Architecture Portfolio (Selected Works 2018-21) Anvesha Singh by Anvesha Singh

impressions. anvesha

PORTFOLIO Selected works 2018-21

EDUCATIONAL HISTORY 10th CBSE | 2016 Delhi Public School Gandhinagar

CGPA: 10.0

12th CBSE | 2018 Kendriya Vidyalaya ONGC Chandkheda

Percentage: 85.2%

B.Arch | (2018-Cont.) Malaviya National Institute of Technology Jaipur CGPA (until 6th Sem) : 8.70

LEADERSHIP AND RESPONSIBILITIES

Anvesha Singh

Vice President Creative Arts and Cultural Society(CACS) , (2020-21) MNIT Jaipur Editor-in-Chief The Mavericks, Mass and Media Cell, (2020-21) MNIT Jaipur Joint Secretary Fine Arts Society, CACS (2019-20) MNIT Jaipur

Address : E-85, ONGC Colony Vidyavihar East, Mumbai Mail : anveshasingh.121@gmail.com Contact No. : +91 9024396335 LinkedIn : Anvesha Singh Blog : https://highwaytobeyond.word press.com/ Languages

: English (Fluent), Hindi (Native), Gujarati (Basic)

Batch Representative (2018-19)

B.Arch I Year, MNIT Jaipur

Marketing Executive Marketing Team, CACS (2018-19) MNIT Jaipur School Head Girl KV ONGC Chandkheda (2017-18) Team Captain Girls Football Team- States Level, (2015-16) DPS Gandhinagar 01

WORK EXPERIENCE Workshop Instructor | Apr’21 - Nov’21 Kaarwan Eduventures Ltd Architectural Intern | Jun’21- Jul’21 Big White trunk Student Fellowship Program | May’20 - Apr’21 Kaarwan Eduventures Ltd Summer School - Bhutan | Jun’19-Jul’19 Kaarwan Eduventures Ltd

OTHER EXPERIENCES Earthquake Resistant Design Practices | 7-14th Aug 2021 Workshop by NICEE at IIT Kanpur (online) Lumion Visualization | 20-21st May 2021 Certification course by Kaarwan Eduventure ltd. (online) Women in Design 2020+ | 8th-10th Jan 2020 International Conference by HECAR Foundation (Mumbai) 62nd Zonal NASA Convention | 2019 Convention at Poornima Univesity (Jaipur) Ahmedabad Design Fest | 2019 GLS Univesity (Ahmedabad) 61st Zonal NASA Convention | 2018 Convention at IET Bhaddhal (Chandigarh)

CITATION SHORTLISTED Top 100 Entries

2019 • Birla White Wall care Putty Canvas Painting Competition • NASA | Journalism Trophy SHORTLISTED • NASA | Dance Trophy Top 5 Entries 2018 • VGU Design fest | Wall Painting Competition • TIMES SPARK Scholarship Exam Golden Certificate of Merit

SOFTWARES

SKILLS

• • • • • • • • • • •

• • • • •

Autodesk AutoCAD Autodesk Revit Adobe Photoshop Adobe InDesign Adobe Ilustrator SketchUp VRay Lumion DIA lux EVO RESIST MS Office Suite 02

Design Visualisation & Rendering Photography Research & Journalism Public Speaking

INTERESTS • • • •

Travelling Basketball Bharatnatyam Event Management

Impressions An impression is about impact. To my perception, it is how energy is propagated when the interaction of two or more substantiate entities occur and the latter registers it. The ripples on a water horizon, imprints left in wet concrete, block prints, tire marks on a road less travelled, words carved on stones, coffee stains and the list could never end. It is also in the experiences we have that weave our memories. Thus, calling it equal parts tangible and intangible fits right. This intrinsic character of impression, when associated with architectural space, results in limitless potential. The key lies in the nuances. The promise of utilising, exploring the lengths of this potential and the impact it leaves on the user simultaneously on the nature of the space, draws me in. I find myself intrigued by the epistemology of this vast subject and how this impacts my viewpoint of space, and hope to be able to help others peek into their favoured viewpoints as well. The power it gives to influence and impress is thrilling. I am a fourth-year student who wishes to learn more and gather experience in hands-on designing work in the industry. Following spreads display my work. Through these, I wish to portray my understanding of creating and conditioning built spaces that are universally accessible such that they could help suitcase a memory of the place they visit and carry it far. I sincerely hope to put a good impression.

architectural design.

cultural center

II.

treehouse

III.

landscape architecture

IV.

measured drawing

seismic architecture 02

LA RELANCE

French Renaissance Cultural Center | VI sem STUDIO

Cultural centers are a prime way to bring communities together in their learning to promote culture and art. They are a product of modular spaces that encourage exchange of ideas and celebrate it. LA RELANCE is one such center that mirrors 16th Century constructions of Chateaus in France. A holistic design that offers numerous vantage points to appreciate the circircumbient space. Indoors cover a 200-capacity Auditorium and a cafe overlooking the vast water to make it all seem to poetic. Open Air theatre beside the outdoor exhibition space provides an informal setting for programs. With a scenic site location and a dulating topography, site scaping has been done such to make the entire visit to this project an Event.

