Portfolio of works, by R.G.N. by Roberto Gallegos Noreña

r.g.n.

ALL CONTENT HERE PRESENTED BEING RENDERS, COLLAGES, TEXTS, DRAWINGS AND DIAGRAMS WAS PRODUCED BY ROBERTO GALLEGOS NOREÑA. For optimal view Select View -> Page Display -> Two Page View -> Show Cover Page in Two Page View

INDEX NOW MEXICO- Querétaro City House [2021-] -- I (Under Construction)

MEXICO CITY- Down the Rabbit Hole: Wine Cellar Project [2021-] -- II (In Development)

“La Tlapalería” Collection [2021-] -- III Digital Art [2021- ] -- IV

LAUREA MAGISTRALE IN ARCHITETTURA E DISEGNO URBANO, POLITECNICO DI MILANO MILAN0- The Journey of Water [2020] -- V University Project: Politecnico di Milano

DUBAI- Class-scape: The Future Classroom [2018] -- VI University Project: Politecnico di Milano

ARCHITECTURE BACHELOR, UNAM MEXICO CITY- Artisan Market “Ciudadela” [2016] -- VII

University Project: UNAM, National Autonomous University of Mexico

SIDE PROJECTS Clutch 1.0 and Portafolio 2.0 [2016] -- VIII Product design

Drawing [2018- ] -- IX

PARA CARPETA QUERÉTARO Querétaro City House [2021-] ROBERTO GALLEGOS (Under Construction) A precast concrete house in Querétaro City. 1

colindancia

N.P.T. + 1.60

N.P.T. + 1.50

rampa 14.00%

A CUARTO LAVADO N.P.T. + 0.20

COCINA/ DESAYUNADOR N.P.T. + 0.20

sube BAÑO N.P.T. + 0.20

A VESTIDOR N.P.T. + 0.20

BAÑO N.P.T. + 0.20 SALA N.P.T. + 0.20

acceso RECÁMARA PRINCIPAL N.P.T. + 0.20

colindancia

baja

PLANTA NIVEL +0.20

SALA DE TV N.P.T. + 0.20

RECÁMARA VISITA 1 N.P.T. + 3.20

N.P.T. + 0.20 CLOSET N.P.T. + 0.20

baja TERRAZA N.P.T. + 3.20

RECÁMARA VISITA 1 N.P.T. + 3.20

PLANTA NIVEL +3.20

PRE CAST CONCRETE PLANT

CONTINUES

II.

MEXICO CITY Down the Rabbit Hole: Wine Cellar Project [2021-] ROBERTO GALLEGOS (In Development) This wine cellar located under a garage in Coyoacán, Mexico City, aims to make the best out of its 10 sq meters. The reduced space spawned the idea of a Rabbit Hole: Space is optimized by opening three holes on the ceiling, inserting a spiral staircase and designing a stainless steel structure for the wine.

PRE-EXISTING CELLAR

GROUND FLOOR

-1 CELLAR FLOOR

GROUND FLOOR

-1 CELLAR FLOOR 0

ELEVATION

III.

“La Tlapalería” Collection [2021-] ROBERTO GALLEGOS

“La Tlapalería” Collection is a landscape; a realm where beautiful objects can be found. La Tlapalería is a post apocalyptic wasteland, a mise-en-scène of shiny objects that behave as bugs, reminiscence of the life that once was. The Collection takes its name from a very well known and traditional Mexican business called “tlapalería”. “Tlapalli” means “colors” in Náhuatl, given that this commerces sold all kinds of paint. With the passage of time, the suffix “ería”, which in spanish points out a place where things are sold was added. Inside these stores you could find all kinds of tools and the most curious of objects for every use. Walkin into a “tlapalería” was like walking into a wunderkammer. The Collection: A light weight design inspired by the legs of a spider. The MESA - ARAÑA or Spider-Table combines aluminium and marble, using the first as the structure for the marble. Inspired by a stick-bug, the BUG - TABLE combines stainless steel with glass in order to achieve transparency and lightness. The table is a dynamic example of office furniture design for all kinds of workplaces. A missile launching into the sky or a cactus rooted in the desert are both the inspiration for this CACTUS - MISSILE coat rack. It’s about maintaining the solidity of the object while achieving a sense of lightness. Just as it can fly away it may be stationed on solid ground.

