ROBERT HEBBLETHWAITE
M Arch Year One University of Edinburgh | ESALA
03_POLITICAL THEATRE 24_MAKELAB 28_ESQUISSE CHALLENGE
ABOUT My passion is for context-responsive architecture, and the design possibilities afforded by material tectonics. Interests in graphical communication, industrial production, and physical making enrich my projects with wider 3D design.
29_BIO-CULTURAL HERITAGE CENTRE 30_HEALTHY LIVING CENTRE 34_SEAFOOD KITCHEN
As an Undergraduate, I experienced postindustrial renovation on a placement in Switzerland, and wrote a dissertation on Manchester canal warehouse conservation.
35_PLACEMENT
My M Arch thesis is investigating how architecture is influenced by digital culture, broadcasting and national identity.
38_DISSERTATION EXCERPTS
Between degrees, participating in a designand-build project in Borneo gave me tacit knowledge of how intent is translated into a real building.
39_CURRICULUM VITAE
03
CONENTS
POLITICAL THEATRE MEDIATED LANDSCAPE Conference Venue and Recycling Centre M Arch 1 | 2013-2014
Political Theatre, a landscape constructed between quarry and sea 04
LEGEND Klaksvík - Fámjin [Thread] Settlement Outlines [Vessels] Roads [Prosthetics] Ferry Routes Service Stations Electricity Grid Lighthouses Telephony Digital Transmitters 0
10km
LEGEND
LEGEND
Klaksvík - Fámjin [Thread] Settlement Outlines [Vessels] Roads [Prosthetics] Ferry Routes Service Stations Electricity Grid Lighthouses Telephony Digital Transmitters 0
10km 0
Klaksvík - Fámjin [Thread] Settlement Outlines [Vessels] Roads [Prosthetics] Ferry Routes Service Stations Electricity Grid Lighthouses Telephony Digital Transmitters
10km
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10km 10km
Living in an island territory is not the solitary existence it once was. Whilst the Faroe Islands are physically isolated by the North Atlantic, they are globally connected by electronic communication and mass air travel. In recent years, many of the islands have been connected by causeways and sub-sea tunnels. The Faroese Network City is sustained through infrastructure. Road, electric, telephone and broadcasting installations are physically economical. They are slender armatures, fixed across dramatic fjords, connecting the valley vessels and settlements. The Faroese Network City (With and without terrain)
Robert Hebblethwaite | Political Theatre
PROSTHETIC INFRASTRUCTURE
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Syðradalur Klaksvík - Syðradalur Line 56
Klaksvík
Klaksvík - Esturoy (Ferry Discontinued)
Leirvík CONNECTIONS PAST AND PRESENT
The studio focused on Klaksvík, second city in the Faroe Islands. Since 2006, Klaksvík has been connected by road tunnel to the capital, Tórshavn. Only one ferry connection remains, symbolic of a vanishing past. A stop-motion film was made from the ferry as it entered Klaksvík harbour. 06
Klaksvík - Esturoy Sub-sea Tunnel (Established 2006-07)
Specific Lines Lines that are observed being drawn in video stills
Radiator Emerges through the screen as a system of rods and masts
Gesso Smudges and Sea Smudges Razor thin edges, drawn in the direction of the smudge
Gesso Sheen Visible paint strokes in the gesso. Reminiscent of plane polarisation
Regulating Grid Applied and fragmented, covering the area of the town. Like a regulating grid used to scale a drawing
Horizon Line Loci Crossings of overlapping horizon lines.
REDISCOVERING THE HARBOUR
The stop-motion was transferred through projection and hand drawing to a gesso-covered screen in studio. Applying digital annotations coded the harbour through a series of elements. Interference is represented, from the drawer and imperfections in the screen.
Head, Drawing Hand, Feet Point cloud and wires tracking different positions of the drawer whilst at work
Robert Hebblethwaite | Political Theatre
Harbour Weave Abstraction of interwoven lines around the harbour
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Screen Elevation
Section of screen and annotations at studio scale 08
Screen Plan
Robert Hebblethwaite | Political Theatre
Drawer’s-eye Axonometric 09
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Robert Hebblethwaite | Political Theatre
Development by digital modelling and hand-sketching: One reciprocates the other
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Section Seam
12 Transforming
Screening
Entering
Screening
Screening
Screening
Washing
Sorting
Broadcasting
Organising
Occupying
Transporting
Entering
Preparing
Constructing
Signaling Storing
Performing
Orchestrating
Observing
Washing / Filtering
Identifying
Entering
Orchestrating
Signaling
Plan Slices 0
20m
Preliminary investigations. A section of the screen drawing is multiplied and arranged to define areas of programmatic enclosure. The seam cuts through auditorium, concourse, broadcasting tower, roof terrace, fly tower, recycling, archive and boat dock.; from quarry to sea. Shading and cross-hairs imply areas of density to be inhabited later by architectural elements.
