Piano Part/Vocal Score *)
COCOA CANTATA for Soprano, Baritone, Bass-Baritone & Chamber Ensemble
Inspired by J.S. Bach’s Schweigt stille, plaudert nicht, BWV 211 (Coffee Cantata)
Music
ROBERT PATERSON Libretto
DAVID COTE *) This part contains the piano part from the full score and the vocal staves. It is not a vocal score for performance or a reduction of the full score.
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PROGRAM NOTE Cocoa Cantata is a 21st-century response to J.S. Bach’s Coffee Cantata. Written for soprano, baritone, and bass-baritone, the work explores politics in the multibillion-dollar chocolate industry. Musically, the piece imitates Bach’s instrumentation, but not his Baroque style. The paternalism of Bach’s secular cantata is replaced by a more evolved (yet humorous) attitude toward issues of patriarchy, fair-trade practices, and the marketing of pleasure. Cocoa Cantata was commissioned by Triphammer Arts Inc. with The Arts at Grace and Society for New Music. David Cote thanks the Hambidge Center for time and support in writing the libretto.
CHARACTERS BOBBY WONDERS IV (Baritone) CEO and public face of a century-old, family-owned global confectionary brand. He’s trying to balance profits and his conscience. Prone to patronizing bluster, cynicism, and bad puns. AMARA BLISS (Soprano) Stylish founder of a chic, fair-trade boutique chocolatier. She competes in a cutthroat environment, but maintains poise and values. A fighter, survivor, and innovator in the business. SNACKWRIGHT (Bass-Baritone) Head of the Flavor Lab at Wonders Inc. He specializes in chocolates and other sweets. An unabashed flavor nerd who really gets into the chemistry of taste. SETTING Present day. The gleaming corporate offices of Wonders Inc., the global brand that manufactures immensely popular chocolate bars and a constellation of other candies. We are in the 35th floor executive suite, outside a conference room. Coffee table, chairs, prominent Wonders™ logo displayed on a wall. Poster-size photographs of children of all nations smiling and laughing as they bite into a Wonders Bar™. SYNOPSIS Chocolate global mogul Bobby Wonders is attempting a hostile takeover of boutique chocolatier Bliss Confections. He has invited Bliss founder Amara Bliss to his corporate office to sign over her company. Amara refuses. They argue over their businesses and missions. A flavor scientist named Snackwright eavesdrops, finally interrupting to say he has created a new type of chocolate. Combining elements from both companies, he says, he has created a superchocolate called Wow Cacao. Each boss tastes it and is transported with pleasure, which leads to a reconciliation. Amara won’t sell her company, but they can collaborate on exploring the possibilities of Wow Cacao.
INSTRUMENTATION
Soprano, Baritone, Bass-Baritone Flute, String Quartet, Piano
WORLD PREMIERE PRODUCTION Virtual World Premiere Society for New Music, featuring Julie Ebner, soprano; Steven Stull, baritone; David Neal, bass-baritone; May 23, 2021 Live World Premieres American Modern Ensemble, featuring Cree Carrico, soprano; Steven Stull, baritone; David Neal, bass-baritone Presented by Triphammer Arts, CRS Barn Stage, Ithaca, NY, June 13 and 14, 2021 The Arts at Grace; Rose Hall, Cortland, NY, June 15, 2021 Mostly Modern Projects, Universal Preservation Hall, Saratoga Springs, NY, June 17 and 18, 2021 Mostly Modern Projects, Chelsea Market, New York, NY, June 20, 2021
Duration: ca. 24’00”
LIBRETTO (During the overture, there’s an argument in the conference room. We see figures silhouetted behind a frosted window. Sitting, standing, pacing, pointing fingers. Enter SNACKWRIGHT in white lab coat, carrying a silver box. AMARA BLISS storms out, followed by BOBBY WONDERS, who waves a paper at her.) Sign! No!
AMARA —and exploit the goodwill I have earned to benefit Big Choco. It’s a PR stunt! I won’t merge and become a subsidiary of Bobby Wonders’ global choco octopus! I will go back to my board and draft a counterproposal.
BOBBY
BOBBY Why do you think I’m doing this, Amara?
AMARA
AMARA You can’t stand competition, Bobby. BOBBY I admire you. Wonders Inc. is committed, too. We pay tens of millions extra for certified cocoa, millions more to certification firms. But demand is high. Higher than you can supply.
(They freeze, as Snackwright addresses the audience.)
ru
sa
I work for Bobby Wonders, who’s attempting an acquisition. The target is Amara Bliss. I’m not the villain; please don’t hiss. Will bonbons come from bitter opposition?
AMARA So the market fluctuates. When I started out, there were only a few boutique chocolatiers. Now there’s an Indie Choco glut. Our customers will accept a bump in cost. BOBBY ‘Til no one can afford a Bliss Bar? Kids don’t get them on Halloween. They’ll never know how good they taste.
lS
I am a scientist, you see, and food’s my chosen field, to be precise, confection’ry: sweets and treats and all candy that cocoa beans and sugar cane will yield.
co re
SNACKWRIGHT Like agitated molecules, they clash with intent to destroy. Some chain reactions in a tube reveal the data that can prove how certain taste collisions lead to joy.
(Amara and Bobby return to their argument.)
Pe
BOBBY Amara, this offer is very generous.
AMARA My company is worth far more than that.
BOBBY Not according to your board of directors. Wonders Inc. is tossing a lifesaver—pardon the pun—to Bliss Confections. You’re in the red. AMARA When a company commits to sustainable cocoa farms, zero deforestation, and fair trade practices, it can bite into profits. But the chocolate tastes twice as delicious. Remember delicious, Bobby? BOBBY Yes, Amara Bliss products are a wonder—pardon the pun. You are the epitome of Indie Choco! We should join forces and—
AMARA What’s your game, Bobby? BOBBY Who do you make chocolate for? Anyone who loves it.
AMARA BOBBY
You know as well as I Bliss Bar customers are coastal elites whose carbon footprint deletes any eco-benefits accrued. They think they’re so green, because of sustainable beans; but it’s just a load of attitude. AMARA Oh, are we going there? At least I’m not marketing death. Mass-produced candy meth, addicting innocent kids. They don’t know that these sweeties will lead to diabetes…! Sales would plummet if they did. SNACKWRIGHT If I may interrupt for a moment: Both of you are right— yet both of you are wrong.
BOBBY Amara, this is Snackwright, the head scientist from the Flavor Lab. SNACKWRIGHT Hello Ms. Bliss, a pleasure to meet you. I admire your Sour Salt Crunch.
(Snackwright opens the box, which contains two squares of chocolate.)
AMARA Uh, thanks. How are we both right and wrong?
Total Cacao!
SNACKWRIGHT The rivalry between you is no secret. Trash talk on social media, gossip at the Choco Expo. However… I’ve made a discovery that pertains to both of you. A new kind of chocolate.
Total Cacao!
co re
sa
(Snackwright holds up the box he had been carrying.)
ru
AMARA & BOBBY
Pe
SNACKWRIGHT Because when it hits your mouth, the taste goes pow! Wow Cacao!
AMARA & BOBBY
SNACKWRIGHT Next! Organic fermentation, solar-powered roasting ovens, micro-grinding down the nibs, nano-mapping happy chemicals swimming in the pure liquor. Minutely calibrating levels of: Caffeine! Phenylethylamine! Theobromine! Anandamide! Sugar, vanilla and secret ingredients go into a bar that shatters all sense: Total Cacao!
BOBBY What is this feeling flowing into me? A rush of energy and ecstasy? My taste buds tingle and I have to smile, I feel like a kid who could sprint a mile. Aromas and spice from a distant shore, sharp yet tender, layered with mystery: a chocolate bar with a sense of history. Now it’s all gone, and I want more!
lS
SNACKWRIGHT We know the names of cocoa beans: Criollo, Forastero, Trinitario, Nacional. Four types of seeds from the cacao tree. Now I have hybridized a new variety, the choicest and spiciest of Bliss beans spliced with the classics at Wonders Inc. I call it—Wow Cacao!
Wow Cacao?!
TUTTI
(Amara and Bobby each take a piece, cautiously. They look at each other, and at Snackwright, before popping the chocolate into their mouths. Each slowly chews, tastes, swallows.)
BOBBY
Impossible!
SNACKWRIGHT
SNACKWRIGHT I call it The WonderBliss Double Choco Shocko! That name might be too long. Taste it.
AMARA
A new kind?
Ah. Wow Cacao!
Total Cacao!
AMARA & BOBBY
AMARA Ambrosia may be food of the gods, but this goddess is calling them frauds; Olympus never had it so fine. One bite and it’s like I’m drunk on wine. My body is floating on a cloud of bliss. Smoky and dark, layered with mystery: a chocolate bar with a sense of history. Come down here, angel, and give me a kiss. SNACKWRIGHT What is the sense the newborn knows, before they see or hear, or recognize a mother’s touch? Taste. Ah.
AMARA & BOBBY
SNACKWRIGHT What is the first passion that we know, before we kiss, embrace, find the partner of our dreams? Taste. Taste.
AMARA & BOBBY TUTTI
SNACKWRIGHT What is the sense that calms the mind?
BOBBY Yes! Centuries old. SNACKWRIGHT Centuries and centuries.
TUTTI
Taste.
AMARA Mystic wisdom, medicine, divinity…
SNACKWRIGHT What is the sense that turns back time? Taste! Taste! Taste!
Holidays, global trade…
TUTTI
And, yes, cavities.
AMARA Listen, Bobby. My company is not for sale. But maybe we can form a partnership.
For joy!
SNACKWRIGHT
AMARA A source of woe… BOBBY Of woe.
lS
AMARA
Love.
BOBBY
For joy!
co re
BOBBY
Love?
SNACKWRIGHT
AMARA A force for joy…
BOBBY To investigate the social and commercial potential of Wow Cacao? AMARA Yes. Candy this powerful must be sold responsibly. From a place of…
BOBBY
Of woe.
sa
(They shake hands.)
SNACKWRIGHT
AMARA Which way will we go?
SNACKWRIGHT As a fugue by Bach may start out wild, by the end it soothes with melodies mild. These choco bosses began in heat, but bitter beings, like cocoa beans, yield to sweet.
BOBBY Which way?
Pe
ru
BOBBY I like a well-tempered chocolatier. Pardon the pun.
I burned with bitterness at the things you did. I built up this business, and you place a bid.
AMARA
BOBBY Power can be so sweet, an aphrodisiac. But the aftertaste is sour, revealing what you lack. SNACKWRIGHT Balance is key, blending bitter and sweet. The science of flavor is precisely where they meet. AMARA Chocolate is an ancient force.
Which way?
SNACKWRIGHT
AMARA Bitter or sweet? BOBBY Sweet or bitter? Bittersweet.
SNACKWRIGHT AMARA
Bitter or sweet?
BOBBY
Where we meet. Bittersweet.
SNACKWRIGHT
That’s where we meet.
AMARA
Where we meet.
BOBBY SNACKWRIGHT
Bittersweet.
AMARA When the taste hits your tongue… The taste goes pow!
Wow—! Wow—! Wow Cacao! Wow!
SNACKWRIGHT AMARA BOBBY
co re
Wow Cacao!
BOBBY
TUTTI
lS
[The End]
sa
Libretto, Program Note, Characters, and Synopsis Copyright © 2021 by David Cote. Reprinted With Permission.
IMPORTANT NOTICE
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Performances of this opera must be licensed by the publisher.
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All rights of any kind with respect to this opera and any parts thereof, including but not limited to stage, radio, television, motion picture, mechanical reproduction, translation, printing, and selling, are strictly reserved. License to perform this work, in whole or in part, whether with instrumental or keyboard accompaniment, must be secured in writing from the Publisher. Terms will be quoted upon request Copying of either separate parts or the whole of this work, by hand or by any other process, is unlawful and punishable under the provisions of the U.S. Copyright Act. The use of any copies, including arrangements and orchestrations, other than those issued by the Publisher, is forbidden. To inquire about Grand Rights, or to rent or purchase materials, please contact:
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Piano/vocal Score
Commissioned by Triphammer Arts Inc. with The Arts at Grace and Society for New Music
COCOA CANTATA
David Cote
Robert Paterson (2020)
Overture
° 4 &4
∑
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Snackwright
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Bobby Wonders
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Amara Bliss
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* This is the piano part for the piece, not a reduction of the full score.
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Copyright © 2020 Robert Paterson Music (ASCAP) International Copyright Secured. All Rights Reserved.
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Cocoa Cantata—Piano/vocal Score
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Cocoa Cantata—Piano/vocal Score
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œœ ø
œœœ ø
˙˙˙ ™™™ ø
>œ. œ ‰ J
#œœ œ #œœ œ ø
˙˙ ˙˙˙
rit. >poco œ™ œ œ œ #œ >œ >œ œ œJ œ™ J J poco rit.
3
The tar-get is A- mar-a Bliss. I’m
#˙˙ #˙˙˙
ø
œ œ œ™ J
b &b ˙ >˙ ? bb >˙˙˙
{
˙˙ ˙˙˙
#˙˙ ˙ #˙˙ ˙ ø
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
bb bb
Œ
co re
3
68
Snack.
&
œ œ œ œ œ œ œ#œ œ œ ™ œ œ œ #œ >œJ ‰ œ œ œ œ ‰ œ J J J J 3 3 3
work for Bob- by Won - ders, who’s at - tempt - ing an ac -qui - si - tion.
°? b >œ ¢ b
{
Œ
Meno mosso, q = ca. 88
∏∏∏∏∏∏∏∏∏∏∏
{
I
˙™ ˙™
Œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
Œ
b &b ˙ ˙ mfpoco ? bb ˙˙˙
66
Snack.
