SUBMISSION GUIDELINES
WHICH ARE
EITHER, IF READ
OR CONTEMPLATED
AS SUCH, RESPECTIVELY,
A POEM {CUM APPEAL}
(WHEN PUBLISHED BY THE ARTIST)
OR
A PICTURE
(WHEN
EITHER PUBLISHED BY OTHERS
OR, IN ANY EVENT, DISPLAYED,
[AS IT WERE])
OR, IF USED BY THE READER FOR THE ANALYSIS OF OTHER WORKS,
A TOOL
AND, IN ANY MANNER OF RECEPTION,
A SELF-REFERENTIAL ETUDE INGO PORADA MMIV
SUBMISSION GUIDELINES
BY
INGO PORADA
A
THE ARTIST (OF
POST-MODERN SOCIETY
N
BOX 439, TOKYO,
WILL CONSIDER FOR
D
100-8691*) APPEALS FOR
OUR MULTI-CULTURAL,
RECEPTION {
...
W O R K S
C. P. O.
DONATIONS OF}
O F
L I T E R A T U R E
WHICH { ARE IN BOOK FORMAT
AND WHICH ARE BI - LINGUAL
OR MULTI - LINGUAL
OR / AND BI - SYLLABIC
OR MULTI - SYLLABIC EDITIONS , IN ANY
* Please see www.j.mp/daluh for the current address.
SUBMISSION GUIDELINES
BY
INGO PORADA
TWO
OR MORE LANGUAGES
( INCLUDING ,
EITHER, BE IT BY THEMSELVES
OR IN COMBINATION WITH ANY ONE
OR SEVERAL
OR ALL OF THE OTHER ONES ,
ii
SUBMISSION GUIDELINES
BY
INGO PORADA
AS IT WERE , CONSTRUCTED
/
ARTIFICIAL ,
ALTERNATIVE , ARCHAIC ,
AND [ RE -] EVOLVING LANGUAGES ,
OR LANGUAGES WHOSE SIGNIFICATION POTENTIAL IS LACKING
OR INCHOATE ,
OR WHICH ACCOMMODATE ALTERNATIVE ,
iii
SUBMISSION GUIDELINES
BY
INGO PORADA
COMPETING , COMPLEMENTARY
OR / AND AUXILIARY SIGNIFICATION CAPACITY , WHETHER THEY DO SO
EITHER BY CONCEPTION
OR BY USE ,
OR BOTH ,
OR LANGUAGES FOR SPECIES - TRANSCENDING
OR / AND TRANS - HISTORICAL
iv
SUBMISSION GUIDELINES
BY
INGO PORADA
USE ,
I . E ., LANGUAGES FOR ‘ INTER - SPECIES ’
OR HUMAN - MACHINE COMMUNICATION ,
OR LANGUAGES FOR INANIMATE USERS )
OR / AND SYLLABARIES
( INCLUDING ,
EITHER, BE IT BY THEMSELVES
OR IN COMBINATION WITH
v
SUBMISSION GUIDELINES
BY
INGO PORADA
ANY ONE
OR SEVERAL
OR ALL OF THE OTHER ONES , AS IT WERE , CONSTRUCTED
/
ARTIFICIAL ,
ALTERNATIVE , ARCHAIC ,
AND [ RE -] EVOLVING SYLLABARIES ,
OR SYLLABARIES WHOSE SIGNIFICATION POTENTIAL IS
vi
SUBMISSION GUIDELINES
BY
INGO PORADA
LACKING
OR INCHOATE ,
OR WHICH ACCOMMODATE ALTERNATIVE , COMPETING , COMPLEMENTARY
OR / AND AUXILIARY SIGNIFICATION CAPACITY , WHETHER THEY DO SO
EITHER BY CONCEPTION
OR BY USE ,
OR vii
SUBMISSION GUIDELINES
BY
INGO PORADA
BOTH ,
OR SYLLABARIES FOR SPECIES - TRANSCENDING
OR / AND TRANS - HISTORICAL USE ,
I . E ., SYLLABARIES FOR ‘ INTER - SPECIES ’
OR / AND HUMAN - MACHINE COMMUNICATION ,
OR SYLLABARIES FOR INANIMATE USERS )
OR / AND WHOSE PRESENTATION
viii
SUBMISSION GUIDELINES
BY
INGO PORADA
OR NARRATIVE IS ADAPTED TO A LIMITATION OF SENSORY CAPACITY
OR / AND CULTURAL PURVIEW , WHETHER THIS ADAPTATION IS PRAGMATICALLY DEVISED
OR HAS EVOLVED IN THE DYNAMICS
AND HISTORY OF USE
AND IS THUS , FOR EXAMPLE , RESPECTIVELY ,
EITHER ix
SUBMISSION GUIDELINES
BY
INGO PORADA
INCLUSIVE , IN THAT , I . E ., IT PREPARES THE TEXT FOR
EITHER TACTILE READING
OR TECHNOLOGICALLY - ASSISTED , AURAL APPREHENSION
OR BOTH
OR EXCLUSIVE , IN THAT , I . E ., IT HERMENEUTICALLY ENCRYPTS THE SUBSTANCE OF THE TEXT
OR BOTH ,
x
SUBMISSION GUIDELINES
BY
INGO PORADA
WHERE THIS ADAPTATION IS RENDERED CONJOINTLY WITH THE ORIGINAL IN A COHERENT FORMAT ,
AND WHICH } RECORD IN POETIC FORM , OF THOSE CULTURES THAT HAVE BROUGHT THEM FORTH , THEIR PROFOUNDEST MOMENTS OF COLLECTIVE MORAL EXPERIENCE , INCLUDING THEIR HISTORICAL HIGH POINTS
AND THEIR HISTORICAL LOW POINTS ,
AND WHEREIN ALSO THE SUBJECTIVE CULTURAL EXPERIENCE OF THE RELATION OF HUMANS VIS - À - VIS NATURE
AND xi