ROBERT PIOTROWSKI ARCHITECTURE ?
ROBERT PIOTROWSKI
ROBERT PIOTROWSKI
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TABLE OF CONTENTS 4
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RESUME PARAMETRIC TOWER COLUMBUS, IN | ATHENAEUM DESIGN VISUALIZATION APOKATASTASIS PANTON
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INTEGRATED TECHNOLOGIES BUS-STOP
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PRAIRIE HOUSE
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INDUSTRIAL DESIGN
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A NAMELESS OBSCENITY
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HALF HOUSE - REVIT CONSTRUCTION
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EAMES GUEST HOUSE ADDITION
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PROFESSIONAL WORK
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RESUME
WORK EXPERIENCE ARCHITECTURAL DESIGN INTERN
ARCHITECTURAL INTERN
Gensler
Lucas Museum of Narrative Art Advanced modeling and digital translation Facade, plaza, and complex geometry Documentation Parametric workflows LOS ANGELES, CA
2011
BACHELOR OF FINE ARTS (BFA)
SAIC (The School of the Art Institute of Chicago)
EDUCATION 4
2012
2013
2014
CHICAGO, IL
2015
University of Cincinnati
College of DAAP
AUG 2013 - MAY 2017
HTC 3: The Classical Tradition in Architecture
CINCINNATI, OH
AUG 2014 - DEC 2014
MASTER OF ARCHITECTURE
AIADO (Interior Architecture)
AUG 2009 - MAY 2013
University of Cincinnati
Computer Skills 3 Instructor
CHICAGO, IL
CHICAGO, IL
GRADUATE ASSISTANT
University of Cincinnati
CAD Drafting and 3D design and visualization
2010
MAY 2016 - SEP 2016
GRADUATE ASSISTANT
Bluestone & Associates
AUG 2012 - JAN 2013
Technical Support Services Research and Development Parametric Modeling Automated Revit Families
CHICAGO, IL
AUG 2015 - DEC 2015
EXHIBITION DESIGN ASSISTANT
2009
ESD (Environmental Systems Design, Inc.)
VOA (Now Stantec)
Hospitality Studio Conceptual and Schematic Design Design Competitions JAN 2015 - MAY 2015
ENGINEERING INTERN
CINCINNATI, OH
2016
MAY 2015 - AUG 2015
2017
CINCINNATI, OH
ROBERT PIOTROWSKI
Architecture Student, Illustrator, Fine Artist 513.502.4766 6001 Ravine Woods Drive, Medina, OH 44256 piotrorw@mail.uc.edu
Awards/Recognition & Publications - Marya Lilien Merit Award, 2012 - John Kurtich Travel Scholarship, 2012 - SAIC Student Leadership Award nominee, 2013 - Tannys Langdon Merit Award, 2013 - Schiff Fellowship for Architecture Nominee, 2013 - Branch Technolgies Freeform Design Competition Honorable Mention, 2016 - Apokatastasis Panton: Parametricism in Practice, 2017 - Award for Distinguished Research, 2017 - Awarded by the UC Graduate Faculty of the School of Architecture and Interior Design
EXIBITIONS
Travel / Study Abroad Italy (Rome, Milan, Venice)- Study Trip Summer 2011 India (Delhi, Jaipur, Banaras) – Study Trip Winter 2013
Student Group/ Community Involvement SAIC - Good ‘Ol Futbol- Group Leader for the SAIC soccer club SAIC - Maker Hacker Club- 3D printing community DAAP - dFORM (Digital Fabrication Of Responsive Materials)
Is the Move Paper Jaw Gallery Chicago, IL | Winter 2011 Visionary Drawing in Beijing Sullivan 12th floor Gallery Chicago, IL | April 2012 Layered Cities: India and the Portable Studio Kriti Gallery Varanasi, India | January 2013
Skills Rhino, Grasshopper, Adobe Creative Suite (Photoshop, Illustrator, InDesign, Acrobat Pro), Autodesk products (Revit, Maya, 3ds Max, Inventor, Dynamo, BIM 360 Glue, AutoCAD, T-Splines), ZBrush, Microsoft Office (Word, PowerPoint, Excel), Python, Digital Modeling & Fabrication, Surface, Solids, Polygon modeling. Hand drawing and Rendering. Design Research.