42.0946

20.9705

4.0332

1.2700

4.0000

4.5034

1.4495

4.0728

181.2700

PERSPECTIVA

12.9664

1.2700

11.7677

1.2738

44.3650

12.9810

2.5400

51.0000 53.8030

42.0736

1.0000

8.0000

6.0000

13.1400

74.5000

75.5000

96°

1.0000

0.7983

1.0000

3.1972

3.1970

35.3363

36.5679 25° 36.3446 2.9516 35.5637

145.0000

113°

69.2965

53.5519

52.7272

51.0598

1.0000

8.0000

80.0000

2.0000

CUBIERTA MÁRMOL 2 CM CRUZ 20.2990

28.1985

39.5980

3.9497

4.9497 81.1960 3.9497

4.9497

1.5000

21.2990

28.1985

71.5000

104.9923

1.4974

“METABOLISM” RHINO + 3DS MAX + ADOBE PS

IV.

“THE COLLECTOR” RHINO + 3DS MAX + ADOBE PS

“DICKNITY” BOOK COVER FOR “DICKNITY” BY DAVE BRENNAN RHINO + 3DS MAX + ADOBE PS

“A BRIDGE” (BASED ON THE WORK OF ARCHITECTS ALEXANDER brodsky and ILYA Utkin) RHINO + 3DS MAX + ADOBE PS

COVER ARTWORK FOR “SOBREVOLAR” SINGLE. A SONG BY GASCH. RHINO + 3DS MAX + ADOBE PS

DIGITAL ART POSTER FOR “KUU Vii. The Smoke that reaches the clouds” at huajuapan’s regional museum. oaxaca, mexico. RHINO + 3DS MAX + ADOBE PS

CONTINUES

MILAN0 The Journey of Water University Project [2020] Politecnico di Milano ROBERTO GALLEGOS + DIOGO GONCALVEZ

Milano was once filled with water canals. Ludovico Sforza, Duke of Milano, invited Da Vinci to study the canals with the purpose of perfecting the existing system. Today, 500 years later, some canals still remain. Such is the case of the Martesana Canal. With recent modern urban expansion and industrialization of the city, the canal was surpassed by the city itself, creating a barrier between two opposing sides. The Journey of Water originated after having studied the dead ends in the colliding zones of the Martesana Canal. Through this study, we understood the canal not only as the main dead end, but also as a potencial ground for developing a journey which would focus on water, its treatment and the infinite worlds and possibilities it creates. Urban growth in the area developed towards dierent directions without creating any meaningful relation with the structure of the canal or with the surface of water present, ignoring all the potentiality of this physical element as a revitalizar of nature and life within the urban mesh and the life of the community and the city.

The pavilions will set the visitors on a journey following the course of the canal. Working as filters, the four pavilions aim to purify the water from the canal. At the same time, they invite visitors and residents from the zone to experience the process of purification through dierent landscapes and atmospheres that water breeds in the inside. The water captured by the boxes will maintain a continuous dialogue with the visitors throughout the entire journey. The dialogue established by the interaction between water and pavilion will ultimately generate dierent experiences.

DEWATS The existing filtering model of Decentralized Wastewater Treatment System (DEWATS) fitted perfectly to our project. This filtering model is well-known for its efficiency in many countries and communities, as it is easy to build and consolidates as a sustainable treatment of wastewater at a local level. The idea is to include the community in the maintenance and administration of the pavilions.

III

CONTINUES

VI.

DUBAI Class-scape: The Future Classroom University Project [2018] Politecnico di Milano ROBERTO GALLEGOS + WU TIANQI + LUO YIXIN + HAN YUYAN

