Selected works from RMIT Culture collections and International Collections

Sam Jinks, Unsettled Dogs, 2012

What initially attracted me was the minimalism of the art’s composition, it conveys a seemingly superficial visual aesthetic yet hides a layer of abstract symbolism. The naked human bodies expose a typical intimate moment, giving the interpreters space to develop vulnerability towards the art. This idea echoes the theme of some of my own work. I like to create art that touches people, especially enlightening them with a fresh perspective towards the space surrounding us.

Sam Jinks

Unsettled Dogs, 2012

Silicone, pigment, resin, hair and fur

23 x 63.5 x 63.5 cm

Purchased through the RMIT Art Fund, 2012

RMIT University Art Collection

Fritz Köethe, Superstar, 1973

The style of drawing plus the saturated colour is what initially drew me to this piece of work, which created a strong juxtaposition with the bottom right side of the painting. The tittle Superstar is likely an insinuation of the draining nature of the entertainment industry. The confronting contrast between the texture of the skin and the icy, shadowy mechanical steel, symbolises the likely emotional damage celebrities experience. The ripped page mirrors the action of an exposé, which inspires me to also use my work as a platform to reflect on underrated issues in today’s society.

Fritz Köethe Superstar, 1973

Screen print on light cardboard

Edition: 766/1000

45.5 x 58.6 cm (image), 59.9 x 72.2 cm (sheet)

Donated by the Goethe-Institut Australien, 2010 RMIT University Art Collection

Gosia Wlodarczak, A Room Without a View, 2013

What seems like some random, meaningless scribbles sparked my curiosity. When I enlarged the artwork, I began to recognise the illustrations and letters hidden underneath. These details would’ve been easily dismissed from the first glance. In a way I’m able to relate to this style of art, whether it’s the action of self-doubting or creating hidden messages in our work. I believe every piece of art has its meaning and purpose.

Gosia Wlodarczak

A Room Without a View, 2013

Pigment pen, polymer paint and acrylic paint on board

121.2 x 341 cm

Donated by the artist, 2013 RMIT University Art Collection