday through Sunday. riverfronttimes.com

SATURDAY 11/05 Prime: The Transmigration Show You might recall the Immediacy Theatre Project, the company that produced 24-hour play festivals in the early aughts. Kyle Kratky was its co-founder, and he’s now

NOVEMBER 2-8, 2016

Continued on pg 24

RIVERFRONT TIMES

23

TUESDAY 11/08 Eyes of Fire

CALENDAR Continued from pg 23 formed with Andrea Standby a new company called Prime that hopes to present four 24-hour play festivals every year. Transmigration is Prime’s debut production. Inspired by the tenets of reincarnation, Transmigration provides six writers each a different reason for reincarnation. Those writers will then have until the following dawn to write a short play from that prompt. By nightfall, a team of two actors will perform the cycle of new lives to their ultimate reward. Transmigration takes place at 8 p.m. tonight at Southampton Presbyterian Church (4716 Macklind Avenue; 314-884-1647).

Tickets are $10 at the door.

f you prefer to watch your films on film, not digital pro ections, Eyes of Fire is your only chance to do so at the St. Louis International Film esti al. he 1 film is a horror story set in the wilderness of colonial America. A preacher is sentenced to death for polygamy, but escapes with his followers into the woods. Harried by the Native American tribes, they end up in a valley that the tribes consider forbidden territory. But when the fugitives discover why it’s forbidden, they’ll wish they let the Native Americans take them. Eyes of Fire is an unjustly forgotten gem of the horror genre. It screens tonight at 8 p.m. at Webster University’s Moore Auditorium (470 East Lockwood Avenue; www.cinemastlouis.org).

Tickets are $10 to $13.

Manifest Destiny America is a nation of immigrants, but not always gladly. For something so intrinsic to the fabric of our country, we can be awfully touchy about letting more people in. Vladimir Zelevinsky’s play Manifest Destiny examines more than 500 years of immigration using only four actors.

They play multiple roles ranging from the first people who arrived after Christopher Columbus to the big waves of Europeans who arrived in the nineteenth century. We learn of their motivations for leaving what was home and come to understand something of the forces that spurred them to keep going until they hit the Pacific Ocean. West End Player’s Guild presents Manifest Destiny at 8 p.m. Thursday through Saturday and 2 p.m. Sunday (November 4 to 13) at the Union Avenue Christian Church (733 North Union Boulevard; www. westendplayers.org). Tickets are $20.

SUNDAY 11/06 Cranksgiving We’re not even three weeks away from Thanksgiving at this point.

This a critical time for local food pantries, which are feeding more families than you’d think. That’s why this Sunday, November 6, is the perfect time for a foodraiser. St. Louis BicycleWorks’ Cranksgiving is your opportunity to pitch in.

Bicyclists gather at the City Museum (750 North Sixteenth Street; www. bworks.org/cranksgiving) between 8 and 9 p.m. to register and pick one of 24

RIVERFRONT TIMES

WEDNESDAY 11/09 How to Tell If You’re a Douchebag One of the pieces in Synthetic Landscapes at the Kranzberg Arts Center. | VITA ERUHIMOVITZ three courses fi e, ten or 2 miles to ride. There are grocery stores along each route for you to stop at and buy at least $20 worth of nonperishable food, which you can then drop off at designated SAG trucks near the stores or schlep back to the City Museum. Bailey’s Restaurants will sell food and beverages in the parking lot when you complete your route, and all riders get discounted admission to the museum. If you’re not a cyclist and still wish to donate, you’re a good person; canned food can be delivered in advance to Bworks in Soulard or the Alpine Shop in Kirkwood.

MONDAY 11/07 Ice Guardians Fighting has been in hockey since almost the very beginning of the sport. Some fans hate it and think it’s holding the NHL back from greater popularity; some fans love it and belie e fighting is integral to the game’s overall health. The accepted truth is that when your

NOVEMBER 2-8, 2016

riverfronttimes.com

team’s star suffers a cheap shot, everybody screams for blood — and once the fight breaks out, nobody goes to get a beer. Brett Harvey’s documentary Ice Guardians doesn’t argue for either point of view. Instead, it allows current and retired enforcers to explain how they got started on the road to fighting for a li ing. ome ha e mixed feelings about their onice role. Legendary ‘70s enforcer Dave “The Hammer” Schultz spoke publicly about regretting the violence after he retired (he’s also featured in the documentary).

It’s a common feeling for the guys who throw the punches — they got into the sport to play hockey, not fight. Ice Guardians screens at 7 p.m. tonight at the Pageant (6161 Delmar Boulevard; www. thepageant.com). Edmonton Oilers great Dave Semenko will be present to discuss his years bodyguarding Wayne Gretzky on the ice, and he’ll be joined by the Blues’ onetime heavyweight Kelly Chase and his pal, Brett Hull. Tickets are $40.

There is also a $100 VIP option that gets you in early for a buffet and special access to the balcony.

Ray is a love-’em-and-leave-’em guy who blames his inability to commit on a bad break-up. His blog “Occasionally Dating Black Women” (which is all about his trysts) has garnered him some notoriety, but it all starts to fall apart when he meets Rochelle, who is also a writer. Her intellect and sharp wit — and even sharper rejection of his advances — suggest to him that she could be the one. The trouble is, Rochelle doesn’t necessarily think Ray’s worth her time. Tahir Jetter’s debut feature film How to Tell If You’re a Douchebag has won praise for being a genuinely funny African-American rom-com. It screens at 9 p.m. tonight at the Landmark Tivoli Theatre (6350 Delmar Boulevard, University City; www.cinemastlouis.org). Tickets are $10 to $13.

Planning an event, exhibiting your art or putting on a play? Let us know and we’ll include it in the Night & Day section or publish a listing in the online calendar — for free! Send details via e-mail (calendar@ riverfronttimes.com), fax (314-754-6416) or mail (6358 Delmar Boulevard, Suite 200, St. Louis, MO 63130, attn: Calendar). Include the date, time, price, contact information and location (including ZIP code). Please submit information three weeks prior to the date of your event. No telephone submissions will be accepted. Find more events online at www.riverfronttimes.com.

FILM

25

[ F E S T I VA L ]

A Smidgen of SLIFF Catch these seven films in St. Louis International Film Festival’s opening week Written by

ROBERT HUNT

N

ow in its 25th year, the St. Louis International Film Festival kicks off November 3 with nearly two weeks chock-full of interesting movies. or a complete listing of films, see www.cinemastlouis.org. (Full disclosure: RFT Critic Robert Hunt serves as a judge in the narrative film competition.

Apprentice Directed by Boo Junfeng 2:45 p.m. Fri., Nov. 4; 8:45 p.m. Sun., Nov. 6.

Landmark Plaza Frontenac Cinema Irony and frustration suffuse this dark drama from Singapore, which tells the story of Aiman, a prison guard assigned to assist the institution’s long-serving executioner Rahim. The nononsense Rahim casually instructs his charge on the moral necessity of his ob and the finer points of proper noose positioning. Aiman is carrying a secret — his father was executed by Rahim — though he doesn’t seem to have any plan for revenge or even confrontation.

To his disgust, he’s drawn into his apprenticeship almost unwillingly, fascinated by the discipline of the job but appalled by his passive acceptance of his duties. Boo Junfeng’s quietly subtle film sets traps for both Aiman and the viewer, establishing his inner character even as each new shift in his professional fortunes pushes him deeper into personal shame. This is a carefully measured drama, simultaneously nightmarish and calm. The title, with its hints of a traditional success story, must surely be

Bayir (Mikhail Gasanov) pursues the family camel in Celestial Camel. | © PRODUCTION CENTER VSE HOROSHO, LTD. ironic; in this apprenticeship, the path to success is lined with quicksand.

Demimonde Directed by Attila Szász 7 p.m. Fri., Nov. 4; 9 p.m. Wed., Nov. 9.

Hi-Pointe Backlot Set in 1914, Demimonde begins with discovery of the body of Eliza gn s atricia o cs in the Danube, then jumps back to four days earlier to show how she got there. Eliza is the kind of woman usually described in stories like this as a courtesan (it sounds nicer than “prostitute,” if slightly less organi ed and as the film shows, there was no shortage of potential murderers in her circle: the men she entertained, her long-suffering housemaid, and a new young servant who Eliza begins to groom for a life of sin. he film is gorgeously photographed, well-acted (especially by o cs and completely predictable, its formulaic decadence playing like a highly sanitized imitation of Eyes Wide Shut.

lack of equipment. He does, however, have a background in fencing, and despite the complaints from his party-line boss that he’s indulging in a feudal, decadent game, Nelis soon has all the children in the school thrusting and parrying with home-made épées.

Though somewhat old-fashioned this is the kind of film where you can tell that two characters are falling in love because there’s a montage sequence where they ride bicycles together , the stonianFinnish co-production The Fencer is a lively entertainment, reliant on familiar sports-movie emotional build-up (not unlike the recent Queen of Katye , but with a more restrained sensibility and a strong performance from Avandi. While its American equivalent would have cheering crowds and overblown power ballads, The Fencer earns its feel-good charm by striking a balance between the drab oppression of its period setting and the mannered traditions of the sport it celebrates.

The Fencer Directed by Klaus Härö 7:15 p.m. Fri., Nov. 4; 6:30 p.m. Sun. Nov. 6 Landmark Plaza Frontenac Cinema It’s 1953 Estonia, and portraits of Josef Stalin stare down from the office walls of e ery petty-minded bureaucrat. A young man named ndel elis art andi , on the run from the Soviet authorities, takes a job as a school teacher in a rural town. He’s expected to run a sports program, despite a complete

Celestial Camel Directed by Yuriy Feting 2:15 p.m. Sat., Nov. 5; 12:15 p.m. Sat., Nov. 6.

Landmark Plaza Frontenac Cinema Set in the desolate Kalmyk steppes, Celestial Camel begins with a desert family facing a trio of crises: A new baby is on the way, the well is almost dry and their only camel has run away in search of her offspring, who was sold to an merican film crew. hen he hears that a previous camel died riverfronttimes.com

in an on-set explosion, twelveyear-old Bayir asks, “Why did they blow up a shed?,” which I’m guessing is a small dig at Western film con entions . t s up to ayir to hop on his motorbike in pursuit of the stubborn bactrian. On the way he encounters genial shamans, an irritable ascetic and an artful dodger of a fakir who helps him escape from ail and accidentally blow up a bootleg oil facility, never losing his sense of determined innocence. Fueled by gentle comedy, a hint of mysticism and generous amounts of serendipity, Celestial Camel lives up to its title. t s a completely charming film, a surprising road movie for all ages. amel lo ers will like it too.

Coming Through the Rye Directed by James Sadwith 12:30 p.m. Sun., Nov. 6 Landmark Tivoli Theatre In an uninspired coming-of-age story, amie chwart lex olff is one of those 40 or 59 million people who believe that The Catcher in the Rye is speaking solely to him, but unlike the rest of the goddamn phonies, he’s going to do something about it. Hated by classmates at his all-boys boarding school, he decides to run away, cute townie sidekick DeeDee at his side, to pursue the reclusive J.D. Salinger and get permission for the stage adaptation that only he can star in, write and direct. he film is set in 1 , but aside from some Vietnam War footage on television and a minor incident involving drugs, Coming Through the Continued on pg 26

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

25

GEORGE TAKEI

The Fencer’s title character (Märt Avandi) risks his life to teach children swordplay. | © MAKING MOVIES OY 2016

SLIFF WEEK 1 Continued from pg 25

THURSDAY NOVEMBER 10 7:30PM

YOU AND A GUEST ARE INVITED TO A SPECIAL ADVANCE SCREENING VISIT THE FOLLOWING LINK TO DOWNLOAD PASSES TO A SPECIAL ADVANCE SCREENING, WHILE SUPPLIES LAST:

gofobo.com/ qCnnB64984 NO PURCHASE NECESSARY. PASSES ARE AVAILABLE ON A FIRST-COME, FIRST-SERVED BASIS. SUPPLIES ARE LIMITED. LIMIT ONE (1) ADMITTWO (2) PASS PER PERSON. THIS FILM IS RATED PG-13. MUST BE 13 YEARS OF AGE TO RECEIVE PASSES. EMPLOYEES OF ALL PROMOTIONAL PARTNERS AND THEIR AGENCIES ARE NOT ELIGIBLE. VOID WHERE PROHIBITED. SPONSORS NOT RESPONSIBLE FOR INCOMPLETE, LOST, LATE OR MISDIRECTED ENTRIES OR FOR FAILURE TO RECEIVE ENTRIES DUE TO TRANSMISSION OR TECHNICAL FAILURES OF ANY KIND. SCREENING DATE IS 11/10/16. SEATING IS LIMITED, SO ARRIVE EARLY. PASS DOES NOT GUARANTEE A SEAT AT THE SCREENING.

IN THEATERS NOVEMBER 11 ShutInMovie.com • /ShutInMovie •

26

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

ST LOUIS RFT WEDNESDAY, NOVEMBER 2 4.55x5.9

@ShutInMovie •

LH

/ShutInMovie

riverfronttimes.com

Rye seems more like a very minor John Hughes imitation, with a generic pop music soundtrack and a stockpile of coming-of-age cliches.

Written and directed by TV veteran James Sadwith (who has suggested that it s autobiographical , the film tries hard to capture that Holden Caulfield voice, simultaneously naive and world-weary, but the best it can muster are a handful of wall-breaking addresses to the audience — another 0s teen film staple. (I’m also pretty sure I saw a picture of Madonna on a dorm wall. olff makes the best of his often-irritating role and Stefania Owen is even better as the rebellious young girl who tags along for no particular reason, but there’s not much for them to work with.

Yes, Jamie meets Salinger (Chris Cooper, who gives his all to a completely illogical role , stars in his play, falls in love and wins the admiration of his classmates, but that’s not The Catcher in the Rye; it’s a self-indulgent daydream about The Catcher in the Rye twice removed.

King Kong Directed by Merian C. Cooper & Ernest B. Schoedsack 8 p.m. Sun., Nov. 6.