The classroom of the future pavilion for the EXPO 2020 Dubai explores the possibility of a change in the conventional classroom, introducing an artificial landscape that allows diverse configurations that aim to potentialize all kind of activities related to the transmission of knowledge. We call the classroom of the future the Class-scape. The Class-scape is an auditorium, a reading space and a classroom. Its shape makes it a space where you can find silence and dialogue, abstraction and social connection. The individual and collective experience of working with knowledge. The project focuses entirely in the development of a flexible space. It was of the essence to focus on nature and recognize the connection between human beings and nature. The natural landscapes have been essential to the evolution of the human being and for the transmission of their knowledge. In Technology:shapes and models that nature we recognize through landscapes certain have suited usTechnology human becomesfor of thedierent essence in thesets executionofof activities the project. By throughout history. The cave might have beenandthe verywefirst classroom, apart from being a introducing new materials new technologies could create and shape the space and build it in the best way so that it may perform impeccably. shelter, it became the place of gatherings, where the elders sat around a fire and transmittedThetheir TheIt shows ancient paintings inside those caves pavilion is aknowledge. clock that exhibits its machinery. its components to the humanvestiges eye making it possible understand how it works, of carryingcivilization the very first are the first oftothe history through art. idea, drawing or concept to the actual physical building. Structural system, facade Next, we explored other landscapes: a mountain, and a valley reconfigured Technology: and functional space combine with each other to present two essential facets of andandreshaped into a classroom. architecture, design construction. Technology becomes of the essence in the execution of the project. By The experience of learning and the transmission of knowledge are basic introducing new materials and new technologies we could create and shape the Three principal materials are to be recognized in the Class-scape: human interactions space and build it in the best way so that it may perform impeccably.and should always be in touch with the space. For the For the landscape we chose a wood-plastic-composite, Its properties make it EXPO 2020 Dubai weandquestioned the roleis theofbesttechnology in the learning easy to assemble configure. The wood-plastic -composite mean The pavilion is a clock that exhibits its machinery. It shows its components to the for emulating the parametrictechnology design of the landscape.as Natural wood can also beour evolution and the experience. We recognize a tool to human eye making it possible to understand how it works, carrying the very first instead of the wood-plastic-composite. transmission ofused knowledge. idea, drawing orTechnology: concept to the actual physical building. Structural system, facade Nevertheless, the focus of the transmission of and functional knowledge space combine with each other to present two essential facets of itself, as it is not a tool, but a physical medium shouldFor be in space the structure we used what could give us the most possible lightness in ology becomes of the essence in the architecture, execution ofdesign the and project. By construction. terms of construction. Steel frames to and succeed columns conform and the structural interaction thus the transmission of ucing new materials and new technologies we could create and that shape the allows human system that bears and supports the landscape. and build it in the best way so that it may perform impeccably. knowledge. Three principal materials are to be recognized in the Class-scape:

For the landscape we chose a wood-plastic-composite, Its properties make it For the envelope of the pavilion, we inclined in favor of using prefabricated vilion is a clock that exhibits its machinery.easy It shows its components to theThe wood-plastic -composite to assemble and configure. is the best mean transpa-rent concrete panels. The purpose of using a translucent material as the n eye making it possible to understand howforit works, carrying the very first emulating the parametric design of the landscape. Natural wood can also be Technology: envelope is to make visible the inside steel structure. rawing or concept to the actual physical building. Structural facade used instead of thesystem, wood-plastic-composite. nctional space combine with each other to present two essential facets of execution of the project. By Program: ecture, design and construction. For the structure we used what could give us the most possible lightness in s we could create and shape the terms of construction. Steel frames and columns conform the structural erform impeccably. The program is comprehends the landscape or multiple use classroom, a principal materials are to be recognized in thesystem Class-scape: that bears and supports the landscape. contem-plation space at the upper level, and a concentration space and e landscape we chose a wood-plastic-composite, Its properties make it y. It shows its components to the restrooms at the lower level. o assemble and configure. The wood-plasticFor -composite is the best mean the envelope of the pavilion, we inclined in favor of using prefabricated w it works, carrying the very first mulating the parametric design of the landscape. Natural wood can also be transpa-rent concrete panels. The purpose of using a translucent material as the uilding. Structural system, facade nstead of the wood-plastic-composite. envelope is to make visible the inside steel structure. o present two essential facets of

UPLIFT

GRID AND SHAPPING LANDSCAPE

UPLIFT, PRESS AND CREAT A FLAT SURFACE

SMOOTHING LANDSCAPE

MIRROR

DIG OUT THREE CAVE SPACES IN UPPER AND LOWER LEVELS

CONNECT THE CAVES AND THE GROUND FLOOR

SETTING UP PLATFORMS BASED ON CONTOUR LINES

Steel frames

Steel columns

Landscape mirrored ceiling

Landscape floor

Upper level cave

Lower level cave

Steel frames

Foundations Ground attachment

VII.