Robert Hebblethwaite | Political Theatre
Sotring
Shelter
Construct Construct
Prepare Distribute
Perform Perform
Storing
Transform
Orchestrate Screening
Screening
Screening
Screening
Crushing
Washing
Sorting
Filtering
Washing
Filtering
Shelter
Broadcast
Hosting Identifying
Organise Entering
SCREEN MATRIX
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Location at the Harbour Mouth 14
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100m
0 100m
Robert Hebblethwaite | Political Theatre
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Site Plan 15
17.350 Broadcasting Studios 11.150 Media Library 8.350 Conference / Archive Retirement Home
Church Post Office
Brewery
5.400 Concourse 2.700 Actors Changing 0.000 Auditorium Floor
-6.000 Recycling Centre (Top)
-13.900 Recycling Centre (Bottom)
Visual Relationship to KlaksvĂk 16
INHABITED SCREEN
Transverse Section 1:500
0
25m
Robert Hebblethwaite | Political Theatre
The digital drawing is inhabited by a leviathan programme: political theatre, which investigates politics, drama and civic in the digital age. The undercroft contains recycling programmes, to supplement Klaksvík’s industrial waterfront. There is an honest translation of harbour elements from the digital model to the architecture of the concourse tower and deck. The spirit of Klaksvik’s waterfront as an inhabited screen successfully transfers. Both the unresolved drawing and the resolved theatre elements fuse in paper-space to make architecture
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1 LEGEND 1 2 3 4 5 6 7 8
Auditorium and Concourse Plan 18
0
Auditorium Public Viewing Gallery CafĂŠ Cloakroom Male WCs Female WCs Box Office Offices 20m
Entry to recycling centre via theatre concourse
Spare parts sold
Car body crushed for scrap metal Batteries removed and oil drained
Cars Unloaded and stripped of usable parts
Working against gravity
Car Recycling Logistics 1:200
Robert Hebblethwaite | Political Theatre
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AUDITORIUM TO KLAKSVÍK
QUARRY FAÇADE
At Political Theatre, drama is inseparable from its production location. The global Faroese diaspora, watching remotely via simulcast, identify with the town and form a virtual viewing community. For locals, the theatre is a place of escape: somewhere to observe Klaksvík in a new light.
Concrete beams fold from the land to enclose the theatre concourse. The media library reading room is characterised by timber louvres, whilst the private viewing capsules are prefabricated timber elements, slotted between structural elements.
MEDIA LIBRARY
Political decisions are often made outside the chambers of power. The promontory has varying degrees of enclosure: a large public walkway, with adjoining pockets for intimate conversations. Concrete ribs prop the structure from the landscape. The pier terminates in a view of the fjord mouth.
In the reading room and viewing capsules, the Faroese media archive can be enjoyed in its original format (such as cinefilm). Shared screenings reinforce a sense of national identity.
Robert Hebblethwaite | Political Theatre
PROMONTORY
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Car Scrapyard 1:200
Entrance from Quarry
Boat Berths
Specific Lines
Video of drawing
Harbour Weave
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Radiator (Registry Bars)
Recycling Undercroft Maw
Fabric up-cycling, looking to scenery workshop and recycling centre
Scenery Workshop 1:200
Drawing: Hand / Head / Feet Gesso Smudge and Sea Smudge
Roof Terrace
Concourse to Media Library
Roof Terrace and Broadcasting Level
Regulating Grid
EVALUATION BY TECHNIQUE
Similar representation techniques that distilled the screen have been used to evaluate the proposition’s success. The project was narrated through a wire frame animation of the whole structure, and key frames (perspectives). Political theatre demonstrates place-specific architecture can be derived by inhabiting cinematography and allowing heterotopic programme to interfere.