Webster University’s Moore Auditorium You know that one-to-five-star rating system so frequently used in film re iews he late critic lliott Stein employed a system where the highest rating was defined as m paraphrasing right up there with the original King Kong.” It’s hard to argue with that assessment. From Max Steiner’s score to Fay Wray’s screams, from

Robert Armstrong’s scene-chewing to — best of all — Kong himself (Willis O’Brien’s unrivaled clothand-metal construction , the 1 film takes just about everything the Hollywood studio system could do right and corks it into a perfect 100-minute bottle. If you’ve only seen it on television — or if you merely need to wash away the memory of Peter Jackson’s inept travesty of a remake — don’t miss it.

The Importance of Doubting Tom Directed by Vanessa Roman 8 p.m. Tue., Nov. 8.

Landmark Tivoli Theatre There are plenty of micro-budgeted romantic comedies about twentysomething couples and their real or exaggerated troubles (is mumblecore o er yet , films that seem like little more than confessional home movies with local color. The Importance of Doubting Tom, shot mostly around University City, may fall into the same genre but rises above most on three levels. First, while much of the acting is a little arch, director Vanessa Roman gets a solid performance from her female lead, Amy Pennell (Julia Crump and Sari Sanchez are also good in secondary roles . econdly, it s a surprise to see a film on this scale that actually takes time to set up jokes and let its humor play out visually. Finally, its main conceit — lifting some of the mixed-identity comedy of Oscar Wilde’s The Importance of Being Earnest — gives it a considerably more solid narrative structure than the average mirror-gazing indie. Yes, it’s silly stuff with babyswitching and role-playing and other contrivances, but it’s silliness with a pedigree.

THE ARTS

27

[ S TA G E ]

All in the Family The Rep’s touching Mothers and Sons tackles heavy topics swiftly, and with grace Written by

PAUL FRISWOLD Mothers and Sons

Written by Terrence McNally Directed by Michael Evan Haney Presented by the Repertory Theatre of St. Louis at the Loretto-Hilton Center (130 Edgar Road; www.repstl.org) through November 13.

T

errence McNally’s drama Mothers and Sons is about two forces that both shape our character, yet remain out of our control: the passage of time and our families. Set against an unexpected Christmas reunion between Cal (Harry Bouvy) and Katharine (Darrie Lawrence), the mother of his long-deceased lover, Mothers and Son touches on grief and regret, the slow advance of LGBT rights, the long shadow of the AIDS crisis and the complex nature of parental love. Surprisingly, McNally deals with all of these things in a little more than 90 minutes.

Even more surprisingly, nothing feels rushed. Director Michael Evan Haney’s staging of the show (now at the Repertory Theatre of St. Louis) is a richly layered feast for theater buffs. The story is compellingly told and the actors make it sing.

Cal and Katharine last saw each other twenty years ago at the memorial service for Andre, who was Katharine’s estranged son and Cal’s lover. Andre died of AIDS back when no one really knew what was killing all the gay men in New York, and the spot where they held his memorial is visible from the Central Park West apartment that Cal now shares with his husband Will (Michael Keyloun). On a playground in that same park, Cal and Will’s son Bud (Simon Desilets) is currently playing on a swing set.

Cal (Harry Bouvy, standing left) and Katharine (Darrie Lawrence, seated) have unfinished business. | PETER WOCHNIAK/PROPHOTOSTL.COM All of this is conveyed through Cal and Katharine’s stilted conversation. He’s working hard to set his surprise guest at ease, but Katharine, still swaddled in a fur coat that is shorthand for “wealthy dowager,” is exceptionally reluctant to comfort of any kind.

Their conversation is made more difficult because neither will say what they’re thinking.

As Will later points out, Cal is too nice to send Katharine away or ask her point-blank what she wants from him. Katharine doesn’t have Cal’s niceness problem, but she, too, refuses to ask what she needs to ask. So instead they reminisce about Andre in between awkward silences, most of which are brought on by Katharine saying something offensive.

Every line Lawrence delivers is freighted with barely restrained hostility. “How easily you use that word — ‘husband,’” she chides Cal at one point, neatly disapproving of his happy marriage and his lifestyle with an economy of words.

At other times she’s blunter. “Andre

wasn’t gay when he came to New York,” she assures Cal, who can only respond with an eyes-wide, “OK.” But the more she talks, the less restraint she has.

Bouvy’s Cal is a man painfully aware of how much better his life has become since he last saw Katharine. He has a beautiful home (incredibly realized by scenic designer James Wolk) made possible by his lucrative job, a loving husband in Will and a seven-year-old son who is, as the kids say, “woke.” The only person who can stun Katharine into blissful silence is Bud, who asks her if her son died of AIDS, and then tells her he learned about the AIDS crisis at home and at school. Bouvy very subtly conveys a sense of survivor’s guilt through the forced pleasantries he uses with Katharine and the way he placates his husband, who wants Katharine out of their house. Cal lived through the plague that took almost his entire generation — he doesn’t want to see anyone else hurt. riverfronttimes.com

But even he can’t be nice forever. When he tells Katharine what it was like to care for Andre in his final days, all of his anger — toward AIDS, toward do-nothing Ronald Reagan, toward America and especially to cold and distant Katharine, who refused to acknowledge her son’s illness — comes out in sharply barked sentences. Lawrence stands unmoved by the torrent, still refusing to acknowledge anyone’s pain but her own.

Of course, Katharine will have her say, and it’s a credit to both McNally’s writing and Lawrence’s performance that she is sympathetic in the end. The pain Katharine cannot articulate is finally addressed, and it is so horrible and pathetic that she can only be seen as a human being: frail, lonely and broken by the world — much like Cal was twenty years ago. It’s the shared pain that binds a family together as much as the love and the communal latenight cookies and milk eaten in comfortable silence.

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

27

THREEKINGSPUB.COM St. Louis’ Cajun-Creole Restaurant

Thank You St. Louis

Breakfast Served All Day! CHEAPEST DRINK PRICES IN TOWN!

2015

WINNER

Beer, Wine, & Full Bar

Riverfront Times Restaurant Guide Favorite BBQ 2016

“World-Class BBQ”

-Cheryl Baehr, Riverfront Times Restaurant Critic

20 S Belt W Belleville, IL 62220 618.257.9000 Hours: SUN - THURS - 11am - sell out, or 9p FRI & SAT- 11am - sell out, or 10p 28

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

Art Hill

TA Double Layer of Blackened Chicken, Nachos with a Pepper Jack Cheese sauce. Topped with lettuce, tomatoes, & fried Jalapenos.

The Midwestern

Topped w/white cheddar cheese, bacon, fried Portabella mushrooms, fried onion straws & BBQ sauce.

626 N. 6th St. At the corner of 6th & Lucas 314.241.5454

CAFE

29

Kounter Kulture’s dazzling dishes include ramen noodles with green curry, mofu tofu and summer vegetables. | MABEL SUEN

[REVIEW]

Kultural Revolution Kounter Kulture is redefining takeout in Lindenwood Park Written by

CHERYL BAEHR Kounter Kulture

3825 Watson Road, 314-781-4344. Tues.Sat. 4:30-9 p.m. (Closed Sundays and Mondays.)

C

hristine Meyer and Michael Miller just wanted to sell some t-shirts. The friends, who met at the legendary restaurant Monarch, where she was a server and he was a cook, found

themselves with some time on their hands when the place shut down for a remodel. Three months was too long to go without income, so Meyer invited Miller to help her out with her landscaping gig. As they bonded over a shared work ethic and evenings spent cooking, the pair hatched a plan to continue working together outside of the restaurant business: They would make t-shirts for cooks. ne of their first shirts displayed an image of a disposable vegetable peeler sold for a buck at Bertarelli Cutlery. Gadget-obsessed home cooks scoffed at such a seemingly basic tool, but line cooks knew it was the best peeler around. So Meyer and Miller immortalized it on a shirt with the moniker “Workhorse” and headed to the Tower Grove farmers market to peddle their wares under the brand Kitchen Kulture.

No one got it — well, no one except cooks. Meyer and Miller quickly realized that they needed a way to

illustrate what they were trying to do with the shirts. They started selling food out of their stand.

But if people were confused by the shirts, they were crystal clear about the culinary side of Kitchen Kulture. Before Meyer and Miller knew it, they were selling more food than shirts — so much, in fact, that the edible side of their business completely overtook their t-shirt dreams.

The farmers market turned into popups and catering, and just like that, they were looking for a brick-andmortar space. Like it or not, they were destined to open a restaurant.

If you eat at their tiny Lindenwood Park takeout spot, Kounter Kulture, though, you’d swear food was their life’s calling. In just three short months, Meyer and Miller have transformed the former Pint Size Bakery into one of the city’s most exciting culinary destinations.

The cuisine is contemporary Asian, another accident of circumstance. Though Meyer and Miller riverfronttimes.com

both love Asian food, they didn’t envision their restaurant as such — they just wanted to source as locally as possible throughout the year and found that Asian ingredients lent themselves to pickling and preserving. Add to this the fact that the old Pint Size was zoned for carryout only, and they determined that they needed a concept that was unique, but that people would trust for takeout.

At this point — or maybe somewhere in between bites of the transcendent Japanese fried chicken — you begin to realize that the universe has conspired to create Kounter Kulture. How else can you explain the fact that two friends with no background in Asian food and few ambitions of food industry greatness have concocted a a or profile so perfect it makes you wake up in the middle of the night desperate for a taste of those crunchy fried nuggets? The breading’s Continued on pg 30

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

29

KOUNTER KULTURE Continued from pg 29 black pepper heat mingles with just a touch of sweetness and salt that ticks off every taste you want in fried bird. Meyer and Miller place the chicken atop their romaine salad, which is like a Caesar on steroids. The anchovy-forward dressing soaks into crispy croutons, while pickled onions and radishes cut through the funk. It’s the chicken Caesar salad all others aspire to be.

If that salad is the Platonic form of Caesars, the eatery’s gyoza is the standard for pork dumplings. inced shrimp and pork fill these deep-fried wonton pockets. A barely noticeable hint of fish sauce gi es a subtle backbeat of funk — more Prince than George Clinton. Warm cabbage and sesame slaw completes the groove with a tart, fermented punch.

Meyer and Miller offer three varieties of steamed buns. The slow-roasted pork features meat so succulent it would bring a tear to a pitmaster’s eye. Smoked onions and radish-jalapeno slaw are accented with punchy rice wine vinegar and fermented chili mustard.

On the vegetarian bun, panko-breaded Mofu tofu the texture of custard gets slathered with Japanese kewpie mayonnaise — the rice wine in this creamy condiment adds a sweetness that contrasts with the tangy housemade pickle garnish. f the term fusion fills you with fear, ounter ulture s atfish o Boy” bun will change your mind.

The steamed bun and togarashi rub whisper Asia but everything else about this sandwich yells Mississippi elta. he aky, lightly breaded fish gets a liberal slather of fiery pepper and cherry tomato remoulade. It makes you break into a sweat, but just when you think you can’t take the heat, a burst of barely cooked cherry tomato releases its sweet juice to offer relief. To think that

Steamed buns with pork, mofu tofu and togarashi-spiced catfish. | MABEL SUEN such marvelous Cajun cooking can come out of an Asian takeout spot boggles the mind.

The po’boy is not the only way Meyer and Miller show their Cajun bona fides. On one visit, the day’s special shrimp and grits left me wondering if we should ever eat the classic dish another way again.

Floral lemongrass was infused into the spectacularly creamy grits, and tender, lemongrass-marinated shrimp added a perfumed note. The

Authentic Hong Kong Style Cuisine

OPEN DAILY11AM-10PM DIM SUM 11AM-3PM FRESH, MADE FROM SCRATCH

Spi c y Bra i s ed

Fi s h

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

Kounter Kulture

“Catfish Po’ Boy” ................................$6 Okonomiyaki pancake with mushrooms ............................ $14 Korean BBQ chicken rice bowl ....... $16

e, l p o e P y p p a Fun Food, H Drinks!

Great ople,

PeonpFoleod, , Happy Pe ppyFu a H , od Fo n Fu , le, HFu Peo y PneoFopod yrPod in,ks! pyea aptnpDFo ap,Gr t Dprle ineok,pHs!le Fun Food, HappFu ea r G Great Drinks!Great DrinGkrs!eat Drinks!

le op Pe DRINKS! yH T pp aPP EA ,H , GR •,eo od le eP p Fo PL n O Fu y PE p Y p a , HA • od D Fo O n FUN FO Fueat Drinks!

Gr Great Drinks!

106 main st. • edwardsville, il

8116 OLIVE BLVD. • (314) 567-9997 • WONTONKINGSTL.COM • WIFI AVAILABLE 30

knockout punch, however, came from the interplay of textures and a ors in the dish’s garnishes — diced green and red bell peppers and onions (“the Trinity”), plus crunchy peanuts and candied butternut squash that tasted like marzipan. This dish had so many layers of a ors, each new bit revealed something new and kept me thinking about it long after dinner was finished.

If Kounter Kulture has a signature item, it’s the okonomiyaki pancakes,

Japan’s version of a pizza party. The thick, uffy egg and cabbage-based cake is interspersed with seasonal egetables and a choice of fillings.

I opted for mushrooms, which added umami depth underscored by a liberal sprinkling of fish akes.

Creamy Japanese mayonnaise and tart barbecue sauce are drizzled atop the cake, with more given to you on the side. Meyer recommends tasting it without the extras and then garnishing away. I realized I didn’t need anything more; it was perfect just the way it came.

For the gyudon, or beef bowl, Meyer and Miller slow-cooked Missouri grass-fed beef knuckles that could’ve come from grandma’s kitchen with raw bean sprouts, cabbage and pickled ginger straight out of a ramen shop. A poached egg oozes over the top, mingling with the beef’s sweet soy jus — pot roast meets Asian barbecue.

