Art, Design and Visual Culture 2008 (UK)

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Routledge

New Titles and Key Backlist

Art, Design and Visual Culture

2008

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www.routledgeart.com Welcome to the Routledge

Art, Design and Visual Culture Catalogue

CONTENTS Art History . . . . . . . . . . . . . . . . . . . . .1 Visual Culture . . . . . . . . . . . . . . . . . .9 Photography . . . . . . . . . . . . . . . . . .13 Visual Theory and Aesthetics . . . . . .14

New Titles & Key Backlist 2008

Gender and Art

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Design . . . . . . . . . . . . . . . . . . . . . . .21 Fashion . . . . . . . . . . . . . . . . . . . . . .23 Arts Management Page 20

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Index . . . . . . . . . . . . . . . . . . . . . . . .26 Journals . . . . . . . . . . . . . . . . . . . . . .28 Order Form . . . . . . . .Inside Back Page

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COMPLETE CATALOGUE This catalogue only includes a selection of our titles in Art, Design and Visual Culture. Our online catalogue gives you the power to search for any book currently in print by title, ISBN or full text.

All the entries have a description of the book’s content. www.routledgeart.com

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MARKETING ENQUIRIES For all territories excluding the Americas Tom Church Marketing Executive Email: tom.church@tandf.co.uk Sarah Hartley Marketing Coordinator Email: sarah.hartley@tandf.co.uk

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Ordering online is fast and efficent, simply follow the on-screen instructions and your order will be sent to our distributors for immediate dispatch.

EDITORIAL ENQUIRIES

E-UPDATES

Natalie Foster Senior Editor Email: natalie.foster@tandf.co.uk

Register your email address at www.tandf.co.uk/eupdates to receive information on books, journals and other news within your area of interest.

Charlotte Wood Editorial Assistant Email: charlotte.wood@tandf.co.uk

EBOOKS – MARKED AS ‘EBOOK’ IN THIS CATALOGUE Thousands of our titles are available as eBooks – in Adobe, Microsoft Reader and Mobipocket formats or available to browse online. www.eBookstore.tandf.co.uk

For USA, Canada and Latin America Joon Won Moon Marketing Manager Email: joonwon.moon@taylorandfrancis.com

INSPECTION COPIES Textbooks marked ‘Available as an Inspection Copy’ can be sent to lecturers considering adopting them for relevant courses. See the order form in the back of the catalogue for more information.

Cover image credit: Sam Taylor-Wood: Still Life, 2001, 35mm film/DVD, Duration: 3 minutes 44 seconds, © the artist, Courtesy Jay Jopling/ White Cube (London)

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ART HISTORY

1

Making Art History

NEW

A Changing Discipline and its Institutions

Art History: The Basics

Edited by Elizabeth Mansfield, University of the South, USA

Grant Pooke, University of Kent, UK and Diana Newall

Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations.

The text is split into four thematic sections, each of which begins with a short introduction from the editor: • ‘border patrols’ addresses the artistic canon and its relationship to the ongoing ’War on Terror’, globalization, and the rise of the Belgian nationalist party • ‘the subjects of art history’ questions whether ’art’ and ’history’ are really what the discipline seeks to understand •’instituting art history’ concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today •’old master, new institutions’ shows how art history and the museum respond to nationalism, corporate management models and the ’culture wars’.

May 2007: 234x156: 288pp Hb: 978-0-415-37234-3: £70.00 Pb: 978-0-415-37235-0: £22.99

Series: The Basics Art History: The Basics is a concise and accessible introduction for the undergraduate approaching the history of art for the first time at college or university, and for anyone with a general interest in the subject.

Each chapter introduces key ideas, issues and debates in art history, including information on relevant websites and image archives.

Fully illustrated with an international range of artistic examples, Art History: The Basics also includes helpful subject summaries, further ideas for reading in each chapter, and a useful glossary for easy reference.

Selected Contents: Art and Art Histories. Formalism and Art. An Introduction to Art and Social Meaning. Marxism, Art and Aesthetics. Art and Gender. Art, Sex and Psychobiography.

Semiotics, Signs and Simulacra. Art Histories and Postmodernisms November 2007: 198x129: 288pp Hb: 978-0-415-37309-8: £55.00 Pb: 978-0-415-37308-1: £9.99 • AVAILABLE AS AN INSPECTION COPY US $110.00

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Art History: The Key Concepts Jonathan Harris, University of Liverpool, UK Series: Routledge Key Guides Art History: The Key Concepts is a systematic, reliable and accessible reference guide to the disciplines of art history and visual culture. Containing entries on over 200 terms integral to the historical and theoretical study of art, design and culture in general, it is an indispensable source of knowledge for all students, scholars and teachers.

Covering the development, present status and future direction of art history, entries span a wide variety of terms and concepts such as abstract expressionism, epoch, hybridity, semiology and zeitgeist. Key features include: a user-friendly A-Z format; fully cross-referenced entries; and suggestions for further reading.

Engaging and insightful, as well as easy to follow and use, Art History: The Key Concepts builds a radical intellectual synthesis for understanding and teaching art, art history and visual culture.

2006: 216x138: 360pp Hb: 978-0-415-31976-8: £55.00 Pb: 978-0-415-31977-5: £14.99 eBook: 978-0-203-62719-8 • AVAILABLE AS AN INSPECTION COPY US $100.00

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ART HISTORY

Theory for Art History

NEW

Jae Emerling

Contemporary British Art

Series: theory4

An Introduction ’A lucid and profoundly hopeful inquiry into the possibilities for art history and critical theory by one of the most brilliant of the emerging generation of art historians.’ – Donald Preziosi, Oxford University, UK

Theory for Art History provides clear and concise introductions to thirty key figures of contemporary theory: four essential predecessors – Freud, Marx, Nietzsche, and Saussure – and twenty-six major moderns from Adorno to Spivak. This book includes key concepts, biography, survey of work, bibliography of primary texts, and a bibliography of secondary criticism.

2005: 234x156: 264pp Hb: 978-0-415-97363-2: £60.00 Pb: 978-0-415-97364-9: £14.99 • AVAILABLE AS AN INSPECTION COPY US $100.00

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Grant Pooke, University of Kent, UK Never, according to an article by the art critic Louisa Buck in the Evening Standard magazine last year, has the following quotation from US Museum Director Thomas Hoving, seemed more apt: ’Art is sexy! Art is money-sexy!

Art is money-sexy-social-climbing-fantastic!’

This book will provide an introduction to British art, in all its money-sexy glory, from the yBas to the present.

Grant Pooke’s study explores key themes in British art practice: autobiographical art, the abject, mutability and death, through a discussion of the work of key artists and art movements, including Michael Landy, Lucian Freud, Sam Taylor-Wood, Damien Hirst, Rachel Whiteread and Anthony Gormley.

A range of art forms, from painting and sculpture to video and installation art will be addressed.

September 2008: 234x156: 224pp Hb: 978-0-415-38973-0: £65.00 Pb: 978-0-415-38974-7: £18.99 US $120.00

US $34.95

The New Art History

The Total Work of Art

A Critical Introduction

From Bayreuth to Cyberspace

Jonathan Harris, University of Liverpool, UK

Matthew Wilson Smith, Boston University, USA The Total Work of Art provides a broad survey that incorporates many canonical artists into a single narrative. With particular attention to the influence of the Total Work of Art on modern theatre and performance, this brief introduction will also be of interest to students in such fields as film studies, music history, history of art, cultural studies, and modern European literatures.

The New Art History provides a comprehensive introduction to the fundamental changes which have occurred in both the institutions and practice of art history over the last thirty years.

Jonathan Harris examines and accounts for the new approaches to the study of art which have been grouped loosely under the term ’the new art history’. He distinguishes between these and earlier forms of ’radical’ or ’critical’ analysis, explores the influence of other disciplines and traditions on art history, and relates art historical ideas and values to social change.

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March 2007: 234x156: 240pp Hb: 978-0-415-97795-1: £60.00 Pb: 978-0-415-97796-8: £17.99 eBook: 978-0-203-96316-6

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2001: 234x156: 320pp Hb: 978-0-415-23007-0: £60.00 Pb: 978-0-415-23008-7: £16.99 eBook: 978-0-203-46678-0 • AVAILABLE AS AN INSPECTION COPY

Selected Contents: Introduction 1. The Total Work of Art in an Age of Mechanical Reproduction 2. Total Stage: Wagner’s Festspielhaus 3. Total Machine: The Bauhaus Theatre 4. Total Montage: Brecht’s Reply to Wagner 5. Total State: Riefenstahl’s Triumph of the Will 6. Total World: Disney’s Theme Parks 7. Total Vacuum: Warhol’s Performances 8. Total Immersion: Cyberspace. Conclusion. Bibliography.

Index

©

Structured around an examination of key texts by major contemporary critics, including Tim Clarke, Griselda Pollock, Fred Orton, Albert Boime, Alan Wallach and Laura Mulvey, each chapter discusses a key moment in the discipline of art history, tracing the development and interaction of Marxist, feminist and psychoanalytic critical theories.

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ART HISTORY NEW

Learning to Look at Modern Art

2ND EDITION

Mary Acton, Oxford University, UK This companion volume to the author’s Learning to Look at Paintings suggests that the best way to understand modern art is to look closely at it, and to consider the different elements that make up each art work – composition, space and form, light and colour, and subject matter.

Learning to Look at Paintings Mary Acton, Oxford University, UK Learning to Look at Paintings is an accessible guide to the study and appraisal of paintings, drawings and prints. Mary Acton shows how you can learn to look at and understand an image by analyzing how it works, what its pictorial elements are and how they relate to each other.

Mary Acton discusses work by a wide range of Western European and American artists, from the fifteenth century to the present day. The book is illustrated with over one hundred images by artists ranging from Rembrandt, Van Gogh and Botticelli to Picasso, Matisse and Rothko. It also includes a glossary of critical and technical terms used in art history.

Features of this new edition include: • an expanded introduction, addressing issues of feminism, postcolonialism and deconstruction

Engaging and beautifully-written, this guide to art of the modern and postmodern period covers key art movements including: Expressionism; Constructivism; the Bauhaus; Surrealism; Pop Art; Conceptual Art; Young British Art and artistic forms such as architecture and design, sculpture and installation as well as works on canvas.

The book is richly illustrated with colour and black and white images by the artists, designers and architects discussed, ranging from Picasso and Matisse to Le Corbusier, Andy Warhol and Rachel Whiteread.

2004: 216x138: 336pp Hb: 978-0-415-23811-3: £55.00 Pb: 978-0-415-23812-0: £12.99 • AVAILABLE AS AN INSPECTION COPY US $110.00

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• new examples highlighting the survival and revival of painting in recent years, including Chris Offili, Jenny Savile and Lucien Freud • new sections referring to the Enlightenment and its legacy and the influence of texts on paintings of the past • more colour images and more examples of work by women artists, including Frieda Kahlo, Georgia O’Keefe, Cecily Brown, Rebecca Horn, and Gwen John • an updated and extended bibliography, now arranged thematically.

2ND EDITION

Modern Art A Critical Introduction Pam Meecham, Institute of Education, UK and Julie Sheldon, Liverpool John Moores University, UK Revised and restructured, this second edition of Modern Art traces the historical and contemporary contexts for understanding modern art movements, and the theories that influenced and attempted to explain them. Its radical approach foregoes the chronological approach to art movements in favour of looking at the ways in which art has been understood.

