Thursday, March 27, 2025 Vol. 134 No. 25 by The Rocky Mountain Collegian

THE ROCKY MOUNTAIN

The Walter Kerr Theatre is decorated with flowers to promote the Broadway show “Hadestown” in New York City March 24. The theater was designed by Herbert J. Krapp and constructed in 1921. PHOTO BY

THE COLLEGIAN

Allie Seibel | Editor in Chief editor@collegian.com

Hannah Parcells | Managing Editor managingeditor@collegian.com

Claire Vogl | Executive Editor copy@collegian.com

Will Engle | Copy Chief copy@collegian.com

FOCO EVENTS

Candlelight: Vivaldi’s Four Seasons & More at The Lyric 6:30-7:30 p.m. March 28

Sam Burchfield & The Scoundrels with Graham Good & The Painters at the Aggie Theatre 8 p.m. March 29

“Ski: The Greatest Ski Tour of All Time” screening at The Lyric 6 p.m. March 30

ASCSU presidential campaign launched on Administration Building steps

“Our goal is to increase affordability through transparency so that every student, through their voice, feels like they know where their money is going.”

JOSEPH GODSHALL VICE PRESIDENTIAL CANDIDATE

By Sam Hutton @csucollegian

As students once again populated Center Avenue Mall, Associated Students of Colorado State University presidential candidate Jakye Nunley took to the steps of the Administration Building Tuesday, March 25. Alongside Nunley was his running mate, Joseph Godshall, who is seeking the vice presidential nod.

Nunley and Godshall are challenged by Rakesh Podder and Naga Somasekhar Prasanth Konada as well as Connor Flynn and Jonas Andersen.

By far the most experienced duo in the running, Nunley currently serves as the ASCSU chief of staff and Godshall as the director of public relations.

Podder is pursuing a Master’s degree in computer science and serves as a graduate research assistant within the department. Konada is also a Master’s student, studying computer information systems and working within CSU Marketing and Communications.

a junior biomedical sciences student who works within the college office in the biomedical sciences department.

Only Nunley and Godshall were present to formally declare their candidacy for student body president and vice president, as opposed to last year’s three-campaign crowd.

Citing time constraints, Flynn and Andersen have elected to not campaign ahead of the April 7 election. Podder and Konada have yet to respond to requests for comment.

Though Nunley and Godshall have been campaigning since the designated window opened after spring break, their early-morning stump declaration solidified their candidacy and allowed them to broadcast their campaign platforms and goals for office.

Both candidates briefly addressed onlookers in order to officially declare their candidacies before moving onto more concrete talking points and a demonstration of their campaign vision.

Godshall reiterated his experience within ASCSU and as a CSU presidential ambassador, adding that he’s the second-most-tenured current member of CSU’s student government. As a transfer student, Godshall argued his experience is bolstered through his exposure to other college institutions.

“I like to think I’m really engrained in campus life and culture,” Godshall said. “Through that connection, I’ve found that I have a lot of issues with campus life and culture, as I’m sure many people do. There’s a pretty big disconnect between the student population and our current administration.”

Godshall also expressed concern with the current relationship between students and campus leadership, pledging to work to increase engagement with the student body and communication with university administration and student organizations. Godshall also touched on the issue of student affordability, pledging to take a

“Our goal is to increase affordability through transparency so that every student, through their voice, feels like they know where their money is going,” Godshall said.

The campaign season comes in the midst of ongoing federal directives affecting student resources in higher education, leading to student protests and tense deliberations with university administration. Resolutions calling for the preservation of Cultural Resource Centers and diversity, equity and inclusion initiatives have been passed in the ASCSU Senate, receiving support from both Nunley and Godshall.

Nunley expanded on his ticket’s commitment to fostering an inclusive and welcoming environment on campus.

“No matter what it is you do, we imagine a CSU where students don’t feel as if they are tied to one walk of CSU or one walk of things because that’s not what CSU is,” Nunley said. “I’ve met so many people from CSU who I can relate to just from being a student here.”

Nunley also stressed the feasibility of their platform and goals while in office, contending many issues facing ASCSU and the broader student body can be remedied through community engagement and cohesion. In his first year at CSU, Nunley helped form the Students of The Oval Caucus, which works to promote outreach and bring in outside student voices to ASCSU processes.

“The leadership and the vision we have moving forward is a sustainable vision and a vision that we put a lot of intentionality and thought into,” Nunley said. “Nothing about this campaign was thrown together.”

Nunley and Godshall both mentioned reimagining the relationship between student government and Fraternity and Sorority Life at CSU. Godshall said his experience as president of Phi Kappa Theta motivated him to use his candidacy to more directly involve Greek life in the decisions ASCSU makes.

Nunley and Godshall will continue campaigning until the April 7 election.

Reach Sam Hutton at news@collegian.com.

NATIONAL ENGAGEMENT

Bernie Sanders, AOC’s ‘Fighting Oligarchy’ rally draws crowd of 34,000 to Denver

By JJ McKinney @jevonjjm

Thousands of people from across Colorado made their way to Civic Center Park March 21 in what was described as the largest Democratic rally since former President Barack Obama’s visit in 2008.

People gathered in lines that stretched multiple city blocks to hear independent Vermont Sen. Bernie Sanders and Democrat New York Rep. Alexandria Ocasio-Cortez speak on their “Fighting Oligarchy” tour across the United States, as they rally the population against President Donald Trump’s administration and the billionaires who support it.

“The most dangerous addiction in this country is the greed of the oligarchy,” Sanders said as the crowd erupted in cheers.

Ocasio-Cortez joined in Sanders’ message, speaking on what she said she believes is a dangerous time in American history as billionaires gain more influence in the U.S. government.

“Those with the most economic, political and technological power destroy the public good to enrich themselves while millions of Americans

pay the price,” Ocasio-Cortez said. “Our political system is ill-prepared for this kind of abuse of power. In fact, much of our political system enables it, starting with the role of money in politics.”

Ocasio-Cortez and Sanders called not only for a stronger Democratic party but for a bipartisan movement that unites working class Americans to push for reform in the federal government. This comes after a series of actions by the Trump administration that have led to funding cuts to health care, the National Park Service and, recently, the Department of Education.

Ocasio-Cortez highlighted the work of several prominent Colorado Democrats, including Sens. John Hickenlooper and Michael Bennet, Rep. Joe Neguse and, notably, Rep. Brittany Pettersen, who just recently brought her then 4-week-old baby to Congress to vote on a budget bill after being forbidden from voting remotely.

Several notable Republicans were criticized by Ocasio-Cortez as well, including newly elected Rep. Gabe Evans.

Evans responded in a press release last Friday, criticizing AOC, Sanders and the Democratic party’s policies on oil and gas.

“Congressman Evans is fighting for lower costs, safer communities and

making the American Dream possible for all Coloradans,” Evans’ team said in a statement. “His commonsense approach stands in stark contrast to AOC and Bernie Sanders’ extreme, anti-oil and gas rhetoric.”

Sanders and Ocasio-Cortez have been making multiple visits to Republican-heavy districts on their tour.

The pair paid a visit to the University of Northern Colorado’s campus to speak to students in the Bank of Colorado Arena. An estimated 11,000 people attended their speeches.

The tour has also made stops in Omaha, Nebraska; Tuscon, Arizona; and Las Vegas.

Several other notable keynote speakers took to the stage to rally for their causes, including multiple union leaders in construction and education and Federal Trade Commission Commissioner Alvaro Bedoya.

Members of the crowd resonated with Sanders and Ocasio-Cortez’s policies on affordable health care, housing and equal taxation, even going as far as chanting “tax the rich” when billionaire incomes were brought into question.

However, Democrats did not escape criticism, as multiple speakers and attendees alike expressed frustration over what they believe is inaction and

complacency in the Democratic Party.

Chants calling for Congresswoman Ocasio-Cortez to “primary Schumer” could be heard across the crowd. This is in response to New York Sen. Chuck Schumer’s decision to back a Republicanled government funding measure that has led to disapproval among his peers and constituents. This has led to a growing movement calling for AOC to replace Schumer in his role as a New York senator.

AOC said she hopes that rallies like this are just the beginning of a larger call to action to alter the federal government.

“Our goal today is not to just come together and share a few inspiring words and then go back to how things were,” Ocasio-Cortez said. “Our goal here today is for all of us to commit to building the kind of country we all deserve. We are here to take care of each other on our worst days and share in the successes of our best.”

Sanders finished his speech with a similar message.

“We are not going to align ourselves with dictatorships — we believe in democracy,” Sanders said. “We are the vast majority of people. ... We can defeat Trumpism and create a political movement so that we have a government and economy that works for all of us.”

Reach JJ McKinney at news@collegian.com.

“Our goal here today is for all of us to commit to building the kind of country we all deserve. We are here to take care of each other on our worst days and share in the successes of our best.”