Robert Hebblethwaite | Political Theatre
Concourse to Theatre
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WOVEN FORMATIONS AA MAKELAB Parametric Design and Make Workshop AA Hooke Park | 2014
A week-long workshop combining parametric design with practical making. The woven wall was to frame a view vector to the sea, creating pockets of enclosure. Movement across a site impacted the growth of a small woven structure over several iterations. The process began by creating a curved component from timber lathes. Several parameters could be varied, including the aperture size, component length, direction of placement, and height of stacked components. This was my first acquaintance with parametric design. The experience taught me that computation is yet another tool in the designer’s arsenal. Although some factors, such as a view direction, might be defined by parametric rules, artistic license is still an over-riding force. We continually influence and tune the system, until a functional and aesthetically pleasing result is obtained. [Group work with other MakeLab 2014 participants]
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New component apertures and lengths are defined
Grasshopper finds the most moved-through point
Location of element stacking
Grasshopper defines component aperture, length and growth direction
Next iteration
Final iteration
Growth towards final point MATERIAL PARAMETERS
The direction to the sea is defined as a view vector. A web-camera tracks blue objects moving across the site. Grasshopper finds the point of most frequent movement. Our intervention is placed in the way, with a tendency to have wider-aperture components in the direction of the view. Further movement iterations are made, and the structure grows. As the intervention interferes with future movement, a feed-back loop emerges. Grasshopper suggests where the structure can grow vertically in height, according to the view vector.
Robert Hebblethwaite | MakeLab
A web-cam is used to plot movement across the site
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CONSTRUCTION
The choice of materials made construction simple. Thin lathes of green timber (5mm) had incredible bending properties. To begin, simple arched elements were produced, kept in tension with string. At points of inflexion, S-shaped elements were devised. Using nuts and bolts mean the structure could grow by fitting ever-more lathes onto one connection. The woven formation compliments the woodland context well.
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Robert Hebblethwaite | MakeLab
LIVING ON THE EDGE ESQUISSE CHALLENGE Housing that responds to Coastal Erosion RCHAMS Esquisse (2nd Prize) | 2014
Climatic extremes and the encroaching sea mean living on Scotland’s coastline in the late Twenty-First Century is a risky pursuit. Taking advantage of the tidal range for micro-electricity generation, these coastal long-houses are conceived as impermanent dwellings, which can be easily relocated inland. Every 10-20 years, the dwelling moves, and it chassis is left behind as an additional layer of sea defence. Living on the coast remains as rewarding as it is today.
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BIO-CULTURAL HERITAGE CENTRE BUYAN, SABAH
Two splayed wings reference the view out to the tourist Salt Trail and back to the village. The roof truss merges with an angled wall, designed for passive ventilation and sitting against to “chill-out”. Following the traditional vernacular, spaces are demarcated by subtle level changes. Group work was present at all stages: from collective design sessions, sourcing materials and teaching each-other building techniques. It was an amazing experience that progressed one’s architectural education rapidly. [Group stage finished September 2013. Final completion in February 2014] Project as of September 2013, the end of the group phase. Prominent are the roof-wall trusses, which give the building a distinctive form
Innovative material use: bamboo-earthbag staircase; bamboo screens and angled “chill-wall”
Robert Hebblethwaite | Bio-cultural Heritage Centre
Summer design-and build project in Buyan, Sabah, Borneo. The biocultural heritage centre will showcase sustainable community forestry resource use.
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DALMARNOCK WETLAND
Dalmarnock in Glasgow’s East End has long suffered from decline. However, the 2014 Commonwealth Games present the opportunity for intelligent renewal. The River Clyde is a psychological civic anchor. A new wetland connects the transport hub at Dalmarnock Cross with the river. Flooding problems are alleviated, grey water is remediated, and there is opportunity for recreation.
HEALTHY LIVING CENTRE Dalmarnock, Glasgow Fourth Year | 2013
A healthy living centre integrates a GP service with adult education and commuter cycle facilities. Civic is recognised as moving water: as guttering in the central hall, exit via the flood retention pond, or views out over the wetland. Formation of Sea Ice in the Turku Archipelago... (Yann Arthus Bertrand, 2003) inspired the tectonic.
