Robert hebblethwaite Masters Portfolio

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ROBERT HEBBLETHWAITE

M Arch Year One University of Edinburgh | ESALA


03_POLITICAL THEATRE 24_MAKELAB 28_ESQUISSE CHALLENGE

ABOUT My passion is for context-responsive architecture, and the design possibilities afforded by material tectonics. Interests in graphical communication, industrial production, and physical making enrich my projects with wider 3D design.

29_BIO-CULTURAL HERITAGE CENTRE 30_HEALTHY LIVING CENTRE 34_SEAFOOD KITCHEN

As an Undergraduate, I experienced postindustrial renovation on a placement in Switzerland, and wrote a dissertation on Manchester canal warehouse conservation.

35_PLACEMENT

My M Arch thesis is investigating how architecture is influenced by digital culture, broadcasting and national identity.

38_DISSERTATION EXCERPTS

Between degrees, participating in a designand-build project in Borneo gave me tacit knowledge of how intent is translated into a real building.

39_CURRICULUM VITAE


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CONENTS


POLITICAL THEATRE MEDIATED LANDSCAPE Conference Venue and Recycling Centre M Arch 1 | 2013-2014

Political Theatre, a landscape constructed between quarry and sea 04


LEGEND Klaksvík - Fámjin [Thread] Settlement Outlines [Vessels] Roads [Prosthetics] Ferry Routes Service Stations Electricity Grid Lighthouses Telephony Digital Transmitters 0

10km

LEGEND

LEGEND

Klaksvík - Fámjin [Thread] Settlement Outlines [Vessels] Roads [Prosthetics] Ferry Routes Service Stations Electricity Grid Lighthouses Telephony Digital Transmitters 0

10km 0

Klaksvík - Fámjin [Thread] Settlement Outlines [Vessels] Roads [Prosthetics] Ferry Routes Service Stations Electricity Grid Lighthouses Telephony Digital Transmitters

10km

00

10km 10km

Living in an island territory is not the solitary existence it once was. Whilst the Faroe Islands are physically isolated by the North Atlantic, they are globally connected by electronic communication and mass air travel. In recent years, many of the islands have been connected by causeways and sub-sea tunnels. The Faroese Network City is sustained through infrastructure. Road, electric, telephone and broadcasting installations are physically economical. They are slender armatures, fixed across dramatic fjords, connecting the valley vessels and settlements. The Faroese Network City (With and without terrain)

Robert Hebblethwaite | Political Theatre

PROSTHETIC INFRASTRUCTURE

05


Syðradalur Klaksvík - Syðradalur Line 56

Klaksvík

Klaksvík - Esturoy (Ferry Discontinued)

Leirvík CONNECTIONS PAST AND PRESENT

The studio focused on Klaksvík, second city in the Faroe Islands. Since 2006, Klaksvík has been connected by road tunnel to the capital, Tórshavn. Only one ferry connection remains, symbolic of a vanishing past. A stop-motion film was made from the ferry as it entered Klaksvík harbour. 06

Klaksvík - Esturoy Sub-sea Tunnel (Established 2006-07)


Specific Lines Lines that are observed being drawn in video stills

Radiator Emerges through the screen as a system of rods and masts

Gesso Smudges and Sea Smudges Razor thin edges, drawn in the direction of the smudge

Gesso Sheen Visible paint strokes in the gesso. Reminiscent of plane polarisation

Regulating Grid Applied and fragmented, covering the area of the town. Like a regulating grid used to scale a drawing

Horizon Line Loci Crossings of overlapping horizon lines.

REDISCOVERING THE HARBOUR

The stop-motion was transferred through projection and hand drawing to a gesso-covered screen in studio. Applying digital annotations coded the harbour through a series of elements. Interference is represented, from the drawer and imperfections in the screen.

