Design Project Ready to Wearr (TREND FORECASTING TO RANGE PLANNING)
DESIGN PROJect 1- ready to wear Copyright - Roopal Khare, 2013 www.coroflot.com/roopalkhare
Design Project I Ready to Wear
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INTRODUCTION
generally continued to be custom-made well
sizing system which the industry could follow.
into the 1920s. In that decade, factors such
In the mid-1940s, the Mail-Order Association
as the development of industrial production
of America, a trade group representing catalog
techniques, the rise of the advertising industry,
businesses such as Sears Roebuck and Spiegel,
eady-to-wear or prêt-à-porter is the
the growth of an urban professional class, and
asked the Commodity Standards Division of
term for factory-made clothing, sold in
the development of national markets accessed
the National Bureau of Standards (NBS, now
finished condition, in standardized sizes,
R
through chain stores and mail order catalogs,
NIST )to conduct research to provide a reliable
as discrete from made to measure or bespoke
contributed to the success of the women’s
basis for industry sizing standards. NBS agreed,
clothing tailored to a particular person’s frame.
ready-made apparel industry. Ready-made
and punch cards holding the USDA survey
articles of clothing were portrayed as modern
results were transferred to NBS at its request
Before the American Civil War, ready-made
and fashionable during a time when the new
for reanalysis. (While the women’s apparel
(also called ready-to-wear) apparel existed but
consumer industries were rapidly redefining
sizing standard is the focus of this exhibit, NBS
its variety was limited. Mainly coats and jackets
the way Americans viewed mass-manufactured
also reanalyzed USDA data for teenage girls
(known as outerwear) and undergarments were
goods. Instead of seeing the purchase of
and children, resulting in other standards.) The
purchased using predetermined sizes. Most
mass-produced clothing as entailing a loss
USDA data was augmented by data received
clothing was made by tailors or by individuals or
of individuality, American women began to
from the Research and Development Branch of
their family members at home.
accept the pieces of ready-made merchandise
the Army Quartermasters Corps during World
as affordable, and up-to-date fashion items that
War II when measurements were taken of 6,510
could be replaced easily as styles changed.
WAC personnel.
At the outset of the Civil War, most uniforms
However, the new ready-made clothing often
Today, Ready-to-wear has rather different
were custom-made in workers’ homes under
fit poorly. Each manufacturer created its own
connotations in the spheres of fashion and
government contract. As the war continued,
unique and sometimes arbitrary sizing system
classic clothing. In the fashion industry,
however, manufacturers started to build
based on inaccurate body data or no body data
designers produce ready-to-wear clothing
factories that could quickly and efficiently
at all. Garments of widely different dimensions
intended to be worn without significant
meet the growing demands of the military.
were frequently labeled the same size by
alteration, because clothing made to standard
Mass production of uniforms necessitated the
different manufacturers. This situation resulted
sizes fits most people. They use standard
development of standard sizes. Measurements
in additional costs for alterations and large
patterns, factory equipment, and faster
taken of the soldiers revealed that certain
volumes of returned merchandise. This, in turn,
construction techniques to keep costs low,
sets of measurements tended to recur with
increased costs for the consumer of ready-to-
compared to a custom-sewn version of the
predictable regularity. After the war, these
wear clothing.
same item. Some fashion houses and fashion
The Civil War was a pivotal event in the historical development of men’s ready-made clothing.
designers produce mass-produced and
military measurements were used to create the first commercial sizing scales for men.
In 1937, the U.S. Department of Agriculture
industrially manufactured ready-to-wear lines,
The mass production of women’s clothing
prepared to conduct a study of women’s body
while others offer garments that, while not
developed more slowly. Women’s outfits
measurements for the purpose of creating a
unique, are produced in limited numbers.
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CONSUMER BOARD 6
CONSUMER TRAITS CONSUMER PROFILE
T
he market survey helped in the study of
Age
22-26
Segment
parents fall in upper middle class
Type
Fashion and style conscious but looks for
trends as well as consumer traits. After the consumer study a consumer profile
was built as well as a comsumer board was made keeping in mind the targeted market segment. This made the attributes of the forthcoming
value, enjoys shopping and hanging out with
range clear as a specific standard was established
friends. Is a trend follower but adds her own
with each market segment. Along with this
signature style into it.
a particular price range was also kept in mid while develpoing a range. Also what season and
Look
Cosmopolitan look (a mix of international/
market and genre of collection was to be made
Indian trends, sophisticated and expensive).
was decided at this step.
Experimental
In addition to the price range a few other details
Education/qualification
Design graduates
Profession
fashion bloggers, artists, still be studying
Favorite designers/brands
Burberry, Dior, Zara
Style icons
Blake Lively, Emma Watson, Deepika
of the collection kept in mind were: Shape
Line
Proportion
Scale
Types of drapes
Textures
Component fitting
Finishes
Details
Construction
Fabrication material
Colors
Padukone
Aspirations
Travel around the world, become an entrepreneur
Favorite food and flavor
Continental
Shops mostly at
Zara, Only, Promod, Aldo, forever 21
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After the study of the consumer profile, factors
CONSUMER DETAILS Need
on which Fashion trends depend were debated and discussed.
