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A R C H I T E C T U R E | 2 0 2 3
CO NT EN T S
01. THE BRICK KILN: AN ADAPTIVE REUSE An urban edge development project as a prototype for reusing abandoned Brick Kilns accross the country Undergraduate Thesis Project
02. A CITY IN SPACE A group housing project developed to conceive a housing complex, as a multifunctional neighborhood Design Studio Project
03. A CHIC BOHO APARTMENT Refurbishing and Redesigning an apartment in Gurgaon, a major satellite city of the capital city, Delhi. Interior Design Project in Gurgaon, India
04. BRICK AND BAMBOO ABODE A 350 sq yards residential project in DLF Hyde Park, New Chandigarh Residential Construction in New Chandigarh, India
05. OTHER WORKS
01 THE BRICK KILN - AN ADAPTIVE REUSE This thesis will be a study into how an old brick kiln can be rethought, designed and accentuated post its manufacturing phase through adaptive reuse Site in Baagwali, Haryana, India
Over the past few years, a lot of brick kilns have been closed down throughout the country leaving these land parcels abandoned or under - developed. Continuous urban sprawling has resulted in the exploitation of fertile agricultural land while ignoring the available land resource. There is a need to realise the potential of such land parcels. This adaptive reuse project will help create possibilities of infrastructural development and bring about awareness regarding the fact that - former kiln sites are not merely degraded areas, but can add value to the site and act as a catalyst for development of the neighbouring regions.
Undergraduate Thesis Project, 2021
The aim is to understand how an old brick kiln can be rethought, designed and accentuated post its manufacturing phase through adaptive reuse. The trilogy of the dying land, weak rural economy and crowded urban infrastructure will benefit from this study.
Zone 5 Complete experience of The Brick Kiln. Dining area inside the kiln would be a very exciting experience for both the urban and rural users
Zone 4 Building material users i.e. architects, vendors and buyers. A place to showcase various materials
Avenue wide walkway leading to The Brick Kiln and providing direct, clear views
Public Plaza
Parking
Various public plazas acting as meeting and activity points.
provided at comfortable distances from all zones
Zone 3 Zone 4 Informal market area with a food street to create a rural experience and encourage local artists and artisans to participate
Zone 1 Highway complex users to use public amenities like toilets and quick service restaurants
Community hall users for small events like birthday parties. A flexible space for a gathering of 50 - 200 people with closed, semi open and open areas
SITE LOCATION
Parking Pattern
Sun/Wind Pattern
agricultural fields
Zone 1 30 minutes - 1 hour
poultry farm
poultry farm
Winter winds trees planted in the NW to block the chilling winds
Zone 2 | 2 - 3 hours, Zone 4 | 4 - 5 hours
Winter winds bigger masses to prevent strong winter winds
Zone 3 | 3 - 4 hours, Zone 4 | 4 - 5 hours
agricultural fields Summer winds bigger built masses to block the summer winds
Shaded region suitable for open air activities
steel industry steel industry
Summer winds trees planted in the SE to block the hot and dry loo (summer winds)
barren land
barren land
GSPublisherVersion 0.0.100.100
Service Pattern
Program Pattern
circulation paths drainage pattern water supply pattern Maximum slope (Direction of surface runoff) Rainwater harvesting system
poultry farm
poultry farm
Zone 1 QSR and food courts
agricultural fields
Zone 1 highway retail facilities
Zone 2 Building material showrooms
Zone 3 cafetaria Zone 4 Informal retail, artisan shops, food street
Zone 3 multipurpose hall
agricultural fields Direction of drainage arrows indicating surface runoff
Service Road services for food courts and retail
Zone 4 restaurant / food court
steel industry steel industry
Service Area rear part of the site, inaccessible
barren land
Landscaping Pattern
Circulation Pattern
Shape of the site due to the shape of site, this acute angled corner becomes good for landscaping
Exit
Since brick kiln industry is a polluting industry, it is usually located far from rural or urban settlements or in the middle of agricultural fields. Continuous urban sprawling has resulted in the exploitation of fertile agricultural land while ignoring the available land resource. The aim is to understand how an old brick kiln can be rethought, designed and accentuated post its manufacturing phase through adaptive reuse.