ALEXANDRIA OCASIO-CORTEZ DEMOCRAT NEW YORK REP.

Sen. Bernie Sanders and Rep. Alexandria Ocasio-Cortez speak to a crowd of nearly 34,000 people at their “Fighting Oligarchy” rally at Civic Center Park in Denver March 21. PHOTO BY JJ MCKINNEY THE COLLEGIAN

CSU political science welcomes 3 new concentrations, announces returning courses

By Riley Paling @rileypaling

Colorado State University is introducing three new concentrations and bringing back various classes within the political science department. The reintroduction of the course POLS 308: Political Psychology comes alongside a broader set of changes aimed at giving students more focused, career-relevant paths within the major.

Political Psychology examines the way people form political beliefs, make decisions and respond to information, drawing on both psychology and political science. It delves into how identity, emotion and cognitive bias influence political behavior — topics that faculty say are more relevant than ever.

“The course investigates why people have specific opinions and why groups have specific opinions, and we try to figure out the differences between nature,” said Daniel Weitzel, assistant professor of political science. “So what comes from your genetics? Like, how much is predetermined — who you are, what is nurture, how

GRAPHIC ILLUSTRATION BY ASIYE UCTUK THE COLLEGIAN

much is your family, your friends, the schools that you go to? Like, how much does that affect us?”

These detailed insights learned initially in the course can also be applied to the broader political landscape.

“And then we also touch a little bit on the fact of, like, what is the system, the political system that you grow up in doing?” Weitzel said. “How is the system that you grew up in shaping the opinions that you have, the thoughts you have about politics more broadly?”

Political Psychology is one of the political science department’s courses being reintroduced for the 2025-26 academic year. Law, politics and government; power, justice and democracy; and public policy and service are the three new concentrations.

The first concentration, law, politics and government, is a revamped pre-law program requiring 12 upper-division

and law-focused credits. The second, power, justice and democracy, prepares students for careers in social change and nonprofit work. The third, public policy and service, aligns with an accelerated master’s program in public policy, said Tracy Close, a

“We’re really excited about where this puts us. These classes and concentrations help students go deeper, find what drives them and prepare for real-world challenges.”

TRACY CLOSE POLITICAL SCIENCE ACADEMIC SUCCESS COORDINATOR

political science academic success coordinator. She also emphasized the importance of intentional course selection and career development, noting that new check sheets

for these concentrations would be available soon.

Under the new system, students can choose to focus their coursework within a concentration or continue with a general political science degree. The goal is to give students clearer pathways tied to their interests and career goals.

“My concentration in power, justice and democracy will provide me with a strong foundation in legal knowledge and political activism, which is essential for helping others and offering legal guidance,” said Odeth Tomas Sarat, political science student.

“Additionally, I will gain valuable insight into the nonprofit sector. Having worked with nonprofits before, I truly enjoy the impact they make, and it’s something I’d like to be involved in again in the future.”

The curriculum changes also include several new and redesigned courses. In addition to Political Psychology, the department is introducing classes such as POLS

272: The Politics of Power, Justice and Democracy; POLS 309: Urban Politics; POLS 331: Politics and Society Along the Mexican Border and more.

Close said these updates are designed to reflect both student interests and a shifting political landscape that increasingly requires interdisciplinary knowledge and applied skills.

“We’re really excited about where this puts us,” Close said.

“These classes and concentrations help students go deeper, find what drives them and prepare for realworld challenges.”

The changes were finalized in late 2024 and will take effect for all new students in fall 2025. Current students will have the option to opt into the new system or stay within the existing structure.

Bringing back courses like Political Psychology while also introducing timely new content and clear concentrations puts CSU in a great position to serve the next generation of political science students.

“College is hard,” Close said. “College without passion is almost impossible.”

Reach Riley Paling at life@collegian.com.

VIRTUAL ENGAGEMENT

The rise of online activism: How social media is shifting ways people fight for change

By Gigi Young @csucollegian

In the digital age, activism has become easier than ever. With a simple repost, a trending hashtag or a 15-second TikTok, anyone can join a movement. But as social media continues to dominate the way people engage with social and political issues, it’s worth asking: Has activism lost its weight? Are people fighting for real change or just participating in a never-ending cycle of performative engagement?

Activism once meant protest, organizing and long-term commitment

SWEET TREATS

to a cause. Now it’s often reduced to a quick share on Instagram or a viral tweet. While awareness is crucial, the rapid pace of social media has made activism feel more fleeting; issues trend for a week and then fade into the background as the next crisis takes over social media. The sheer volume of online activism can make it feel overwhelming, leading many people to disengage entirely. When everything feels urgent, nothing feels important. Beyond that, social media has created a cycle of short-lived outrage. One moment, millions are posting about a global crisis; the next, the same people are back to their regularly scheduled content. This constant turnover can make it seem like activism is more about

appearing engaged rather than staying committed to real change. Unlike historical movements that took years of sustained effort, many social mediadriven campaigns fizzle out before tangible action can be taken.

We’ve all seen it: the black squares for #BlackLivesMatter, brands suddenly posting about a social issue when it’s trending, influencers sharing politically charged content they may not even understand. Social media allows people to present a curated version of themselves, and activism is no exception. It’s easy to post about a cause for social validation rather than genuine belief. And when activism becomes more about aesthetics than action, the actual fight for change takes a backseat.

The danger here is that performative activism can create a false sense of accomplishment. People feel like they’ve contributed by sharing a post or commenting on a viral video, even if they haven’t taken any meaningful steps toward real-world change. Meanwhile, companies and influencers use activism as a marketing tool, capitalizing on movements to boost engagement and sales rather than genuinely supporting the causes they promote.

The power of influence: Who’s really controlling the conversation?

Social media thrives on trends, and activism is no different. But who decides which issues get attention? Algorithms, influencers and engagement metrics shape

our feeds, often making certain causes appear trendy and others unimportant. This creates an uneven landscape wherein some movements receive widespread support while equally important issues are left out of the conversation.

Misinformation also spreads easily, influencing opinions based on viral content rather than facts. This makes it easier for people to adopt beliefs without fully understanding them, reinforcing echo chambers in which nuanced discussions rarely happen. The ability for anyone to share unverified claims means that activism can sometimes be based on incomplete or misleading information, weakening the credibility of movements that rely on social media for visibility.

Meta’s decision to remove factchecking on certain political content further exacerbates this issue, making it easier for misinformation to spread. Without fact-checking, people may unknowingly engage with false narratives, shaping their beliefs around misleading or inaccurate information.

The rise of influencer culture has also contributed to a shift in activism. When high-profile influencers share political content, their followers are more likely to engage with it — sometimes without questioning its accuracy or implications. This can create a bandwagon effect, wherein people support causes not because they’ve researched them but because someone they admire has endorsed them. While influencers can play a powerful role in raising awareness, their involvement also raises concerns about whether

activism is becoming just another form of social currency.

The

psychological toll of digital activism

Another often overlooked aspect of social media activism is the mental and emotional toll it takes on users. Doomscrolling through endless crises can create a sense of powerlessness, making people feel like no amount of action is enough. This phenomenon, sometimes called activism fatigue, can lead people to disengage entirely and feel burnt out by the constant stream of global issues.

At the same time, there’s pressure to always be engaged. People fear being called out for not posting about an important issue, leading to performative activism rather than genuine commitment. This creates a paradox that makes users feel obligated to speak out on every issue while simultaneously feeling overwhelmed by the responsibility of staying informed and active.

Social media isn’t inherently bad for activism. It has given marginalized voices a platform and allowed movements to gain momentum faster than ever. The BLM movement, climate activism and protests in Iran are just a few examples of how digital platforms have mobilized millions and brought attention to crucial issues. The challenge now is ensuring digital activism translates into realworld action.

Reach Gigi Young at life@collegian.com.

6 Van Leeuwen ice cream flavors ranked from best to worst

By Aubree Miller @aubreem07

Van Leeuwen, a boutique ice cream company that started in New York City in 2008, has based their business model on real, simple ingredients and Frenchstyle ice cream. The texture of all the flavors is incredibly smooth, creamy and decadent. Although the around $7 price tag is quite hefty, it lasts a while. They also offer a variety of vegan flavors along with dairy-based options. The high fat content and eggs create a luxurious experience that typically isn’t found with Philadelphia-style or “regular” ice cream. Here are some of Van Leeuwen’s popular and limited-time flavors ranked.

1. Honeycomb

Honeycomb was a favorite flavor, and though the name is a bit misleading, it was still very enjoyable. There was no actual honey, and the little pieces of caramel added a nice texture. The ice cream itself was creamy and smooth with a balanced amount of sweetness. The caramel pieces were also pretty small, so

they easily melted into the ice cream while eating. This flavor would have complemented some of the other offerings, especially those that didn’t have any mix-ins.

