Ilyin R. EP_0001. Lie. Sheet notebook

Page 1

ะžะ“ะ›ะะ’ะ›ะ•ะะ˜ะ• ะšะพะฝัั‚ะธั‚ัƒั†ะธั ะ ะค. ะกั‚ะฐั‚ัŒั 45.....................................5 ะšะพะฝัั‚ะธั‚ัƒั†ะธั ะ ะค. ะกั‚ะฐั‚ัŒั 25.....................................9 ะฃะณะพะปะพะฒะฝั‹ะน ะบะพะดะตะบั ะ ะค. ะกั‚ะฐั‚ัŒั 35..........................15

3

https://www.jamendo.com/album/182698/ep001-lie-2019 https://soundcloud.com/ilyin_music https://www.deezer.com/en/album/87037422 https://www.facebook.com/Ilyin.music

ะšะพะฝัั‚ะธั‚ัƒั†ะธั ะ ะค, ัั‚. 45 ๎ฒฅ = 40

Piano

ะกะบั€ะธะฟะบะฐ 3

Pno.

ะกะบั€.

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ๎„ญ

๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎†”

๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎†‘ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„Š ๎„ญ๎„ญ๎„‰

๎„ญ ๎„“๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ

๎’ ๎„ญ๎’ข ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„Š ๎„Š ๎„ญ ๎„ญ ๎„“ ๎„” ๎„ญ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎’ฃ ๎’ฃ ๎†— ๎„ญ ๎„ญ๎„ญ ๎„‰ ๎„”๎„ญ ๎„ญ ๎„“๎„ญ ๎„ญ ๎„ญ ๎„“๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎’ก๎„ญ ๎„ญ ๎„”๎„ญ ๎„ญ ๎„ญ๎„ญ๎„‰ ๎„‹๎„Š ๎„ญ ๎„ญ ๎„“ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ

๎„‰

๎„ญ๎„ญ ๎„ญ

๎†‘ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†‘ ๎†‘ ๎„”๎„” ๎„” ๎„” ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„Š ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎†— ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†— ๎„ญ ๎„” ๎„ญ ๎†ž ๎„” ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

7

๎„” ๎†ž ๎„” ๎„”๎„”

ะกะบั€.

ะกะบั€.

๎„”๎„” ๎„ญ ๎†ž๎„” ๎„” ๎„ญ ๎„ญ ๎’ก ๎†œ ๎„”๎„” ๎„” ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„”๎„”๎„” ๎„ญ ๎„ญ ๎„” ๎†ž

5

Pno.

Pno.

๎„ญ๎„ญ ๎„” ๎„”4 ๎„‰ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„” ๎„ญ ๎„ญ ๎†ž 4 ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†œ ๎„”๎„” ๎„” 4 ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” 4 ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„”4 ๎„Š ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎†ž ๎„” 4 ๎†”

ะ˜ะปัŒะธะฝ ะ .

๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„‰

๎†œ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‰ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž ๎„” ๎„”๎„” ๎„ญ

๎„ญ ๎„ญ ๎„‰

๎„ญ๎„ญ ๎„ญ ๎„‡

๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

5

9

Pno.

ะกะบั€.

๎„ญ ๎„ญ ๎„ญ ๎„”๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎†œ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‰ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ

ะกะบั€.

๎„ญ ๎„ญ

๎„‰ ๎„ญ

๎„ญ๎„ญ

๎„ญ

๎„‰

๎„ญ๎„ญ ๎„ง๎„ง

๎†‘ ๎„ญ๎„ญ ๎„ง ๎„ง

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„ญ ๎†ž ๎„ญ ๎„ญ๎„ง 2ั€

๎„” ๎„ญ ๎†ž ๎„” ๎„”๎„” ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎† ๎„ญ ๎†œ๎„”๎„” ๎„Š ๎„Š ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„”๎„”๎„” ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„ญ ๎„ญ

10

Pno.

๎„ญ

๎„ญ

๎„ญ ๎„ญ๎„ญ

๎„ญ

๎„ญ

๎„Š

ะกะบั€.

ะกะบั€.

2

๎„‹

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„” ๎„” ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†‘ ๎„ญ ๎†œ๎„”๎„” ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‰ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„”๎„”๎„” ๎„ญ ๎„” ๎†ž ๎„ญ

12

Pno.

๎„‹

๎„ญ ๎„ญ ๎„ญ ๎„ญ

11

Pno.

๎„‹

๎†œ๎„”๎„” ๎„ญ ๎„”๎„” ๎„ญ

๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ๎„ญ

๎„” ๎†ž ๎„” ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ 6

๎„” ๎†ž ๎„” ๎„”๎„” ๎„Š

13

Pno.