poultry farm
Major Axis axis governing circulation
Vehicular Circulation vehicular movement restricted to zone 1 NH7 30 feet wide road used as access to the site
Entry
The abandoned kiln site is located on the National Highway 7 and is easily accessible to the passers by - both visually and physically. It experiences traffic of religious tourists travelling to Kedarnath, Badrinath, Gangotri and Yamunotri. Other tourists travelling to Nainital, Dehradun, Mussoorie and other hill stations of Uttrakhand will also take this route.
agricultural fields Service road existing 7 feet wide road used as service road
Avenue to provide a clear view of The Brick kiln Pedestrian Circulation pedestrian pathways connecting the zone 2, zone 3 and zone 4, leading to The Brick Kiln
poultry farm North, West edges To block the smell from the poultry farm and avoid undesirable views
Gulmohar trees to catch the eye of the passers by Existing row of trees along NH7
Jacaranda - ornamental trees
agricultural fields
Mango trees to bring in a native character and provide shade
Existing trees on site
Amaltas - medicinal properties can treat soil East edge To block the view of the industry and block the summer winds Ficus on the avenue because they can be trained according to requirement
steel industry
steel industry barren land
R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
barren land
PROPOSAL FOR REINTERPRETATION OF THE BRICK KILN
Reimagining the Chimney used as the focal point and landmark for the site.
1. Dismantle the existing roof Due to the poor condition of the existing roof, it must be dismantled
Thick walls to create a walkway for people to experience The Brick Kiln
enclosed structure to create an accessible garden
Creating avenues and vistasto draw attention to The Brick Kiln structure and provide clear views.
voids leading to the interior of the kiln - used as a dining area
2. Walkways and Gardens using the thick walls of the kiln to create public spaces and break down the huge solid mass by creating green spaces
MS framework to support the upper floor deck area
display areas and exhibitions for the industries in the vicinity
What makes a great public space ?
new walls added to accomodate services
3. New Roof covering creating a see - through covering to protect the kiln and let the users have a clear view of the site and the surroundings
R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
Great public spaces are those places where celebrations are held, social and economic exchanges occur, friends run into each other, and cultures mix.
SITE LAYOUT The site layout is such that multiple paths and avenues have been created, having a visual connection with the Brick Kiln. Pathways are pedestrian friendly and each one provides a different experience of exploration giving users the flexibility to choose as per the availability of time. A footbridge over the vehicular road ensures safe movement of pedestrians. The vehicular movement is restricted to some part of the site with parking spaces available at appropriate distances. Kos Minars spread throughout the site, act as places for drinking water. The landscaping is such that each zone is dominated by specific type of native plant/tree namely Amaltas, Jakaranda, Amla and Gulmohar. Planter beds with ornamental trees provide shade and space for people to sit and relax.
twisted brick columns as street lights
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shaded walkways
1. Kos Minar - availability of drinking water
2. Brick sculptures acting as mini focal points
3. Footbridge to allow safe pedestrian movement
4. Soil banks for planting ornamental trees and allowing seating for visitors
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R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
SECTION AA
FROM THE CENTRAL VISTA
FROM THE MARKET STREET FROM THE MARKET STREET
FROM THE SHOWROOMS
KILN PLAZA
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STEPPED SEATING WITH PLANTERS
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STEPPED SEATING WITH PLANTERS
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RAMP 1:12
2M WIDE CORRIDOR dry store n.veg store
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AREA = 80 SQM
AREA = 24 SQM
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veg store
AREA = 73 SQM
AREA = 24 SQM
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AREA = 87 SQM
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AREA = 20 SQM
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AREA = 32 SQM
SCULPTURE GARDEN
AREA = 20 SQM
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AREA = 8 SQM
AREA = 70 SQM
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AREA = 66 SQM
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AREA = 32 SQM
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AREA = 65 SQM
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GROUND FLOOR
AREA = 8 SQM
KILN PLAZA
LEGEND
KITCHEN RESTAURANT RESTAURANT CIRCULATION INSIDE KILN ICE CREAM / PAAN SHOP PUBLIC TOILETS HANDICRAFT SHOPS INTERIOR SHOWCASE SHOWROOMS
LONGER ELEVATION( ALL DIMENSIONS IN METRES)
R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
The plaza at the rear side of the kiln with gradual steps acting like a sit out space. It can host live music for a complete fine dine experience
A covered walkway on the upper level helps people experience the entire kiln and the site. Laser shows depicting the culture of Haryana on the vaulted roofs will become a major attraction making the local communities proud
During the night, The vaulted roof of the kiln is used to project the historically rich culture of Haryana making the local people feel proud. This could also motivate people to realise the potential of such land parcels and use the resource wisely.