Martha Schwartz Urban Garden Workshop Chicago, IL | February 2013 SAIC BFA Show Sullivan 7th floor Gallery Chicago, IL | March 2013 Visionary Drawing to Plzen Biennial John David Mooney Foundation Chicago, IL | May 2015 DAAPWorks 2017, Cincinnati, OH | April 2017
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PARAMETRIC TOWER
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ADAPTIVE COLLABORATION
9 The 426 ft multi-complex high-rise forms part of a progressive new plan for an education hub in downtown Cincinnati. The building presents opportunities for learning and exploration in new design and material technologies that are virtually and physically manifest in both the building form and construction. Integration with the existing context is achieved by means of producing a visual anchor point that connects two diverse neighborhoods. The nature of the adaptable program allows for an ever evolving series of explorations on faรงade and systems integration reflecting cultural and societal values. All this is achieved through the integration of the manufacturing process within the building itself. Acting as both the structure and key organizational element, this matrix of robotic assembly line-esque apparatuses provide a system for full integration prototyping and implementation in adaptive design.
SOUTH ELEVATION
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C O RE
N TIO SEC
ID ES R -
L IA T EN
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MANUFACTURING STRATEGIES Additive manufacturing processes have recently started playing major roles in informing design decisions through the use of rapid protoyping and the manufacturing of custom parts and assemblages. Processes such as 3D printing, CNC milling, direct metal disposition, and laser sintering have started scaling up to allow for applications on larger projects. Contour grafting and D-shape processes have allowed additive manufacturing applications to directly contribute to building scale projects. The framework for these systems can further be integrated into the design and process of construction, embedding a tool to directly contribute to additive design decisions as they come up. Basic construction materials such as concrete, steel, masonry, and even more advance materials such as high performance composites and plastics can all be utilized and included in such a system to provide flexible and dynamic feedback for any design solution.
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PARALLEL MANIPULATOR ARRAY WITH KUKA ROBOTIC ARM ATTACHMENTS
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CONSTRUCTION ASSEMBLY STEEL CONCRETE
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ATHENAEUM Columbus, Indiana
Integration of systems in both aviation and automotive design far surpass those found in traditional architectural construction. Buildings today are primarily made up of hundreds or thousands of dumb parts, half of which don’t do much of anything other than the one sole purpose they were designed for. Components engineered for transportation industries have much greater factors and are designed accordingly to accommodate multiple parameters and instances of use. Things are designed not only to carry out a function, but often multiple functions simultaneously, and in many cases have integrated safety measures designed right into the form of the component itself. Even the aesthetics are considered. This brings me to an interest in understanding a ‘construction ethic’ regarding integrated systems and how they can be applied in large scale construction. Taking inspiration from warships, spaceships, and healthy doses of science fiction, I began to explore mega ‘block’ modular construction assemblies, which are plug and play chunks of program, systems, and structure that can be added, subtracted, and reconfigured as needs and technology evolve. This mentality of design/construction is transferred between scales. The facade, composed of a module that consists of multiple designed/engineered instances can be assembled and retrofitted depending on program, solar orientation, interior space, views, or safety.
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Inspiration for the facade came from analyzing contemporary construction methods found in museums that explored intense gestures of form using series of changing profiles. Using a singular set dimension/ shape panel as a module, a series of different finishing assemblies could be generated based on need. An evolution for this idea would be to have components of structure/systems that are pre-engineered based on exact position in space and use rather than traditional layered assemblies.