200 year flood +9.3m
Tectonic Resolution: Civic amenities housed in brick-clad volumes and aggregated around a gathering hall
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10m
50 year flood 30 year flood +5 masl
Two façades were developed: a Civic front and stepped façade facing a wetland beyond 30
Master plan for flooding wetland
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2.5km
Water from North Dalmarnock bypasses the Healthy Living Centre
Retention Pond 21
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Phytoremediation ponds between tenements and channel
Tributaries
Remediated water outlet to Clyde
Masterplan Section: From the healthy living centre to the River Clyde
Masterplan creates a sustainable urban drainage system in an area prone to flooding. Greywater is phyto-remediated and returned to the River Clyde via the wetland
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1km
Robert Hebblethwaite | Healthy Living Centre
Moving fragment studies inspired by the aerial photograph: Formation of Sea Ice in the Turku Archipelago Finland (60 27’N, 22 00’E),Yann Arthus Bertrand, 2003
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Section A-A through multi-purpose hall, cafĂŠ terrace and GP room. Note the rainwater guttering system
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10m
Relationship between the GP surgery and retention pond
Section B-B through adult education college and GP surgery
0
10m
Post-consultation, patients leave the surgery via the wetland. Nature provides an emotional boost
1. Sustrans Offices 2. Changing Rooms 3. Cafe 4. Gathering hall 5. Trade School Workshop 6. Classrooms 7. Seminar Room 8. GP/Nurses Offices 9. GP/Nurses Rooms 10.Therapy Room 11. Reception/Waiting Room 12. Start-up offices 13. Lecture theatre
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6 4 6 7 3
Multi-purpose gathering hall, with view onto wetland
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Ground Floor 1:500
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Lower Ground Floor 1:500
First Floor 1:500
Technical Resolution of GP Room; An antique-Rose brick-clad volume
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2m
Robert Hebblethwaite | Healthy Living Centre
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FISHING COMMUNITY SEAFOOD KITCHEN Kerrera, Scotland Third Year | 2011
A prawn-fishing community aiding seasonal occupation of the remote Scottish Island of Kerrera. The masterplan is comprised of fisherman dwellings, wave-breaks, boat repair and a seafood kitchen. The Seafood Kitchen attracts gastrotourists, interested in prawn fishing, cooking and dining. The restaurant is structured as three heat stacks and a heat spiral. The culinary promenade ends at the dining table, reflecting the journey from sea to plate.
Cast models showing the visual relationship between (clockwise from top) fisherman dwellings, seafood kitchen, wave-breaks and boat repair
Tectonic Resolution: Heating stacks structure smoking, curing, preparation, cooking and eating of prawns 34
Transverse section through the bay
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20m
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East Elevation
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5m
Transverse Section
Robert Hebblethwaite | Placement
West Elevation
North Elevation
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POST-INDUSTRIAL RENOVATION
BAUBÜRO INSITU
Feasibility studies for the conversion of old silos at Rietschiareal (left), and Warteck Braurei (right) 36
RESIDENTIAL REFURBISHMENT BAUBÜRO INSITU Excepts from placement 2012
Work at Baubüro Insitu, Swiss architects specialised in post-industrial renovation, and O’Neil Associates, an award-winning Lakeland practice. Residential conversion of a bank-barn taught me the degree of resolution required for a planning application. At Bauburo Insitu, my work included a feasibility study to transform an old bottling plant (left), and the conversion of a restaurant to communal living (right).
Ground Floor
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5m
First Floor: Shower Room
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Robert Hebblethwaite | Placement
First Floor: Section Through Shower Room
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CARVER’S WAREHOUSE DISSERTATION EXCERPTS A multi-scalar analysis of conservation-led regeneration Fourth Year | 2013 MANAGED CHANGE and INFORMED CONSERVATION Managed change is described in Heritage Works as ‘[allowing] a listed building to change and adapt to new uses and circumstances in a way that keeps its heritage value intact’ This recognises historical buildings require practical reuse, to ensure their economic viability and continued maintenance. Informed conservation is promoted, as a logical, documented decision-making process. However, its rationality can be questioned. Since design is a critical act, and engagement with heritage is strongly emotional, professional values will always influence a project. Own its own, reliance on intervention supported by scientific archaeology, can never achieve the unity in composition that creative design re-establishes. On the other hand, the system does require decisions to be justified in writing, and documents evidence for the future. Protective legislation has become the test establishing a minimum quality threshold. This trend represents the evolution of conservation to a design philosophy.
ultimately concerned by economic viability. Conservation professionals, are custodians of cultural value, but may have little interest in the practicalities of modern use. Architects synthesise competing cultural and economic demands through creative design, simultaneously employed by the client and with a professional duty to represent community interest. Giles and Hawkins (2004) argue conservation is only successful because it is joined with public appreciation. The sustainability of conservation-led regeneration is well represented by the term urban stewardship: ‘a sort of management by incremental change, coupled with selective strategic interventions to effect wider progress and improvement’. Interest in conservation increased in the 1970s, contemporaneous with the increase in environmental consciousness. Managed change ensures the built environment, as a resource, is sustained and enhanced for future generations. FINDINGS: COMPARING SCALES Interventions that claim to be physically and visually minimalist actually have a great impact on cultural value, requiring careful design consideration. Minimal intervention does not preserve historical identity. Instead, conservation should judge where interventions can be radical or subtle.