˙™ ˙™
‰ œ J
˙˙ ™™ ˙˙ ™™
?
bb
mf
cane will yield.
Œ
ru
Pno.
Œ
°? b œ œ œ œ œ ¢ b J 63
Snack.
b>˙˙ ™™ & ˙™ b >˙˙ ™™ ˙™
Pe
Pno.
co - coca beans and sug - ar
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
{
Œ
3
sa
Snack.
˙™
>œ œ™ œ #œ œ œJ
> ‰ œ bœ œ J
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
6
Œ
>œ
3
œ J
op - po -
œœ >œ >œœ œ ø
œ U Œ
"b b
#>œ. " U #œ ‰ b b J U ? b Œ b
Cocoa Cantata—Piano/vocal Score
∑
Pno.
Bobby
Moderato, q = ca. 100
w ? bb w w
mf
74 3 ° b œ^ #>œ. ‰ Œ œ #œ J &b
{
∑
b & b #˙˙˙ > >˙ ? bb #˙˙ ø
ø
ø
∑
Ó
{
Won - ders Inc.
w ? bb w w w w
∏∏∏∏∏∏
ff
>˙ ˙
œ œ œ œ œ™ J
3
‰ œ œ œ œ œ œ œ > Not ac - cord - ing
j ‰ œœ œ >. j œ ‰ œ >.
is toss - ing a
Œ
>˙ ˙
Œ
Ó
> w w #w w w > ø
œ
Œ
˙™ # ˙˙ ™™
Œ
œ œ œ œŒ
‰ #œJ
˙˙ ™™ ø
Œ
life - sav - er
∑
∑
to your board of di - rec - tors.
ff 77 >œ œ œ > œ œ œ >œ > œ ˙ °? b >œ œ #œ ¢ b 3
b &b Ó
Pno.
w w w w w w
w #w w w #w w
f3
#>œ. #œ ‰ Œ J
∑
3
sa
¢
? bb
far more than that.
3
is worth
of - fer is ver - y gen - er - ous.
ru
Bobby
This
b w &b w w
Pe
Amara
{
3
A- mar - a,
∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
3
My com - pa - ny
œ^ œ œ #œ œ œ œ œ œ Œ J
f
Bobby
∑
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
? b ‰ ‰ >œJ œJ œ œ™ ¢ b
‰ œj œ œ œ œ œ œ f
co re
Amara
Moderato, q = ca. 100
(Amara and Bobby return to their argument.)
lS
° b &b 71
7
Œ
mf
par - don the pun—
j œ ‰ Œ œ >.
mf
∑ Ó
to
Cocoa Cantata—Piano/vocal Score
8 80
Ó
œ ˙ > ? b œ ™ œ #œ ¢ b
{
When a >œ œ œ >œ Œ ≈ J‰Œ
Bliss Con - fec - tions.
83
Amara
Ó
#w w w > ? bb #w w w >
° b ¢& b
{
bœ œ œ
œ œ œ
tain - a - ble
co - coa
° b ¢& b >œ
Pno.
{
ru
ø
œ
œ ≈ œ™ œ œ
œ œ
3
fair trade prac - tic - es,
≈ b & b ˙˙˙ ™™™ > ≈ > ? bb ˙˙˙™™™ ø
œ > ze
farms,
Pe
Amara
˙
sa
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
bw w ? bb b w
85
>œ œJ ‰ Œ
˙ >˙ ø
b bw &b b w w
Pno.
>œ Œ œJ ‰
>œ œ œ ˙ bœ
‰œ œ
com - pa - ny com - mits
to sus-
∑
You’re in the red.
b &b
Pno.
Œ ‰bœ œ
Adagio, q = ca. 84
Adagio, q = ca. 84
bw w w
mfpoco
bw w w
co re
Bobby
∑
œ
lS
Amara
mf
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
° b &b
it can
Œ Œ
- ro
œ œ œ œ 3
ø ‰
œ
de - for - est - a - tion,
j œ
and
w nw w > > w w nw
Più mosso, q = ca. 92
œ>
bite
œ œ œ œ™
Œ
in - to prof - its.
j œ œ bœ. ‰ > mf >œ. œ ‰ J
‰
œ œ But the
Œ
Ó
Œ
Ó
Cocoa Cantata—Piano/vocal Score
° b > ¢& b œ œ œ œ
j œœ œ >>. œœ. J
b & b ˙˙˙ > ? b >˙˙ b ˙
° b2 œ &b 4 89
Pno.
? b2 ¢ b 4
{
{
A tempo (q = ca. 84)
b3 &b 4 Œ
Pno.
Yes,
? bb 43
mf
poco rit.
3
œ œ œ œJ >
par - don the pun.
Œ
≈ ∑
≈ ‰ Œ
are a
U ∑
2 4
3 4
U 2˙ 4˙ ˙ ˙ 2U 4 ˙˙
˙˙ ˙ ˙˙ ˙
f
You
4 w 4 w w f
4 w 4 w w
œ œ œ œ œ œ œ 3
are the
3 4
won - der
poco rit.
4 >œ 4
œ. œ ≈ J ‰
mf
3
A- mar - a Bliss prod - ucts
sa
°? b 3 ‰ ¢ b 4
2 4
> b>-œ ™ œ œ œ œ œ œ ™ œ œ œ 2 œ^ bœ U œ 4 f
5 4 Œ
∑
2 4
∑
> ≈ nœ œ > œ nœ. b 2 œœ 5 b J ‰ 4 bb˙˙ ™™™ & 4 œ f >˙ œ 5 bb>˙˙˙ ™™™ ? bb 42 œœœ Œ 4
92
Bobby
‰
5 4
Œ
n≈ w w w ≈ w nw w w
œœj ‰ œ. œœ. J ‰
‰
3
Re - mem - ber de - li - cious, Bob -by?
ru
Bobby
de - li - cious.
Pe
Amara
3
3
choc - o - late tastes twice as
3
co re
{
>œ œ œ œ œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
f > >œ ≈ œ™ 2 n œ j œ™ ‰ ‰ œ œ œ œ 4
Meno mosso, q = ca. 84
lS
Amara
poco rit.
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
87
9
3
e - pit - o - me
3 4 3 4
œ of
Cocoa Cantata—Piano/vocal Score
10
°? b >œ ¢ b
ff
94
{
Amara
Pno.
ff
{
2 #˙˙˙ &4 f # ˙˙ ? 42 ˙ ø
4 4
I have earned
∑
w 4 bwbw 4 w
Intense (l’istesso tempo)
4 4
2 nn 4
ffsub.
≈™ œ bœ b>œ œ œ b >œJ n œ œ ‰
to
ben-e - fit
co re
Œ
nn 42
œ J
lS
¢
? 42
p
> ##n˙˙˙˙
bw w ø
{
bb>œœœ nnœœœœ. ‰ Ó & J >œ n>œ. bœ œ ? J ‰ Ó
##>˙˙ ø
99 f ° b>œ b>œ >œ. ‰ Œ ‰ œ œ^ œ œ bœ œ bœ œ œ J J ¢&
P R stunt!
˙ nn>˙˙˙ b˙˙ > ø
≈ ∑
Big Choc - o.
œœœ œ≈
It’s a
Œ
≈ œœ
Œ
œ œbœ œ œ œ œ œ™ >œ œ™ >
I won’t merge and be - come a sub - sid - i - a - ry
b˙˙˙˙ v ˙˙^
and—
w #w w
> ° 2 ‰ œf œ bœ œ 4 b>œ œ œ œ b œ n œ ™ 4 &4 3 œ
2 nn 4
mf
Intense (l’istesso tempo)
good will
3
œ J
œ
w #w w
‰
Œ
And ex- ploit the
> œ œJ
f #>œ œ
We should join for - ces
sa
Pno.
Œ
>œ. œJ
Pe
Bobby
>˙˙ ™™ ˙™
? b >˙˙ ™™™ b ˙ ø
96
Amara
Œ
In - die Choc - o!
b &b
Pno.
œ
œ
ru
Bobby
>œ œ™
bb˙˙˙˙ > f b>˙˙ ø
of Bo - by Won - ders’
œœœœ > >œ œ ø
œœœœ > >œ œ ø
Cocoa Cantata—Piano/vocal Score
ff bœ > # ™ ° >œ bœ ™ œ #œ >œ œ Œ ¢& 3 102
choc - o
ff
° & #œ œ > 105
Amara
coun - ter
Bobby
° & ¢
pro - pos - al.
{
j 3 œ 4 bbœœ œ ‰ Œ > v mf ff >œ b œœ^ 3 œ J ‰ Œ 4
Ó
Œ
Œ
>œ
Ó
f
bb˙˙˙˙˙
ø
f
3
œ œ œ bœ
you think
œ œ œ #œ
I’m
3
do - ing
this
∑ ∑
> bœ œ œ œ œ œJ ‰ #œ œ ‰ v
You can’t stand com - pe - ti - tion,
œ œ bœ œ ˙ J 3
> ˙˙˙
∑
˙
‰ œj
and draft a
ḃ>˙ ˙
4 4 bb˙˙ ˙v f 4 bb˙˙˙^ 4
sa
ø
∏∏∏∏∏
&
back to my board
Why do
?
&
Pno.
œ
∑
w & #w w w > > w ? #w w
107
Amara
œ œ
?
{
3
I will go
bœ œ œ œœ œ J œ œ v 3
ru
Pno.
¢
‰ Œ
Pe
Bobby
‰ Œ
> œ b œœ œ b œ n œ ? œ b œ œ #œ J ø ø p sub.
Œ
oc - to - pus!
b>œœ b œ n œ & œœ bbœœ œ # œ J
Pno.
f
co re
{
glob- al
3 4 Œ
b>œ œ œ 4 4
lS
Amara
11
&
rit.
∑
Bob- by.
∑
∑
A- mar - a?
>˙ ˙ ˙˙˙ ˙
> œœœ. J
rit.
‰
Œ
j ‰ b œ b œœ >.
Œ
Ó ?
j ‰ Œ #œ # œ. >
> b˙˙˙˙ b>˙˙˙
œœ ™™ œœ™™ œœœ ™™™
‰ ‰
Cocoa Cantata—Piano/vocal Score
12
°? ‰ ¢ 112
Pno.
{
Bobby
Pno.
nœœœ
œœ œ
ø
ø
ø
nœœœ
mf
œ J
œ
We
pay
? #œœ
œœ
°? ‰ ¢
{
U œœ
œœ
œœ œ
114
Won - ders
U œœ œ
& #œœœ ø
you.
>œ œ œ œ >œ
ff
#œœœ
ø
>œ œ
ø
mil - lions more
& #œœœ
œœ œ
ø
ø
? #œœ
œœ
Inc.
com - mit - ted,
too.
is
œ
mf
œ
fsub.
œœ ø
ø
f
œ #œ œ œ > œ
for
œœ œ
3
œ
cer - ti - fied co - coa,
U ˙˙ ˙˙ > fsub. U >˙˙ ˙
#œœœ
œœ
U œœ >œ U >œœ
œœ œ
ø
ø
Ϫ
U >œ
œœœ
tens of mil - lions ex - tra
˙˙ >˙ ff >˙˙
œ
œœœ
#œœ
Pe
Bobby
ad - mire
œ
œ œ™ œ œ f
co re
? #œœœ
#œ
lS
{
mf
I
œ œ œ™
U œ
sa
Pno.
& #œœœ
#œ ™ mf
ru
Bobby
Andante, q = ca. 80
°? ¢ Œ 110
#œœ ø
ø
ff
ff mf œ >œ œ œ œ œ œ 3
U ‰
to cer - ti - fi - ca - tion firms
˙˙ ˙ > ffsub. >˙˙ ø
œ œ #œ
U > œ ˙
But de - mand - is - high.
U œœœ
#œœœ
ø
ø
mf
U œœœ
#œœ
U ˙ nb˙˙
ffsub.
U ˙ b n ˙˙ ø
mf
U œ
Cocoa Cantata—Piano/vocal Score
Amara
U ∑
Bobby
¢
?
{
>œ œ™
œ
œ
>œ œ œ U #œ
than you can sup - ply.
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
#œU œœ œ mf U # œœ œ
ø
ø
° ‰ j œ #œ œ nœ œ ¢&
{
A tempo (q = ca. 80)
When
Amara
° Œ ¢&
{
ø
ø
poco rit. > # œ œ œ œ œ™
3
sa
there were
ø
A tempo
? #˙˙˙
poco rit.
ru
ø
& #˙˙
Pno.
out
U ##w ww U w ##ww w
n˙˙˙
? #˙˙˙
120
start - ed
œ œ
Pe
Pno.
I
˙ n˙˙
& #˙˙˙
#>œ
fluc - tu - ates.
U ∑
lS
Amara
So the mar - ket
3
High - er
˙˙ ™™ ? ˙™
118
#>œ œ U œ™
3 > ‰ #œ œ œ œ J
mf
˙™ & ˙˙ ™™
Pno.
mf
poco rit.
co re
° & 116
13
on - ly
f
#>˙˙ ˙ ˙ #˙˙
b-œœ
-œœ
bœœœœ^ ‰ J f b œœœ^ J ‰
3
ø
‰
Now there’s an In - die Choc -o glut.
œœ -œ
≈ ˙˙ ˙ ≈ ˙˙ ˙
≈ œ œ œ œ
bou - tique choc - o - lat - iers
ø
bœ^ œ œ bœ œ œ œ J ‰ bœœœ -
a few
œ œ
œ #>œ nœ œ œ œ œ #œ œ J
mf
Our cus - tom - ers
#œœ œ
mf
# œœ
will ac - cept
n˙ # ˙˙
œœ
n˙ # ˙˙
œœ
ø
a
° œ^. & 122
Amara
bump
Bobby
Pno.