2. Coffee Affogato

Though I’m not typically a fan of coffee ice cream, the Coffee Affogato was quite enjoyable. Though having never tried traditional affogato — espresso over vanilla or plain gelato — it was quite enjoyable. Coffee-flavored ice cream is not typically a first choice, but this flavor was a standout. Rather than just being a coffeeor espresso-based ice cream, there was coffee alongside sweet cream, which made it taste more like actual affogato. That small touch added to the experience and to the taste, offering the opportunity to slightly customize the flavor. The texture was again very smooth and creamy.

3. Sicilian Pistachio

Sicilian Pistachio was not the best but certainly still good. Being pistachio, there was a robust nuttiness, but it could have been a little bit sweeter. It was not the most balanced, but it was still good. The Honeycomb could compliment it

very well by balancing the sweetness and adding some texture. Though it wasn’t a favorite, it was still enjoyable and worth purchasing again.

4. You’re My Brown Sugar Cookie Butter

The You’re My Brown Sugar Cookie Butter flavor was one of the limited-edition love languagethemed flavors that was released for Valentine’s Day and only available at Kroger grocery stores. It was good but didn’t taste like cookie butter. The swirls were sweet and flavorful but more similar to caramel than cookie butter. The brown sugar ice cream wasn’t overpowering, and the texture was fantastic, but the name didn’t really match the flavor.

5. Let’s Hang Out S’more

Another love language-inspired flavor, Let’s Hang Out S’more was fine but not something worth purchasing again. The ice cream itself was good, and the chocolate and graham cracker pieces were pleasant, but the marshmallow element was lacking; the swirl was more akin to royal icing than marshmallow. It was almost overly sweet, and the texture was not marshmallowlike at all.

6. Earl Grey Tea

Least favorite flavor: Earl Grey Tea. The bergamot notes were too strong; they overpowered the black tea and gave a bitter taste. There wasn’t enough sweetness to balance out the bitter notes, so it tasted like I was eating an essential oil-flavored ice cream. Overall, it was not very pleasant, but it has potential. If it had been a bit sweeter with less bergamot and the addition of vanilla and lavender, it would make a fantastic London fog ice cream. However, needing to come up with a new flavor idea loses it some points. Though not all the flavors were personal favorites, almost every ice cream had an enjoyable element to it. The texture was consistent throughout each one and as pleasant as an ice cream texture could be. Though some were more enjoyable than others, Van Leeuwen offers a more unique and gratifying experience than many other ice cream brands, and its variety of complex flavor combinations brings a taste of whimsy and intrigue to the dessert scene.

Reach Aubree Miller at life@collegian.com.

COLLEGIAN FILE PHOTO

FEARLESS LINES

CSU Freeride melds big sends, artistry on slopes

By Michael Hovey @michaelfhovey

To many, double black diamonds are an inconceivable spectacle. To freeriders, they’re a blank canvas.

In the world of collegiate skiing, Colorado State University’s Freeride club team represents something more radical than most traditional ski competitions. Founded in 2017, the student-led organization transformed from a small group of passionate first-year students into a competitive team that challenges the very definition of skiing. While many members strive to compete at the highest level, they know how to have a good time, too.

For those looking to connect with others interested in snow sports, CSU Freeride members encourage them to join. The thing attracting some, though, is tied to the sport its roots are embedded in.

Social Media Manager and team veteran Will Roberts understands where the nature of the sport of Freeride comes from as a competitor himself.

“(Founders of the sport) started having competitions in France and across the world on these gnarly, like, faces with just jagged rocks, jagged features, you know, ungroomed avalanche terrain,” Roberts said. “And, you know, they just had them send it off one at a time. And that’s how they figured out who the best skier was. And then it evolved into the circuit that is now the Freeride World Tour, which we ultimately are competing in the qualifier for the world tour.”

The team’s origin story is about as unconventional as its approach to skiing. What began as a casual gathering of

college students has evolved into a sophisticated athletic program that blends technical skill, artistic expression and a deep passion for mountain sports.

The early members weren’t professional athletes or sponsored skiers but simply a group of first-years who shared a love for pushing the boundaries of what skiing could be.

Unlike groomed runs or carefully constructed competition venues, freeride competitions occur on completely natural, unmodified mountain terrain. The riders are scored based on a complex system that evaluates line choice, style, fluidity and technical control.

To a typical skier, getting down difficult terrain is the goal, but club president Taz Feldis has a different perspective.

“Imagine a fairly rowdy-looking double black run, completely untouched,” Feldis said. “Whatever you can do with that run, however fast you can go, however good you can look going down it — that’s the competition.”

This is where freeriding separates itself from other disciplines.

It thrives on adaptability, creativity and the ability to read a mountain in real time.

Conditions shift constantly on the slopes, so what was powder in the morning might be ice by afternoon. And lines that seem smooth from a distance could conceal hidden dangers.

It’s about reacting to the mountain as it is in that moment.

The judging process is as intricate as the skiing itself. Competitors receive a visual inspection of the venue the night before, typically through a single photograph. On competition day, they’re given a brief window to inspect the run, carefully studying potential routes and features

UNCERTAIN OUTLOOK

without actually skiing them. Then, in a heart-pounding moment, each skier gets one run to showcase their entire skill set.

“The way those competitions work is so artistic,” Roberts said. “You get your venue, and the night before, they send you a picture. Then they get you up super early, before all the lifts open, and let everyone do an inspection run. You can’t hit any features. You’re just supposed to look for potential lines.”

This unique approach requires a different kind of athlete. For those looking to compete, the team’s baseline expectation is that members can confidently navigate double black diamond runs, creating a somewhat selective environment for serious mountain athletes.

Aside from just technical skill, freeride skiing is a mental game. Unlike traditional freestyle or racing events wherein athletes have multiple runs to refine their performance, freeride is a one-shot deal.

One run. One chance to put it all together. The pressure to execute a clean, fluid descent while navigating steep chutes, natural jumps and unpredictable conditions is immense. Those who can visualize their line, trust their instincts and adapt on the fly are the ones who rise to the top.

The team’s competitive structure revolves around the International Free Skiers Association circuit, touring through Colorado, Utah, New Mexico and surrounding states. They’ve developed a training approach that incorporates trampoline training, strength conditioning and mock competitions that prepare athletes for the mental and physical challenges of freeride events.

“We do practices every other weekend with professional coaching,”

Feldis said. “We’re working toward getting people better at overall skiing and preparing for competitions.”

Read the full version of this article at Collegian.com.

Reach Michael Hovey at sports @collegian.com.

The women’s division of the team has been particularly transformative, fostering a woman-centered environment. Grace Smith, the head of the women’s group, works to build stronger relationships throughout the club in addition to improving technically.

Season to remember, future unknown: CSU men’s basketball stands at major crossroads

By Michael Hovey @michaelfhovey

A truly historic run marks the end of an era. For Colorado State’s 2024-25 men’s basketball team, the ache of a heartbreaking second-round NCAA elimination may linger. For generations to come, it will be remembered as one of the greatest seasons in the program’s history with the Mountain West. However, head coach Niko Medved’s departure for Minnesota leaves a significant void, and with CSU set to join the Pac-12 in 2026, the program faces big questions.

What’s next for the Rams, and how will they navigate this critical moment?

CSU entered the 2024-25 season with low expectations. Preseason projections had the team ranked seventh in the MW despite appearing in the NCAA tournament just the previous season. There were some new faces in town, and the program lost its star, Isaiah Stevens.

Enter Nique Clifford. Clifford led the charge, posting 18.9 points, 9.6 rebounds and 4.4 assists per game, making him one of the most dynamic players in the

conference. The future NBA draft pick was often the focal point of the offense, especially during a rocky nonconference slate. The guard scored at all three levels, was named to the 2024-25 AllMountain West first team and had the uncanny ability to make contested shots.

He was a special player. He was a true difference-maker.

Clifford and the Rams wrapped up the year with a 26-10 overall record, including a 16-4 mark in the MW, finishing second in the regular season.

A historic journey leading to the first conference championship victory in over 20 years earned them an automatic bid to the NCAA round of 64, in which they made waves with a thrilling firstround win over Memphis before falling in a tight battle against Maryland.

An 11-game win streak heading into their final postseason game established CSU as a national contender. They nearly managed to pull off a second consecutive upset win before a controversial play in the final three seconds against UMD squashed what would’ve been CSU’s second Sweet 16 appearance.

Though they came up short in the end, the season was a success.

The Rams thrived on offensive efficiency, averaging 75.2 points per

game while holding opponents to 67.3. More importantly, they proved people wrong behind a roster largely composed of transfers and former bench players. Many fans had their doubts following CSU’s forgettable Rocky Mountain Showdown against Colorado early in the season, but that was just a part of the growing pains.

Contributions from players not named Clifford proved invaluable in the end, and the team looked more whole by the end of the season. The physicality of the squad certainly increased as CSU was greatly outmatched in size against Maryland. Bowen Born, Jalen Lake and Kyan Evans all stepped up big during March Madness and gave the graduating seniors a proper send-off.

