Museum and Heritage Studies 2010 (US)

Routledge

Museum and Heritage Studies 2010 New Titles and Key Backlist 2010

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Museum and Heritage Studies 2010 New Titles and Key Backlist 2010

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Museum Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Museums and Community . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Design and Exhibitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Identity, Gender and Sexuality . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Collections Management and the Object . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Management and Marketing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Conservation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Heritage Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Digital Heritage . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32

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Mus e um S tudi e s

NEW

NEW in 2011

National Museums

Routledge Companion to Museum Ethics

Edited by Simon Knell, The University of Leicester, UK, Peter Aronsson, Linköping University, Sweden and Arne Bugge Amundsen, University of Oslo, Norway National Museums brings together new research from around the world. It is an exploration of the origins, purpose, organisation, politics, narratives, and philosophies, of national museums. Both leading and new researchers in the fields of history, museum studies, cultural studies, sociology, history of art, media studies, science and technology studies, and anthropology.

Comprising a major comparative analysis of national museums and in full colour throughout, the volume examines the past, present and the future of the national museum. It goes beyond individual histories of national museums and examines the phenomenon on a global scale.

For the first time the concept of the national museum is scrutinised in the round.

Selected Contents: 1. Introduction 2. Narration Within and Without 3. Making, Representing, Being 4. National Museums and the Politics of the Nation 5. Diverse Nations and the National Museum 6. National Museums beyond Museums September 2010: 246 x 174: 512pp Hb: 978-0-415-54773-4: $130.00 Pb: 978-0-415-54774-1: $46.95 For more information, visit: www.routledge.com/9780415547741

Redefining Ethics for the Twenty-First Century Museum Edited by Janet Marstine, Seton Hall University, USA The Routledge Companion to Museum Ethics will elucidate contemporary museum ethics, providing a much needed resource to researchers, students, and museum professionals worldwide who are grappling with these matters. This volume of essays articulates a new museum ethics characterized by democratic pluralism, radical transparency, and accountability, and an ongoing negotiation towards social understanding in which process trumps product.

Selected Contents: Part 1: Reonceptualizing Museum Ethics 1. Contemporary Museum Ethics: Democratic Pluralism, Radical Transparency, and the Ongoing Negotiation Towards Social Understanding 2. The Art of Ethics: Theories and Applications to Museums 3. The GoodWork Project, Project Zero, Harvard University, Good Work in Museums Today… and Tomorrow 4. Museums and the End of Materialism 5. Changing the Rules of the Road: Postcolonialism and the New Ethics of Museum Anthropology 6. ’Aroha mai: Whose Museum?’ The Rise of Indigenous Ethics within Museum Contexts: A Maori-tribal Perspective 7. The Responsibility of Representation: A Feminist Perspective Hilde Hein, Resident Scholar Part 2: Redefining Transparency and Accountability 8.The Enlightened Museum: In Whose Name? 9. Visible Listening-Discussion, Debate and Governance in the Museum 10. Ethical, Entrepreneurial or Inappropriate? Business Practices in Museums 11. ’Why is This Here?’: How Wall Texts in the Art Museum Conceal or Reveal Collecting Ethics 12. Ethics and Challenges of Museum Marketing and Pricing Policy 13.Transfer Protocols: Museum Codes and Ethics in the New Digital Environment 14. Sharing Conservation Ethics, Practice and Decision-Making with Museum Visitors Part 3: Ethics, Activism and Social Responsibility 15. On Ethics, Activism and Human Rights 16. Collaboration, Contestation, and Creative Conflict: On the Efficacy of Museum/ Community Partnerships 17. Museums as ’Dangerous’ Sites: Fostering Civic Engagement Through Radically Democratic Museum Practices 18. Being Responsive to be Responsible: Museums and Audience Development 19. The Role of the Public in the Governance of Science Centers 20. Dance Through the Minefield: The Development of Practical Ethics for Repatriation Part 4: Museum Ethics Embodied 21. The Body in the White Box: Corporeal Ethics and Museum Representation 22. Acting The Ethical Dilemmas of Museum Architecture 23. Museum Censorship: Past, Present and Future 24. Ethics of Confrontational Drama in Museums 25. Memorial Museums and the Objectification of Suffering 26. Senior Conservation Practice as Enacted Ethics February 2011: 246 x 174 Hb: 978-0-415-56611-7: $130.00 Pb: 978-0-415-56612-4: $46.95 For more information, visit: www.routledge.com/9780415566124 • AVAILABLE AS AN INSPECTION COPY

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Museum Basics

Heritage, Museums and Galleries

Timothy Ambrose and Crispin Paine

An Introductory Reader

Series: Heritage: Care-Preservation-Management

Edited by Gerard Corsane

2nd Edition

Fully updated and extended the second edition of Museum Basics provides a basic guide to all aspects of museum work and staff experience from museum organization, through collections management and conservation, to audience development and education.

Organized on a modular basis, with over one-hundred units, Museum Basics is a reference to support day-to-day museum management, a key text in pre-service and in-service training programmes, and works brilliantly alongside case studies, project work, and group discussion.

With a glossary, sources of information and a select bibliography, this is certainly a book that no museum professional, nor museum and heritage studies student will want to be without.

Selected Contents: Section 1: Introductory Section 2: The Museum and its Users Section 3: The Development and Care of the Museum’s Collections Section 4: The Museum and its Buildings Section 5: The Museum and its Management Section 6: Supporting Resources

This comprehensive reader outlines and explains the many diverse issues in the field of heritage, museums and galleries over the past couple of decades.

Selected Contents: Introduction 1. Heritage/Museums/Galleries: Background and Overview 2. Highlighting Key Issues 3. Heritage and Cultural Tourism 4. Democratising Museums and Heritage

2004: 246 x 174: 400pp Hb: 978-0-415-28945-0: $145.00 Pb: 978-0-415-28946-7: $49.95 eBook: 978-0-203-32635-0 For more information, visit: www.routledge.com/9780415289467 • AVAILABLE AS AN INSPECTION COPY

Museum Revolutions How Museums Change and are Changed Edited by Simon J. Knell, Suzanne MacLeod and Sheila Watson

2006: 246 x 174: 336pp Hb: 978-0-415-36633-5: $130.00 Pb: 978-0-415-36634-2: $49.95 eBook: 978-0-203-01898-9

Capturing the richness of the museum studies discipline, Museum Revolutions is the ideal text for museum studies courses, providing a wide range of interlinked themes and the latest thought and research from experts in the field.

For more information, visit: www.routledge.com/9780415366342

Civilizing the Museum The Collected Writings of Elaine Heumann Gurian Elaine Heumann Gurian 2005: 234 x 156: 240pp Hb: 978-0-415-35766-1: $120.00 Pb: 978-0-415-35762-3: $39.95 eBook: 978-0-203-00356-5

2007: 246 x 174: 416pp Hb: 978-0-415-44466-8: $155.00 Pb: 978-0-415-44467-5: $46.95

For more information, visit: www.routledge.com/9780415357623 • AVAILABLE AS AN E-INSPECTION COPY

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Mus e um S tudi e s

The Engaging Museum

Re-Imagining the Museum

Developing Museums for Visitor Involvement

Beyond the Mausoleum

Graham Black

Series: Museum Meanings

Series: Heritage: Care-Preservation-Management

Andrea Witcomb

A practical guide book for the student and professional on how to create the highest quality experience for museum visitors.

2005: 246 x 174: 320pp Hb: 978-0-415-34556-9: $110.00 Pb: 978-0-415-34557-6: $34.95 For more information, visit: www.routledge.com/9780415345576 • AVAILABLE AS AN INSPECTION COPY

The Birth of the Museum

Through a range of case studies from the UK, North America and Australia, Andrea Witcomb argues that museums are key mediators between high and popular culture and between government, media practitioners, cultural policy-makers and museums professionals.

2002: 246 x 174: 208pp Hb: 978-0-415-22098-9: $130.00 Pb: 978-0-415-22099-6: $41.95 eBook: 978-0-203-36102-3 For more information, visit: www.routledge.com/9780415220996 • AVAILABLE AS AN E-INSPECTION COPY

Pasts Beyond Memory

History, Theory, Politics

Evolution, Museums, Colonialism

Tony Bennett

Tony Bennett

Series: Culture: Policy and Politics

Series: Museum Meanings

In a series of richly detailed case studies from Britian, Australia, and North America, Tony Bennett investigates how nineteenth- and twentieth-century museums, fairs, and exhibitions have organized their collections, and their visitors.

Discussing the historical development of museums alongside that of the fair and the international exhibition, Bennett sheds new light upon the relationship between modern forms of official and popular culture.

1995: 234 x 156: 288pp Hb: 978-0-415-05387-7: $160.00 Pb: 978-0-415-05388-4: $39.95 For more information, visit: www.routledge.com/9780415053884 • AVAILABLE AS AN E-INSPECTION COPY

’Sure to be a major intervention in museums and cultural studies … an important and provocative text … I expect this book to be as important as Birth of the Museum.’ – Ivan Karp, Emory University

2004: 246 x 174: 256pp Hb: 978-0-415-24746-7: $135.00 Pb: 978-0-415-24747-4: $41.95 eBook: 978-0-203-64706-6 For more information, visit: www.routledge.com/9780415247474 • AVAILABLE AS AN E-INSPECTION COPY

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Leicester Readers in Museum Studies Series NEW in 2011

Preventive Conservation Caring for Artefacts and Collections in Museums Edited by Chris Caple, University of Durham, UK Preventive Conservation makes available and comprehensible the diverse literature and ideas of preventive conservation to an audience with a limited scientific background, principally those studying museum studies or engaged in the museum profession. It bridges the gap between the basic museum generated literature and technical and detailed conservation literature.