The Korean barbecue chicken rice bowl is another example of Meyer and Miller’s prowess with pairing different textures and temperatures. This time, fresh-from-the-fryer chicken, which tastes like it’s been soaked in citrus and cilantro, is interspersed with hunks of ripe tomatoes, avocado, cilantro, white rice and fried noodles. Every bite has crunch and softness, hot and cold, sweet and savory — it’s a masterpiece deserving of china, white tablecloths and a months-long wait for reservations.

Yet here I was, enjoying it out of a simple white takeout box on my couch. Better yet, I was in my pajamas, though I would have preferred to be dressed in one of Meyer and Miller’s old-school t-shirts. These days they d be ying off the shel es — anyone who’s tasted their food would wear them with pride, no explanation needed.

riverfronttimes.com

106 main st. • edwardsville, edwardsville, il . il• 618.307.4830 st n ai m 6 10 www.clevelandheath.com 618.307.4830 106 main st. • edwardsville, 106 main st. il • edwardsville, 106 main st. • edwardsville, il 307.48 il30 8.

61 618.307.4830 www.clevelandheath.com 618.307.4830 618.307.4830 om www.clevelandheath.com www.clevelandheath.com www.clevelandheath.com www.clevelandheath.c 106 main st. • edwardsville, il 618.307.4830 106 main st. • edwardsville, il www.clevelandheath.com

VOTED ST LOUIS’ BEST NEW BAR Over 30 Big Screen HDTVs Exceptional Food, Craft Beer & Spirits

2001 Menard in Soulard

NEW 3,000 SQ FT PATIO BAR, enclosed & climate controlled year-round Live music Fridays & Saturdays

200 N. Main, Dupo, IL

THE UFC IS NOW AT DUKE’S, TRUEMAN’S & GOOD TIMES

BEST NEIGHBORHOOD SPORTS PATIO Awesome Drink, Shot & Food Specials r i v e r f r o in n t t i m eSoulard/Benton s . c o m N O V E M B E R 2 - 8 , 2 0 1 6 R I V E R F R O Park NT TIMES 31 1818 Sidney

32

SHORT ORDERS

[SIDE DISH]

They Had Him at “Allez Cuisine” Written by

CHERYL BAEHR

T

he new executive chef at Blood and Sand (1500 St. Charles Street, 314-241-7263), Christopher Krzysik, remembers the exact moment he decided to be a chef. “I was a military brat and lived in Japan when I was little,” he recalls.

“When we came to Missouri, I was super into anime. I was twelve, and my mom suggested I watch this show called Iron Chef. It was an episode where Morimoto went up against some old-school Japanese chef. I was so enamored that I learned how to make miso soup. t was the first meal I ever cooked for anyone — and it was awful!”

The enthusiasm about cooking stuck with Krzysik, though he wasn’t exactly charting out his career goals in his early teens. He gravitated toward the food business for his first job, a place that could not be further removed from his current position at Blood and Sand. “On the day I turned sixteen, I walked down to the combination A&W-Long John Silver’s,” Krzysik recalls. “That’s where I learned the most important lesson in a kitchen: that if you have time to lean, you have time to clean.”

Krzysik credits his less-than-glamorous beginnings in the business — he also worked at McDonald’s, Steak ‘n Shake and as a dishwasher in an enormous banquet kitchen on a military base — for instilling in him a strong work ethic and knowledge of all aspects of the business. He knew he had to up his game if he wanted to make cooking a career, though, so he enrolled at L’Ecole Culinaire.

Cooking school opened opportunities for r ysik, including his first upscale restaurant gig, working for chef Anthony Devoti at Newstead Tower Public House, and later Five Bistro. Krzysik worked for Devoti for

32

RIVERFRONT TIMES

Christopher Krzysik at the downtown member’s only restaurant Blood and Sand. | KELLY GLUECK three and a half years before leaving for Blood and Sand. He’s left and come back a few times — with stints at Central Table, Blood and Sand’s sister concept Death in the Afternoon and the upcoming gastroLab. Even though he has plans to open his own place one day, he knows he’s where he is supposed to be.

“It’s just really exciting to be in this position at the place I’ve come up in,” says Krzysik. “We’re really taking it places.”

Krzysik took a break from the kitchen to share his thoughts on his pre-shift ritual and why nothing is off-limits in his kitchen.

What is one thing people don’t know about you that you wish they did?

I can achieve the impossible. You can too.

What daily ritual is non-negotiable for you?

Yoga. I attend classes at Urban Breath on the weekends and practice at home the rest of the week.

Sometimes, we even have a session before a busy service.

If you could have any superpower, what would it be?

Teleportation. If you grew up with Dragon Ball Z, you can understand

NOVEMBER 2-8, 2016

riverfronttimes.com

the possibilities this presents in a busy kitchen. I aspire to own a few restaurants one day, and this ability would be pretty handy by then.

Who is your St. Louis food crush?

If the question is directed toward a restaurant, then Southern — even now, I find myself salivating for a “Cluckin’ Hot” two-piece. If the question refers to a person, however, then it’s Adam Guess, the chef at Death in the Afternoon. I’m engaged to D.I.T.A. general manager Eva Martiny, but Adam and I will always have Hall and Oates late-night dance parties.

Who’s the one person to watch right now in the St. Louis dining scene?

William Pauley, proprietor of gastroLab in the Grove. The whole city is waiting in anticipation for his kombucha. I’ll be keeping a keg in my walk-in.

Which ingredient is most representative of your personality?

Chiles — sweet, exciting, versatile, colorful and fiery If you weren’t working in the restaurant business, what would you be doing?

I’d be a surgeon. I was inspired to become a chef because I watched

Iron Chef. If I had watched Grey’s Anatomy sooner, things may have been different.

Name an ingredient never allowed in your kitchen.

I will never tell my crew they can’t try something out. Just because I’m not a fan, doesn’t mean someone else won’t love it. Our pastry chef, Riley Stahl, wanted to serve Dunkaroos for dessert, and [the owners] didn’t want us to — but we still got to make a Dunkaroos-inspired dessert.

What is your after-work hangout?

Stella Blues. Great vibes, kimchi pizza, cold brews. The after-party happens at my apartment. We have a star projector on the ceiling and Eva can read your tarot while we listen to our wedding playlist.

What’s your food or beverage guilty pleasure?

Pickleman’s Deli delivery. Pepperoni pizza and Italian club, every time.

What would be your last meal on earth?

A meal in Isaan, Thailand, sitting in a plastic chair at a pit stop on a dusty trail. andan- a ored water, sticky rice, som tum, nam phrik and many other dishes I can’t pronounce or identify.

Kitchen Where Farm to Table isn’t a concept, it’s the menu.

15270 Manchester Rd., Ballwin • (636) 220-3212 www.facebook.com/localchefstl Mon - Thurs 11 am - 7 pm, Fri & Sat 11 am - 8 pm

fresh,

OFF THE GRILL

The French Dip is the signature dish at Eat Sandwiches. | CHERYL BAEHR [FIRST LOOK]

A Killer French Dip for Tower Grove South Written by

CHERYL BAEHR

B

yron Smith, one of the four co-owners at Eat Sandwiches (3148 Morgan Ford Road, 314797-8188), couldn’t be more thrilled with the welcome his little shop has received from its Tower Grove South neighbors.

“They keep telling me, ‘This is exactly the sort of place we’ve been waiting for,’ and I keep saying to them, ‘That’s exactly the sort of thing we want to hear!’”

Indeed, Eat Sandwiches — which opened Friday, October 21 — had such a successful opening weekend that they ran out of bread and had to shut down early on their first Sunday. “And I thought I’d ordered heavy,” Smith laughs.

Smith and his business partners Thomas Crone, Fred Hessel and Jeff McGraw had a feeling they were on to something when they tossed around the idea for Eat Sandwiches. fter all, you can find ust about anything to eat in the Morgan Ford business district that stretches from Arsenal to Fyler — organic and local takeout, pub fare, pizza and even

traditional English tea. A proper sandwich shop, however? That was a different story.

The four friends set out to fill this void with their small sandwich shop, located in the storefront that was the original location of Local Harvest Grocery. The space, which they renovated themselves, is a cozy shotgun-style room with exposed brick, white walls and a long, wooden banquette made from a salvaged church pew.

Guests order at the counter and choose from ten different options, ranging from a Cuban sandwich to tuna salad to roasted tofu. Smith is particularly proud of the “Meatloaf” sandwich, a play on the meatball sandwich but with more staying power. “I love meatball sandwiches but I hate how the meatballs always roll off,” explains Smith. “For this, we made a meatball into the shape of miniature meatloaves so it stays put.”

If the restaurant has a signature dish, however, it’s the French dip.

Shaved roasted rib eye, sliced red onion, horseradish mayonnaise, and Prairie Breeze cheddar cheese are piled atop crusty French bread.

It’s a sandwich Smith admits he always looks for but had difficult finding — at least one that satisfies his craving. He thinks they’ve solved the problem at Eat Sandwiches — and his customers seem to agree.

“It’s been our most popular item,” Smith says. “People seem to really like it.”

Eat Sandwiches is open Tuesday through Friday from 11 a.m. until 7 p.m. and Saturdays and Sundays from 11 a.m. until 4 p.m. n

made-to-order

Now That’s Delivery!

FAMILY MEAL DEAL! (CHOPPED STEAK, CHICKEN, OR SMALL STEAK TIPS)

•4 DINNERS •2 SIDES •GALLON OF TEA FOLLOW US ON FACEBOOK

FOR SPECIAL DEALS & COUPONS! WWW.FACEBOOK.COM/O F F T H E G R I L L . C O M

riverfronttimes.com

DELIVERY TAKE - OUT CATERING

$39.99

11640 DORSETT ROAD | 314-291-6555

NOVEMBER 2-8, 2016

OFFTHEGRILL.COM

RIVERFRONT TIMES

33

The roasted broccoli and potato pizza at Mona’s. | LAUREN MILFORD [FIRST LOOK]

A NEW STYLE OF ITALIAN — SANS PROVEL — COMES TO THE HILL Written by

LAUREN MILFORD

A

In the old Los Punk space, the B-Side is now serving a small menu of burgers, vegan chili and an amazing “Frito Bandido.” | KELLY GLUECK

[BARS]

The B-Side Is Now Open on Cherokee Street Written by

KELLY GLUECK

T

here is only one beer on tap as of yet at the B-Side (2709 Cherokee Street), the brand-new Cherokee Street joint promising “burgers, beats and brews.”

But that beer is Stag, a play on the vintage jukebox costs just ten cents, and the burgers are delicious. It’s 34

RIVERFRONT TIMES

hard to imagine this place won’t be a smash hit.

The B-Side is the brainchild of Joe Timm and Francis Rodriguez, who proved with their initial Cherokee Street effort, Yaqui’s Pizza, that they know what the neighborhood wants. Here they’re back with a terrific di e bar atmosphere, a stripped-down menu of solid drunk food and reasonable prices.

The house burger, which comes with “Comeback sauce, Murican cheese and grilled onions” is just $4. The same price will also score you an order of chili — and since this is Cherokee Street, it’s vegan.

Of course.

Timm promised when we talked to him in September that service would be fast. “There are guys on our crew who got their starts in food trucks, so they understand the necessity of making it fast and simple. The thought is that someone can come in and say ‘Let me get a

NOVEMBER 2-8, 2016

riverfronttimes.com

cheeseburger and a Busch’ and they can have it all in front of them in three minutes.”

But why rush? There’s a lovely patio with seats surrounding a small fire pit. here s that ukebox, which features tunes from the owners’ personal collection — everything from T.Rex to LL Cool J. And the staff couldn’t be more friendly or accommodating.

And if you’re hungry, you won’t want to stop at the burger. The “Frito Bandito” is the perfect way to soak up all that Stag you’re drinking — a layer of Fritos, a burger, cheddar, vegan chili, onions that have been soaked in a Stag marinade, jalapeños and comeback sauce, which turns out to be a chipotle-based mayo sauce with more than thirteen different ingredients. Tasty.

Cherokee nights were made for food like this. And this bar was made for Cherokee. n

new Italian — or rather, American-Italian — joint opened October 19 on the Hill, in the location that housed Modesto for fifteen years. Its replacement, Mona’s (5257 Shaw Avenue, 314-772-8272), serves up salads, pizzas and pastas, with a kids’ menu and gluten-free options for pizza and pasta.

The contrast between Modesto and Mona’s is marked — where you could previously sample tapas in a dark, romantic atmosphere, you can now enjoy a spin on Italian food in a bright, friendly space.

The brick has been whitewashed, and blue-and-white checkered tablecloths adorn the tables, while yellow wooden chairs add some whimsy.

The contrast between Mona’s and many of the other Italian restaurants on the Hill is noticeable, too; the antipasto salad is made with kale instead of iceberg or romaine, and Provel appears nowhere on the menu. They’re putting a fresh, modern spin on the classic Italian pizzas and pasta.

Pizzas range from $12-$14 per pie, and pastas are in the $14 range as well. n

Welcome to the Home of

St. Louis Burlesque Plans for the PLANS FOR THE

weekend?

WEEKEND? weekend? weekend?

Plans for the Plans for the Plans for the Plans for the weekend? the Join us this Friday and Saturday night for Plans our one of a kind for dinner shows!

weekend? weekend?

Welcome to the Home of

street taco + made from scratch tortilla = deliciosa!

Welcome to the Home of St. Louis Burlesque Welcome to the Home of Welcome the Home of Welcome totothe Home of Welcome to the Home of St. Louis Burlesque St. Louis Burlesque St. Louis Burlesque

Join us this Friday and St.Louis Louis Burlesque St. Burlesque

Join us Friday this Friday andus this Saturday night for and Join Friday Join us this and Saturday night for Join us this Friday one of anight kind for Saturday Saturday nightand forour our one of a kind Joinourus this Friday and Saturday night for dinner shows! our one of a kind one of a kind dinner shows! our one of a kind dinner shows! dinner shows!

Saturday night for dinner shows!

our one of a kind dinner shows!

500 N 14th St. St. Louis, MO, 63103 500 N 14th St.

St. Louis, MO, 63103 314-436-7000 500 N 14th St.