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DESIGN VISUALIZATION
FORM EXPLORATIONS WITH GRASSHOPPER AND ZBRUSH 22
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URBAN FORM EXPLORATIONS WITH GRASSHOPPER WITH REGARDS TO DENSITY AND FAR OF PROGRAM 26
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THESIS
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APOKATASTASIS PANTON
This thesis aims to address the architectural profession’s response to globalization under the neoliberal post-Fordist networked societal framework as outlined and popularized by Patrik Schumacher. This thesis will examine how neoliberal ideals have created the conditions for the fear of acceleration that’s associated with globalization, which have allowed Parametricism to take hold of the discipline and remove the public from the associated planning and design processes, as well as mold them as subjects to the market’s evolutionary and self-organizing principles.
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$$$$
PREMIUM HOTEL
CONDOS SPA
ROOFTOP RESTAURANT & BAR
OBSERVATORY
BOUTIQUE HOTEL
BALLROOM
HOTEL RESTAURANT
PUBLIC
RENTAL APARTMENTS
ATTRACTIONS
HOTEL POOL
RETAIL RIVER WALK RETAIL
MUSEUM
RIVER WALK PEDESTRIAN DUSABLE PARK BRIDGE
$
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PRIVATE
ARCHITECTURE AS DATA-DRIVEN RELATIONSHIPS
THE ARCHITECTURAL PROFESSION AND BUSINESS MODEL WILL ADOPT A MODEL MORE SUITED TOWARDS GLOBALIZATED COLLABORATION AND INFORMATION SHARING THATS MORE IN LINE WITH CLIENT BUSINESS MODELS AND/OR ICT INDUSTRIES
APPLICATION OF THE MODERN SHIPBUILDING CONCEPT OF PREFABRICATED ‘MEGA BLOCKS’ TOWARDS TOWER DESIGN AND FABRICATION
MACHINE LEARNING APPLICATIONS FOR MANAGING COMPLEXITY WILL MORE FREQUENTLY BE EMPLOYED AS THE SOLUTION FOR LARGE SCALE BUILT ENVIRONMENT PROJECTS
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MODULAR MASS CUSTOMIZED CONSTRUCTION
STAIR?
BATHROOM
TOWER MEGA BLOCK MODULE
BATHROOM BATHROOM
RECEPTION
BATHROOM RETAIL
PREFABRICATED UNITS & FLOOR PLATES ARE SLOTTED INTO TOWER MEGA BLOCKS
ON SITE TOWER FABRICATION FACILITY (TOWER PODIUM)
STORAGE TOWER ENTRANCE LOADING TRUCK ENTRANCE
VISITOR ENTRANCE
RETAIL
OFFICE
PROCESSING
MODULAR ASSEMBLY LINE
TOWER COMPONENT PROTOTYPING
TOWER COMPONENT FABRICATION PLANT
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INTEGRATED TECHNOLOGIES BUS-STOP
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Architectural design has been slow to adopt experimental research and methods into the practice. There has always existed this discussion of architecture and its relation to other design related fields, whether good or bad. Taking cues from industrial and transportation design is nothing new to architecture, although the implementation of design related and manufacturing processes is often considered as an after-thought, especial with regard to code compliances and budgets. If systems could further be integrated into pre-fabricated and engineered components, perhaps a new understanding or design philosophy will begin to emerge. Each component will begin to address multiple design issues such as the integration of heating and cooling with shading or even structural systems. Design of these components could further be engineered to address relationships to the body as a governing factor of form, breaking from the molds of the box. Standard architectural tools and software do little to address these influences, so architects and designers are looking for more innovative and specialized tools to analyze, simulate, and visualize rapid and responsive design iterations. Programs such as ZBrush and Maya, used heavily in the entertainment industry aid in the design and implementation of exceedingly complex geometries and systems.