The area of preventative conservation has developed greatly in recent years and has adopted a far more holistic approach.

The development of the concepts of risk analysis, management of conservation and how preventative conservation relates to the importance of traditional beliefs and approaches to artefacts have all made an impact on the subject in recent years along with the advance of instrumentation over the last thirty years. The next generation of ideas that will affect preventive conservation practice are just starting to emerge, including: detailed modelling of the environments of buildings and the sustainability of the artefactual and building heritage.

March 2011: 246 x 174 Hb: 978-0-415-57969-8: $130.00 Pb: 978-0-415-57970-4: $52.95 For more information, visit: www.routledge.com/9780415579704 • AVAILABLE AS AN INSPECTION COPY

Museums and their Communities Edited by Sheila Watson

Using case studies drawn from all areas of museum studies, Museums and their Communities explores the museums as a site of representation, identity, and memory, and considers how it can influence its community.

Focusing on the museum as an institution, and its social and cultural setting, Sheila Watson examines how museums use their roles as informers and educators to empower, or to ignore, communities.

Looking at the current debates about the role of the museum, she considers contested values in museum functions and examines provision, power, ownership, responsibility, and institutional issues.

Selected Contents: 1. Changing Roles of Museums Over Time and Current Challenges 2. Who Controls the Museum?

3. Museums and Identities 4. Communities Remembering and Forgetting 5. Challenges: Museums and Communities in the Twenty-First Century 2007: 246 x 174: 592pp Hb: 978-0-415-40259-0: $145.00 Pb: 978-0-415-40260-6: $51.95 eBook: 978-0-203-94475-2 For more information, visit: www.routledge.com/9780415402606 • AVAILABLE AS AN INSPECTION COPY

NEW in 2011

Museum Objects Edited by Sandra Dudley, University of Leicester, UK This reader brings together classic and up-to-date texts on the nature and definition of the object itself, the senses and embodied experience of objects. No other volume brings together such perspectives in this way, and no other volume includes such a focus on the museum context.

You can now follow Routledge Archaeology on

This book incorporates both theoretical and more practical readings from a range of international academic and contextual perspectives.

July 2011: 246 x 174 Hb: 978-0-415-58177-6: $130.00 Pb: 978-0-415-58178-3: $52.95 For more information, visit: www.routledge.com/9780415581783 • AVAILABLE AS AN INSPECTION COPY

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Mus e um S tudi e s

Edited by Ross Parry, University of Leicester, UK

Museum Management and Marketing

Edited by Richard Sandell and Robert R. Janes

Museums in a Digital Age Today museums are reliant on new technology to manage their collections. They collect digital as well as material things. New media is embedded within their exhibition spaces. And their activity online is as important as their physical presence on site.

However, ‘digital heritage’ (as an area of practice and as a subject of study) does not exist in one single place. Its evidence base is complex, diverse and distributed, and its content is available through multiple channels, on varied media, in myriad locations, and different genres of writing.

It is this diaspora of material and practice that this Reader is intended to address. With over forty chapters (by some fifty authors and co-authors), from around the world, spanning over twenty years of museum practice and research, this volume acts as an aggregator drawing selectively from a notoriously distributed network of content. Divided into seven parts (on information, space, access, interpretation, objects, production and futures), the book presents a series of cross-sections through the body of digital heritage literature, each revealing how a different aspect of curatorship and museum provision has been informed, shaped or challenged by computing.

Selected Contents: Part 1: Information: Data, Structure and Meaning Part 2: Space: Visits, Virtuality and Distance Part 3: Access: Ability, Usability and Connectivity Part 4: Interpretation: Communication, Interactivity and Learning Part 5: Object: Authenticity, Authority and Trust Part 6: Delivery: Production, Evaluation and Sustainability Part 7: Futures: Priorities, Approaches and Aspirations

Selected Contents: 1. Museums and Change 2. Museum Management 3. Marketing the Museum 2007: 246 x 174: 420pp Hb: 978-0-415-39628-8: $145.00 Pb: 978-0-415-39629-5: $51.95 eBook: 978-0-203-96419-4 For more information, visit: www.routledge.com/9780415396295 • AVAILABLE AS AN INSPECTION COPY

Museums in the Material World Edited by Simon Knell

2009: 246 x 174: 496pp Hb: 978-0-415-40261-3: $130.00 Pb: 978-0-415-40262-0: $52.95 For more information, visit: www.routledge.com/9780415402620 • AVAILABLE AS AN INSPECTION COPY

Drawing together a selection of high quality, intellectually robust and stimulating articles on both theoretical and practice-based developments in the field, this Reader investigates the closely linked areas of management and marketing in the museum.

This book seeks to introduce classic and thought-provoking pieces and contrast them with articles which reveal grounded practice. The articles are selected from across the full breadth of museum disciplines and are linked by a logical narrative.

2007: 246 x 174: 392pp Hb: 978-0-415-41698-6: $135.00 Pb: 978-0-415-41699-3: $51.95 eBook: 978-0-203-94685-5 For more information, visit: www.routledge.com/9780415416993 • AVAILABLE AS AN INSPECTION COPY

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Museum Meanings Series Heritage and Identity

Museums and Education

Engagement and Demission in the Contemporary World

Purpose, Pedagogy, Performance

Edited by Marta Anico and Elsa Peralta, both at Technical University of Lisbon

Eilean Hooper-Greenhill At the beginning of the twenty-first century museums are challenged on a number of fronts. The prioritisation of learning in museums in the context of demands for social justice and cultural democracy combined with cultural policy based on economic rationalism forces museums to review their educational purposes, redesign their pedagogies and account for their performance.

Heritage and Identity explores the complex ways in which heritage actively contributes to the construction and representation of identities in contemporary societies, providing a comprehensive account of the diverse conceptions of heritage and identity across different continents and cultures.

The editors introduce and discuss a wide range of interconnected topics, including: multiculturalism and globalization, local and regional identity, urban heritage, difficult memories, conceptions of history, ethnic representations, repatriation, ownership, controversy, contestation, and ethics and social responsibility.

The volume places empirical data within a theoretical and analytical framework and presents an interdisciplinary approach to the study of the representation of the past, invaluable for anyone interested in heritage and museum studies.

Selected Contents: Part 1: Place and Identity 1. What Role Can Digital Heritage Play in the Re-imagining of National Identities?

England and its Icons 2. Locating Art: The Display and Construction of Place Identity in Art Galleries 3. Place, Local Distinctiveness and Local Identity: Ecomuseum Approaches in Europe and Asia 4. Representing Identities at Local Municipal Museums: Cultural Forums or Identity Bunkers? 5. Heritage According to Scale Part 2: Remembering and Forgetting 6. Unsettling Memories: Intervention and Controversy Over Difficult Public Heritage 7. Public Silences, Private Voices: Memory Games in a Maritime Heritage Complex 8. The Banalization and the Contestation of Memory in Postcommunist Poland 9. A Landscape of Memories: Layers of Meaning in a Dublin Park Part 3: Domination and Contestation 10. Labor and Leisure at Monticello: Or Representing Race Instead of Class at an Inadvertent White Identity Shrine 11. The Ancient City Walls of Great Benin: Colonialism, Urban Heritage and Cultural Identity in Contemporary Nigeria 12. The Past in the Present: Towards a Politics of Care at the National Trust of Australia – WA 13. Yoruba Identity and Western Museums: Ethnic Pride and Artistic Representations

The calibration of culture is an international phenomenon, and the measurement of the outcomes and impact of learning in museums in England has provided a detailed case study. Three national evaluation studies were carried out between 2003 and 2006 based on the conceptual framework of Generic Learning Outcomes. Using this revealing data Museums and Education reveals the power of museum pedagogy and as it does, questions are raised about traditional museum culture and the potential and challenge for museum futures is suggested.

Selected Contents: 1. Museums: Learning and Culture 2. Calibrating Culture 3. Conceptualising Learning in Cultural Organisations 4. The Generic Learning Outcomes – An Interpretive Framework 5. The Research Programmes: Background and Method 6. The Pattern of School use of Museums 7. The Value of Museums for Teachers 8. Pupils’ Learning Outcomes: Teachers’ Views 9. Pupils’ Learning Outcomes: Pupils’ Voices 10. The Characteristics and Significance of Learning in Museums 11. Learning in the Post-museum: Issues and Challenges 2007: 246 x 174: 256pp Hb: 978-0-415-37935-9: $130.00 Pb: 978-0-415-37936-6: $44.95 eBook: 978-0-203-93752-5 For more information, visit: www.routledge.com/9780415379366 • AVAILABLE AS AN E-INSPECTION COPY

2008: 246 x 174: 208pp Hb: 978-0-415-45335-6: $125.00 Pb: 978-0-415-45336-3: $41.95 For more information, visit: www.routledge.com/9780415453363 • AVAILABLE AS AN E-INSPECTION COPY

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Mus e um S tudi e s

Museums and Community

Recoding the Museum

Ideas, Issues and Challenges Elizabeth Crooke, University of Ulster, Londonderry, UK

Digital Heritage and the Technologies of Change

Ross Parry

Combining research that stretches across all of the social sciences and international case studies, Elizabeth Crooke explores the dynamics of the relationship between the community and the museum.

