ROBYN DAWN WOLOCHOW ARCHITECTURE PORTFOLIO, MASTER OF ARCHITECTURE
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CONTENTS
ARCHITECTURE & URBANISM Zhengzhou Recreational Waterfront District Mass & Void - Vienna Colonies Pneumatic Futures: A Hyperloop Hub for Cleveland Toronto Mixed-Use Condominiums Müeller House: Redone Aesthetic Indicators of Density Woodlands Classroom Pittsburgh Mural Arts Center Banyan Library Parcel Takeover Community Pool Danish Dwelling Kulturhus Hybrid Drawings
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FABRICATION Wormhole Light Bright Coding Architecture Tensile Textile Concrete Panel Collapsing Coffee Table
59 60 64 66 70 72 74
EXPERIMENTS & OUTLIERS Ice Cream Catastrophe Inkspace We’ve All Pinned There Freddy Goes to the Airport A Formal Study of TIDE™
79 80 82 84 86 88
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ARCHITECTURE & URBANISM 5
6
95m
Old property lines: ZHENGZHOU RECREATIONAL WATERFRONT DISTRICT: MASTER PLAN . Public areas are limited to the parameter
University of Michigan, Global Design Studio (Lars Graebner), Fall 2014 of the site . The sites are big and unwalkable. Developed together as a studio of eleven students, this project is an overall design strategy for a new 2km2 recreational waterfront district in Zhengzhou, China. After a twelve-day trip to see the site and participate in aarea: design workshop, we developed a new Buildable 559876.48 m2 urban design strategy for the site that prioritizes smaller block sizes, increased density, and a more pedestrian-friendly urban 134 city blocks fabric. The client, a major construction company in China, also asked us to developed a sustainable design strategy that addresses site hydrology, energy, land use, and social sustainability. We were also tasked with creating a unique identity for the recreational waterfront, to distinguish this project from the many other similar development projects, and to identify Zhengzhou as a new international destination within China. 95m
70m
Old property lines:
New property lines:
By rotating the proposed blocks, public space is re. Maintain the same square meter of public distributed from the spaces unusable green buffer zones, creating and private . The public space is redistributed in the pedestrian access paths and publicpaths space within the blocks site, creating access and walkable for themselves. the pedestrians. Left: Final proposed master plan. New property buildable area: 2 previously planned. Below: Master plan mas 554993.83
. Public areas are limited to the parameter of the site . The sites are big and unwalkable. Buildable area: 559876.48 m2 134 city blocks
231 city blocks
N
0
100M
200M
500M
70m
New property lines: . Maintain the same square meter of public and private spaces . The public space is redistributed in the site, creating access and walkable paths for the pedestrians. New property buildable area: 554993.83 m2 231 city blocks
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8
9
0
25m
50m
100m
N
Hardscape
The Zhengzhou Museum of Design
Museum Plaza
Museum Plaza The Boardwalk
Zhengzhou Design Center
Calligraphy Crossing Bridge
Landscape Creative Corridor
Raised Boardwalk
Pedestrian Path Below
ZHENGZHOU RECREATIONAL WATERFRONT DISTRICT: CULTURAL DESIGN DISTRICT
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University of Michigan, Global Design Studio (Lars Graebner), Fall 2014 The Cultural Design District is characterized by low-rise retail, hardscape plazas, a raised boardwalk, recreational areas, and commercial program, and by its smaller block sizes and pedestrian walkability. The unique street grid of the Design District is inspired by traditional Chinese ornamentation patterns that feature angled lines and irregular formal geometries. These street patterns, which create a heirarchical system of roads that vary in their preference of either the pedestrian or the automobile, create a uniquely urban retail experience, with pockets of public space distributed throughout.
Pedestrian Pathways
Low-rise Retail Design Museum
Calligraphy Crossing Bridge
Traditional pattern aplied to the district blocks
The form of the buildings and public spaces reinforce the angular geometry
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Roof thickness & overhangs make the roofs a highly legible architectural feature
12
Slanted separate surfaces appear continuous
Continuous roof folds
ZHENGZHOU RECREATIONAL WATERFRONT DISTRICT: CULTURAL DESIGN DISTRICT University of Michigan, Global Design Studio (Lars Graebner), Fall 2014 The urban character of the Cultural Design District looks to Chinese vernacular architecture for inspiration, drawing upon the formal language of traditional Zhengzhou roofs to create a visually continuous roofscape. Creative Corridor, located within the Cultural Design District, offers small-scale craft-oriented retail, and creates an urban oasis a mixture ofTRADITIONAL landscape and hardscape that reinforces the angular geometry of the district plan. ARCHITECTURALthrough INSPIRATION FROM CHINESE VERNACULAR
Traditional Chinese vernacular roofs Offset surfaces Courtyard volumes
Pedestrian space Traditional Chinese structure
Interior courtyard
Active urban zones Recessed exterior courtyard Modified formal language of tranditional Chinese roof
Reinterpreted structural ornamentation
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Iconic bridge structure
Bike + Pedestrian pathway
C
Varied exterior geometry “ripples” to creates balconies
Iconic bridge structure
CALLIGRAPHY CROSSING: Iconic landmark bridge CALLIGRAPHY CROSSING: This iconic bridge creates separate pathways for pedestrians, people, and cars and provides a landmark for the Cultural Design District.
T
Station entrance Cascading water feature
Bike + Pedestrian pathway
Station entrance
Station entrance Terraced landscaping Car port
conic landmark bridge
Public space within hotel’s commercial podium
THE RIPPLE HOTEL: Five-star luxury hotel
District geometry reinforced by landscape
14
Sloping surfaces provide cover
ENVIRONMENTAL EDUCATION CENTER
RIVER BEAT STATION: New regional train station
RIVER BEAT STATION: This regional railway station creates an Towers bend to face each other iconic entry point into the site, directing visitors towards the park.
THE
Varied exterior geometry “ripples” to creates balconies
Iconic bridge structure
Iconic bridge structure
Bike + Pedestrian pathway
Car port
CALLIGRAPHY CROSSING: Iconic landmark bridge
Bike + Pedestrian pathway Public space within hotel’s commercial podium
THE RIPPLE HOTEL: Five-star luxury hotel
THE RIPPLE HOTEL: This two-tower hotel creates an emblem for the new waterfront district, and provides a luxury experience for visitors. CALLIGRAPHY CROSSING: Iconic landmark bridge District geometry reinforced by landscape
Cascading water feature
Terraced landscaping
ENVIRONMENTAL EDUCATION CENTER
Cascading water feature
Museum Plaza
THE ZHENGZHOU MUSEUM OF DESIGN (ZMD) Terraced landscaping ENVIRONMENTAL EDUCATION CENTER
ENVIRONMENTAL EDUCATION CENTER (EEC): This sustainability center in the Wetland Park district focuses on sustainable education for residents and visitors. 15
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A
A
A B
B
B
UNIT 01
UNIT 02
A B
A B
UNIT 03
MASS & VOID - VIENNA COLONIES University of Michigan, Winter 2014, Comprehensive Design Studio (Matias del Campo) w/ Danielle Tellez The design of this outdoor-learning classroom in the Shaw Nature Reserve is centered around the idea of bringing the experience of being in the woodlands into the building itself. The levels of the building imitate the topographical change of the site, giving it the sense that the structure is built into the ground. A diffused light quality is achieved using a frosted glass roof and wood slats that emulate the light quality of the forest. Enclosed almost entirely by glass, the structure receives ample sunlight during the day while seeming to glow at night. 17
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19
20
3RD FLOOR PLAN 3-3 1
3
6
10
ft
UNIT 01
3
UNIT 08
3
UNIT 05
UNIT 06
UNIT 07
2ND FLOOR PLAN 2-2 6
10
ft
gov
3
gov
1
UNIT 01
NORTH ELEVATION
EA
UNIT 04
2
2
WIN
UNIT 03
UNIT 02
ELEVATIONS GROUND FLOOR 1-1 6
10
ft
gov
3
gov
1
RESIDENTIAL LOBBY
RETAIL
1
1 RETAIL
BAR NORTH ELEVATION
CAFE
EAST ELEVATION
WINDOW DETAIL
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DETAIL 01: BUBBLE DECK FLOOR SLAB
DETAIL 02: COMPONENT TO SLAB
DETAIL 03: SLAB TO CURTAIN WALL
DETAIL 04: CURTAIN WALL (”GLUE”) TO SLAB
DETAIL 05: SLAB TO CURTAIN WALL (PLAN) 4 1/8”
4 1/2”
DETAIL 06: COMPONENT TO COMPOENT (PLAN)
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Early sectional studies of component configurations.