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KAMAMA PRAIRIE 60 NIXON RD. PEEBLES, OH 45660 ARC OF APPALACHIA 7660 CAVE RD, BAINBRIDGE, OH 45612 UCRI (UNIVERSITY OF CINCINNATI RESEARCH INSTITUTE) STETSON BUILDING, SUITE 5305 260 STETSON SQUARE CINCINNATI, OH 45219 SCHOOL OF ARCHITECTURE AND INTERIOR DESIGN DAAP, UNIVERSITY OF CINCINNATI 2624 CLIFTON AVE. CINCINNATI, OH 45221
STUDIO: ARCH7005 PROFESSOR: MICHAEL MCINTURF DATE: 07 AUGUST 2015
KAMAMA PRAIRIE METROLAB STUDIO
RENDER
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PRAIRIE HOUSE STUDIO PROJECT TEAM - GRADUATE STUDIO + FACULTY
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THE OBJECTIVE OF THE STUDIO WAS TO DO A DESIGN BUILD PROJECT FOR THE CARETAKER OF KAMAMA PRAIRIE LOCATED IN PEEBLES, OHIO. THE CARETAKER WANTED A PLACE TO STAY OVERNIGHT ON THE PRAIRIE, SINCE THE SITE WAS FAR REMOVED FROM HER CURRENT HOME. ALTHOUGH THE “BUILD” PORTION OF THE STUDIO NEVER HAPPENED THERE WAS AN OPPORTUNITY TO “RECLAIM” MATERIAL FROM THE ABANDONED AND DILAPIDATED BARN STRUCTURES SCATTERED AROUND THE SITE. WE WANTED TO PRESERVE THE BEAUTY OF THE PRAIRIE AESTHETIC, AND THERE WERE CONCERNS WITH HOW THE SIZE AND SCOPE OF THE PROPOSED PROJECT INTRUDED ON THIS DESIRE. THE RECLAIMED MATERIALS WERE INTENDED TO BE APPLIED AS A “PRAIRIE” VENEER, BLENDING THE TINY HOUSE WITH THE ROLLING HILLS OF THE SURROUNDING LANDSCAPE.
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KAMAMA PRAIRIE 60 NIXON RD. PEEBLES, OH 45660 ARC OF APPALACHIA 7660 CAVE RD, BAINBRIDGE, OH 45612
THE PROJECT WAS DIVIDED WITH GROUPS OVERSEEING VARIOUS ASPECTS OF THE PROJECT. I WAS IN CHARGE OF COORDINATING AND MAINTAINING DESIGN INTENT WITH REGARDS TO THE TRANSITION FROM LANDSCAPE TO STRUCTURE.
UCRI (UNIVERSITY OF CINCINNATI RESEARCH INSTITUTE) STETSON BUILDING, SUITE 5305 260 STETSON SQUARE CINCINNATI, OH 45219
BARN GARAGE
SCHOOL OF ARCHITECTURE AND INTERIOR DESIGN DAAP, UNIVERSITY OF CINCINNATI 2624 CLIFTON AVE. CINCINNATI, OH 45221
TO ADDRESS THIS, AND TO PROVIDE INFRASTRUCTURE FOR A PROPOSED “WET” SHIPPING CONTAINER BATHROOM, WE SETTLED UPON A RAISED CONCRETE PLINTH, DESIGNED WITH INSTALLATION IN MIND. THE SLOPED FORMS AND POROUS NATURE OF THE DESIGN WOULD PROVIDE CONTINUITY OF THE LANDSCAPE INTO THE SITE WHILE ALSO PROVIDING A BARRIER FROM THE NUMEROUS INSECTS (TICKS) AND ANIMALS THAT INHABIT THE PRAIRIE.