ะกะบั€.

1ั€

๎†œ๎„”๎„” ๎„ญ ๎„”๎„”

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†’๎„‹ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‰ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„” ๎„ญ ๎†ž ๎„” ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„” ๎„” ๎„” ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„” ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎†’ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†˜ ๎†˜ ๎„” ๎„ญ ๎†ž ๎„” ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†— ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

14

Pno.

ะกะบั€.

๎„” ๎†ž ๎„” ๎„”๎„” ๎„‰

16

Pno.

ะกะบั€.

1/2

๎†‘ ๎†œ ๎„” ๎„” ๎„” ๎„ญ๎„ญ ๎„‰ ๎„” ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ๎„ญ ๎†—

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ

ะกะบั€.

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„ง๎„ง

๎„ญ๎„ง ๎„ญ๎„ญ๎„ญ๎„ง

๎„”๎„” ๎„ญ ๎†ž ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„”๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ

๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ง๎„ง ๎„ญ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„‰ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎†— ๎„”๎„” ๎„ญ ๎†ž๎„” ๎„” ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„Š ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„‹ 7

๎„ญ๎„ญ

๎„Š ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†๎„‰ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„”๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ 17

Pno.

๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ

3

Pno.

ะกะบั€.

2/1

๎„” ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„” ๎„”๎„”

19

๎†œ ๎„”๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„”

๎„” ๎†ž ๎„” ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„” ๎†ž ๎„” ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†œ ๎„” ๎„” ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„”๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

20

Pno.

ะกะบั€.

๎„” ๎†ž ๎„” ๎„”๎„”

22

Pno.

ะกะบั€.

4

๎† ๎†œ ๎„”๎„” ๎„” ๎„ญ ๎„ง ๎„” ๎„ญ๎„ญ ๎„ง๎„ง ๎„” ๎†ž ๎„” ๎„”๎„”

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†‘ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎†’ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„Š ๎„‹ ๎„‹ ๎„ญ๎„ญ ๎†— ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ

๎„€ ๎„Š ๎„‡

๎„ ๎„€

8

๎„ญ๎„ง ๎„ญ๎„ง ๎†”

๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ๎„ญ

๎„Š

๎„ญ ๎„‰ ๎„ญ๎„ญ ๎„‰ ๎„ญ๎„ญ ๎„‰ ๎„ญ๎„ญ ๎†— ๎†” ๎†”

๎„Š

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ

25 ะšะพะฝัั‚ะธั‚ัƒั†ะธั ะ ะค. ะกั‚. 24 ๎ฒฅ = 35

Piano

4 ๎†ž๎„”4 ๎„ญ

๎†œ ๎„” 44 ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„‹๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ

๎„ญ๎„‹๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

ะ˜ะปัŒะธะฝ ะ .

๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ

๎†’ ๎„ญ๎„‹๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ

๎„ญ ๎„‹ ๎„ญ๎„ญ ๎†˜

๎„ญ๎„ญ

๎†’ ๎†’ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ๎„ญ ๎„‹๎„ญ๎„‹๎„ญ๎„‹๎„ญ๎„ญ ๎„ญ ๎„‹๎„ญ๎„‹๎„ญ๎„ญ๎„ญ ะกะบั€ะธะฟะบะฐ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎†˜ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ Pno. ๎„ญ ๎†œ ๎„” ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†’ ๎†’ ๎†’ ๎†’ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„‹ ๎„‹ ๎„‹ ๎„‹ ๎„‹ ๎„‹ ๎„‹ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ะกะบั€. ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†˜ ๎†˜ ๎†˜ ๎†˜ 4 ๎†ž๎„”4 ๎„ญ

2

3

Pno.

ะกะบั€. 4

Pno.

ะกะบั€.

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎†œ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†’ ๎„ญ ๎„ญ ๎†’ ๎†’ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„‹ ๎„‹ ๎„‹ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ 9

t2 5

Pno.

ะกะบั€.

7

Pno.

ะกะบั€.

๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„ญ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

Pno.

ะกะบั€.

๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„” ๎„Š ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎†ž ๎†— ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎† ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‰ ๎„ญ 12ั‚2

9

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎†ž๎„” ๎†œ

๎„”

๎†ž๎„”

๎† ๎†‘ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„‰ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†— ๎„ญ ๎„ญ๎„‹๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎† ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„‰ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

11

Pno.

ะกะบั€.

2

10

๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ง ๎„ญ ๎„ญ ๎†œ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ง ๎„” ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

12

Pno.

ะกะบั€.

1ั€ั‚2

13

Pno.

ะกะบั€.