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BKL | Burke Lakefront Airport
CLEVELAND AMTRAK
CLEVELAND GREYHOUND
PRIMARY TRANSIT NODE
N
HIGHWAYS & RAILROADS
CLE | Cleveland Megabus
PRIMARY TRANSIT NODES
PRIMARY TRANSIT NODE
PRIMARY TRANSIT NODE
LAKE COUNTY CUYAHOGA COUNTY TOWER CITY STATION PRIMARY TRANSIT NODE
PRIMARY TRANSIT NODE
HEALTH LINE
Rapid Bus Transit
Outerbelt East Freeway
BLUE LINE
Rapid Transit, Rail
ROUTE 422
Ohio, Pennsylvania
0.5
I-480
To CLE Airport
CLE | Cleveland Hopkins International Airport PRIMARY TRANSIT NODE
I-80
Ohio Turnpike
24
I-71
To Cincinnati
I-77
Ohio to SC
2.0
4.0 miles
Highway
High-traffic Public Transit Route Existing Rail Lines
Primary Transit Node
City Bus Routes
Cleveland Boundary
Secondary Transit Node
EXISTING FLOW NETWORKS WITHIN CLEVELAND: IDENTIFYING A NEW NODE
1.0
LEGEND
GEAUGA COUNTY
Rapid Transit, Rail
I-271
CUYAHOGA COUNTY
GREEN LINE
Rapid Transit, Rail
RED LINE
NETWORK OF NODES
PORT | Port of Cleveland
PUBLIC TRANSIT
CLEVELAND
Commercial Transportation | Freight Train, Truck, Hyperloop Cargo Capsule, Air Cargo, Barges Public Transit | Bus, Rapid Bus Transit, Metro (Rail Transit), Hyperloop, Commercial Flights Individual Transportation | Private automobile
Commercial Transportation | Freight Train, Truck, Hyperloop Cargo Capsule, Air Cargo, Barges
Public Transit | Bus, Rapid Bus Transit, Metro (Rail Transit), Hyperloop,VEHICLES Commercial Flights CLEVELAND TRANSPORTATION Individual Transportation | Private automobile
BUS | Turning Radius: 42 feet CLEVELAND
EXTENDED BUS | 60’ x 9’ x 10’
AUTOMOBILE |
Turning Radius: 24 feet AUTOMOBILE |
BUS | Turning Radius: 42 feet
Turning Radius: 24 feet
FREIGHT BOXCAR | 60’ x 18’ x 9’ FREIGHT BOXCAR | 60’ x 18’ x 9’
METRO CAR | 65’ x 12’ x 9’ .75 mi METRO CAR | 65’ x 12’ x 9’
I-271
Outerbelt East Freeway
EXTENDED BUS | Turning Radius: 40 feet
TRUCK | 74’ x 15’ x 8’
EXTENDED BUS | Turning Radius: 40 feet
TRUCK | 74’ x 15’ x 8’
0’
1.6 miles CAPSULE | 95’ x1.65 HYPERLOOP 7.5‘miles x 7.5’
N
0.5
20’
50’
.9 miles 0’
HYPERLOOP CAPSULE | 95’ x 7.5‘ x 7.5’
10’
20’
50’
TO PITTSBURGH LEGEND Cleveland Boundary
AIRPLANE JET | 110’ x 110’ x 40’
0’
10’
GEAUGA COUNTY
TO COLUMBUS
EXTENDED BUS | 60’ x 9’ x 10’
CUYAHOGA COUNTY
1.9 miles
CLEVELAND TRANSPORTATION VEHICLES
TO CHICAGO
CUYAHOGA COUNTY
HYPERLOOP | Turning Radius: 14.6 miles = 77,088 feet
HYPERLOOP TRANSIT HUB
LAKE COUNTY
BUS | 40’ x 9’ x 10’
10’ 1.0
20’ 50’ AIRPLANE JET | 110’ 110’ x 40’ 2.0 4.0xmiles 0’
10’
20’
Existing Right-of-Way
Proposed Hyperloop Route Possible New HPL Right-of-Way
Proposed Site
Hyperloop Turning Radius
HPL Departure Platform 50’
PNEUMATIC FUTURES: A HYPERLOOP HUB FOR CLEVELAND, OH
TRUCK | Turning Radius: 45 feet 0’
20’
AIRPLANE | Turning Radius: 120 feet
50’ 100’ TRUCK | Turning Radius: 45 feet 0’
20’
50’
VEHICLE TURNING & AREA REQUIREMENTS
SITE OPTION B
BUS | 40’ x 9’ x 10’
HYPERLOOP | Turning Radius: 14.6 miles = 77,088 feet
HYPERLOOP TRANSIT HUB
TO TORONTO
AUTOMOBILE | 18’ x 8’ x 5’
RAILROAD | Turning Radius: 350 feet
SITE OPTION A
RAILROAD | Turning Radius: 350 feet
AUTOMOBILE | 18’ x 8’ x 5’
TO DETROIT
AIRPLANE | Turning Radius: 120 feet 100’
University of Michigan, Architectural Thesis Proposal (Maria Arquero & McLain Clutter), Winter 2015
Throughout its history, infrastructural innovation has driven Cleveland’s urban transformation and reinvention. However, similar to other Rust Belt cities, Cleveland has suffered from depopulation and low urban investment since the decline of industry along the Cuyahoga River. This project establishes downtown Cleveland as a hub within a new national hyperloop network, injecting urban activity into the city through the high-speed exchange of people, products, and services. Still in progress, the goals of this thesis proposal are to design a multinodal transportation hub while considering the urban implications at the larger scale. 25
MONTREAL 45 minutes
TO DETROIT
TURNING RAD IUS: 14.6 mile
MINNEAPOLIS
MINNEAPOLIS
60 minutes
TORONTO
BOSTON
MILWAUKEE
COLUMBUS
OMAHA
WASHINGTON DC
30 minutes
TO COLUMBUS
65 minutes
ST. LOUIS 45 minutes
ATLANTA
4 hr 10 min 10 hr 25 min 17 hr 45 min
COLUMBUS
11 hr 50 min 1 hr 20 min 5 hr 50 min 8 hr 30 min
BOSTON | 640 miles 15 hr 20 min 3 hr 30 min 9 hr 30 min 15 hr 20 min
12 minutes
20 minutes
LOUISVILLE
N
30 minutes
0.5
LEGEND
Cleveland Boundary
NASHVILLE | 520 miles 45 minutes
CHARLOTTE | 515 miles 20 hr 30 min 5 hr 30 min 8 hr 10 min 11 hr 10 min