Furthermore, adopting a common philosophy ensures the renovation team are brought together. Developers are
Carver’s Warehouse (courtesy GMAAS) 38
Carver’s Warehouse: Conversion to speculative offices
PRESTIGE Intellectual productivity is enhanced by being accommodated where a strong genius loci already exists. Speculative office conversion has relied on minimal physical interventions, like service routing of power and data, recalling a process of reoccupation through fixtures and fittings. As a speculative office, Carver’s Warehouse reflects Zukin’s assertion that conservation makes unique historic buildings conform to world market trends. Footloose-tenants, such as TechHub, benefit from the prestige of historic identity, associating this with their own identity. This combination, forward-looking and referencing past success, is evidenced in the master plan wording, Marketing Manchester’s promotion of OriginalModern, and selective new interventions, such as the glass atrium. PHYSICAL-RHETORICAL Urban renaissance is both physical and rhetorical, with rhetoric arriving before the reality. Without place‑marketing, the economic resources for conservation-led regeneration would be scarce, despite the enthusiasm of strongly motivated individuals and communities. Having a strong vision, whether on the master plan scale or (as with Stockley’s vision for Carver’s Warehouse) individual buildings, encourages confidence and investment. It also gives the design team direction, and ensures actors on the urban scale, work towards a common aim.Vidler suggests the resistance of the
Truss mounted hoist preserved and made a feature
city to change is both physical and mental, implying managed change is as much about symbolising the reinvented identity of an urban landscape, as physical change. The renovation of Carver’s Warehouse, the earliest surviving canal warehouse in Manchester, performs this role. AUTHENTICITY Authenticity is not just a concern for documentary evidential value, but recognising the significance of a building component, structure, or city-quarter and preserving its essence. The critical act of design synthesises new programme with existing cultural and economic value. Glazing the boat holes, and reusing the loading doors for access, were physically minimal interventions that greatly reinterpreted their significance. However, managed change recognises preserving heritage assets in a fixed historic era prevents new occupants ascribing their own meanings, through interpretation and reuse. This particular conversion has a poetic quality, since speculative office space, like the storing of goods, is largely transient in nature. CONCLUSION Managing identity is about securing confidence in new development rather than explicitly preserving the old. Although conversion at Carver’s Warehouse has secured its physical future, the project has far greater symbolic value, showcasing Manchester’s adeptness at reinvention and revival.
New glazed atrium, a pragmatic response to circulation
PRACTICE
ACADEMIA
SKILLS
Hypostyle Architects | Assistant (Part I) Edinburgh (Jun - Aug 2014)
Data Centre | Mediated Landscape Orkney Islands (2014 - Present)
My passion is for architecture that is strongly imbued with a sense of place, is finely crafted, and rich in material tectonics. At Masters level, my work has been influenced by interests in digital culture, cinema and visual perception. Projects have included a simulcast theatre in the Faroe Islands, and a data centre for marine renewables in Orkney. As an Undergraduate, I experienced post-industrial renovation in Switzerland, and wrote a dissertation on the conservation of Manchester’s canal warehouses. Between degrees, a Summer design-and-build project in Borneo gave me practical knowledge of how design intent is translated into a real building.
ECA Esquisse | Competition Second Prize (Jan 2014)
MakeLab AA Summer School, Hooke Park (2014)
O’Neil Associates | Assistant Kendal (Oct - Dec 2012)
Political Theatre | Mediated Landscape Klaksvík, Faroe Islands (2013 - 2014)
Architectural Design - Hand-sketching ability - CAD drawings with intricate lineaments - Strong physical modelling: for idea development and presentation - Digital modelling and visualisation - Media: Photography, sound, video and web!
Baubüro Insitu | Internship Basel (Apr - Sep 2012)
Architecture is a social art: I am an effective team-worker, and communicate well with colleagues, clients and contractors. My personality balances self-direction and the ability to listen and learn. Engaging Architecture academically has been tremendous. However, I relish the challenge of real practice.