314-436-7000

Louis, MO,St. 63103 500 N 14th 500 N 14th St. St. 500 St. N 14th St.MO, 63103 St. Louis, MO, 63103 Louis, Visit ourwebsite website to reserve your seat today!

314-436-7000 VisitMO, our to reserve your St. Louis, 63103

seat today! theboomboomroomstl.com 314-436-7000 314-436-7000 theboomboomroomstl.com 314-436-7000 Visit our website to reserve your seat today! our website to reserve Visit our websiteVisit to reserve your seat today! your seat today! theboomboomroomstl.com Visit our website to reserve your seat today! theboomboomroomstl.com theboomboomroomstl.com

www.MayanaMex.com Mon-Sat 11am-8pm

7810 Forsyth Blvd., Clayton

Online ordering • We CAter

theboomboomroomstl.com

FAMOU

500 N 14th St. St. Louis, MO, 63103

S FRIED CHICKEN

FAMOU

Join us for Lunch!

S FRIED CHICKEN

314-436-7000

Visit our website to reserve your seat today!

theboomboomroomstl.com

SATURDAY

TRY AT PAT’S! HAIRBRUNCH OF THE DOG BRUNCH

$3

Mon-Fri 11-3 pm

Unique & Delicious!

8” 1 topping pizza w/ salad Any Sandwich w/ side or salad Garden or Ceasar Salad w/ garlic cheese bread

$8

Fatboy Slim w/ side or salad $11 14” 1 topping pizza w/ 2 salads

$14

all specials include drink 1511 Washington Ave. | theslicedpint.com | 314.696.8787

BLOODY Fried MARYS Chicken MIMOSAS Slinger SCREWDRIVERS Deep Fried WELL DRINKS French Toast 9AM-2PM

A BRUNCH OF TUNES SATURDAY live irish music

every @ 11am hair of sunday the dog specials LIVE JAZZ! $3 Bloodies, Mimosas, Well & More!

EVERY THURSDAY AT 8Drinks, PM 1/2 PRICE WINE BOTTLES

SUNDAY

(314) 647-7287 | PATCONNOLLYTAVERN.COM 6400 OAKLAND AVE. | ST. LOUIS, MO 63139

live irish music 11 am - 1pm

6400 Oakland Ave, St. Louis, MO 63139 | (314) 647-7287

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

35

®

FRI. 1/6

ON SALE 11.4 AT 10AM

ON 10/21 SALE 11.4 AT 10AM SAT. 1/7 FRIDAY

ON 10/21 SALE 11.4 AT 10AM FRI. 1/20 FRIDAY

WEDNESDAY 11/2

FRIDAY 11/4

MONDAY 11/7

TUESDAY 11/8

FRIDAY 11/11

SUNDAY 11/13

WEDNESDAY 11/16

THURSDAY 11/17

FRI. 11/18 & SAT. 11/19

UPCOMING SHOWS 11.23 JJ GREY & MOFRO

12.10 PAT LISTON BAND

11.25 DR. ZHIVEGAS

12.11 STEEL PANTHER

11.26 STEVIE RAY VAUGHAN TRIBUTE

12.16, 17, 23, 23, 29, 30 EL MONSTERO

11.29 JIM JAMES

1.13 GREENSKY BLUEGRASS

11.29 BAND OF HORSES

1.16 LUKAS GRAHAM

12.1 ILIZA

1.19 BROTHERS OSBORNE

12.2 STIR

1.27 DRIVE-BY TRUCKERS

12.6 GROUPLOVE

2.7 TESLA

12.7 STEVE VAI

2.15 ADAM DEVINE

12.9 JON BELLION

3.5 CIRCA SURVIVE

visit us online for complete show information facebook.com/ThePageantSTL

@ThePageantSTL

thepageantstl.tumblr.com

thepageant.com // 6161 delmar blvd. / St. Louis, MO 63112 // 314.726.6161

36

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

riverfronttimes.com

MUSIC

37

[PERFORMERS]

Four Strings and a Dream First-call St. Louis cellist Jake Brookman stays busy with frequent gigs — including this month’s Fragile Porcelain Mice reunion Written by

THOMAS CRONE

O

n the night before Thanksgiving, Fragile Porcelain Mice will play at its frequent reunion venue, Pop’s. It’ll be dark and loud and rowdy, and in the middle of the madness will be one of the nicest folks to call St. Louis home, cellist Jake Brookman. He’ll join the band for a trio of songs, a bemused half-smile on his face, even as his instrument adds a sinister edge to each cut.

Less than a month before, on October 29, Brookman played a set of cover material with his folk act of the last decade or so, Salt of the Earth, creating a new digital album in front of a live audience. And there’s a very good chance that at some point between, he’ll be playing weddings or other genteel settings with pianist Dave Becherer, showing off his confidence and comfort with the classical repertoire.

“I’ve never felt competitive,” Brookman says. “There are other musicians, of course, who are scrambling and looking for things.

I’m more laissez-faire. I let opportunities come to me — and a lot of things have come to me. I’ve been very fortunate. I have a knack for saying ‘yes,’ and I’ll play anything once. I’ll give anything a shot to see what happens. Sometimes you can find real magic that way.

Whether live or in a studio setting, Brookman is frequently a first-call cellist for a wide ariety of acts in town. His music has developed into a career that balances nicely with his day job as assistant ticket manager at the Touhill Performing Arts Center.

“Music does something for me that other things can’t. The way it makes me feel is indescribable.” | KELLY GLUECK e figures that he plays roughly twenty days out of the month, be those rehearsal, recording or live dates.

“I’m a Type A, at heart,” he laughs, “but I’m also kinda lazy.”

It doesn’t seem like that, though, as bands continue to bring him in for gigs — including the TransSiberian Orchestra, El Monstero, Celebration Day — and he gets hired by old buddies like fellow Suede Chain alum Brian Krumm, with whom he’ll play at Stagger Inn

on Thanksgiving itself. “Serving the music” in all of those settings, he says, is the goal.

Brookman’s start came at a young age and an unlikely location: the Olive Garden. Each of the four high-school musicians enlisted to play got $50 and a meal — until the gig was cancelled when the manager of another location objected to the concept.

“We got fired,” Brookman figures, “because we were too cool.”

What’s even cooler is the catalyst riverfronttimes.com

that shifted him from a talented teen player into someone with legitimate ambitions. After seeing Yo-Yo Ma at Powell Hall, Brookman wound up backstage with the legendary musician, who he credits as a deep influence. Brookman asked if he could play the master’s cello. He agreed and said he enjoyed Brookman’s playing, encouraging the young man to perfect his craft. Soon, Brookman would try out for (and be accepted by) three top music Continued on pg 38

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

37

JAKE BROOKMAN Continued from pg 37

“St. Louis pioneers of craft beer and live music” THURSDAY, NOVEMBER 3 RD Mr H & The Modern Historians, The By Gods, Four Arm Shiver, The Langoleers - Indie-Rock 7pm -$10

FRIDAY, NOVEMBER 4 TH

Jake’s Leg & Doc Otis - Dead Jam Rock - 8pm - $7

SATURDAY, NOVEMBER 5 TH IN THE BAR AREA Geeks Who Drink Pub Trivia - 8:30pm - FREE

SATURDAY, NOVEMBER 5 TH

Nate Millyunz and Cato - Hip Hop - 8pm $10 adv/$12 Door

SUNDAY, NOVEMBER 6 TH

Open Mic with Mark Z - 8:30pm - FREE

WEDNESDAY, NOVEMBER 9 TH

Geeks Who Drink Pub Trivia - Trivia 8:30pm - FREE

UPCOMING SHOWS

11/10 Reverse Order 11/19 We Are United Showcase 11/26 Cost of Desire and The Pour

6691 Delmar

In the University City Loop

314.862.0009 • www.ciceros-stl.com 38

RIVERFRONT TIMES

programs.

Unlike a lot of young players who leave college and join unsuccessful basement projects, Brookman joined a band with Collinsville roots who’d come together as collegians in Champaign, Illinois.

Adding a string section, originally for a single event and then for good, the Suede Chain became a top indie-rock draw in both St. Louis and Chicago, and they began pushing outward from there.

“We did go full force in trying to make it,” Brookman remembers. “We went out on tours for six weeks, bought a van and trailer.

The full monty. Suede Chain was my first rock band, and m completely not embarrassed by it.”

Mary Weingartner joined the group with Brookman.

“I knew Jake casually from St. Louis Symphony Youth Orchestra,” she recalls. “We were both members in high school. I was an average violinist and he was one of the star cellists. At that time, he didn’t quite strike me as the badass I met later when I began playing with uede hain. rom the ery first rehearsal for ‘Rust,’ the performance art piece that brought strings to the band, Jake had an insatiable appetite for music. He would play any time, pretty much under any circumstances. He always wanted to be playing, and he wasn’t shy about asking — or joining in even if he hadn’t been asked. Even if he wasn’t playing, he always wanted to be surrounded by music.”

“Music does something for me that other things can’t,” Brookman agrees. “The way it makes me feel is indescribable. Growing up I played chamber music, orchestra and opera music. The standard things a classical cellist would play. Then, when I came back from school, the Suede Chain asked me to play with them. Growing up, I was listening to everything from the Kingston Trio to Tom Lehrer and Gilbert & Sullivan. Just all over the board.

I went through different phases: pop, heavy metal, rap. Ministry.

Public Enemy.”

Weingartner says, “Suede Chain seemed like it was probably a welcome addition to Jake’s musical and behavioral repertoire — a departure from the stuffier world of classical music.”

While playing with the Suede Chain, Brookman worked at Streetside’s linchpin Delmar

NOVEMBER 2-8, 2016

riverfronttimes.com

“I’ve always thought that music is something good for everyone to at least try.” | KELLY GLUECK location, gigging with everyone he could. When Suede Chain’s time finished, he landed gigs with Vitamen A and Fragile Porcelain Mice. His day jobs began to get more serious, too, and the frequency of out-of-town touring waned somewhat. Still, he had plenty of gigs in town and more than enough opportunities to showcase.

“Jake was, and still is, a 24/7 performer,” Weingartner says.

“He’ll put on a show from sound check — used to always be Kashmir and/or Pachelbel’s Canon; when Game of Thrones became everyone’s obsession, I feel confident ake began sound checking to its theme song — to the last note of an encore. In any performance, live or in studio, he ll hold a final note the longest, always demonstrating that he has more musical stamina than anyone else on stage.

“I remember one of the first times Radiohead played St. Louis,” she adds. “They were playing a

smallish venue and Jake had decided he really wanted to sit in.

He showed up with his cello, got himself tuned up, and stood at the base of the stage, cello in hand, trying to convince them to let him join them for a song or two. He was pretty insistent but ultimately unsuccessful. Still, I was in awe of the fact that he had the balls to ask and make such an effort.”

There is effort in Brookman’s world, sure. And inspiration. And happenstance. And...

“Everybody has their own path and course in life,” he says.

“Some people do accounting; that’s what they enjoy. I’ve always thought that music is something good for everyone to at least try.

It’s physical, it’s cerebral, it’s a foreign language, it’s math, it’s physics. Everything’s involved in playing an instrument, a hodgepodge of different disciplines. It’s part scientific, part art. straddle that fence a lot in my life, thinking about how and why they work.”

ST. LOUIS’ NEWEST SPORTS BAR & RESTAURANT ENOUGH TVS TO SEE THE GAME FROM ANY SEAT

HAPPY HOUR MON-FRI 3-7PM

HOME + AWAY SPECIALS FOR ALL BLUES GAMES

LIVE MUSIC

FRIDAY, AND SATURDAY 10PM-1:30AM

ARSENIO HALL | NOV 4-5 “the arsenio hall show”

WORLD FAMOUS COMEDIANS

PREMIUM EVENT SPACE

WITH DRINK SPECIALS STARTING 1 HOUR BEFORE BAND DJ & KARAOKE ON FRIDAY NIGHT

$2 TUESDAY KARAOKE NIGHT EVERY TUESDAY FROM 9PM-CLOSE

$2 WELLS • 15% INDUSTRY DISCOUNT ON FOOD & DRINKS LIVE VIDEO DJ/KARAOKE FROM 9PM TO CLOSE FLEX YOUR STAR POWER ON THE AMAZING RAISED STAGE

DRINK SPECIALS

OPEN MIC

JESSIMAE PELUSO

D.L. HUGHLEY

THE NEXT BIG THING STARTS HERE! TUESDAYS 8PM

MTV’S “GIRL CODE” NOV 10-12

“THE ORIGINAL KINGS OF COMEDY” NOV 25-27

NOW BOOKING HOLIDAY PARTIES AT HELIUM C O N TA C T R E M Y B @ H E L I U M C O M E DY. C O M T O G E T S TA R T E D

START 1 HOUR PRIOR TO THE BAND EVERY TUESDAY 9PM-CLOSE $2 TUESDAY KARAOKE/INDUSTRY NIGHT

$20 FOR 6 BEER “BEER BUCKET” BUD FAMILY ONLY $3 WELLS • $15 MARGARITA PITCHERS $12 BUD LIGHT, STELLA, AND BLUE MOON PITCHERS $15 4-HANDS, GOOSE ISLAND, AND SAM ADAMS PITCHERS 25% OFF ALL APPETIZERS. **MENTION THIS AD FOR ONE FREE APPETIZER WITH ANY MEAL OR HALF OFF ONE COVER CHARGE

719 N. 2ND STREET ON THE LANDING 314-833-5495 WWW.GATEWAYSPORTSEMPORIUM.COM

ADAM FERRARA

KEVIN POLLAK

WELLRED COMEDY TOUR

“TOP GEAR” + “NURSE JACKIE” DEC 1-3

“KEVIN POLLAK’S CHAT SHOW” DEC 8-10

TRAE CROWDER, DREW MORGAN, COREY RYAN FORRESTER DEC 14

1151 ST LOUIS GALLERIA ST g ST LOUIS MO 3 1 4 7 2 7 1 2 6 0 g H E L I U M C O M E DY. C O M riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

39

40

B-SIDES

Two KSHE fans of varying notoriety. | JON GITCHOFF

[RADIO]

Cleveland or Bust Thousands sign a petition to get KSHE in the Rock & Roll Hall of Fame Written by

DANIEL HILL

K

SHE (94.7 FM) first hit the airwaves in 1967 to the sounds of Jefferson Airplane’s “White Rabbit” — a song that references experimentation with drugs through the lens of Alice in Wonderland. t ser ed as a fitting start for the station’s format change — from a classical station at its inception

40

RIVERFRONT TIMES

to St. Louis’ premiere purveyor of “Real Rock Radio” — during a time of seismic cultural shift.