R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
MARKET STREET
HIGHWAY COMPLEX
VALIDITY
PEBBLES TO COVER DRAIN
BRICK WALLS
VALIDITY
STORAGE
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The locational characteristic of the site has been used to the advantage of this project. By providing QSRs right at the entrance to the site, we can increase the footfall of people travelling on the NH7. “If we could combine Starbucks spirit with the spirit of the artisan, we know we could achieve something special.” - Kengo Kuma
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To promote the local artisans and craftsmen, an informal market street has been provided for them to sell their handicrafts. Since most of the footfall shall be from the destination-oriented urban youth, this will encourage rural-urban exchange and contribute to the nearby villages' local economy.
DRAINAGE PIPE
4.1
4.1
STRUCTURE
Front
The architectural language is in line with the concept of celebrating brick. The brick jaali wall and a concrete gargoyle become the stand-out elements here. The inverted arched windows bring a touch of modernism to the otherwise traditional brutalist materials.
Type 1 : Handicraft stalls PEBBLES TO COVER DRAIN STORAGE
REMOVABLE PARTITION TO ALLOW FLEXIBILITY
Each unit has a semi-covered spillover space with pergolas providing shade. The plaza leading to the QSRs has gradual steps with green pockets allowing people to sit and enjoy the clean air of the villages.
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metal framework with a basic brick structure and green roof
A 6m wide space covered with pergolas between two units act as a spillover
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This area is connected to the rest of the plaza by means of a footbridge to facilitate pedestrian movement.
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A catanary vault in the plaza area acts like a sunshade and enhances the overall experience of the user
5.1
Front
Type 2 : Food stalls
shaded seating and activity zones with a view of the brick kiln from the market street Tensile roof to cover the market units
Drain pipe
STRUCTURE Multiple informal pathways eventually leading to the Brick Kiln have been created with a different experience along each. The market street with food courts, street food stalls, and handicraft stalls have been placed along the central vista and the informal pathways. Each unit has a metal framework with a tensile roof. The interior is a temporary brick structure that can be modified per the vendors' interpretation, contributing to cultural and communal exchange.
R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
MS Frame 10 X 10 cm to support tensile roof Mesh frame supporting the hanging planters Drain covered with pebbles MS columns 10 X 10 cm
brick jaali wall and a concrete gargoyle pouring rainwater into the planter bed
View of the outside with the Brick Kiln as a backdrop
COMMUNITY CENTRE
SHOWROOM / EXHIBITION
VALIDITY On analysing the area near the site, it was realised that there are no places for local people and organisations to meet and socialise.
VALIDITY Many people from the neighbouring cities and villages visit the nearby kilns to procure construction materials. Showcases and exhibits regarding innovations in terms of types, colours and techniques of brickmaking can help people make informed decisions.
To enhance the experience for the urban crowd by familiarising them with the historical art and architectural elements, a conscious effort was made to integrate the architectural language of Haryana.
This provides a single platform to discuss multiple aspects of the construction industry.
Front Entrance towards the Brick Kiln. A 6ft. deep corridor to provide a shaded walkway
Laser shows depicting the culture of Haryana on the vaulted roofs will become a major attraction making the local communities proud. The community centre and Open-Air theatre provide a platform to generate a rural-urban mutual exchange of culture.
Stepped plaza in front of community centre to hold outdoor events
STRUCTURE STRUCTURE
The structure is a vaulted roof resting on RCC columns. Towards the front is a 6 feet deep corridor to create a shaded walkway with arched fenestrations to allow for unrestricted movement between various exhibits.
It was essential to provide flexibility in terms of indoor and outdoor spaces, which can be broken down into smaller segments when required.
The gargoyles collect rainwater from the vaulted roofs and pours the rainwater into the adjoining planter beds.
The layout is such that a visual connection is maintained with The Brick Kiln by providing a plaza in front of the building. A pre-function space in the form of a wide corridor looks out into the open space.
A parking space has been provided close to this area to assist the movement of heavy articles/exhibits
The meeting hall has been designed to be converted into smaller halls to cater to smaller gatherings. A service and a guest parking space allow the easy movement of users and services.