CHARLOTTE
MEMPHIS | 730 miles
CHICAGO | 345 miles 6 hr 45 min 1 hr 30 min 5 hr 05 min 7 hr 20 min
60 minutes
TO DALLAS | 1,185 mi 1 hr 45 minutes
17 hr 10 min 4 hr 15 min 10 hr 40 min
BALTIMORE
TO PITTSBURGH 35 minutes
CINCINNATI
45 minutes
BALTIMORE | 400 miles
large turning radii required by the hyperloop infrastructure impose a linear system as it passes through the city. This nature has been emphasized through WASHINGTON DC | 370 linear miles 30 minutes the design of the transit hub, which utilizes 11 hr 15 min a series of ramps to connect street level to 1 hr 20 min the waterfront below. The building is fully 5 hr 50 min 10 hr 10 min integrated into the site, offering multiple connections into the surrounding urban fabric RALEIGH | 570 miles at various elevational levels. 45 minutes TO NEW YORK 35 minutes
Existing Right-of-Way Proposed Site
1.0
2.0
Proposed Hyperloop Route Possible New HPL Right-of-Way Hyperloop Turning Radius
HPL Departure Platform
N/A 3 hr 10 min 9 hr 00 min 17 hr 15 min
ATLANTA
60 minutes
4.0 miles
GEAUGA COUNTY
INDIANAPOLIS
OMAHA
2623 hr 30 min
PHILADELPHIA The
10 minutes
CHARLOTTE
MEMPHIS
A LINEAR SYSTEM
40 minutes
PITTSBURGH
25 minutes
RALEIGH
NEW YORK
CLEVELAND
CHICAGO
LOUISVILLE
NASHVILLE
ATLANTA | 715 miles
25 minutes
CLEVELAND
CUYAHOGA COUNTY
CINCINNATI
ST. LOUIS
TO CHICAGO
S: 14.6 miles
INDIANAPOLIS
PHILADELPHIA BALTIMORE
BOSTON
35 minutes
NEW YORK
PITTSBURGH
Cleveland is strategically located in the Midwest region to serve as a central hub within the new 55 minutes Hyperloop network. The hug provides direct connections to New York, Toronto, Chicago, Detroit, Columbus, and Pittsburgh.
CUYAHOGA COUNTY
15 minutes
MILWAUKEE
CLEVELAND
MIDWEST HYPERLOOP NETWORK
LAKE COUNTY
TORONTO
DETROIT
DETROIT
TURNING RADIU
CHICAGO
TO TORONTO
s
MONTREAL
PUBLIC SQUARE PUBLIC SQUARE
E
NU
E
E AV
R
NU
R
RIO
E AV
RIO
PE
SU
E UP
S
PROSPECT AVENUE
STRETCH
PULL
STRETCH HURON ROAD
STREET ENTRANCE
N
STREET ENTRANCE
STREET ENTRANCE
TRUCK ENTRANCE
STREET ENTRANCE
PICNIC AREA
PULL
AL
N CA
AD RO
CE
TRUCK ENTRANCE
AN
TR
EN
PROPOSED RIVER EXTENSION WATERFRONT RECREATION AREA BARGE LOADING / UNLOADING
N
100 ft
200 ft
400 ft
27
LEGEND
N
Proposed River Outline Hyperlooop Below Roads Train Tracks
100 ft
200 ft
400 ft
28
TORONTO MIXED-USE CONDOMINIUMS Intern Architect, Quadrangle Architects, Toronto, ON, Summer 2014 This mixed-use development project houses office and retail space to the west of the site, with two to three-story townhome-style condos accessible at ground level to the south. A four story tower rests above, housing more than thirty condo units, most of which have unique layouts and range in size from studio to 3BR. Variations in the floor plates create terraces and balconies at each level, while custom windows and concrete panels provide a unique facade. For this project, I worked on CAD construction documents, renderings, material selection, and overall project coordination.
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30
31
32
B
A
B
LIVING ROOM
B
A
A
B
LIVING ROOM MASTER BEDROOM
KID’S ROOM
DINING ROOM
ANTEROOM
GUEST ROOM
BOUDOIR
ENTRY LIBRARY
B
A
Adolf Loos: Müeller House plans
GROUND LEVEL SCALE: 1/8” = 1’ 0”
B
SERVANT ROOM
KITCHEN
A
PLAYROOM
B
FIRST FLOOR
A
SECOND FLOOR
SCALE: 1/8” = 1’ 0”
SCALE: 1/8” = 1’ 0”
SECTION A:
University of Michigan, Design Studio (James MacGillivray), Fall 2012 In an adaptation of Adolf Loos’ Müeller House, I created a modern residence for a family of four. The house utilizes similar principles of symmetry and circulation, but re-imagines the raumplan as a series of enclosed spaces within the larger system of the house. Whereas Loos created a heavy poche of thick walls, this house instead uses the poche space for the home’s circulation. The facade, like the Müeller House, has minimal fenestration but provides ample natural daylighting with extensive skylights. THIRD FLOOR SUMMER BREAKFAST ROOM
B
B
C
ATTIC
A
SCALE: 1/8” = 1’ 0”
SECTION B:
SCALE: 1/4” = 1’ 0”
A
MÜELLER HOUSE: REDONE
33
34
B
C
PANTRY
DN
UP
ENTRY
FAMILY ROOM
KITCHEN
LIBRARY
DN
PANTRY
A
DN
A
UP
ENTRY
FAMILY ROOM
KITCHEN
SITTING ROOM
LIBRARY
DN
symmetry (plan)
DN
DINING
A
A DN
circulation (plan) DN
SITTING ROOM
DINING
DN
GROUND FLOOR
N
SCALE: 1/4” = 1’ 0”
GROUND FLOOR
N
SCALE: 1/4” = 1’ 0”
B
C
B
C
B
C
B
C
thickness (plan)
WASHER
facade (elevation)
DRYER
CL.
BEDROOM 1
WASHER
CL.
BEDROOM 2
A
CL.
DRYER
A
YARD
UP
BEDROOM 1 PATIO
UP
CL.