A pioneering California disc jockey by the name of Tom “Big Daddy” Donahue had made waves earlier in the year at San Francisco’s KMPX, eschewing radio’s popular Top-40 format and creating the nation s first alternative “free-form” station. Tracks were chosen by the station’s DJs, and programming leaned heavily toward rock & roll.

St. Louis’ Ron Elz, who taught at a local broadcasting school, visited San Francisco around this time and returned home with a plan. He convinced an associate, Howard Grafman, to adopt Donahue’s model for Grafman’s recently purchased station on the FM dial. A crop of new DJs was hired to appeal to a younger, counter-culture crowd. The KSHE that we know and love today was born.

NOVEMBER 2-8, 2016

riverfronttimes.com

That was 49 years ago. In the years since, Donahue has been inducted in the Rock & Roll Hall of Fame. Jefferson Airplane, too, was inducted. Conspicuously absent, though, is a certain St. Louis radio station that has been beaming rock & roll into the ears of the masses for nearly fi e decades.

Now, a petition launched by KSHE DJ Lauren “Lern” Colvin aims to rectify that.

“I started at KSHE in 2008, and in my eight years here, I have been hearing many wonderful stories about this radio station,” Colvin explains in the petition’s “about” section. “One of the great stories I was told by many people I work with is, ‘KSHE is in the Rock and Roll Hall of Fame in Cleveland,’ which made my ears perk with the hope that one day I may go see our legendary call letters in such an iconic institution of rock history.” ol in writes that she finally

got her chance to do so in October. When she arrived, though, she could not find the station s call letters anywhere in the building. Armed with an old photo of KSHE morning DJ John “U-Man” Ulett posing in front of a wall in the rock hall with KSHE depicted on it, she spoke with some hall employees, who ga e con icting stories — among them, that the wall had been “temporary” for the hall’s opening. When she pressed, saying that another KSHE DJ had seen the wall at a later time, she was told that SIRIUS and XM radio had taken over the building’s upper oor, and that the radio room had been taken down.

“I kind of felt like I was wasting everyone’s time, so I handed them a KSHE sticker and I told them about our longevity, etc.,” Colvin writes. “They shook it off like we were just ‘any other station.’

“Now, look: I bring all of this up because I am a millennial and

a fan of this station, not just an employee of it,” she continues. “I cheer on this place and the people in it because it’s the pride of St. Louis (along with your St. Louis Blues, Cardinals and Chuck Berry) and I want to do something about the utter confusion this museum/ Hall of Fame has about ‘rock radio’ because honestly, without KSHE — they don’t know squat.”

Colvin’s petition asks merely that the station be represented within the museum — she stopped short of asking for an official induction ceremony. But there is a good case to be made for such a move, considering the station’s in uence and staying power.

The people behind the petition’s 2,000-plus signatures are inclined to agree.

“I believe KSHE has shaped rock and roll,” writes Renee Obenhaus in the petition’s comments. “It’s the only radio station that has been around for decades.

In my opinion it’s part of music history!!!”

“Recognize one of the true epic stations that has been around for decades promoting the very thing the Rock & Roll Hall of Fame stands for,” writes Kevin D. McCarty. “KSHE is rock and roll.”

“KSHE radio station is an icon in presenting rock music,” writes Joel Beck. “They have help[ed] promote rock artists from the beginning. They are listened to from all parts of the world. Their on-air people are very knowledgeable in rock music its history. efinitely, needs to be apart of the Rock and Roll Hall of Fame!!!”

The petition’s goal is set at 50,000 signatures. It collected its first 1,000 within one day of going live.

“If you agree that KSHE is a legendary station that has helped shape the music, people and world please sign this petition to get our station better represented inside this iconic museum,” Colvin writes. “Please share this post and ask your friends and family to do the same. We can make anything happen through social media because people are always on their screens, hungry for signing their name to something — only this time, you hopefully won’t have to unfollow anyone for posting this.”

Finally, a cause we can all get behind. Add your name to the growing list of signatures at www. ipetitions.com/petition/ksherockhall.

Get in The Grove for exciting Drinking, Dining, Dancing, & Shopping!

WIN FREE STUFF Film Passes, Concert Tickets, Local events, Music/movies, Restaurant gift cards, and much, much more!!! enter to win at: Riverfronttimes.com/ promotions/freestuff/

SATURDAY 11/5

GRAM PARSONSʼ 70TH BIRTHDAY

OLD CAPITAL & HIGH FASHION KINGS W/

in The Bootleg

PRESENTING THE COSMIC AMERICAN MUSIC PRESENTI OF THE INTERNATIONAL SUBMARINE BAND, FLYING BURRITO BROTHERS, THE BYRDS, & FALLEN ANGELS

THURSDAY 11/10

ALL NEW MENU AVAILABLE NOW AT

THE NTH POWER

W/

THE TRANSMATTER EXPRESS in The Bootleg FRIDAY 11/18

FALSE FRONT:

A PUNK AND METAL COVER SHOW in The Bootleg

Burgers, Burgers and More Burgers!

FT. WALK THE WALK AS FACE TO FACE BROTHER LEE AND THE LEATHER JACKALS AS BLACK SABBATH WARHORSE AS METALLICA THE GORGE WITH TONY SAPUTO AS BOTCH

November Buger of the Month: “The Chive Turkey” House smoked turkey, hickory smoked bacon, lettuce, tomato, garlic chive mayo, fried egg, cheddar cheese on grilled sourdough.

R E STAU R AN T S 2016

WINNER

GET TICKETS @ BOOTLEGSTL.COM OPEN EVERYDAY UNTIL 3AM! SUNDAY BRUNCH 10AM-2PM

4317 Manchester Rd in the Grove 314.553.9252 laylastl.com

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

41

42 thur. nov. 3 9PM The Hilary Fitz Band

Hazard To Ya Booty

sat. nov. 5 10PM

Cedric Burnside Project Mississippi Hill Country Blues Wed. nov. 9 9:30PM Voodoo Players Tribute to Bob Marley

thur. nov. 10 10PM Aaron Kamm and the One Drops

EVERY MONDAY AT 9PM the longest running blues jam in America hosted by

Soulard Blues Band Discounted Holiday Gift Certificates NOW AVAILABLE! 736 S Broadway St. Louis, MO 63102

42

RIVERFRONT TIMES

AMERICAN WRESTLERS Goodbye Terrible Youth (americanwrestlersband.bandcamp.com)

fri. nov. 4 10PM

(314) 621-8811

HOMESPUN

W

hen t. ouisans first encountered ary c lure in the spring of 201 , he was ready to take merican restlers, his bedroom recording pro ect, into the limelight. e had parlayed a set of his self-recorded songs, redolent of kinetic pop and lo-fi crunch, into an album on the respected at ossum label and had done so without the benefit of a web presence, a backing band or a single li e gig. hat self-titled record led c lure to a few benchmarks of mid-le el indie success a national tour, recepti e co erage in the music press, and increased isibility at home thanks in part to a performance at the 201 ou est. c lure is no na f when it comes to the music industry the cotland-born singer and guitarist first found acclaim with the genre- ockeying orking for a uclear ree ity, a anchester, ngland-based uartet, and he put out a few s under his own name after that band dissol ed. nd yet the past eighteen months ha e seen an accelerated maturation process for merican restlers, which is now a full- edged foursome capable of translating his initial home recordings into ner y, muscular songs that can bristle with fu or peel back to re eal tender, tuneful centers. n its sophomore release, Goodbye Terrible Youth, the band has amplified the forcefulness of its grunge-era antecedents while narrowing in on an effer escent lightness that highlights c lure s high tenor oice. er coffee on the ud ouse s sun-dappled patio, c lure is eager to talk about any music other than his own — at least initially. e s affably modest with a reser ed geniality, though his intensity rises as he expounds on certain topics. e can opine on the paucity of decent ritish bands, the clean chime of oland a horus amps and, when asked about some of the more pop-oriented elements of Goodbye, he name-drops a certain 0s yacht rock staple. eirdly, ust disco ered the musician hristopher ross — do you know this guy c lure asks. he soft-rocking exan is an odd reference for a musician whose lo e of ir ana has been an indelible in uence. ut there is a softness in certain corners of these songs that was coated in tape-hiss on the first merican restlers record, as well as an increased attention to the dynamics offered by the band which is rounded out by an eit on bass, osh an oorebeke on drums, and c lure s wife ridgette mperial on keyboard and guitar . nd while c lure s own guitar work can eer more toward traditional rock posturing — there are e en a few honest-to- od guitar solos this time around — he s also willing to ary his approach, as with the pearlescent leads on i e p, the album s first single, or the lightly chorused acoustic guitar on the pensi e set-closer eal eople. think there s a ery thin layer of cheese — it s ery faint, but deliberately put it in there, explains c lure. t s a re ection of being cool there s something about

NOVEMBER 2-8, 2016

riverfronttimes.com

hipness that feels so exclusi e. think with something that has more mass appeal, there s more honesty in it than someone who is trying to be remo ed and pose-y and trying to make something that isn t for e eryone. he e eryday nature of the would-be rock star is something that c lure, who works in a warehouse for ed x when not on tour, learned early. is uncle oddy rame led the cottish new wa e band tec amera in the 1 0s rame ga e a teenaged c lure his first guitar and amplifier. hen was ery young, learned uite uickly that someone who does that kind of thing isn t special, says c lure. hen you re ery young, it s ust your uncle, and then all of a sudden they can do this ama ing thing — they can sing with this ama ing oice and play guitar so well. o it broke that barrier down. c lure carries on the family legacy on the band s sophomore record. ote hatcher, the album s first and most blistering track, continues the thread of antihatcher songs like those by the nglish eat and l is ostello, though c lure s pronouncement — still can t belie e you died — carries with it the long iew of history. o much of the world ne er changes it ust repeats itself, says c lure. o really the song is about her being dead and not being dead, and the things that happened during her reign are happening again. ikewise, c lure sees a certain circuitousness to his own career, which is currently in its third iteration as he settles into his mid- 0s. n the lead-up to Goodbye Terrible Youth s release, he found himself featured in a music maga ine spread about up-and-coming acts. said to the woman inter iewing me, ou know, this is my third one of these for this maga ine. he thought that was hilarious, says c lure, who had been similarly profiled with each of his pre ious acts. don t know what you ha e to do, but m grateful to be in this position made a record and someone put it out his is my ninth record, so m gonna be writing my tenth record. f someone puts that out, m a happy man. hat s more than anyone gets, honestly.

–Christian Schaeffer

43

OUT EVERY NIGHT THURSDAY 3

The Duck Room, 6504 Delmar Blvd., University

JEFF ROSENSTOCK: w/ Hard Girls, Katie Ellen 8

TOM HALL: 7 p.m., $5. BB’s Jazz, Blues & Soups,

AMANDA SHIRES: w/ Colter Wall 8 p.m., $12-$15.

City, 314-727-4444.

p.m., $12-$14. The Firebird, 2706 Olive St., St.

700 S. Broadway, St. Louis, 314-436-5222.

Off Broadway, 3509 Lemp Ave., St. Louis, 314-

YG: 8 p.m., $26-$31. The Ready Room, 4195

Louis, 314-535-0353.

YEASAYER: w/ Lydia Ainsworth 8 p.m., $25. The

773-3363.

Manchester Ave, St. Louis, 314-833-3929.

MAVIS STAPLES: 8 p.m., $35-$50. The Sheldon,

Ready Room, 4195 Manchester Ave, St. Louis,

BILLY BARNETT BAND: 7 p.m., $10. BB’s Jazz,

YOU HAD TO BE THERE! - STAND UP COMEDY

3648 Washington Blvd., St. Louis, 314-533-9900.

314-833-3929.

Blues & Soups, 700 S. Broadway, St. Louis, 314-

WITH STRANGERS: w/ Ryan de la Garza, Brenna

NATE MILLYUNZ: w/ Lauren & Dre 8 p.m., $10.

436-5222.

Grabow, Stryker Spurlock, Justin Luke, Ben

Cicero’s, 6691 Delmar Blvd., University City,

SUNDAY 6

COWBOY MOUTH: w/ Dirty Dozen Brass Band 8

Johnson, Kenny Kinds 9 p.m., $5. The Heavy

314-862-0009.

BIG GEORGE BROCK & TAIL DRAGGER: 8 p.m.,

p.m., $30. Old Rock House, 1200 S. 7th St., St.

Anchor, 5226 Gravois Ave., St. Louis, 314-352-

SOILWORK: w/ Unearth, Battlecross, Wovenwar,

$15. BB’s Jazz, Blues & Soups, 700 S. Broadway,

Louis, 314-588-0505.

5226.

Darkness Divided 3 p.m., $20-$25. Fubar, 3108

St. Louis, 314-436-5222.

Locust St, St. Louis, 314-289-9050.

BOW TIES & BLUES BENEFIT: 5 p.m., $20. BB’s

SOONER THAN LATER: w/ Divide the Empire,

Jazz, Blues & Soups, 700 S. Broadway, St. Louis,

JOE METZKA BAND: 10 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-

SATURDAY 5

5222.

BOO BOO DAVIS & THE BUMBLE BEE TRIO: 10

Silent Hollow 9 p.m., $10. Blueberry Hill - The

314-436-5222.