PARKING AREA
28’8”
EXISTING OUTHOUSE (DEMO)
10° SOUTH ROTATION
TO WEST NIXON ROAD
20’0”
POWER LINE MOWED PATH STUDIO: ARCH7005 PROFESSOR: MICHAEL MCINTURF KAMAMA PRAIRIE DATE: 07 AUGUST 2015 60 NIXON RD. PEEBLES, OH 45660
GREYWATER SWALE CUT LOGS AS INSTALLATION / ENTRY SEQUENCE PREVIOUS HOUSE LOCATION
ARC OF APPALACHIA 7660 CAVE RD, BAINBRIDGE, OHKAMAMA 45612
PRAIRIE METROLAB STUDIO
UCRI (UNIVERSITY OF CINCINNATI RESEARCH INSTITUTE) STETSON BUILDING, SUITE 5305 260 STETSON SQUARE CINCINNATI, OH 45219
SITE PLAN
N
1/32” = 1’ - 0”
0.0
43' - 10"
KAMAMA PRAIRIE 60 NIXON RD. KAMAMAPEEBLES, PRAIRIE OH 45660 60 NIXON RD. ARC APPALACHIA PEEBLES, OHOF 45660 7660 CAVE RD, ARC OF BAINBRIDGE, APPALACHIA OH 45612
43' - 10"
SITE AND PLAN SCHOOL OF ARCHITECTURE INTERIOR DESIGN DAAP, UNIVERSITY OF CINCINNATI 2624 CLIFTON AVE. CINCINNATI, OH 45221
7660 CAVE RD, UCRI (UNIVERSITY OF CINCINNATI BAINBRIDGE, OH 45612 RESEARCH INSTITUTE) STETSON BUILDING, SUITE 5305 UCRI (UNIVERSITY OF CINCINNATI 260 STETSON SQUARE RESEARCH INSTITUTE) CINCINNATI, 45219 STETSON BUILDING,OH SUITE 5305
9' - 7"
A 0.0
PATH TO PRAIRIE
9' - 7"
260 STETSON SQUARE SCHOOL OF ARCHITECTURE AND CINCINNATI, OH 45219 INTERIOR DESIGN UNIVERSITY OFAND CINCINNATI SCHOOLDAAP, OF ARCHITECTURE 2624 CLIFTON AVE. INTERIOR DESIGN CINCINNATI,OF OHCINCINNATI 45221 DAAP, UNIVERSITY
2' - 0" 7'-7 1/4"
6'-11 1/2"
2' - 0"
2' - 0"
2' - 0"
2624 CLIFTON AVE. CINCINNATI, OH 45221
B 4.3 B 4.3
SOUTH ELEVATION WITH SCRIM SCALE: 1/4” = 1’ - 0”
SOUTH ELEVATION WITH SCRIM SCALE: 1/4” = 1’ - 0”
19' - 8"
16' - 0"
19' - 8"
16' - 0"
7'-9 3/4"
6'-10 1/4"
5'-0 1/2"
7'-9 1/2"
7' - 9"
4'-0 3/4"
7' - 4"
7' - 9"
7' - 4"
B 5.1
8'-0"
STUDIO: ARCH7005 PROFESSOR: MICHAEL MCINTURF 07 AUGUST 2015 STUDIO:DATE: ARCH7005 PROFESSOR: MICHAEL MCINTURF DATE: 07 AUGUST 2015
39'-5"
ARC OF APPALACHIA 7660 CAVE RD, BAINBRIDGE, OH 45612
3'-0 1/2"
7'-1"
CLOSET
BATHROOM SINK UNIT
COMPOSTABLE TOILET
3"
INTERIOR PARTITION SIPS PANEL
KAMAMA PRAIRIE METROLAB STUDIO
PLAN
1/4” = 1’ - 0”
1.0
2'-3 1/4"
UCRI (UNIVERSITY OF CINCINNATI RESEARCH INSTITUTE) STETSON BUILDING, SUITE 5305 260 STETSON SQUARE CINCINNATI, OH 45219
C 5.1
19'-10"
3'-0"
PLAN
2'-5"
9'-7"
1'-5"
.. .
3'-0"
3'-1" .. .
SHIPPING CONTAINER
PUNCHED SLOT WINDOW
EXPOSED PIPING
BATHROOM DOOR
1'-9"
9"
.. .
2'-1"
SHIPPING CONTAINER OPERABLE DOORS
SCHOOL OF ARCHITECTURE AND INTERIOR DESIGN DAAP, UNIVERSITY OF CINCINNATI 2624 CLIFTON AVE. CINCINNATI, OH 45221
16'-0"
6'-6"
A 1.0
ELEVATIONS
ELEVATIONS
ARC OF APPALACHIA 7660 CAVE RD, BAINBRIDGE, OH 45612
SCHOOL OF ARCHITECTURE AND INTERIOR DESIGN DAAP, UNIVERSITY OF CINCINNATI 2624 CLIFTON AVE. CINCINNATI, OH 45221
4'-8"
SHOWER
8"
KAMAMA PRAIRIE 60 NIXON RD. PEEBLES, OH 45660
SCALE: 1/4” = 1’ - 0”
.. .