PRP Architects | Work Experience Manchester (Jan - Feb 2012)
Dalmarnock Wetland | Healthy living centre Dalmarnock, Glasgow (2013) -Shown: Shrinking Cities, Expanding Landscapes
PERSONAL STATEMENT
Date of Birth: 15th May 1991 Nationality: British Marital Status: Single RECENT EXPERIENCE Edinburgh University Student Architecture Society (EUSAS) | Secretary Edinburgh (2014 - Present): Event organisation, public speaking, minuting, correspondence - Co-organising and publicising the Autumn lecture series (‘Architecture and...’) - Arranging travel and accommodation for speakers (Rachel Armstrong, Neil Spiller) - Introducing lectures. Chairing Conservation and Participation debates - Front of house. Minuting at committee meetings. Answering email correspondence Hypostyle Architects | Architectural Assistant (Part I) Edinburgh (Apr - Aug 2014): Surveying, detailed and technical design, digital modelling - Detailed and technical design for a higher education (informatics) refurbishment - Producing room data sheets, construction details, fixtures and fittings drawings - Understanding how cost saving mechanisms operate in an architectural project - Obtaining a building warrant for modular offices (technical details for fire officer) - Residential kitchen and bathroom drawings. Housing for varying needs. - Detailed digital model of a disused school (Neoclassical Style, survey in Imperial) Building in Borneo | Design-and-Build Team Member Borneo (Jul - Sep 2013): Detailed design, sourcing materials, construction skills - Collaborative design, allowing everyone an active involvement - Practical knowledge of creating pad foundations, raised timber frames, and trusses - Interesting material combinations: For example. bamboo and earthbags - Passive climatic design in a tropical region - Sourcing materials from local villagers and considering cost implications
NPS Group | Work Experience Kendal (Jul - Sep 2010)
Fishing Community | Seafood Kitchen Kerrera,Western Isles (2011) -Entered for InNature Competition -Published in Edinburgh Architectural Research
EDUCATION AND AWARDS Master of Architecture University of Edinburgh, ESALA (2013-Present)
MA (Hons) Architecture (1st class) University of Edinburgh, ESALA (2009-2013)
A-Levels (A grade) Arkwright Scholarship English Language, Maths, Physics, Graphics Award from the Institute of Engineering (2007-2009) Kirkbie Kendal School and Technology for sixth-form studies.
REFERENCES
CONTACT DETAILS
Professor Remo Pedreschi Personal Tutor, ESALA t: +44 (0)131 650 2301 e: r.pedreschi@ed.ac.uk
Robert Hebblethwaite 59/5 Forrest Road Edinburgh EH1 2QP Scotland
Alan Robertson Senior Associate, Hypostyle Architects t: +44 (0)131 555 0688 e: alan@hypostyle.co.uk Bob O’Neil Principle, O’Neil Associates t: +44 (0)1539 738899 e: admin@oneil-associates.co.uk
m: +44 (0)7876 638363 e: rob.hebblethwaite@virgin.net w: robhebblethwaite.co.uk
Computer Literacy - Dwg: AutoCAD / Vectorworks / PowerCadd - Modelling: SketchUp / Rhino / Grasshopper - Visualising:V-Ray / 3Ds Max - Presenting: Adobe Creative Suite - Web Design: Dreamweaver - Microsoft Office
Personal - Conscientious, and a quick-learner - Can motivate others in a team - Time management and ability to self-direct - Excellent communication and humour
- Functional German (5 mths living) - Intermediate French (GCSE Level) - Basic Italian - Full driving licence
INTERESTS AND ACHIEVEMENTS Travel - Travelling has taught me cultural awareness, language skills and self-reliance - Volunteering in Morocco 2010; touring India 2011 - Work placement, Switzerland 2012 - Borneo 2013: Student-led design-and-build
Active Lifestyle - Regular swimming for fitness - Passionate cyclist commuter - My best ideas arrive while exercising - Completion of the Great North Swim 2013, a one-mile open water event in Windermere.
Bay Trust Radio - Volunteering while in sixth-form - Weekly broadcasts have helped me present with confidence in critiques
Music - Grade 7 Piano in Classical examinations. - Guitar is a source of relaxation
17.350 Broadcasting Studios 11.150 Media Library 8.350 Conference / Archive
Retirement Home
5.400 Concourse 2.700 Actors Changing 0.000 Auditorium Floor
Brewery Church Local Government
Superstores
Ferry Landing
-6.000 Recycling Centre (Top)
Post Office
-13.900 Recycling Centre (Bottom)
Scan QR Code for website
Robert Hebblethwaite | Curriculum Vitae
ROBERT HEBBLETHWAITE
-45.750 Boat Landing
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Robert Hebblethwaite University of Edinburgh | ESALA