LEON RUSSELL: 8 p.m., $32.50-$75. The Ready

p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broad-

Duck Room, 6504 Delmar Blvd., University City,

DREAM THEATER: 7:30 p.m., $31.50-$66.50. Pea-

Room, 4195 Manchester Ave, St. Louis, 314-

way, St. Louis, 314-436-5222.

314-727-4444.

body Opera House, 1400 Market St, St. Louis,

833-3929.

JACK GRELLE RECORD RELEASE: 8 p.m., free. Off

THUNDERHEAD: THE RUSH EXPERIENCE: 8 p.m.,

314-241-1888.

LIL UZI VERT: 8 p.m., $35-$40. The Pageant, 6161

Broadway, 3509 Lemp Ave., St. Louis, 314-773-

$12-$15. Delmar Hall, 6133 Delmar Blvd., St.

INTERVALS: w/ Plini, Painted In Exile 7 p.m.,

Delmar Blvd., St. Louis, 314-726-6161.

3363.

Louis, 314-726-6161.

$16-$18. Fubar, 3108 Locust St, St. Louis, 314-

MR H AND THE MODERN HISTORIANS CD RE-

289-9050.

LEASE: w/ The By Gods, Four Arm Shiver, The

K. FLAY: 8 p.m., $12-$14. The Firebird, 2706

Langaleers 7 p.m., $10. Cicero’s, 6691 Delmar

Olive St., St. Louis, 314-535-0353.

Blvd., University City, 314-862-0009.

KIRKO BANGZ: 8 p.m., $15-$20. The Ready

PAPER ROUTE: w/ HALFNOISE 8 p.m., $15. The

Room, 4195 Manchester Ave, St. Louis, 314-

Firebird, 2706 Olive St., St. Louis, 314-535-0353.

833-3929.

A PROMISE TO BURN: w/ New Lingo, Torn at the

LAURA STEVENSON: 8 p.m., $10-$12. Blueberry

Seams, Mocklove, Inner Outlines 6 p.m., $10.

Hill - The Duck Room, 6504 Delmar Blvd.,

Fubar, 3108 Locust St, St. Louis, 314-289-9050.

University City, 314-727-4444.

ROY 2: DAVE: w/ 3 of 5, Solid State Disaster 9

MITSKI: 8 p.m., $12-$14. Off Broadway, 3509

p.m., $5. The Heavy Anchor, 5226 Gravois Ave.,

Lemp Ave., St. Louis, 314-773-3363.

St. Louis, 314-352-5226.

RUSTED ROOT: w/ Devon Allman Band 8 p.m.,

YELAWOLF: w/ Bubba Sparxxx, Jelly Roll, Strug-

$25. Old Rock House, 1200 S. 7th St., St. Louis,

gle Jennings 8 p.m., $22-$25. Pop’s Nightclub,

314-588-0505.

401 Monsanto Ave., East St. Louis, 618-274-

STRAIGHT NO CHASER: 2:30 p.m., $34.50-$59.50.

6720.

The Fox Theatre, 527 N. Grand Blvd., St. Louis, 314-534-1111.

FRIDAY 4 BIG JON ATKINSON BLUES BAND: 10 p.m., $10.

MONDAY 7

BB’s Jazz, Blues & Soups, 700 S. Broadway, St.

GRIM REAPER: w/ Conquest, Seventh of Never 7

Louis, 314-436-5222.

p.m., $15-$18. Fubar, 3108 Locust St, St. Louis,

FAUX FIGHTERS: w/ The Dude Abides 8 p.m.,

314-289-9050.

free. The Ready Room, 4195 Manchester Ave,

ICE GUARDIANS: 7 p.m., $40-$100. The Pageant,

St. Louis, 314-833-3929.

JAKE’S LEG: 8 p.m., $7. Cicero’s, 6691 Delmar

6161 Delmar Blvd., St. Louis, 314-726-6161.

[CRITIC’S PICK]

Blvd., University City, 314-862-0009.

LE’ PONDS: w/ Kara Yannon, Dee Bird, Julia

Mavis Staples. | PRESS PHOTO VIA MONTEREY INTERNATIONAL

LEROY JODIE PIERSON: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222.

LOLA AND THE KICKBACKS: w/ Jesse Gannon 8 p.m., $10-$12. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-726-6161.

NATO COLES & THE BLUE DIAMOND BAND: w/ The Cuban Missiles, Bad Taste, The C-Sides, Grave Neighbors 7 p.m., $10-$12. Fubar, 3108 Locust St, St. Louis, 314-289-9050.

OVER THE RHINE: 8 p.m., $30. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505.

REBELUTION: w/ Stick Figure, Hirie 7 p.m., $20$25. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161.

REEVE CARNEY: 7 p.m., $12-$15. Fubar, 3108 Locust St, St. Louis, 314-289-9050. *REPEAT REPEAT: 8 p.m., $10-$12. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363.

SETH WALKER: 8 p.m., $10-$12. Blueberry Hill -

Lucille 9 p.m., $5. Foam Coffee & Beer, 3359 Jefferson Ave., St. Louis, 314-772-2100.

LIKE MOTHS TO FLAMES: w/ Torn at the Seams,

Mavis Staples 8 p.m. Saturday, November 5.

The Sheldon Concert Hall, 3648 Washington Boulevard. $50 to $35. 314-533-9900.

For more than 60 years, Mavis Staples has sung the American dream. Her vision is not of material aspiration, but of social and spiritual redemption, down the freedom roads, into the churches, out into a country which, to quote a one-time suitor, is always busy being born. Her vocal expressions — guttural, complex, transcendent in their instincts — with the Staple Singers formed a

Marked by Honor 6 p.m., $15-$17. The Fire-

soundtrack to the civil rights movement and the black experience, but her voice also challenged communities to reach ever higher, for deeper respect and humanity, toward that unbuilt city in the sky. If ever a voice deserved the appellation “soulful,” it is Mavis Staples’.

No Turning Back: This year, at the age of 77, Staples released Livin’ on a High Note, a collaboration with indie-folk producer and songwriter M Ward. It ranks among her most moving and joyous work.

– Roy Kasten

riverfronttimes.com

bird, 2706 Olive St., St. Louis, 314-535-0353.

MUSIC UNLIMITED: 8 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-4365222.

SOULARD BLUES BAND: 9 p.m., $5. Broadway Oyster Bar, 736 S. Broadway, St. Louis, 314621-8811.

WILD NOTHING: w/ Small Black 8 p.m., $16-$18.

The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161.

TUESDAY 8 EAST SIDER REVIEW: 9:30 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222.

ETHAN LEINWAND & FRIENDS: 7 p.m., $5. BB’s

NOVEMBER 2-8, 2016

Continued on pg 44

RIVERFRONT TIMES

43

OUT EVERY NIGHT Continued from pg 43

Even In Blackouts, Hospital Job, Fri., Feb. 17, 7 p.m., $12. Fubar, 3108 Locust St, St. Louis, 314-289-9050.

Jazz, Blues & Soups, 700 S. Broadway, St. Louis,

LOVE JONES “THE BAND”: Sun., Dec. 4, 8:30 p.m.,

314-436-5222.

$10. BB’s Jazz, Blues & Soups, 700 S. Broadway,

JAMAICA LIVE TUESDAYS: w/ Ital K, Mr. Roots, DJ

St. Louis, 314-436-5222.

Witz, $5/$10. Elmo’s Love Lounge, 7828 Olive

MARQUISE KNOX: Fri., Nov. 18, 7 p.m., $5-$10.

Blvd, University City, 314-282-5561.

National Blues Museum, 601 Washington Ave.,

PORTER ROBINSON: w/ Madeon 8 p.m., $35-$40.

St. Louis.

The Pageant, 6161 Delmar Blvd., St. Louis,

MC CHRIS: W/ MC Lars, Mega Ran, Thu., Nov.

314-726-6161.

10, 8 p.m., $15-$17. Fubar, 3108 Locust St, St.

STRYPER: 8 p.m., $29-$35. The Ready Room,

Louis, 314-289-9050.

4195 Manchester Ave, St. Louis, 314-833-3929.

MUSIQ SOULCILD: W/ Lyfe Jennings, Kindred the Family Soul, Avery Sunshine, Sat., March 25,

WEDNESDAY 9 ANDERSON, RABIN & WAKEMAN: 8 p.m., $65-

8 p.m., $55-$102. Peabody Opera House, 1400

[CRITIC’S PICK]

Market St, St. Louis, 314-241-1888.

$100. The Fox Theatre, 527 N. Grand Blvd., St.

NOBODYS: W/ Horror Section, The Haddon-

Louis, 314-534-1111.

fields, rasky,

Yeasayer. | PRESS PHOTO VIA STAY GOLDEN PR

BEARTOOTH: 7 p.m., $19.50-$23. The Ready

on., ec. 12,

p.m., 12. ubar,

3108 Locust St, St. Louis, 314-289-9050.

Yeasayer

POEFEST 2016: W/ Tef Poe, Sun., Dec. 18, 8 p.m.,

833-3929.

BIG RICH MCDONOUGH & RHYTHM RENEGADES: 7

8 p.m. Saturday, November 5.

314-726-6161.

Room, 4195 Manchester Ave, St. Louis, 314-

p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222.

THE BLUES CRUSHERS: 10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222.

BOB “BUMBLE BEE” KAMOSKE: 8 p.m. Beale on Broadway, 701 S. Broadway, St. Louis, 314-6217880.

BRADLEY HATHAWAY: w/ Least Of These 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226.

THIS JUST IN AL HOLLIDAY AND THE EASTSIDE RHYTHM BAND: Fri., Dec. 9, 8 p.m., $10-$12. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363.

ALCEST: W/ The Body, Creepers, Sat., Jan. 28, 8

The Ready Room, 4195 Manchester Avenue. $25.

314-833-3929.

You can get a pretty good sense of the overall style of Brooklyn-based Yeasayer by watching the video for 2016’s “Prophecy Gun.” Featuring slow pans of wax-like humanoid figures in some sort of assaulted Dadaistic workshop, the moving models seem to glitch back and forth, as if they were puppets or shells of humans. The song itself lands somewhere in the kaleidoscopic landscape of barbershop choral harmony, sweeping keyboards and unidentifiable electronic

$10. Delmar Hall, 6133 Delmar Blvd., St. Louis,

distortion. As difficult to categorize as ever, the band continues to push its experimental boundaries through this year’s Amen and Goodbye, yet it doesn’t consider itself too high-minded to avoid pop vibes, as in “Silly Me,” which would not sound out of place alongside tracks

by Walk the Moon or Smallpools.

Stay Unpredictable: Since its first album release in 2007, Yeasayer has resisted any inclination to settle down into a specific brand of eclecticism, instead embracing the full gamut in its records and on stage.– Harry Hall

Jan. 6, 7 p.m., $22.50-$25. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161.

REGULAR JOHN: Thu., Dec. 15, 8 p.m., $12-$15.

Delmar Hall, 6133 Delmar Blvd., St. Louis, 314726-6161.

ROCKIN CHAIR: $10-$12. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505.

SILENCE THE WITNESS: W/ Arkangela, Wrecklamation, Sons of Leviathon, Through Burning Eyes, Set Fire To Salem, Wed., Dec. 21, 6 p.m., $8-$10. Fubar, 3108 Locust St, St. Louis, 314289-9050.

SKEET RODGERS & THE INNER CITY RIVER BAND: Fri., Nov. 25, 7 p.m., $5-$10. National Blues Museum, 601 Washington Ave., St. Louis.

SOULARD BLUES BAND: Sat., Dec. 10, 10 p.m., $15. BB’s Jazz, Blues & Soups, 700 S. Broadway,

p.m., $17-$20. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929.

[CRITIC’S PICK]

CHRIS GRINDZ: W/ DJ Kimmy Nu, Jeuce The Sh-

St. Louis, 314-436-5222.

SPIRIT ANIMAL: W/ Nico Yaryan, Thu., Dec. 8, 8 p.m., $12. Blueberry Hill - The Duck Room,

inobi, Bates, Sal Calhoun, Sun., Nov. 27, 8 p.m., $11. The Firebird, 2706 Olive St., St. Louis,

REEL BIG FISH: W/ Ballyhoo!, Direct Hit!, Fri.,

314-535-0353.

Sidney Street Shakers

CHRIS NATHAN: Thu., Dec. 8, 7 p.m., $5. BB’s

7:30 p.m. Wednesday, November 2.

6504 Delmar Blvd., University City, 314-7274444.

True St. Louis musicologists don’t need to be reminded of our city’s contributions to the earliest eras of jazz and ragtime; spend a little time digging and you’ll uncover names such as Henry Brown, Oliver Cobb and Vess L. Ossman. But for those who desire to hear that type of music from a live band instead of a dusty 78, the Sidney Street Shakers are a faithful devotee of

1920s-era jazz, with a mission of celebrating St. Louis’ heritage. Featuring players from the Hooten Hallers and Pokey LaFarge’s band, the Shakers lift the curtain on their debut album this week, which features compositions by Dewey Jackson, the Mound City Blue Blowers and more.

Confluence City: Local historian and illustrator Kevin Belford, whose Devil at the Confluence is an essential book on St. Louis’ musical gifts, will emcee the show.

– Christian Schaeffer

Came The Wolves, Sat., Dec. 3, 6 p.m., $17-$20.

JEFF THE BROTHERHOOD: W/ Chastity, Fri., Jan.

Locust St, St. Louis, 314-289-9050.

Blvd., St. Louis, 314-533-9900.

Fubar, 3108 Locust St, St. Louis, 314-289-9050.

13, 8 p.m., $15. Off Broadway, 3509 Lemp Ave.,

JUCIFER: W/ Valley, Spacetrucker, Sat., Nov.

WHITEY MORGAN: Sat., Dec. 10, 8 p.m., $15-$75.

HERENOWHEAR: Fri., Nov. 18, 7 p.m., free. The

St. Louis, 314-773-3363.

26, 7 p.m., $12-$14. Fubar, 3108 Locust St, St.

The Ready Room, 4195 Manchester Ave, St.