A
A UP
PATIO
UP
SCALE: 1/4” = 1’ 0”
DN
raumplan (axon)
UP
N
DN
BEDROOM 2
UP
LOWER LEVEL
materiality (plan) YARD
B
C
35
85m
20m 30m
3m
20m
1m
40m
10m 14.29
25m
25m
5.00 7.16
5m
7.45
5.18
10.60
85.55
16m 4m
3m
3m
4m
3.5m 5m
2m
5.5m
10m
3.5m
30m 4m
2m
5m
2m
12m
7m
36
2.5m
3m
5m
8m
ADDRESS: ADDRESS: 767-24 Yeoksam 767-24 Yeoksam 2(i)-dong2(i)-dong Gangnam-gu, Gangnam-gu, Seoul, South Seoul, Korea South Korea
AESTHETIC AESTHETIC INDICATORS INDICATORS OF DENSITY OF DENSITY
Population Population Density: 24,000 Density: people/km2 24,000 people/km2 Site Area:Site 3,400 Area: m23,400 m2 Plot Coverage: Plot Coverage: 50% 50% Units on Site: Units510 on Site: 510 Unit Size:Unit 100Size: m2 100 m2 People per People Unit: per 2-4 Unit: 2-4 People onPeople Site: 1,200 on Site: 1,200
Width of Parcel: Width of20-85 Parcel: m 20-85 m Transparency: Transparency: 50% 50% Window Size Window and Size Variation: and Variation: 2-5 m2, none 2-5 m2, none Text and Signage: Text and Signage: none none Colour: none Colour: none Programmatic Programmatic Variation:Variation: none none Street Level: Street apartment Level: apartment entranceentrance Building Pattern BuildingScale: Pattern 3mScale: 3m Floor Heights: Floor Heights: 3m 3m Range in Range Building in Heights: Building Heights: 12-15 12-15
NUMERICAL NUMERICAL DENSITYDENSITY SCORE: SCORE:
AESTHETIC AESTHETIC DENSITYDENSITY SCORE: SCORE:
NUMERICAL NUMERICAL INDICATORS INDICATORS OF DENSITY OF DENSITY
85/100 85/100
30/100 30/100 Early sectional studies of component configurations.
ADDRESS: ADDRESS: 1024-40 Sinjeong 1024-40 Sinjeong 1(il)-dong1(il)-dong Yangcheon-gu, Yangcheon-gu, Seoul, South Seoul, Korea South Korea
AESTHETIC AESTHETIC INDICATORS INDICATORS OF DENSITY OF DENSITY
Population Population Density: 16,500 Density: people/km2 16,500 people/km2 Built Area: Built 100Area: m2 100 m2 Plot Coverage: Plot Coverage: 85% 85% Units on Site: Units8on Site: 8 Unit Size:Unit 80 m2 Size: 80 m2 People per People Unit: per 4 Unit: 4 People On People Site Area: On Site 32 Area: 32
Average Width Average of Parcel: Width of25m Parcel: 25m Facade Transparency: Facade Transparency: 40% 40% Window Size Window Range: Size2-6 Range: m2 2-6 m2 Text and Signage: Text and Signage: apartment apartment numbersnumbers Colour Range: Colournone Range: none Programmatic Programmatic Variation:Variation: none none Street Level: Street apartment Level: apartment entranceentrance Building Pattern BuildingScale: Pattern 6cm Scale: brick6cm brick Floor Heights: Floor Heights: 3m 3m Range in Range Building in Heights: Building Heights: 4-5 stories 4-5 stories
NUMERICAL NUMERICAL DENSITYDENSITY SCORE: SCORE:
AESTHETIC AESTHETIC DENSITYDENSITY SCORE: SCORE:
NUMERICAL NUMERICAL INDICATORS INDICATORS OF DENSITY OF DENSITY
60/100 60/100
60/100 60/100 Early sectional studies of component configurations.
ADDRESS: ADDRESS: 15 Hongik-ro 15 Hongik-ro 3-gil 3-gil Mapo-gu,Mapo-gu, Seoul, South Seoul, Korea South Korea NUMERICAL NUMERICAL INDICATORS INDICATORS OF DENSITY OF DENSITY
AESTHETIC AESTHETIC INDICATORS INDICATORS OF DENSITY OF DENSITY Width of Parcel: Width of3-5m Parcel: 3-5m Transparency: Transparency: 95% 95% Window Size Window and Size Variation: and Variation: 1-8 m2 1-8 m2
Population Population Density: 14,500 Density: people/km2 14,500 people/km2 Built Area: Built 215Area: m2 215 m2 Plot Coverage: Plot Coverage: 95% 95% Units on Site: Units20 on Site: 20 Unit Size:Unit 85m2 Size: 85m2 People per People Unit: per 1-3 Unit: 1-3 People onPeople Site: 60 on Site: 60
Text and Signage: Text and advertising, Signage: advertising, labels, signs labels, signs
NUMERICAL NUMERICAL DENSITYDENSITY SCORE: SCORE:
AESTHETIC AESTHETIC DENSITYDENSITY SCORE: SCORE:
40/100 40/100
Colour: 10+ Colour: 10+ Programmatic Programmatic Variation:Variation: 8/10 8/10 Street Level: Street Retail Level: / commercial Retail / commercial Building Pattern BuildingScale: Pattern 6-20 Scale: cm 6-20 cm Floor Heights: Floor Heights: 1.5-3 m 1.5-3 m Range in Range Building in Heights: Building Heights: 1.5-7 stories 1.5-7 stories
90/100 90/100 Early sectional studies of component configurations.
ADDRESS: ADDRESS: 358-47 Seogyo-dong 358-47 Seogyo-dong Mapo-gu,Mapo-gu, Seoul, South Seoul, Korea South Korea NUMERICAL NUMERICAL INDICATORS INDICATORS OF DENSITY OF DENSITY Population Population Density: 14,500 Density: people/km2 14,500 people/km2 Built Area: Built 270Area: 270 Plot Coverage: Plot Coverage: 95% 95% Units on Site: Units25 on Site: 25 Unit Size:Unit 85m2 Size: 85m2 People per People Unit: per 1-3 Unit: 1-3 People onPeople Site: 75 on Site: 75
NUMERICAL NUMERICAL DENSITYDENSITY SCORE: SCORE:
35/100 35/100
AESTHETIC AESTHETIC INDICATORS INDICATORS OF DENSITY OF DENSITY Width of Parcel: Width of2-8 Parcel: m 2-8 m Transparency: Transparency: 85% 85% Window Size Window and Size Variation: and Variation: 1-8 m2 1-8 m2
Text and Signage: Text and Advertising, Signage: Advertising, labels, signs labels, signs
Colour: 5+ Colour: 5+ Programmatic Programmatic Variation:Variation: 9/10 9/10 Street Level: Street Retail/Commercial Level: Retail/Commercial Building Pattern BuildingScale: Pattern 6-20 Scale: cm 6-20 cm Floor Heights: Floor Heights: 2.5-3 m 2.5-3 m Range in Range Building in Heights:2-5 Building Heights:2-5 stories stories
AESTHETIC AESTHETIC DENSITYDENSITY SCORE: SCORE:
100/100 100/100
AESTHETIC INDICATORS OF DENSITY University of Michigan, High Density Seminar (Claudia Wigger), W2014 Looking at Seoul, South Korea as a precedent of high-density, an examination was conducted into the visual indicators of density, which in many cases contradict the numerical statistics. The city of Seoul contains two dominant housing typologies: the low rise apartment and the mid-to-high rise residential tower. These two typologies create drastically different spatial conditions. 37
38
WOODLANDS CLASSROOM Washington University in St. Louis, Design Studio (Kevin Le), Fall 2009 The design of this outdoor-learning classroom in the Shaw Nature Reserve is centered around the idea of bringing the experience of being in the woodlands into the building itself. The levels of the building imitate the topographical change of the site, giving it the sense that the structure is built into the ground. A diffused light quality is achieved using a frosted glass roof and wood slats that emulate the light quality of the forest. Enclosed almost entirely by glass, the structure receives ample sunlight during the day while seeming to glow at night.