Focusing strongly on areas such as Northern Ireland, South Africa, Australia, and North America to highlight the complex issues faced by museums and local groups, Crooke examines one of the museum’s primary responsibilities – working with different communities and using collections to encourage people to learn about their own histories, and to understand other people’s.

Arguing for a much closer examination of this concept of community, and of the significance of museums to different communities, Museums and Community is a dynamic look at a relationship that has, in modern times, never been more important.

2008: 246 x 174: 176pp Hb: 978-0-415-33656-7: $130.00 Pb: 978-0-415-33657-4: $41.95 eBook: 978-0-203-37101-5 For more information, visit: www.routledge.com/9780415336574 • AVAILABLE AS AN E-INSPECTION COPY

This book offers one of the first substantial histories of museum computing. Its ambitious narrative attempts to explain a series of essential tensions between curatorship and the digital realm.

Ultimately, it reveals how through the emergence of standards, increased coordination, and celebration (rather than fearing) of the ‘virtual’, the sector has experienced a broadening of participation, a widening of creative horizons and, ultimately, has helped to define a new cultural role for museums. Having confronted and understood its past, what emerges is a museum transformed – rescripted, re-calibrated, rewritten, reorganised.

Selected Contents: 1. Museum/Computer: A History of Disconnect? 2. From the ‘Day Book’ to the ‘Data Bank’: The Beginnings of Museum Computing 3. Disaggregating the Collection 4. Recalibrating Authenticity 5. Rescripting the Visit 6. Rewriting the Narrative 7. Reorganising Production 8. Computers and Compatibility 2007: 246 x 174: 192pp Hb: 978-0-415-35387-8: $130.00 Pb: 978-0-415-35388-5: $43.95 eBook: 978-0-203-34748-5 For more information, visit: www.routledge.com/9780415353885 • AVAILABLE AS AN E-INSPECTION COPY

Rethinking Evolution in the Museum Envisioning African Origins Monique Scott

This book provides rare insights into visitor perceptions, this book explores the way natural history museum audiences imagine their evolutionary heritage and gives a fuller understanding about how to improve the relationship between museums and communities.

2007: 246 x 174: 208pp Hb: 978-0-415-40539-3: $130.00 Pb: 978-0-415-40540-9: $41.95 eBook: 978-0-203-93748-8 For more information, visit: www.routledge.com/9780415405409 • AVAILABLE AS AN E-INSPECTION COPY

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Civilizing Rituals

Museums: A Place to Work

Inside Public Art Museums

Planning Museum Careers

Carol Duncan

Edited by Jane R. Glaser and Artemis A. Zenetou

Illustrated with over fifty photos, this book merges contemporary debates with lively discussion and explores central issues involved in the making and displaying of art as industry, and how it is presented to the community.

Series: Heritage: Care-Preservation-Management

Surveying over thirty different positions in the museum profession, this is the essential guide for anyone considering entering the field, or a career change within it.

For any professional or future professional, in the field, this is a crucially useful book for how to prepare, look for and find jobs in the museum profession.

1995: 234 x 156: 192pp Hb: 978-0-415-07011-9: $140.00 Pb: 978-0-415-07012-6: $35.95 For more information, visit: www.routledge.com/9780415070126 • AVAILABLE AS AN E-INSPECTION COPY

1996: 246 x 174: 320pp Hb: 978-0-415-12256-6: $170.00 Pb: 978-0-415-12724-0: $59.95 For more information, visit: www.routledge.com/9780415127240 • AVAILABLE AS AN INSPECTION COPY

Making Representations Museums in the Post-Colonial Era

Also Available:

Moira G. Simpson

Museums and their Communities

Series: Heritage: Care-Preservation-Management

Drawing upon material from Britain, Canada, the United States, Australia, and New Zealand, Making Representations explores the ways in which museums and anthropologists are responding to pressures in the field by developing new policies and practices, and forging new relationships with communities.

Sheila Watson See page 4 for details

Museums and Community Elizabeth Crooke See page 7 for details

1996: 246 x 174: 304pp Hb: 978-0-415-06785-0: $135.00 Pb: 978-0-415-06786-7: $44.95 For more information, visit: www.routledge.com/9780415067867

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MUSEU MS A N D C OMMU N ITIES

NEW The Social Work of Museums Lois H. Silverman

The Social Work of Museums is not only a vital and visionary resource for museum training and practice in the twenty-first century, but also an invaluable tool for social workers, creative arts therapists, and students seeking to broaden their horizons. Policy makers, directors, clinicians, educators, and evaluators alike will find this book an inspiration.

Through their unique resources, museums around the world have long served the needs of our most important human relationships and fostered social change. Increasingly, in partnership with social workers and social agencies, they are helping people cope and thrive in a range of circumstances, from personal challenge to social injustice. Using key social work principles as a framework for linking relevant museum research, international trends, and compelling examples, this provides the first integrative survey of this evolving interdisciplinary practice.

Selected Contents: 1. In the Service of Society 2. Social Work Perspectives 3. From Body to Soul 4. Solve et Coagula 5. Treasures of Home 6. Birds in Flight 7. Toward the Next Age 2009: 234 x 156: 208pp • Hb: 978-0-415-77520-5: $110.00 • Pb: 978-0-415-77521-2: $44.95 For more information, visit: www.routledge.com/9780415775212

Museums and Source Communities

Representing the Nation: A Reader

A Routledge Reader

Histories, Heritage, Museums

Edited by Alison K. Brown and Laura Peers

Edited by David Boswell and Jessica Evans

Features some of the most influential published research in this emerging field with newly commissioned essays on the issues, problems and lessons involved in collaborating museums and source communities.

2003: 246 x 174: 304pp Hb: 978-0-415-28051-8: $135.00 Pb: 978-0-415-28052-5: $45.95 eBook: 978-0-203-98783-4 For more information, visit: www.routledge.com/9780415280525 • AVAILABLE AS AN INSPECTION COPY

Gathering key writings from leading thinkers in cultural studies, cultural history, and museum studies, Representing the Nation: A Reader explores the role cultural institutions play in creating and shaping our sense of ourselves as a nation.

With an international perspective focusing on the USA, France, Australia, the UK and India, leading figures and authors, including Tony Bennett, Ralph Samuel and Carol Duncan examine the way the past is preserved, represented and consumed as our ‘heritage’.

1999: 246 x 174: 488pp Hb: 978-0-415-20869-7: $150.00 Pb: 978-0-415-20870-3: $41.95 For more information, visit: www.routledge.com/9780415208703 • AVAILABLE AS AN INSPECTION COPY

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9

EDU CATI O N

10

Museums and Education

Museums and the Interpretation of Visual Culture

Eilean Hooper-Greenhill

Eilean Hooper-Greenhill

See page 6 for details

Series: Museum Meanings

Also Available:

This is a multi-disciplinary study that adopts an innovative and original approach to a highly topical question, that of meaning-making in museums, focusing its attention on pedagogy and visual culture.

2nd Edition

The Educational Role of the Museum

This work explores such questions as:

Edited by Eilean Hooper-Greenhill

• How and why is it that museums select and arrange artefacts, shape knowledge, construct a view?

Series: Leicester Readers in Museum Studies

This has been restructured to include new papers and recent articles, and presents front-running theory and practice as it addresses the relationships of museums and galleries to their audiences.

• How do museums produce values?

• How do active audiences make meaning from what they experience in museums?

This stimulating book puts forward the idea of a new museum – the post-museum, which will challenge the familiar modernist museum. A must for students and professionals in the field.

2000: 246 x 174: 216pp Hb: 978-0-415-08632-5: $130.00 Pb: 978-0-415-08633-2: $40.95

1999: 246 x 174: 368pp Hb: 978-0-415-19826-4: $160.00 Pb: 978-0-415-19827-1: $49.95

For more information, visit: www.routledge.com/9780415086332 • AVAILABLE AS AN E-INSPECTION COPY

For more information, visit: www.routledge.com/9780415198271 • AVAILABLE AS AN INSPECTION COPY

Learning in the Museum George E. Hein

Education and the Historic Environment

Series: Museum Meanings

Learning in the Museum examines major issues and shows how research in visitor studies and the philosophy of education can be applied to facilitate a meaningful educational experience in museums.

Edited by Mike Corbishley, Don Henson and Peter Stone Series: Issues in Heritage Management Examining evidence, case studies and chapters from a wide cross section of the heritage sector, this book is practical, inspiring and instructive, while emphasizing the contribution to both education and heritage that results from a positive relationship between the two disciplines.

2004: 234 x 156: 256pp Hb: 978-0-415-28427-1: $125.00 Pb: 978-0-415-28428-8: $41.95 eBook: 978-0-203-64233-7 For more information, visit: www.routledge.com/9780415284288 • AVAILABLE AS AN E-INSPECTION COPY

Complimentary Exam Copy

e-Inspection

George E. Hein combines a brief history of education in public museums, with a rigorous examination of how the educational theories of Dewey, Piaget, Vygotsky and subsequent theorists relate to learning in the museum.

1998: 246 x 174: 216pp Hb: 978-0-415-09775-8: $140.00 Pb: 978-0-415-09776-5: $47.95 eBook: 978-0-203-02832-2 For more information, visit: www.routledge.com/9780415097765 • AVAILABLE AS AN E-INSPECTION COPY

New in Paperback

Companion Website

DESI GN AN D E X HI BITI ON S

Museum Texts

Reshaping Museum Space

Comunication Frameworks

Edited by Suzanne Macleod

Louise Ravelli

Series: Museum Meanings

Series: Museum Meanings

Ideal for students and professionals alike, this book uses a wide range of examples, and answers key questions in the study of how museums communicate and provides an excellent set of frameworks to investigate the complexities of communication in museums.