Rear entrance with a parking for people who don’t wish to experience the entire site
R I Z U L G U P T A P O R T F O L I O // T H E B R I C K K I L N
The arched doorways frame scenic views of the site
02
CITY IN SPACE Social Group Housing proposal for a 12.44 acre site in Greater Mohali Region, Punjab
Individual Academic Project
People need an identifiable spatial unit to belong to, but today’s pattern of development destroys neighbourhoods. The idea of creating a city in space came from the need to create an area to allow people to feel included in a close-knit community. A need was felt to impart a unique identity in order to bring about a positive growth in the urban morphology of this developing part of Greater Mohali, which is a new development. The design language and understanding of spaces is inspired from the Spanish architect Ricardo Bofill.
R I Z U L G U P T A P O R T F O L I O // C I T Y I N S P A C E
LAYOUT CONCEPT In order to have a comfortable space for a larger number of people living in a restricted space, it is important to ensure that public and private realms are taken care of.
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Balconies have been provided such that no two balconies face each other. This provides flexibility to the user to enjoy their personal space while leaving scope for interaction once they step out of the home. Various overlooking terraces have been provided to promote exchange. This allows more light and better ventilation subsequently.
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1. ENTRANCE 2. LIVING ROOM 3. KITCHEN 4. TOILET 5. BATHING AREA 6. BEDROOM 7. NICHE/POOJA SPACE 8. BALCONY 9. SHAFT
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EWS
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Each module has been planned around a central courtyard with 8-9 units around it. To make the building more habitable and keeping in mind the lifestyle of the people, there is a four storey limit.
EWS BLOCK PLAN Housing units have been planned around a central courtyard providing a common space for communal activities. On the first floor, a bridge connects the blocks together
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separate toilet and bathing areas to allow flexibility for the user
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4 1 1. ENTRANCE 2. LIVING ROOM 3. KITCHEN 4. TOILET 5. BEDROOM 6. BALCONY 7. SHAFT
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Shaded entrance to the EWS block from under the connecting bridge
1,2 BHK BLOCK GROUND FLOOR PLAN Lift lobby with a central courtyard. Shafts have been provided for ease of maintainence of services
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1,2 BHK BLOCK FIRST FLOOR PLAN There is flexibility in terms of open spaces for each block including private balconies, stepped terraces and courtyards opening up into larger green areas
R I Z U L G U P T A P O R T F O L I O // C I T Y I N S P A C E
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a sliding folding door between the bedroom and living area to open up the space in case of a gathering
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Arched entance to the lift lobby of the 1,2 BHK block reflecting the architectural language of punjab havelis
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1. ENTRANCE 2. LIVING ROOM 3. KITCHEN 4. TOILET 5. BEDROOM 6. BALCONY 7. POOJA ROOM 8. SHAFT 0 1’
balconies and open areas were given equal importance for natural light and ventilation
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1. ENTRANCE 2. LIVING ROOM 3. KITCHEN 4. DINING 5. BEDROOM 6. DRESSING 7. TOILET 8. BALCONY 9. SHAFT 10. COMMON AREA
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Overlooking balconies of a 4BHK housing unit
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2 4BHK DUPLEX BLOCK GROUND FLOOR PLAN There are four apartments on each alternate floor with a common lift lobby. The layout is such that each apartment gets a double height balcony
R I Z U L G U P T A P O R T F O L I O // C I T Y I N S P A C E
Layout on lower level
1. ENTRANCE 2. LIVING ROOM 3. KITCHEN 4. DINING 5. BEDROOM 6. DRESSING 7. TOILET 8. BALCONY 9. SHAFT 10. COMMON AREA 0 1’
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Layout on upper level
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Interconnected terraces at various levels
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Layout on upper level
Overlooking balconies of a 3BHK housing unit
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Layout on lower level
3BHK DUPLEX BLOCK FIRST FLOOR PLAN Staggered overlooking terraces have been provided for each apartment. This gives the users a private open space in their home. The uppermost levels have similar overlooking terraces acting as activity nodes
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3BHK DUPLEX BLOCK GROUND FLOOR PLAN A central service core with emergeny staircase. Multiple entrances through arched doorways are oriented such that cross ventilation is possible. Green planter beds in the lift lobby create a suitable microclimate
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The image shows EWS housing units in front and 1,2 BHK apartments behind them R I Z U L G U P T A P O R T F O L I O // C I T Y I N S P A C E
The image shows 3 BHK apartments in the front and 4 BHK apartments towards the rear
03 THE CHIC BOHO HOME Refurbishing and Redesigning an apartment in Gurgaon, a major satellite city of the capital city, Delhi.