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40
41
LOADING COAT CHECK
GIFT SHOP
LOBBY/ TICKETING/ INFORMATION STREET GALLERY
STREET LEVEL
THEATER EXHIBITION SPACE
STREET GALLERY
MEZZANINE
PITTSBURGH MURAL ARTS CENTER University of Michigan, Design Studio (Perry Kulper), Spring 2013 At the proposed site in Pittsburgh, PA, I designed a community arts center which focuses on the emerging mural culture of the Pittsburgh area. The project features open mural-painting spaces for professionals and amateurs alike. The circulation of the building occurs through these mural-making areas, which are light-weight in structure, mimicking that of scaffolding. The gallery spaces, auditorium, classrooms, and conference spaces occur within the heavier, more opaque areas of the building. The murals produced on site are transported throughout the city, expanding the reach and influence of the Mural Arts Center. 42
GALLERIES & CONFERENCE ROOMS
THEATER
FOURTH FLOOR
43
1
LEAVES Inspired by the brick sun screen of the Defense Colony in New Delhi, the enclosure strategy of the Banyan library imitates the lighting quality of light shining through leaves by patterning in the brick work.
2
TRUNK The central structural trunk of the Banyan tree is achieved in the library using the load-bearing brick wall system of the Defense Colony. This central “trunk” of the structure acts as a thermal mass and aids in facilitating convection within the interior space, keeping the inside of the library cool.
3
ROOTS A tree absorbs water in the roots and releases it from the leaves, creating a cooling effect. Similarly, a half-indoor, half-outdoor pool located at the perimeter of the library provides evaporative cooling as breezes pass the cool air through the open-air library. Igneous bricks used in the enclosure systems of the library retain moisutre from rain and humidity, and similarly provide a passive cooling evaporative effect.
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BRANCH The branches of the tree, which can extend over an acre in length, require the ability to carry extreme tensile loads. In the library, the “branch” structural system is therefore constructed using steel I-beams.
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1. LEAVES
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2. TRUNK
3. ROOTS
4. BRANCH
5. SECONDARY TRUNK
SECONDARY TRUNK As the Banyan tree grows, it expands laterally, in a horizontal direction, rather than vertically as in most tree types. This horizontal spreading, requires additional structural support, as well as water supply, so as the tree grows, it drops down additional trunks which provide both structure and water. In the library, these secondary “trunks” are built as steel lally columns, which carry the load from the beams.
BANYAN LIBRARY University of Michigan, Building Systems (Neal Robinson), W2014 w/ Kate Flynn, Grant Herron, Tori McGovern, Lindsey Petersen This “Frankenstein” project merges three elements in an energyefficient, site-specific library: the assigned site (Honolulu, Hawaii), an assigned building precedent (Defense Colony Residence, Delhi), and a self-chosen natural element (the Banyan Tree, native to Hawaii). The library’s structural system mimics the growth pattern of a banyan tree, with a central trunk and horizontally-growing structural members that drop down to form secondary “trunks” for structural support. Brick interior and exterior wall systems mimic the Defense Colony Residence and create thermal mass to create a convection system that passively cools the library.
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PARCEL TAKEOVER University of Michigan, Design Studio (Rania Ghosn), Fall 2013 Partially w/ Linnea Cook After a thorough investigation of the current conditions of single-family homes along 8-mile Road with my partner, I reimagined the residential conditions of the city in a radically different utopian vision. Addressing the issues of single-family parcelization, lack of civic program, and a shrinking population, this “utopian” proposal seeks to create urban pockets of density at strategic locations along 8 Mile Road and throughout Detroit. At these locations, new civic program occupied within large new “superblocks” will consolidate the population into a more civic form of living, creating a stronger sense of community and reducing the overwhelming sense of vacancy. 46
RE-PURPOSING PRIVATE PROGRAM
WALL
FLOOR
STAIR
ROOM
RE-PURPOSING PRIVATE PROGRAM
WALL
FLOOR
STAIR
ROOM
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1/4 MILE
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CURRENT CONDITIONS: JUXTAPOSITION OF OCCUPANCY AND VACANCY
ABANDONED FOR 2 YEARS
RESIDENTS FOR 40+ YEARS
MARY
CONSOLIDATING DENSITY: THE ARCHIPELAGO SUPERBLOCK
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STAN
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Sun Deck Hot Tub Kid’s Pool
Lap Pool
COMMUNITY POOL
First Floor
Washington University in St. Louis, Design Studio (Iain Fraser), Fall 2010 This community pool and atheltic center serves as a connection between Carondolet park and its adjacent community. The structural system is composed of two intersecting planes that create a dynamic and open interior space. The shape of the pool allows for easy viewing of the park on all sides, with all other functions raised to the second level. This creates an open pool space that, especially when the windows on the southern side are raised, feels like an extension of the park itself.
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Site Plan 1:500
Section Through Site 1:100
Core Living Spaces:
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Second Floor
Third Floor
Bath
Bath
Bedroom 3
Kitchen
Bedroom 1
Dining
Living Bedroom 2
Living Living
third floor
second floor first floor
DANISH DWELLING Danish Institute for Study Abroad, Design Studio, Fall 2011 After completing precedent studies of Danish housing typologies, I designed a series of row homes at Sundby Harbour in Copenhagen. Each home has ample outdoor space at different levels to allow for privacy, views, interaction with neighbors, and a visual relationship with pedestrians. The core living areas (kitchen, dining room, and living room) are connected to encourage familiar interaction. This project also seeks to reduce the existing boundary between the public and private domains by creating a public destination area along the Sundby Harbor. 53
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pedestrian accessibility Goal: to allow for easy access of metro and cultural center for pedestrians, with clear circulation routes allowing for quick and efficient pedestrian movement.
accommodate bicyles 1
Goal: to provide sufficient underground bike parking and easy access to the metro for cyclists.
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separation of functions
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Goal: to create a more public “front” of the center located along Frederiksberg Allé housing the more widely used spaces, a more private “back,” and a large open exhibition space to bridge the two together.
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KULTURHUS Danish Institute for Study Abroad, Design Studio, Fall 2011 In this project, my partner and I explored representation techniques of a food construct as it changed over time. The selected assembly of an ice cream sundae, presented a measurement and representational challenge, as we tracked its formal progression as it melted over a fifteen-minute period. An aparatus was designed to measure the elevational points in two directions of the sundae. This aparatus utilized measuring sticks inserted into pre-cut holes at measured points to track the physical changes of the ice cream. Section cuts were taken every two minutes, and the formal and measured conditions photographed and drawn.
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HYBRID DRAWINGS Washington University in St. Lous, Architectural Representation (Neil Robinson), Fall 2010 Located on the side of Carondolet pond that borders the surrounding neighborhood, the proposed community pool and atheltic center serves as a connection between the community and Carondolet park. The structural system is composed of two intersecting planes that create a
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FABRICATION
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WORMHOLE University of Michigan, Digital Fabrication (Maciej Kaczynski), Spring 2013 w/ Shan Sutherland and Michael Fontana Over the course of the semester, with professor Maciej Kaczynski, we explored the structural capabilities of fiberreinforced concrete. The final construct, generated in Rhino using Grasshopper scripting, is composed of nine unique hexagonal rings (each x5 for a total of 45 pieces) which, when assembled, create a seven-foot tall structure that expands from a 3-foot diameter at the base to a 10-foot diameter at the topmost level. The individual pieces, which were poured and cast in PETG plastic formwork cut on the Zünd precision knife cutter, are held together using stainless steel fasteners.
Design Concept: desired form 10’
7’
Component connection strategy: stainless steel hardware
Final form, made with 45 individual pieces, 9 unique molds
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9 Unique pieces, each x5, make up the final form.