2005: 246 x 174: 200pp Hb: 978-0-415-28429-5: $125.00 Pb: 978-0-415-28430-1: $44.95 eBook: 978-0-203-96418-7 For more information, visit: www.routledge.com/9780415284301 • AVAILABLE AS AN E-INSPECTION COPY

Liberating Culture Cross-Cultural Perspectives on Museums, Curation and Heritage Preservation Christina Kreps Series: Museum Meanings Using examples of indigenous models from Indonesia, the Pacific, Africa and native North America, Christina Kreps illustrates how the growing recognition of indigenous curation and concepts of cultural heritage preservation is transforming conventional museum practice.

2003: 246 x 174: 176pp Hb: 978-0-415-25025-2: $120.00 Pb: 978-0-415-25026-9: $41.95 For more information, visit: www.routledge.com/9780415250269 • AVAILABLE AS AN E-INSPECTION COPY

Reshaping Museum Space pulls together the views of an international group of museum professionals, architects, designers and academics highlights the complexity, significance and malleability of museum space, and provides reflections upon recent developments in museum architecture and exhibition design.

Contributors review recent new build, expansion and exhibition projects questioning the types of museum space required at the beginning of the twenty-first century and highlighting a range of possibilities for creative museum design.

2005: 246 x 174: 256pp Hb: 978-0-415-34344-2: $120.00 Pb: 978-0-415-34345-9: $41.95 For more information, visit: www.routledge.com/9780415343459 • AVAILABLE AS AN E-INSPECTION COPY

Museum, Media, Message Edited by Eilean Hooper-Greenhill Series: Museum Meanings Collecting together a group of talented writers, with examples and case studies, this is an in depth study of the most up-to-date approaches to museum communication: museums as media; museums and audience; and the evaluation of museums.

Thinking About Exhibitions

1995: 246 x 174: 320pp Hb: 978-0-415-11672-5: $155.00 Pb: 978-0-415-19828-8: $50.95 eBook: 978-0-203-45651-4

Bruce W. Ferguson, Reesa Greenberg and Sandy Nairne

For more information, visit: www.routledge.com/9780415198288 • AVAILABLE AS AN INSPECTION COPY

An anthology of writings on exhibition practice from artists, critics, curators and art historians which address the contradictions posed by museum and gallery staged exhibitions, and the challenge of staging art presentations and displays.

1996: 246 x 174: 512pp Hb: 978-0-415-11589-6: $150.00 Pb: 978-0-415-11590-2: $43.95 For more information, visit: www.routledge.com/9780415115902 • AVAILABLE AS AN E-INSPECTION COPY

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11

I dent it y, Gende r , and Sexuality

12

New Re-Presenting Disability Activism and Agency in the Museum

Edited by Richard Sandell and Jocelyn Dodd, both at University of Leciester, UK and Rosemarie Garland-Thomson, Emory University, USA

Re-Presenting Disability addresses issues surrounding disability representation in museums and galleries, a topic which is receiving much academic attention and is becoming an increasingly pressing issue for practitioners working in wide-ranging museums and related cultural organisations.

This volume of provocative and timely contributions, brings together twenty researchers, practitioners and academics from different disciplinary, institutional and cultural contexts to explore issues surrounding the cultural representation of disabled people and, more particularly, the inclusion (as well as the marked absence) of disability-related narratives in museum and gallery displays. The diverse perspectives featured in the book offer fresh ways of interrogating and understanding contemporary representational practices as well as illuminating existing, related debates concerning identity politics, social agency and organisational purposes and responsibilities, which have considerable currency within museums and museum studies.

Re-Presenting Disability explores such issues as: • In what ways have disabled people and disability-related topics historically been represented in the collections and displays of museums and galleries? How can newly emerging representational forms and practices be viewed in relation to these historical approaches?

• How do emerging trends in museum practice – designed to counter prejudiced, stereotypical representations of disabled people – relate to broader developments in disability rights, debates in disability studies, as well as shifting interpretive practices in public history and mass media?

• What approaches can be deployed to mine and interrogate existing collections in order to investigate histories of disability and disabled people and to identify material evidence that might be marshalled to play a part in countering prejudice? What are the implications of these developments for contemporary collecting?

• How might such purposive displays be created and what dilemmas and challenges are curators, educators, designers and other actors in the exhibition-making process, likely to encounter along the way?

• How do audiences – disabled and non-disabled – respond to and engage with interpretive interventions designed to confront, undercut or reshape dominant regimes of representation that underpin and inform contemporary attitudes to disability?

January 2010: 234 x 156: 304pp • Hb: 978-0-415-49471-7: $125.00 • Pb: 978-0-415-49473-1: $42.95 For more information, visit: www.routledge.com/9780415494731

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Identity, G e nde r , an d S e x ua l i ty

Also Available:

Museums, Society, Inequality

Heritage and Identity

Edited by Richard Sandell

Marta Anico and Elsa Peralta

Series: Museum Meanings

See page 6 for details

Museums, Prejudice and the Reframing of Difference

It brings together international perspectives to stimulate critical debate, inform the work of practitioners and policy makers, and to advance recognition of the purpose, responsibilities and value to society of museums.

Richard Sandell Richard Sandell combines interdisciplinary theoretical perspectives with in-depth empirical investigation to address a number of timely questions. How do audiences engage with and respond to exhibitions designed to contest, subvert and reconfigure prejudiced conceptions of social groups? To what extent can museums be understood to shape, not simply reflect, normative understandings of difference, acceptability and tolerance? What are the challenges for museums which attempt to engage audiences in debating morally charged and contested contemporary social issues and how might these be addressed? Sandell argues that museums frame, inform and enable the conversations which audiences and society more broadly have about difference and highlights the moral and political challenges, opportunities and responsibilities which accompany these constitutive qualities.

Selected Contents: 1. Museums and the Good Society 2. On Prejudice and Difference 3. The Visitor-Exhibition Encounter: Rethinking Media-Audience Agency 4. Museums and the Mediascape 5. Revealing Hidden Histories and Displaying Difference 6. Museums and Social Responsibility 2006: 234 x 156: 240pp Hb: 978-0-415-36748-6: $125.00 Pb: 978-0-415-36749-3: $39.95 eBook: 978-0-203-02003-6 For more information, visit: www.routledge.com/9780415367493 • AVAILABLE AS AN E-INSPECTION COPY

Museums, Society, Inequality explores the wide-ranging social roles and responsibilities of the museum.

2002: 246 x 174: 288pp Hb: 978-0-415-26059-6: $130.00 Pb: 978-0-415-26060-2: $41.95 eBook: 978-0-203-16738-0 For more information, visit: www.routledge.com/9780415260602

Encounters in the Virtual Feminist Museum Time, Space and the Archive Griselda Pollock

Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century.

Challenging the dominant museum models of art and history that have been so exclusive of women’s artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.

2007: 246 x 174: 280pp Hb: 978-0-415-41373-2: $135.00 Pb: 978-0-415-41374-9: $44.95 For more information, visit: www.routledge.com/9780415413749

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13

I de ntity, Ge nder, and Sexuality

14

COLLECTIO N M A N AGE ME N T AN D T H E OBJ E CT

NEW

NEW

Gender, Sexuality and Museums

Museum Materialities

A Routledge Reader

Objects, Engagements, Interpretations

Edited by Amy K. Levin, Northern Illinois University

Edited by Sandra Dudley, University of Leicester, UK

Gender, Sexuality and Museums: A Routledge Reader is the first reader to focus on LGBT issues and museums, and the first reader in nearly fifteen years to collect articles which focus on women and museums. At last, students of museum studies, women’s’ studies, LGBT studies and museum professionals have a single resource.

Selected Contents: 1. Introduction Part 1: Women in Museum Work 2. Women in the Temple: Gender and Leadership in Museums 3. The New Girl in the Old Boy Network: Elizabeth Esteve-Coll in the V&A 4. Museums, Women, and Empowerment in the MENA Countries Part 2: Theories A. Feminist Theory 5. Looking at Museums from a Feminist Perspective 6. A Woman’s Audience: A Case Study of Applied Feminist Theories B. Queer Theory 7. Why Grapple With Queer When You Can Fondle It? Embracing our Erotic Intelligence 8. Queer is Here? Lesbian, Gay, Bisexual and Transgender Histories and Public Culture Part 3: Collections and Exhibitions A. Women in (and out of) Exhibits 9. Art World Power and Women’s Incognito Work: The Case of Edward and Jo Hopper 10. Looking for the ‘Total’ Woman in Wartime: A Museological Work in Progress 11. Pioneering Women Revisited: Representations of Gender in Some Israeli Settlement Museums 12. ’Thanks, But We’ll Take It from Here’: Australian Aboriginal and Torres Strait Islander Women Influencing the Collection of Tangible and Intangible Heritage B. LGBTQ Out (and in) Exhibits 13. The Warren Cup: Highlighting Hidden Histories 14. Hidden Histories: The Experience of Curating a Male Same Sex Exhibition and the Problems Encountered 15. Representing Lesbians and Gay Men in British Social History Museums 16. Sister Fire: Representing the Legacies of Leatherwomen Part 4: Case Studies A. The Nature of Gender 17. Gender Representation in the Natural History Galleries in the Manchester Museum 18. Straight Talk: Evolution Exhibits and the Reproduction of Heterosexuality B. Queering Modernity 19. In Pursuit of Spiritual Calling: Katherine S. Dreier, Galka E. Scheyer, and Hilla von Rebay 20. A Conversation with Artists Carrie Moyer, Sheila Pepe, Stephen Mueller, and Andrew Robinson 21. Bodies of Evidence: Queering Disclosure in the Art of Jasper Johns C. Memorials and Memorializing: The Heritage we Create 22. Representing Possibility: Mourning, Memorial, and Queer Museology 23. House Museums or Walk-In Closets? The (Non) Representation of Gay Men in the Museums They Called Home 24. Breeders on a Golf Ball: Normalizing Sex at Ellis Island Part 5: Bibliographic Essay 25. Museum Studies Texts and Museum Subtexts July 2010: 246 x 174: 320pp Hb: 978-0-415-55491-6: $130.00 Pb: 978-0-415-55492-3: $49.95 eBook: 978-0-203-84777-0

Museum Materialities is divided into three sections – Objects, Engagements, and Interpretations – and includes a foreword by Susan Pearce and an afterword by Howard Morphy. It examines materiality and other perceptual and ontological qualities of objects themselves; embodied sensory and cognitive engagements – both personal and across a wider audience spread – with particular objects or object types in a museum or gallery setting; notions of aesthetics, affect and wellbeing in museum contexts; and creative and innovative artistic and museum practices that seek to illuminate or critique museum objects and interpretations.