August 2008: 216x138: 272pp Hb: 978-0-415-43517-8: £60.00 Pb: 978-0-415-43518-5: £13.99 • AVAILABLE AS AN INSPECTION COPY US $110.00

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The editors investigate the main developments in art interpretation and draw examples from a wide range of genres including painting, sculpture, photography, installation and performance art.

This second edition has been fully updated to include many more examples of recent art practice, as well as an expanded glossary and comprehensive marginal notes providing definitions of key terms. Extensively illustrated with a wide range of visual examples, Modern Art is the essential textbook for students of art history.

2004: 246x174: 384pp Hb: 978-0-415-28193-5: £65.00 Pb: 978-0-415-28194-2: £20.99

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ART HISTORY

Writing Back to Modern Art After Greenberg, Fried and Clark

Key Writers on Art: The Twentieth Century

Jonathan Harris, University of Liverpool, UK

Edited by Chris Murray

Here for the first time is a full-length study of the ’critical modernisms’ of the three leading art writers of the second half of the twentieth century, which helps us build a better understanding of the development of modern art writing and its relation to the ’post-modern’ in art and society since the 1970s.

Focusing on canonical modern artists such as Manet, Cezanne, Picasso and Pollock, this book provides an important understanding of writing and criticism in modern art for all students and scholars of art theory and art history.

Mainstay issues discussed include aesthetic evaluation, subjectivity and meaning in art and art writing. Harris examines key discourses and identifies points of significant overlap as well as sharp disjunction between the critics.

Developing the notions of ’good’ and ’bad’ complexity in modernist criticism, Writing Back to Modern Art creates ways for us to think outside of these discourses of value and meaning and helps us to look at the place that art writing holds in the latter twentieth century and beyond.

Series: Routledge Key Guides A unique and authoritative guide to theories of art from Ancient Greece to the end of the Victorian era, this is an invaluable book for both students and general readers with an interest in art history, aesthetics and visual culture.

2002: 216x138: 288pp Hb: 978-0-415-24301-8: £65.00 Pb: 978-0-415-24302-5: £14.99 • AVAILABLE AS AN INSPECTION COPY US $130.00

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Theories of Modernism and Postmodernism in the Visual Arts Series Series Editor: James Elkins, School of the Art Institute of Chicago, USA

Ways Around Modernism Stephen Bann

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NEW

Doubt Richard Shiff, University of Texas at Austin, USA October 2007: 216x138: 144pp Hb: 978-0-415-97308-3: £60.00 Pb: 978-0-415-97309-0: £10.99 eBook: 978-0-203-92807-3

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Master Narratives and their Discontents James Elkins 2005: 234x156: 200pp Hb: 978-0-415-97269-7: £60.00 Pb: 978-0-415-97270-3: £14.99

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Edited by Chris Murray

See Order Form at the back of this Catalogue

2002: 216x138: 336pp Hb: 978-0-415-22201-3: £65.00 Pb: 978-0-415-22202-0: £14.99 • AVAILABLE AS AN INSPECTION COPY

2006: 234x156: 144pp Hb: 978-0-415-97421-9: £60.00 Pb: 978-0-415-97422-6: £11.99

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Key Writers on Art: From Antiquity to the Nineteenth Century

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A unique and authoritative guide to modern responses to art.

Featuring forty-eight essays, and written by a panel of expert contributors, it introduces readers to the key approaches and analytical tools of contemporary art study and debate.

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2005: 234x156: 288pp Hb: 978-0-415-32428-1: £65.00 Pb: 978-0-415-32429-8: £19.99 eBook: 978-0-203-08703-9

Series: Routledge Key Guides

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ART HISTORY NEW

The Art Seminar Series

Landscape Theory Series Editor: James Elkins, School of the Art Institute of Chicago, USA

Edited by Rachel DeLue, Princeton University, USA and James Elkins Artistic representations of landscape are studied widely in areas ranging from art history to geography to sociology, yet there has been little consensus about how to understand the relationship between landscape and art. This book brings together more than fifty scholars from these multiple disciplines to establish new ways of thinking about landscape in art.

NEW

Renaissance Theory Edited by James Elkins and Robert Williams, University of California, Santa Barbara, USA Renaissance Theory presents an animated conversation among art historians about the optimal ways of conceptualizing Renaissance art, and the links between Renaissance art and contemporary art and theory.

Organized as a virtual roundtable discussion, the contributors discuss rifts and disagreements about how to understand the Renaissance and debate the principal texts and authors of the last thirty years who have sought to reconceptualize the period. The volume includes an introduction by Rebecca Zorach and two final, synoptic essays, as well as contributions from some of the most prominent thinkers on Renaissance art including Stephen Campbell, Michael Cole, Frederika Jakobs, Frank Fehrenbach, Claire Farago, and Matt Kavaler.

April 2008: 216x138: 304pp Hb: 978-0-415-96045-8: £60.00 Pb: 978-0-415-96046-5: £15.99 eBook: 978-0-203-92986-5

December 2007: 216x138: 376pp Hb: 978-0-415-96053-3: £60.00 Pb: 978-0-415-96054-0: £15.99 eBook: 978-0-203-92983-4

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Is Art History Global?

Edited by James Elkins 2006: 216x138: 128pp Hb: 978-0-415-97784-5: £60.00 Pb: 978-0-415-97785-2: £12.99

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Photography Theory US $95.00

Edited by James Elkins

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2006: 216x138: 128pp Hb: 978-0-415-97782-1: £60.00 Pb: 978-0-415-97783-8: £12.99

NEW

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The State of Art Criticism

Art History Versus Aesthetics

Edited by James Elkins

Edited by James Elkins

Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject.

2005: 216x138: 320pp Hb: 978-0-415-97688-6: £60.00 Pb: 978-0-415-97689-3: £13.99

Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.

December 2007: 216x138: 416pp Hb: 978-0-415-97786-9: £60.00 Pb: 978-0-415-97787-6: £15.99

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ART HISTORY

Books by James Elkins

Pictures and Tears A History of People Who Have Cried in Front of Paintings James Elkins

NEW

Visual Literacy

2001: 216x138: 256pp Hb: 978-0-415-93713-9: £60.00 Pb: 978-0-415-97053-2: £14.99 eBook: 978-0-203-99032-2 • AVAILABLE AS AN INSPECTION COPY US $95.00

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Edited by James Elkins, School of the Art Institute of Chicago, USA What does it mean to be visually literate? Does it mean different things in the arts and the sciences? Or in the developed West and in Asia or in developing nations? If we all need to become ’visually literate,’ what does that mean in practical terms?

This groundbreaking collection brings together the work of major visual studies critics including W.J.T. Mitchell, Barbara Stafford, Jonathan Crary, and James Elkins to explore what impact the new concept of ’visual literacy’ will have on the traditional field of art history.

Visual Studies A Skeptical Introduction James Elkins 2003: 246x174: 224pp Hb: 978-0-415-96680-1: £60.00 Pb: 978-0-415-96681-8: £15.99

US $105.00

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What Painting Is James Elkins 1998: 216x138: 256pp Hb: 978-0-415-92113-8: £28.99 Pb: 978-0-415-92662-1: £13.99 • AVAILABLE AS AN INSPECTION COPY US $50.00

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Selected Contents: Introduction: The Concept of Visual Literacy, and its Limitations 1. Visual Literacy 2. The Remaining 10%: The Role of Sensory Knowledge in the Age of the Self-Organizing Brain 3. Nineteenth-Century Visual Incapacities 4. From Visual Literacy to Image Competence 5. The Visual Complex: Mapping Some Interdisciplinary Dimensions of Visual Literacy 6. Visual Literacy in North American Secondary Schools 7. Philosophical Bases for Visual Multiculturalism at the College Level 8. Bridging the Gap Between Clinical and Patient-Provided Images 9. Visual Literacy in Action: Law in the Age of Images 10. The Image as Cultural Technology. Afterword: Christopher Crouch

Stories of Art James Elkins 2002: 216x138: 160pp Hb: 978-0-415-93942-3: £55.00 Pb: 978-0-415-93943-0: £14.99

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How to Use Your Eyes James Elkins

September 2007: 234x156: 256pp Hb: 978-0-415-95810-3: £60.00 Pb: 978-0-415-95811-0: £15.99 eBook: 978-0-203-93957-4 • AVAILABLE AS AN INSPECTION COPY

2000: 246x174: 272pp Hb: 978-0-415-92254-8: £23.99 • AVAILABLE AS AN INSPECTION COPY

On the Strange Place of Religion in Contemporary Art

Art History as Writing

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Our Beautiful, Dry and Distant Texts James Elkins 2000: 234x156: 328pp Pb: 978-0-415-92663-8: £18.99 • AVAILABLE AS AN INSPECTION COPY

James Elkins

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2004: 234x156: 152pp Hb: 978-0-415-96988-8: £55.00 Pb: 978-0-415-96989-5: £14.99

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Why Are Our Pictures Puzzles?

On the Modern Origins of Pictorial Complexity James Elkins 1999: 234x156: 320pp Hb: 978-0-415-91941-8: £60.00 Pb: 978-0-415-91942-5: £17.99 • AVAILABLE AS AN INSPECTION COPY US $105.00

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ART HISTORY Sociology of Art

The Archaeology of Celtic Art

A Reader

D.W. Harding, University of Edinburgh, UK More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art.

Edited by Jeremy Tanner This broad-ranging Reader uses extracts form the core foundational and most influential contemporary writers in the field to present a productive interdisciplinary dialogue between sociology and art history as well as a fascinating introduction to the subject.

Selected Contents: 1. Classical Sociological Theory and the Sociology of Art 2. The Social Production of Art 3. The Sociology of the Artist Commentary 4. Museums and the Social Construction of High Culture Commentary 5. Sociology, Aesthetic Form and the Specificity of Art 2003: 246x174: 288pp Hb: 978-0-415-30884-7: £90.00 Pb: 978-0-415-30883-0: £25.99

US $180.00

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Tempering the much-adopted art-historical approach, Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context.

He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology.

Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art.

This new study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.

2ND EDITION

Selected Contents: 1. Introduction: Definitions, Material and Context 2. ‘An Art with No Genesis’: The Later Bronze Age Background 3. The La Tène Early Styles: Origins and Influences 4. The La Tène Developed Styles 5. The Art of the Swordsmith 6. The Later La Tène Relief Styles 7. Insular British Art to the Roman Conquest 8. La Tène and non-La Tène in Ireland 9. South-West Europe and the Celtiberians 10. Later Styles and Romanization 11. Late Insular Art in Britain and Ireland 12. Conclusions: Archaeology and Celtic Art

Pollock and After The Critical Debate Edited by Francis Frascina This revised edition features ten new articles and is fully updated to take account of new critical approaches to post-war American art.

2000: 246x174: 400pp Hb: 978-0-415-22866-4: £65.00 Pb: 978-0-415-22867-1: £18.99

May 2007: 246x174: 336pp Hb: 978-0-415-35177-5: £70.00 Pb: 978-0-415-42866-8: £24.99 eBook: 978-0-203-69853-2

US $130.00

US $120.00

US $45.95

US $37.95

Artistic Capital David Galenson David Galenson’s work on the history of art is a unique fusion of econometrics and cultural analysis that is unprecedented in the literature on creativity in any discipline, whether economics, psychology, literary studies or art history.