But just as CSU was processing the end of a special run, Medved’s departure for Minnesota caught many off guard. Since taking over in 2018, he turned CSU into a top-tier Mountain West program, with three NCAA Tournament appearances in four years. His recruitment and retention ability and adaptability is something CSU Athletic Director John Weber witnessed firsthand.

“He understands Fort Collins extremely well,” Weber said.

“Colorado State has done a great job of recruiting into CSU. And you know, (that) is the way that it goes about building and operating. This program is something that we can all be extremely proud of. And the type of student-athletes that he brings into his program are all, you know, they’re all wonderful, great humans.”

Now the Rams are left with pressing questions about their roster, staff and overall direction.

Assistant coach Ali Farokhmanesh has been named interim head coach, which provides some short-term stability, but the biggest concern is roster retention. The NCAA transfer portal has made player movement easier than ever, and without clarity on the next head coach, CSU’s top players might explore their options. Read the full version of this article at Collegian.com.

Reach Michael Hovey at sports @collegian.com.

PHOTO COURTESY OF ELLA PETERS

Colorado State University men’s basketball players celebrate with the Mountain West Conference trophy after punching a ticket to the NCAA tournament following their championship win against Boise State University March 15. CSU won 69-56.

PHOTO BY PAIGE MOLENKAMP THE COLLEGIAN

SEASON WRAP-UP

Exploring past, future for CSU women’s basketball

By Sophie Webb & Devin Imsirpasic @rmcollegianspts

Colorado State women’s basketball led an impressive season, gathering 22 wins and going 13-5 in conference play. After a year of dedication and hard work, it all came to a halt as the Rams faltered and could not take the win in their first match of the Mountain West tournament.

But there is more to a season than just wins and losses.

Full season reflection

At the beginning of the year, CSU welcomed four main starters: Emma Ronsiek, Hannah Simental, Kloe Froebe and Brooke Carlson. And despite having a lack of chemistry, the team powered through the nonconference portion of the season, ending that era going 9-5.

There was no win drought throughout the season. As with all teams, every player had their off days, but the Rams did well bridging the gap and making up for absent talent.

What needed to happen in the MW tournament was one word: chemistry. CSU played its best in

the games against Gonzaga and Boise State, and although there were statistical leaders, it was a team effort. It was evident that CSU grew throughout its season, beating Air Force and New Mexico — teams the Rams lost to earlier in the season.

But with younger players emerging, there is a chance for CSU to build its roster and eventually have a solid, more experienced lineup.

Although a couple of powerful players, such as Ronsiek and Simental, are about to graduate from their statuses as a Ram, first-years such as Carlson and Froebe took the court by storm and are almost guaranteed to be team leaders in future seasons.

Overall, CSU has had a notable season, and by no means should it be considered poor. The ending did not seem to fit the story that the Rams tried to tell all season long, yet it closed out the season by saying one thing: so close yet so far.

State of CSU women’s basketball

Coming off a disappointing finish to a season with a promising look, the Rams leave some questions to be answered as the off-season creeps up.

CSU will look to find a true direction for this program. In coach

Ryun Williams’ now 13 years of coaching this team, he has won 20 plus games in the regular season nine times.

However, that has only culminated into one NCAA tournament appearance and one MW tournament championship.

For a team that, under Williams, has constantly rostered star players like Ellen Nystrom, McKenna Hofschild and Ronsiek, there is not a clear basis of what the goal is year in and year out.

Since its Mountain West championship season in 2015-16, CSU has tried various different roster-building techniques.

They have gelled together teams with loads of depth and multiple double-digit per-game scorers. Most of those teams finished with losing seasons or underwhelming MW tournament performances.

The Rams have attempted to build around one particular star who heavily outscores the rest, such as the 202324 season with Hofschild or the most recent season with the acquisition of Creighton star Ronsiek. Both attempts ended in not reaching the MW championship game.

The Rams need some change if they want their women’s basketball program

PHOTO BY CAIT MCKINZIE THE COLLEGIAN

to get back to winning conference championships and playing in the Big Dance. CSU has not been able to get over the hump of sustaining a good regular-season team that finishes seasons with hardware in some time now.

Read the full version of this article at collegian.com.

Reach Sophie Webb and Devin Imsirpasic at sports@collegian.com.

With a move to the Pac-12 just one season away, big questions arise for this program: What does it want to accomplish, and how does it want the future of this team to look?

Forward Emma Ronsiek (21) reaches to get the ball off a rebound during Colorado State University’s game against Gonzaga University in Moby Arena Dec. 8. CSU won 74-72.

FEDERAL TERMINATIONS

Cooperative Institute for Research in the Atmosphere affected by NOAA layoffs

By Katie Fisher @csucollegian

A Category 5 hurricane slams a local coastline, tracked every inch by satellites as it moves down the shore. Tornado sirens wire to life at the first alert of a vortex formation. Services are all possible through weather-tracking software developed in part by the efforts of the Cooperative Institute for Research in the Atmosphere, or CIRA.

Continuing at its current rate is the responsibility to protect the people continually being put at risk by the National Oceanic and Atmospheric Administration layoffs and budget

EARTH’S LUNG

cuts, which are fueled by the Trump administration’s Department of Government Efficiency.

CIRA, located on Colorado State University’s campus, was established through a cooperative agreement with the NOAA. Sixteen Cooperative Institutes span the country, with each serving a specific purpose in NOAA’s overarching existence.

“The idea is that the Cooperative Institutes bring the expertise of academia — the kind of ability to do cutting edge research — and then help NOAA with their forecasting and their kind of (operations),” said Matthew Rogers, assistant director for outreach and communications with CIRA.

All CIRA employees are directly employed through CSU and collaborate with the NOAA on various projects to design and implement research initiatives. The center exists to foster “multidisciplinary cooperation” between the NOAA and CSU research faculty and staff, as stated in the center’s mission statement.

“Our mission is: to foster additional collaboration with national and international agencies who are developing related capabilities; to affect the fundamental research conducted at the University towards NOAA’s operational needs; and to communicate our research and its practical implications to the scientific community and the public,” CIRA’s mission statement reads.

Research projects and technology developed through this missionary lens have real-world impacts, as CIRA Director and Professor of Atmospheric Science Steve Miller explained.

“We are the ‘high risk, high reward’ research arm of NOAA, making sure our nation’s forecasters remain on the cutting edge of technology and techniques for observing and forecasting weather hazards that impact our commerce, air, land (and) sea transportation, agriculture, coasts (and) fisheries and ecosystems,” Miller said.

The institution has operated a Geostationary Operational Environmental Satellite Earth Station since 1980. This technology is utilized in major news weather broadcasts across the United States.

Other research areas include computer science, artificial intelligence

and machine learning, data processing and distribution, Miller explained. The institute’s technology also helps other organizations that serve the general public, including the National Weather Service’s Aviation Weather Center, which assists the Federal Aviation Administration in guaranteeing safe commercial aviation, as well as NASA, the National Park Service and the Department of Defense. All public-facing services come at a low cost to taxpayers.

“CIRA helps NOAA fulfill its mission for societal benefit by connecting forecasters from the NWS, (National Hurricane Center and) AWC with tools critical to their jobs,” Miller said. “It is a 6 cent, per American, per day investment, with a huge return on investment.”

Yet the NOAA has found itself at the center of DOGE’s scrutiny, headed by Elon Musk. Created by an executive order issued on Jan. 20, DOGE was created to “implement the President’s DOGE agenda by modernizing federal technology and software to maximize governmental efficiency and productivity.”

One thousand and twenty-nine of the 12,000 total NOAA staff members were laid off Tuesday, March 11. More than 880 probationary employees were also fired in late February. In total, the terminations are heading to eliminate nearly 20% of NOAA’s total workforce.

Federal Judge James Bredar of the U.S. District Court for the District of Maryland has ordered federal agencies to

temporarily reinstate fired probationary workers, but the Trump Administration is actively appealing to the Supreme Court to halt the rehiring orders.

“There may indeed be places in government where efficiency needs improvement, but NOAA and especially its unique partnership with the top research universities in the nation is not one of them,” Miller said.

While the lasting outcomes of DOGE’s termination directives are yet to be cemented, the uncertainty of NOAA’s funding and the potential of further descaling of the organization is already being felt by its partners.

“If the NOAA budgets are cut, as indicators suggest, external partners such as CIRA and the 15 other NOAA Cooperative Institutes risk going down immediately,” Miller said. “We are almost completely reliant on NOAA funding.”

With the layoffs and budget constraints only occurring in recent weeks, CIRA has continued to work with funding that the institute was previously authorized to spend, Miller said. However, the institute’s hiring practices have already been affected.

“We are already putting pauses in hiring as we wait to see what the NOAA budgets will be,” Miller said. “The moment those cuts happen, we are affected almost immediately … and potentially in an existential way.”

Read the full version of this article at Collegian.com.