Cut files for the PETG mold for the 3rd component. Cut on the Z端nd Knife Cutter.
9 Unique pieces, each x5, make up the final form. 63
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LIGHT BRIGHT University of Michigan, Introduction to Robotic Fabrication (Karl Daubman), Winter 2014 w/ Chris Makowiecki & Tyler Smith A single light source, in this case a small flashlight, was affixed to the fifth axis of a KUKA robot. A geometry was first modeled in Rhino as a series of lines, which could then be coded using scripting that controlled the timing and order the robot would draw the lines. Long-exposure photographs at different lighting levels reveal the overall shape.
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For the following drawing, I wanted to explore the potential of a single python script to generate variations in formal architectural strategies. The following studies demonstrate how the same script could be varied to create a wide range of experiences, ranging from the small scale to the larger, more human architectural scale. The script I used is included, highlighting the areas where randomization and variation could occur.
# ASSIGNMENT 02 - 3D POINT MATRIX import rhinoscriptsyntax as rs import random as rnd
3D POINT MATRIX TO DEVELOP SPATIAL CUTOUTS
def PointMatrix(imax, jmax, kmax): #DEFINE LISTS Points = [] ptLIST = [] Pt = {} boxes = [] floors = [] #LOOP TO GENERATE POINT MATRIX for i in range(imax): for j in range(jmax): for k in range(kmax):
Exterior Elevation: Larger rectangular cutouts in the Exterior script areElevation: used to develop exterior Varying the script to create cutouts at the human scale smaller rectangular cutouts as a means of developing a facade pattern
#DEFINE (X,Y,Z) IN TERMS OF (I,J,K) x = i*5+(3*rnd.random()) y = j*5+(3*rnd.random()) z = k*10+(15*rnd.random()) Axonometric Section: Fenestration cutouts created by the python script vary throughout the Axonometric Section: three-dimensional form Scripting to develop interior spaces
Overall Axonometric: Overall Axonometric: Python scriptscript creates variedrandomized Python creates three-dimensional form fenestration pattern
3D POINT POINT MATRIX MATRIX TO TO DEVELOP DEVELOP STRUCTURAL FACADE TREATMENT 3D SYSTEMAND FENESTRATION
Elevation of Architectural Slabs: By using a thinner floor plate in the python script, a three-dimensional system that more closely resembles a Exterior Elevation: structural system can be created. Varying the script to create smaller rectangular cutouts as a means of developing a facade pattern
Axonometric Section: Axonometric The cutouts inSection: the floor slabs allow for Fenestration cutouts the the creating of uniquecreated spacesby within python script vary the structural grid.throughout the three-dimensional form
66 3D POINT MATRIX TO DEVELOP INTERIOR DETAILING 3D POINT MATRIX TO DEVELOP STRUCTURAL SYSTEM
Overall Axonometric: The python script randomizes the overall cutout pattern in the floors. Overall Axonometric: Python script creates randomized fenestration pattern
#PLOT POINTS point = (x,y,z) Points.append(point) Pt = rs.AddPoint(point) #Pt[(i,j,k)] = [x,y,z] #rs.AddTextDot((i,j,k), point) #CREATE RECTANGLES WITH POINTS AT CENTER width = randomWithinRange(1,10) height = randomWithinRange(1,10) ToPoint = ((x-(width/2)),(y-(height/2)),z) FromPoint = Pt PtCopyDistance = rs.VectorCreate(ToPoint, FromPoint) PtCopy = rs.CopyObject(Pt,PtCopyDistance) PtCoord=rs.PointCoordinates(PtCopy) xPlanePt=((PtCoord[0]+1),PtCoord[1],PtCoord[2]) yPlanePt=(PtCoord[0],(PtCoord[1]+1),PtCoord[2]) XPT = rs.AddPoint(xPlanePt) YPT = rs.AddPoint(yPlanePt) Planes = rs.PlaneFromPoints(PtCopy, XPT, YPT) Rectangles = rs.AddRectangle(Planes,width,height) #CREATE CUBES/EXTRUSIONS FROM THE RECTANGLES ExtrudeHeight = randomWithinRange(1,15) RectMoveToPoint = (z-(ExtrudeHeight/2)) RectangleCopyDistance = rs.VectorCreate((x,y,RectMoveToPoint),Pt) RectangleCopy = rs.CopyObject(Rectangles,RectangleCopyDistance) PtCopy02 = rs.CopyObject(Pt,RectangleCopyDistance) RectangleCopyDistanceReverse =
rs.VectorReverse(RectangleCopyDistance) PtCopy03 = rs.CopyObject(Pt,RectangleCopyDistanceReverse) Extrusions = rs.ExtrudeCurveStraight(RectangleCopy,PtCopy02, PtCopy03) Cubes = rs.CapPlanarHoles(Extrusions) boxes.append(Extrusions) #rs.ObjectColor(Extrusions,(255/ imax*i,255-(255/jmax)*j, 255/kmax*k)) rs.DeleteObject(Pt) rs.DeleteObject(PtCopy) rs.DeleteObject(XPT) rs.DeleteObject(YPT) rs.DeleteObject(Rectangles) rs.DeleteObject(RectangleCopy) rs.DeleteObject(PtCopy02) rs.DeleteObject(PtCopy03) #CREATE FLOOR PLATES FloorPlane = rs.PlaneFromPoints((0,0,0), (imax,0,0), (0,jmax,0)) PlateThickness = rs.GetInteger(‘floor plate thickness’, 1) FloorHeight = rs.GetInteger(‘floor height’,5) initialHeight = FloorHeight NumberOfFloors = rs.GetInteger(‘how many floors?’, 10) FloorPlateRectangles = rs.AddRectangle(FloorPlane,(imax*5+(3*rnd. random())),(jmax*5+(3*rnd.random()))) FloorPt01 = (0,0,0) FloorPt02 = (0,0,PlateThickness) FloorVector = rs.VectorCreate(FloorPt02, FloorPt01) #FloorPlateTopPlane = #FloorPlateRectanglesCopy = rs.CopyObject( FloorPlateExtrusions #ASSIGNMENT 03 - PART TO SURFACE import rhinoscriptsyntax as rs import random as rnd def SurfacePoints(STRSRF): intU = 20 intV = 20 ptMTX = {} ptMTXend = {} crvTop = [] crvBot = [] rect01 = [] rect02 = [] rectangles = [] StepHeight = rs.GetInteger(‘step height’,5) TESTPT = rs.GetObject(‘select point’, 1) #FIND DOMAINS ON SURFACE
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Continuing the architecturally-themed framework developed in my second exercise, the following drawings outline the architectural potential of using python scripting to locate three-dimensional forms on a surface condition. The drawings were generated using slight variations of the same PARTtoTO SURFACE DEVELOP PATTERNS SURFACE script, explore the ways TO of creating steps, PAVING paving patterns, and sittingON or play zones, experimenting with ways to vary these patterns to work around existing conditions such as trees.
Udomain = rs.SurfaceDomain(STRSRF, 0) Vdomain = rs.SurfaceDomain(STRSRF, 1)
PART TO SURFACE TO DEVELOP PAVING PATTERNS ON SURFACE
#CALCULATE STEP VALUES stepU = (Udomain[1] - Udomain[0])/intU stepV = (Vdomain[1] - Vdomain[0])/intV print ‘stepU: ‘, stepU print ‘stepV: ‘, stepV
Axonometric: Rectangular pavers on a curvilinear surface.