Project with Studio Mohenjodaro
The clients, a young couple moving here from Chandigarh, reached out to us with the major concern of a lack of space since they are used to bigger houses. The couple wanted us to do this apartment in natural materials and finishes with easy breezy furniture. We were supposed to make sure that no space looked cluttered. The primary demand was the annexation of the social areas of the apartment with the kitchen, to provide ample space to invite friends and family. To help them escape the industrial looking Gurgaon scenes and keeping in mind the overall aesthetic demanded by the clients, we took the liberty of adopting a free-spirited approach to interior design — a style that fully embraces playful colours, textures, and patterns and embodies individual expression through the careful curation and layering of multicultural artworks and textiles.
LAYOUT LEGEND
The project program redesigned the kitchen space to accommodate more space and allow its open integration into the dining area. In the intimate portion, the master bedroom and two guest bedrooms were kept, which also serve as offices on a daily basis. The guy being a music enthusiast, wanted the front sun room to be converted into a home studio where he could put his drum set.
1. MAIN ENTRANCE 2. LIVING ROOM 3. BAR AREA 4. DINING AREA 5. KITCHEN 6. DRUM ROOM 7. PASSAGE 8. BEDROOM 9. DRESSING AREA 10. TOILET 11. POWDER ROOM 12. STAFF AREA 13. SERVICE ENTRY 14. STORE ROOM 15. BALCONY 16. DRUM ROOM 17. POWDER TOILET
In order to achieve a boho aesthetic, we added curves and arches in the ceiling and door openings and used pine wood because of its naturally light shade wherever planned.
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pictures taken at site Another major concern was the lack of storage and the small dressing areas. For this reason, we tried to accommodate storage in furniture pieces to keep essentials under wraps but at the ready. The goal was not to clutter the space by adding extra fixed storage units. All beds are box beds with storage inside them. The sitting ledge in the living room as well as the drum room, are designed such that they can be moved around and have ample storage space.
R I Z U L G U P T A P O R T F O L I O // T H E C H I C B O H O H O M E
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Wall hung rack to keep decoration pieces and planters
A sliding wooden partition with glass and cane panels to make it seem see-through
arched opening with a wooden moulding leading to the private area
arched opening with a wooden moulding leading to dining area
LVL+10’-0” LVL+9’-0”
Stepped seating with inbuilt storage
Drums Room
Living Area
Kitchen
SECTION A
LVL+0’-0” FFL
THEME AND DESIGN
At its core, the bohemian aesthetic is carefree and tied with this relaxed approach is a deep appreciation for art, culture and nature. The arched openings and curved ceiling designs provide a softness to the house. Hints of bold colours have been added by means of furniture pieces like a forest green sofa for the living room. The cane and glass partition between the living and drum room also gives a very earthy look. The kitchen cabinets also have a curved shutter design and are painted in a light blueish grey. Partitions and wall decor makes use of glass and mirrors to make the interior look lighter, brighter and larger. For the dining area wall, we chose a textured finish in beige colour. The walls behind the bed in the guest rooms have abstract graphical wallpapers in subtle but vibrant colours and wooden accents in bed designs. The furniture was designed mindfully to not make it look bulky in the available space.
LVL+10’-0” LVL+9’-0”
Balcony
Bedroom
R I Z U L G U P T A P O R T F O L I O // T H E C H I C B O H O H O M E
Passage
Bedroom with study table
Balcony
LVL+0’-0” FFL
SECTION B
BEDROOM WITH STUDY
SUSPENDED SHELVING
Wooden accents used in combination with patterned wallpapers
wooden shelving connected with jute ropes to keep planters in the living room.
R I Z U L G U P T A P O R T F O L I O // T H E C H I C B O H O H O M E
LVL+10’-0” LVL+9’-0”
DINING AREA A five seater circular dining table was designed to allow unobstructed circulation. A pendant bamboo lamp was chosen as the highlight element. Balcony
Dining area
bar cabinet with a wall hung mirror
balcony with a hammock and lots of plants
partition in cane and glass
stepped seating in living room
sitting ledge in drum room
bed and dressing table for master bedroom
SECTION C
LVL+10’-0” LVL+9’-0”
Balcony
Master Bedroom
Dressing area
Toilet
SECTION D
MASTER BEDROOM Wood and wicker was the theme for the master bedroom. A sleek pine wood pelmet to conceal exposed beams and curtains was integrated in the false ceiling design. A bamboo ceiling lamp complements the overall scheme.