MEXICO ARTISAN MARKET “CIUDADELA”,CITY MEXICO CITY: INTERVENTION

Artisan Market “Ciudadela” ROBERTO GALLEGOS University Project [2016] UNAM, National Autonomous University of Mexico Since the first time we explored the market and its intern alleys, we arrived

ROBERTO GALLEGOS + RAFAEL MILLA to the same conclusion. The proposal wouldn’t start from zero or “tabula + PABLO RUÍZ rasa”

Since the first time we explored the market and its intern alleys, we arrived market emerged in 1966 artisans from allwouldn’t over the region were to the sameTheconclusion. Thewhenproposal start from zero or “tabula invited to participate in an artisan fair, located on the actual ground. At the termination of the fair, the artisans took overrasa” the ground permanently. As a The market consequence, emerged in 1966 when from the ground or “zocalo” (as knownartisans in Mexico) turned into anall over the region were intricateCITY: market where up to three floors where raised,located defying housing ARTISAN MARKETinvited “CIUDADELA”, MEXICO to participate in an artisan fair, onlawsthe actual ground. At the and evenCITY: engineering problems. ARTISAN MARKETtermination “CIUDADELA”, MEXICO INTERVENTION of theand fair, the artisans took over the ground permanently. As a The first subsequent floors are mainly destined to housing. The ground INTERVENTION consequence, the ground known in Mexico) turned into an ROBERTO GALLEGOS floor continues to functionor as an“zocalo” artisan market. (as The ground is still owned ROBERTO GALLEGOS by the government. intricate market where up to three floors where raised, defying housing laws and even engineering problems. Today, the surrounding walls of the market work as a shelter for workshops, The first and subsequent floors are into mainly destined Since the first time we explored the market and its intern alleys, we arrived market and housing, which have evolved an extravagant cluster of to housing. The ground toSince thethe same The proposal wouldn’t fromalleys, zero or and “tabula firstconclusion. time we explored the market andcontinues itsstart intern arrived floor to function as an artisan market. formswe complexity. The auto-constructed volumes have contributed The to ground is still owned rasa” to the same conclusion. The proposal wouldn’t start from zero or “tabula the birth of chaos inside theseby walls.the government. rasa” walls of the market work as a shelter for workshops, The market emerged in 1966 whenToday, artisans fromthe all oversurrounding theOurregion projectwere intends to embrace all the pre existing stances which had their market and housing, evolved invited to participate artisan located on the ground. Atwere thechaos. Wewhich The market emerged ininan1966 whenfair, artisans from all actual over theorigin region within propose tohave control chaos since chaosinto spawnsan life extravagant cluster of termination of the fair,inthe artisansfair, took over theonground permanently. invited to participate an artisan located the actual ground. forms and complexity. The auto-constructed volumes have contributed to and order.AtAsthea consequence, ground “zocalo”took (asover known Mexico) turned intoAsanathe birth of chaos inside these walls. termination of the fair, theorartisans the inground permanently. intricate marketthewhere up toorthree floors(aswhere defyingturned housing consequence, ground “zocalo” knownraised, in Mexico) intolaws an Our and evenmarket engineering intricate whereproblems. up to three floors whereproject raised, defyingintends housing laws to embrace all the pre existing stances which had their origin chaos. The subsequent floors are mainly destinedwithin to housing. The ground We propose to control chaos since chaos spawns life and first evenand engineering problems. floor continues to functionfloors as anareartisan still ground owned The first and subsequent mainlymarket. destinedThetoground housing.is The and order. by government. floorthecontinues to function as an artisan market. The ground is still owned by the government. Today, the surrounding walls of the market work as a shelter for workshops, market housing, which evolvedwork into asanaextravagant cluster of Today, theandsurrounding walls ofhave the market shelter for workshops, forms The auto-constructed have contributed marketand andcomplexity. housing, which have evolved intovolumes an extravagant cluster toof the chaos insideThethese walls. formsbirthandofcomplexity. auto-constructed volumes have contributed to the birth of chaos inside these walls. Our project intends to embrace all the pre existing stances which had their origin withinintends chaos.toWeembrace proposealltothe control chaos since chaos life Our project pre existing stances whichspawns had their and originorder. within chaos. We propose to control chaos since chaos spawns life and order.