Reach Katie Fisher at science @collegian.com.

Colorado Forest Service measures forest carbon emissions

By Rebekah Barry @csucollegian

A recent study published by the Colorado State Forest Service took a deeper look into the impact of Colorado’s trees and how they store carbon. The findings reported that some of Colorado’s forests release more carbon than they draw due to dying trees that are actively decomposing.

Trees naturally store carbon in their bark, but the amount and the impact vary, especially when the trees decompose or are impacted by diseases or insects.

“In recent decades, those forests are where you are seeing that more carbon is being released than it’s being added,” said Tony Vorster, a research scientist and study lead at Colorado State University. “And what happens in those places is that as the trees decompose and break down, that carbon that’s stored in the wood of the tree, it’s broken down. So it goes in soil, but a lot of it goes into the atmosphere.”

The study’s geographical area is wide. Even with this information, it should be kept in mind that this data applies to recent years, and results fluctuate and can be nuanced.

“(The) bigger picture of this report found that Colorado’s forests hold a lot

of carbon, and that continues to this day, and it’s just in recent years that it’s releasing slightly more carbon than it adds,” Vorster said. “But when you just put it in perspective, if you were to compare the amount of carbon that it holds compared to what it releases, it’s like 0.06%, so a very tiny fraction of it at least every year. ... It’s pretty close to a balance.”

The data used in this study was collected between 2002 to 2019.

“(We’re) using a dataset called the Forest Inventory and Analysis program,” Vorster said. “(It) is a set of locations across the U.S. where the Forest Service goes out and remeasures those locations in the forest — in Colorado, it’s every 10 years. ... So all in all, we use over 250,000 tree measurements — single tree measurements.”

The results show that a variety of specific trees hold more carbon than others. Some trees act as carbon sinks, meaning they hold more carbon than they actually release into the atmosphere.

“(It’s) one kind of snapshot in time where we can use the best available information that’s available to us to say that, right now, we know from the last 20 years we’re a carbon source,” said Ashley Prentice, a forest carbon specialist and co-author of the study.

“But if we compared it to 10, 100, 200,

even 500 years ago, we could have a very different outcome. So the context and kind of the magnitude that we look at these things is really important.”

Specific species of trees that hold more carbon than others include spruce and fir. Some forests as a whole may also absorb more carbon than others, which can also be attributed to the individual species of trees found in specific areas of land.

“(In) terms of carbon emissions and our carbon flux or our carbon sequestration, those same forest types of spruce, fir, aspen, pinyon, juniper and lodgepole pine were the ... largest sources of carbon, but the ponderosa pine and woodland hardwoods forest types were actual carbon approximate estimated to be carbon sinks, though very weak carbon sinks, so they’re sequestering more than they are releasing,” Prentice said.

While this study focuses on Colorado’s forests, there are many other studies being conducted about the impact carbon has on forests in America. The research ranges from state and national parks to public and private areas, hosting a wide range of data to be analyzed.

“It’s a very active area of research,” Prentice said. “There’s a lot of geospatial analyses that can be done to tie geospatial products to field-based data. I would just

say it’s a very exciting realm of research as we’re all kind of, you know, trying to figure out what’s the best course of action and what we should be doing, what areas should we be prioritizing (and) what types of management treatment should we be doing.”

Even for those who do not have a background in research or forestry, there is a different perspective to consider.

“It’s interesting to know that when you look out in the forest, half of that

weight of the trees that you’re seeing out there is carbon,” Vorster said. “You see a beautiful view. You also see a huge carbon reservoir that sucks carbon out of the atmosphere and holds it. ... While these forests hold lots of carbon, they also cycle through times when they’re adding carbon, when they’re releasing carbon.”

Reach Rebekah Barry at science @collegian.com.

A field of yellow aspens sits just outside of Estes Park, Colorado, Oct. 8, 2021. PHOTO BY AVERY COATES THE COLLEGIAN

PHOTO COURTESY OF The cooperative institute for research in the atmosphere

1. Nique Clifford (10) dunks the ball following a fast-break steal in Colorado State University’s Mountain West tournament semifinal game against Utah State University March 13. CSU won 83-72.

2. Coach Niko Medved and his team celebrate after claiming their first MW championship in 22 years March 15. CSU defeated Boise State University in the title game 69-56.

3. Clifford dribbles around a University of Maryland player during CSU’s NCAA second-round game in Climate Pledge Arena in Seattle March 23. CSU lost 71-72 after a buzzer-beater from Maryland’s Derik Queen.

4. Kyan Evans (0) waits for a screen during CSU’s NCAA first-round matchup against the University of Memphis March 21. Evans tallied 23 points and scored six 3-pointers, the most for any player in an NCAA tournament game in CSU program history.

5. Jalen Lake (15) dribbles down the court during CSU’s game against Maryland March 23. The senior guard averaged 11.3 points throughout the 2024-25 season, the second-most on the team.

6. Guard Bowen Born (13) looks for a teammate to pass to during CSU’s game against Memphis March 21. CSU won 78-70 and advanced to the Round of 32 for the first time since 2013.

7. Ethan Morton (25) attempts a layup in CSU’s game against Maryland March 23. Despite being voted to finish seventh in the conference in the MW’s preseason predictions, CSU finished second in the conference, won the MW and advanced to the Round of 32 in the NCAA tournament.

8. Clifford keeps the ball away from defenders in CSU’s game against Utah State March 13. Clifford averaged 18.9 points, 9.6 rebounds and 4.4 assists per game throughout the season, leading his team in each category, and was voted to the 2024-25 All-Mountain West first team and defensive team.

9. Lake pulls up for a jumper in CSU’s 69-56 MW finals win over Boise State March 15. CSU’s victory punched its ticket to the 2025 NCAA tournament, marking the team’s third appearance in the past four years.

10. Evans attempts a shot during CSU game against Maryland March 23. Following CSU’s loss, Medved announced he would be leaving his position as the team’s head coach to accept a position at the University of Minnesota. 7 8 9 10

Upcoming FoCoMX lineup revealed at Odell Brewing Kick Off Party

By Riley Paling @rileypaling

Music lovers, local artists and beer enthusiasts gathered at Odell Brewing Company March 14 for a special showcase event previewing the 2025 Fort Collins Music eXperiment, more commonly known as FoCoMX. The event served as the official lineup release party for the annual festival, which is set to take place April 18-19 across nearly 40 venues in Fort Collins. With the brewery’s signature craft beer in hand and live music filling the air, attendees got their first look at the more than 400 Colorado-based bands and artists slated to perform during the two-day festival. The showcase at Odell Brewing not only built excitement for the upcoming event but also reinforced the deep connection between Fort Collins’ thriving music scene and its collection of locally owned businesses.

The night was highlighted by a performance by Bourbon Brass Band, a dynamic local group that brought high-energy, New Orleans-style brass music to the venue. The brewery’s rustic taproom and outdoor patio provided the perfect setting for guests to dance, cheer and soak in the talent that FoCoMX features each year.

Odell Brewing also contributed to the festivities with the release of a special edition beer called AMP’d, brewed exclusively for the event. The limitedtime beer was crafted to honor the festival’s dedication to local music.

“So we have, I think it’s 460 artists this year, but a lot of that might look a little different than you think because the whole day on Saturday at the Museum of Discovery are youth bands, and some of them only have, like, 20- or 30-minute sets, so there’s a lot more than normal,” said Greta Cornett, president and cofounder of Fort Collins Musicians Association. “But it’s still really cool to see, like, the cradle of the stage effect and seeing how awesome it is.”

The showcase also featured speeches from festival organizers, who reflected on FoCoMX’s growth and its role in giving independent artists a platform.

FoCoMX has grown into one of the state’s most beloved music festivals. The event, organized by the nonprofit FoCoMA, brings together artists of all genres, from indie-rock to hip-hop, folk, jazz and electronic music.

The festival was founded in 2009 with the goal of showcasing Colorado musicians in a setting that puts local talent first. Over the years, it has become a staple for music fans and an important stepping stone for up-and-coming artists.

“I’m always looking forward to playing with the songwriter showcase,” said Liz Barnez, a singer-songwriter performing at FoCoMX. “It’s always fun because it’s a spontaneous thing, and you never know what’s going to happen on that. We don’t get to see each other, and it’s such a supportive community. I’m just looking forward to going out and seeing my friends and being surprised by something new that really moves me.”

With many artists set to perform in April, this year’s lineup is one of the largest in FoCoMX history. The festival will take over downtown Fort Collins for two days, featuring shows at breweries, coffee shops, theaters and bars. Venues range from intimate settings like Wolverine Farm Publick House to larger stages like Washington’s and Aggie Theatre.

“It’s really about making community, friends and connections around music,” said Peggy Lyle, the executive director of FoCoMA. “My other favorite is to see the huge breadth of talent that we have in our community. We have over 400 bands that will be (playing) this year, and each one of them is just so talented in their own right, and there’s so many more that we didn’t have enough slots for. But I think that’s one of the most special things, is seeing how talented our community is.”