? Ó ¢
{
j œ & #œœ. v œœ^. ? J
Cocoa Cantata—Piano/vocal Score
œ
U œ
nœ
in
cost.
U Œ
‰ ‰
U œœ œ
nœœ œ
Amara
Bobby
Pno.
? 43
Bliss
Œ
Ó
bœ J
>œThey’ll œ
ru
Pe game, Bob- by?
{
Bar?
af - ford
> bœ bœ
Œ
>œ bœ > b >˙ œ œ œ œ
f
œ
3 4
œ
What’s your
3 4
lS
Œ
ø
3 & 4 œœœ > >œœ 3 ?4 ø
a
ca
œ
w w
Kids don’t get them on Hal-low- een.
° 3 >œ &4 b>œ œ ‰ Œ ¢
bb>œœ ø
3
> w ? w w w >
126
no - one
w w
>œ œ b >œ œ œ >œ œ œ ?
{
œ
Ó
∑
& Ó
Pno.
œ >œ
b œœ
U œœ
n œœ
° & ¢
‰
bœ œ œ œ œ™
sa
Bobby
œ J
mf
’Til
124
Amara
∑
Œ
co re
14
∑
4 4
nev - er know how good they taste.
> w w w w Œ ø
∑
b >œ œ œ œ > œ œ œ œ œ 4 J 4 f
3
Œ
Œ
Œ
4 4 bw w w > 4 w 4 w >
3 4
˙™ ˙™ >
œ >œ œ œ œ b>œ œ U J poco rit.
"b b
An - y- one who loves it.
U ∑
3
Who do you make choc - o - late for?
Œ
3 4
∑
b>˙˙˙ ™™™ >˙˙ ™™ ˙™
poco rit.
ø
U >œ œ U œœœ
bb "
bb bb
{
Cocoa Cantata—Piano/vocal Score
Pompously, q = ca. 92
mf
{
You know as well
? bb ˙ ˙
136
Pno.
{
Bobby
Pno.
°? b ¢ b
{
j œœ ‰ œ. j œ ‰ œ.
Bliss Bar cus - tom - ers
3 4 ˙™ ˙˙ ™™ > 3 4 >˙˙ ™™
œ. œ ‰ 4 J 4w w w w .œ > J ‰ 44 w w >
car - bon foot - print de - letes
j œœœ >. j œœ >.
‰
j‰ œœ œ. j œ ‰ œ.
an - y
>-œ
œ 3
think they’re
b &b Ó > w w ? bb w w w >
‰
œ so
>œ 3
green,
>˙ ˙˙
œ J
œ
œ
˙˙ >˙ ˙ >˙
j œœœ >. j œœ >.
‰
œ. œ ‰ Œ J
‰
Œ
œ J
˙™
are coast - al
e - co ben - e - fits
3
be - cause of
œ.
>œ
sus - tain
e -lites
Ó
> w w w w w > ø
3
a
j œœ ‰ œ. œ. œJ ‰
˙™ >˙ ™ >˙ ™™ ˙˙ ™ ø œ -
ble
whose
Œ œ ‰ J
ac - crued.
œ -
j œœ ‰ œ. j œ ‰ œ.
œ >œ œ œ œ ‰ ‰ J J
>œ œ >œ œ > œ œ œ œ œ œ œ œ œ 4 ‰ 4 J
b &b œ œœ > ?b œ b >œ
139
j‰ œœ œ. j œ ‰ œ.
Pe
Bobby
˙˙˙
j‰ œœ œ. j œ ‰ œ.
>œ œ > œ œ œ œ œ 3 4
as I
≈ j ‰ œ œœ œœ œ. > ≈ j œœ ‰ œœ >.
mf
°? b ¢ b
≈ > œ œ
j‰ œœ . j‰ œ.
sa
Pno.
˙˙ >˙ ˙ >˙
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
b &b
j‰ œœ . j œ. ‰
poco rit.
co re
> °? b ‰ >œ œ œ œ™ J ¢ b A tempo
133
Bobby
j ‰ j ‰ œj ‰ œœ œœ œ œ. œ. œ. j ‰ œj ‰ œj ‰ œ œ. œ. œ.
ru
Pno.
b & b œœj ‰ œ. f ? b j‰ b œ œ.
lS
129
15
They
j ‰ œœ . œœ. ‰ œJ >œ
beans;
˙˙ >˙
Œ
Cocoa Cantata—Piano/vocal Score
> °? b -œ ™ œ œ œ œ™ ¢ b >
Pno.
> ? b ˙˙˙ b
>˙ ˙
ø
Pno.
>œœ n b œ 3 4 ø
Œ
U œœœ
Œ
ff
‰
‰
3
b &b j œœ . ? bb œj œ.
Mass pro - duced can - dy meth,
° b ¢& b >œ
{
At
œœ œU
-œ^ ° b ‰ œ œ œ b œ œ J ¢& > f
3
148
Amara
go - ing there?
3 bnœ>œœ 4
‰
‰
j œœœ . j œœ .
don’t
b & b #ww w > > w ? bb #w w ø
‰
œ know
‰
j œœ ‰ -v -œœ^ œJ ‰
4 4 j b œœ . 4 œj 4 œ .
‰
>œ
œ
œ J
f
ff
Œ
j ‰ n œœ. œ j œ nœ. ‰
‰
ad - dict - ing
Œ
that these sweet - ies
will
lead
w #w w > > ww w ø
3
j œ
in - no - cent kids.
ff œ œ œ J œ œ J 3
to
j bœœ ‰ Œ -v -œœ^ bœJ ‰ Œ
œ œ œ #œ ™ > 3
w w w > f #w w w >
œ
œ œ œ
ff
3
>œ
œ J
2 4
least I’m not mar - ket - ing death.
j œ
3
6
3
f
3
are we
2 4
-^ ‰ œJ 44 œ œ œ œ œ œ bœJ ‰ Œ >
œ œ bœ 43 n>œ œ œ U œ
Oh,
6
3
3
b2 & b 4 b˙˙˙ > ff > ? bb 42 bn˙˙˙
{
œ > œ œ œ œ œ
œœ >œ ø
With tension (l’istesso tempo)
{
.j œ œœ ‰ 3 œ œ œ œœ œ œ J. œ œ œ œ >
f
ø
° b 2 f>œf ¢& b 4
2 4
at - ti - tude.
œœ >œ
Pe
Pno.
of
˙˙ >˙
146
Amara
load
b & b ˙˙ >˙
143
Amara
a
œ. J ‰
ff
œ
lS
{
it’s just
sa
Pno.
But
ru
Bobby
œ^ œ œ™
f
œ J
141
co re
16
di
-
They
Ϫ
a - be - tes...!
Cocoa Cantata—Piano/vocal Score
b &b
j œœ ‰ Œ œ
°? # 2 ‰ ¢ #4
{
°? # #
œ
œ
If
I
may
œ œ 44 œ
3
in - ter - rupt
Più mosso, q = ca. 84
∑
{
˙ >˙ ? ## >˙˙
3
for
a
j œœ ‰ Œ œœ >. j ‰ Œ œ œ >.
Ó
## 2 4
Ó
## 42
poco rit.
are right—
j œœ ‰ Œ >. >œ. œ J ‰ Œ
∑
bœ
j b œ bn œœœ
‰
nœœ J
q = ca. 76
‰
Ó
poco rit.
˙ >˙ >˙˙
U nb˙˙˙˙ U Ó
U > Œ ‰ ‰ œJ
mf
3
U ∑
>œ œ œ œ œ n˙ >
yet both of you
U Ó
mo - ment:
4 œœ 4
Più mosso, q = ca. 84
## 2 4
œ œ nœ
4œ 4 œœ
Both of you
Ó
did.
j ‰ œœ # œ. j œœ ‰ # œœ .
>. ? ## >œ nœ œ œ œ œJ ‰ ‰ œJ ¢ ## &
Pno.
3
mf
Pe
Snack.
œ J
‰
## 2 & 4 ˙˙˙ > mf ? ## 42 >˙˙
155
Bobby
Ó
if they
lS
Pno.
œœœ J ‰ Œ
would plum - met
˙˙ ™™ >˙ ™ ˙˙ ™™ ™ >˙
Ó
Andante, q = ca. 76
153
Snack.
Sales
j œ. ‰ Œ >
co re
{
?b b
œ^ œ ™ œ >. #œ.
œ J
sa
Pno.
>Ϫ
Ó
ru
Amara
are wrong.
q = ca. 76
nb>˙˙ >˙ n˙ ø
˙˙ ˙˙
U œœ œœ
∏∏∏∏∏∏∏∏∏∏∏∏∏
œ. J ‰ Œ
150
∏∏∏∏∏
° b ¢& b
17
U œœ œœœ ø
A-
Cocoa Cantata—Piano/vocal Score
18
°? # œ œ œ œ œ œ #
Più mosso, q = ca. 88 >
? ##
{
Snack.
Più mosso, q>= ca. 96 lo
° ## 2 & 4
‰
>œœ œ J >œœ J
{
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
˙ ? ## 42 ˙ °
œœ œ
‰ ‰
your
Œ U > bbb˙˙˙ bb ˙˙ ˙ > u ø
œœ
> 4 bœ œ bœ 4 bœ> 3
œ J a
? ## 42 œ œ ™ œ œ mire
‰ Œ Œ
œ
plea - sure to meet
4 Π4 bw bw w 4 bw 4 bw w
œ
you.
>j . ‰ œ bb œœ bœ
Sour
Ϫ
mf
‰ > œœ
. œ œ
œ œ 2 4 I
b>-œ ‰ ≈ Œ J
Œ
4 4
≈ ∑
Œ
b>˙ 4 b˙ 4
≈ Ó
Œ
4 4
Uh,
Salt Crunch.
bœœ>œœ. ‰ œœj b ‰ œ. J > mfsub. >œ. >œ. b œ b œ 3 œJ J ‰ ‰ 4
3 4
4 ‰ 4
∑
> . 3 œ œ >œ bœJ ‰ 4
3 4
ad -
2 4 2 4
Sost. Ped.
3 4
U fœ 3 ‰ ‰ J 4 3 U >œ Hel œ 3 4
Œ
ø
Bliss,
∑
# 2 & # 4 ˙˙˙
Pno.
Ms.
## 3 œj & 4 œœ. ‰ f œœ. ? ## 43 J ‰
¢
œ J
>-œ
œœ œ œœ
Ó
°? # 3 œ ¢ #4
162
Amara
˙˙
3
molto rit.
‰ Œ
ru
Pno.
j œœ œœ >.
Più mosso, q = ca. 88
3 4
sci -en - tist from the Fla - vor Lab.
Ó
Pe
Snack.
head
∑
? ## ˙˙˙
160
the
co re
{
## &
Pno.
this is Snack - wright,
lS
¢
‰ œJ
3
mar - a
Snack.
œ
b >œ œ œ U œ œ n œ œ œ œ
molto rit.
sa
Bobby
>œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
158
3 4
thanks.
≈ ∑
3 4 3 4 3 4
Cocoa Cantata—Piano/vocal Score
165
Amara
Snack.
¢
œ œ œ œ > œ
How are we
? ## 43
both
∑
{
U j ‰ nœœ œ b-œ >œ > U >-œ >œœ n b œ bœ ‰ œ J
# 3 & #4
˙™ >˙ ™ ? ## 43 >˙˙ ™™
Moderato, q = ca. 120
°? # #>œ œ œ U Ó ¢ # se - cret.
U > w w ? ## w w w > u ø
°? # 3 n>œ ¢ #4 172
Snack.
Pno.
{
2 4
>œ
Ϫ
Choc - o
## 3 nœj & 4 œœ > ff > nb œœ ? ## 43 J
Ex
Allegro, q = ca. 144
‰ ‰
riv - al - ry
œœœ
œœ >œ œ>œ
œ -
po.
j œ œ J œ nœJ ˙ ˙
be-tweenyou
is
4 nbw w 4 w w > ø
accel.
3 4
U œ 3
U œœ œ œ œU
2 œ^ œ ‰ ‰ œ œ 3 4 4
so - cial me - di - a,
3 4
j ‰ Œ œ n œœœ v f 2 ^ 4 bnœœJ ‰ Œ
Allegro, q = ca. 144
ff
on
Moderato, q = ca. 120
Pe
Pno.
Trash - talk
ru
## Ó &
U >˙ ˙
4 b>œ nœ œ 4 4 Ó 4
œœ œ
accel.
sa
{
no
∑
f 2 bœ^ œ œ nœ 3 b>œ nœ œ œ œ œ 4 4
168
Snack.
4 4
The
lS
Pno.
U > n bœ- œ œ œ > right and wrong? mf 3 U Œ Œ ‰ ‰ nœj
co re
° ## 3 & 4Œ
19
3
3
gos - sip
2 œj 4 b#œœœ v f ^ 2 nœœœJ 4
∑ ∑
, mfsub. Adagietto, q = ca. 80 œ 2 bœ œ ™ œ J 4 How
‰ ‰
-
ev - er...
2 bnœœj 4b œ . mf . 2 bn œœJ 4
at the
‰ Œ
3 4
‰ Œ
3 4
bœ
4 4
I’ve
Adagietto, q = ca. 80
‰
Œ
4 4
‰
Œ
4 4
Cocoa Cantata—Piano/vocal Score
°? # 4 bœ œ œ œ b œ # n œ œ 4 ¢
b>œ œ #œ œ n œ # œ n œ œ ‰ J accel.
174
{
## 4 Ó & 4 Œ
Snack.
° ## 5 Ó & 4
>œ œ œ √ n œ > œ n œ œ ? ## 45 ¢
{
°? ¢
{
&
Pno.
