CHARLES STREET TOW N H O U S E LANDMARK R E S TO R AT I O N NEW YORK, EE.UU
Completion date // 2011 Designer // Vladimir Sitta, Terragram Pty Ltd Architect: Chris Elliott Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Vladimir Sitta, Chris Elliott
The four story townhouse at Charles is situated on a charming tree lined block in the heart of the original Greenwich Village Historic District . Originally constructed as one of a series of three rowhouses in 1867 by Bartlett Smith, the brownstone facade and painted wood cornice is a typical example of the French Second Empire style common to rowhouses built in that period. Whilst the front facade has remained relatively unchanged throughout the building’s history, the interior had seen several renovations throughout the years which had not been so kind to it’s historic bones. Several historic details on the parlor level: base mouldings, crown mouldings, ceiling medallions, and fireplace mantles throughout the house had managed to survive.
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CHARLES STREET TOW N H O U S E LANDMARK R E S TO R AT I O N NEW YORK, EE.UU
Completion date // 2011 Designer // Vladimir Sitta, Terragram Pty Ltd Architect: Chris Elliott Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Vladimir Sitta, Chris Elliott
The four story townhouse at Charles is situated on a charming tree lined block in the heart of the original Greenwich Village Historic District . Originally constructed as one of a series of three rowhouses in 1867 by Bartlett Smith, the brownstone facade and painted wood cornice is a typical example of the French Second Empire style common to rowhouses built in that period. Whilst the front facade has remained relatively unchanged throughout the building’s history, the interior had seen several renovations throughout the years which had not been so kind to it’s historic bones. Several historic details on the parlor level: base mouldings, crown mouldings, ceiling medallions, and fireplace mantles throughout the house had managed to survive.
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GREEN VILLAGE PENTHOUSE Completion date // 2011 NEW YORK, EE.UU
Designer // Vladimir Sitta, Terragram Pty Ltd Architect: Chris Elliott Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Vladimir Sitta, Chris Elliott
This renovation transforms what was a beautiful, but austerely minimalist one-bedroom penthouse into a more livable apartment without losing its appeal as a glowing modern space high above Greenwich Village. The completed 1200 SF two-bedroom, two-bath aerie is wrapped by 860 SF of terrace with expansive views of NYC and beyond. Each floor incorporates a continuous visual plane running north-south, which separates the core private functions from the more public living spaces. Parallel translucent panels can be manipulated to create levels of separation at the openings in these walls. Silvery wood paneled boxes contain the kitchen upstairs and a second bedroom with a thickened wall containing various media and storage requirements downstairs. The warm natural tones of the furnishings contrast nicely with the abstract neutral
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GREEN VILLAGE PENTHOUSE Completion date // 2011 NEW YORK, EE.UU
Designer // Vladimir Sitta, Terragram Pty Ltd Architect: Chris Elliott Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Vladimir Sitta, Chris Elliott
This renovation transforms what was a beautiful, but austerely minimalist one-bedroom penthouse into a more livable apartment without losing its appeal as a glowing modern space high above Greenwich Village. The completed 1200 SF two-bedroom, two-bath aerie is wrapped by 860 SF of terrace with expansive views of NYC and beyond. Each floor incorporates a continuous visual plane running north-south, which separates the core private functions from the more public living spaces. Parallel translucent panels can be manipulated to create levels of separation at the openings in these walls. Silvery wood paneled boxes contain the kitchen upstairs and a second bedroom with a thickened wall containing various media and storage requirements downstairs. The warm natural tones of the furnishings contrast nicely with the abstract neutral
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The volume of the new master bedroom extends out from the second story, creating a carport below. Its exterior is clad with a living wall system on three sides, visually tying together the courtyard greenery with the planted roof. All landscaping is fed with a combination of captured rainwater and recycled domestic greywater. 14 // Terraces
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The volume of the new master bedroom extends out from the second story, creating a carport below. Its exterior is clad with a living wall system on three sides, visually tying together the courtyard greenery with the planted roof. All landscaping is fed with a combination of captured rainwater and recycled domestic greywater. 14 // Terraces
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B RO O K S AV E N U E HOUSE Completion date // 2011 VENICE, CA, EE.UU
Designer // Vladimir Sitta, Terragram Pty Ltd Architect: Chris Elliott Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Kenji Arai, Donna Kinsky