Head, Drawing Hand, Feet Point cloud and wires tracking different positions of the drawer whilst at work

Robert Hebblethwaite | Political Theatre

Harbour Weave Abstraction of interwoven lines around the harbour

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Screen Elevation

Section of screen and annotations at studio scale 08

Screen Plan


Robert Hebblethwaite | Political Theatre

Drawer’s-eye Axonometric 09


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Robert Hebblethwaite | Political Theatre

Development by digital modelling and hand-sketching: One reciprocates the other

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Section Seam

12 Transforming

Screening

Entering

Screening

Screening

Screening

Washing

Sorting

Broadcasting

Organising

Occupying

Transporting

Entering

Preparing

Constructing

Signaling Storing

Performing

Orchestrating

Observing

Washing / Filtering

Identifying

Entering

Orchestrating


Signaling

Plan Slices 0

20m

Preliminary investigations. A section of the screen drawing is multiplied and arranged to define areas of programmatic enclosure. The seam cuts through auditorium, concourse, broadcasting tower, roof terrace, fly tower, recycling, archive and boat dock.; from quarry to sea. Shading and cross-hairs imply areas of density to be inhabited later by architectural elements.

Robert Hebblethwaite | Political Theatre

Sotring

Shelter

Construct Construct

Prepare Distribute

Perform Perform

Storing

Transform

Orchestrate Screening

Screening

Screening

Screening

Crushing

Washing

Sorting

Filtering

Washing

Filtering

Shelter

Broadcast

Hosting Identifying

Organise Entering

SCREEN MATRIX

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N

Location at the Harbour Mouth 14

0

100m


0 100m

Robert Hebblethwaite | Political Theatre

N

Site Plan 15


17.350 Broadcasting Studios 11.150 Media Library 8.350 Conference / Archive Retirement Home

Church Post Office

Brewery

5.400 Concourse 2.700 Actors Changing 0.000 Auditorium Floor

-6.000 Recycling Centre (Top)

-13.900 Recycling Centre (Bottom)

Visual Relationship to KlaksvĂ­k 16


INHABITED SCREEN

Transverse Section 1:500

0

25m

Robert Hebblethwaite | Political Theatre

The digital drawing is inhabited by a leviathan programme: political theatre, which investigates politics, drama and civic in the digital age. The undercroft contains recycling programmes, to supplement Klaksvík’s industrial waterfront. There is an honest translation of harbour elements from the digital model to the architecture of the concourse tower and deck. The spirit of Klaksvik’s waterfront as an inhabited screen successfully transfers. Both the unresolved drawing and the resolved theatre elements fuse in paper-space to make architecture

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3

4

5

6

7

8

2

1 LEGEND 1 2 3 4 5 6 7 8

Auditorium and Concourse Plan 18

0

Auditorium Public Viewing Gallery CafĂŠ Cloakroom Male WCs Female WCs Box Office Offices 20m


Entry to recycling centre via theatre concourse

Spare parts sold

Car body crushed for scrap metal Batteries removed and oil drained

Cars Unloaded and stripped of usable parts

Working against gravity

Car Recycling Logistics 1:200

Robert Hebblethwaite | Political Theatre

N

19


20

AUDITORIUM TO KLAKSVÍK

QUARRY FAÇADE

At Political Theatre, drama is inseparable from its production location. The global Faroese diaspora, watching remotely via simulcast, identify with the town and form a virtual viewing community. For locals, the theatre is a place of escape: somewhere to observe Klaksvík in a new light.

Concrete beams fold from the land to enclose the theatre concourse. The media library reading room is characterised by timber louvres, whilst the private viewing capsules are prefabricated timber elements, slotted between structural elements.


MEDIA LIBRARY

Political decisions are often made outside the chambers of power. The promontory has varying degrees of enclosure: a large public walkway, with adjoining pockets for intimate conversations. Concrete ribs prop the structure from the landscape. The pier terminates in a view of the fjord mouth.

In the reading room and viewing capsules, the Faroese media archive can be enjoyed in its original format (such as cinefilm). Shared screenings reinforce a sense of national identity.