3
3
3
√ > nœ nœ nœ > ƒ √ œœ œœœ ƒ
> œ # 6 bœ nœ #œœ œœ œ nœ œ >
Ó
p
w nw w w ø
Più mosso, q = ca. 96
Pe
Œ
ffsub.
>ø
Allegro, q = ca. 132
ff
^ ? #w w w wv ø
∑ ∑
Ó
>œœ >-
f
w w w w
3
3
A new kind?
f
5 4
Meno mosso, q = ca. 72
>œ b œ œ œ U ˙ 4 ‰ ‰ J 4
nn
ff
3
Im - pos - si - ble!
U Ó
nn
Meno mosso, q = ca. 72
˙ ˙ ˙
4 Ó 4
˙˙ ˙˙˙
U > n w 4 b# nw w w 4 w w > u ø
rit.
Œ
œœ # œœ œ #œ
5 4
,n n
4 Ó 4
Ó
A
U ˙
ff >œ n>œ bœ 4 ˙ b ‰ ‰ J 4
rit.
new kind of choc - o - late.
> ? ## 45 nn˙˙˙ n˙˙
178
Snack.
√ ∑
? ## 45
## 5 Π& 4
Pno.
√ Œ
Più mosso, q = ca. 96
3
sa
Bobby
˙˙ ™™
nœ ? ## 44 bbnœœœ
176
Amara
bb˙˙ ™™
œ ‰ ‰ J 45
that per - tains to both of you.
ru
Pno.
> bœ Œ bœ
made a dis - cov- er - y
lS
Snack.
ff
f
co re
20
œœ
œœ
œœ
U ^ n#b˙˙˙˙ v u
,n n nn
‰ b œœ n œœ # œœ ff
j œ
ff
We
°? > ¢ œ 180
{
3
know
œ
j œ œ #œ the names
of
coc - coa
& Ó
Pno.
°? b>œ bœ œ œ ¢ 3
n>œ
ff
Pno.
sa > ##n ˙˙˙
ru
bb ˙˙˙
> #n˙˙˙
ø
{
œ 3
Four types
Ó & #w#w w w > f ? #w #w w > ø
3
j #œ œ
j œ œ
3
œ
3
#œ
>œ
#œ œ œ
> ˙ ˙
from the ca - cao
of beans
For - as - ter - o,
3
œ >
n˙˙˙
mfsub.
ø
Œ >œ J #œ #œ
nœ bœ nœ œ mf
˙™
b>œ
tree.
Now
∑ w w w w ø
Tri - ni -
n˙˙ ˙
w w w
ø
œ
> œ œ œ bœ œ œJ œ œ bœ J 3 3
˙™
‰
ffsub.
? bb˙˙˙
f °? >œ ¢
œ œ J
Na - cion - al.
Pe
{
3
tar - i - o,
186
Snack.
‰ ‰ œj >œ
> 3 3 œ b œ œ 3 œ #œ œ #>˙˙ b œ œ ˙ & œ œ œ œ #œ bœ Œ > ? ˙˙ #˙˙ Ó ˙˙ >˙ ø ø
&
Pno.
w w w w
3
Cri - ol - o,
184
Snack.
œ
f
3
Œ
{
j œ >
Ó
co re
Pno.
beans:
‰ ‰
> ? #w w w w >ø
°? Ó ¢
˙ 3
Œ
182
Snack.
œ
œ
21
lS
Snack.
Cocoa Cantata—Piano/vocal Score
mf
bbw w w > w bbw w > ø
3
œ œ œ v I
3
j œ œ
have hy - brid - ized
f °? > # œ œJ œ b œ œ œ œ ¢ J
Cocoa Cantata—Piano/vocal Score
˙™
189
{
& ˙˙ ˙
#˙ n ˙˙
? ˙˙ ˙
°? #>œ ¢
>œ
Pno.
{
Bobby
> œ œ
class -ics
Ó b#ww w > > w b#ww
b˙˙ > b>˙˙˙ ø
ø
˙
ø
∑
∑
œ œ
‰
w ww
Œ
∑
Snack.
Pno.
¢
{
Œ
> ˙™ & b#˙˙˙˙˙ ™™™™ ™ > ? ø
b>œ œ ‰ J I
call
∑
œ J ‰
it—
œj œ ‰ œœœœ J
of
Ó
j #œ œ œ bœ >˙ b-œ > mf f
ff
3 > > bœ œj ˙
Wow Ca - cao?!
∑
Œ
( Snackwright holds up the box he had been carrying.)
?
> b˙ b˙
3
and spic - i - est
at Won - ders Inc.
Pe
?
> b>œ œ ‰ #œJ œ œ œ
b>œ œ œ 3
195
Amara
w w w
Bliss beans—splicedwith the
& Ó > ˙ ? #˙˙˙ ˙˙ >ø
° &
#˙ n ˙˙ ø
œ >œ œ œ œ œ J
Ó bbww w w > > bb w w
ru
Snack.
choic - est
w w w
f
192
the
va - ri - e - ty,
new
lS
Pno.
3
3
a
b>œ œ J
sa
Snack.
œ ‰ J
co re
22
ff
œ^
Wow
œ œj >˙ 3
Ca - Cao!
∑ ^ w w #w w w wv
ff
>œ #œ >˙ J
ff
3
Wow Ca - cao?!
˙ > b˙˙˙ ˙ bb˙˙ > ø
Œ > ˙˙˙ ˙˙˙ > ∑ ø
œ ‰ ‰ J
mf
3
Be -
Cocoa Cantata—Piano/vocal Score
Snack.
{
3
3
ff
3
fsub.
bœœ^. J ‰
mfsub.
? #˙˙ ø
° Ó &
like an exclamation f
>¿
Œ
Œ
Ah.
ff
Snack.
? ^ ¢ œ
{
Wow
Œ
œ
Pno.
{
∑
^ w ? bbw w ø
‰ bœ œ œ œ œ ˙™ ˙™ v mfsub. œ
3
>¿
f
Œ
ff
>œ
Ah.
3
> œ ˙ J
œ
>r # œœ œœ # ™ ‰ œR >
Œ
œœ ™™™ œœ ™ œ™
w w w w w w
∑ > bw w w w > ø
3
#>œ
œ >˙ J
> > œœœ # w w w œœ #w w > >
>œ #œ >˙ J 3
Wow Ca - cao!
w w w w w w
f
Or - gan - ic
ff
Wow Ca - cao!
Ó
> # ˙˙ ™™™ #˙˙˙ ™™ >
mf
j œ ‰ œ.
>œ #œ >˙ J
3
Wow Ca - cao!
˙
3
Wow Ca - cao!
j bœ bœ ˙ œ ‰ ‰ bœj œ œ bœ œ v
f
Next!
w & bbw w v
˙˙^
3
3
Wow Ca - cao!
Pe
^ w w ? #w w w wv
°? ¢
Œ
ru
Œ
ffsub.
204
Snack.
j œ >˙
Ca - Cao!
& Ó
Pno.
3
˙˙ ˙v
lS
? Ó
>. j œ 3 bœ œœ œ ‰ œ œ œ J. œ bœ œ > 3
ff #>œ œ >˙ J
sa
Bobby
like an exclamation
∑
goes pow!
j j œœ ‰ bbœœœ ‰ Œ >>. >œ. > œ ‰ bb-œœœ ‰ Œ J J
j ‰ œ bœ. v
201
Amara
œ b>-œJ ‰ œ ˙^ J
cause when it hits your mouth, the taste
& #˙˙
Pno.
>œ
œ œJ bœ^ œ J f
co re
°? #œ ¢ 198
23
fer - men - ta - tion,
‰ ˙˙˙ ™™™ ˙™
œ. ‰ J
mf
3 j œ bœ œ bœ œ œ œ j ‰ œ œ. > mf f mf .j œœœ ‰ œJ .
°? ¢ Œ 207
Snack.
Pno.
{
Cocoa Cantata—Piano/vocal Score
œ #œ ™ œ œ œ #œ nœ J œ
>œ. # œ œ œ J ‰ & #œœœ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ > 3 f . > ™ w ˙ œ ™ ˙ œ ? #w ™ w ˙ œ ‰ J So - lar - pow - ered roast - ing 3
3
°? b˙ ™ ¢
Pno.
> bw w bbw bw w >
3
œ. J ‰
œ˙ J
na - no map- ping hap - py chem - i - cals
lS
swim - ming
in the pure
liq - uor.
> j b œ ‰ œ œ bœ œ œ œ œ œj ‰ #w nw w . > 3 mf f mf .j ˙˙˙ ™™™ œœœ > w # w ˙˙ ™ œœ ‰ n w ™ J.
∑
> bw w b ? bw w w >
°? b>œ œ >œ œ œ œ ¢
{
3
sa
{
3
3
216
Snack.
>œ
∑
>œ. œ œœœ J ‰ œ œ œ œ œ œ œ œ j j ‰ b œ ‰ œ œ œ œ œ œ œ œ œ œ & bœ œ œ œœœ . > >œ 3 3 f 3 3 f mf .j > w ˙˙ ™™ œœ. ˙ ™ œ w ˙ ™ œ ? ˙™ œœ ‰ J ‰ ˙˙ ™ œJ ™ . 213 ^ °? Œ b œ œ œ bœ œ ˙ j œ œ œ bœ ™ Œ ‰ œ J ¢ &
Pno.
mi -crogrinding - downthe
Mi - nute - ly
ru
Snack.
{
nibs,
œ bœ œ œ bœ œ
Œ
3
3
œ. bœ œ œ œ œ # œ J ‰ Œ
Pe
Pno.
ov - ens,
3
210
Snack.
œ. ‰ J
œ
co re
24
3
ca - i - brat - ing lev - els
& #˙˙˙ ™™™ > ? #>˙˙˙ ™™™ ø
œ
f #>œ œ
of
Caf - feine!
j œœœ ‰ #œœœ ™™™ . > œœœ. ‰ #>œœ ™™ J
Œ
nœ #œ
#>œ #œ nœ ˙
#œ œ
3
Phen - yl
eth- yl - a - mine!
3 > w j bœ nœ #œ #œ œ œ œ #w w œ p sub. f > nœ #œ n w b œ w œ œ œ œ œ J 3 ø
The - o -
Cocoa Cantata—Piano/vocal Score
{
3
bro - mine!
™ & #œœœ ™™ > >œ ™™ ? œ
An
3
p sub.
&
ø
3
j œ œ bœ œ #œ #œ œ œ
°? w ¢
Snack.
Pno.
{
Su - gar,
>˙ ##˙˙˙
˙ ˙
b˙˙ ø
3
go
in - to
#˙˙˙ > >˙ ? n#˙˙
˙™
ø
## ˙˙
a
bar
œ #œ #œ J #œ J J
va - nil - la
and
˙˙˙˙
n#˙˙˙
ø
&
ø
œ^ œ #œ >˙
œ
that
lS
in - gre - di- ents,
#w w > ø
?
sa
& #n˙˙ > ø
225
3
se - cret
Pe
Pno.
Œ
an - da - mide!
n>œ #œ #œ >œ
ru
{
&
3
>œ œ J
f
°? >œ #œ #œ œ bœ œ ‰ œJ ¢ >˙ ˙
-
œ
> w j œ œ œ œ bœ nœ #œ ##ww œ
222
Snack.
>œ #œ œ J
œ ‰ ‰ J
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
œ
co re
Snack.
219 °? >œ #œ œ ¢
25
3
shat - ters
all
^ ˙ ˙ #˙
˙˙˙ > >˙˙
#>˙˙˙ b>˙˙
˙˙˙^
ø
ø
ff
Œ
sense:
ø
>œ œ #œ ˙ Œ
b œ. œ œ œ 3 3 bœnœ#œ#œ œ J ‰ œ œ œ œ & # œ n œ # œ b œ 5 œœ #œ #œ œ œ 3 > mfsub. p ff . > ^ œ 3 #œ œ œ œJ ? #w # œ 3 # œ ? #œ #œ #œ #œ œ œ n œ # œ w œ ‰ œ n w & bœ nœ #œ#œ œ nœ nw 3 5 n wv
3
To - tal Ca -cao!
∑
Cocoa Cantata—Piano/vocal Score
26
° & 228
Amara
∑
Œ
b >œ œ œ ˙
{
&
Pno.
> #œ
? ˙˙˙ ™™™ ˙™ ˙™
3
œ œ #œ œ œ
3
° & 231
Snack.
? ? ¢ Œ
{
& Ó
Pno.
> w ? #w w w w >
Œ
b >œ œ œ ˙ 3
To - tal Ca - cao!
b>œ œ œ ˙ 3
∑
3
To - tal Ca - cao!
>˙ >œ œ #œ 3
To - tal
> bbw w w
> bb w w w ø
Ca - cao!
>˙ >œ œ #œ 3
To - tal
Ca - cao!
#>œ œ œ >˙ 3
To - tal
œ œ œ œ
œœ. ‰ œJ œœ. œ ‰ J
˙˙ ™™ ˙™
To - tal Ca - cao!
>œ œ #œ ˙ #>œ
˙˙ ™™™ ˙
> bbw w w
Œ
∑
∑
.j > bw b w œœœ ‰ w œ œJ .
ru
Bobby
∑
3
∑
>œ. œ œ J ‰
3
œ. J ‰
To - tal Ca - cao!
œ. J ‰
Pe
Amara
œ
˙™
co re
¢
? ˙™
( Snackwright opens the box, which contains two squares of chocolate.)
lS
Snack.
b>œ œ œ ˙
Œ
∑
sa
Bobby
œ. J ‰
3
To - tal Ca - cao!
?
˙™
#˙˙ ˙
#w w w > ø
Ca - cao!