Encyclopedia of American Folk Art Edited by Gerard C. Wertkin This A-Z Encyclopedia covers every aspect of American folk art, encompassing not only painting, but also sculpture, basketry, ceramics, quilts, furniture, toys, beadwork, and more.

2005: 234x156: 304pp Hb: 978-0-415-70170-9: £90.00 Pb: 978-0-415-70171-6: £29.99

Containing more than 600 articles, this Encyclopedia considers individual artists, schools, artistic, ethnic, and religious traditions, and heroes who have inspired folk art.

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ART HISTORY

Understanding Early Christian Art

NEW

Robin Margaret Jensen

Making American Art

Understanding Early Christian Art makes accessible to students of religion the methodologies and critical tools of art historians which will enable them to understand better the visual representations of Christianity.

2000: 234x156: 240pp Hb: 978-0-415-20454-5: £70.00 Pb: 978-0-415-20455-2: £22.99

Pam Meecham, Institute of Education, London, UK and Julie Sheldon, Liverpool John Moore’s University, UK Making American Art considers the global reception of American art rather than exclusively focussing on the uniquely American aspects of chronological histories.

US $125.00

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Vermeer’s Family Secrets Genius, Discovery, and the Unknown Apprentice Benjamin Binstock, New York University, USA Johannes Vermeer, one of the greatest Dutch painters and for some the single greatest painter of all, lived a quiet life and produced a remarkably small corpus of work.

In Vermeer’s Family Secrets, Benjamin Binstock revolutionizes how we think about Vermeer’s work and life.

Vermeer is famously a mystery in art: there is scant information on his life and training, and nothing to connect him to any students.

What remains is the paintings themselves as well as some historical information and surmise.

Lavishly illustrated with more than 130 black and white images and more than ninety colour plates, the book also includes a remarkable colour gatefold spread that presents the entirety of Vermeer’s oeuvre in chronological order, in 1/20 scale, demonstrating the relative size of the paintings over the artist’s career. No book on Vermeer has ever done this comparison of scale, nor has any book presented for visual comparison the complete output in this fashion.

Piecing together evidence, the tools of art history, and his own intuitive skills, Binstock gives us, for the first time, a history of Vermeer’s work in light of Vermeer’s life.

On almost every page of Vermeer’s Family Secrets, there is a perception or an adjustment that rethinks what we know about Vermeer and his oeuvre.

Perhaps the most arresting revelation of Vermeer’s Family Secrets is the final one: stumped by inconsistencies in technique, materials, and artistic level, Binstock posits that several of the late paintings – ones accepted as canonical works by Vermeer – are in fact not by Vermeer at all but by his eldest daughter, Maria. How he argues this is one of the book’s many pleasures.

Meecham and Sheldon draw on new research that questions the degree and nature of influences of other cultures (ancient and modern) on the development of American art.

The authors engage with the key artworks in American history, whilst being sensitive to the contemporary theoretical framework for discussing art and the incorporation of issue-led concepts.

May 2008: 234x156: 256pp Hb: 978-0-415-42069-3: £65.00 Pb: 978-0-415-42070-9: £19.99 • AVAILABLE AS AN INSPECTION COPY US $117.00

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Installation Art Claire Bishop, Royal College of Art, UK The first clear account of the rise of installation as a form, this book revisits and reassesses many well-known names of post-1960 art, and introduces the reader to a wider spectrum of younger artists yet to receive serious critical attention.

2005: 276x219: 144pp Pb: 978-0-415-97412-7: Not Available from Routledge in the UK

An Archaeology of Images Iconology and Cosmology in the Iron Age and Roman Europe Miranda Aldhouse Green Using archaeology, social anthropology, and more than 100 original line drawings and photographs, this book takes a fresh look at how ancient images of both people and animals were used in the Iron Age and Roman societies of Europe, 600 BC to AD 400.

2004: 234x156: 304pp Hb: 978-0-415-25253-9: £65.00 eBook: 978-0-203-64745-5

US $115.00

April 2008: 246x174: 288pp Hb: 978-0-415-96664-1: £25.00 • AVAILABLE AS AN INSPECTION COPY

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Page 11

9

ART HISTORY / VISUAL CULTURE In the Aftermath of Art

Visual Culture

Ethics, Aesthetics and Politics

Edited by Marquard Smith, Kingston University, London, UK and Joanne Morra, Central St. Martin’s College of Art and Design, UK

Donald Preziosi, University of California, Los Angeles, USA and Johanne Lamoureux

Series: Critical Concepts in Media and Cultural Studies

With an Introduction and Preface by Saul Ostrow, Cleveland Institute of Art, USA Series: Critical Voices in Art, Theory and Culture By juxtaposing issues and problems, Donald Preziosi’s latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text.

In re-reading his own writings, Preziosi opens up alternatives to contemporary discourses on art history and visual culture. A critical commentary by critic, historian, and theorist, Johanne Lamoureux complements the author’s own introduction, mirroring the multiple interpretations within the essays themselves.

2005: 234x156: 184pp Hb: 978-0-415-36230-6: £65.00 Pb: 978-0-415-36231-3: £18.99

Visual culture incorporates a number of different visual practices including art, design, performance, architecture, film and photography. The study of visual culture is interdisciplinary, deriving in part from the new art history that emerged in the 1980s, the developing studies of design and material culture, and film, as well as the concepts and methods associated with psychoanalysis, semiotics, gender, class, and post-colonialism.

This collection of essential articles represents both the formation of visual culture and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.

Selected Contents: Volume 1: What is Visual Culture?

Volume 2: Histories, Archaeologies and Genealogies of Visual Culture Volume 3: Spaces of Visual Culture Volume 4: Experience in Visual Culture 2006: 234x156: 1696pp Set: 978-0-415-32641-4: £550.00

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2ND EDITION

US $37.95

The Visual Culture Reader Talking Painting

Edited by Nicholas Mirzoeff

Dialogues with Twelve Contemporary Abstract Painters

In response to rapid changes in the field of visual culture, this updated second edition brings together key writings on photography, painting, sculpture, fashion, advertising, television, cinema, and digital culture.

David Ryan, Chelsea College of Art and Design, UK This is a book full of insights, juxtaposing the conversational interview with more formal critical commentary, and is invaluable to anyone in the continuing debates around the development of abstract art.

2002: 264pp Hb: 978-0-415-27629-0: £60.00

2002: 246x174: 776pp Hb: 978-0-415-25221-8: £75.00 Pb: 978-0-415-25222-5: £22.99 • AVAILABLE AS AN INSPECTION COPY US $150.00

US $110.00

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An Introduction to Visual Culture Nicholas Mirzoeff A wide-ranging and stimulating introduction to the history and theory of visual culture from painting to the computer and television screen.

1999: 234x156: 288pp Hb: 978-0-415-15875-6: £65.00 Pb: 978-0-415-15876-3: £19.99 • AVAILABLE AS AN INSPECTION COPY US $130.00

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VISUAL CULTURE

Diaspora and Visual Culture

Self/Image

Representing Africans and Jews

Technology, Representation, and the Contemporary Subject

Edited by Nicholas Mirzoeff In examining the visual culture of the ’classic’ African and Jewish diasporas, contributors address different aspects of the multiple viewpoints inherent in diasporic cultures.

1999: 234x156: 280pp Hb: 978-0-415-16669-0: £70.00 Pb: 978-0-415-16670-6: £19.99

Amelia Jones, University of Manchester, UK Including over 100 illustrations from mainstream film to independent film, video art, performance and the visual arts, this important and original book explores how technology has affected artist’s abilities and forms to express themselves.

US $140.00

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NEW

Bobby Baker Redeeming Features of Daily Life Edited by Michèle Barrett, Queen Mary College, University of London, UK and Bobby Baker This fully-illustrated book brings together for the first time an account of Baker’s career as an artist – from her first sculptures at Central St Martins in the early 1970s to her most recent work, ’How to Live’ and ’Diary Drawings’ – with critical commentary by reviewers and academic practitioners.

It includes: • Bobby Baker’s own ’Chronicle’ of her work as artist and performer

From analogue photography to more recent artisistic practices including digital imaging, performance robotics and video installations, Self/Image is one of the first full length studies to investigate the complex relations among these diverse artistic practices.

This is an excellent companion to studies of contemporary art history, and media and cultural studies in the post-1960 period.

2006: 234x156: 280pp Hb: 978-0-415-34521-7: £75.00 Pb: 978-0-415-34522-4: £19.99

Digital Encounters Aylish Wood, University of Kent, UK Digital Encounters is a cross media study of digital moving images in animation, cinema, games and installation art.

• illuminating critical writing about Baker’s shows • transcripts of Baker’s performances and other original materials reproduced here for the first time

In a world increasingly marked by proliferating technologies, the way we encounter and understand these story-worlds, game spaces and art works reveals aspects of the ways in which we organize and decode the vast amount of visual material we are bombarded with each day.

• significant new essays by Michèle Barrett and Griselda Pollock • a new interview with Bobby Baker by Adrian Heathfield.

Under the guiding editorial hand of distinguished cultural theorist Michèle Barrett, this volume is an essential text for students interested in performance, gender, and visual culture, and a hugely absorbing and accessible account of Baker’s work.

Selected Contents: Part 1: The Artist Part 2: The Work Part 3: The Shows November 2007: 246x174: 288pp Hb: 978-0-415-44410-1: £70.00 Pb: 978-0-415-44411-8: £25.00 eBook: 978-0-203-93892-8

US $140.00

US $44.95

Working with examples from The Incredibles, The Matrix, Tomb Raider: Legend and Bill Viola’s The Five Angels for the Millenium, Aylish Wood considers how viewers engage with the diverse interfaces of digital effects cinema, digital games and time-based installations, and argues that technologies alter human engagement, distributing our attention across a network of images and objects.

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11

VISUAL CULTURE Site-Specific Art Performance, Place and Documentation

The Nineteenth Century Visual Culture Reader

Nick Kaye

Edited by Jeannene Przyblyski and Vanessa Schwartz

Site-Specific Art is the first major study of site-specific theatre and performance in North America and Europe since the 1950s. This volume is an astonishing addition to the debates around experimental performance and its documentation.

Series: In Sight: Visual Culture

2000: 246x174: 256pp Hb: 978-0-415-18558-5: £70.00 Pb: 978-0-415-18559-2: £22.99

Exploring such topics as photographs, exhibitions and advertising, this reader brings together, for the first time, key writings about the nineteenth century, a major period in the contemporary discussion of visual culture.

US $125.00

2004: 246x174: 432pp Hb: 978-0-415-30865-6: £70.00 Pb: 978-0-415-30866-3: £21.99 • AVAILABLE AS AN INSPECTION COPY

US $41.95

US $140.00

US $43.95

Multi-Media Video – Installation – Performance Nick Kaye, University of Exeter, UK ’As much an art book as a scholarly work, Multi-Media combines sophisticated, well-informed scholarship with artists’ pages that transcend mere illustration to become a catalogue for a virtual exhibition. In terms of both subject and format, it’s a worthy companion to Kaye’s Site-Specific Art.’ – Phil Auslander, Georgia Institute of Technology, USA Multi-Media charts the development of multi-media video, installation and performance in a unique dialogue between theoretical analysis and specially commissioned documentations by some of the world’s foremost artists.