Robert Hebblethwaite | Political Theatre

PROMONTORY

21


Car Scrapyard 1:200

Entrance from Quarry

Boat Berths

Specific Lines

Video of drawing

Harbour Weave

22

Radiator (Registry Bars)

Recycling Undercroft Maw

Fabric up-cycling, looking to scenery workshop and recycling centre

Scenery Workshop 1:200


Drawing: Hand / Head / Feet Gesso Smudge and Sea Smudge

Roof Terrace

Concourse to Media Library

Roof Terrace and Broadcasting Level

Regulating Grid

EVALUATION BY TECHNIQUE

Similar representation techniques that distilled the screen have been used to evaluate the proposition’s success. The project was narrated through a wire frame animation of the whole structure, and key frames (perspectives). Political theatre demonstrates place-specific architecture can be derived by inhabiting cinematography and allowing heterotopic programme to interfere.

Robert Hebblethwaite | Political Theatre

Concourse to Theatre

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WOVEN FORMATIONS AA MAKELAB Parametric Design and Make Workshop AA Hooke Park | 2014

A week-long workshop combining parametric design with practical making. The woven wall was to frame a view vector to the sea, creating pockets of enclosure. Movement across a site impacted the growth of a small woven structure over several iterations. The process began by creating a curved component from timber lathes. Several parameters could be varied, including the aperture size, component length, direction of placement, and height of stacked components. This was my first acquaintance with parametric design. The experience taught me that computation is yet another tool in the designer’s arsenal. Although some factors, such as a view direction, might be defined by parametric rules, artistic license is still an over-riding force. We continually influence and tune the system, until a functional and aesthetically pleasing result is obtained. [Group work with other MakeLab 2014 participants]

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New component apertures and lengths are defined

Grasshopper finds the most moved-through point

Location of element stacking

Grasshopper defines component aperture, length and growth direction

Next iteration

Final iteration

Growth towards final point MATERIAL PARAMETERS

The direction to the sea is defined as a view vector. A web-camera tracks blue objects moving across the site. Grasshopper finds the point of most frequent movement. Our intervention is placed in the way, with a tendency to have wider-aperture components in the direction of the view. Further movement iterations are made, and the structure grows. As the intervention interferes with future movement, a feed-back loop emerges. Grasshopper suggests where the structure can grow vertically in height, according to the view vector.

Robert Hebblethwaite | MakeLab

A web-cam is used to plot movement across the site

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CONSTRUCTION

The choice of materials made construction simple. Thin lathes of green timber (5mm) had incredible bending properties. To begin, simple arched elements were produced, kept in tension with string. At points of inflexion, S-shaped elements were devised. Using nuts and bolts mean the structure could grow by fitting ever-more lathes onto one connection. The woven formation compliments the woodland context well.

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Robert Hebblethwaite | MakeLab


LIVING ON THE EDGE ESQUISSE CHALLENGE Housing that responds to Coastal Erosion RCHAMS Esquisse (2nd Prize) | 2014

Climatic extremes and the encroaching sea mean living on Scotland’s coastline in the late Twenty-First Century is a risky pursuit. Taking advantage of the tidal range for micro-electricity generation, these coastal long-houses are conceived as impermanent dwellings, which can be easily relocated inland. Every 10-20 years, the dwelling moves, and it chassis is left behind as an additional layer of sea defence. Living on the coast remains as rewarding as it is today.

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BIO-CULTURAL HERITAGE CENTRE BUYAN, SABAH

Two splayed wings reference the view out to the tourist Salt Trail and back to the village. The roof truss merges with an angled wall, designed for passive ventilation and sitting against to “chill-out”. Following the traditional vernacular, spaces are demarcated by subtle level changes. Group work was present at all stages: from collective design sessions, sourcing materials and teaching each-other building techniques. It was an amazing experience that progressed one’s architectural education rapidly. [Group stage finished September 2013. Final completion in February 2014] Project as of September 2013, the end of the group phase. Prominent are the roof-wall trusses, which give the building a distinctive form

Innovative material use: bamboo-earthbag staircase; bamboo screens and angled “chill-wall”

Robert Hebblethwaite | Bio-cultural Heritage Centre

Summer design-and build project in Buyan, Sabah, Borneo. The biocultural heritage centre will showcase sustainable community forestry resource use.