CULTURAL CENTER 06

Location : PARIS, FRANCE

ABOUT THE SITE Site Area : 5000 sqm

Soil Type: Limon Soil

ROOF LVL

SECOND FLOOR Cafeteria (cantilevered) Library Digital Repository Conference Hall

IDEA POSTULATION

FIRST FLOOR Reception Souvinier Shop & ATM Seminar Hall Admin Block

Incorporation of 16th century French Renaissance style of Architecture with a rather modern take of Cultural center was done by chiefly merging the traditional elements and providing them a contemporary touch. Main entry from First Floor

Double Skin Facade

GROUND FLOOR Auditorium Indoor Exhibition Area

BASEMENT Auditorium Parking

Glass Dome

SERVICE CORES

FACADE TREATMENT

ELEVATOR SHAFT

To bring the design somewhere between modern and Renaissance, double skin facade has been used. The inner skin supports centralised air conditioning. Outer layer lets in diffused light. It has repeated sized and shaped windows stacked on one another with string course work on the lower portion of the facade. Pediments crown the windows and pilasters/ionic columns.

Dry gypsum board & glass

Stone

DOUBLE SPIRAL STAIRCASE Double Spiral Staircase serves as the focal point in the complex. It was one of the signature features of french Renaissance style. Two sets of concentric spirals run together, such that people can see each other but never meet unless they reach the floor landing

Stepped OAT facing west has been provided adjacent to the East Wall of the building. The pilasters provide an aesthetic backdrop to the stage. It can also act as an outdoor seating area when no program is being held.

+ 19,760 mm

+ 12,150 mm + 8,100 mm + 4,050 mm Ground Lvl Section AA’ - 4,050 mm 12

+ 19,760 mm

+ 12,150 mm + 8,100 mm + 4,050 mm Ground Lvl Section BB’ 13

- 4,050 mm

kalp

TREEHOUSE | VOLUME ZERO

Quite often does a toddler dream of living in a treehouse, some think it as a fantasy project while some find limits dreaming because of their disabilities. Admist the jungle of Himachal, this proposal stations a treehouse on kalp-vriksha, that is on a wish granting tree. It has been designed as the primary residence for a couple who enjoy hosting people and appreciate the astral sky. This project, 8ft above the ground level highlights and presents a wheelchair friendly abode, which fulfills the three in one: recreation, work space and observation deck. Furniture and layouting reciprocate to the needs of the residents while screening them from the hussle of city life. A two storied timber structure with turret-like form and ramp walkways to facilitate barrier free locomotion.

BATHROOM

+ 9906 mm

BEDROOM

+ 7010 mm

RECIEVING PATIO + 2438 mm

Ground Lvl

BARRIER FREE INTERVENTIONS

No level difference between surfaces enable a smooth locomotive movement for wheelchair. The interior layout also is done such that the path to move is unobstructed and wide enough for a wheelchair to move hassle-free.

Wordrode detail

Mechanically-operated bed that moves up and creates more space when bed is not in use, thereby utilizing vertical space in a volume

Wardrobe with pull-out tubes and drawers for easier accessiblility. This intervention further provides extra storage space. 21

Hinged flap in living room display cabinet at wheelchair level, to serve as additional platform to work/dine.

MOHAMMAD SHAHEER LANDSCAPE TROPHY 2020-21

Team Member: Aarushi Jangid, Radhika Jhamaria Through all ages of civilization, humans have tried to leave behind little pieces of themselves. Art, Science, and Nature act as mediators in reiterating these stories of the past, by thriving through centuries. Every creation to solve a crisis tangibly involves human experiences and can be interpreted with an emotive dimension. Over the stretch of time, Adalaj in vav witnessed redundant participation due to the shift in water repository technology that led to a functional shutdown of this wonder. Our proposal repurposes the surrounding landscape so as to resurrect this land again as the stage of occurrences for contemporary times.

Location:: Adalaj, Gujarat, India Location

ABOUT THE SITE Site Area : 8,500 sqm.

Precipitation : 769mm (avg.)