Bringing together essays by scholars and practitioners from a wide disciplinary and international base, Museum Materialities makes a valuable and original addition to the literature of both material culture studies and museum studies.

2009: 246 x 174: 312pp Hb: 978-0-415-49217-1: $140.00 Pb: 978-0-415-49218-8: $44.95 For more information, visit: www.routledge.com/9780415492188 • AVAILABLE AS AN E-INSPECTION COPY

Interpreting Objects and Collections Edited by Susan Pearce Series: Leicester Readers in Museum Studies Bringing together the most significant papers on the interpretation of objects and collections, this volume examines how people relate to material culture and why they collect things.

1994: 246 x 174: 360pp Hb: 978-0-415-11288-8: $155.00 Pb: 978-0-415-11289-5: $52.95 eBook: 978-0-203-42827-6 For more information, visit: www.routledge.com/9780415112895 • AVAILABLE AS AN INSPECTION COPY

For more information, visit: www.routledge.com/9780415554923 • AVAILABLE AS AN INSPECTION COPY

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CO LLECTI ON MAN AGEMEN T AN D T HE OBJ E CT

Collecting Cultures On Collecting An Investigation into Collecting in the European Tradition

Collections Management Edited by Anne Fahy Series: Leicester Readers in Museum Studies

Susan Pearce This book examines the nature of collecting both in Europe and among people living within the European tradition elsewhere.

1995: 234 x 156: 456pp Hb: 978-0-415-07560-2: $155.00 Pb: 978-0-415-07561-9: $51.95 For more information, visit: www.routledge.com/9780415075619

Collecting in a Consumer Society Russell Belk

Providing information about initiatives and issues for anyone involved in collections management, Fahy identifies the main issues relating to collecting and disposal of collections and discusses why museums should develop appropriate documentation systems.

Examining the status of research within museums, the various sources of advice relating to security and addresses the basics of insurance and indemnity, Collections Management is an invaluable and very practical introduction to this topic for students of museum studies and museum professionals.

1994: 246 x 174: 320pp Hb: 978-0-415-11282-6: $170.00 Pb: 978-0-415-11283-3: $50.95 eBook: 978-0-203-97439-1

Collecting in a Consumer Society outlines the history of museum collecting from ancient civilizations to the present.

It also looks at aspects of consumer culture – advertizing, department stores, mass merchandizing, consumer desires, and how this relates to the activity of collecting.

For more information, visit: www.routledge.com/9780415112833 • AVAILABLE AS AN INSPECTION COPY

1995: 234 x 156: 208pp Hb: 978-0-415-10534-7: $140.00 Pb: 978-0-415-25848-7: $41.95 eBook: 978-0-203-16731-1

Empire, Material Culture and the Museum

For more information, visit: www.routledge.com/9780415258487

Colonialism and the Object Edited by Tim Barringer and Tom Flynn Series: Museum Meanings

Also Available:

Museums in a Material World Simon Knell

Drawing together an international group of scholars from a variety of disciplinary and cultural backgrounds, Colonialism and the Object explores the impact of colonial contact with other cultures on the material culture of both the colonized and the imperial nation.

See page 5 for details

1997: 246 x 174: 240pp Hb: 978-0-415-15775-9: $155.00 Pb: 978-0-415-15776-6: $44.95 For more information, visit: www.routledge.com/9780415157766 • AVAILABLE AS AN E-INSPECTION COPY

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15

CO LLECTI O N MAN AGEMEN T AN D THE OBJ E CT

16

Contested Objects

NEW

Material Memories of the Great War

Contesting Human Remains in Museum Collections

Edited by Nicholas J. Saunders, University of Bristol, UK and Paul Cornish, Imperial War Museum, UK

Contested Objects focuses on the rich and varied legacy of objects from the First World War as the global conflict that defined the twentieth century. From the iconic German steel helmet to practice trenches on Salisbury Plain, and from the ‘Dazzle Ship’ phenomenon through medal-wearing, diarywriting, trophy collecting, the market in war souvenirs and the evocative reworking of European objects by African soldiers, this book presents a dazzling array of hitherto unseen worlds of the Great War.

The innovative and multidisciplinary approach adopted here follows the lead established by Nicholas J. Saunders’ Matters of Conflict (Routledge 2004), and extends its geographical coverage to embrace a truly international perspective. The result is a volume that resonates with richly documented and theoretically informed case studies that illustrate how the experiences of war can be embodied in and represented by an endless variety of artefacts, whose ‘social lives’ have endured for almost a century and that continue to shape our perceptions of an increasingly dangerous world.

Selected Contents: Introduction 1. ‘Just a Boyish Habit’…?

British and Commonwealth War Trophies in the First World War 2. Shaping Matter, Meaning and Mentalities: The German Steel Helmet from Artefact to Afterlife 3. The Great War ‘Trench Club’: Typology, Use and Cultural Meaning 4. The Journey Back: On the Nature of Donations to the in Flanders Fields Museum 5. ‘Brothers in Arms’ – Masonic Artefacts of the First World War and its Aftermath 6. Subversive Material: African Embodiments of Modern War

The Crisis of Cultural Authority Tiffany Jenkins, Institute of Ideas, London, UK This book charts the influences at play on the contestation over human remains and examines the construction of this problem from a cultural perspective. The academic and popular literature interprets changes to museums as a result of external factors. By drawing on empirical research including extensive interviews with the claims-making groups, ethnographic work, document, media, and policy analysis, Contesting Human Remains in Museum Collections demonstrates that strong internal influences do in fact exist – laying bare the neglected but significant importance of the profession in constructing the issue. The only book to examine the construction of contestation over human remains from a sociological perspective, Contesting Human Remains advances an emerging area of academic research, setting the terms of debate, synthesizing disparate ideas, and making sense of a broader cultural focus on dead bodies in the contemporary period.

Selected Contents: Introduction 1. Transforming Concerns for Human Remains into an Issue 2. Scientists Contest the Problem 3. The Crisis of Cultural Authority 4. The Rise of Pagan Claims on Ancient Skeletons 5. Explaining Why Human Remains are the Problem 6. Covering up the Mummies 7. Conclusion: What this Means for Museums and Dead Bodies October 2010: 6 x 9: 180pp Hb: 978-0-415-87960-6: $95.00 For more information, visit: www.routledge.com/9780415879606

2009: 234 x 156: 336pp Hb: 978-0-415-45070-6: $120.00 eBook: 978-0-203-87385-4 For more information, visit: www.routledge.com/9780415450706

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MAN AGEMEN T AN D MAR K ETI N G

Handbook for Museums David Dean and Gary Edson Series: Heritage: Care-Preservation-Management Handbook for Museums is the definitive guide of need-to-know information essential for working in the museum world.

Presenting a field-tested guide to best practice, the Handbook is formed around a commitment to professionalism in museum practice. The sections provide information on management, security, conservation and education.

Including technical notes and international reading lists too, Handbook for Museusms is an excellent manual for managing and training.

1994: 246 x 174: 320pp Hb: 978-0-415-09952-3: $145.00 Pb: 978-0-415-09953-0: $59.95 For more information, visit: www.routledge.com/9780415099530

A Guide to Copyright for Museums and Galleries Anna Booy, Robin Fry and Peter Wienand Written by a team of legal experts on copyright, this user-friendly, comprehensive guide is the essential reference tool for everyone in the world of museums and galleries whose work brings them into contact with copyrightrelated questions.

It addresses relevant issues from a practical perspective and answers questions such as: • What is copyright?

• How long does copyright last?

• How can you make money from copyright?

4th Edition

Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom Europa Publications This unique and important directory incorporates some 2,700 entries.

It covers all types and sizes of museums; galleries of paintings, sculpture and photography; and buildings and sites of particular historic interest. It also provides an extensive index listing over 3,000 subjects. The Directory covers national collections and major buildings, but also the more unusual, less well-known and local exhibits and sites.

The Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom is an indispensable reference source for any library, an ideal companion for researcher and enthusiast alike, and an essential purchase for anyone with an interest in the cultural and historical collections of the UK. Features include: • alphabetically listed entries, which are also indexed by subject for ease of reference • entries include the name and address of the organization, telephone and fax numbers, email and internet addresses, a point of contact, times of opening and facilities for visitors • a breakdown of the collections held by each organization, giving a broad overview of the main collection as a whole • details of special collections are provided and include the period covered as well as the number of items held.