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ARUDAMRA

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ED OIMADNA ERBOS ATREIBUC OIRDIV ED Y ACORALBAT DEL AIRANIMUL ATREIBUC ED NOIXENOC OIMADNA NOC

AETOZA

SAUGA ED AJAB SELAIVULP

RALUDOM ARUDAMRA

AREDALOC ETNAZILIBAEMREPMI

JARDÍN INTERIOR

TALLERES TALLERES

TALLERES

SANITARIOS

N.P.T. +0.00 N.P.T. +0.00

N.P.T. +1.70

N.P.T. +0.00

N.P.T. +0.00 N.P.T. +0.85

S ACCESO A ESTACIONAMIENTO

N.P.T. +0.0 N.P.T. +1.60

N.P.T. +1.60

N.P.T. +0.80

N.P.T. +0.80 LOCALES LOCALES

N.P.T. +0.0

LOCALES

N.P.T. +0.75

N.P.T. +1.50

GALERÍA DE EXPOSICIONES

N.P.T. +0.70

N.P.T. +0.00

N.P.T. +0.70 N.P.T. +1.40

N.P.T. +1.40 4

N.P.T. +0.00

N.P.T. +0.65

N.P.T. +0.00

N.P.T. +1.30 N.P.T. +0.65

N.P.T. +0.60

N.P.T. +0.00

N.P.T. +0.60

N.P.T. +1.20

N.P.T. +0.60

N.P.T. +1.2

N.P.T. +1.10

N.P.T. +0.00 N.P.T. +1.10

N.P.T. +0.55 PLAZA

N.P.T. +0.00

N.P.T. +1.00 N.P.T. +0.50

N.P.T. +1.00

N.P.T. +0.90

N.P.T. +0.00

N.P.T. +0.90

N.P.T. +0.40

N.P.T. +0.00 GALERÍA DE EXPOSICIONES

N.P.T. +0.80 VACÍO AREA VERDE VACÍO

AREA VERDE

N.P.T. +0.70 4

N.P.T. +0.00

N.P.T. +0.70

N.P.T. +0.30

N.P.T. +0.525

N.P.T. +0.30

N.P.T. +0.45

N.P.T. +0.60 LOCALES

LOCALES

LOCALES LOCALES

LOCALES

N.P.T. +0.60

LOCALES

N.P.T. +0.30

N.P.T. +0.50

N.P.T. +0.25

N.P.T. +0.125

N.P.T. +0.40

N.P.T. +0.00

N.P.T. +0.00 LOCALES

LOCALES

SANITARIOS

JARDÍN INTERIOR

GROUND FLOOR

N.P.T. +1.70

N.P.T. +0.00

N.P.T. +0.00 N.P.T. +0.85

S ACCESO A ESTACIONAMIENTO

N.P.T. +0.0 N.P.T. +1.60

N.P.T. +1.60

N.P.T. +0.80

N.P.T. +0.0 N.P.T. +0.75

N.P.T. +0.70

N.P.T. +1.50

N.P.T. +0.00

N.P.T. +0.70 N.P.T. +1.40

N.P.T. +1.40 N.P.T. +0.00

N.P.T. +0.65

N.P.T. +0.00

N.P.T. +1.30 N.P.T. +0.65

N.P.T. +0.60

N.P.T. +0.00

N.P.T. +0.60

N.P.T. +1.20

N.P.T. +0.60

N.P.T. +1.2

N.P.T. +1.10

N.P.T. +0.00 N.P.T. +1.10

N.P.T. +0.55

N.P.T. +0.00

N.P.T. +1.00 N.P.T. +0.50

N.P.T. +1.00

N.P.T. +0.90

N.P.T. +0.00

N.P.T. +0.00 N.P.T. +0.90

N.P.T. +0.00

N.P.T. +0.40 N.P.T. +0.80 VACÍO AREA VERDE VACÍO

AREA VERDE

N.P.T. +0.70

N.P.T. +0.00 N.P.T. +0.30

N.P.T. +0.70

N.P.T. +0.525 N.P.T. +0.45

N.P.T. +0.60

N.P.T. +0.50

N.P.T. +0.30 N.P.T. +0.60

N.P.T. +0.30

N.P.T. +0.50

N.P.T. +0.25

N.P.T. +0.125

N.P.T. +0.40

N.P.T. +0.00

FIRST FLOOR

0 5

ROOF STRUCTURE The structural proposal comprehends a scaffolding system that holds the roof Specifications in spanish as imported directly from the blueprints.