Temperature : 41 °C - 15 °C Altitude: 66m ASL

FAST PATHWAY The pathway surrounds the site boundary and can be used as a jogging track. Stepped seating area follows the path with benches provided at intervals.

SLOW PATHWAY The pathway goes through the whole site, connecting various spaces. Users, can enjoyu a peaceful stroll.

To watch the video for the entry, scan the QR Code

CIRCULATION

HERITAGE PATHWAY This pathway is an design intervention for tourists and differently abled travellers who wish to know more about the place by scanning the QR Code and reading about it.

STEPPED GARDENS Garden spaces on various levels distributed across the site makes it an interesting landform. Children can utilize this spaces with playful activities.

Arrangements like pavilions crafted by local craftsmen, RainWell inspired from stepwell built in a wheelchair friendly manner.

Water drip installations in RainWell and QR Code facilities on Heritage Path enhance user experience while supporting locals via Technology.

Preserving on-site plantations and adding value to them by creating activity spots around. Artificial steps and elevated garden patches abstract nature out on the ground.

Revisitong the Present 30

TOILET BLOCK

RAINWELL IN

NSTALLATION

PAVILION

SEISMIC ARCHITECTURE Hostel Complex for Govt Postgraduate College 7-day online workshop | NICEE at IIT Kanpur Team member: Aadya Garg Project brief required a design proposal to acomodate a total of 200 students to be in one hostel block with 40 triple seater rooms and 80 single seater rooms in Seismic Zone V. Vernacular and Earthquake resistant construction practices were resolved along with computational designing on RESIST software.

CONCEPTUAL INCLUSIONS

ALMORA, UTTRAKHAND, INDIA

FAR : 2.5

Site Area : 26,040 sqm

Altitude: 369m ASL

Seismic gaps at intervals to provide sufficient movement flexiblity in case of shaking

Separated staircase blocks on either side of the building to kinder faster evacuation in need

Strong column - weak beam layouting to absorb shocks and keep the structure from collapsing

STRUCTURAL SYSTEMS USED

ABOUT THE SITE Ground Coverage : 25%

Symmetrical Plan with Central courtyard for ventilation and light in rooms & assembly space

Moment Resisting Steel Columns

RC Sheer Walls

SEISMIC GAP DETAIL

UNIT ROOM LAYOUTS Arrangement kept so as have an unobstructed path in case of evacuation

pwd toilet

16.7 sqm.

12 sqm.

Single seater room layout

25.2 sqm.

TYPICAL FLOOR PLAN

Triple seater room layout 36

Computational structural model

Structural Model Plan

Data Entry panel

Information panel

General information entry about building mass

Seismic data input

Calculation along X Axis Calculation along Y Axis 37

RESIST report decribing the lateral load analysis on the basis of entries made. This estimates building framework along both the axes to present it’s capacity and behaviour under circumstantial seismic shaking as per specified Earthquake zone.

Workshop under : Andrew Charleson (Associate Professor at the School of Architecture, Victoria University of Wellington)

RESIST WORK PROGRAMME 38

Location: JAIPUR, RAJASTHAN

Jaipur

Address: Jalebi Chowk, City Palace Complex, Gangori Bazaar, J.D.A. Market, Pink City, Jaipur, Rajasthan 302002

2340

1796

1583 807

414

641

2103

1194 2762

1280

197

788

3876

254 1506

2604

1844

4384

GARBHAGRIHA

5114

21862

VERANDAH

3960

1137

500

GARBHAGRIHA

500 3960

21595

2260 1633

(OPEN TO SKY)

COURTYARD BELOW

1301 211

1844

2604

3940

3058

2453

1064

19745

1188 510 692 143 134

2100

2762

509

2830

2670

1033 294

197

140 2798

2100

177 1633

INSIDE COURTYARD

1954

ENTRANCE TO THE TEMPLE FROM COURTYARD OUTSIDE

1857

690

(OPEN TO SKY)

2388

160

1034

1309

1823

4544

2670

19820

(OPEN TO SKY)

2600

1520

2695

2825

3373

2640

2663

2863

2883

2600

7100

4960

3383

438

2558

1081 868 720 651 806 656 873 625 816 666 915

896

547768

547 721 537 868

1368

1245 744 640 783 660 733 590 788

29340

GROUND FLOOR PLAN

SCALE 1:250

MEZZANINE FLOOR PLAN (BRIJ NIDHI MANDIR)