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DALMARNOCK WETLAND

Dalmarnock in Glasgow’s East End has long suffered from decline. However, the 2014 Commonwealth Games present the opportunity for intelligent renewal. The River Clyde is a psychological civic anchor. A new wetland connects the transport hub at Dalmarnock Cross with the river. Flooding problems are alleviated, grey water is remediated, and there is opportunity for recreation.

HEALTHY LIVING CENTRE Dalmarnock, Glasgow Fourth Year | 2013

A healthy living centre integrates a GP service with adult education and commuter cycle facilities. Civic is recognised as moving water: as guttering in the central hall, exit via the flood retention pond, or views out over the wetland. Formation of Sea Ice in the Turku Archipelago... (Yann Arthus Bertrand, 2003) inspired the tectonic.

200 year flood +9.3m

Tectonic Resolution: Civic amenities housed in brick-clad volumes and aggregated around a gathering hall

0

10m

50 year flood 30 year flood +5 masl

Two façades were developed: a Civic front and stepped façade facing a wetland beyond 30

Master plan for flooding wetland

0

2.5km


Water from North Dalmarnock bypasses the Healthy Living Centre

Retention Pond 21

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4

5

6

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8 10

9

Phytoremediation ponds between tenements and channel

Tributaries

Remediated water outlet to Clyde

Masterplan Section: From the healthy living centre to the River Clyde

Masterplan creates a sustainable urban drainage system in an area prone to flooding. Greywater is phyto-remediated and returned to the River Clyde via the wetland

0

1km

Robert Hebblethwaite | Healthy Living Centre

Moving fragment studies inspired by the aerial photograph: Formation of Sea Ice in the Turku Archipelago Finland (60 27’N, 22 00’E),Yann Arthus Bertrand, 2003

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Section A-A through multi-purpose hall, cafĂŠ terrace and GP room. Note the rainwater guttering system

0

10m

Relationship between the GP surgery and retention pond

Section B-B through adult education college and GP surgery

0

10m

Post-consultation, patients leave the surgery via the wetland. Nature provides an emotional boost


1. Sustrans Offices 2. Changing Rooms 3. Cafe 4. Gathering hall 5. Trade School Workshop 6. Classrooms 7. Seminar Room 8. GP/Nurses Offices 9. GP/Nurses Rooms 10.Therapy Room 11. Reception/Waiting Room 12. Start-up offices 13. Lecture theatre

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1 5

2

6 4 6 7 3

Multi-purpose gathering hall, with view onto wetland

13 12

Ground Floor 1:500

N

11

10 8

9

9

9

9

9

9

9 9 9

Lower Ground Floor 1:500

First Floor 1:500

Technical Resolution of GP Room; An antique-Rose brick-clad volume

0

2m

Robert Hebblethwaite | Healthy Living Centre

N

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FISHING COMMUNITY SEAFOOD KITCHEN Kerrera, Scotland Third Year | 2011

A prawn-fishing community aiding seasonal occupation of the remote Scottish Island of Kerrera. The masterplan is comprised of fisherman dwellings, wave-breaks, boat repair and a seafood kitchen. The Seafood Kitchen attracts gastrotourists, interested in prawn fishing, cooking and dining. The restaurant is structured as three heat stacks and a heat spiral. The culinary promenade ends at the dining table, reflecting the journey from sea to plate.

Cast models showing the visual relationship between (clockwise from top) fisherman dwellings, seafood kitchen, wave-breaks and boat repair

Tectonic Resolution: Heating stacks structure smoking, curing, preparation, cooking and eating of prawns 34