ARMADURA

ARMADURA ARMADURA

CUBIERTA DE VIDRIO TEMPLADO e=13mm

CUBIERTA SOBRE ANDAMIO DE TABLAROCA Y DE VIDRIO

CUBIERTA SOBRE ANDAMIO DE TABLAROCA Y DE VIDRIO LUMINARIA LED CONEXION DE CUBIERTA CON ANDAMIO

ARMADURA MODULAR

COLADERA IMPERMEABILIZANTE

BAJA DE AGUAS PLUVIALES

AZOTEA LOCAL COMERCIAL

PINTURA VINILICA PARA INTERIORES APLANADO DE YESO 2.0 DE ESPESOR (INTERIOR)

CONTRAVENTEO DE ANDAMIOS MODULAR

LOSETA CERAMICA DE 30x30

NIVEL 1

ADHESIVO PARA LOSETA CREST

LUMINARIA LED

FOOD COURT Space located on the roof of the ground floor. It is a big terrace destined for food stands.

ESTRUCTURA DE ANDAMIOS MODULAR

PINTURA VINILICA PARA INTERIORES LOCAL COMERCIAL APLANADO DE YESO 2.0 DE ESPESOR (INTERIOR) ESTRUCTURA METAICA (ANDAMIOS) LOSETA CERAMICA DE 30x30

BAJADA DE AGUA PLUVIAL

ADHESIVO PARA LOSETA CREST MURO DE LOCAL REJILLA IRVING

FIRME DE CONCRETO f'c=100Kg/cm² 10cm DE ESPESOR REFORZADO CON MALLA ELECTROSOLDADA 6X6-10/10

NIVEL PLANTA BAJA

DUCTOS DE INSTALACION ELECTRICA DALA PARA APOYO DE ANDAMIO TRINCHERA DE INSTALACIONES PENDIENTE 4%

TERRENO MEJORADO CON MATERIAL DE BANCO EN CAPAS DE 20cm COMPACTADO 90% PROCTOR, SIGUIENDO TODAS Y CADA UNA DE LAS RECOMENDACIONES DE MECANICA DE SUELOS

FIRME DE CONCRETO 12cm DE ESPESOR f'c=100Kg/cm² MEDIA CAÑA

ROOF ROOF The roof consists of a series of strips The roof consists of a series of strips supported by a system of scaffolds. supported by a system of scaffolds. SCAFFOLDING SCAFFOLDING Designed to work as a secondary structure, Designed to work allong as a secondary thery are located the alleys,structure, holding therynew arecirculations located allong thefirst alleys, the of the floorholding and the new circulations supporting the roof. of the first floor and supporting the roof. CORTEN STEEL WALLS CORTEN STEELtheWALLS They emphasize idea of emphasize control and They protection withinthe theidea walls.of control and protection within the walls. PLAZA APLAZA series of ramps integrate the plaza, A series of ramps generating multipleintegrate spaces the thatplaza, allow generating multiple spaces that allow infinite possibilities of interaction infinite with thepossibilities public. of interaction with the public.

PRE EXISTING MARKET MARKET The groundPRE andEXISTING first floor suffered no The ground and first floor suffered no modifications. The ground floor respects its modifications. The ground respects its retailfloor space entirely. retail space entirely.

PARKING Located under PARKING the “plaza” Located under the “plaza” 4,228 m2 4,228 m2

337 m2 337 m2

GALLERY GALLERY Exhibitions, shows, and cultural Exhibitions, shows, and cultural events take place on the first events on the first floor, take aboveplace the workshops. floor, workshops. Theabove spacethe works as a big The space works as a big exposition hall. Terraces exposition Terraces supported by thehall. scaffoldings supported by theeach scaffoldings appear between volume, appear between each volume, bringing light to the inner bringing light to thespaces. inner spaces. FIRST FLOOR FIRST remains FLOOR The constructed The constructed remains untouched, workshops and untouched, and retail spaces areworkshops incorporated retail spaces are incorporated to the housing scheme. to the housing scheme.

848 m2 848 m2

PERMEABLE ACCESS ThePERMEABLE access to the ACCESS market is The thefacade, marketbyis locatedaccess on the towest located the west by the mainonplaza. Thesefacade, volumes the main plaza. These volumes are characterized by being are characterized by being permeable, this means that permeable, this means that some courses pierce the intern some courses pierce intern walls, as a result, manythediverse walls,spaces as a result, manyeach diverse emerge, with spaces emerge, each with different characteristics. different characteristics. SECOND FLOOR FLOORIt Empty volumesSECOND in its majority. Empty volumes in its majority. remained as such to reinforce theIt remained reinforce the urban imageasandsuch as atocontemporary urban image and as a contemporary ruin of the market’s origins. ruin of the market’s origins.