Nick Kaye explores the interdisciplinary history and character of experimental practices shaped in exchanges between music, installation, theatre, performance art, conceptual art, sculpture, and video.

The Feminism and Visual Culture Reader Amelia Jones, University of Manchester, UK Series: In Sight: Visual Culture Bringing together key writings on art, film, architecture, popular culture, new media and other visual fields, this key Reader combines classic texts by leading feminist thinkers with six previously unpublished polemical new pieces.

2002: 246x174: 592pp Hb: 978-0-415-26705-2: £75.00 Pb: 978-0-415-26706-9: £21.99 • AVAILABLE AS AN INSPECTION COPY US $150.00

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Watching Babylon The War in Iraq and Global Visual Culture Nicholas Mirzoeff, New York University, USA

The book sets out key themes and concerns in multi-media practice, addressing time, space, the resurgence of ephemerality, liveness and ‘aura’. These chapters are interspersed with documentary artwork and essays by artists whose work continues to shape the field, including new articles from: Vito Acconci; The Builders Association; John Jesurun; Pipilotti Rist and Fiona Templeton.

Multi-Media also reintroduces a major documentary essay by Paolo Rosa of Studio Azzurro in a new, fully illustrated form.

This book combines sophisticated scholarly analysis and fascinating original work to present a refreshing and creative investigation of current multi-media arts practice.

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April 2007: 246x174: 272pp Hb: 978-0-415-28380-9: £70.00 Pb: 978-0-415-28381-6: £22.99 eBook: 978-0-203-96489-7

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This groundbreaking and compelling book illuminates the Western experience of the Iraqi war and examines the experience of watching the war against Iraq on television, on the Internet, in the cinema, and in print media.

2004: 216x138: 216pp Hb: 978-0-415-34309-1: £60.00 Pb: 978-0-415-34310-7: £14.99 eBook: 978-0-203-48282-7

US $120.00

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VISUAL CULTURE

NEW

NEW

The Picturesque

American Icons

Architecture, Disgust and Other Irregularities

The Genesis of a National Visual Language

John Macarthur, University of Queensland, Australia

Benedikt Feldges, FEBL, Institute of Continuous Education, Kanton Baselland, Switzerland

Series: The Classical Tradition in Architecture In this fresh and authoritative account, John Macarthur presents the eighteenth century idea of the picturesque – when it was a risky term concerned with a refined taste for everyday things, such as the hovels of the labouring poor – in the light of its reception and effects in modern culture.

Drawing on examples from architecture, art and broader culture, John Macarthur’s account of this key topic in cultural history, makes engaging reading for all those studying architecture, art history, cultural history or visual studies.

October 2007: 246x174: 312pp Hb: 978-1-84472-141-2: £75.00 Pb: 978-1-84472-011-8: £28.88

US $149.95

US $37.75

Series: Routledge Research in Cultural and Media Studies Developing and applying a highly innovative approach to the modern picture, American Icons sets out to expose the historicity of icons, to reframe the history of the screen and to dissect the visual core of a medium that is still so poorly understood. Dismantling the aura of apparently timeless icons and past spectacles with their seductive power to attract the eye, this book offers new ways of seeing the mechanisms at work in our modern pictorial culture.

November 2007: 234x156: 296pp Hb: 978-0-415-95635-2: £60.00 eBook: 978-0-203-93784-6

US $95.00

Digital Currents Art in the Electronic Age Margot Lovejoy Digital Currents explores the growing impact of digital technologies on aesthetic experience and examines the major changes taking place in the role of the artist as social communicator.

NEW

Visualizing the City Edited by Alan Marcus, University of Aberdeen, UK and Dietrich Neumann, Brown University, Rhode Island, USA Series: Architext This anthology presents a range of interdisciplinary explorations into the urban environment, through film, photography, digital imagery, maps and signage.

Contributors examine our fascination with the city through the history of art and architecture, urban studies, environmental studies, cultural geography and screen studies.

Margot Lovejoy recounts the early histories of electronic media for art making – video, computer, the Internet – in this richly illustrated book.

2004: 246x174: 376pp Hb: 978-0-415-30780-2: £65.00 Pb: 978-0-415-30781-9: £19.99 eBook: 978-0-203-00527-9

US $120.00

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Bringing together a wide spectrum of urban contexts, Visualizing the City’s diverse essays explore visual representations of urbanism and modernity reflected through the prism of global cultures using an engaging variety of methods and texts.

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January 2008: 246x174: 256pp Hb: 978-0-415-41970-3: £75.00 Pb: 978-0-415-41971-0: £26.00

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PHOTOGRAPHY 3RD EDITION

Photographs Objects Histories

Photography

On the Materiality of Images

A Critical Introduction

Edited by Elizabeth Edwards and Janice Hart

Edited by Liz Wells, University of Plymouth, UK

This innovative volume explores the idea that while photographs are images, they are also objects, and this materiality is integral to their meaning and use. The case studies presented focus on photographs active in different institutional, political, religious and domestic spheres, where physical properties, the nature of their use, and the cultural formations in which they function make their ’objectness’ central to how we should understand them.

This seminal text for photography students identifies key debates in photographic theory, stimulates discussion and evaluation of the critical use of photographic images and ways of seeing.

2004: 246x189: 424pp Hb: 978-0-415-30703-1: £75.00 Pb: 978-0-415-30704-8: £19.99 • AVAILABLE AS AN INSPECTION COPY US $150.00

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2004: 246x174: 240pp Hb: 978-0-415-25441-0: £70.00 Pb: 978-0-415-25442-7: £24.99 eBook: 978-0-203-50649-3

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US $125.00

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NEW 2ND EDITION

2-VOLUME SET

The Photography Handbook

Encyclopedia of Nineteenth-Century Photography

Terence Wright This revised and updated edition provides an introduction to the principles of photographic practice and theory.

It explores the history of lens-based image-making and examines the medium’s characteristics, scope and limitations.

2004: 234x156: 256pp Hb: 978-0-415-25803-6: £60.00 Pb: 978-0-415-25804-3: £18.99 • AVAILABLE AS AN INSPECTION COPY

Edited by John Hannavy The Encyclopedia of NineteenthCentury Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century.

US $120.00

US $37.95

The Photography Reader Edited by Liz Wells, University of Plymouth, UK The Photography Reader is a comprehensive introduction to theories of photography; its production; and its uses and effects. Including articles by photographers from Edward Weston to Jo Spence, as well as key thinkers like Roland Barthes, Victor Burgin and Susan Sontag, the essays trace the development of ideas about photography.

Each themed section features an editor’s introduction setting ideas and debates in their historical and theoretical context.

2002: 246x174: 496pp Hb: 978-0-415-24660-6: £75.00 Pb: 978-0-415-24661-3: £22.99 • AVAILABLE AS AN INSPECTION COPY US $150.00

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Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century.

October 2007: 276x219: 1264pp Set: 978-0-415-97235-2: £300.00

Colonialist Photography Imag(in)ing Race and Place Edited by Eleanor M. Hight and Gary D. Sampson An absorbing collection of essays and photographs exploring the relationship between photography and Europe and American colonialism, using case studies and recent forms of interpretive analysis. Now published for the first time in paperback.

2004: 246x174: 352pp Pb: 978-0-415-27496-8: £22.99 • AVAILABLE AS AN INSPECTION COPY

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PHOTOGRAPHY / VISUAL THEORY AND AESTHETICS

3-VOLUME SET

2ND EDITION

Encyclopedia of Twentieth-Century Photography

Arguing About Art

Edited by Lynne Warren, Museum of Contemporary Art, USA

Edited by Aaron Ridley and Alex Neill

Contemporary Philosophical Debates This acclaimed and accessible anthology is ideal for newcomers to aesthetics or philosophy. This second edition includes new sections on interpretation, objectivity, gardening, horror and morality.

This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. The set is illustrated in black and white throughout, and each volume contains a colour plate section. A useful glossary of terms is also included.

2005: 276x219: 2042pp Set: 978-1-57958-393-4: £275.00

US $575.00

2001: 246x174: 496pp Hb: 978-0-415-23738-3: £75.00 Pb: 978-0-415-23739-0: £19.99 • AVAILABLE AS AN INSPECTION COPY US $135.00

US $34.95

Routledge Philosophy Guidebook to Nietzsche on Art

NEW

Aaron Ridley, University of Southampton, UK

New York Underground

Series: Routledge Philosophy GuideBooks

The Anatomy of a City Julia Solis Did alligators ever really live in New York’s sewers? What’s it like to explore the old aqueducts beneath the city? How many levels are beneath Grand Central Station?

And how exactly did the pneumatic tube system that New York’s post offices used to employ work?

In this richly illustrated historical tour of New York’s vast underground systems, Julia Solis answers all these questions and much, much more.

New York Underground takes readers through ingenious criminal escape routes, abandoned subway stations, and dark crypts beneath lower Manhattan to expose the city’s basic anatomy. While the city is justly famous for what lies above ground, its underground passages are equally legendary and tell us just as much about how the city works.

Nietzsche is one of the most important modern philosophers and his writings on the nature of art are amongst the most influential of the nineteenth and twentieth centuries.

Nietzsche on Art introduces and assesses: • Neitzsche’s life and the background to his writings on art • the ideas and texts of his works which contribute to art, including The Birth of Tragedy, Human, All Too Human and Thus Spoke Zarathustra • Nietzsche’s continuing importance to philosophy and contemporary thought.

Nietzsche on Art is essential reading for all students coming to Nietzsche for the first time.

February 2007: 198x129: 208pp Hb: 978-0-415-31590-6: £55.00 Pb: 978-0-415-31591-3: £14.99

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The Art Question Nigel Warburton With the help of carefully chosen illustrations and photographs, from Cezanne and Van Gogh to Francis Bacon, Andy Warhol and the Osmond family, Nigel Warburton brings a philosopher’s eye to art in a refreshingly jargon-free style.

Selected Contents: Part 1: Utilities Part 2: The Subway System Part 3: Trains into New York Part 4: Historic Rail Tunnels Part 5: Underground Passageways Part 6: Building Foundations November 2008: 276x219: 264pp Pb: 978-0-415-96310-7: £15.00

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VISUAL THEORY AND AESTHETICS 2ND EDITION

3RD EDITION

Semiotics: The Basics

Philosophy of the Arts

Daniel Chandler, University of Wales, Aberystwyth, UK

An Introduction to Aesthetics

Series: The Basics

Gordon Graham, Princeton Theological Seminary, USA This updated second edition provides a clear and concise introduction to the key concepts of semiotics in accessible and jargon-free language.

With a revised introduction and glossary, extended index and suggestions for further reading, this new edition provides an increased number of examples including computer and mobile phone technology, television commercials and the web.

Demystifying what is a complex, highly interdisciplinary field, key questions covered include: • What is a sign?

• Which codes do we take for granted?

’The new edition of Philosophy of the Arts provides one of the most comprehensive and pellucid introductions to aesthetics on the market.’ – Andy Hamilton, Durham University, UK Philosophy of the Arts presents a comprehensive and accessible introduction to those coming to aesthetics and the philosophy of art for the first time. The third edition is greatly enhanced by new sections on art and beauty, modern art, Aristotle and katharsis, and Hegel. Each chapter has been thoroughly revised with fresh material and extended discussions.