Transverse section through the bay

0

20m


BANK-BARN CONVERSION O’NEIL ASSOCIATES Do Do not not scale scale this this drawing drawing -- use use only only written written dimensions dimensions where where indicated. indicated. All All heights, heights, levels, levels, sizes sizes and and dimensions dimensions are are to to be be checked checked on on site site before before any any work work is is put put to to hand. hand. Any Any discrepancies discrepancies must must be be raised raised with with O O'Neil 'Neil Associates Associates Limited Limited before before order, order, manufacture manufacture & & installation. installation. Where Where O O'Neil 'Neil Associates Associates Ltd Ltd are are not not acting acting as as contract contract administrator, administrator, itit is is the the joint joint responsibility responsibility of of the theclient client and andcontractors contractors working workingfor for them themto toensure ensurethat that the thedrawings, drawings, details detailsand andspecifications specificationsmeet meet the theclient's client'srequirements. requirements. This This drawing drawing has has been been produced produced for for the theclient client for for this this specific specific project project // application application and and is is not not intended intended for for use use by by any any other other person person or or for for any any other other purpose. purpose. Š Š This This work work is is copyright copyright protected, protected, remains remains the theproperty property of of the theauthor author and andmay may not not be bereproduced reproducedwithout without the theexpress express consent consent of of O O'Neil 'Neil Associates AssociatesLimited. Limited.

East Elevation

0

5m

Transverse Section

Robert Hebblethwaite | Placement

West Elevation

North Elevation

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Feasibility studies for the conversion of old silos at Rietschiareal (left), and Warteck Braurei (right) 36

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RESIDENTIAL REFURBISHMENT BAUBÜRO INSITU Excepts from placement 2012

Work at Baubüro Insitu, Swiss architects specialised in post-industrial renovation, and O’Neil Associates, an award-winning Lakeland practice. Residential conversion of a bank-barn taught me the degree of resolution required for a planning application. At Bauburo Insitu, my work included a feasibility study to transform an old bottling plant (left), and the conversion of a restaurant to communal living (right).

Ground Floor

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First Floor: Shower Room

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Robert Hebblethwaite | Placement

First Floor: Section Through Shower Room

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CARVER’S WAREHOUSE DISSERTATION EXCERPTS A multi-scalar analysis of conservation-led regeneration Fourth Year | 2013 MANAGED CHANGE and INFORMED CONSERVATION Managed change is described in Heritage Works as ‘[allowing] a listed building to change and adapt to new uses and circumstances in a way that keeps its heritage value intact’ This recognises historical buildings require practical reuse, to ensure their economic viability and continued maintenance. Informed conservation is promoted, as a logical, documented decision-making process. However, its rationality can be questioned. Since design is a critical act, and engagement with heritage is strongly emotional, professional values will always influence a project. Own its own, reliance on intervention supported by scientific archaeology, can never achieve the unity in composition that creative design re-establishes. On the other hand, the system does require decisions to be justified in writing, and documents evidence for the future. Protective legislation has become the test establishing a minimum quality threshold. This trend represents the evolution of conservation to a design philosophy.

ultimately concerned by economic viability. Conservation professionals, are custodians of cultural value, but may have little interest in the practicalities of modern use. Architects synthesise competing cultural and economic demands through creative design, simultaneously employed by the client and with a professional duty to represent community interest. Giles and Hawkins (2004) argue conservation is only successful because it is joined with public appreciation. The sustainability of conservation-led regeneration is well represented by the term urban stewardship: ‘a sort of management by incremental change, coupled with selective strategic interventions to effect wider progress and improvement’. Interest in conservation increased in the 1970s, contemporaneous with the increase in environmental consciousness. Managed change ensures the built environment, as a resource, is sustained and enhanced for future generations. FINDINGS: COMPARING SCALES Interventions that claim to be physically and visually minimalist actually have a great impact on cultural value, requiring careful design consideration. Minimal intervention does not preserve historical identity. Instead, conservation should judge where interventions can be radical or subtle.