Axonometric: Square pavers on same surface achieved by varying the python script.
Axonometric: Rectangular pavers on a curvilinear surface. Pattern swatch of rectangular pavers.
Axonometric: Square pavers on same surface achieved by varying the python script. Pattern swatch of square pavers.
PART TO SURFACE TO DEVELOP STEP FORMATION Pattern swatch of rectangular pavers.
Pattern swatch of square pavers.
PART TO SURFACE TO DEVELOP STEP FORMATION
Plan Views:
Axonometric Views: Drastically different step formations can be
altering the python script, as outlined below.
#CREATE VECTOR PERPENDICULAR TO CPLANE ToPoint = (0,0,StepHeight) FromPoint = (0,0,0) vec0 = rs.VectorCreate(ToPoint,FromPoint) ptCopy=rs.CopyObject(pt,vec0)
#ADD STEPS ON SURFACE distance = rs.Distance(TESTPT, ptCopy) width = distance/10 #width = randomWithinRange(5,20) #width = distance/10 #width = (distance/(randomWithinRange(1,10))) height = distance/10 #height = randomWithinRange(5,20) #height = distance/10 #height = (distance*(randomWithinRange(1,10))) Planes01 = rs.PlaneFromNormal(ptCopy,vec0) Planes02 = rs.PlaneFromNormal(ptCopy,vec0) Rectangles01 = rs.AddRectangle(Planes01,width,height) Rectangles02 = rs.AddRectangle(Planes02,width,height) rectangles.append(Rectangles01) rectangles.append(Rectangles02) #EXTRUSION OF CURVES Extrusions=rs.
CODING ARCHITECTURE
Site Section: By varying the dimensions and arrangement of the extrusions on the surface, step formations can be made.
made using same curvilinear surface by STEPS/PAVERS AROUND TREES PART TO the SURFACE TO DEVELOP
#EVALUATE SURFACE point = rs.EvaluateSurface(STRSRF, u, v) pt = rs.AddPoint(point) ptMTX[(i,j)] = point
# #FIND NORMAL AT POINT - USED WHEN NORMAL TO SURFACE
Site Section: By varying the dimensions and arrangement of the extrusions on the surface, step formations can be made.
Axonometric Views: Drastically different step formations can be made using the same curvilinear surface by altering the python script, as outlined below.
#PLOT POINTS ON SURFACE for i in range(intU+1): for j in range(intV+1): #define u and v in terms of step values and i and j u = Udomain[0] + stepU * i v = Vdomain[0] + stepV * j
# vecNorm = rs.SurfaceNormal(STRSRF,(u,v)) # #scale vector # vecNorm = rs.VectorScale(vecNorm, 1) # #compute translation of point along vector # ptMTXend[(i,j)] = rs.PointAdd(point, vecNorm) # #ptMTXend[(i,j)] = vecNorm # #plot points # point = rs.AddPoint(ptMTXend[(i,j)])
Plan Views:
University of Michigan, Generative Design Computing (Glenn Wilcox), Fall 2014 In this python scripting class, I chose to pursue a semester-long exploration into the possibilities of using scripting in the generation of architectural form. These early exercises look at modular techniques, facade treatment, aggregation methods, and randomized geometric formation and help to discover ways in which rhino scripting can allow for increased formal variation and open up new design opportunities. 67
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The final project used python scripting to generate 2D cut files that could be assembled with tabs into a final architectural prototype. The final script allows the user to select the number of floors, offset of the walls, size of the window openings, and thickness of the model material, before generating the resultant laser cut files. 68
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TENSILE TEXTILE University of Michigan, Lightweighting (Sean Ahlquist), Fall 2014 w/ Vanessa Argento and Andres Marin The goal of this project was to create a composite textile to be used in conjunction with Konect software in a learning game for autistic children in which the child must complete a specific pressurized action within a designated zone of the textile. Using a voronoi pattern, early studies used combinations of elastic fabrics and hard plastic/epoxy to create the pattern and structure, however the final product was made on the STOLL CNC Industrial Knitting Machine. Tests were done in which the knit pattern, knit structure, yarn, and stitch type were varied. 70
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CONCRETE PANEL University of Michigan, Digital Fabrication (Maciej Kaczynski), Winter 2013 Given a 12-inch square frame, the assignment was to create a PETG plastic mold for a concrete casting of a faceted panel. These panels could only use tabbing and folding as a means of construction, using a single, unbroken piece of PETG plastic cut on the Z端nd Knife Cutter. The two molds were then filled using a calculated mixture of concrete and fibrous material, meant to strength the concrete. Perfecting the percentages of fiber to concrete, however, was necessary to achieve the desired final results. CONCRETE RECIPE: Original Recipe: 1.900 kg Quikrete Medium Sand 1.175 kg Play Sand 1.550 kg Type I Portland Cement 0.510 kg Water 0.012 kg ADVA (High-Range Water Reducer) 0.040 kg Daraset 400 (Accelerator) Fiber reinforcement as needed (0.2% - 1% of total weight) 72
Modified Recipe: 1.900 kg Quikrete Medium Sand 1.175 kg Play Sand 1.705 kg Type I Portland Cement 0.610 kg Water 0.012 kg ADVA (High-Range Water Reducer) 0.040 kg Daraset 400 (Accelerator) 0.054 kg Fiber reinforcement (1% of total weight)
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COLLAPSING COFFEE TABLE Washington University in St. Louis, Furniture Design (Carl Safe), Spring 2012 The design for this coffee table centers around the idea of complete functional flexibility. The table is comprised of five free-standing pieces which can be used individually or else nested together to create a variety of forms. When fully closed the table measures 30” x 18” x 18” and contains several areas for storage. The table is constructed with baltic birch plywood - many of the table surfaces utilize the material on end to generate a more interesting materiality. The contrast between the surfaces on end and those using the plywood face condition helps create legibility of the five independent elements that comprise the whole.
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SUNDAE FUNDAY THE RISE AND FALL OF A COURAGEOUS CHERRY ALEX BERNETICH
ICE CREAM CATASTROPHE University of Michigan, Architectural Representations (Clark Thenhaus), Fall 2013 w/ Alex Bernetich This project explores representational techniques of documenting a food construct as it changed over time, in this an ice sundae melting THEcase, RISE AND FALLcream OF A COURAGEOUS CHERRY over a fifteen-minute period. An aparatus utilizing measuring sticks in preALEX BERNETICH R O BY N W O LO C H OW cut holes was designed to measure the elevational points in two directions over time. Section cuts were taken every two minutes, and the formal and INGREDIENTS: measured conditions photographed and drawn.