As with previous editions, the book: • is jargon-free and will appeal to students of music, art history and literature as well as philosophy

• How can semiotics be used in textual analysis?

• What is a text?

A highly useful, must-have resource, Semiotics: The Basics is the ideal introductory text for those studying this growing area.

January 2007: 198x129: 328pp Hb: 978-0-415-36376-1: £55.00 Pb: 978-0-415-36375-4: £9.99 • AVAILABLE AS AN INSPECTION COPY

• looks at a wide range of the arts from film, painting and architecture to fiction, music and poetry • discusses a range of philosophical theories of thinkers such as Hume, Kant, Gaender, Collingwood, Derrida, Hegel and Croce • contains regular summaries and suggestions for further reading.

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2005: 234x156: 288pp Hb: 978-0-415-34978-9: £65.00 Pb: 978-0-415-34979-6: £17.99

Philosophy of Art A Contemporary Introduction

Crispin Sartwell

Series: Routledge Contemporary Introductions to Philosophy A textbook for undergraduate students interested in the topic of philosophical aesthetics, this book introduces the techniques of analytic philosophy in addition to a selection of the major topics in this area.

US $125.00

Beauty may be in the eye of the beholder, but it’s also in the language we use and everywhere in the world around us.

In this elegant, witty, and ultimately profound meditation on what is beautiful, Crispin Sartwell begins with six words from six different cultures – ancient Greek’s ’to kalon’, the Japanese idea of ’wabi-sabi’, Hebrew’s ’yapha’, the Navajo concept ’hozho’, Sanskrit ’sundara’, and our own English-language ’beauty’.

US $35.95

Each word becomes a door onto another way of thinking about, and looking at, what is beautiful in the world, and in our lives. In Sartwell’s hands these six names of beauty – and there could be thousands more – are revealed as simple and profound ideas about our world and our selves.

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Six Names of Beauty

Noël Carroll

1999: 234x156: 288pp Hb: 978-0-415-15963-0: £70.00 Pb: 978-0-415-15964-7: £18.99 eBook: 978-0-203-19723-3

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VISUAL THEORY AND AESTHETICS

Innovations in Art and Design Series

Thinking Through Art Reflections on Art as Research Edited by Katy Macleod and Lin Holdridge, both at University of Plymouth, UK

Network Art Practices and Positions Edited by Tom Corby, University of Westminster, UK Fully illustrated throughout, and including many pictures of artworks never before seen in print, Network Art represents one of the first substantial attempts to place major artist’s writings on network art alongside those of critics, curators and historians.

2005: 246x174: 206pp Hb: 978-0-415-36479-9: £80.00

The artists, philosophers, art historians and cultural theorists contributing to this book address the complexity of interpreting art as research and suggest ways in which the visual and the verbal could engage in more productive and open discussions.

2005: 246x174: 256pp Hb: 978-0-415-36477-5: £75.00 • AVAILABLE AS AN INSPECTION COPY US $130.00

US $160.00

Revealing Art New Practices – New Pedagogies

Matthew Kieran

A Reader

’Revealing Art is a lively exploration of questions concerning value in art.

Matthew Kieran presents a series of engaging arguments illuminated by examples drawn from across the history of European visual art, from the Roettgen Pieá to Poussin’s The Adoration of the Golden Calf to Gillian Wearing’s Signs series ... As a result, the book will have something to offer to specialists and non-specialists alike.’ – Notre Dame Philosophical Reviews

Edited by Malcolm Miles, University of Plymouth, UK With radical changes happening in arts over the past two decades, this book brings us up to date with the social and economic contexts in which the arts are produced.

Influential and knowledgeable leaders in the field debate how arts education – particularly in visual art – has changed to meet new needs or shape new futures for its production and reception.

Opening up areas of thought previously unexplored in arts and education, this book introduces students of visual culture, peformance studies and art and design to broad contextual frameworks, new directions in practice, and finally gives detailed cases from, and insights into, a changing pedagogy.

Sublimity

Dance, Choreography and Internet Communities Sita Popat The Internet and communication technologies offer dance and theatre new platforms for creating and performing work, with opportunities for remote interaction and collaboration on a scale never before imaginable. This book explores methods by which such technologies can facilitate creative collaborations between performers and viewers.

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The Non-Rational and the Rational in the History of Aesthetics James Kirwan Updating existing treatments of the sublime in the eighteenth century, this book addresses the nature of the sublime experience itself and the functions that experience has played, and continues to play, within aesthetic discourse.

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Invisible Connections

2005: 246x174: 192pp Hb: 978-0-415-36475-1: £75.00

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Revealing Art is a stimulating and lucid book about why art is important and the role of the imagination in art, illustrated with colour and black-and-white plates of examples from Michaelangelo to Matisse and from Poussin to Pollock.

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VISUAL THEORY AND AESTHETICS NEW

Visual Worlds

Visual Communication

Edited by John R Hall, Blake Stimson and Lisa Tamiris Becker

Integrating Media, Art, and Science

Series: International Library of Sociology

Rick Williams, Lane Community College, Eugene, USA and Julianne Newton, University of Oregon, Eugene, USA Series: LEA’s Communication Series A well-rounded education in the twenty-first century requires not just verbal and mathematical proficiency, but also the ability to interpret, critique, create, and use visual communication on sophisticated levels. In today’s visual world, it is critically important to hold an appreciation for the profound effects imagery has on individuals and the communities in which they live. Visual Communication focuses on cultivating visual and media literacy from both consumption and production points of view and introduces students to the application of intuitive intelligence to a visual context.

Innovative in its field, it provides a solid theoretical overview of the most advanced thinking and research about visual communication, teaching readers how to apply theory to enhance their understanding of and work with images.

July 2007: 276x219: 488pp Hb: 978-0-8058-5065-9: £61.99 Pb: 978-0-8058-5066-6: £27.99

As many observers have noted, the world is becoming increasingly visually mediated, with the rise of computers and the Internet being central factors in the emergence of new tools and conventions.

Exploring the social structure of visuality, this volume contains a collection of essays by internationally renowned artists and scholars from a variety of fields (including art history, literary theory and criticism, cultural studies, film and television studies, intellectual history and sociology). It was conceived to address a bold query: How is our experience and understanding of vision and visual form changing under pressure from the various social, economic and cultural factors that are linked under the term ’globalization’?

2005: 234x156: 280pp Hb: 978-0-415-36212-2: £80.00

Who’s Afraid of Conceptual Art? US $100.00

Peter Goldie, Manchester University, UK and Elizabeth Schellekens

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Who’s Afraid of Conceptual Art? is a clear and lively introduction to philosophy art and aesthetics though the compelling, challenging, and often perplexing practice of conceptual art.

Context, Content, and the Role of the Critic Edited by Richard Kalina, Fordham University, USA Series: Critical Voices in Art, Theory and Culture Bringing together twenty-nine of Lawrence Alloway’s most influential essays in one volume, this fascinating collection provides valuable perspectives on the art and visual culture of the second half of the twentieth century.

2006: 234x156 Hb: 978-0-415-39146-7: £80.00 Pb: 978-0-415-39167-2: £24.99

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Defining conceptual art as that form of art where the idea or concept takes precedence over traditional aesthetic notions such as beauty and sensation, the authors trace the development of conceptual art and discuss its challenge to established notions of art, primarily though its resistance to the process of commodification.

Conceptual art’s challenge to traditional ontology and epistemology of art, and its challenge to conventional notions of beauty is also discussed, making this outstanding book essential reading for students of philosophy and aesthetics, and for those seeking an introduction to one of the twentieth century’s most innovative and controversial art movements.

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VISUAL THEORY AND AESTHETICS

Art & Ventriloquism

Continental Aesthetics Reader

David Goldblatt

Clive Cazeaux This is the first comprehensive anthology of classic writings on art and aesthetics from the major figures in continental thought.

The readings featured are the most widely read and representative of each of the major thinkers.

Foreword by Garry Hagberg Series: Critical Voices in Art, Theory and Culture In this exciting collection of essays, available together for the first time, David Goldblatt studies key works including Nietzsche and Socrates, and uses the metaphor of ventriloquism to help understand how the art work speaks for the artist, and to the artwork and audience.

2005: 234x156: 224pp Hb: 978-0-415-37059-2: £65.00 Pb: 978-0-415-37060-8: £19.99

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2ND EDITION

The Routledge Companion to Aesthetics Edited by Berys Gaut, University of St. Andrews, UK and Dominic Lopes, University of British Columbia, Canada Series: Routledge Philosophy Companions This second edition contains fifty-four chapters written by leading international scholars covering all aspects of aesthetics and including nine new entries: creativity, Schopenhauer, Schiller and Schelling, Nelson Goodman, style, feminism, ontology, Heidegger, Sartre, and Merleau-Ponty.

With revised entries and up to date suggestions for further reading, The Routledge Companion to Aesthetics is essential for anyone interested in aesthetics, art, literature, and visual studies.

2005: 246x174: 736pp Hb: 978-0-415-32797-8: £100.00 Pb: 978-0-415-32798-5: £21.99 • AVAILABLE AS AN INSPECTION COPY US $170.00

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NEW

A Philosophical Enquiry into the Sublime and Beautiful Edmund Burke Series: Routledge Classics ’One of the greatest essays ever written on art.’ – The Guardian Edmund Burke’s Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful is one of the most important works of aesthetics ever written.

Whilst many writers have taken up their pen to write of ’the beautiful’, Burke’s subject here was that quality he uniquely distinguished as ’the sublime’ – an all-consuming force beyond beauty that compelled terror as much as rapture in all who beheld it. It was an analysis that would go on to inspire some of the leading thinkers of the Enlightenment, including Immanuel Kant and Denis Diderot. The Routledge Classics edition presents the authoritative text of the first critical edition of Burke’s essay ever published, including a substantial critical and historical commentary.

February 2008: 198x129: 328pp Pb: 978-0-415-45326-4: £11.99

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Imagination, Philosophy and the Arts Edited by Matthew Kieran and Dominic McIver Lopes A fascinating collection of articles looking for the first time at the connection between imagination and philosophy, and its impact on diverse forms of art.

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19

VISUAL THEORY AND AESTHETICS NEW

The Future of Visual Anthropology

On Criticism

Engaging the Senses

Noël Carroll, Temple University, USA

Sarah Pink An eminent author in the field presents a groundbreaking examination of developments within the field of visual anthropology, develops a new approach, and examines the way forward for this sub discipline in the twenty-first century.

Series: Thinking in Action On Criticism attacks the postmodern position that an artist’s intentions are irrelevant, and that judgments about good or bad art are relative to larger political, national or cultural interests.

To appraise what is good or bad in art, Noël Carroll argues that our criticism should focus on what the artist has achieved by creating or performing the work. In a recent poll of practicing art critics, seventy-five percent reported that rendering judgments on artworks was the least significant aspect of their job. This is a concerning statistic for Carroll, who argues that evaluation and appraisal must remain the primary concern of criticism, as they form an integral and indispensable part of the conversation of life.