R I Z U L G U P T A P O R T F O L I O // T H E C H I C B O H O H O M E
04 BRICK AND BAMBOO ABODE A 350 sq yards residential project in DLF Hyde Park, New Chandigarh
Project with Studio Mohenjodaro
Designed for a family of four, this house is a 10-minute drive from the main city of Chandigarh in a gated community. The house is built at the edge of a street of row houses with an enthralling view of the Shivaliks and part of the green belt adjoining the plot. The client, currently residing in Aurangabad, wanted a spacious house with clear views of the Shivaliks. A firm believer in Vastu, the aesthetic, including the material palette, orientation, and flow of spaces, was greatly influenced by the principles of Vastu. In terms of the facade, we wanted to use natural materials as much as possible to make it look timeless.
axono
FRAMING VIEWS Looking at the greenery around the plot, we considered designing a structure that can coexist with the existing landscape, without superseding it. At the same time, we aim to enhance the choreography of the home—how the residents interact with and move throughout the house. By framing views, it’s possible to blur the boundaries between indoor and outdoor space and encourage that natural flow.
SECOND FLOOR
Planter bed cladded with brick on the outside and a granite top
Planter bed cladded with brick on the outside and a granite top
Cut-out on the first floor
Rear Porch overlooking the green belt
Brick cladding
FIRST FLOOR Brick cladding
Metal and Bamboo pergola
Front Porch with a view of the Shivaliks
Double height dining area
Backyard
Brick cladding
EXTERIOR FINISHES The exterior has brick cladding in combination with a rough stucco finish. The exterior aluminium doors and windows are painted in steel grey colour. Jaisalmer stone has been used around the exterior doors and windows to create an elegant moulding design. The pergolas over the patios are made in metal and bamboo, complementing the idea of a rustic aesthetic for the facade. Indian granites in shades of grey and brown have been used for flooring.
R I Z U L G U P T A P O R T F O L I O // B R I C K A N D B A M B O O A B O D E
Metal and Bamboo Railing
GROUND FLOOR
Green Belt
R I Z U L G U P T A P O R T F O L I O // B R I C K A N D B A M B O O A B O D E
main entrance gate and railing made in bamboo and metal
front patio on first floor with a bamboo and metal pergola, stone moulding around doors and windows
rear patio on the first floor with a bamboo and metal pergola, stone moulding around doors and windows
second floor terrace
LVL+37’-3”
Jacked arch ceiling LVL+26’-6” LVL+25’-6” Metal and Bamboo pergola
kitchen garden in backyard on ground floor
Front Porch with a view of the Shivaliks Metal railing LVL+14’-6” LVL+13’-6”
Rear Master Bedroom
Sitting Area
Study
Toilet
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Metal and Bamboo gate and railing
LVL+2’-6” LVL+1’-6”
Activity Room
Family Lounge
Guest Toilet
Guest Bedroom
LVL+0’
0 1’ R I Z U L G U P T A P O R T F O L I O // B R I C K A N D B A M B O O A B O D E
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R I Z U L G U P T A P O R T F O L I O // B R I C K A N D B A M B O O A B O D E
05 OTHER WORKS
PANDORA’S BOX
LAHORI TOLA
A “Room” for Communication 120 Hours Competition, 2018 Team of 3 members
A traditional human settlement NASA Competition, Louis I. Kahn Trophy, 2018
Brief : To design an ideal room for communication and express how architecture can initiate communication. A physical space in a world where interactions have become intangible.
Brief : to document the evolution and construction of a dwelling that has a unique significance in terms of culture, community, crafts, and beliefs. It should have the potential to be termed as a heritage structure. BRAHMSTHAN
COURTYARD
The Brahamsathan is the most important zone of courtyard or open space in the centre, around which all other spaces are placed.
BRACKETS
The fenestrations in the building, face the South-East side which ensures passage of summer winds and the wall facing the North-West side is devoid of any openings, blocking the unwanted winter winds.