560 Music Center, 560 Trinity Ave., University

JEREMIAH JOHNSON BAND: Fri., Nov. 25, 8 p.m.,

Louis, 314-289-9050.

Louis, 314-833-3929.

City, 314-421-3600.

$10-$50. Off Broadway, 3509 Lemp Ave., St.

KARL DENSON’S TINY UNIVERSE: W/ Brownout,

YONDER MOUNTAIN STRING BAND: W/ The

JAZZ COMBOS CONCERT: Tue., Nov. 29, 8 p.m.,

Louis, 314-773-3363.

Sat., Dec. 10, 9 p.m., $25. Old Rock House, 1200

Railsplitters, Fri., Jan. 20, 8 p.m., $25-$30. The

free. The 560 Music Center, 560 Trinity Ave.,

JONNY CRAIG: W/ Kyle Lucas, Whitney Peyton,

S. 7th St., St. Louis, 314-588-0505.

Pageant, 6161 Delmar Blvd., St. Louis, 314-726-

University City, 314-421-3600.

Thu., Dec. 15, 7 p.m., $15-$17. Fubar, 3108

THE LILLINGTONS: W/ The Mopes, The Manges,

6161.

Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222.

CROWBAR: W/ Goatwhore, Lillake, Lyluth, Some Kinda Khaos, Sun., Dec. 4, 7 p.m., $18-$20.

Fubar, 3108 Locust St, St. Louis, 314-289-9050.

DARK TRANQUILITY: W/ Enforcer, Swallow The Sun, Starkill, Throes Eternal, Sun., Nov. 20, 7 p.m., $17-$50. Fubar, 3108 Locust St, St. Louis, 314-289-9050.

EL MONSTERO: THE DEFINITIVE PINK FLOYD EXPERIENCE: Fri., Dec. 16, 8 p.m.; Sat., Dec. 17, 8 p.m.; Thu., Dec. 22, 8 p.m.; Fri., Dec. 23, 8 p.m.; Thu., Dec. 29, 8 p.m.; Fri., Dec. 30, 8 p.m., $27.50-$50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161.

The Stage at KDHX, 3524 Washington Avenue. $10.

314-925-7556.

RIVERFRONT TIMES

Grove, Mon., Dec. 5, 6 p.m., $12-$15. Fubar, 3108 Locust St, St. Louis, 314-289-9050.

THE BUMP & HUSTLE NO. 53: W/ 18andCounting, DJ Needles, DJ Makossa, Sat., Nov. 19, 9 p.m., $5. Blank Space, 2847 Cherokee St., St. Louis.

THE BUMP & HUSTLE NO. 54: W/ DJ Mahf, DJ Needles, DJ Makossa, Sat., Dec. 17, 9 p.m., $5.

Blank Space, 2847 Cherokee St., St. Louis.

THIRD SIGHT BAND: Mon., Dec. 5, 8 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222.

VALERIE JUNE: Thu., Feb. 23, 8 p.m., $17-$20.

Blueberry Hill - The Duck Room, 6504 Delmar Blvd., University City, 314-727-4444.

VIVA ITALIANO: Mon., Nov. 21, 7 p.m.; Tue., Nov. 22, 7 p.m., $38. The Sheldon, 3648 Washington

HANDS LIKE HOUSES: W/ The Color Morale, Out

44

SPOKEN: W/ Dayshell, 3 Pill Morning, Union

NOVEMBER 2-8, 2016

riverfronttimes.com

SAVAGE LOVE CUCK EVERLASTING

BY DAN SAVAGE Hey, Dan: I’m a 41-year-old male who looks like the tall, strong, professional, alpha-male type on the outside. On the inside, though, I would like to find a strong, confident woman who wants a cuckolding relationship — she sleeps with other men, while I am faithful and submissive to her. There must be women out there who would love to have a loving, doting boyfriend or husband waiting at home while they go out with other men, but I tend to attract women who want the alpha-male type. What can I do to find — or attract — the kind of woman I’m interested in? Or should I go in for vanilla dating and then have a discussion about cuckolding after we’ve started having sex?

Another Lad Pursuing Humiliating Action “Most women, even dominant women, are still looking for guys who look like they ‘kick ass and take names’ in every other aspect of their lives,” said FleeMarket (u/ ee market , one of the moderators of r/cuckold on Reddit. “As for how to find dominant women, see a lot of submissive guys on various websites — OkCupid, Reddit, Tinder, FetLife — and something they don’t

understand is that women looking for sex or love online tend to get buried in unsolicited PMs from thirsty guys. That makes it hard to find that one respectful from a guy like our letter writer here. The signal gets lost in the noise.”

Before we get to some practical advice for ALPHA, a quick word about the term “cuck.” While it has long been an affectionate/horny term embraced by self-identified cuckold fetishists, the alt-right has attempted to turn “cuck” into a term of abuse, hurling it at any straight white man who gives a shit about racial justice, police brutality, and the plight of undocumented immigrants. n an effort to wrest cuck back from the bigots, and to mark the waning days of the Trump campaign, m dedicating this week s column to “cuck” as properly understood: a guy who wants his partner to sleep with other men.

So, ALPHA, how can you attract a woman who wants a cuck?

“What’s worked for me is using the internet not to find people but to find kinky e ents where dominant women gather in real life,” said FleeMarket. “The events are usually listed on FetLife, and you usually ha e to attend a munch first to demonstrate that you’re not a dingus who can’t follow the rules or a psycho who doesn’t care about them.” ou will find a lot of ad ice for

wannabe cucks on r/cuckold, most offered in response to men trying to talk their vanilla wives or girlfriends into cuckolding them. But you’re as likely to read stories of failure as you are to read success stories.

“As much effort and time as getting into the kinky community takes, it’s still easier than trying to turn a vanilla woman kinky,” said FleeMarket. “He shouldn’t ‘lead with his kink. f a woman asks him what his interests are, mention it, but dial down the excitement level.

Basically: Be in the right place, treat the women there with respect, and get to know them as people first.

Hey, Dan: My ex-three-exes-ago was a cuckold. I swore I would never date another cuckold after he blew up at me for not cheating on him juuuuuust right. I was just a prop, and I came to hate him. Fast-forward five years, and my brand-new boyfriend tells me being cuckolded is his ultimate fantasy. I literally started to cry. He held me, he apologized on behalf of all cuckolds everywhere, we laughed, and then he dropped it. He didn’t pressure me, and about a year later, we gave it a try on his birthday.

It turns out my boyfriend — fiancé now — is much better at this kink than my ex was. He’s open and honest, he communicates constructively and he was willing to step outside his comfort zone to accommodate

riverfronttimes.com

45

my needs. (He wanted the other guys to be strangers, but I need to know someone before letting him in my body.) I have a regular thing with an ex-FWB, and sex with my cuck is frequent and hot. Things couldn’t be better.

Cheating Happily Ever After, Thanks!

Congrats on your upcoming wedding, nd t would appear some vanilla women can be turned.

Hey, Dan: I just came across the word “wittol.” It means “a man who knows, condones and even encourages his wife’s enjoyment of coitus with another man or men; a contented cuckold.” Considering the frequency with which cuckolding comes up and your influence on language, I thought you might want to know.

He’s Expanding Lexicon Perpetually Discontent is a big part of the cuckolding kink, HELP, as cuckolds get off on feeling humiliated and jealous. o m not sure wittol uite works. f the alt-right white supremacists succeed in making “cuck” synonymous with “race traitor,” maybe cucks will switch to “wittol.” But don t gi e up without a fight, cucks Listen to Dan’s podcast at savagelovecast.com. mail@savagelove.net @fakedansavage on Twitter

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

45

Adult Entertainment 930 Adult Services

Goddess Helena

LIFESTYLE DOMME ~ Blonde ~ ~ Beautiful ~ ~ Demanding ~

REAL PEOPLE REAL DESIRE REAL FUN.

314-915-2496

MEN 4 MEN Personalize Your Massage

I offer full body massage, soft touch sensual and also Tantric.

I have a shower available before and after your massage so come and lets work all of those stiff Kinks.

Incalls. Outcalls to your hotel/motel/home/offic 314-236-7060 likeitxxxhott@aol.com

mature 50 and up Voicemail Only

FANTASY PHONE SEX

960 Phone Entertainment

TALK TO LOCAL GIRLS

Try it Free! 18+

1-800-576-7773

Try it Free! 18+

1-800-576-7773

$10 BEST PHONE SEX

Feel The Vibe!

Hot Black Chat

Call FREE! 314-932-2568 or 800-811-1633 18+ vibeline.com

CHOOSE FROM: Busty Blondes, Ebony Hotties, Hot Coeds or Older Ladies

866-515-FOXY (3699)

Try FREE: 314-932-2564

CALLING HOT HORNY ST. LOUISANS!

Ahora español Livelinks.com 18+

NASTY TALK is waiting for YOU. Join the conversation!

Connect live with sexy local ladies!

Try it FREE! 18+ 314-480-5505

HOT LOCAL SINGLES 1-800-LET-CHAT (538-2428)

Check it out BROWSE FREE!

Then just 20 cents p/m

Only $10 per Call

More Local Numbers: 1-800-926-6000

FREE SEX SLGBT

18+

BLACK LACE WEDNESDAY November 26TH (The Day Before Thanksgiving)

AND REPLY TO ADS

BLACK LACE WEDNESDAY

Free Code: Riverfront Times

November 26TH (The Day Before Thanksgiving)

Live Local Chat.

Try us FREE! 18+ 314-480-5505

www.nightexchange.com

Browse & Reply

FREE!!

Straight 314-739-7777 Gay & Bi 314-209-0300 Use FREE Code 3275, 18+

St. Louis’ Premiere Adult Shop

LAVALIFE VOICE

Talk to 1000s of EXCITING SINGLES in St. Louis!

1st Time Buyers Special Only $20 for 80 min!

CALL TODAY! 314.450.7920 Must be 18+

LOOKING TO MEET TONIGHT?

So are the sexy singles waiting for you on the line!!

It doesn’t get HOTTER than this!!!

Try it FREE!! 18+ 314-480-5505

7 D AY S A W E E K

South City

3552 Gravois South City at Grand

314-664-4040 Mid County

314-423-8422

(3 MILES WESTPORT PLAZA) (3 miles EastEAST ofOF Westport Plaza)

314-423-8422 Open until Midnight Fri & Sat 314-423-8422

midnightFri fri &&sat Open open untiluntil Midnight Sat

checkout for Everyone Wins at Patricia’s!

Dating made Easy

$10 BEST PHONE SEX

CHOOSE FROM: Busty Blondes, Ebony Hotties, Hot Coeds or Older Ladies

Only $10 per Call

CALLING HOT HORNY ST. LOUISANS! NASTY TALK is waiting for YOU. Join the conversation!

Connect live with sexy local ladies!

Try it FREE! 18+ 314-480-5505

www.nightexchange.com

SEXY LOCAL SINGLES

10210 Page Ave. Mid County Mid East County (3 miles of Westport Plaza) PAGE AVE. 1021010210 Page Ave. Open until Midnight Fri & Sat

www.megamates.com 18+

Try it Free! 18+

Call FREE! 314-932-2568 or 800-811-1633 18+ vibeline.com

Empowering Your Sexual Wellness

3552 Gravois at Grand OPEN UNTIL MIDNIGHT FRI & SAT

Come in and SHOP, then POP a condom at the checkout for your special discount or prize!

Everyonediscount Wins at Patricia’s! your special or prize!

TALK TO LOCAL GIRLS

Feel The Vibe!

Hot Black Chat

3552 GRAVOIS

(314) 209-0300 Come in and SHOP, then POP a condom at the

www.nightexchange.com

www.nightexchange.com

314-664-4040

St. Louis:

Try us FREE!! 18+ 314-480-5505

866-515-FOXY (3699)

(AT GRAND) Open until Midnight Fri & Sat 314-664-4040 South City

FIND REAL GAY MEN NEAR YOU

Now For That

HOT & EROTIC ENCOUNTER!

1-800-576-7773

MEET HOT LOCAL SINGLES!

NOVEMBER 23RD (THE DAY BEFORE THANKSGIVING)

FREE TO LISTEN

CALL GORGEOUS SINGLES ON THE NIGHT EXCHANGE!

FUN, FLIRTY, LOCAL WOMEN Call FREE! 314-932-2564 or 800-210-1010 18+ livelinks.com

www.nightexchange.com

BLACK LACE WEDNESDAY

ST.LOUIS ADULTS ARE CALLING

St. Peters Peters St. St. Peters Dr. (70636-928-2144 && CAVE Cave Springs, (70 SPRINGS, S. OUTER RD.) S. Outer Rd.)

1034 Venture Dr. 1034S.Venture (70 & Cave Springs, Outer Rd.) 1034 VENTURE DR.

636-928-2144

Open until Midnight 636-928-2144Mon-Sat OPEN UNTIL MIDNIGHT THURS - SAT

Open until Midnight Mon-Sat

800-538-CHAT (2428)

FREE 24/7 SEX HOT, BEEFY BI STUDS 800-GAY-MEET (429-6338)

FOOD Meet sexy friends who really get your vibe...

Try FREE: 314-932-2568 More Local Numbers: 1-800-811-1633

FREE

to Listen & Reply to ads.

FREE CODE: Riverfront Times

St. Louis

(314) 739.7777

vibeline.com 18+

For other local numbers: 18+ www.MegaMates.com

46

RIVERFRONT TIMES

NOVEMBER 2-8, 2016

WHO ARE YOU TRY FOR AFTER DARK? FREE riverfronttimes.com

314-932-2561

R IV E R F R O NT T IME S.CO M

FIND ANY SHOW IN TOWN...

100 Employment

105 Career/Training/Schools

THE OCEAN CORP. 10840 Rockley Road, Houston, Texas 77099. Train for a new career. *Underwater Welder. Commercial Diver. *NDT/Weld Inspector. Job Placement Assistance.