> ˙ #˙˙˙ ˙˙˙ >
° &
w
234
Œ
{
5
Pno.
œ
Shock - o!
Œ
bU œ bœ
bœ ‰ J
mf
That name might be
∑
mf
>œ & œJ
mf
>œ
mf
Taste
‰
Œ
too
Ó f
>œ. b b œœJ
Ó
œ #>œ œ œ
U Œ
Allegro, q = ca. 120
Dou - ble Choc - o
˙ ˙ ˙
Ó
∑
°? Œ ¢
{
> b˙ b˙ b˙ >
ru
Œ
U Œ
rit.
Pe
> ? b˙˙ ™™™ bb ˙˙ ™ b ˙˙™™ >
?
the Won - der - Bliss
mp q
˙
√ œ
‰
= ca. 80
long.
Ó
>œ. ‰ œœ J
√ œ ##œœœœœ
∏∏∏∏∏
°? j bœ ™ ¢ b>œ.
240
Snack.
b>œ œ > >œ œ b>œ >œ œ bœ ‰ J J J ‰ bœ ™ œ œ™ J
œ œœ # œ 3 œ œœ œ œ œ ^j ‰ Œ # œ œ & Œ #œ œœ œ œ bbbœœœœ œ 5 Ó 3 ff > mfsub. ? #œœœ Œ Ó j‰ Œ œœ bœ b œv >
{
∑
Andante, q = ca. 96
& Ó
Pno.
∑
I call it
237
Snack.
∑
lS
Pno.
¢
? w
∑
co re
Bobby
Snack.
w
?
27
Andante, q = ca. 96
sa
Amara
Cocoa Cantata—Piano/vocal Score
ƒ √ ∑
Œ Œ
mp
( Amara and Bobby each take a piece, cautiously. T hey look at each other, and at Snackwright, before popping the chocolate into their mouths. Each slowly chews, tastes, swallows.)
U Ó U >˙ ˙
#œ it.
U ∑
Cocoa Cantata—Piano/vocal Score
28
Allegro, q = ca. 144
° ¢& 241
∑
{
w b#ww
ø
^ b w w w # bww wv
bw w w
?
Pe
{
ø
ø
> œœ bœœ nœœ #˙˙˙ # œ œ # & ‰ œ œ > 3 3
247
Pno.
Œ
ru
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
?
3
ø
ø
w #w w
‰
sa
244
& ##w ww
bw ww
∏∏∏∏∏∏∏∏∏∏∏∏
∏∏∏∏∏
ww ? b#ww w w
Πbbww w
3
∑
> b˙™ b˙ ™
co re
>˙ ™ ˙™
∑
lS
{
Œ
&
Pno.
∑
∏∏∏∏∏∏∏∏∏∏∏∏
Amara
cautiously tastes chocolate
ø
> ˙ œ #œœ #œœ bœœ nœœ #˙˙ œ > 3 3
3
3
˙™ ˙v ™
w w
> œœ bœœ nœœ #œœœ # œ œ # ‰ œ œ > 3 3
3
ø
3
U ∑
U œœ œ u
"
## 6 8 ## 68
{
Cocoa Cantata—Piano/vocal Score
Ϫ
{
What is
# & # Ϊ
Pno.
>œ ™ œ™
°? # œ n œ ¢ # J
Pe
? ##
°? # ¢ # 260
Pno.
{
n˙ ™ n˙ ™ ø
Ϫ
# & # nnœœœ ™™™ n œœ ™™ ? ## ∏∏∏∏∏∏∏∏∏∏∏∏
Bobby
œ nœ n œ œ nœ
ø
œœ ™™ œœœ ™™™
nn˙˙˙ ™™™ ø
>œ ™ œ™
is
>œ œ œ œ
in
-
Ϫ
ing
œ nœ n œ œ œ
to
this
˙™ ˙™
feel
-
ing
˙˙ ™™ ˙˙™™
™ œ nœ J
˙™ ˙™
flow
™ nn œœœ ™™
œ œ œ
œ
nœ n˙˙ ™™ nœ œ bœ
Ϊ
ø
>œ ™ Œ™ > ˙˙ ™™ ˙˙™™ >ø
>œ œ n œ
∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
flow - ing
nœ ™ n œœ ™™
‰
&
f
What
ru
{
## &
˙˙ ™™ ˙˙™™ œ™
257
Bobby
˙™ ˙™
this feel - ing
? ## ˙˙ ™™ ˙˙™™ ø
œ
sa
Bobby
œœ ™™ œ™
U œœ ™™ ? n>œ ™ ø
me
˙™ nnœœœ ™™™
œœœ™™™
∏∏∏∏∏∏∏∏∏∏∏∏
>œ™ °? # mf œ œ™ œ œ # ¢ 253
U >œ ™ , nœœ ™™
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
˙™ ˙™
∏∏∏∏∏∏∏∏∏∏∏∏
mfsub.
œœœ ™™™
co re
? ## 68
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
˙˙ ™™™ ˙
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
# 6 & #8
Aria: What Is This Feeling œœœ ™™™ nœœœ ™™™ ˙˙ ™™™ ˙ œœ ™™ œ œ™ n œœ ‰ ˙™ ˙™ ø ø
lS
Largo, q. = ca. 52
249
29
n œœ ™™
œœ ™™
ø
ø
>œ
f
nœ ˙ ™ b œ œ nœ #>˙ ™ in
f
˙˙ ™™ >ø
-
œ J
to
Ϫ
me?
mf
‰
{
∑
## ˙ ™ & ˙™ ? ##
°? # >œ ¢ #
{
∑
˙˙ ™™ ˙˙™™ ø
˙™ ˙™
267
Bobby
mf
œ nœ
œ J
œ J
‰
? ## nn>˙˙˙ ™™™
en - er - gy
A
? ##
°? # ¢ #
{
? ##
œœ ™™
of
?
n>œ
ø
œ
œ
œ
nœ J
nn>˙˙˙ ™™™ &
rush
>œ ™ œ>œ ™™
Ϫ Ϫ
ø
˙˙ ™ >˙ ™ >˙˙ ™™ ˙™ ø
,
œœ œ
œ J ‰ ‰
œ œ ∑
& œœ ™™
œ
ø
and
œœ ™™ œ™
n˙ ™ n ˙v ™ ø ˙™
? ## œœ ™™
Pno.
sa
en - er - gy
272
Bobby
Ϫ
ru
{
Ϫ
Pe
Pno.
rush
of
?
nn>˙˙˙ ™™™
n˙ ™ n>˙ ™ ø 269 °? # œ^ œ n œ ¢ # ? ## nn˙˙˙^ ™™™
nœ J
ff
? ##
Bobby
Ϊ
œœœj n ˙ ™ ‰ ‰ œœ ˙˙ ™ œJ nn ˙˙˙ ™™™ A
œ
lS
Pno.
‰ ‰ œJ f
˙˙ ™™ ˙˙™™
ff
nœ ™
Ϊ
∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
263 °? # ˙™ ¢ #
co re
Bobby
Cocoa Cantata—Piano/vocal Score
∏∏∏∏∏
30
Œ™ œœœ ™™ œœœ ™™™
>œ œ œ œ œ™ ec - sta - sy?
#˙˙ ™™ ˙˙ ™™ ‰
‰
œ J
mf
b
My
œœœ œœœ
‰
b
‰
b
{
j œœ ‰ ‰ œ.
taste
buds
&b ‰ ?
mf
b
œ >.
œ.
°? Œ ™ ¢ b 278
Bobby
Pno.
{
°? >œ ¢ b
Bobby
Pno.
œ >.
{
&b Œ™ > ? b ˙˙˙ ™™™ ˙™ >ø 284 œ™ °? ¢ b
{
> œ œ œ
œœœ ™™™ œ™
œ œ
> Ϫ Ϫ Ϫ >
like a kid
ø
>œ
who could sprint
œ ,
>œ œ œœ œ œ b & œ œ œ ?b œ™ œœ ™™
to
œ
j œœ ‰ ‰ œ.
buds
‰
> œ œ œœ J
and I have
>œ J
My taste
f
œ œ ‰ ‰ œ
Ϫ
œ >.
œ.
‰ ‰
tin - gle
‰ ‰
j œœ ‰ œ >. œ ‰ >.
œ >. ‰
œ J
‰
œœ ™™ œ œœ œ> ™ œ œ œ œ f 3 > œœ œ œ œ œ œ œœ œ œ œ™ ˙™ >ø ff > ˙™ œ œ™ J smile,
a
>œ ™™ œœ ™ >œ™
Pe
Pno.
feel
. ‰ œœœœ ‰ ‰ œœœ J > >œ œ. ‰ ‰ ‰ œ œ >.
œ ‰ >.
œœœœ. ‰ ‰ œœ ‰ b & J >œ >œ ? b œ. ‰ ‰ ‰ œ œ >.
281
Bobby
‰ ‰
j œœ ‰ œ >.
‰ ‰ œJ
I
sa
Pno.
tin - gle
Ϊ
ru
Bobby
>œ œ ‰ ‰
31
co re
œ
>œ œ
lS
°? >œJ ¢ b 275
Cocoa Cantata—Piano/vocal Score
3
ff
œœ œ
œ J
mf
ø
ff
œ J
‰
œœ ™™ ™ >œø
buds
>
œ œ˙ ™ œ ˙˙ ™™
>œ œ œ ‰
mf
œ.
œ œ œ
Ϊ
tin - gle
j œœœ ‰ ‰ .
‰
œ >.
œœ ™™ >œ ™
œ
My taste
‰
mile.
‰ ‰ > œ.
œœœj ‰ >. >œ. ‰
‰ œ >.
œ œ œ
œ œ œ
‰ ‰ œJ œœœœ. ‰ ‰ œœ J >œ >œ œ. ‰ ‰ ‰ œ
My
Cocoa Cantata—Piano/vocal Score
32
œ buds
?
b
œ >.
œ.
‰ ‰
Bobby
Pno.
œ œ œ
œ œ
˙™
Ϫ
˙˙˙ ™™™ ˙˙˙™™™ b &
œœœ ™™™ œœœ™™™
°? ¢ b 293
{
? b ˙™ ˙˙ ™™
‰
‰
‰
œ >.
‰
œœœœ. ‰ ‰ œœ J >œ >œ œ. ‰ ‰ ‰ œ
œ J
œ
I
feel
and I
have
œœ ™™ œ™
like a kid
> Ϫ Ϫ Ϫ >
> ˙˙ ™™ ˙˙ ™ ™ > ø
3
œœ ™™ œ™
‰ œœœ œœœ œœ œ
‰
œ J
to
œ™ ø
smile,
œœ ™™ >œ ™ f> œ œ œ œ œ œ œ™ >
ff >œ ™ >œ œ J ‰ J
œ œ œJ ‰ œ œ
Ϊ
œœ œ œ
ru
{
?b œ œ œ ˙™
‰
Pe
Pno.
j œœ œ >.
œ >.
°? œ™ ¢ b &b
gle
œ. >
290
Bobby
-
j œœ ‰ ‰ œ.
&b ‰
Pno.
tin
who could sprint
lS
{
taste
Ϊ
> œf œ œ œ J
œ œ ‰ ‰ œ
sa
Bobby
œ^ œ œ œ ™
co re
°? œJ ¢ b 287
>œ ™™ œœ ™
>œ™ ø
mfmolto
™ œ œ œ œ
Ϫ
a
mile.
>j œœœ œ ‰ ‰ œœJ > > ff œœ ™™ œ™ œœ ™™ œ™ >ø
‰
‰
A - ro - mas and spice
‰ ‰
œœ
˙˙ ™™
mfpoco
j œœ œj œœ œ
œ J A -
œœ
˙˙ ™™
j œœ œj œœ œ
Cocoa Cantata—Piano/vocal Score
297
{
and
j œ œj œ œ
& b œœ ?
spice
œ œ
˙˙˙ ™™™ ˙˙ ™™ v
°? >œ œ™ ¢ b
{
lay- ered
?b
˙ ™™ >˙ø
°? >œ ¢ b
{
sense
˙™ & b ˙™
Pno.
& b ˙˙ ™™™ ˙
Sharp
˙˙˙ ™™™ ˙˙ ™™ v
yet ten
der,
-
œœœ ™™™ œ™
˙˙˙ ™™™ ˙™
ø
œ J
>œ œ œ
A
choc - o - late
œ
œ
with mys - ter - y:
œ œ œ >œ J f
of his - tor - y.
Ϫ
‰
‰
˙˙™™
&
˙ ™™ ˙
Ϫ
poco rit.
&
U œ
‰
b œ^ ™
ff A
‰
f
œ
>˙˙™™
œ
bar
˙˙˙ ™™™ > ø
œ œ œ b œ^ ™
tempo
A tempo U b ˙ ™ ˙ ™ >œ ‰ ? bb˙˙ ™™ œœ œ œ œ œ f ffsub. U >œ ‰ ? œ œœœœœ bbb˙˙˙ ™™™ Now
poco rit.
œ
œ ‰ œ œ œ œ ?
Ϊ
mfsub.
308
Bobby
œ >œ
˙˙ ™™™ ˙
mf > œ^ J ‰ œJ œ œ œ œ œ œ™
mf
Pe
? b >˙˙™™
Pno.
˙˙˙ ™™™ ˙™
œœ ™™™ œ ø
f
mf
˙˙˙ ™™
fsub.
∏∏∏∏∏
ø
‰
˙˙˙ ™™™ ˙˙ ™™
œœœ ™™™ œ™
œœœ ™™
sa
? b Ϊ
305
Bobby
yet ten - der,
ø
shore,
f
œ
ru
{
Sharp
Ϫ
∏∏∏∏∏
Pno.