2005: 234x156: 192pp Hb: 978-0-415-35764-7: £70.00 Pb: 978-0-415-35765-4: £21.99 eBook: 978-0-203-00359-6

Art and Morality Edited by José Luis Bermúdez, Washington University of St. Louis, USA and Sebastian Gardner, University College London, UK Series: International Library of Philosophy

June 2008: 198x129: 144pp Hb: 978-0-415-39620-2: £55.00 Pb: 978-0-415-39621-9: £9.99

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Artistic Citizenship Edited by Mary Schmidt and Randy Martin Artistic Citizenship asks the question: how do people in the creative arts prepare for, and participate in, civic life? This volume, developed at NYU’s Tisch School, identifies the question of artistic citizenship to explore civic identity – the role of the artist in social and cultural terms.

With contributions from many connected to the Tisch School including: novelist E.L. Doctorow, performance artist Karen Finley, theatre guru Richard Schechner, and cultural theorist Ella Shohat, this book is indispensable to anyone involved in arts education or the creation of public policy for the arts.

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2006: 234x156: 288pp Hb: 978-0-415-97865-1: £60.00 Pb: 978-0-415-97866-8: £15.99

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This significant contribution to philosophical literature opens up unexplored questions and sheds new light on traditional debates in aesthetics. Tackling some of the most key questions, it features contributions from leading figures in the field.

2006: 234x156: 312pp Pb: 978-0-415-26046-6: £23.99

US $44.95

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GENDER AND ART

NEW

Gender and Aesthetics

Encounters in the Virtual Feminist Museum

An Introduction

Time, Space and the Archive

Series: Understanding Feminist Philosophy

Carolyn Korsmeyer This fully illustrated introductory text looks at the key theories and thinkers within art from a philosophical viewpoint. Focusing on the role gender plays, the book covers the most pertinent topics within feminist aesthetics.

Griselda Pollock, University of Leeds, UK Continuing her feminist reconceptualization of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century.

Challenging the dominant museum models of art and history that have been so exclusive of women’s artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.

Griselda Pollock draws on the models of both Aby Warburg’s Mnemosyne Atlas and Freud’s private museum of antiquities as well as Ettinger’s concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova’s Three Graces and women artist’s modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.

Artists featured include: Georgia O’Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten.

2004: 234x156: 208pp Hb: 978-0-415-26658-1: £55.00 Pb: 978-0-415-26659-8: £15.99 eBook: 978-0-203-64663-2

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Women Making Art History, Subjectivity, Aesthetics Marsha Meskimmon Examining work by a wide range of women artists from different cultures and historical periods, Women Making Art asks why women’s work has been seen as secondary, and mobilizes contemporary feminist thinking to reconsider how and why women have made art.

2003: 234x156: 240pp Hb: 978-0-415-24277-6: £55.00 Pb: 978-0-415-24278-3: £16.99

US $110.00

US $33.95

Concise Dictionary of Women Artists

Selected Contents: Part 1: The Afterlife of Images: Framing Fathers 1. What the Graces Made Me Do ... Time, Space and the Archive: Questions of Feminist Method 2. The Grace of Time: Narrativity, Sexuality and the Visual Encounter 3. The Objectís Gaze in the Freudian Museum Part 2: Femininity, Modernity and Representation 4. Visions of Sex c. 1920 Part 3: After Auschwitz: Femininity and Futurity 5. Jewish Space/Women’s Time: Encounters with History in the Artworking of Charlotte Salomon 1941–1942 6. The Graces of Catastrophe: Matrixial Time and Aesthetic Space Confront the Archive of Disaster Part 4: Time and the Mark 7. The Time of Drawing: Drawing Time Christine Taylor Patten’s Micro/Macro Series. Index

Edited by Delia Gaze

November 2007: 246x174: 280pp Hb: 978-0-415-41373-2: £75.00 Pb: 978-0-415-41374-9: £24.99

This book rewrites the history of ’Victorian’ art to explore the relationship between feminism and visual culture in a period of heady excitement and political struggle.

US $149.95

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This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.

2001: 246x174: 800pp Hb: 978-1-57958-335-4: £85.00

Beyond the Frame Feminism and Visual Culture, Britain 1850–1900 Deborah Cherry

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GENDER AND ART / DESIGN Differencing the Canon

NEW

Feminism and the Writing of Art’s Histories

The Design Culture Reader

Griselda Pollock

Edited by Ben Highmore, University of Sussex, UK

In this major book, renowned art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the Old Masters be rejected, replaced or reformed?

1999: 246x174: 368pp Hb: 978-0-415-06699-0: £75.00 Pb: 978-0-415-06700-3: £19.99

The Design Culture Reader brings together an international array of writers whose work is of central importance for thinking about design culture in the past, present and future. Essays from philosophers, media and cultural theorists, historians of design, anthropologists, cultural historians, artists and literary critics all demonstrate the enormous potential of design studies for understanding the modern world.

US $150.00

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3RD EDITION

Vision and Difference Feminism, Femininity and Histories of Art Griselda Pollock Series: Routledge Classics Now published with a new introduction by the author and drawing upon feminist cultural theory previously little applied to the visual arts, Pollock offers concrete historical analyses of key moments in the formation of modern culture to reveal the sexual politics at the heart of modernist art. Crucially, she not only provides a feminist re-reading of the work of canonical male Impressionist and Pre-Raphaelite artists including Edgar Degas and Dante Gabriel Rossetti, but also re-inserts into art history their female contemporaries – women artists such as Berthe Morisot and Mary Cassatt. Casting her critical eye over the contemporary art scene, Pollock discusses the work of women artists such as Mary Kelly and Yve Lomax, highlighting the problems of working in a culture where the feminine is still defined as the object of the male gaze.

Organized in thematic sections, The Design Culture Reader explores the social role of design by looking at the impact it has in a number of areas - especially globalization, ecology, and the changing experiences of modern life. Particular essays focus on topics such as design and the senses, design and war and design and technology, while the editor’s introduction to the collection provides a compelling argument for situating design studies at the very forefront of contemporary thought.

Selected Contents: Section 1: Materialism and Methods Section 2: Actors and Agents Section 3: The Obduracy of the Object Section 4: Plasticity and Play Section 5: Sense and Sensibilities Section 6: Designing (in) the World Section 7: Design Time May 2008: 246x174: 400pp Hb: 978-0-415-40355-9: £70.00 Pb: 978-0-415-40356-6: £19.99 • AVAILABLE AS AN INSPECTION COPY

2003: 198x129: 368pp Pb: 978-0-415-30850-2: £9.99 • AVAILABLE AS AN INSPECTION COPY US $17.95

Jewish Identities in American Feminist Art Ghosts of Ethnicity Lisa Bloom, University of California, San Diego, USA Featuring sixty-seven illustrations, and providing an important reckoning and visualization of the previously hidden Jewish ’ghosts’ within US art, Jewish Identities in American Feminist Art addresses the veiled role of Jewishness in the understanding of feminist art in the United States.

From New York city to Southern California, Lisa Bloom situates the art practices of Jewish feminist artists from the 1970s to the present in relation to wider cultural and historical issues.

2006: 234x156: 208pp Hb: 978-0-415-23220-3: £60.00 Pb: 978-0-415-23221-0: £16.99 • AVAILABLE AS AN INSPECTION COPY US $120.00

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DESIGN

2ND EDITION

2ND EDITION

Reading Images

An Introduction to Design and Culture

The Grammar of Visual Design

1900 to the Present

Gunther Kress, Institute of Education, London, UK and Theo van Leeuwen, University of Technology, Sydney, Australia

Penny Sparke

Reading Images focuses on the structures or ’grammar’ of visual design – colour, perspective, framing and composition – and provides the reader with an invaluable ’tool-kit’ for reading images. A must for anyone interested in communication, the media and the arts.

An Introduction to Design and Culture provides a history of the development of modern (and postmodern) design within its international cultural, social and economic context for undergraduate students.

2004: 234x156: 296pp Hb: 978-0-415-26335-1: £65.00 Pb: 978-0-415-26336-8: £18.99 • AVAILABLE AS AN INSPECTION COPY US $130.00

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The Language of New Media Design Theory and Practice

2006: 246x174: 312pp Hb: 978-0-415-31914-0: £80.00 Pb: 978-0-415-31915-7: £20.99 eBook: 978-0-203-61972-8

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Radan Martinec, London College of Communication, UK and Theo Van Leeuwen, University of Technology, Sydney, Australia This textbook introduces the principles and methods for the analysis and design of non-linear texts, from websites to CD-Roms.

NEW

Design: The Key Concepts Catherine McDermott, Kingston University, UK Series: Routledge Key Guides This is the essential student’s guide to design – its practice, its theory and its history. Drawing from a wide range of international examples, respected design writer Catherine McDermott explores key topics including: • international design – from Europe to Africa • design history – from Art Nouveau to punk • sustainable design, recycling and green design • design theory – from semiotics and gender, to postcolonialism • design technology, graphic design and the web.

Fully cross-referenced, with up-to-date guides for further reading, Design: The Key Concepts is an indispensable reference for students of design, design history, fashion, art and visual culture.

Integrating theory and practice, the book explores a range of models for analyzing and constructing multimedia products. For each model, the authors outline the theoretical background and provide examples of how the models can be used from students’ coursework to commonly available websites and other multimedia products.

April 2008: 234x156: 240pp Hb: 978-0-415-37257-2: £70.00 Pb: 978-0-415-37262-6: £19.99 • AVAILABLE AS AN INSPECTION COPY US $120.00

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Graphic Design as Communication Malcolm Barnard, University of Derby, UK Malcolm Barnard explores how meaning and identity are at the core of every graphic design project and argues that the role and function of graphic design is, and always has been, communication.

2005: 234x156: 208pp Hb: 978-0-415-27812-6: £55.00 Pb: 978-0-415-27813-3: £16.99

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October 2007: 216x138: 264pp Hb: 978-0-415-32015-3: £60.00 Pb: 978-0-415-32016-0: £14.99 eBook: 978-0-203-96761-4 • AVAILABLE AS AN INSPECTION COPY US $120.00

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DESIGN / FASHION What is Scenography?

Fashion Theory

Pamela Howard

A Reader

Series: Theatre Concepts

Edited by Malcolm Barnard, University of Derby, UK

A provocative re-evaluation of the traditional role and methods of theatre designers, pointing towards a more holistic approach to making theatre.

Series: Routledge Student Readers

2001: 160pp Hb: 978-0-415-10084-7: £70.00 Pb: 978-0-415-10085-4: £19.99 eBook: 978-0-203-42452-0

From its beginnings in the fifteenth century, intensified interest in fashion and the study of fashion over the last thirty years has led to a vast and varied literature on the subject.

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NEW

On Landscapes Susan Herrington, University of British Columbia, Canada There is no escaping landscape: it’s everywhere and part of everyone’s life. Landscapes have received much less attention in aesthetics than those arts we can choose to ignore, such as painting or music but they can tell us a lot about the ethical and aesthetic values of the societies that produce them.

Drawing examples from a wide range of landscapes from around the world and throughout history, Susan Herrington considers the ways our environment can affect our emotions, our imaginations, and our understanding of the passage of time. On Landscapes reveals the enormous design element involved in even the most naturalistic of landscapes, such as Prospect Park in Brooklyn, which required the invention of new machinery to transplant large numbers of mature trees, and the ways in which we are turning the challenges of the industrial past into opportunities for the future, such as New York City’s High Line, and a playground in Japan built on an overgrown landfill.

This collection of essays surveys and contextualizes the ways in which a wide range of disciplines, (including sociology, cultural studies, anthropology, fashion history, gender studies and cultural history), have used different theoretical approaches to explain, and sometimes to explain away, the astonishing variety, complexity and beauty of fashion.