Financial Aid avail for those who qualify 1.800.321.0298

110 Computer/Technical

PHOTOGRAPHER: TODD OWYOUNG BAND: SLEEPY KITTY

Senior Engineer, Software Engineering @ MasterCard (O’Fallon, MO) F/T. Analyze, design, develop, and deliver software solutions for webbased applications. Define requirements for new applications and customizations, adhering to standards, processes, and best practices.

Assist in vendor assessment.

Evaluate and recommend software development tools.

Perform advanced code development and code review. Create user guides and software development guides. Oversee and provide technical support to junior team members. Req Master’s degree or foreign equiv in CS, Comp Engg, or rltd & 1 yr exp as stfwr Engg, Sys Programmer or rltd. Alt, emp will accept Bach or foreign equiv & 5 yrs prog respon exp. Exp must incl: Java, J2EE, Spring, and SQL; UI Frameworks such as AngularJS and/or JQuery; and security infrastructure such as IBM Web Seal and/ or ISAM. Emp will accept any suitable combo of edu, training or exp. Mail resume to Parul Kakkar, 2200 MasterCard Blv., O’Fallon, MO 63368. Ref MC30-2016.

120 Drivers/Delivery/Courier

DRIVERS NEEDED ASAP

Requires Class E, B or A License.

S Endorsement Helpful. Must be 25 yrs or older. Will Train.

ABC/Checker Cab Co CALL NOW 314-725-9550 167 Restaurants/Hotels/Clubs

Lu m i è r e Pl a c e

is offering exciting opportunities in the casino, food & beverage & hospitality industries.

Apply at lumiereplace.com/careers SERVERS & BARTENDERS For Upscale Events Training provided. Call 314.863.7400

190 Business Opportunities

Avon

Full Time/Part Time, $15 Fee.

Call Carla: 314-665-4585

For Appointment or Details Independent Avon Rep.

ULTIMATE MASSAGE

by SUMMER!!!!

Relaxing 1 Hour Full Body Massage.

Light Touch, Swedish, Deep Tissue.

Daily 10am-5pm South County.

314-620-6386

800 Health & Wellness

805 Registered Massage

Ls # 2006003746

500 Services

525 Legal Services

Re l a x & Le t Go Bo d y Ma s s a g e appt. only 314.333.1111

A New Intuitive Massage Call Natalie 314.799.2314 www.artformassage.info CMT/LMT 2003026388

A Wonderfully ~ Relaxing ~ Intuitive massage by licensed therapist.

314-706-4076 2002030286

Escape the Stresses of Life with a relaxing

ORIENTAL MASSAGE & REFLEXOLOGY

You’ll Come Away Feeling Refreshed & Rejuvenated.

Ca l l 3 1 4 - 9 7 2 - 9 9 9 8

Health Therapy Massage Relax, Rejuvenate & Refresh!

Flexible Appointments Monday Thru Sunday (Walk-ins welcome) 320 Brooke’s Drive, 63042 Call Cheryl. 314-895-1616 or 314-258-2860 LET#200101083 Now Hiring...Therapists

MASSAGE! 4 Sally Drive Maryland Heights $60/hour

Fi l e Ba n k r u p t c y No w !

Call Angela Jansen 314-645-5900 Bankruptcyshopstl.com

The choice of a lawyer is an important decision and should not be based solely on advertising.

530 Misc. Services WANTS TO purchase minerals and other oil & gas interests.

Send details to P.O. Box 13557, Denver, Co 80201

600 Music

610 Musicians Services

MUSICIANS Do you have a band?

We have bookings.

Call (314)781-6612 for information Mon-Fri, 10:00-4:30

MUSICIANS AVAILABLE

Do you need musician? A Band?

A String Quartet?

Call the Musicians Association of St. Louis

300 Rentals

SOULARD $795 314-724-8842 Spacious 2nd flr 2BR, old world charm, hdwd flrs, yard, frplcs, off st prk, no C/A, nonsmoking bldg, storage. nprent@aol.com

317 Apartments for Rent

SOUTH CITY $400-$850 314-771-4222 Many different units www.stlrr.com 1-3 BR, no credit no problem

BROADWAY-BLUFFS $550 314-223-8067 Spacious 1 Plus bedroom, bonus room, wood fl, ceiling fans, granite counters, stove, fridge 2nd floor CENTRAL-WEST-END

314-966-1003

MOVE IN NOW!

5578 PERSHING 1100 sq ft; Perfect for WashU, Fontbonne OR SLU students. Nurse? Located near several major hospitals, Forest Park and Delmar Loop. Some utilities included; Off Street Parking.

Optional 2 Gated Parking Spaces, $75 remote deposit.

Application Fee: $50.00 (Lease Description: 18+, satisfactory credit, no prior evictions)

JENNINGS $550 314-395-8800 6040 Goodfellow - 2BR, C/A & Heat, All Appliances, Off Street Parking, On Bus Route.

MAPLEWOOD $415 314-443-4478 Cambridge Apts-studio, all electric, appl, laundry room.

MUSICIANS

OVERLAND/ST-ANN $535-$575-SPECIAL 314-995-1912 1 MO FREE! 1BR & 2BR SPECIAL! Great location near Hwys 170, 64, 70 & 270. 6 minutes to Clayton. Garage, Clean, safe, quiet.

Do you have a band?

We have bookings.

Call (314)781-6612 for information Mon-Fri, 10:00-4:30

HERITAGE SENIOR APARTMENTS AFFORDABLE SENIOR LIVING

Newly Renovated 1 Bedroom Apartments $510 FIRST MONTH FREE! Appliances • Energy Efficient Laundry On-Site NORTH COUNTY AREA 314-521-0388

BEHAVIORAL HEALTH & ADDICTION TREATMENT FOR Adolescents, Adults and Older Adults

SOUTH-CITY $525 314-223-8067 Spacious 1 BR, wood floor, thermal windows, stove, fridge.

2nd fl, fenced yard, by park, dining and shopping close by.

ST-JOHN

$495-$595 314-443-4478 8700 Crocus: Near 170 & St.Charles Rock Rd Special! 1BR.$495 & 2BR.$595.

ST. CHARLES COUNTY 314-579-1201 or 636-939-3808 1 & 2 BR apts for rent. www.eatonproperties.com. Sec. 8 welcome

With our new and improved concert calendar! RFT’s online music listings www.LiveInTheGrove.com are now sortable by 320 Houses for Rent artist, venue and price.

You can even buy tickets directly from DID YOU KNOW:our website—with more options on the way!

1.3M PEOPLE READ

DOWNTOWN Cityside-Apts 314-231-6806 Bring in ad & application fee waived! Gated prkng, onsite laundry.

Controlled access bldgs, pool, fitness, business ctr. Pets welcome

(314) 781-6612 M-F, 10:00-4:30

SOUTH ST. LOUIS CITY 314-579-1201 or 636-939-3808 1, 2 & 3 BR apts for rent. www.eatonproperties.com.

Sec. 8 welcome

RICHMOND-HEIGHTS $525-$575-SPECIAL 314-995-1912 1 MONTH FREE! 1BR, all elec off Big Bend.

Near Metrolink, Hwys 40 & 44, Clayton.

WESTPORT/LINDBERGH/PAGE $535-$585 314-995-1912 1 MO FREE!-1BR ($535) & 2BR ($585) SPECIALS! Clean, safe, quiet. Patio, laundry, great landlord!

Nice Area near Hwys 64, 270, 170, 70 or Clayton.

NORTH ST. LOUIS COUNTY 314-579-1201 or 636-939-3808 2, 3 & 4BR homes for rent. eatonproperties.com. Sec. 8 welcome

R

www.riverfronttimes.com/concerts/ EACH MONTH

FOR A CONFIDENTIAL ASSESSMENT AT NO COST, CALL

1-800-345-5407 Hope for a bright future

FIND ANY SHOW IN TOWN...

314-325-4634

Simply Marvelous Call Cynthia today for your massage. M-F 7-5, Sat. 9-1.

314-265-9625 - Eureka Area #2001007078

Film Passes, Concert Tickets, Local events, Music/movies, Restaurant gift cards, and much, much more!!! enter to win at: Riverfronttimes.com/ promotions/freestuff/

PHOTOGRAPHER: TODD OWYOUNG BAND: SLEEPY KITTY

WIN FREE STUFF

R

With our new and improved concert calendar! RFT’s online music listings are now sortable by artist, venue and price. You can even buy tickets directly from our website—with more options on the way!

www.riverfronttimes.com/concerts/

riverfronttimes.com

NOVEMBER 2-8, 2016

RIVERFRONT TIMES

47

File Bankruptcy Now! R 314-754-5966 BLACK LACE WEDNESDAY Nov 23rd ~ The Day Before Thanksgiving Come in & SHOP, then POP a condom for your special discount!

Patricia’s

patriciasgiftshop.com DATING MADE EASY... LOCAL SINGLES! Listen & Reply FREE! 314-739-7777 FREE PROMO CODE: 9512 Telemates

EarthCircleRecycling.com

Call Angela Jansen ~314-645-5900~ Bankruptcyshopstl.com

PIZZA & BEER ON WASHINGTON AVE! 75+ Beers In House

THE SLICED PINT RFT WEEKLY E-MAILS For an Inside Look at Dining, Concerts, Events, Movies & More!

Sign up at www.riverfronttimes.com

Lumière Place

is offering exciting opportunities in the casino, food & beverage & hospitality industries.

Apply at lumiereplace.com/careers

Made You Look!

Get the Attention of our 461,000+ Readers

www.LiveInTheGrove.com

Call 314-754-5966 for More Info

www.whogodis.co

LIKE US

Call Today!

314-664-1450

File Bankruptcy Now!

facebook.com/riverfronttimes

ENTER TO WIN TICKETS!

Saint Louis Art Museum Conflicts of Interest: Art and War in Modern Japan Enter to win at: riverfronttimes.com/stlouis/freestuff

EVANGELINE’S HAPPY HOUR

MON-FRI 4pm-7pm AND 10pm-1am www.evangelinesstl.com

CenterPointe Hospital provides a full continuum of care for ALCOHOL & SUBSTANCE USE TREATMENT FOR ADULTS DETOXIFICATION, 4-WEEK RESIDENTIAL TREATMENT, OUTPATIENT PROGRAMS, & FAMILY SUPPORT

CALL 1-800-345-5407 24-hour Confidential Assessment with Caring and Compassionate Counselors No Cost for the Initial Assessment Most Major Insurances Accepted CenterPointe Hospital 4801 Weldon Spring Parkway St. Charles, MO 63304

HOPE FOR A BRIGHT

FUTURE Lowest Installed Price In Town — Every Time!

Bundle & Save!

Package Savings On This Complete Video System!

FREE RENT UNTIL 2017

FREE

OPEN HOUSE SATURDAYS AND SUNDAYS 10 AM - 2 PM

Rear camera with package purchase

Features include Balconies, Community Courtyard, All new upgraded appliances and designer lighting.

Rooftop deck, pet park Roof top pool.

Free Parking space one per unit for a limited time.

3 months free electric.

ASK ABOUT OUR AMAZING MOVE IN SPECIALS One Story Apartments $950-$1,395 Two Story Apartments $1,225-$2,295

Call 314.241.3800 gallery1014@stlluxury.com Now for your Private Tour www.STLluxury.com 48

RIVERFRONT TIMES

Call Angela Jansen ~314-645-5900~ Bankruptcyshopstl.com The choice of a lawyer is an important decision and should not be based solely on advertising.

DATING MADE EASY... LOCAL SINGLES! Listen & Reply FREE! 314-739-7777 FREE PROMO CODE: 9512 Telemates

EarthCircleRecycling.com

Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area.

Call Today!

314-664-1450

w w w. C e n t e r Po i n t e H o s p i t a l . c o m

AUDIO EXPRESS!

LUXURY ONE, TWO AND THREE BEDROOM TOWNHOMES

314-725-1499 ironagestudio.com

theslicedpint.com

The choice of a lawyer is an important decision and should not be based solely on advertising.

Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area.

Saint Louis Symphony Mannheim Steamroller Christmas Symphony

TATTOOING BODY PIERCING JEWELRY

In-dash or console mounted DVD player.

Two 7” headrest monitors. Changeable skins match popular interior colors. Rear view on 3” DVD monitor.

599

SOUTH 5616 S. Lindbergh • (314) 842-1242 WEST 14633 Manchester • (636) 527-26811

$

699

riverfronttimes.com

AUDIO EXPRESS!

DAILY 10 AM - 5 PM

South County/Lemay Area

99 00*

$ Save 280

HAZELWOOD 233 Village Square Cntr • (314) 731-1212 FAIRVIEW HEIGHTS 10900 Lincoln Tr. • (618) 394-9479

Unless otherwise limited, prices are good through Tuesday following publication date. Installed price offers are for product purchased from Audio Express installed in factory-ready locations. Custom work at added cost. Kits, antennas and cables additional. Added charges for shop supplies and environmental disposal where mandated. Illustrations similar. Video pictures may be simulated. Not responsible for typographic errors. Savings off MSRP or our original sales price, may include install savings. Intermediate markdowns may have been taken. Details, conditions and restrictions of manufacturer promotional offers at respective websites. Price match applies to new, non-promotional items from authorized sellers; excludes “shopping cart” or other hidden specials. © 2016, Audio Express.

NOVEMBER 2-8, 2016

SWEDISH & DEEP TISSUE FULL BODY MASSAGE

INSTALL !

D INCLUDE

Big split screen in mirror shows the blind spots before you turn or change lanes. PAL + NTAS compatible.

00*

Summer!

SL Riverfront Times

# 2006003746

A pair of high-resolution cameras with 150degree wide-angle lenses mounted on side mirrors are activated with flip your turn signal.

$ Save 240

assag e

314-620-6386

Low Package Price On Blind Spot Protection!

INSTALL !

D INCLUDE 99 $

U ltimate M by

Lowest Installed Price In Town — Every Time!

special asian massage HARD, SOFT, or SPORTS massage Let our Experienced Hands Massage you Today!

Relaxing Matter

13714-A Olive Blvd. • Chesterfield 314-628-1688 RelaxingMatters.com