œœ ™™ œ™
˙™ ˙™
mf œ^ °? J ‰ œJ œJ œ ¢ b
&b
dis - tant
j œ œj œ œ œ œ
œ œ
b ˙™ ˙™ ø
301
Bobby
œœ ™™ œ™
from a
˙™
co re
Pno.
ro - mas
lS
Bobby
> œ œ™ J
œ
œ ‰ œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Ϫ
°? œ œ œ œ œ œ œ ¢ b
33
f
it’s all
gone
b˙˙˙ ™™™ b˙v ™
&b
˙˙ ™™ ˙™
œ œ with a
œ bœ œ it’s all
Cocoa Cantata—Piano/vocal Score
?b
{
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
b˙˙ ™ ? b b ˙ ™™
Pno.
?b
I
want
∑ ∑
mf
fsub.
Pe
{
&b
and
sighing because the chocolate tastes so good
∑
more!
?
> ™ ‰ b œ œ bœ œ œ œ œ œ œ b˙˙˙ ™™™
&b
318
œ J
U ∑
ø
316
Pno.
>œ
˙˙^ ™™ ˙™
˙˙ ™™ ˙™
˙™ ˙v ™
˙™ ˙™
&
mf
˙™ ˙™ ø
˙˙˙ ™™™
q = ca. 40
rit.
n ˙˙˙ ™™™ ˙™
>œ bœ œ œ œ bœ œ œ œ œ œ bœ
˙˙˙ ™™™ ˙™ ˙™ ˙™
U œœœœ ™™™ œœ ™™™
∏∏∏∏∏∏
Pno.
gone,
U ^ ™™ b ˙ ˙ b ˙™ b b˙ ™
œ J
‰
^ ˙™
lS
{
&
‰
sa
Bobby
U b ˙^ ™
ru
°? ¢ b 312
co re
34
p
U Œ™ ø
,U Ϊ
U œœ ™™ œ™ œ™ œ™ u ø
"# # 44 ## 44
Cocoa Cantata—Piano/vocal Score
∏∏∏∏∏∏
∏∏∏∏∏
Œ
œœœ # Œ œœœ
œ œœœœ
w #w w w w ø
w w w w w
w w ? ## b w w w w ˙ Œ ˙ ™™ ø ∏∏∏∏∏∏∏
lS w w w w w w ø
∏∏∏∏∏
∏∏∏∏∏∏ ∏∏∏∏∏∏
œœœ b œœ
∏∏∏∏∏∏∏
Ó
œ œœœœ
œœœ œœ
∏∏∏∏∏∏
∏∏∏∏∏
œœœ œœ
∏∏∏∏∏
Œ
∏∏∏∏∏
œœ œœœ
œœœ œ œœœ œœœœ
∏∏∏∏∏∏
bœœœœœ
poco rit.
∑
∏∏∏∏
Ó
3
3
sa
3
∑
∏∏∏∏∏
## &
œœœ œ œœ œœœ œ
>j >j œ œ œ œb œ œ œ œ n œ n œ ‰ œ nœœbœœ œœ œ ‰ œ nœœbœœ œœ œ œ Ó bnœœœœ œ œJ œJ > > w w bw w w w w w w b w ˙™ n˙ ™ w Œ ˙™ b ˙™ w ø > 3
3
Pe
ø
œœœ œœ
∏∏∏∏∏∏
∏∏∏∏∏ ∏∏∏∏∏
∏∏∏∏∏
co re
∏∏∏∏∏∏
œ œœœœ #œœœœ œ
∏∏∏∏∏∏
∏∏∏∏∏∏∏
w nb w w bw w n˙ ™ Œ b ˙™ ø
∏∏∏∏∏∏∏
∏∏∏∏∏∏∏
° ## ¢&
{
3 >j nœ œ œ œ ‰ œ nœ b œ œ œ œJ >
ru
Œ
w ? ## nb w w bw w Œ
330
Pno.
∏∏∏∏∏∏
œœ n œ b œ > œ ## ‰ j œ bœ nœ œœ œ œ nœ œ & œJ > w w ? ## w w w w w
{
œœœ œ œœ œœœ œ
3
3
## &
Amara
∏∏∏∏∏
∏∏∏∏∏∏
{
œœœ œœ
w w w w w
∏∏∏∏∏∏∏
w ? ## 44 w w w w
327
Pno.
œœœ œœ
mfdelicato
324
Pno.
œ œœœœ
∏∏∏∏∏
# 4 & #4 Œ
œ œœœœ
∏∏∏∏∏
{
like a harp, do not arpeggiate too fast
321
Pno.
Aria: My Body Is Floating
Largo, q = ca. 56
œœœ œœœ
35
˙˙ ˙˙ ˙˙
U Œ
U ˙ bnn˙˙˙˙ ˙ u p
U Ó ø
‰ œj
mf
Am -
Cocoa Cantata—Piano/vocal Score
{
∏∏∏∏∏∏ œœœ # œœœ
> w b w ? ## n bw w nw w > ø
ffsub.
god - dess
œœœ œœœ
˙™
mp
‰ ‰ œJ
‰ j nœ œ nœ b>œ œ œ œ œ > f ˙˙ ™™™ ˙˙ ™ Œ ˙˙™™ 3
is call - ing them
œœœ œœœ
mf
w w w w w
f
3
œœœ œœœ
Œ
∏∏∏∏∏∏
sa > w w #w w w >
mf
n>˙ ™ n˙ ™
> w b w n bw w nw w > ø
fsub.
3
this
∏∏∏∏∏∏
∏∏∏∏∏∏
# œœ # œ Œ # œœœ
frauds;
## Π&
Pno.
but this god - dess
ru
>f ° ## fw ¢&
n>˙ ™ n˙ ™
3 j >œ œ œ œ œ ‰ œ œ œ œœ
‰ œ œ œ œ™ œ Œ > 3
3 3 ## ‰ n œ j œ bœ œ œ & œ nœ œ > > mf ˙™ ? ## ˙˙˙ ™™™ Œ ˙˙™™
339
Amara
Œ
Œ
mp
lS
° ## mf ˙ ¢&
{
w w w w w
gods,
œœ œœœ œ
mf
Pe
Pno.
mp
œ œ œ œ œ
œ nœ ™ J
O - lym - pus
3
bw w w w w ø
œœœ œœœ
∏∏∏∏∏∏
w ? ## w w w w ø
œœ œ œ œ œœœ œœœœ
Œ
> w
f
3
co re
mf
336
Amara
œœœ œœ œ
3
may be food of the
∏∏∏∏∏∏
∏∏∏∏∏∏
œ #œœœœ œœœœ œ # œœ
∏∏∏∏∏∏∏
Pno.
Am - bro - sia
∏∏∏∏∏∏
{
# &# Œ
œ
3
bro - sia
∏∏∏∏∏∏
Amara
j > ‰ œ œ œ œ œ
A tempo
∏∏∏∏∏∏ ∏∏∏∏∏∏
° ## œ œ ˙ ¢& 333
∏∏∏∏∏∏
36
mp
œ
œ fœfsub. J 3
O-
Cocoa Cantata—Piano/vocal Score
> ° ## œ œ nœ œ ¢&
œ ‰ nœ bœ œ œ
342
-
Amara
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏ bite
bite
and it’s like I’m
> ˙™ ˙™
> w ? ## #w w w w >ø
˙˙˙ ™™™ ˙˙™™
on
w nbw w
Ó
∑
wine.
3
3
drunk
ø
∑
‰ #œj œ œ œ œ œ ˙™ >
nœ œ œ œ bœ œ œ œ œ
w nb w w
ø
˙
w w w w w
co re
œ œ œ œ œ
> w w w
° ## j œ ™ ¢& >œ
{
Πw w w >
œ œ
ru
ø
One
> ˙™ ˙™
? ## w w w
# &# Œ
Pno.
, >œ
˙™
## Π& w w w
348
w w w
> w b w nw Œ bn ˙˙ ™™ ø
lS
{
One
fine.
mf
ø
° ## ¢& œ
so
w nbw w
Pe
Pno.
3
nev- er had it
# w w & # nw > ff > w b w w ? ##
345
Amara
3
pus
Œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
{
lym
Œ
> œ bbbœœœ >ø
Œ
‰ œj œ œ œ œ œ ˙ ™ > 3
w w w w w ø
∏∏∏∏∏∏∏∏
Pno.
3
˙™
w
mf
sa
Amara
37
˙˙˙ ™™™ ˙˙™™
Œ
‰ œj My
Œ Œ
Cocoa Cantata—Piano/vocal Score
38
° ## œ ¢& œJ
is
3
Pe œ
j œ
Smok - y
and
∏∏∏∏∏∏∏∏
w ? ## nbw ww nw w ø
∑
œœœ 3
is
float - ing 3
3
3
œœ 3 œ œœ ‰ œœœœœœ w w ø 3
3
co re
bliss.
ru
∏∏∏∏∏∏
j œ
œ J
3
lS
on a cloud of
∑ ø
° ## ¢&
{
bw
>œ
œœœœœœ œ œœ
Œ
w w w w w w ø
œ œ œ œ
‰
w ww ? ## w w w
3
∑
∏∏∏∏∏∏
° ## ˙ ¢&
# &#
Pno.
3
3
3
‰ œ œ œ J J My bod - y
3
358
Amara
3
œœ œœ œ œ ? ## ‰ œ œ œ œ œ w w
{
Œ
œœœ œœœ œ œœ
## &
Pno.
˙
float - ing
3
355
Amara
œœ œ
∑
w bbbw w w bw ø
∑
3 j œ b œ ‰ bœ œ œ œ œ œ œ bœ œ œ œ œ J
w w w w w
j œ
˙ dark
œ layered
w ww n wbw w
∏∏∏∏∏∏
{
bod - y
## Π&
Pno.
œ J
sa
Amara
œ
Più mosso, q = ca. 60
352
w w w w w w
3
j œ n>œ
with
3
œ
œ
mys - ter - y:
œ
Cocoa Cantata—Piano/vocal Score
co re ∏∏∏∏∏∏∏∏∏∏∏∏∏
U ww bbw w U w b bw w Œ u ø
œœœ œœœ
∏∏∏∏∏∏
∏∏∏∏∏∏∏∏∏∏
‰ bœ ™ nb œœ ™™ ø
œœœ œœœ
˙˙ ˙
Ϫ Ϫ
w w w
∏∏∏∏∏∏∏
∏∏∏∏∏∏
˙ ˙
œ nbbœœœœ n œœœœ œ œœ
-
gel,
œœœ œœœ
w w œœœ b n œœœ
œœœ
bœœœ œ
nœœœ
nœœœœ nœœ
bœœ œ œ ‰ œ™™ ø
2 4 2 4
œœœ œœ œ œœœ œ œ œœœ œœœœ
∏∏∏∏∏∏∏
∏∏∏∏∏∏∏
4 ‰ 4
here, an
b˙™ b˙™ u
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
b œœœ œœœ
œœœ œœœ
∏∏∏∏∏∏∏∏∏∏∏∏∏
# nœ & # bnœœœœ bn œœ
œœœ œœ œœœ œœœœ
4 œœœœ 4 œœ œ
<n>œ œ œ œ U œ 42
w
∏∏∏∏∏∏∏
∑
kiss.
∏∏∏∏∏∏∏
? ## 42
{
down
Largo, q = ca. 56
∏∏∏∏∏∏
∑
? ##
˙™ ˙™
ru
## 2 & 4
368
Pno.
a
Pe
{
3
∏∏∏∏∏∏
Pno.
an - gel, come
j œ œ œ 4 w œ 4
and give me
Come
∏∏∏∏∏∏
° ## 2 ‰ ¢& 4
ø
poco rit.
365
Amara
˙™ ˙™
ø
3
an- gel, come down here,
w w w w w Œ
œœœ œ
lS
w w w ? ## w w w Œ
3
sa
{
down here,
# &#
Pno.
w w w w w w
∏∏∏∏∏∏∏∏∏∏
Amara
his - tor - y.
ww n wbw w w
3 j‰ œœœ œ œ œ j œ œ œ J œ œœ
362
of
œ
œœœ œ œœœ b œœœœ œ
∏∏∏∏∏∏
° ## j ¢& œ œ™
œ œ œ nœ with a sense
∏∏∏∏∏∏∏
{
> w ? ## nbw ww nw w >ø
∏∏∏∏∏∏
Pno.
3
∏∏∏∏∏∏
Ó
>œ œ œ œ
∏∏∏∏∏∏∏
# &#
œ
∏∏∏∏∏∏∏∏
Amara
3 >˙ j œ n œ œ > œ A choc - o - late bar > n˙ n˙ n˙ >
∏∏∏∏∏∏
‰
360
∏∏∏∏∏∏
° ## ¢&
39
˙ ˙
p
°? b 6 mf ¢ b 8 œ
{
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
˙˙ ™™™ ˙
? bb 68 ™ ˙˙ ™ ˙™ ø
5
nœ œ œ is
mfsub., poco
the sense
∏∏∏∏∏∏∏∏∏
3
‰
œœj œ.
mf
j nœ œ #œ œ œ œ œ œ. ‰ 3
Maestoso, q. = ca. 88
What
U w w w w w w u
j bœ œ bœ œ œ œ . 3
Pe
ø
b œ^
sa
? bb #n>˙˙˙ ™™™
b6 &b 8
Pno.
˙™ bb>˙˙ ™™ ø
∏∏∏∏∏∏∏∏
b & b n œœ # >œ
380
Snack.