๎†ž๎„”

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„ญ ๎„‹ ๎„ญ

๎†œ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„Š ๎„” ๎„ญ ๎†ž๎„”

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†’ ๎†’ ๎„ญ ๎„‹ ๎„ญ ๎„‹ ๎„ญ ๎„‹ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„ญ ๎„‹ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

14

Pno.

ะกะบั€.

๎†ž๎„”

๎„ญ ๎„ญ

๎†ž๎„” ๎„ญ ๎„ญ

๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

15

Pno.

ะกะบั€.

๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ 3

11

16

Pno.

ะกะบั€.

๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง ๎„” ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎†ž๎„”

2ั€ั‚2 17

Pno.

๎†œ ๎„ญ ๎„” ๎„ญ ๎†ž๎„” ๎„ญ

ะกะบั€.

18

Pno.

4

๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง

๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„Š

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„ง๎„ง

๎„ญ๎„ญ ๎„ง๎„ง

๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„Š ๎„ญ ๎„ญ ๎†ž ๎„ญ ๎„ญ 19

ะกะบั€.

๎†ž ๎„” ๎„ญ๎„ญ ๎†œ

ะกะบั€.

Pno.

๎†ž๎„” ๎„ญ

๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ญ

๎„”

๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž ๎„ญ ๎„ญ ๎„ญ

๎†œ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž ๎„ญ ๎„ญ ๎„ญ

๎† ๎„ญ ๎„‹ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„‹ ๎„ญ ๎†”

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ

12

๎„‹ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎†’ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„” ๎„ญ๎„ญ ๎„Š ๎„ญ ๎† ๎† ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„‹ ๎„‹ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎†˜ ๎†” ๎†’๎„Š ๎„ญ ๎„ญ ๎„” ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

20

Pno.

ะกะบั€.

12ั€ั‚2

21

Pno.

ะกะบั€.

๎†ž๎„”

๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„‹ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„‹

๎†œ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎†œ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

22

Pno.

ะกะบั€.

๎†ž๎„” ๎„ญ ๎„ญ

๎†ž๎„” ๎„ญ

๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

23

Pno.

ะกะบั€.

๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†œ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ 13

5

24

Pno.

ะกะบั€.

6

๎†ž๎„”

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ ๎†œ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

14

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ

ะฃะณะพะปะพะฒะฝั‹ะน ะบะพะดะตะบั ะ ะค. ะกั‚ะฐั‚ัŒั 35 ๎ฒฅ = 35

๎„” 4 ๎†‘ ๎†ž๎„” ๎„”4 ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎†œ ๎„” ๎„” 44 ๎„” ๎„ญ ๎„ญ ๎„” 4 ๎†ž๎„” ๎„”4 ๎„ญ ๎„ญ ๎„ญ 3

Piano

ะกะบั€ะธะฟะบะฐ

32

2

Pno.

๎†ž

ะกะบั€. 3

Pno.

ะกะบั€.

๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ๎„ญ ๎„”

๎„” ๎†ž๎„” ๎„” 4

Pno.

๎„” ๎„ญ ๎„ญ ๎„”๎„”๎„” ๎„ญ

๎†œ ๎„”๎„”

ะกะบั€.

๎†’ ๎†‘ ๎†’ ๎†‘ ๎†’๎„ญ ๎„ญ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„Š ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†— ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„” ๎„ญ 3 ๎†ž ๎„” ๎„” ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„”๎„”

๎†œ ๎„”๎„” ๎†ž

๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„Š

๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„‰

๎„‡

๎„” ๎„ญ๎„ญ ๎„”๎„”๎„” ๎„ญ

๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ ๎„Š ๎„ญ

๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ

15

๎„ญ๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ๎„ง ๎„ง ๎„ญ ๎„ญ๎„ง ๎„ญ

๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ๎„ญ๎„ญ

ะ˜ะปัŒะธะฝ ะ .

๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„ญ

๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„Š ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ง

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ ๎„‰

๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„‡

๎„ญ๎„ญ๎„ญ

5

Pno.

๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„” ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ ๎†œ ๎„” ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„”๎„” ๎„ญ ๎„” ๎†ž๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

ะกะบั€.

6

Pno.

๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ

๎„ญ๎„ญ

๎„” ๎„ญ ๎†ž๎„” ๎„”

๎„ญ ๎„ญ ๎„ญ

2 7

Pno.

ะกะบั€.

8

ะกะบั€.

๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎†œ ๎„” ๎„ญ๎„ญ๎„ญ ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

ะกะบั€.

Pno.

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ ๎†œ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎†‘ ๎„”๎„” ๎„” ๎†’ ๎†ž ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎„Š ๎’ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž๎„” ๎„”

๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎†’ ๎†‘ ๎„‹๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„‹ ๎„Š ๎„‹ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†ž ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎’ก ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

2

16

9

Pno.