.. .
10'-1"
9'-7"
4.3 4.3
SOUTH ELEVATION WITHOUT SCRIM
SOUTH ELEVATION WITHOUT SCRIM SCALE: 1/4” = 1’ - 0”
6'-10"
4"
A 4.3 A 4.3
UCRI (UNIVERSITY OF CINCINNATI RESEARCH INSTITUTE) STETSON BUILDING, SUITE 5305 260 STETSON SQUARE CINCINNATI, OH 45219
2'-9"
6'-10"
KAMAMA PRAIRIE METROLAB STUDIO KAMAMA PRAIRIE METROLAB STUDIO
STUDIO: ARCH7005 PROFESSOR: MICHAEL MCINTURF DATE: 07 AUGUST 2015
KAMAMA PRAIRIE 60 NIXON RD. PEEBLES, OH 45660
6'-3"
STUDIO: ARCH7005 PROFESSOR: MICHAEL MCINTURF DATE: 07 AUGUST 2015
43'-10"
KAMAMA PRAIRIE METROLAB STUDIO
A 1.1
ENLARGED PLAN - SHIPPING CONTAINER 1/2” = 1’ - 0”
1.1
A 5.1 STUDIO: ARCH7005 PROFESSOR: MICHAEL MCINTURF DATE: 07 AUGUST 2015
ENLARGED PLAN SHIPPING CONTAINER
KAMAMA PRAIRIE METROLAB STUDIO
A 2.1
W-E SECTION 1/4” = 1’ - 0”
2.1
BUILDING SECTION
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INDUSTRIAL DESIGN
INDUSTRIAL DESIGN WORK. EXPLORATIONS IN DIGITAL MODELING AND WORK FLOWS ACROSS DISCIPLINES AND SCALE
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MECHANICAL COMPONENT DESIGN
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CONCEPT MODELING
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PRODANIMAL / VULTURE
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N A
E L E AM
S B SS O
Y T I N E C E
ACTIV
INTER
M
USEU
M MUSIC
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A NAMELESS OBSCENITY SEEKS TO PROVIDE A SOCIAL PLATFORM WHERE BOTH MAN AND BUILDING WORK TO PROVIDE A DISCOURSE IN HOW SOUND INFLUENCES SPACE. THE BUILDING ACTS AND RE-ACTS TO SOUND, SHAPING NEW UNDERSTANDINGS IN AURAL AND PHYSICAL RELATIONSHIPS
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FLOOR 1 ENTRANCE HALL
1
MAIN LOBBY
2
GIFTSHOP
3
SERVICE CORE
4
AUDITORIUM
5
FLOOR 2
FLOOR 3
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PERFORMATIVE ROBOTICS
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12
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CAFE
UNSAFE
EXHIBITION SPACE
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EXHIBITION SPACE
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PERFORMATIVE SPACE
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MORE EXHIBITION SPACE
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IN SP M EX
NTERACTIVE PATIAL MUSIC XPERIENCE
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REVIT CONSTRUCTION
HALF HOUSE
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REVIT CONSTRUCTION
SECTION - TRIANGLE, HALL
SECTION - RECTANGLE, CIRCLE, HALL
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Pinus Echinata
Air
1' - 5 15/32"
REVIT CONSTRUCTION
www.autodesk.com/revit
www.autodesk.com/revit
Plywood, sheathing grade
Steel, mill finish Acoustic Ceiling Tile 24 x 48
Pinus Echinata
4' - 0"
Soda Lime Glass
15' - 8 1/2"
Gypsum Wall Board
Second Floor4' - 7"
Second SecondFloorFloor 4' 3/4" - 7" 4' - 6 5' - 2 21/32"
Rigid foam insulation board
Robert Piotrowski
Soda Lime Glass
Mail box number 652
Robert Piotrowski
Mail box number 652
11' - 1 29/32"
Plywood, sheathing grade
Common brick Gypsum Wall Board Concrete masonry units
No.