Tickets for FoCoMX 2025 are now on sale, with proceeds going toward FoCoMA’s mission to support local musicians through grants, workshops

and mentorship programs. A weekend pass grants access to all festival venues, allowing attendees to hop between shows and experience the diversity of Fort Collins’ music culture.

FoCoMX comes together through the efforts of volunteers, local businesses and music lovers who donate their time and resources. Organizers are still seeking volunteers for this year’s festival, offering free admission in exchange for a few hours of work.

As the showcase at Odell Brewing drew to a close, attendees left buzzing with anticipation for April’s festival. Whether they were longtime fans of FoCoMX or first-time festivalgoers, one thing was clear: The showcase set the stage for an unforgettable weekend of music, connection and celebration.

For more information about FoCoMX, tickets and volunteer opportunities, visit www.focoma.org.

Reach Riley Paling at entertainment @collegian.com.

The crowd gathers during the FoCoMX Kick Off Party at Odell Brewing Company March 14. PHOTO BY DARYN WHITMOYER THE COLLEGIAN

CREATIVE ADDITION

Students paint Clark C mural as building undergoes construction

By Janaya Stafford @csucollegian

As Colorado State University’s Andrew G. Clark Building continues to be demolished, a spark of creativity can be seen on the first floor of Clark C.

The Clark building has long been the primary location for the College of Liberal Arts, and with the recent construction, only parts of the building remain open. However, the reconstruction does not have to be the only thing associated with Clark.

Art students and Blake Leadership Scholars Laura Sanchez Unda and Koko Yagai designed a mural alongside graduate student Lara Van Vuuren and arts management Instructor David Pyle, who oversaw the project.

“It was just really part of revitalizing the building because it is an older building and there’s not a lot of life in there,” Yagai said. “So I think they wanted to ... give us the opportunity to show our creative abilities in a way that could also impact other students.”

The eye-catching colors of this new addition give some positivity to the hallway and host creativity

in a building surrounded by parts being constantly torn down.

“It was really wonderful to see students just catching a glimpse of it while it was being painted and then being unable to keep their eyes off of it — that was sort of our main goal,” Van Vuuren said. “Our biggest theme with this mural is that it was made by students, for students.”

While the campus community is able to enjoy the sight of this artwork, it is only temporary. Like the rest of Clark, this part of the building will go down eventually.

“Throughout a lot of my art classes, we’ve kind of been taught how time itself can be a medium, and the fact (that) it’s temporary makes it special,” Sanchez Unda said. “Those who saw it will talk about it like, ‘Yeah, there used to be a mural here before,’ and that’s why we have photographs to freeze that in time. So though it’s sad it’s going to be gone, there’s something special about art that isn’t permanent.”

This project went through multiple iterations before the final design was settled on. The majority of the project was spent brainstorming and ironing out all the details of which symbols and colors would best represent the CLA.

BROAD CREATIVITY

“I wanted to reflect the diverse disciplines within the College of Liberal Arts, and to do this, I wanted to incorporate symbolic graphics representing majors within the College of Liberal Arts,” Yagai said. “My goal was really to create a design that conveys a sense of optimism and growth for the future.”

Looking at the mural, viewers can see a mountain, a sun and multiple symbols sprouting around the mural that represent different aspects of the CLA.

“The focal point (is) a mountain because I wanted to symbolize the strong foundation that a liberal arts education provides, especially because mountains are associated with determination, resilience, strength, which are all qualities essential for interdisciplinary students,” Yagai said. “Those elements like the book, the graph, the paintbrush, the camera, are all specific to representing the majors like journalism, economics, political science and some other ones.”

Along with deciding the actual content of the design was the decision of which colors to pair it with.There was much to consider to make sure this piece was perceived exactly how the team wanted.

“(Clark) just feels very dead, especially at night, so I think

with the colors I just wanted it to be a little eye break, a little mental break, where you could just look at these bold colors and feel a little energized by them,”

Sanchez Unda said.

Although the artwork was meant to represent the CLA, it was not only CLA students who put their time and effort into this project.

Students from all different majors volunteered to paint and bring the vision to life. Each part was labeled with a number corresponding to the color it

needed to be painted. Volunteers spent their time carefully filling in each and every section.

“It’s literally kind of an adult, grand, paint-by-numbers situation,” Van Vuuren said.

Out of the four days they were scheduled to paint, the project only took two because of the help of the volunteers.

“A big marketing tactic for getting this volunteer opportunity out there was also because I think that people are missing an opportunity to collaborate and do

something artsy as opposed to go on their phones or just watch movies with friends,” Van Vuuren said. “It’s more hands-on, and I think people are wanting that intimacy — doing something creative with friends.”

The success of this mural leaves anticipation for what could be in store for more artists. For now, students and staff can enjoy this newest addition to Clark C. Reach Janaya Stafford at entertainment@collegian.com.

‘Conclave’ unveils battles of faith, power, deception within Vatican election

By Hannah Parcells @hannahparcells

“The throne is vacant,” declares the solemn Cardinal Joseph Tremblay (John Lithgow) over the deathbed of the pope, surrounded by a small group of the Catholic Church’s most powerful — and ambitious — members. This moment sets the stage for the cutthroat succession battle to follow in director Edward Berger’s “Conclave.”

Adapted from Robert Harris’ 2016 novel of the same name, “Conclave” peels back the gilded layers of the Vatican to expose the power struggles, ideological conflicts and moral dilemmas at the heart of the Catholic Church.

Ralph Fiennes leads a stellar cast as Cardinal Thomas Lawrence, a reserved Englishman serving as the dean of the

College of Cardinals. Fiennes is joined by Stanley Tucci, Lithgow and Isabella Rossellini, who collectively bring depth and nuance to this thrilling glimpse into papal elections — one of the world’s most secretive traditions. At its core, “Conclave” is a story about the intersection of faith and ambition. When the Pope dies suddenly, the College of Cardinals gathers in the Vatican for the conclave — a centuries-old tradition wherein cardinals sequester themselves to elect a new pontiff. Cardinal Lawrence, already plagued with doubts about his own role in the church, finds himself involved in a labyrinth of political maneuvering, whispered alliances and personal reckonings. The arrival of a mysterious latecomer, Cardinal Vincent Benitez (Carlos Diehz), throws the already fragile proceeding into deeper uncertainty, forcing Cardinal Lawrence to question not

only his fellow cardinals but also his own beliefs about the church’s future.

Fiennes delivers a masterly and moving performance as Cardinal Lawrence, embodying a man caught between duty and doubt, his composed exterior barely concealing the storm within. His subtle shifts in expression speak volumes, making every scene he inhabits compelling. Tucci, the charismatic and politically savvy Cardinal Aldo Bellini, provides a brilliant counterpoint, his every word laced with intelligence and barely veiled ambition.

Meanwhile, Lithgow as Cardinal Tremblay is a study of stoicism, representing the weight of centuries of doctrine in contrast to the film’s more reformist voices. Lucian Msamati delivers a standout performance as Cardinal Joshua Adeyemi, a conservative frontrunner for the papacy who ultimately faces the consequences of his own political agenda. Together, these men form the backbone of a narrative that thrives on both personal and ideological clashes.

“Conclave” is a visual masterpiece drenched in sharp contrast; bright white and crimson red saturate every shot as ancient architecture interacts with modern technology throughout the film. Cinematographer Stéphane Fontaine captures the grandeur of the Vatican with breathtaking precision, including the cardinals’ crimson robes and the ornate marble halls. Each frame is meticulously composed to highlight the contrast between the opulence of its surroundings and the heavy burden of its traditions.

The play between light and shadow within both the Sistine Chapel and the dimly lit hallways evokes an almost ethereal atmosphere, embodying the solemnity and gravity of the papal election. The cinematography turns the Vatican itself into a silent character — one that watches, judges and whispers its own secrets.

The film’s pacing, deliberately measured yet never sluggish, allows the tension to simmer while balancing suspense and introspection. The dialogue is sharp and purposeful, revealing the characters’ motivations and the high stakes of their decisions. As the cardinals cast their votes in secrecy, every flicker of an eye and pause in conversation carry meaning. The enclosed setting of the conclave intensifies the drama, creating a sense of claustrophobia that mirrors the internal conflicts each character faces.

With a keen attention to detail, Berger masterly turns this solemn, centuriesold ritual into a riveting study of power and its many faces. “Conclave” taps into timely themes: the friction between tradition and progress, the growing divide between conservative and liberal forces within institutions and the ways in which secrecy can be both a shield and a weapon. Through carefully written dialogue and hushed exchanges, the film subtly critiques the mechanisms of power, not just within the Vatican but in any institution where self-preservation competes with duty.