œ bb œœ f
# œ^
377
p
w #w w w w w ø
ø
œ J
mf
the
œ
new - born
˙˙ ™™™ ˙ ˙˙ ™™ ˙™
4 bb 4
bbw w w
U b w bbw w w > ff U > b w w b bw w
p
nw nw w
œ knows,
p
bbw w w
‰
nw nw w
œœ. ‰ œ J
œ J
" b4 b 4
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
∑
w ? bb 44 w w w w w
{
≈ ˙˙ ˙
Interlude: allegro, q = ca. 132
b4 &b 4
Pno.
∑
lS
{
nœœœ
U w w w w w w u
co re
∏∏∏∏∏∏∏∏∏∏∏∏∏
œ ? ## b œœ ˙ ˙
374
Pno.
œœœ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Pno.
nbœœœ
≈ ˙˙ ˙
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
# &#
371
∏∏∏∏
{
Cocoa Cantata—Piano/vocal Score
ru
40
6 8 6 8
ø
œ J
be
-
bœ
œ J
œ
œ J
fore
they
see
or
˙˙ ™™ b b ˙™
˙™ bb ˙˙ ™™ ø
Cocoa Cantata—Piano/vocal Score
°? b bœ ™ ¢ b
œ
383
{
hear,
Pno.
?b b
œ bœ b œ
œ bœ bœ
or
rec - og - nize
Ϊ
œ bœ b œ J a
3
n -œ nœ J ‰ ‰
œœ ™™ œ™
nn# ˙˙˙ ™™™
œœ ™™ œ™
ø
° b &b
œ n-œ J J ‰ ‰
moth - er’s touch?
#˙ ™ nn ˙˙ ™™
. œb œ œ œ bœ œ
386
Amara
nœ bœ nœ
Ϊ
≈™sigh Yû
co re
b &b
œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Snack.
‰
41
mf
∑
≈sigh Y ™û
Ah.
{
Pno.
What
˙™ bb ˙˙ ™™
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
b &b
bœ
? bb
bbb˙˙˙ ™™™ ø
‰
≈ ™ b˙˙˙ ™™
Taste.
‰
‰
Ϊ
‰
‰
Ϊ
Pe
°? b ¢ b
‰
Ah.
œ œ œ is
the first
œ
œ J
pas - sion
bœ that
˙˙ ™™™ ˙ ˙˙ ™™ ˙™
≈ ∑
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
{
j nn œœ œ >. ? bb j nœ n œ. >
388
Snack.
n>œ J
?b ™ ¢ b Œ b &b
Pno.
lS
∑
sa
Snack.
mf
≈ b ˙˙˙ ™™™
ru
Bobby
? bb
bœ J
œ
we know
œ J be
-
nœ
bœ b œ J
fore
we
#˙ ™ nn ˙˙ ™™ #˙ ™ nn ˙˙ ™™ ø
kiss,
œ J em -
Cocoa Cantata—Piano/vocal Score
œ
brace,
#œ œ nœ n œ œ #œ nœ œ œ n œ œ nœ
? bb
∑
° b3 Œ &b 4
Taste.
>œ J ‰ Œ
6 8
stage whisper with some pitch f
? bb 43 Œ
Taste.
Pno.
? b3 ¢ b 4
{
b3 & b 4 œj ‰ Œ b œœ >. fsub. ? bb 43 j ‰ Œ bœœ b œ. >
∑
Œ Œ
j ≈ #œ nœ ™
the partner
of
our
dreams?
nn ˙˙˙ ™™™ nn˙˙˙™™™
∑
6 8
b˙™ 6 bb˙˙˙ ™™™ 8b ˙™ b ˙™
∑
3 4
œœ ™™ œœœ ™™ ™
3 4
∑
3 4
ø
U Œ #œ Œ >
6 8
Œ
6 8
Œ
6 8
Œ
6 8
Taste.
∑
What is the sense that
3 4
≈ nn œœœ ™™™ nnnœœœ ™™™ œ™ Δ ≈ Œ™
œœ ™™ œœ ™™ œœ™™
nœœ ™™ nœœœ ™™™
Ϊ
6 bœ œ œ œ œ 8 J
Pe
Snack.
6 8
ru
Bobby
œ
ø
stage whisper with some pitch f
j œ> ‰ Œ
j œ
co re
b &b
394
Amara
find
j #œ nœ
3 4
∑
Œ
3 4
Œ
calms the mind?
˙™ bbb˙˙˙ ™™™ ˙™ ˙˙ ™™™ ˙˙ ™ ˙˙™™
U n>œ
U n>œ
Taste.
bœ œ œ™ J
∏∏∏∏∏∏
{
œ
lS
Pno.
‰
sa
Snack.
Taste.
U
3 4
n#n œœœ œœœ U 3 4 nœ œ Œ nœ œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
°? b nœ ™ ¢ b 391
∏∏∏∏∏∏∏∏∏
42
ø
6 8
Cocoa Cantata—Piano/vocal Score
? bb 68 œ ¢
{
What
#œ œ nœ is the sense
? bb 68 nœœœ ™™™
Pno.
{
U b˙˙˙ ™™™ ˙™
Taste!
>Ϫ
>Ϫ
b>œ ™
Taste!
Taste!
Taste!
fsub.
n>œ ™
>œ ™
>œ ™
Taste!
Taste!
Taste!
b>œœœ ™™™
n œœœ ™™™ >
bU ˙˙ ™™™ b˙˙ ™ ø
sa
œ™ nnœœ ™™ ø
Andante, q = ca. 88
>œ ™ bœ œ œ ™ œ œ >
mf
Lis - ten, Bob - by,
b4 & b 4 n œj ‰ Œ b œœ > f ? bb 44 nœj ‰ Œ b œœ >
Taste!
q. = ca. 66
ru
° b4 Œ ¢& b 4 402
Amara
poco rit.
Pe
Pno.
U > >œ ™ œ ™ œ™
that turns back time?
œœœ ™™™ nœ ™
b6 ™ & b 8 nnœœœœ ™™™
q. = ca. 72
ff
j œ
Taste! f
U ∑
∑
>œ ™
b>œ ™
œ œ œ
my
b >œ bœ R ‰™ Œ mf
r n œ b œ & œ ‰™ Œ >
?
com - pa - ny
>œ ™™ bœœ ™ ø
nœœœ ™™™ > ø
>-œ™ œ œ œ J
is
not
U n>œ ™
ff
"4 4
Taste!
U n>œ ™
ff
4 4
Taste!
U b>œ ™
ff
4 4
Taste!
U nœ ™™ bbœœœ ™™™ n# œœ ™
" 4 4
poco rit.
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
? b 68 b f
Snack.
∑
>œ ™
f
U ∑
poco rit.
poco rit.
co re
Bobby
q. = ca. 72
lS
Amara
q. = ca. 66
° b6 &b 8 398
43
>œœ ™™ #nU œ™ b b œ ™ n œœ ™™ ff
4 4
ø
ø
2 4œ
‰ œ 43 J
for sale.
But
w w
2 4 ˙˙
3 4
w w w
2 ˙˙˙ 4
3 4
Cocoa Cantata—Piano/vocal Score
° b3 &b 4 œ 405
Bobby
Pno.
? b3 ¢ b 4
{
œ œ œ œ 3
may - be
we
can form
j 4 >œ œ 4 œ œ ˙™
3
a
∑
˙˙ ™™ ˙™ ø
poco rit.
œ œ °? b œ œ œ œ œ œ œ œ œ ¢ b
Amara
Bobby
¢
? bb
{
so - cial and com - mer - cial
˙˙ ˙
sa ˙˙ ˙ ø
ru
f ° b ‰ nœ^ J Œ &b
b &b
Pno.
œœ œ
ø
œ
œ œ
3
To
œ nœ œ™
>™ œ œ œ
po - ten - tial
of Wow
A tempo
lS
poco rit.
b & b ˙˙˙ ˙
409
the
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
{
3
ves - ti - gate
? bb Œ
‰
in -
Yes.
nw w w nw w Œ
j n œœ ‰ Œ >. fsub. > ? bb nœœœ. ‰ Œ J
œ
n>œ
Ca - cao?
ø
˙™ ˙™ >
3 ≈ >œ œ œ >œ œ œ œ œ œ™ œ œ œ œ œ œ œ 42 œj œ ‰ 44 >
rit.
mf
Can - dy this pow- er-ful Must be sold re - spon - si - bly. From a
Œ
ff
A tempo
Pe
Pno.
Œ
f
4 4
407
Bobby
4Ó 4
> w w w f > w w 4 4 ø
b3 & b 4 ˙˙ ™™™ ˙ ? bb 43
3
part - ner - ship.
Ó
place of...
≈ ∑
∑
2 4 2 4 œœ ™™
Ó
˙˙ ˙
˙˙ ˙
Ó
˙˙ ˙
˙˙ ˙ ø
rit.
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Amara
œ
f
co re
44
2 œœ™™ 4 ø
4 4
≈ 4 ‰ 4 ≈ 4 ‰ 4
Cocoa Cantata—Piano/vocal Score
° b4 &b 4 Ó
nU œ
412
U Œ
? b 44 n>˙ ¢ b
I
U nœœ nœœ U œœ œœ u
∏∏∏∏∏∏
? bb 44 n˙˙ ˙˙
°? b b 414
Bobby
‰
U ∑
A tempo
>œ ™ like
> œ œ a
œ œ
œ™ >œ œ U
well - tem - pered choc - la - tier.
U ∑
A tempo
Œ
∏∏∏∏∏
{
œ J
Love?
b4 &b 4 Ó
Pno.
Œ
Love.
mf
Bobby
(They shake hands.)
U ∑
Œ
co re
Amara
mf
45
U > ≈ #œ œ œ œJ ‰ Ó
A tempo
∑
Par - don the pun.
{
lS
¢
? bb
Ó
∑
sa
Snack.
b &b
Pno.
œ -œ
? bb œ -œ
j ‰ œœœ . j œœ ‰ .
œ #œ
˙˙˙ ˙ ˙
As a
U ‰ Œ U ‰ Œ
poco rit. f
may start out wild, by the
œ -œ
≈ œ # œœ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
{
fugue by Bach
mp
A tempo
‰ œ œ mf
≈ >œ , mfsub. A tempo œ ™ b œ n nœ bœ œ >œ œ œ #≈ œ œ nœ œ œ ™ nœ
Andante, q = ca. 72
> °? b œ œ œ ™ ¢ b
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
œ œ
416
Snack.
-œ œ
Pe
? b Ϫ b
ru
b œ nœ œ œ œ œ œ. œ &b œ œ œ œ œ b#œœ
Pno.
U Œ >. œj œ œœœJ . mf œ. œ J
œ -œ
≈ œœ
fsub.
end
it soothes with mel - o - dies mild. These
≈ ∑ ≈ ∑
?
Cocoa Cantata—Piano/vocal Score
46
>œ °? b b>œ œ œ œ #œ œ™ b ¢
{
b6 &b 8 j ‰ b œœ . > fsub. ? bb 68 œj ‰ œ >.
° b ¢& b 425
{
Pno.
‰
j ‰ œœœ >. j ‰ œœ ‰ >. ∑
q = ca. 54
nœœ œ U œ "6 # œ œ 8
mfsub.
œ -œ
œ -œ
œ -œ
œ -œ
˙˙ ™™ v ˙˙^ ™™™ ˙
‰ ‰
burned
j ‰ œœ >. j œœ ‰ >.
˙˙ ™™ v ˙˙^ ™™™ ˙
b &b j ‰ ‰ j œœœ œœ . >. mf > ? bb œj ‰ ‰ œj œ. œ. > >
at the things
‰ ‰ ‰ ‰
‰
j ‰ œœœ >. j ‰ œœ ‰ >.
#˙˙
mfsub.
#˙˙˙ ø
œœ ™™ > >œœ ™™ œ™
f > # œ œ J
you did.
#œœ ™™™ >œ #œœ ™™ >œ ™ ø
mfsub.
j œ I
‰ ‰
Ϊ
∑
j ‰ ‰ œj ‰ ‰ œœ œœ >. >. j j œœ ‰ ‰ œœ ‰ ‰ >. >.
j >œ œ œ œ œ >œ œ with bit - ter - ness
≈ œœ œ fsub. ≈ œœ
sweet.
U n˙˙ ˙
" 6 8
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
œ -œœ
ru
° b > ¢& b œ
{
œ -œ
∑
b &b j ‰ ‰ j ‰ ‰ œœœ œœ .> >. ? b œj ‰ ‰ œj ‰ ‰ b œ œ .> >.
429
Amara
ø
Pe
Pno.
≈ Œ
#œœœ
Andante, q. = ca. 69
421
Amara
≈ >œ
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
œ
≈ Œ
lS
{
f
co re
& #œ
?b b ˙ >˙
Pno.
tempo, rit.
choc - o boss - es be - gan in heat, but bit - ter be - ings, like co - coa beans, yield to
? b >˙˙ b
Pno.
mfsub. A
sa
Snack.
≈ >œ œ >œ œ™ >œ œ œ >œ œ J ≈R
poco rit. f
A tempo
418
≈
nU ˙˙ ˙
6 8
ø
# ˙˙v ™™ ˙˙ ™™ v
mf ≈ ‰ ‰ œj
I
# ˙˙v ™™ ≈ ˙˙ ™™ v
> œ> œ œ œ œ œ œ
built up this busi - ness, and you
j ‰ ‰ œj ‰ ‰ œœ œœ >. >. j j œœ ‰ ‰ œœ ‰ ‰ >. >.
œ J
place
Bobby
{
∑
bid.
>œ
f
∑ > #œœœ ™™™ #œœ™™ >
Ϊ
? bb #˙˙˙ ™™™ ˙™
œ
Pow - er
°? b ‰ >œ œ #œ œ œ œ b
˙˙ ™™ ™ >˙ø
Pe
? bb ™ ˙˙ ™ >ø
°? b >œ #œ ™ ¢ b
Pno.