Uniqueness, quality (VALUE FOR MONEY),
Topics like social media, social responsibility,
long term appeal
social networking, mother and child care, shopping, family, dinning out, work and work
Style
Experimental, chic, trendy, interesting mix
life, festivals, fitness and wellness, government
and balance
and government policies and recreational activities were taken up individually and
Desire
To travel (tours and weekend getaways),
worked upon. The topic I picked up was social
become an entrepreneur, to have a luxury
responsibility.
class life The elements influencing the above issues Lifestyle
were talked about and then keywords were Student in higher education/fresher in the
built altogether for all the topics. From these
industry/business entrepreneurs
keywords, everyone took up 3 diverse words to
Spends time in college/workplace and the
built up a new theme.
remaining time hanging out with friends/ colleagues. Into clubbing, adventure sports, hiking. Buying preference Looks, comfort and money (sometimes) value matter rather than the brands/labels. Don’t mind street shopping. Shops for latest trends but doesn’t mind buying her own individual style. As they are highly educated, they have a better understanding and awareness towards products. Need-specific and Attitude
strategic planners Energetic but laidback, outgoing, carefree
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final inspiration and COLOUR BOARD
F
ollowing the selection of the three words (INDULGENCE, POWER, and EXPERIMENTAL), a final theme/word was
selected which was the closest combination of the above three words. The word which came out was WILDERNESS. Now an image was picked up in accordance to ‘wilderness’ which marked as the final inspirational image. After the selection of the above image, pantones chips were extracted and a color range was developed. Taking this pantones shades a group of shades were mixed and matched to create a color story for the range. These colors were to be used in the upcoming collection.
FINAL IMAGE WITH THE COLOUR BOARD
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MATERIAL EXPLORATION
A
fter the selection of the final image, many explorations were done using different soft and hard materials.
Everything from natural to artificial were used. Also the feel of the image was kept in mind while choosing materials. The softness, depth and the impact the image were to be recreated uusing different objects now. Colors of the final image were kept in mind while using materials. Colours used were mainly tints and shades of blue along with yellow as an accent colour. After some countless explorations, 3 images were selected from which silhouettes were later on created.
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MATERIAL EXPLORATION
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sHAPE DEVELOPMENT
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fter the selection of the three final material exploration, a series of silhouette explorations were done which
were inspired by the feel, color, texture of the previous material exploration. From these line drawings, a set of 7 to 9 images were picked up for the final range. A lot of changes were done in order to blend the silhouettes with the inspirational image. Also material and colour were also forecasted with the feel of each silhouette. Finally one ensemble was selected from the range and carried forward. (IMAGE shown on page 23 in EXTREME RIGHT)
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THE FINAL RANGE WITH THE SELECTED ENSEMBLE TO BE MADE
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Final PROTOTYPE
W
ith the developement of the final range one garment was made and shot.
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garment specification sheet
S.no Measurement description
inch
1
Centre front length (longer side)
24 ½
SEASON
SPRING SUMMER 2014
2
Centre front length( shorter side)
21 ½
CATEGORY
READY TO WEAR
3
Bust
34
SAMPLE SIZE
UK SIZE 10
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Waist
30
DESCRIPTION
WOMEN’S CASUAL
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Armhole front
9 1/4
6
Armhole back
9 1/4
7
Sleeve width
10 ½
8
Sleeve length
4
9
Hem
63
10
Shoulder length
5
11
Side seam
12
12
Centre back
23 3/4
13
Front Button placement from neck 2 5/8
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Front Neck line depth
-1/2
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Back neckline depth
0
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Front Shoulder gap(left)
1
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Centre Front panel at waist(left)
3¼
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Side seam panel width
4 1/4
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Centre Front panel( right)
3 5/8
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Side seam Back panel
2 1/2
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Centre back panel
2 3/4
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Back placket
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FABRIC SWATCHES
SHIRT JACKET
FRONT
BACK
Fabrics used Ramie -Main body fabric ;Poplin Trims
Biased tape
Seams used
Pearl buttons ; Organdi biased tape
Spi
French seam, Flat and felt (side
Thread
seams), Biased binding 11 Polyester spun A-442
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garment specification sheet
S.noMeasurement description
inch SEASON
SPRING SUMMER 2014
1
Centre front length from waist (skirt) 29
CATEGORY
READY TO WEAR
2
Centre back length from waist
29
SAMPLE SIZE
UK SIZE 10
3
Side seam length
29
DESCRIPTION
WOMEN’S CASUAL 2 IN 1
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Waist
25
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Hem( skirt)
102
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Crotch depth
11 1/2
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Shorts length
12 1/4
8
Hem( shorts)
24 1/4
9
Pleats difference (back)
7/8
10 Facing
1 1/2
11 Side zip
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FABRIC SWATCHES
SKIRT SHORTS
FRONT
BACK
Fabrics used
Georgette- skirt, Jute – shorts
Trims
Cotton Lace at hem, Concealed zipper, Organdi Biased tape
Seams used
French seam, Flat seam and overlock(side seams shorts, Biased binding shorts hem)
Spi
11
Thread
Polyester spun A-442
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AKNOWLEDGEMENTS
This project would be incomplete without the guidance of Mr.Amit Sinha (Faculty, Apparel design and Merchandising) who directed throughout the module. The project was a good learning experience and gave me an opportunity to understand RTW fashion, design aesthetics, trends, forecasting and color sensibility. In all it was a fun experience from mind mapping, field research to garment construction.
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DESIGN PROJect 1- ready to wear Copyright Roopal Khare, 2013 www.coroflot.com/roopalkhare