What makes “Conclave” a truly engaging watch is its refusal to simply provide all the answers. Instead, it invites the audience to grapple with the same

questions plaguing Cardinal Lawrence throughout the conclave: What does it mean to lead with integrity? Can faith and political maneuvering coexist? And perhaps most intriguingly, how much of change is destiny, and how much is manipulation?

The exploration of these questions transforms “Conclave” into much more than just a religious and political thriller; it is a profound reflection on the struggles faced by any institution standing at the crossroads of change.

Berger brings the audience into a world shrouded in mystery and forces viewers and characters alike to reckon with doubt and find comfort in uncertainty.Themes of tolerance and acceptance are presented in an altogether new light as Diehz’s Cardinal Benitez reveals the film’s final message: “I know what it is to exist ... between the world’s certainties.”

In the current political and cinematic landscape, “Conclave” stands out as a rare gem, as it delves into the human elements behind ecclesiastical proceedings and invites viewers to ponder the delicate balance between tradition and change within one of the world’s oldest institutions.

With powerhouse performances, stunning visuals and thought-provoking themes, it is not just a gripping drama but a significant and timely commentary on power, tradition and the ever-shifting tides of belief. For those seeking a film that challenges as much as it entertains, “Conclave” is an absolute must-see.

Reach Hannah Parcells at entertainment @collegian.com.

PHOTO COURTESY OF ARTS MANAGEMENT INSTRUCTOR DAVID PYLE

GRAPHIC ILLUSTRATION BY TRIN BONNER THE COLLEGIAN

UNLIKELY FUSION

CSU’s architectural range cultivates scattered yet intriguing campus

By Hayley Bisant @csucollegian

Editor’s Note: All opinion section content reflects the views of the individual author only and does not represent a stance taken by The Collegian or its editorial board.

The relationship an average student has with their college campus is far from normal. At least for the first year, it’s where they eat, sleep and maybe work. As a result, campus can seem to encompass a person’s entire life, but hopefully it doesn’t act as such an all-consuming black hole.

Regardless, university grounds tend to serve as a mini-city for students, becoming a cohesive and self-contained world. However, different areas of Colorado State University’s campus don’t fit together that well. They seem to exist as individual entities, almost as though a person has left one university and entered another on accident.

For students whose classes tend to be hosted in the same few buildings, this architectural incongruity may go unnoticed. However, students who are displaced across campus and must commute throughout the day have probably noticed a wide variety of architectural scenery. It only takes about 20 minutes to walk across the entirety of CSU’s campus, yet a stroll from one end to the other makes it seem as though a much longer distance has actually been traversed. Forget geographical distance — just a trip from the Lory Student Center to The Oval can feel as though one has traveled through time because of the drastic contrast in building styles. Personally, I’ve found myself wondering if I’ve wandered off campus when going for a stroll or scouting out classes at the beginning of each semester due to an encounter with a bizarre building I didn’t know existed.

That being said, it wouldn’t be accurate to say there’s no coherence to CSU’s grounds. In fact, various coexisting trends make this contrast so stark. A hodgepodge of unique buildings would be an aesthetic of its own, but CSU has seemingly jumped ship on several design concepts over time. There’s undoubtedly a historical reason for this, as construction has shifted and become more sustainable over the years. However, interesting contrasts exist between more modern buildings as well. The intersection of three specific concepts are the most glaring.

“Though the A and B wings of the Andrew G. Clark Building were before my time, its C wing also falls into this category, with an exterior reminiscent of a wine rack. Several affiliated buildings off campus follow this trend as well.”

many of these buildings distinct, their shared exterior creates visual cohesion between them.

Another prominent architectural trend ties back to some of the earliest colleges and facilities built for the university. As previously mentioned, The Oval offers a nostalgic glimpse into the past with its ornate, light brick buildings, adorned with intricate details like hardwood finishes and stained glass features. This seemingly Byzantine- and Renaissanceinfluenced style can be seen across CSU’s campus, with buildings like the Glenn Morris Field House reminding students of the establishment’s early roots. Once again, the brick exterior of these buildings links them together, as does their shape and intricacy. Despite modern renovations, they were clearly constructed separately from other buildings in Fort Collins, including those on campus.

VITAL CONVERSATIONS

What would CSU’s campus look like without DEI?

By Emma Souza @_emmasouza

Editor’s Note: All opinion section content reflects the views of the individual author only and does not represent a stance taken by The Collegian or its editorial board.

It is sickening to think that an alternate universe without diversity, equity and inclusion policies on Colorado State University’s campus is an entirely plausible one. Despite student protests, petitions and stale reassurances from university administration, we are already regressing into a campus culture completely rid of any diversity, equity or inclusion.

I think that a lot of people — especially those who are not as impacted by the DEI bans or those who partially support them — do not realize the scope of DEI. They do not realize all of the programs, facilities, scholarships, clubs, organizations and, essentially, livelihoods at stake and what our campus would look like without any DEI implementation.

The harsh truth is that a campus without DEI would not look or feel like a campus at all. Higher educational institutions, especially public colleges, have long been hailed as diverse for their range of opinions.

If you think about it, there will be very few other times in your life, from now until death, when you will be this

closely surrounded by people from different states, different backgrounds, different religions, different interests and different career paths.

The only similarity, the only common denominator between each and every one of us, is that we’re CSU students. That’s it.

Besides our university, there is no other trait that we all collectively share. Each of us in the vast pool of more than 33,000 is unique, diverse and different — in one aspect or another.

This uniqueness, these differences, used to be encouraged — celebrated, even — and each difference should be worth celebrating. But the last several months have revealed they aren’t equally celebrated.

While some are idolized — perhaps the differences that make you a straight, white, middle-aged, able-bodied, upper-class male — most differences are currently being federally persecuted.

These persecutions have already started on a local level.

CSU has wiped multiple pronoun pages and resources from its website, along with removing webpages for undocumented students and removing the word “undocumented” from the pages that do still exist.

As horrific as these changes are, a campus fully stripped of any DEI policies would look far more dystopian. There would be no Cultural Resource Centers to hire for, and therefore no CRCs for the students who need them.

There would be limited to no scholarships for students from places with historically low incomes, for students with learning disabilities or for students who simply cannot afford to attend otherwise. There would be no free contraceptive resources for students who need them and, therefore, more accidental pregnancies. There would also be a drastic hit to hiring. The academic department of race, gender and ethnic studies likely wouldn’t exist — at least, not in the same capacity. The only history taught might be an American one. Ethnic classes of every region might be predominantly staffed with white teachers.

At large, there would be less value in diverse feedback, in broad representation, in safety measures, in hiring procedures and, as a result, in properly representing all of America. With DEI so strongly under attack, one can clearly picture this version of campus. We are left to grasp at straws as to what the reality of the future will hold, as the CSU administration’s ambiguity has not instilled anything but fear. In spite of feeling horrified, CSU students have continued to speak more on these policies than those who created them. It is time for administrative clarity, followed by support, followed by staunch action.

Reach Emma Souza at letters@collegian.com.

“With DEI so strongly under attack, one can clearly picture this version of campus. We are left to grasp at straws as to what the reality of the future will hold, as the CSU administration’s ambiguity has not instilled anything but fear.”

Perhaps the use of pink and tan sandstone is the most notable trend. While the age and function of the buildings that fit into this category vary greatly, they’re all united by the same natural stone exterior. The stonework can be seen in several of the dorms, including Parmelee Hall, Braiden Hall and Allison Hall, as well as classroom buildings such as the Michael Smith Natural Resources Building or the Morgan Library. While there are unique features that make

Finally, the odd ones out band together to create a final distinct group. A great example is the Visual Arts building, containing exposed concrete and skylights that aren’t replicated anywhere else. Though the A and B wings of the Andrew G. Clark Building were before my time, its C wing also falls into this category, with an exterior reminiscent of a wine rack. Several affiliated buildings off campus follow this trend as well. If anyone has paid a bill in person, they know the Cashier’s Office is housed in a literal cube. These buildings would look less out of place if they existed on their own entirely, unattached to the rest of CSU.

While this variance certainly cultivates a hodgepodge effect, I’m personally a big fan. It means there’s a place on CSU’s campus for every student. It’s like experiencing the best of both worlds or, in this case, several.

Reach Hayley Bisant at letters@collegian.com.

GRAPHIC ILLUSTRATION BY ASIYE UCTUK THE COLLEGIAN

GRAPHIC ILLUSTRATION BY CADEN PROULX THE COLLEGIAN

CARPE DIEM

Living in the moment is harder than it seems

By Charlotte Seymour @csucollegian

Editor’s Note: All opinion section content reflects the views of the individual author only and does not represent a stance taken by The Collegian or its editorial board.

The phrase “live in the moment” appears in movies, books, billboards, social media and more. We are all told to enjoy where we are right now because we will crave it in the future, but no one talks about how difficult it can be to seriously soak up every moment.