Themes covered include individual, social and gender identity, the erotic, consumption and communication.

By collecting together some of the most influential and important writers on fashion and exposing the ideas and theories behind what they say, this unique collection of extracts and essays brings to light the presuppositions involved in the things we think and say about fashion.

Selected Contents: Part 1: Fashion and Fashion Theories Part 2: Fashion and History/Fashion in History Part 3: What Fashion is and is Not Part 4: What Fashion and Clothing Do Part 5: Fashion as Communication Part 6: Fashion: Identity and Difference Part 7: Fashion, Clothes and The Body Part 8: Production and Consumption Part 9: Modern Fashion Part 10: Post-Modern Fashion Part 11: Fashion and (the) Image Part 12: Fashion, Fetish and The Erotic April 2007: 246x174: 616pp Hb: 978-0-415-41339-8: £90.00 Pb: 978-0-415-41340-4: £24.99 • AVAILABLE AS AN INSPECTION COPY US $180.00

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2ND EDITION

November 2008: 216x138: 160pp Hb: 978-0-415-99124-7: £55.00 Pb: 978-0-415-99125-4: £10.99

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Malcolm Barnard In this fully revised and updated edition, Malcolm Barnard introduces fashion and clothing as ways of communicating and challenging class, gender, sexual and social identities.

E-mail: media_studies@routledge.com for more information

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FASHION

The Fashion Handbook

NEW

Tim Jackson and David Shaw, both at London College of Fashion, UK

The Fabric of Cultures

Tracing the development of the fashion industry, this book looks at how fashion can be understood from both social and cultural perspectives.

Each chapter contributes to the knowledge of a particular academic or vocational area either through building on existing research or through the dissemination of new research undertaken into specialist vocational disciplines.

The Fashion Handbook uses case studies, interviews and profiles and includes chapters written by recognized academics and fashion industry experts. Specialist topics include fashion culture, luxury brands, fashion journalism, fashion buying, design and manufacturing, retailing, PR and styling.

The Fashion Handbook includes: • a unique and wide overview of the fashion industry

Fashion, Identity, Globalization Edited by Eugenia Paulicelli, City University of New York, USA and Hazel Clark, Parsons the New School for Design, USA The Fabric of Cultures examines the impact of fashion as a manufacturing industry and as a culture industry that shapes identities of nations and cities in a cross-cultural perspective and within a global framework.

The collected essays look into local histories and industries and offer, for the first time, a wide spectrum of case studies which draw on primary sources and focus on a diversity of geographical spaces and places. The uniqueness of the study lies in the fact that it offers essays from all over the world, including the global capitals of fashion such as New York along with investigations into countries less known or identifiable for fashion such as contemporary Greece and Soviet Russia.

July 2008: 234x156: 256pp Hb: 978-0-415-77542-7: £65.00 Pb: 978-0-415-77543-4: £18.99

Rag Trade or Image Industry?

Angela McRobbie Stressing the social context of cultural production, Angela McRobbie focuses on British fashion and its graduate designers as products of youth street culture.

• chapters on specialist topics • contributions from recognized experts in both academia and the fashion industry • expert advice on careers in fashion retailing.

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2006: 234x156: 240pp Hb: 978-0-415-25579-0: £65.00 Pb: 978-0-415-25580-6: £18.99 eBook: 978-0-203-32117-1

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British Fashion Design

+44 (0)20 7017 6699

The Fashion Handbook is the indispensable guide to the fashion industry. It explores the varied and diverse aspects of the business, bringing together critical concepts with practical information about the industry’s structure and core skills, as well as offering advice on real working practices and providing information about careers and training.

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FASHION / ARTS MANAGEMENT In the Culture Society

Arts Management

Art, Fashion and Popular Music

Derrick Chong

Angela McRobbie

This key text presents a critical overview of arts management addressing the artistic, managerial, and social obligations of arts and cultural organizations operating in contemporary urban environs.

Angela McRobbie’s collection of essays considers the social consequences of cultural proliferation and the social basis of aesthetic innovation.

1999: 234x156: 176pp Hb: 978-0-415-13749-2: £70.00 Pb: 978-0-415-13750-8: £18.99

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2002: 234x156: 168pp Hb: 978-0-415-23681-2: £95.00 Pb: 978-0-415-23682-9: £25.99

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Visual Consumption

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Jonathan E. Schroeder Series: Routledge Interpretive Marketing Research Incorporating case studies from the US, Europe and the UK, this book provides an unparalleled guide to the visual consumption processes necessary for understanding and succeeding in today’s market.

The Mask Handbook A Practical Guide Toby Wilsher This book, from Europe’s leading Mask director and co-founder of the Trestle Theatre Company, provides a fascinating demystification of the process of using masks.

Full of simple explanations, and collating over twenty-five years’ experience of writing for, directing and acting in masks, The Mask Handbook examines how masks have the ability to play the fundamental game of theatre – the suspension of disbelief.

2002: 234x156: 208pp Hb: 978-0-415-24424-4: £90.00 Pb: 978-0-415-36625-0: £27.99 eBook: 978-0-203-47163-0

2ND EDITION

Museum Basics Timothy Ambrose and Crispin Paine, University College, Chichester, UK Series: Heritage: Care-Preservation-Management Fully updated and extended to examine the many changes that have occurred in the last decade, this second edition of worldrenowned text Museum Basics provides a basic guide to all aspects of museum work and staff experience from museum organization, through collections management and conservation, to audience development and education.

The Handbook includes: an introduction to the origin of masks, advice on preparing, making and using masks, tips on writing, devising and directing maskwork, and lots of fun and effective practical exercises.

This accessible and inspiring Handbook will empower teachers, directors and actors to fully explore the world of the mask.

2006: 216x138: 200pp Hb: 978-0-415-41436-4: £50.00 Pb: 978-0-415-41437-1: £14.99 eBook: 978-0-203-96779-9

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Museum Basics is a reference to support day-to-day museum management, a key text in pre-service and in-service training programmes, working brilliantly alongside case studies, project work and group discussion.

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Selected Contents: Section 1: Introductory Section 2: The Museum and its Users Section 3: The Development and Care of the Museum’s Collections Section 4: The Museum and its Buildings Section 5: The Museum and its Management Section 6: Supporting Resources 2006: 246x174: 336pp Hb: 978-0-415-36633-5: £65.00 Pb: 978-0-415-36634-2: £24.99 eBook: 978-0-203-01898-9 • AVAILABLE AS AN INSPECTION COPY US $115.00

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ARTS MANAGEMENT / INDEX A

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The Art Business Edited by Iain Robertson, Sotheby’s Institute, London, UK and Derrick Chong, Royal Holloway, University of London, UK By the time you read this book, the art world may have witnessed the sale of its first $500 million painting. Whilst for some people money is anathema to art, this is clearly a wealthy international industry, and a market with its own conventions and pressures.

Drawing on the vast experience of Sotheby’s Institute of Art, The Art Business exposes the realities of the commercial trade in fine art and antiques. Attention is devoted to the role of auction houses, commercial galleries and art museums as key institutions, with the text divided into four thematic sections: • technical and structural elements of the art market • cultural policy and management in art business • regulatory legal and ethical issues in the art world • the views, through interviews, of leading art market experts.

This book provides a thorough examination of contemporary issues in the art business, and the mechanisms and influences which underpin its evolution.

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Heritage, Museums and Galleries An Introductory Reader Edited by Gerard Corsane Bringing the reader the very best of modern scholarship from the heritage community, this comprehensive Reader outlines and explains the many diverse issues that have been identified and brought to the fore in the field of heritage, museums and galleries over the past couple of decades.

The book provides an ideal starting point for those coming to the study of museums and galleries for the first time.

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Acton, Mary . . . . . . . . . . . . . . . . .3 Ambrose, Timothy . . . . . . . . . . . .25 American Icons . . . . . . . . . . . . . .12 Archaeology of Celtic Art, The . . . .7 Archaeology of Images, An . . . . . .8 Architext Series . . . . . . . . . . . . . .12 Arguing About Art . . . . . . . . . . .14 Art & Ventriloquism . . . . . . . . . . .18 Art and Morality . . . . . . . . . . . . .19 Art Business, The . . . . . . . . . . . . .26 Art History Versus Aesthetics . . . . .5 Art History: The Basics . . . . . . . . . .1 Art History: The Key Concepts . . . .1 Art Question, The . . . . . . . . . . . .14 Art Seminar Series, The . . . . . . . . .5 Artifact . . . . . . . . . . . . . . . . . . . .30 Artistic Capital . . . . . . . . . . . . . . . .7 Artistic Citizenship . . . . . . . . . . . .19 Arts Management . . . . . . . . . . . .25

Baker, Bobby . . . . . . . . . . . . . . . .10 Bann, Stephen . . . . . . . . . . . . . . . .4 Barnard, Malcolm . . . . . . . . .22, 23 Barrett, Michèle . . . . . . . . . . . . . .10 Basics Series, The . . . . . . . . . .1, 15 Bermúdez, José Luis . . . . . . . . . .19 Beyond the Frame . . . . . . . . . . . .20 Binstock, Benjamin . . . . . . . . . . . .8 Bishop, Claire . . . . . . . . . . . . . . . .8 Bloom, Lisa . . . . . . . . . . . . . . . . .21 Bobby Baker . . . . . . . . . . . . . . . .10 British Fashion Design . . . . . . . . .24 Burke, Edmund . . . . . . . . . . . . . .18

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H Hagberg, Garry . . . . . . . . . . . . . .18 Hall, John R. . . . . . . . . . . . . . . . .17 Hannavy, John . . . . . . . . . . . . . . .13 Harding, D.W. . . . . . . . . . . . . . . .7 Harris, Jonathan . . . . . . . . . .1, 2, 4 Hart, Janice . . . . . . . . . . . . . . . . .13 Heritage, Museums and Galleries . . . . . . . . . . . . . . . .26 Heritage: Care-PreservationManagement Series . . . . . . . . . . .25 Herrington, Susan . . . . . . . . . . . .23 Highmore, Ben . . . . . . . . . . . . . .21 Hight, Eleanor M. . . . . . . . . . . . .13 History of Photography . . . . . . . .30 Holdridge, Lin . . . . . . . . . . . . . . .16 How to Use Your Eyes . . . . . . . . . .6 Howard, Pamela . . . . . . . . . . . . .23

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INDEX

Imagination, Philosophy and the Arts . . . . . . . . . . . . . . . .18 Imagining the Present . . . . . . . . .17 In Sight: Visual Culture Series . . .11 In the Aftermath of Art . . . . . . . . .9 In the Culture Society . . . . . . . . .25 Innovations in Art and Design Series . . . . . . . . . . . . . . . .16 Installation Art . . . . . . . . . . . . . . . .8 International Library of Philosophy Series . . . . . . . . . . .19 International Library of Sociology Series . . . . . . . . . . .17 Introduction to Design and Culture, An . . . . . . . . . . . . . .22 Introduction to Visual Culture, An .9 Invisible Connections . . . . . . . . . .16 Is Art History Global? . . . . . . . . . .5

J Jackson, Tim . . . . . . . . . . . . . . . .24 Jensen, Robin Margaret . . . . . . . .8 Jewish Identities in American Feminist Art . . . . . . . . . . . . . . . . .21 Jones, Amelia . . . . . . . . . . . .10, 11 Journal of Architecture . . . . . . . .30