The clients for this project needed more space to accommodate the needs of a growing family, but they were reluctant to leave their location in Venice - one of the few walkable neighborhoods in Los Angeles. The solution was to maintain and remodel their existing 2000 square foot home, while creating a 1700 square foot addition and courtyard on the rear lane side. With an ideal climate for much of the year, a primary design driver was to create a seamless connection between inside and outside, while eliminating the need for air conditioning To this end, a central sculptural staircase links the ground floor with the rooftop deck, while doubling as a chimney to draw cooling breezes through the house. On the main floor, a sequence of pivoting doors opens the house to the courtyard, while
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B RO O K S AV E N U E HOUSE Completion date // 2011 VENICE, CA, EE.UU
Designer // Vladimir Sitta, Terragram Pty Ltd Architect: Chris Elliott Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Kenji Arai, Donna Kinsky
The clients for this project needed more space to accommodate the needs of a growing family, but they were reluctant to leave their location in Venice - one of the few walkable neighborhoods in Los Angeles. The solution was to maintain and remodel their existing 2000 square foot home, while creating a 1700 square foot addition and courtyard on the rear lane side. With an ideal climate for much of the year, a primary design driver was to create a seamless connection between inside and outside, while eliminating the need for air conditioning To this end, a central sculptural staircase links the ground floor with the rooftop deck, while doubling as a chimney to draw cooling breezes through the house. On the main floor, a sequence of pivoting doors opens the house to the courtyard, while
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1. Circulation Spine 2. Living/Dining 3. Kitchen 4. Grill Terrace 5. Living/Dining Terrace 6. Infinity Edge Pool 7. Pool Terrace 8. Guest Room Terrace 9. Guest Bedroom 10. Guest Bathroom 11. Pantry 12. Bathroom 13. Library 14. Reflecting Pool
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1. Circulation Spine 2. Living/Dining 3. Kitchen 4. Grill Terrace 5. Living/Dining Terrace 6. Infinity Edge Pool 7. Pool Terrace 8. Guest Room Terrace 9. Guest Bedroom 10. Guest Bathroom 11. Pantry 12. Bathroom 13. Library 14. Reflecting Pool
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HOUSE C-24 Completion date // 2011 Madrid, Spain
Designer // Roberto Silva Landscape Batavia Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer //BelĂŠn Imaz
This house is notable for the simplicity of its shape and structure. With geometric lines, Casa C-24 is divided into three volumes interconnected with the outside through large windows that open onto the first-floor garden. The kitchen and living room are separated by a 13 ft. (4 m) high sliding door, which creates a larger and brighter space.
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HOUSE C-24 Completion date // 2011 Madrid, Spain
Designer // Roberto Silva Landscape Batavia Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer //BelĂŠn Imaz
This house is notable for the simplicity of its shape and structure. With geometric lines, Casa C-24 is divided into three volumes interconnected with the outside through large windows that open onto the first-floor garden. The kitchen and living room are separated by a 13 ft. (4 m) high sliding door, which creates a larger and brighter space.
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Ceramic pots are porous, which makes moisture levels easier to control. Also, they do not get as hot as plastic pots.
The wrought-iron shelf and bench go well together, and the white flowers help the combination of the two colors to work.
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Ceramic pots are porous, which makes moisture levels easier to control. Also, they do not get as hot as plastic pots.
The wrought-iron shelf and bench go well together, and the white flowers help the combination of the two colors to work.
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C o u rt ya r d Garden Completion date // 2011 London, United Kingdom
Designer // Roberto Silva Landscapes Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Roberto Silva
This small, romantic courtyard is divided into two areas. On thin wooden decking, a white table with a matching parasol presides over the space closest to the house. Across the yard, potted flowers gracefully decorate the entrance to a small studio. A wrought-iron bench that has been painted white adds a touch of nostalgia. This small, romantic courtyard is divided into two areas. On thin wooden decking, a white table with a matching parasol presides over the space closest to the house. Across the yard, potted flowers gracefully decorate the entrance to a small studio. A wrought-iron bench that has been painted white adds a touch of nostalgia.
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C o u rt ya r d Garden Completion date // 2011 London, United Kingdom
Designer // Roberto Silva Landscapes Architects Contractors // Hodge Wright Constructions (builder), Michael Regnis (water feature contractor), Kell & Denson Stoneworks (stonemason) Photographer // Roberto Silva
This small, romantic courtyard is divided into two areas. On thin wooden decking, a white table with a matching parasol presides over the space closest to the house. Across the yard, potted flowers gracefully decorate the entrance to a small studio. A wrought-iron bench that has been painted white adds a touch of nostalgia. This small, romantic courtyard is divided into two areas. On thin wooden decking, a white table with a matching parasol presides over the space closest to the house. Across the yard, potted flowers gracefully decorate the entrance to a small studio. A wrought-iron bench that has been painted white adds a touch of nostalgia.
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