2008: 297 x 210: 692pp Hb: 978-1-85743-489-7: $350.00 For more information, visit: www.routledge.com/9781857434897

• What are the consequences of unauthorized use?

2000: 297 x 210: 168pp Pb: 978-0-415-21721-7: $42.95 For more information, visit: www.routledge.com/9780415217217 • AVAILABLE AS AN INSPECTION COPY

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17

M ANAGEM ENT AN D MARK ETIN G

18

New

2nd Edition

Marketing the Arts

Arts Management

A Fresh Approach

Derrick Chong, Royal Holloway, University of London, UK

Edited by Daragh O’Reilly, University of Sheffield, UK and Finola Kerrigan, Kings College London, UK

The second edition of Arts Management has been thoroughly revised to provide an updated, comprehensive overview of this fast-changing subject. Arts managers and students alike are offered a lively, sophisticated insight into the artistic, managerial and social responsibilities necessary for those working in the field.

’Using an arts-centered perspective, the book presents an up-to-date discussion of arts marketing by leading scholars in the field.’ – Laurie A. Meamber, George Mason University, USA

’This anthology of essays is certainly a most welcome addition to a forward looking agenda on the subject and is an essential reading for scholars and practitioners alike. Darragh O’Reilly, Finola Kerrigan and various other contributors deserve our thanks and appreciation.’ – Alladi Venkatesh, Professor of Management, University of California, Irvine, USA

With new cases studies and several new chapters, Derrick Chong takes an interdisciplinary approach in examining some of the main impulses informing discussions on the management of arts and cultural organizations. These are highly charged debates, since arts managers are expected to reconcile managerial, economic and aesthetic objectives. Topics include:

’Eclectic, entertaining and exciting, this is a valuable snapshot of a developing field’ – Terry O’Sullivan, The Open University, UK

• ownership and control of arts organizations

Marketing the Arts offers new and exciting ways to study and practice arts marketing, moving away from traditional managerial marketing to embrace other areas of marketing theory, including branding and consumer culture theory.

Selected Contents: Introduction Daragh O’Reilly & Finola Kerrigan 1. The Death of Arts Marketing Simon Roodhouse 2. From Missionary to Market-Maker: Re-conceptualising the Arts Marketer in Practice Debi Hayes 3. The Artist in Brand Culture Jonathan E. Schroeder 4. The Tension between Artistic and Market Orientation in Visual Art Ian Fillis 5. The Skull: Damien Hirst and Experiential Aesthetic Consumption Alan Bradshaw 6. Media Ownership and Arts Marketing Finola Kerrigan 7. Manga Fan Culture and Scanlation: Implications for Cultural Marketing Hye-Kyung Lee 8. The Symbolic Consumption of Music Gretchen Larsen 9. Play on? Orchestra Marketing at the Crossroads Terry O’Sullivan 10. New Audiences for a New Century Ruth Rentschler & Jennifer Radbourne 11. Museums in Society or Society as a Museum? Museums, Culture and Consumption in the (Post)Modern World Elisabeth Carnegie 12. The ‘Pragmatic Aesthetics’ of Museum Visiting: Exploring Exhibitions as Social Accomplishment Dirk Vom Lehn 13. A Night at the Theatre: An Exploration of Consumer Experiences and the Dramaturgy of Service Provision Annmarie Ryan & Matt Fenton. Conclusion Stephen Brown

• arts and the State, with reference to the instrumentalism of the arts and culture • arts consumption and consumers, including audience development and arts marketing • financial investing in the arts, namely fine arts funds and theatre angels.

Incorporating a deliberately diverse range of sources, Arts Management is essential reading for students on arts management courses and provides valuable insights for managers already facing the management challenges of this field.

2009: 234 x 156: 264pp Hb: 978-0-415-42390-8: $150.00 Pb: 978-0-415-42391-5: $54.95 For more information, visit: www.routledge.com/9780415423915 • AVAILABLE AS AN INSPECTION COPY

April 2010: 234 x 156: 328pp Hb: 978-0-415-49685-8: $145.00 Pb: 978-0-415-49686-5: $55.95 For more information, visit: www.routledge.com/9780415496865 • AVAILABLE AS AN INSPECTION COPY

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ART

NEW in 2011

The Art Business

Arts Leadership

Edited by Iain Robertson, Sotheby’s Institute, London, UK and Derrick Chong, Royal Holloway, University of London, UK

James Abruzzo, Rutgers University, USA This book takes the reader behind the scenes of the world’s greatest arts institutions and, through case studies and interviews, explores the uniqueness of arts leadership. Arts Leadership also presents the causes and implications of the growing gap between the need for arts leaders and the number of individuals capable of taking on those roles; a gap that will widen worldwide over the next ten years, creating a crisis in the industry.

Describing the leadership challenges currently faced in America and Europe and the impending demand in the Middle East and Asia for leaders of museums, orchestras, performing arts centers and other related arts organizations, this text is a must-read for anyone interested in arts management, museum studies, cultural policy or nonprofit administration.

Selected Contents: Introduction: Why it is Important to Study Arts Leadership? Part I: Theory and History 1. History of Arts Leadership 2. What is Leadership? 3. The Model Arts Leader and His Effect on Creating and Sustaining Great Arts Institutions Part II: Types of Arts Leader 4. The Turn Around Leader 5. The Creator/Entrepreneur 6. The Brand Builder/Sustainer 7. The Partner 8. The A 9. Learning the Lessons from Arts Leaders 10. Post Script: Globalization and the ’Third Generation’ Arts Leader March 2011: 234 x 156: 312pp Hb: 978-0-415-77927-2: $145.00 Pb: 978-0-415-77928-9: $51.95 For more information, visit: www.routledge.com/9780415779289 • AVAILABLE AS AN INSPECTION COPY

Drawing on the vast experience of Sotheby’s Institute of Art, The Art Business exposes the realities of the commercial trade in fine art and antiques. Attention is devoted to the role of auction houses, commercial galleries and art museums as key institutions, with the text divided into four thematic sections covering: • technical and structural elements of the art market

• cultural policy and management in art business • regulatory legal and ethical issues in the art world • the views, through interviews, of leading art market experts.

Selected Contents: 1. Introduction to Studies in Art Businesss 2. Price Before Value 3. Selling Used Cars, Carpets and Art 4. Investing in Art 5. ’Chindia’ as Market Opportunity 6. Private Patrons in a Contemporary Art Market 7. Marketing in Art Business 8. Authorship and Authentication 9. Celebrating the Artists Resale Right 10. Ethics and the Art Market 11. Art and Crime 12. Voice from the Field 2008: 234 x 156: 246pp Hb: 978-0-415-39157-3: $145.00 Pb: 978-0-415-39158-0: $52.95 For more information, visit: www.routledge.com/9780415391580 • AVAILABLE AS AN INSPECTION COPY

NEW in 2011 2nd Edition

Understanding International Art Markets Edited by Iain Robertson, Sotheby’s Institute of Art, UK This new edition of Understanding International Arts Markets is fully updated with new economic data and market coverage to enhance the reader’s understanding of international arts markets and their continued importance in the international economy.

June 2011: 234 x 156: 312pp Hb: 978-0-415-56102-0: $170.00 Pb: 978-0-415-56103-7: $56.95 For more information, visit: www.routledge.com/9780415561037 • AVAILABLE AS AN INSPECTION COPY

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19

20

conservat ion

Care of Collections

Heritage: Care-PreservationManagement Series

Edited by Simon Knell Series: Leicester Readers in Museum Studies This volume provides a practical guide to all aspects of collections care including conservation practice, the monitoring of control of light, relative humidity and atmospheric pollution, biological infestation, and disaster planning.

1994: 234 x 156: 296pp Hb: 978-0-415-11284-0: $170.00 Pb: 978-0-415-11285-7: $53.95 eBook: 978-0-203-97471-1

The Science For Conservators Series Volume 1: An Introduction to Materials The Conservation Unit Museums and Galleries Commission

For more information, visit: www.routledge.com/9780415112857 • AVAILABLE AS AN INSPECTION COPY

Conservation and Planning Changing Values in Policy and Practice Edward Hobson This book presents original research into how national and local decision-makers construct and implement conservation of the built environment. The findings in this book challenge many of the assumptions supporting conservation.

2003: 234 x 156: 304pp Hb: 978-0-415-27818-8: $180.00 Pb: 978-0-415-27819-5: $61.95 eBook: 978-0-203-40232-0 For more information, visit: www.routledge.com/9780415278195 • AVAILABLE AS AN E-INSPECTION COPY

Elements of Archaeological Conservation J.M. Cronyn Clearly laid out and fully illustrated, this is the only comprehensive book on the subject at an introductory level.

Perfect as a practical reference book for professional and students who work with excavated materials, and as an introduction for those training as archaeological conservators.

1990: 234 x 156: 352pp Pb: 978-0-415-01207-2: $51.95 eBook: 978-0-203-16922-3

For more than ten years, The Science for Conservators Series has provided the key basic texts for conservators throughout the world. Scientific concepts are basic to the conservation of artefacts of every type, yet many conservators have little or no scientific training. These introductory volumes provide non-scientists with the essential theoretical background to their work.