ะกะบั€.

๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎†’ ๎†‘ ๎„‹๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„Š ๎„‹ ๎„” ๎„ญ ๎„ญ๎„ญ ๎†ž ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎’ก ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ

10

Pno.

ะกะบั€.

๎†œ๎„” ๎„ญ ๎„”๎„” ๎„ญ

ะกะบั€.

๎„ญ๎„ญ ๎„‹ ๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ ๎„” ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

ะกะบั€.

๎„ญ๎„ญ ๎„‹ ๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ

๎† ๎„‹ ๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„‹

๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„‹

๎„” ๎„ญ ๎„‹ ๎„‹ ๎„ญ ๎„ญ ๎†ž๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†’ ๎„”๎„” ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†ž ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†‘ ๎†œ ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎†’๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„”๎„” ๎„ญ๎„ญ ๎„Š ๎„ญ ๎„” ๎„‹ ๎„‹ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎†—

12

Pno.

๎„ญ๎„ญ ๎„‹ ๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ ๎„ญ

๎„” ๎„ญ ๎„ญ ๎†ž๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ 11

Pno.

๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ

๎† ๎„ญ ๎„‹ ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ๎„ญ๎„ญ๎„ญ๎„ญ 3

17

13

Pno.

ะกะบั€.

14

Pno.

Pno.

๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ ๎†œ ๎„” ๎„ญ๎„ญ ๎„”๎„” ๎„” ๎†ž๎„” ๎„” ๎„ญ

ะกะบั€.

16

4

๎„” ๎„ญ ๎†ž๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎†ž๎„” ๎„” ๎„ญ

15

ะกะบั€.

๎„” ๎†ž ๎„” ๎„” ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„” ๎„” ๎„ญ๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎†œ๎„” ๎„‹ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ

ะกะบั€.

Pno.

3

๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ

๎„‹

๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ

๎„ญ ๎„ญ๎„ญ

๎„ญ

๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ง

๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ๎„ญ

๎†’ ๎†‘ ๎„‹ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ

๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†˜

๎„ญ

๎„ญ

๎„ญ ๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„ญ

๎„Š

๎„ญ

๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง

๎„ญ ๎„ญ ๎„ญ ๎„ญ

๎„ญ๎„ญ

๎„ญ

๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ญ๎„ง ๎„ญ๎„ง

๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†ž ๎„” ๎„” ๎„ญ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎†œ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„€ ๎†ž๎„” ๎„” 18

17

Pno.

๎†œ ๎„”๎„” ๎„‹ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ

18

Pno.

ะกะบั€.

20

ะกะบั€.

๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„” ๎†ž๎„” ๎„”

ะกะบั€.

Pno.

๎„” ๎†ž ๎„” ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ ๎„ญ ๎„ญ

๎„ญ ๎„ญ ๎„€

๎„ญ

๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ

๎„ญ ๎„ญ

๎†’ ๎†‘ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„‹ ๎„ญ

๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ง ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง๎„ง ๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ๎„ญ ๎„ง๎„ง๎„ง ๎„ญ ๎„ง ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง๎„ง ๎„ญ๎„ญ ๎„ง๎„ง ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎†ž ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ง ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ง ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ง ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ง๎„ง ๎„ญ ๎„ง ๎„ญ๎„ญ ๎„ง๎„ง๎„ง ๎†œ ๎„” ๎„” ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„‹ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ง ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ง ๎„ญ ๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎†˜ ๎„ญ๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ๎„ง ๎„ญ ๎„ญ๎„ญ ๎„ง ๎„”๎„” ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„€ ๎„ญ ๎„ญ ๎„ญ ๎„” ๎„ญ ๎„ญ ๎†ž ๎„ญ๎„ญ ๎„ญ ๎„ญ ๎„ญ๎„ญ ๎„ญ ๎„” ๎†ž ๎„” ๎„” ๎„ฌ๎„ฌ๎„ฌ๎„ฌ ๎„ ๎†œ ๎„” ๎„” ๎„ฌ๎„ฌ๎„ฌ ๎„ ๎„”

๎„ญ ๎„ญ๎„ญ ๎„ญ๎„ญ

๎„ญ๎„ญ๎„ญ ๎„ง๎„ง๎„ง ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ๎„ญ ๎„ง๎„ง ๎„ญ๎„ญ๎„ญ ๎„ญ๎„ง ๎„ญ ๎„ญ๎„ญ๎„ญ

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„€

๎„” ๎„ญ๎„ ๎„‡ ๎„ง ๎„‰ ๎„‰ ๎„‡ ๎„ ๎„” ๎†ž ๎„” ๎†”

5

19

20

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