No.
First Floor (Tri) 0' - 2 1/2"
4' - 4 11/16"
Ledge 2 (Tri) -1' - 0"
Date
Date
First Floor-7' - 3"
Quercus Rubra
Project Number Issue Date Author Checker
1
S
S
Section 3 3/8" = 1'-0"
Masonry Wall Section
Project number Date Drawn by Checked by
Project Number Issue Date Author Checker
Wood Wall Section
Project number Date Drawn by Checked by
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Precast concrete panels
Precast concrete panels
10' - 1 1/4"
Top of Rectangle Foundation-2' - 10 5/16" Description
Description
10' - 9"
Ledge 3 (Tri) -0' - 5"
Crawlspace-11' - 2"
www.autodesk.com/revit
1' - 0 7/32"
SECTION - WOOD CONSTRUCTION
Lightweight concrete Structural steel 50ksi Acoustic Ceiling Tile 24 x 48
Carbon steel
SECTION - MASONRY CONSTRUCTION
Aluminum 6061
Second Floor Circle4' - 9 9/32"
7' - 3 9/32"
1' - 3 9/32"
22' - 8 3/4"
Robert Piotrowski
Mail box number 652
Rigid foam insulation board
10' - 8 1/2"
Soda Lime Glass
First Floor Circle-3' - 7 25/32"
Description
1' - 9 31/32" 0' - 7 1/2"
No. Precast concrete panels
Date
11' - 6 23/32"
SECTION - STEEL CONSTRUCTION
Level 17 16' - 9"
top of foundation_circle -4' - 4 25/32" basement window ledge -6' - 2 3/4" First Floor-7' - 3"
Project Number Issue Date Author Checker
Steel Wall Section
Project number Date Drawn by Checked by
Crawlspace-11' - 2"
Foundation Plan -14' - 3 3/8" Precast concrete
Basement-15' - 8"
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THE ADDITION
PART A: SUPPLE FORM PART B: EAMES HOUSE CASE STUDY
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EAMES GUEST HOUSE ADDITION
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GOALTo develop an irregular supple form; and anthropomorphic extension sited to the hand, The object should simultaneously entice the tactile and visual senses of anyone holding it.
PROCESS1 Develop preliminary monolithic mass out of clay 2 Refine all curves and edges over the typography of the form 3 Determine an axis to slice the form into 1/4� sections 4 Trace sections on planed maple wood 5 Cut sections out 6 Glue sections together 7 Rasp and sand the form down to a smooth surface quality 8 Apply sealer
PART A:
SUPPLE FORM
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EAMES HOUSE CASE STUDY Negotiating the extrinsic forces that inform an architectural work requires first evaluating its context. Using a historic landmark of modern architecture as the base foundation in an exploration into tectonic synthesis, design an addition using no less than 1/2 the supple form from the previous assignment because our professor wanted to make us suffer...