Furthermore, adopting a common philosophy ensures the renovation team are brought together. Developers are

Carver’s Warehouse (courtesy GMAAS) 38

Carver’s Warehouse: Conversion to speculative offices

PRESTIGE Intellectual productivity is enhanced by being accommodated where a strong genius loci already exists. Speculative office conversion has relied on minimal physical interventions, like service routing of power and data, recalling a process of reoccupation through fixtures and fittings. As a speculative office, Carver’s Warehouse reflects Zukin’s assertion that conservation makes unique historic buildings conform to world market trends. Footloose-tenants, such as TechHub, benefit from the prestige of historic identity, associating this with their own identity. This combination, forward-looking and referencing past success, is evidenced in the master plan wording, Marketing Manchester’s promotion of OriginalModern, and selective new interventions, such as the glass atrium. PHYSICAL-RHETORICAL Urban renaissance is both physical and rhetorical, with rhetoric arriving before the reality. Without place‑marketing, the economic resources for conservation-led regeneration would be scarce, despite the enthusiasm of strongly motivated individuals and communities. Having a strong vision, whether on the master plan scale or (as with Stockley’s vision for Carver’s Warehouse) individual buildings, encourages confidence and investment. It also gives the design team direction, and ensures actors on the urban scale, work towards a common aim.Vidler suggests the resistance of the

Truss mounted hoist preserved and made a feature

city to change is both physical and mental, implying managed change is as much about symbolising the reinvented identity of an urban landscape, as physical change. The renovation of Carver’s Warehouse, the earliest surviving canal warehouse in Manchester, performs this role. AUTHENTICITY Authenticity is not just a concern for documentary evidential value, but recognising the significance of a building component, structure, or city-quarter and preserving its essence. The critical act of design synthesises new programme with existing cultural and economic value. Glazing the boat holes, and reusing the loading doors for access, were physically minimal interventions that greatly reinterpreted their significance. However, managed change recognises preserving heritage assets in a fixed historic era prevents new occupants ascribing their own meanings, through interpretation and reuse. This particular conversion has a poetic quality, since speculative office space, like the storing of goods, is largely transient in nature. CONCLUSION Managing identity is about securing confidence in new development rather than explicitly preserving the old. Although conversion at Carver’s Warehouse has secured its physical future, the project has far greater symbolic value, showcasing Manchester’s adeptness at reinvention and revival.

New glazed atrium, a pragmatic response to circulation


PRACTICE

ACADEMIA

SKILLS

Hypostyle Architects | Assistant (Part I) Edinburgh (Jun - Aug 2014)

Data Centre | Mediated Landscape Orkney Islands (2014 - Present)

My passion is for architecture that is strongly imbued with a sense of place, is finely crafted, and rich in material tectonics. At Masters level, my work has been influenced by interests in digital culture, cinema and visual perception. Projects have included a simulcast theatre in the Faroe Islands, and a data centre for marine renewables in Orkney. As an Undergraduate, I experienced post-industrial renovation in Switzerland, and wrote a dissertation on the conservation of Manchester’s canal warehouses. Between degrees, a Summer design-and-build project in Borneo gave me practical knowledge of how design intent is translated into a real building.

ECA Esquisse | Competition Second Prize (Jan 2014)

MakeLab AA Summer School, Hooke Park (2014)

O’Neil Associates | Assistant Kendal (Oct - Dec 2012)

Political Theatre | Mediated Landscape Klaksvík, Faroe Islands (2013 - 2014)

Architectural Design - Hand-sketching ability - CAD drawings with intricate lineaments - Strong physical modelling: for idea development and presentation - Digital modelling and visualisation - Media: Photography, sound, video and web!

Baubüro Insitu | Internship Basel (Apr - Sep 2012)

Architecture is a social art: I am an effective team-worker, and communicate well with colleagues, clients and contractors. My personality balances self-direction and the ability to listen and learn. Engaging Architecture academically has been tremendous. However, I relish the challenge of real practice.

PRP Architects | Work Experience Manchester (Jan - Feb 2012)

Dalmarnock Wetland | Healthy living centre Dalmarnock, Glasgow (2013) -Shown: Shrinking Cities, Expanding Landscapes