1992: 246 x 189: 120pp Hb: 978-0-415-07166-6: $135.00 Pb: 978-0-415-07167-3: $44.95 For more information, visit: www.routledge.com/9780415071673 • AVAILABLE AS AN E-INSPECTION COPY

2nd Edition Volume 2: Cleaning The Conservation Unit Museums and Galleries Commission 1992: 246 x 189: 136pp Pb: 978-0-415-07165-9: $44.95 eBook: 978-0-203-98944-9 For more information, visit: www.routledge.com/9780415071659

2nd Edition Volume 3: Adhesives and Coatings The Conservation Unit Museums and Galleries Commission 1992: 246 x 189: 140pp Pb: 978-0-415-07163-5: $44.95

For more information, visit: www.routledge.com/9780415012072 • AVAILABLE AS AN INSPECTION COPY

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2nd Edition

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C ON SERVATION

2 Volume Set

Key Issues in Cultural Heritage Series

Heritage, Weathering and Conservation Proceedings of the International Heritage, Weathering and Conservation Conference (HWC-2006), 21-24 June 2006, Madrid, Spain Edited by Rafael Fort, Monica Alvarez de Buergo, Miguel Gomez-Heras and Carmen Vazquez-Calvo 2006: 246 x 174: 1026pp Hb: 978-0-415-41272-8: $279.95 For more information, visit: www.routledge.com/9780415412728

Cultural Heritage Conservation and Environmental Impact Assessment by Non-Destructive Testing and Micro-Analysis Edited by Rene van Grieken and Koen Janssens This book covers in a balanced way, the areas that are most relevant in the state-of-the-art non-destructive testing and microanalysis, in the realm of cultural heritage.

2004: 248x180: 334pp Hb: 978-90-5809-681-4: $149.95 For more information, visit: www.routledge.com/9789058096814

Air Pollution and Cultural Heritage Edited by C. Saiz-Jimenez 2004: 250X180: 296pp Hb: 978-90-5809-682-1: $179.95 For more information, visit: www.routledge.com/9789058096821

Also Available:

Preventive Conservation

Intangible Heritage Edited by Laurajane Smith, Australian National University and Natsuko Akagawa, Deakin University, Australia

This volume examines the implications and consequences of the idea of ‘intangible heritage’ to current international academic and policy debates about the meaning and nature of cultural heritage and the management processes developed to protect it.

It provides an accessible account of the different ways in which intangible cultural heritage has been defined and managed in both national and international contexts, and aims to facilitate international debate about the meaning, nature and value of not only intangible cultural heritage, but heritage more generally.

Intangible Heritage fills a significant gap in the heritage literature available and represents a significant cross section of ideas and practices associated with intangible cultural heritage. The authors brought together for this volume represent some of the key academics and practitioners working in the area, and discuss research and practices from a range of countries, including: Zimbabwe, Morocco, South Africa, Japan, Australia, United Kingdom, the Netherlands, USA, Brazil and Indonesia, and bring together a range of areas of expertise which include anthropology, law, heritage studies, archaeology, museum studies, folklore, architecture, Indigenous studies, and history.

Selected Contents: 1. Introduction Part 1: Convention for the Safeguarding of the Intangible Cultural Heritage: Reflections on History and Concepts Part 2: The Material Politics and Practices of the Intangible Part 3: Reflecting on the Intangible 2008: 234 x 156: 336pp Hb: 978-0-415-47397-2: $135.00 Pb: 978-0-415-47396-5: $43.95 For more information, visit: www.routledge.com/9780415473965 • AVAILABLE AS AN E-INSPECTION COPY

Chris Caple See page 4 for details

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21

H ERITAGE STUDIES

22

Key Issues in Cultural Heritage Series Cultural Diversity, Heritage and Human Rights

NEW

Intersections in Theory and Practice

Edited by Martin Gegner, Brandenburg University of Technology, Cottbus, Germany and Bart Ziino, Deakin University, Australia

Edited by Michele Langfield, William Logan, Deakin University, Australia and Mairead Nic Craith, University of Ulster, UK

This theoretically innovative anthology investigates the problematic linkages between conserving cultural heritage, maintaining cultural diversity, defining and establishing cultural citizenship, and enforcing human rights.

This is the first publication to address the notions of cultural diversity, cultural heritage and human rights in one volume.

While there is a considerable literature dealing separately with cultural diversity, cultural heritage and human rights, this book is distinctive and has contemporary relevance in focusing on the intersection between the three concepts.

Selected Contents: Part 1: Setting Agendas 1. Intersecting Concepts and Practices 2. Human Rights and the UNESCO Memory of the World Programme 3. Custodians of the Land: Indigenous Peoples, Human Rights and Cultural Integrity 4. Linguistic Heritage and Language Rights in Europe: Theoretical Considerations and Practical Implications Part 2: National vs Local Rights 5. Unravelling the Cradle of Civilization ‘Layer by Layer’: Iraq, its Peoples and Cultural Heritage 6. The Political Appropriation of Burma’s Cultural Heritage and its Implications for Human rights 7. ‘Elasticity’ of Heritage, From Conservation to Human Rights: A Saga of Development and Resistance in Penang, Malaysia 8. Rendered Invisible: Urban Planning, Cultural Hheritage and Human Rights 9. ‘Indigenous Peoples are not Multicultural Minorities’: Cultural Diversity, Heritage and Indigenous Human Rights in Australia 10. A Sung Heritage: An Ecological Approach to Rights and Authority in Intangible Cultural Heritage in Northern Australia 11. ‘Cuca Shops’ and Christians: Heritage, Morality and Citizenship in Northern Namibia Part 3: Rights in Conflict 12. Protecting the Tay Nguyen Gongs: Conflicting Rights in Vietnam’s Central Plateau 13. The Rights Movement and Cultural Revitalization: The Case of the Ainu in Japan 14. Cultural Heritage and Human Rights in Divided Cyprus 15. Leaving the Buildings Behind: Conflict, Sovereignty and the Values of Heritage in Kashmir 2009: 234 x 156: 288pp Hb: 978-0-415-56366-6: $115.00 Pb: 978-0-415-56367-3: $43.95 eBook: 978-0-203-86301-5

The Heritage of War

The Heritage of War examines the nexus between cultural heritage and identity as it is defined and redefined through war and remembrance of war. The experience of war and its destructive effects has been fundamental to the formation and sustenance of identities. The key concerns of this volume are the disputes over, and management of, the destruction, preservation, reconstruction, and interpretation of cultural heritage sites whose significance is attributable to the events of war. In this most potent of contexts, this book provides an appreciation of the ways in which cultural heritage and its management is fundamentally linked to dynamic and constantly changing conceptions of identity.

The Heritage of War analyses the politics, policy and practice of cultural heritage of war sites both beyond living memory, and from recent conflicts still seeking different forms of resolution. It takes the broadest possible approach to conflict across the globe in time and space, investigating the diverse of cultural contexts in which heritage management occurs today. Through case studies ranging from the mobilisation of the Incan past in South America to the most recent conflicts in Rwanda and Beirut, it identifies the major challenges for international heritage practice in places of profound competition over ownership and interpretation, and explores the key issues likely to shape the cultural heritage field well into the twenty-first century.

Selected Contents: Introduction Part 1: Remembering and Remaking of War 1. Hellfire Pass Museum, Thai Burma Railway 2. War Monuments in East and West Berlin: Cold War Symbols or Different Forms of Memorial? 3. ’Inevitable Erosion of Heroes and Landmarks’: An End to the Politics of Allied War Memorials in Tarawa? 4. Commemorating the American Civil War in National Park Service Battlefields Part 2: Politics of Identity 5. ’We are Talking about Gallipoli after All.’ Contested Narratives, Contested Ownership 6. Victory and Defeat at Dien Bien Phu: Accommodating Conflicting Memories of War in Contemporary Vietnam 7. ’Our Ancestor the Incas’: Andean Warring over the Conquering Pasts 8. Narrating Atrocity through the Streets of Kigali: The Kigali City Tour and Rwandan Genocide Sites 9. Remembering and Forgetting: South Asia and the Second World War Part 3: Politics of Reconstruction 10.Destruction and Reconstruction at Mitrovica 11. Reconstruction over Ruins: Rebuilding Dresden’s Frauenkirche 12. City as Heart? Conclusion September 2010: 234 x 156 Hb: 978-0-415-59328-1: $125.00 Pb: 978-0-415-59329-8: $44.95

For more information, visit: www.routledge.com/9780415563673 • AVAILABLE AS AN E-INSPECTION COPY

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H ERITAG E STUDIES

New

Places of Pain and Shame

Heritage and Globalisation

Dealing with ’Difficult Heritage’

Edited by Sophia Labadi, UNESCO Consultant and Colin Long, Deakin University, Australia

Edited by William Logan, Deakin University, Australia and Keir Reeves, University of Melbourne, Australia

Heritage and Globalisation critiques the incorporation of heritage in the world economy through the policies of international development organisations and the global tourism trade. It also approaches heritage from seldom-considered perspectives, as a form of aid, as a development paradigm, and as a form of sustainable practice.

The book identifies some of the most pressing issues likely to face the heritage industry at a global level in coming decades, including the threat posed by climate change and the need for poverty reduction.

Providing a historically and theoretically rigorous approach to heritage as a form of and manifestation of globalisation, the volume’s emphasis is on contemporary issues and new fields for heritage practice.