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INTERIOR
VIEW TOWARDS BEDROOM
4 3
5
2 6
1
FIRST FLOOR
1/8 scale
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2 6
EAMES GUEST HOUSE ADDITION 1
FIRST FLOOR
1/8 scale
9 8
7
SECOND FLOOR / LOFT 7 - LOFT 8 - BEDROOM 9 - OUTDOOR PATIO
1/8 scale
N
1 - LIVING ROOM 2 - DINING ROOM 3 - LOUNGE 4 - BATHROOM 5 - KITCHEN 6 - STUDY
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PROFESSIONAL WORK
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LUCAS MUSEUM OF NARRATIVE ART CHICAGO, IL
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I WAS PART OF THE ADVANCED MODELING TEAM WORKING WITH GEOMETRY AND DATA TRANSLATION WORK-FLOWS BETWEEN DESIGN SOFTWARE. RESPONSIBILITIES INCLUDED TAKING BASE PRESENTATION MODELS PROVIDED BY MAD AND TRANSLATING THEM INTO USABLE FORMATS FOR REBUILDING AS NATIVE REVIT GEOMETRY. I ALSO AIDED IN DESIGN RESEARCH REGARDING EFFICIENT MODELING AND DATA MANAGEMENT WORK-FLOWS WITH COMPLEX GEOMETRY. I HAD THE OPPORTUNITY TO MODEL AND WORK ON THE 2D DOCUMENTATION / CONSTRUCTION DETAILS OF NEARLY ALL THE MOST COMPLEX AREAS OF THE PROJECT, WITH AN EMPHASIS ON THE FACADE AND EXTERIOR PODIUM, AS WELL AS THE INTERIOR/EXTERIOR STAIRS AND RAMPS. EXPERIENCE INCLUDED COLLABORATION WITH MAD AS WELL AS AN INTERNATIONAL TEAM OF ENGINEERS AND CONSULTANTS. I ALSO PARTICIPATED IN VOA UNIVERSITY, AN AIA LEAD SEMINAR SERIES THAT DEALT WITH PROJECT MANAGEMENT AND LEADERSHIP WITHIN THE PROFESSION.
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PARTI DIAGRAM
BASELINE FAR MASSING
DOWNTOWN LOS ANGELES
CITY BLOCKS
9:1
CITY GRID
APPLIED TO FACADE
BASELINE FAR MASSING
STREET INTERSECTION
CORNER ENGAGEMENT
9:1
LA LIVE
EXTENSION OF STREET ACTIVITY
BASELINE FAR MASSING
POETRY IN MOTION
DIRECTIONALITY
9:1
DYNAMIC CHOREOGRAPHY
DUALITY
A - CITY IN THE SKY
B - URBAN INTERSECTIONS
DESIGN PROPOSAL FOR A 250 ROOM W HOTEL, RESIDENTIAL TOWERS, AND SHOPPING COMPLEX ACROSS FROM L.A. LIVE. I WORKED ON SITE ANALYSIS, TYPICAL FLOOR PLAN LAYOUTS, DIAGRAMS, PRESENTATION DOCUMENTS, PHYSICAL MODELS, AND PODIUM DESIGN.
C - MOVEMENT
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THE ARTS CLUB WEST HOLLYWOOD, CA
DESIGN PROPOSAL FOR LONDON BASED ARTS CLUB SET TO REPLACE THE WEST HOLLYWOOD HUSTLER STORE ON SUNSET BLVD. I HELPED DESIGN AND MODEL MULTIPLE SCHEMES (SOME OF THEM MY OWN) THAT WERE PRESENTED TO THE CLIENT. I ALSO WORKED ON PRELIMINARY IN-HOUSE RENDERINGS AND GENERATED FACADE STUDIES WITH GRASSHOPPER THAT WERE LASER CUT FOR PHYSICAL MODEL PROTOTYPES.
80
JW MARRIOTT EXPANSION LOS ANGELES, CA
DESIGN PROPOSAL FOR THE JW MARRIOTT EXPANSION OF THE RITZ CARLTON HOTEL AT L.A. LIVE IN DOWNTOWN LOS ANGELES. AIDED IN DESIGN AND DIGITAL MODELING.
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HIGHGATE HOTEL + RESIDENCES MANHATTAN, NY
DESIGN PROPOSAL FOR A 970 FT HOTEL AND RESIDENTIAL HIGH-RISE. I WAS RESPONSIBLE FOR ALL DIAGRAMS, RENDERINGS, SITE ANALYSIS, AND PRESENTATION DOCUMENTS. ALSO AIDED IN MASSING DESIGN, ZONING, AND FAR ANALYSIS.
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ENVIRONMENTAL SYSTEMS DESIGN, INC. REVIT FAMILY DEVELOPMENT (R&D) / AUTOMATED FAMILIES
CABINATE FAN
84
PLATE AND FRAME HEAT EXCHANGER
85
PARAMETER FOMULAS / CODE EXAMPLE - SHELL TUBE HEAT EXCHANGER
86
DYNAMO - SHEET RENAME / RENUMBER
87
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