K Kalina, Richard . . . . . . . . . . . . . .17 Kaye, Nick . . . . . . . . . . . . . . . . . .11 Key Writers on Art: From Antiquity to the Nineteenth Century . . . . . . .4 Key Writers on Art: The Twentieth Century . . . . . . . . .4 Kieran, Matthew . . . . . . . . . .16, 18 Kirwan, James . . . . . . . . . . . . . . .16 Konsthistorisk Tidskrift / Journal of Art History . . . . . . . . .30 Korsmeyer, Carolyn . . . . . . . . . . .20 Kress, Gunther . . . . . . . . . . . . . .22

L Lamoureux, Johanne . . . . . . . . . . .9 Landscape Theory . . . . . . . . . . . . .5 Language of New Media Design, The . . . . . . . . . . .22 Learning to Look at Modern Art . .3 Learning to Look at Paintings . . . .3 LEA's Communication Series . . . .17 Lopes, Dominic . . . . . . . . . . . . . .18 Lovejoy, Margot . . . . . . . . . . . . . .12

M Macarthur, John . . . . . . . . . . . . .12 Macleod, Katy . . . . . . . . . . . . . . .16 Making American Art . . . . . . . . . .8 Making Art History . . . . . . . . . . . .1 Mansfield, Elizabeth . . . . . . . . . . .1 Marcus, Alan . . . . . . . . . . . . . . . .12 Martin, Randy . . . . . . . . . . . . . . .19 Martinec, Radan . . . . . . . . . . . . .22 Mask Handbook, The . . . . . . . . .25 Master Narratives

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and their Discontents . . . . . . . . . .4 McDermott, Catherine . . . . . . . . .22 McIver Lopes, Dominic . . . . . . . .18 McRobbie, Angela . . . . . . . . .24, 25 Meecham, Pam . . . . . . . . . . . . .3, 8 Meskimmon, Marsha . . . . . . . . . .20 Miles, Malcolm . . . . . . . . . . . . . .16 Mirzoeff, Nicholas . . . . . . .9, 10, 11 Modern Art . . . . . . . . . . . . . . . . . .3 Morra, Joanne . . . . . . . . . . . . . . . .9 Multi-Media . . . . . . . . . . . . . . . .11 Murray, Chris . . . . . . . . . . . . . . . . .4 Museum Basics . . . . . . . . . . . . . .25

N Neill, Alex . . . . . . . . . . . . . . . . . .14 Network Art . . . . . . . . . . . . . . . .16 Neumann, Dietrich . . . . . . . . . . .12 New Art History, The . . . . . . . . . . .2 New Practices - New Pedagogies .16 New York Underground . . . . . . .14 Newall, Diana . . . . . . . . . . . . . . . .1 Newton, Julianne . . . . . . . . . . . .17 Nineteenth Century Visual Culture Reader, The . . . . . . . . . . .11

O On Criticism . . . . . . . . . . . . . . . . .19 On Landscapes . . . . . . . . . . . . . .23 On the Strange Place of Religion in Contemporary Art . . . . . . . . . . .6 Ostrow, Saul . . . . . . . . . . . . . . . . .9 Our Beautiful, Dry and Distant Texts . . . . . . . . . . . . . . . . .6

P Paine, Crispin . . . . . . . . . . . . . . .25 Paulicelli, Eugenia . . . . . . . . . . . .24 Philosophical Enquiry into the Sublime and Beautiful, A . . . . . . .18 Philosophy of Art . . . . . . . . . . . . .15 Philosophy of the Arts . . . . . . . . .15 Photographies . . . . . . . . . . . . . . .30 Photographs Objects Histories . . .13 Photography . . . . . . . . . . . . . . . .13 Photography Handbook, The . . . .13 Photography Reader, The . . . . . . .15 Photography Theory . . . . . . . . . . .5 Pictures and Tears . . . . . . . . . . . . .6 Picturesque, The . . . . . . . . . . . . .12 Pink, Sarah . . . . . . . . . . . . . . . . .19 Pollock and After . . . . . . . . . . . . . .7 Pollock, Griselda . . . . . . . . . .20, 21 Pooke, Grant . . . . . . . . . . . . . . .1, 2 Popat, Sita . . . . . . . . . . . . . . . . . .16 Preziosi, Donald . . . . . . . . . . . . . . .9 Przyblyski, Jeannene . . . . . . . . . .11

R Reading Images . . . . . . . . . . . . . .22 Renaissance Theory . . . . . . . . . . . .5 Revealing Art . . . . . . . . . . . . . . . .16 Ridley, Aaron . . . . . . . . . . . . . . . .14 Robertson, Iain . . . . . . . . . . . . . .26

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Routledge Classics Series . . . .18, 21 Routledge Companion to Aesthetics, The . . . . . . . . . . . .18 Routledge Contemporary Introductions to Philosophy Series 15 Routledge Interpretive Marketing Research Series . . . . . . . . . . . . . .25 Routledge Key Guides Series 1, 4, 22 Routledge Philosophy Companions Series . . . . . . . . . . .18 Routledge Philosophy Guidebook to Nietzsche on Art . . . . . . . . . . .14 Routledge Philosophy GuideBooks Series . . . . . . . . . . . . . . . . . . . . .14 Routledge Research in Cultural and Media Studies . . . . . . . . . . . .12 Routledge Student Readers Series . . . . . . . . . . . . . . .23 Ryan, David . . . . . . . . . . . . . . . . . .9

S Sampson, Gary D. . . . . . . . . . . .13 Sartwell, Crispin . . . . . . . . . . . . .15 Schellekens, Elizabeth . . . . . . . . .17 Schmidt, Mary . . . . . . . . . . . . . . .19 Schroeder, Jonathan E. . . . . . . . .25 Schwartz, Vanessa . . . . . . . . . . . .11 Self/Image . . . . . . . . . . . . . . . . . .10 Semiotics: The Basics . . . . . . . . . .15 Shaw, David . . . . . . . . . . . . . . . .24 Sheldon, Julie . . . . . . . . . . . . . .3, 8 Shiff, Richard . . . . . . . . . . . . . . . . .4 Site-Specific Art . . . . . . . . . . . . . .11 Six Names of Beauty . . . . . . . . . .15 Smith, Marquard . . . . . . . . . . . . . .9 Sociology of Art . . . . . . . . . . . . . .7 Solis, Julia . . . . . . . . . . . . . . . . . .14 Sparke, Penny . . . . . . . . . . . . . . .22 State of Art Criticism, The . . . . . . .5 Stimson, Blake . . . . . . . . . . . . . . .17 Stories of Art . . . . . . . . . . . . . . . . .6 Studies in the History of Gardens & Designed Landscapes . . . . . . . .30 Sublimity . . . . . . . . . . . . . . . . . . .16

T Talking Painting . . . . . . . . . . . . . . .9 Tamiris Becker, Lisa . . . . . . . . . . .17 Tanner, Jeremy . . . . . . . . . . . . . . . .7 Theatre Concepts Series . . . . . . .23 Theories of Modernism and Postmodernism in the Visual Arts Series . . . . . . . . . . . . . .4 Theory for Art History . . . . . . . . . .2 Thinking in Action Series . . . . . . .19 Thinking Through Art . . . . . . . . .16 Third Text . . . . . . . . . . . . . . . . . .30 Total Work of Art, The . . . . . . . . . .2

U Understanding Early Christian Art .8 Understanding Feminist Philosophy Series . . . . . . . . . . . . .20

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V Van Leeuwen, Theo . . . . . . . . . . .22 Vermeer's Family Secrets . . . . . . . .8 Vision and Difference . . . . . . . . .21 Visual Anthropology . . . . . . . . . .30 Visual Communication . . . . . . . . .17 Visual Consumption . . . . . . . . . . .25 Visual Culture . . . . . . . . . . . . . . . .9 Visual Culture Reader, The . . . . . . .9 Visual Literacy . . . . . . . . . . . . . . . .6 Visual Resources . . . . . . . . . . . . .30 Visual Studies . . . . . . . . . . . . .6, 30 Visual Worlds . . . . . . . . . . . . . . .17 Visualizing the City . . . . . . . . . . .12

W Warburton, Nigel . . . . . . . . . . . . .14 Warren, Lynne . . . . . . . . . . . . . . .14 Watching Babylon . . . . . . . . . . . .11 Ways Around Modernism . . . . . . .4 Wells, Liz . . . . . . . . . . . . . . . .13, 15 Wertkin, Gerard C. . . . . . . . . . . . .7 What is Scenography? . . . . . . . . .23 What Painting Is . . . . . . . . . . . . . .6 Who's Afraid of Conceptual Art? 17 Why Are Our Pictures Puzzles? . . .6 Williams, Rick . . . . . . . . . . . . . . .17 Williams, Robert . . . . . . . . . . . . . .5 Wilsher, Toby . . . . . . . . . . . . . . . .25 Wilson Smith, Matthew . . . . . . . . .2 Women Making Art . . . . . . . . . . .20 Wood, Aylish . . . . . . . . . . . . . . . .10 Word & Image . . . . . . . . . . . . . . .30 Wright, Terence . . . . . . . . . . . . . .13 Writing Back to Modern Art . . . . .4

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Visual Arts Journals from Routledge Digital Creativity

Online in 2008

Volume 18, 2008, 4 issues per year

Visual Resources

Digital Creativity is a major peerreviewed journal at the intersection of the creative arts and digital technologies.

An International Journal of Documentation

Early Popular Visual Culture

Visual Resources is devoted to the study of images and their use, exploring how visual language is structured and visual meaning communicated.

Volume 6, 2008, 3 issues per year Early Popular Visual Culture is a peerreviewed, academic journal dedicated to stimulating research and interdisciplinary studies in relation to all forms of popular visual culture before 1930.

History of Photography Volume 32, 2008, 4 issues per year History of Photography is an international journal devoted exclusively to the history and criticism of the basic semantic unit of all modern media, the photograph.

Volume 24, 2008, 4 issues per year

Visual Studies Published on behalf of the International Visual Sociology Association Volume 23, 2008, 3 issues per year Visual Studies provides the key resource where issues of a visual nature, whether it be epistemological, methodological, empirical, symbolic, for ethical may be aired and debated.

Word & Image Volume 24, 2008, 4 issues per year

Photographies Volume 1, 2008, 2 issues per year Photographies seeks to construct a new agenda for theorising photography as a heterogeneous medium that is changing in an ever more dynamic relation to all aspects of contemporary culture.

Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime new areas of humanistic criticism.

Other Titles from Routledge Journal of Architecture Volume 13, 2008, 6 issues per year

Studies in the History of Gardens & Designed Landscapes Volume 28, 2008, 4 issues per year Studies in the History of Gardens & Designed Landscapes addresses itself to readers with a serious interest in the subject, and is now established as the main place in which to publish scholarly work on international garden history.

Artifact Volume 2, 2008, 4 issues per year CoDesign: International Journal of Co-Creation in Design and the Arts Volume 4, 2008, 4 issues per year

Konsthistorisk Tidskrift / Journal of Art History Volume 77, 2008, 4 issues per year Visual Anthropology Volume 21, 2008, 5 issues per year

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Third Text Volume 22, 2008, 6 issues per year Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture.

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