STAIRCASE
STAIRCASE
FIRST FLOOR
COURTYARD
TEMPLE The temple should be in N-W direction of building and should be south facing with no other level above it.
wooden beams
The space is a complete physical manifestation of the unconscious thought that governs communication. A metaphorical but timeless statement that aims to transcend morphological and semantic conventions. It has no doors, and communication with it doesn't require access—just being there is sufficient. The surrounding environment serves as its skin, providing points of reference with synthetically reproduced chaotic landscapes on each side. The viewer's perception is a reflection of their unconscious selves.
The gravity that pulls it into the world of reality obscures its communicative quality. Of course, it still speaks, acts, transmits, and communicates. It is commonplace.
ENTRANCE The entrance of the dwelling should be in the east or west according to the vastu of Lahori Tola.
Binding material made using gudd and gond
Lakhauri Itta (bricks originated in Lahore)
SECOND FLOOR BALCONY
THIRD FLOOR
“Banaras is older than history, older than tradition, older even than legend, and looks twice as old as all of them put together.” - Mark Twain Lahori Tola is a result of organic expansion of houses and temples arranged in a manner that creates open and closed spaces between the houses, creating an interactive environment among the locals. The above is a 130-year-old house, with the seventh generation inhabiting it. It is majorly made from stone, acquired from the Vindhyachaal range To improve the city's tourism landscape, the Kashi Vishvanath Corridor project was introduced and carried out, resulting in the demolition of nearly 300 stone-built buildings.
PARTITION DESIGN M
33 4"
2"
3"
B
A B-Groove on all edges
2"
Client: Mr. Kulwant Singh Design: The partition is meant to be a visual barrier between the prayer room and the living room. Due to the size of this partition, we decided to choose very easy breezy materials. A sliding partition which touches the false ceiling was designed in wood and cane.
2"X612" thk Wooden Frame 2"X2" thk Wooden Frame
2" 2"
2"
2"X612" thk Wooden Frame 2"X4" thk Sliding Wooden Frame 4mm thk Veneer pasted on 1" board
2"
2"
2"
M
Office Project, 2023
2"X2" thk Wooden Frame 2"X2" thk Wooden Frame
2"X612" thk Wooden Frame M
M
2"X4" thk Wooden Frame 4mm thk Veneer pasted on 1" board
2"X2" Wooden Frame
1"X1" Wooden Supports Hollow Space Cane Work 2"X2" thk Wooden Frame
8'-5 1 4 "
9'-4"
9'-6"
Fixed Panel
Sliding Panel
8'-1"
9'-6"
Cane Work
Sliding Panel
Fixed Panel
8'-1 1 4"
9'-6"
Cane Work
Fixed Panel
Sliding in this direction
BABA JI'S ROOM
2"
3 3 4"
2"
2"
41 2"
4mm thk Veneer pasted on 1" board 2"X6 12" thk Wooden Frame Hettich Topline 80 / 120 2"X4" thk Sliding Wooden Frame 2"X2" thk Wooden Frame 4mm thk Veneer pasted on 1" board Hollow Space Cane Work
2"
4"
Sliding Panel
Fixed Panel
3" 2"
Partition in the making ! The photographs have been taken from outside the prayer room. Once the partition slides to the left, the inverted arch design comes together to look like a capsule.
4"
SECTION FROM B
SECTION FROM A
Bottom of False Ceiling
1 " 2 1 6 2"
ELEVATION FROM OUTSIDE PRAYER ROOM
2"X4" thk Sliding Wooden Frame Fixed Panel
Sliding in this direction 2" 3" 2"
2'-921 " 2"
2" 2"3" 2"
2'-921 " 2" 3" 2"
3"
3'-91 2"
61 2"
4"
4"
1 " 2 61 2"
1 " 2 2"
2"
3" 3 3 4"
2"
2"
2"
4" 3"
Hollow Space
2"
LOBBY 2"
LOBBY
BABA JI'S ROOM
X
2"
4'-0"
SECTION AT X
For the convenience of use, a sliding divider was adopted. The left panel of the partition was left fixed due to the living room's furniture arrangement in order to prevent any circulation obstructions. The cane creates space for natural ventilation and lets light flood the living room.
61 2"
DETAIL AT M
The hardware is manufactured by the German business Hettich. This timber construction was supported from the top by a topline 80 channel.
A R C H I T E C T U R E P O R T F O L I O | 2 0 2 3 R I Z U L G U P T A