(7 workshops) 266 m2 (7 workshops) 266 m2

(272 retail stands) 5,045 m2 (272 retail stands) 5,045 m2

WORKSHOPS WORKSHOPS A series of artisan workshops Aare series of artisan located belowworkshops the gallery areand located belowtothe gallery are open public. Its and aregoal openistotopublic. Its generate goal is to generate conscience and general conscience general interest amongand people, as interest people, as wellamong as participation. well as participation.

RETAIL STANDS RETAILitsSTANDS Without modifying use, the Without modifying its use, the the ground floor remains ground floor remains the same. same.

(space for up to 15 food stands) (space for up to 164 m2 15 food stands) 164 m2

40 m2 40 m2

FOOD COURT Space locatedFOOD on theCOURT roof of Space located on theIt isroof the ground floor. a bigof theterrace grounddestined floor. Itforis afood big terrace destined for food stands. stands.

ADMINISTRATIVE OFFICES ADMINISTRATIVE Located northeast onOFFICES the first Located the first floor, northeast next to theontruck bay, floor, next toa major the truck bay, allowing control. allowing a major control.

CONTINUES

VIII.

PRODUCT DESIGN ROBERTO GALLEGOS

Clutch 1.0 [2015] Clutch 1.0 was designed to keep the essential safe. Its size and simplicity, transform the basic lines behind design into an elegance object for all sorts of events. PRODUCT DESIGN: The silver platted edges will eventually fade with the passing of time. This characteristic ROBERTO GALLEGOS is not to be seen as a defect or deterioration, but as a homage to time and a constantly changing design, making every Clutch 1.0 unique. Its handmade craftsmanship is the cause of several scars along its production CLUTCH 1.0 that define every CLUTCH 1.0 as an extraordinary object of design.

1.0 was designed to keep safe the essential.PRODUCT Its size andDESIGN: simplicity, orm the basic lines behind design into an elegance object for all sorts ROBERTO GALLEGOS nts.

ver platted edges will eventually fade with the passing of time. This CLUTCH teristic is not to be seen as a defect of deterioration, but as1.0a e to time and a constantly changing design, making every Clutch 1.0 .1.0 was designed to keep safe the essential. Its size and simplicity, rm the basic lines behind design into an elegance object for all sorts ts. dmade craftsmanship is the cause of several scars along its producPortafolio 2.0 [2016] at define every CLUTCH 1.0 as an extraordinary object of design. ver platted edges will eventually fade with the passing of time. This teristic is not to be seen as a defect ofThe deterioration, but as2.0a originally started as a personal project. The intention was Business PORTAFOLIOBag e to time and a constantly changing design, making every Clutch 1.0 where I could store my small format paintings. Eventually, to design a briefcase the The idea developed into a briefcase with just enough space for work or siness Bag originally started as a personal project. intention was business. gn a briefcase where I could paintings. Eventudmade craftsmanship is the store causemyof small severalformat scarsThis along is its producmodern briefcase for a modern man. Simple, but elegant. into a 1.0 briefcase with just enough forawork or ate idea definedeveloped every CLUTCH as an extraordinary objectspace of design. Different models were made using various synthetic leathers. Each one ss. of them is a unique object of design as they were handcrafted to PORTAFOLIO 2.0 the last detail. a modern briefcase for a modern man. Simple, but elegant.

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a modern briefcase for a modern man. Simple, but elegant.

nt models were made using various synthetic leathers. Each and ne of them is a unique object of design as they were handcrafted to t detail.

CONTINUES

 IX.

AVÓS, 2020 41 X 30 CMS PENCIL

ETERNAL SUNSHINE OF THE SPOTLESS MIND 50 x 36 cms pencil

Stylish cut 50 x 36 cms pencil and 24k gold plates

Bedtime story 50 x 36 cms pencil

Dancing Hands 50 x 36 cms pencil

Untitled 50 x 36 cms pencil and 24k gold plates

“Dedicated to those who alone on small boats cross the oceans...” (“Dedicado a todos aquellos que en botes pequeños cruzan océanos”) -Alexander Brodsky