{
bit - ter
>œ
rit.
≈ œ œ œ œ #œ œ œ
sour,
b & b #œœœ ™™™ > ? bb
>œœ ™™ œ™ ø
œœœ ™™™ #U
œœœ ™™™ #U ø
The
aph - ro - dis - i - ac.
≈ ∑
>œ ™™ œœ ™ >œœ™™
f
ø
∑
> >œ œ œ #œ
mf
œœ™™
Meno mosso, q. = ca. 60
œœ ™™ > >œœ ™™ œ™
# œœœ ™™™
ø
œ #>œ œ œ œ of
œ œ
Bal-ance is key, blend - ing
ø
sci - ence
Meno mosso, q. = ca. 60
re - veal - ing what you lack.
≈ #>˙˙˙ ™™™
U >œ , fœsub. >œ œ œ J and sweet.
an
œ œ #œ œ œ
ø
≈ #˙>˙˙˙ ™™™™
˙˙˙ ™™™ >
438
Snack.
#˙˙˙ ™™™
sweet,
œ J
# ˙˙˙ ™™™
sa
{
so
rit.
b &b
Pno.
be
>œ
ru
¢
∑
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Snack.
can
œ J
mf
lS
But the af - ter taste is
? bb
œ #œ
fsub.
435
Bobby
∑
˙˙ ™™ >˙ ™
∏∏∏∏∏
Pno.
a
?b ¢ b b &b
>œ ™
∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏∏
Amara
>œ
47
f
co re
° b &b 432
Cocoa Cantata—Piano/vocal Score
fla - vor
œœ ™™ #>œ ™ >œ ™™ #œœ ™ ø
>œ ≈ J œ
is pre - cise - ly
j œœœ œ >. >œ. œœ J
≈ Œ ≈ Œ
ø
œ #œ #>œœœ ™™™ œ™
#>œœ ™™™ œ
œ
where they
?
Cocoa Cantata—Piano/vocal Score
48 Andante, q. = ca. 69
?b j b œ œ >.
ffsub.
{
‰
‰
‰
‰
? bb #˙˙˙^ ™™™ ? bb
> ? # œœœœ ™™™ ˙ ™ ˙ ™ v
Amara
>
œ œ œ
° # & œ œ œ 453
mf
Choc - o - late
Bobby
Pno.
¢
?#
{
‰
∑
˙˙ ™™ ˙v ™
j œ œ >.
˙˙^ ™™ ˙™
œ
œ J
œ
is
an
an
Ϊ
˙˙˙˙ ™™™
˙™ ˙™ ø
˙™ ˙™
-
‰
‰
‰
‰
>. >œ. œœ ‰ ‰ œœœœ ‰ ‰ J J
˙˙ ™™ ˙v ™ f
˙™ ˙™
? # ˙˙˙˙ ™™™ ?#
>œ. œœ J
j ‰ ‰ œj ‰ ‰ œ œ. œ. > >
> œ œ œ œ œœ™™ œ œ œ œ œ >
Pe
Pno.
fsub.
‰
∑
f
j ‰ ‰ œj ‰ ‰ œ œ. œ. > >
L’istesso tempo
449
‰
ru
{
˙˙ ™™ v
# Ϊ &
j œ œ >.
‰
˙˙^ ™™ ˙™
>. >œ. œœ ‰ ‰ œœœœ ‰ ‰ J J
444
Pno.
>. œœœœ J
∑
œ J
∑
ff
j œ œ >.
Ϫ
cient force.
>-œ
f
Yes!
‰
‰
‰
&
˙˙ ™™ v
˙˙˙ ™™ ˙˙ ™™
˙˙ ™™
∑ bœ ™ >œ nœ bœ
mfsub.
Cen - tu - ries
Œ™ > ˙™ bbb˙˙ ™™ ˙™ >ø
# #
˙˙˙ ™™
mfsub.
mf
‰
#˙˙˙^ ™™™
ø
f
‰
>. œœœœ J
∏∏∏∏∏∏∏∏∏∏∏∏∏∏
{
>œ. ? b œœ b J
Ϊ
‰
co re
Pno.
meet.
‰
lS
Snack.
ff
sa
°? b >œ ¢ b J 441
bœ™ ™ & bœ
old.
?
° # &
Cocoa Cantata—Piano/vocal Score
456
? # >œ œ œ œ œ œ œ ¢ & ˙˙ ™™ ™ >˙ ? # ˙˙ ™™ >˙ ™ ø 459 ° # &
{ ¢
?# &
Pno.
Amara
‰
{ ¢
∑
?# > # b˙˙ ™™ & b˙˙ ™™ ˙™ > ? # Œ™ ø
˙˙˙ ™™ ˙ ™ ˙˙ ™™ ˙ ™
f ‰ œj b>œ œj œ ™
>œ > >œ œ œ œ J
of
woe...
‰
∑
bœœ ™™ œœ ™ ™
‰
Ϫ
œ J
b˙ ™
Of
woe.
‰
˙˙ ™™™ ˙˙ ™ ˙™ ˙˙ ™™ ˙˙ ™ ™
œ J
‰
œ™ œœ ™ œ ™™
Ϫ
œ ‰ œJ J
b˙ ™ ‰ ‰ œJ
Ϊ
force for joy...
> b bb˙˙˙ ™™™ b ˙˙™™ > f Œ™
And, yes, cav - i - ties.
˙˙ ™™™ >˙ ˙˙ ™™ >˙ ™ ø
∑
Ϊ
∏∏∏∏∏∏∏∏∏∏ >œ ™ œ™
# Ϊ
? # Ϊ
med - i - cine, di - vin - i - ty...
∑
A
∑
? # bb˙˙ ™™ b ˙˙ ™™ ø 463 ° # b>œ j & œ œ™
Bobby
Pno.
Ϊ
∑
Hol-i - days, glob- al trade...
source
Snack.
> ˙˙˙ ™™ ˙ ™ ˙˙ ™™ ˙ ™ ø
? # >œ nœ bœ >œ œ bœ
Bobby
Snack.
Cen - tu - ries and cen - tu - ries.
∑
wis - dom,
co re
{
#
tic
-
j œ œ™
Of
woe.
ø
‰
‰ ‰ bœ œ™ J
joy!
˙˙ ™™™ ˙˙ ™ ˙™
œ™ bbbœœ ™™ œ™ j œ
˙˙ ™™ ˙™ ˙™ >œ
Ϊ
œ
Which way will
Œ™ ˙˙ ™™ ˙™ > ˙˙ ™™ >˙ ™ ø
A
f
For
∑
lS
Amara
Mys
mf
sa
Pno.
∑
ru
Snack.
f œ œ œ œ œ œ œ
œ œ œ œ œ J
mf
Pe
Amara
49
œ we
f
For joy!
Ϫ
fp
go?
‰
∑ > œ™ œ™
‰
œ J Which
Cocoa Cantata—Piano/vocal Score
50
° # œ™ & 466
˙™ way?
Pno.
{
‰
mf ° # ‰ b>œ œ œ œ ™ &
ru
Bit - ter or
?#
{
> ? # bb˙˙˙ ™™™ ?#
ff
™ bb>˙˙ ™ ø
Ϫ
j œ
ff
Which way?
œ œœ
mfsub.
œ œœ
˙™
bit - ter?
mf
˙˙ ™™
œ œœ
3
&
Bit - ter or
œ
?
?
sweet?
>œ œ b œ œ Sweet or
‰ ‰ œ bœ ™ > œ ˙˙˙™™™
œœ
> ‰ bœ œ œ œ™ Œ™
>œ œ bœ œ ˙™
∑
‰
> Ϫ Ϫ
mf
Sweet or
Pno.
‰
sweet?
Pe
? # Œ™ ¢
Which way?
∑
Œ™ ˙˙ ™™ # ˙™ & œ œ œ œ œ œ > mfsub. ff >˙˙ ™™ 3 ˙™ ?# œ œ œœ œ œ ø
Bobby
Snack.
Ϊ
ff
Which way?
469
Amara
™ ‰ ‰ œJ ˙
Which way will we go?
Ϫ
œ J
˙™
sa
Snack.
?# ‰ ¢
>œ ™ j œ œ œ œ >
co re
?#
Bobby
‰
ff
lS
Amara
œ J
f
∑
Bit - ter sweet.
b>˙˙ ™™™ & ˙ b>˙˙ ™™ ˙™ mf
ø
bit - ter?
Cocoa Cantata—Piano/vocal Score
° # ˙™ &
bœ ™ b>œ bœ œ
472
Snack.
{
œœ ™™ ? # œ™
° # f>f & bœ 475
Amara
bœ œ
Snack.
Pno.
{ ¢
?#
∑
# ™ & nb˙˙˙ ™™ > >˙˙ ™™ b ? # n ˙™ ff
ø
f
Bit - ter sweet.
˙˙ ™™ ˙™
ø
bœ œ
Ϫ
Where we
meet.
ff
˙˙˙ ™™™ ˙™
>˙˙ ™™ b b ˙™
ru
meet.
‰
bœ ™ ‰ œ bœ
meet.
f
3
Ϫ
Pe
Bobby
f
œ bb˙˙˙ ™™™ œ b>˙ ™ œ bœ
>™ œ œ nœ
That’s where we
? # Ϊ
bœ ‰ bœ ∑
Bit- ter sweet.
‰
˙™
sweet?
Where we
? # ‰ ‰ œ œ bœ ™ > ¢ # œœ ™™ & œ™
Pno.
Ϊ
or
œ
co re
Bobby
˙™
Bit - ter
lS
?#
Ϫ
f
sa
Amara
51
‰ Œ™
bœ ‰ œ nœ J ff
œœ ™™ œ™ œœ ™™™ œ
bœ
œ
When
the
taste hits your tongue
Ϊ
#œ ‰ ‰ J The
‰
Bit - ter sweet.
mf
> #>œ #œ nœ #œ ™
nœ bœ œ
‰
Œ™ n#˙˙˙ ™™™ # bœ œ #>˙˙ ™™™ n # ˙ ff
ø
∑
#œ ™ #œ ™
° # ˙™ &
Ϫ
478
Bobby
Snack.
¢
?#
{
&
Pno.
taste
>Ϫ
œ J goes
∑
>œ ™ œ™
#>œ ™ # #œ ™
œœ ™™ œ™ œ™ œ™
Pe taste goes pow!
¢
?#
{
&
Pno.
Wow
n>œ ™ # nœ ™
? # bn˙˙ ™™ b >˙ ™
∑
b >œ ™ bœ™
the
taste hits your
Ϊ Ϊ
Wow!
Ϊ
b>œ ™
> bœ™ bœ ™
‰
Wow Ca - cao!
œ >œ™ œ œ
∑
Œ™ ˙˙ ™™™ n ˙ nœ b b œ b ˙™ bœ f ff > n œ > bœ b œ >˙ ™ b bœ nœ b ˙˙ ™™ ø ø
> bϪ bϪ
œ > œ™ œ œ
Wow!
bœ bœ
The
ø
>˙™
Wow Ca - cao!
œœ ™™ œ™
Œ™ n˙ bb ˙˙ ™™™ > ff n>˙˙ ™™™ b b ˙
#œ œ #œœ œ œ œ ø
b >œ ™ > b œ ™ ‰ nœ
Ϫ Ϫ
‰
bœ ‰ J
∑
Ca - cao!
f
tongue
Ϊ
œ #œ œ
ru
n>œ b œ > J bœ ™ ?#
Bobby
Snack.
Ϫ Ϫ
? # #˙ ™™ ˙˙ ™
° # ˙™ &
Ϊ
When
>œ™ > œ ™ ‰ #œ
pow!
481
Amara
Ϫ
œ
> n>œ bœ bœ b œ ™
co re
?#
#>œ
‰
#œ
sa
Amara
Cocoa Cantata—Piano/vocal Score
lS
52
‰
Wow Ca - cao!
‰ œ™ œ œ >
‰
Wow Ca - cao!
?
n>˙˙ ™™™ #˙ n˙˙ ™™ > ø
&
Cocoa Cantata—Piano/vocal Score
>˙™
485
Amara
b >œ ™
Wow
Œ™ & bn˙˙˙ ™™™ b ˙™ > ? # bb>˙˙˙ ™™™ #
° # >˙™ & Wow!
Bobby
Wow!
Snack.
¢
? # b>˙ ™
{
Wow!
# bb>œœœ ™™™ &
Pno.
> ? # bbœœœ ™™™ ø
‰ ?
n>˙˙ ™™™ # # ˙ n˙˙ ™™ > ø
>Ϫ
œ œ
™ >œ
Wow
b>˙ ™
Wow!
‰
Ca - cao!
b>˙ ™
Wow!
‰
œ œ Ca - cao!
Wow!
>œœ ™™ b ™ &bœ
>Ϫ~~~~~~~~~~~~~~~~
> bbœœœ ™™™
>Ϫ~~~~~~~~~~~~~~~~
ø
√ b >˙ ™
U ∑
√ b >˙ ™
Wow!
Pe
> ? # b˙ ™
Ca - cao!
Wow
ø
488
Amara
> bœ™ bœ ™
œ
Wow
‰
lS
{
∑
œ œ
sa
Pno.
¢
?#
Wow!
Ϫ
>˙™
ru
Bobby
Snack.
Ϊ
?#
œ
co re
° # &
53
U ∑
√ >˙™
Wow!
√ >˙ ™ ~~~~~~~~~~~~~~~~~~~ b >œ™ b ˙˙ ™™
U ∑
Wow!
√ >˙˙ ™™ b ~~~~~~~~~~~~~~~~~~~ b ˙™ >œ™ ø
?
œœ^ b b œJ j bœ b œv
‰
‰
U Ϊ
‰
‰
U Ϊ