When I was in ninth grade, my mom told me, “Enjoy these next four years of high school; they will go quickly.” I remember thinking there

was no way they would go by fast, but before I knew it, I was throwing my cap into the sky while tears streamed down my face.

It is a similar experience with college. We are currently in the weird part of the semester when everyone is waiting for summer to arrive, a very important part of the year because it’s when the school year ends. We are all figuring our lives out. This is a time we are going to look back on and likely wish we were still living in; we will yearn for it in the future. This idea is why we need to cherish the present moment, but it is so easy to long for the future.

My friends always used to tell me I seemed fairly good at enjoying every little moment and not getting caught up in the future. I took this as a compliment because I believe it is

a skill to honor what you have right in front of you. But throughout this recent year, I have noticed this trait slip away from me.

I always seem to set my heart on something in the future, whether that be Thanksgiving, Christmas, spring break or summer. I always want what is coming — not what I already have. Sometimes we are so focused on the future that we don’t realize we are in the middle of what we used to wish for.

It’s easy to evaluate this by asking yourself the question: Do you ever find yourself experiencing something and thinking, “I know I am going to miss this moment?” I sure have, and it’s such a strange feeling, to begin missing a moment while it’s still happening. It’s one thing to soak up a whole day or week, but I think it

“If you find yourself struggling to live in the moment, try to take a step back from all the gears that exist in your head and choose to admire what you have at hand.”

is even more challenging to enjoy a tiny moment.

It is difficult to sit and think about how amazing a moment is when there is so much constantly running through our heads. As humans, we are always planning the next thing and figuring out what’s to come. This is sad sometimes because I am a firm believer that there is no future without the present.

An old friend once told me, “Any moment spent in the absence of emotion is a wasted moment.” This always resonated with me because it is pointless to put effort into something without any emotion behind it, so we not only need to enjoy our experiences but also intentionally put emotion and value into them.

We are continuously creating memories, and it is important that we cherish the moments and emotions in which they originated. It is all about how we cognitively choose to go about this. In order to live in the moment, we need to shut off our brains and feel everything that is happening right here and now.

Acknowledging this is the first step, but it can still be super challenging to honor every moment and appreciate it for exactly what it is. If you find yourself struggling to live in the moment, try to take a step back from all the gears that exist in your head and choose to admire what you have at hand.

Reach Charlotte Seymour at letters @collegian.com

GRAPHIC ILLUSTRATION BY ALLI ADAMS THE COLLEGIAN

PUZZLES

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WEEKLY HOROSCOPE

By Sophia Masia

TODAY’S BIRTHDAY (03/27/25)

ARIES (MARCH 21 - APRIL 19)

Happy solar return, Aries!

If you still have one foot in the door, I invite you to step fully into the present and face the future this week. What happened doesn’t impact where you’re going, so lay it down, forgive who you need to, forget what you want to and start focusing on the results you dream of.

TAURUS (APRIL 20 - MAY 20)

Healing isn’t always pretty, but that doesn’t mean it’s meant to be done alone. Whatever you’re healing from, it’s time to bring it to your trusted confidants. There’s nothing you wouldn’t do for your friends, communities and chosen families, so let them return the favor. The well of human wisdom runs deep, Taurus.

GEMINI (MAY 21 - JUNE 20)

Sometimes a fresh, new start first begins with an unwilling goodbye. If you’re chasing a dream that no longer fits and you just can’t make it work, take this week to release it with grace. Good things are coming to replace it, Gemini. I promise!

CANCER (JUNE 21 - JULY 22)

You have outgrown your shell, and it’s time to let something go. There are major shifts happening

meant to be public, but you still need to express one way or another. Your daily routines need a refresh, so consider building habits that allow you to break out construction paper and Elmer’s glue. When was the last time you journaled, painted, crocheted or played your instrument just for fun, Scorpio?

SAGITTARIUS (NOV. 22DEC. 21)

in your career that may distract you from having to rip off the Band-Aid, but you first need to drop your beliefs around what’s possible for you; anything is possible, Cancer.

LEO (JULY 23 - AUG. 22)

Trust requires vulnerability — gross, right? But real growth comes from taking leaps of faith. Your beliefs are expanding, and your comfort zone is shrinking. Fear and uncertainty aren’t signs to retreat; they’re proof you’re evolving. Say yes to something bigger, even if it scares you. Confidence comes during action, Leo, not before it.

VIRGO (AUG. 23 - SEPT. 22)

Sometimes when you need something done right, you’ve got to do it yourself. You, however, need to stop doing everything by yourself. Surrender isn’t a weakness; it’s wisdom. Give yourself and others more compassion and gentleness this week. Trust and surrender will be your greatest teachers, Virgo.

LIBRA (SEPT. 23 - OCT. 22)

How are you holding up?

With Venus retrograde in your opposing sign, you may feel off, ugly or down on yourself. But this eclipse is sparking a major reset in your romantic, social and professional relationships. Take time to honor yourself, flaws and all. You bring value to every partnership, even when you can’t see it yourself, Libra.

SCORPIO (OCT. 23 - NOV. 21)

You know better than most that not everything is

Stress can creep in unnoticed, like when you’re writing an essay for hours before realizing your shoulders are up by your ears. If the vibe is off, consider you might be the energy vampire. Take this week to reconnect with your sense of joy, play, laughter and movement. Life actually is fun and games, Sagittarius.

CAPRICORN (DEC. 22 - JAN. 19)

Showing emotion and knowing the right thing to say is hard and awkward at times — I totally get it. But this is a gentle reminder that love doesn’t always have to be tough. Speak to yourself and others with compassion this week; everyone’s trying their best. Show up gently, Capricorn.

AQUARIUS (JAN. 20 - FEB. 18)

Trust that your ideas are valuable. The eclipse is refreshing the way you communicate, so take it as an invitation to speak boldly. Whether you’re demanding a raise or sparking a deep conversation, now is not the time to back down. What you want is within reach. You just have to claim it, Aquarius.

PISCES (FEB. 19 - MARCH 20)

You’ve been through it: love, friendships, career struggles. But this week marks a turning point. You’ve done the work, learned the lessons and built the confidence. Now you get to reap your rewards. Over the coming years, your friendships and finances will expand on the solid foundation you’ve laid. Stay up, Pisces. It’s your time.

Last edition’s crossword solution

Last edition’s sudoku solution

“I feel like I want to die of dysentery bro. This is inspiring.”

“San Francisco is like Disneyland for gay people.

“Your type is Democrat with a trust fund.”

“That fruity was a cutie.”

“Have you thought about just becoming enormously wealthy? That’s always an option.”

“I hope I get hit by a bike going like 35 mph.”

Have you overheard something funny on campus? Put your eavesdropping to good use. Tweet us @CSUCollegian and your submissions could be featured in our next paper!

Semitrucks

Homework over break

Red-eye flights

The fire emoji

Midterms after break

Maryland

Victorian houses

Study sweet treats

End of seasonal depression

San Francisco Spring hikes

Matcha lattes

Thursday, March 27, 2025 Vol. 134 No. 25

THE ROCKY MOUNTAIN

FOCO EVENTS

TOP STORIES

LETTER TO THE EDITOR

CORRECTIONS

EDITORIAL STAFF

CANDIDATE REPRESENTATION

ASCSU presidential campaign launched on Administration Building steps

NATIONAL ENGAGEMENT

Bernie Sanders, AOC’s ‘Fighting Oligarchy’ rally draws crowd of 34,000 to Denver

CSU political science welcomes 3 new concentrations, announces returning courses

VIRTUAL ENGAGEMENT

The rise of online activism: How social media is shifting ways people fight for change

SWEET TREATS

The power of influence: Who’s really controlling the conversation?

The

6 Van Leeuwen ice cream flavors ranked from best to worst

1. Honeycomb

2. Coffee Affogato

3. Sicilian Pistachio

4. You’re My Brown Sugar Cookie Butter

5. Let’s Hang Out S’more

6. Earl Grey Tea

FEARLESS LINES

CSU Freeride melds big sends, artistry on slopes

UNCERTAIN OUTLOOK

Season to remember, future unknown: CSU men’s basketball stands at major crossroads

SEASON WRAP-UP

Exploring past, future for CSU women’s basketball

Full season reflection

State of CSU women’s basketball

FEDERAL TERMINATIONS

Cooperative Institute for Research in the Atmosphere affected by NOAA layoffs

EARTH’S LUNG

Colorado Forest Service measures forest carbon emissions

Upcoming FoCoMX lineup revealed at Odell Brewing Kick Off Party

CREATIVE ADDITION

Students paint Clark C mural as building undergoes construction

BROAD CREATIVITY

‘Conclave’ unveils battles of faith, power, deception within Vatican election

UNLIKELY FUSION

CSU’s architectural range cultivates scattered yet intriguing campus

VITAL CONVERSATIONS

What would CSU’s campus look like without DEI?

Living in the moment is harder than it seems

PUZZLES

Sudoku

WEEKLY HOROSCOPE