SUNDAE FUNDAY
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WHIPPED CREAM
BANANA
R O BY N W O LO C H OW
INGREDIENTS: WHIPPED CREAM
BANANA
VANILLA ICE CREAM
CHOCOLATE SYRUP
SUNDAE FUNDAY SUNDAE FUNDAY STRAWBERRY CREAM SPRINKLES CHERRY THE RISE AND ICE FALL OF A COURAGEOUS
A L E XCHOCOLATE B E R N EICET CREAM ICH
R O B YCHERRY N W O LO C H OW
THE RISE AND FALL OF A COURAGEOUS CHERRY OREO PIECES INGREDIENTS: ALEX BERNETICH WHIPPED CREAM
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INKSPACE - Alex Bernetich, Drew Delle Bovi, Robyn Wolochow University of Michigan (Clark Thenhaus)
INKSPACE University of Michigan, Architectural Representation (Clark Thenhaus), Fall 2013 w/ Drew Delle Bovi and Alexandra Bernetich Featured on Cloudz Watching design blog on 02/13/2014. cloudzwatching.tumblr.com/post/76533609095/inkspace
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The investigation began with a series of analog drawings on mylar that explored the reactive and interactive properties of ink and water with acetone, string, and other found materials. By way of various editing softwares, the drawings were overlaid and modified in terms of hue, scale, mirroring, and rotation to create new hybridized images and linework that explored and challenged the unique edge conditions, figure/ground relationships, and textural qualities present in the original drawings. Modifications in color, hatching patterns, and line weights suggested spatial hierarchies and configurations that were further investigated in three dimensions with Rhinoceros and Grasshopper. The two-dimensional investigations – each capturing various levels of depth and utilizing a unique representational language – culminated in the design and CNC fabrication of a three-dimensional object, which exemplified and further explored the various scalar and spatial properties present throughout the work.
The investigation began with a series of analog drawings on mylar that explored the reactive and interactive properties of ink and water with acetone, string, and other materials. By way of various editing softwares, the drawings were overlaid and modified in terms of hue, scale, mirroring, and rotation to create new hybridized images and linework that explored and challenged the unique edge conditions, figure/ground relationships, and textural qualities present in the original drawings. Modifications in colour, hatching patterns, and line weights suggested spatial hierarchies and configurations that were further investigated in three dimensions with Rhinoceros and Grasshopper. The two-dimensional investigations - each capturing various levels of depth and utilizing a unique representational language - culminated in the design and CNC fabrication of a three-dimensional object, which exemplified and further explored the various scalar and spatial properties present throughout the work. cloudzwatching.tumblr.com/post/76533609095/inkspace
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WE’VE ALL PINNED THERE
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University of Michigan, Design Studio (Perry Kulper), Winter 2013 w/ 10 studio members Eleven students. $100 budget. The prompt: design and carry out a situation. After weeks of collectively discussing what this prompt meant, and what sort of event we could sponsor for $100, it was decided to spend our entire budget on one thing: push pins. 15,000 to be exact. The goal - to create a strip of push-pins (an item necessary for any studio review) across the entirety of the CMYK review space of Taubman College - and then to see what happened.
Process, and resulting decomposition. We created a template to ensure the pins would be pinned consistently - exactly two inches apart. An entire day of collective pinning resulted in a 16-inch strip of pins that stretched across the entire southern side of the review space, which were then painted red. As reviews began the next day, a mass de-pinning effort had to be completed, while others chose to work within the stripe of pins. Two years later, the red pins are still in use - and consistently appear at reviews or randomly around school. 85
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FREDDY GOES TO THE AIRPORT University of Michigan, Design Studio (Perry Kulper), Winter 2013 The third in a series of one-week model-making exercises of planned events at assigned sites, this unconventional model uses only found materials to depict an event at the University of Michigan Museum of Art (UMMA) . The event is idealized as an annual display of the large collection of art stored in the basement storage of the museum, normally hidden from view of the public. Giant reels, modeled with old VHS tapes, rotate the art from the basement levels to the public viewing areas.
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A FORMAL STUDY OF TIDE™ Washington University in St. Louis, Digital Representation, Spring 2011 Using a Tide™ bottle as the object of study, a series of 2D drawings were created, which aided in the 3D digital modeling of the object. The final results included both a final rendering and laser-cut model, constructed without glue.
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ROBYN DAWN WOLOCHOW 415 Lawrence Street, Apt. 1, Ann Arbor, MI 48104 USA
robyn.wolochow@gmail.com
(503) 789-6228
EDUCATION: University of Michigan, Taubman College of Architecture and Urban Planning (TCAUP) Master of Architecture Candidate, May 2015
Ann Arbor, MI
Washington University in St. Louis, Sam Fox School of Design St. Louis, MO Bachelor of Arts in Architecture, Magna Cum Laude, May 2012, Secondary Major: Environmental Studies Danish Institute for Study Abroad (DIS), Copenhagen, Denmark, Semester Study Abroad Program, Fall 2011 School Year Abroad (SYA), Zaragoza, Spain, 2006-2007
RECOGNITION: University of Michigan, Taubman Endowed Merit Scholarship (2012-2015)
Awarded merit scholarship from the College of Architecture and Urban Planning in the amount of $20,000 annually.
University of Michigan: 2013 SPREE Student Show Winner: Best of Class (M端eller House Redone, Fall 2012)
WORK EXPERIENCE: Quadrangle Architects, Intern Architect, Toronto, ON, May-August 2014
AutoCad and Revit drawings for construction and review of multi-family living and mixed-use developments. 3D digital modeling with Revit, SketchUp, and Rhino of existing and proposed conditions. Presentation preparation for client and city meetings.
San Francisco Bureau of Architecture, Intern Architect, Design and Construction, June - August 2013 Drafted construction drawings for civic projects in the San Francisco area. Generated schematic drawings and presentation slideshows for community marketing. Worked towards LEED Gold certification on a 65,000 sqft. project. Created digital drawings from site visits and measurements.
Burns + Beyerl Architects, Intern Architect, Chicago, IL, May - August 2011 & 2012
Created 3D digital models and 2D graphics for clients. Drafted drawings for construction, pricing, bid, and review. Generated marketing drawings and graphics for website and printed brochures. 90
WORK EXPERIENCE (cont.): John Ronan Architects, Spring Externship Student Intern, Chicago, IL, March, 2014 Boora Architects, Spring Externship Student Intern, Portland OR, March, 2013 University of Michigan (TCAUP), Research Assistant to Milton Curry, Associate Dean, August 2012 - Present
Research and administrative tasks for TCAUP administration, initiatives, and graduate courses. Editorial Assistant for distribution and publication of Critical Productive journal of architecture and urban design. Grant-writing, research, and admin assistance for Michigan Architecture Prep high school initiative in Detroit, MI.
SKILLS: Digital Design:
Autodesk 2014 (AutoCAD, Revit), Adobe CS6 (PhotoShop, InDesign, Illustrator, Dreamweaver, AfterEffects, Premiere), Google SketchUp, VectorWorks, Rhino, Grasshopper, Vray, Maya, TopMod Geometric Modeling, ArcMap / ArcGIS Visual & Audio: Plotting, printing, presentation / portfolio design, sound mixing, video editing, book publication.
Physical Design:
Architectural hand drawing (ink, graphite, charcoal), scale model construction, woodworking, concrete casting.
Digital Fabrication:
High-precision Z端nd Knife Cutter, Kuka Robotics (fabrication and programming), Laser cutting, CNC milling, 3D Printing
Languages: Fluent in Spanish, intermediate German, beginning Danish.
REFERENCES: Will Kwan, Project Architect, San Francisco DPW, Bureau of Architecture, Design & Construction 30 Van Ness, 4th floor, San Francisco, CA 94102 - 415.557.4700
Cathy Osika, Principal, Burns + Beyerl Architects 1010 S. Wabash, Chicago, IL 60605 - osika@bbaworld.com - 312.663.0222 Lars Graebner (Studio Professor, Fall 2014) Assistant Professor of Practice in Architecture, TCAUP 2000 Bonisteel Blvd. Ann Arbor, MI 48109 - graebner@umich.edu - 734.764.1300
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