PERSONAL STATEMENT

Date of Birth: 15th May 1991 Nationality: British Marital Status: Single RECENT EXPERIENCE Edinburgh University Student Architecture Society (EUSAS) | Secretary Edinburgh (2014 - Present): Event organisation, public speaking, minuting, correspondence - Co-organising and publicising the Autumn lecture series (‘Architecture and...’) - Arranging travel and accommodation for speakers (Rachel Armstrong, Neil Spiller) - Introducing lectures. Chairing Conservation and Participation debates - Front of house. Minuting at committee meetings. Answering email correspondence Hypostyle Architects | Architectural Assistant (Part I) Edinburgh (Apr - Aug 2014): Surveying, detailed and technical design, digital modelling - Detailed and technical design for a higher education (informatics) refurbishment - Producing room data sheets, construction details, fixtures and fittings drawings - Understanding how cost saving mechanisms operate in an architectural project - Obtaining a building warrant for modular offices (technical details for fire officer) - Residential kitchen and bathroom drawings. Housing for varying needs. - Detailed digital model of a disused school (Neoclassical Style, survey in Imperial) Building in Borneo | Design-and-Build Team Member Borneo (Jul - Sep 2013): Detailed design, sourcing materials, construction skills - Collaborative design, allowing everyone an active involvement - Practical knowledge of creating pad foundations, raised timber frames, and trusses - Interesting material combinations: For example. bamboo and earthbags - Passive climatic design in a tropical region - Sourcing materials from local villagers and considering cost implications

NPS Group | Work Experience Kendal (Jul - Sep 2010)

Fishing Community | Seafood Kitchen Kerrera,Western Isles (2011) -Entered for InNature Competition -Published in Edinburgh Architectural Research

EDUCATION AND AWARDS Master of Architecture University of Edinburgh, ESALA (2013-Present)

MA (Hons) Architecture (1st class) University of Edinburgh, ESALA (2009-2013)

A-Levels (A grade) Arkwright Scholarship English Language, Maths, Physics, Graphics Award from the Institute of Engineering (2007-2009) Kirkbie Kendal School and Technology for sixth-form studies.

REFERENCES

CONTACT DETAILS

Professor Remo Pedreschi Personal Tutor, ESALA t: +44 (0)131 650 2301 e: r.pedreschi@ed.ac.uk

Robert Hebblethwaite 59/5 Forrest Road Edinburgh EH1 2QP Scotland

Alan Robertson Senior Associate, Hypostyle Architects t: +44 (0)131 555 0688 e: alan@hypostyle.co.uk Bob O’Neil Principle, O’Neil Associates t: +44 (0)1539 738899 e: admin@oneil-associates.co.uk

m: +44 (0)7876 638363 e: rob.hebblethwaite@virgin.net w: robhebblethwaite.co.uk

Computer Literacy - Dwg: AutoCAD / Vectorworks / PowerCadd - Modelling: SketchUp / Rhino / Grasshopper - Visualising:V-Ray / 3Ds Max - Presenting: Adobe Creative Suite - Web Design: Dreamweaver - Microsoft Office

Personal - Conscientious, and a quick-learner - Can motivate others in a team - Time management and ability to self-direct - Excellent communication and humour

- Functional German (5 mths living) - Intermediate French (GCSE Level) - Basic Italian - Full driving licence

INTERESTS AND ACHIEVEMENTS Travel - Travelling has taught me cultural awareness, language skills and self-reliance - Volunteering in Morocco 2010; touring India 2011 - Work placement, Switzerland 2012 - Borneo 2013: Student-led design-and-build

Active Lifestyle - Regular swimming for fitness - Passionate cyclist commuter - My best ideas arrive while exercising - Completion of the Great North Swim 2013, a one-mile open water event in Windermere.

Bay Trust Radio - Volunteering while in sixth-form - Weekly broadcasts have helped me present with confidence in critiques

Music - Grade 7 Piano in Classical examinations. - Guitar is a source of relaxation

17.350 Broadcasting Studios 11.150 Media Library 8.350 Conference / Archive

Retirement Home

5.400 Concourse 2.700 Actors Changing 0.000 Auditorium Floor

Brewery Church Local Government

Superstores

Ferry Landing

-6.000 Recycling Centre (Top)

Post Office

-13.900 Recycling Centre (Bottom)

Scan QR Code for website

Robert Hebblethwaite | Curriculum Vitae

ROBERT HEBBLETHWAITE

-45.750 Boat Landing

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Robert Hebblethwaite University of Edinburgh | ESALA


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