2688

2803

2266

3082

2721

2711

2642

3018

29006

1320

160

2670

858

591 1280 630

3058

1384

75 492

872

880 5110 1360

2670

SHIV MANDIR

3373

2640

2663

1220

200

GUARD HOUSE

806

152

1220

857

666 158

1220

5843

4960 690

1084

1220

420

1220

2825 2863

2600

2721

2748

7100 2883

2600 2711

2803

3094

4208

4032

5206

8300

1620

3024

2664

NOT ACCESSIBLE

217

1141 9590

1450

1400

1142

4352 5737

876

4237

3466

1664

1063

749

12533

1262

6539

4712

1867

5279

833 640 409

10755 935

807

1595

935

4200

26020

COURTYARD BELOW

3796

935 10078

935

1700

6787

609

1802

1450

935

1280

2408

NOT ACCESSIBLE

2954

490 1772

3239

25038 363 1280

TERRACE PLAN (BRIJ NIDHI MANDIR)

9455

6362

east west facade

3611

1976

0.00

ELEVATION TO GARBHAGRIHA 9455

6362

east west facade

3611

1976

0.00

SECTION TOWARDS GARBHAGRIHA FROM MID COURTYARD 43 0

500

1000

1500

2000

2500

5000

COURTYARD ENTRANCE ELEVATION

DOOR WINDOW DETAIL 44

architectural journalism. COMPETITIONS

EXPERIENCE

Journalism Trophy NASA | SHORTLISTED

KAARWAN EDUVENTURES Workshop Instructor : Facade Design for Students and Architects

Architectural Essay Writing Competition Council of Architecture

OTHERS

Architectural Essay Writing Competition IDHA Labs | SHORTLISTED

BLOG Highway To Beyond

Writing Architectural Trophy NASA | CITATION

INSTAGRAM @highway.to.beyond

FACADE DESIGN WORKSHOP Workshop Instructor at Kaarwan Eduventure Ltd.

FEEDBACKS ON FACEBOOK

Number of workshops taken: 6 batches Duration of workshop: 3 to 4 hours Mode of workshop : online

Ideation framework Approach Functionality

Aesthetics Lighting Add-ons

01 46

WRITING ARCHITECTURE TROPHY 2020-21 | CITATION ENTRY

Team Member: Pragya Meena, Radhika Jhamaria

PANAH: REFUGE FOR ALL

An argument in favour of architecture as a tool for equity

The act of developing a habitat is equal parts Social and equal parts Bricks. The socio-economic dimension adds layers of conventional exercises that have caused distinctions among Humankind. The implication is that to use a space and simplify human complexity, we need to empathize with it. In the Indian scenario, the current infrastructural development practices are inegalitarian because they promote a purified idea of the State that negatively accentuates our nation’s social plurality by providing comfort and luxuries to some in place of danger and discomfort to others. Whereas design solu-

tions should move beyond and be part of an inherent and continuous process to perceive the demands of different individuals in a single picture and bring about a positive change. A construct where inclusivity and belongingness hold value. We should see design as the first step to provide a collaborative environment that can liberate us of these discriminations that dwell in our mindset and pave the way for societal reforms. Only when inclusivity in infrastructure facilities is popularised can we hope for stratification to be removed and diversity to be celebrated.

IDHA Labs Architectural Essay Writing Competition 2020-21 | SHORTLISTED ENTRY

Team Member: Radhika Jhamaria

BUILDING FOR RESILIENCE: RECONCILING CONTRADICTIONS Conversing with the Gujarati built fabric to resurrect a vibrant future

A community is said to flourish on three things: kindred people, their varied epochal roots, and the linking between the former two. Since times immemorial, factions of people who consider themselves similar to each other have stayed together. They cultured indigenous building techniques and harboured local construction practices. Such vernacular buildings are pragmatic solutions that have resulted from thorough experimentation and brainstorming by our ancestors. Modernization solved several problems by fabricating retrofits in factories. Work-yards tagged and sold innovations, claiming they were fit for all regions. This negligence, or rather, no further attempt to use the co-existing built-mass alternatives with new trends shattered Bhuj and its near-about when earth rambled in 2001. Our essay comments on the spirits of people, local architects, and environmentalists who came together to juggle again in the repository of their vernacular knowledge and build a new beginning.

03 50

architectural photography. Scan here to reach my Photography Portfolio or click here

COMPETITIONS • PHOTOGRAPHER - SPECIAL MENTION DMUN organised by DCIS Ahmedabad • Second Position | General Category Moments’19 organised by Film & Photography Club, MNITJ • Second Runner-Up | Urban Wildlife Photography Competition School of Architecture& Planning, Sharda University

leaving the impression here...

ANVESHA SINGH

Contact : +91 8128005138 +91 9024396335 Mail: anveshasingh.121@gmail.com