Selected Contents: Part 1: Global and Local Tensions 1. The Magic List of Global Status: UNESCO, World Heritage and the Agendas of States 2. Politics and Power: The Hiroshima Peace Memorial (Genbaku Dome) as World Heritage 3. World Heritage, Authencity and Post-authenticity: International and National Perspectives 4. An Ivory Bull Head from Afghanistan: Legal and Ethical Dilemmas in National and Globalized Heritage 5. Globalizing Intangible Cultural Heritage? Between International Arenas and Local Aappropriations Part 2: Heritage, Development and Globalisation 6. Heritage Tourism: The Dawn of a New Era? 7. The Glocalisation of Heritage through Tourism: Balancing Standardization and Differentiation 8. The Business of Heritage and the Private Sector Part 3: The Future of the Past: Twenty-first Century Challenges 9. Cultural Heritage and the Global Environmental Crisis 10. Conflict Heritage and Expert Failure 11. Material Heritage and Poverty Reduction June 2010: 234 x 156: 240pp Hb: 978-0-415-57111-1: $120.00 Pb: 978-0-415-57112-8: $43.95 eBook: 978-0-203-85085-5 For more information, visit: www.routledge.com/9780415571128 • AVAILABLE AS AN E-INSPECTION COPY

Places of Pain and Shame is a cross-cultural study of sites that represent painful and/or shameful episodes in a national or local community’s history, and the ways that government agencies, heritage professionals and the communities themselves seek to remember, commemorate and conserve these cases – or, conversely, choose to forget them.

Such episodes and locations include: massacre and genocide sites, places related to prisoners of war, civil and political prisons, and places of ‘benevolent’ internment such as leper colonies and lunatic asylums. These sites bring shame upon us now for the cruelty and futility of the events that occurred within them and the ideologies they represented. They are however increasingly being regarded as ‘heritage sites’, a far cry from the view of heritage that prevailed a generation ago when we were almost entirely concerned with protecting the great and beautiful creations of the past, reflections of the creative genius of humanity rather than the reverse – the destructive and cruel side of history.

Why has this shift occurred, and what implications does it have for professionals practicing in the heritage field? In what ways is this a ‘difficult’ heritage to deal with? This volume brings together academics and practitioners to explore these questions, covering not only some of the practical matters, but also the theoretical and conceptual issues, and uses case studies of historic places, museums and memorials from around the globe, including the United States, Northern Ireland, Poland, South Africa, China, Japan, Taiwan, Cambodia, Indonesia, Timor, and Australia.

2008: 234 x 156: 304pp Hb: 978-0-415-45449-0: $135.00 Pb: 978-0-415-45450-6: $43.95 For more information, visit: www.routledge.com/9780415454506 • AVAILABLE AS AN E-INSPECTION COPY

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23

H ERITAGE STUDIES

24

The Heritage Reader

Difficult Heritage

Edited by Graham Fairclough, Rodney Harrison, John Schofield and John H. Jameson, Jnr.

Negotiating the Nazi Past in Nuremberg and Beyond

This resource is a much-needed support to the few textbooks in the field and offers an excellent introduction and overview to the established principles and new thinking in cultural heritage management .

Leading experts in the field from Europe, North America and Australia, bring together recent and innovative works in the field.

With geographically and thematically diverse case studies, they examine the theoretical framework for heritage resource management.

Setting significant new thinking within the framework of more established views and ideas on heritage management, this reader re-publishes texts of the past decade with an overview of earlier literature and essays that fill the gaps in between, providing students of all stages with a clear picture of new and older literature.

A helpful introduction sets out key issues and debates, and individual chapter introductions and reading lists give a background collection of key works that offer ideas for the development of thought and study.

2007: 246 x 174: 600pp Hb: 978-0-415-37285-5: $165.00 Pb: 978-0-415-37286-2: $47.95 For more information, visit: www.routledge.com/9780415372862 • AVAILABLE AS AN INSPECTION COPY

The Dead and their Possessions Repatriation in Principle, Policy and Practice Edited by Cressida Fforde, Jane Hubert and Paul Turnbull Series: One World Archaeology Inspired by a key session for the World Archaeological Congress in South Africa, The Dead and their Possessions is the first book to tackle the principle, policy and practice of repatriating museum artefacts, rather than cultural heritage in general.

Sharon Macdonald, University of Manchester, UK

The book looks at how Nuremberg has dealt with its Nazi past post-1945. It focuses especially, but not exclusively, on the city’s architectural heritage, in particular, the former Nazi party rally grounds, on which the Nuremburg rallies were staged. The book draws on original sources, such as city council debates and interviews, to chart a lively picture of debate, action and inaction in relation to this site and significant others, in Nuremberg and elsewhere. In doing so, Difficult Heritage seeks to highlight changes over time in the ways in which the Nazi past has been dealt with in Germany, and the underlying cultural assumptions, motivations and sources of friction involved.

Whilst referencing wider debates and giving examples of what was happening elsewhere in Germany and beyond, Difficult Heritage provides a rich in-depth account of this most fascinating of cases. It also engages in comparative reflection on developments underway elsewhere in order to contextualize what was happening in Nuremberg and to show similarities to and differences from the ways in which other ‘difficult heritages’ have been dealt with elsewhere.

By doing so, the author offers an informed perspective on ways of dealing with difficult heritage, today and in the future, discussing innovative museological, educational and artistic practice.

Selected Contents: 1. Negotiating Difficult Heritage: Introduction 2. Building Heritage: Words in Stone? 3. Demolition, Cleansing and Moving On 4. Preservation, Profanation and Image-Management 5. Accompanied Witnessing: Education, Art and Alibis 6. Cosmopolitan Memory in the City of Human Rights 7. Negotiating on the Ground(s): Guided Tours of Nazi Heritage 8. Visting Difficult Heritage 9. Unsettling Difficult Heritage 2008: 234 x 156: 240pp Hb: 978-0-415-41991-8: $125.00 Pb: 978-0-415-41992-5: $37.95 For more information, visit: www.routledge.com/9780415419925 • AVAILABLE AS AN E-INSPECTION COPY

2002: 234 x 156: 360pp Hb: 978-0-415-23385-9: $190.00 Pb: 978-0-415-34449-4: $52.95 eBook: 978-0-203-16577-5 For more information, visit: www.routledge.com/9780415344494 • AVAILABLE AS AN E-INSPECTION COPY

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H ERITAG E STUDIES

Heritage Studies

Public Archaeology

Methods and Approaches

Edited by Nick Merriman

Edited by Marie Louise Stig Sorensen, University of Cambridge, UK and John Carman, University of Birmingham, UK

’It is encouraging to find so much clear writing – and thought – in a book devoted to public understanding … this will be a fascinating, educational and provocative read, as well as valuable resource.’ – British Archaeology

This is the first volume specifically dedicated to the consolidation and clarification of Heritage Studies as a distinct field with its own means of investigation. It presents the range of methods that can be used and illustrates their application through case studies from different parts of the world, including the UK and USA. The challenge that the collection makes explicit is that Heritage Studies must develop a stronger recognition of the scope and nature of its data and a concise yet explorative understanding of its analytical methods.

The methods considered fall within three broad categories: textual/discourse analysis, methods for investigating people’s attitudes and behaviour; and methods for exploring the material qualities of heritage. The methods discussed and illustrated range from techniques such as text analysis, interviews, participant observation, to semiotic analysis of heritage sites and the use of GIS. Each paper discusses the ways in which methods used in social analysis generally are explored and adapted to the specific demands that arise when applied to the investigation of heritage in its many forms.

’This book fills the gap in archaeological literature …

The contents are both intellectually engaging, and of practical use … The different essays are all well-written and informative, and the evidence, information, and discussions clearly presented … I recommend it highly, and believe it is a must read for anyone interested or involved with cultural research managment.’

– www.PalArchh.nl Featuring case studies from around the world, this much-needed volume scrutinizes, in detail, the relationship between archaeology, heritage and the public.

2004: 234 x 156: 320pp Hb: 978-0-415-25888-3: $130.00 Pb: 978-0-415-25889-0: $44.95 eBook: 978-0-203-64605-2 For more information, visit: www.routledge.com/9780415258890 • AVAILABLE AS AN E-INSPECTION COPY

Uses of Heritage Laurajane Smith

2009: 234 x 156: 360pp Hb: 978-0-415-43184-2: $115.00 Pb: 978-0-415-43185-9: $41.95 eBook: 978-0-203-87171-3 For more information, visit: www.routledge.com/9780415431859 • AVAILABLE AS AN E-INSPECTION COPY

Examining international case studies including USA, Asia, Australia and New Zealand, Laurajane Smith identifies and explores the use of heritage throughout the world.

Challenging the idea that heritage value is self-evident, and that things must be preserved because they have an inherent importance, Smith forcefully demonstrates that heritage value is not inherent in physical objects or places, but rather that these objects and places are used to give tangibility to the values that underpin different communities and to assert and affirm these values.

2006: 234 x 156: 368pp Hb: 978-0-415-31830-3: $105.00 Pb: 978-0-415-31831-0: $34.95 eBook: 978-0-203-60226-3 For more information, visit: www.routledge.com/9780415318310 • AVAILABLE AS AN E-INSPECTION COPY

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25

H ERITAGE STUDIES

26

NEW

Heritage Interpretation

Heritage and Community Engagement

Edited by Marion Blockley and Alison Hems

Collaboration or Contestation?

Series: Issues in Heritage Management

An essential guide to present practice and policy concerning issues in heritage management, Heritage Interpretation draws on the accumulated expertise and international reputation for excellence of the UK heritage industry to describe and analyze best practice in heritage interpretation.

Edited by Emma Waterton, University of Keele, UK and Steve Watson, York St. John University, UK This book addresses long-held beliefs about the nature of engagement between heritage professionals and the wider public.

It was published as a special issue of the International Journal of Heritage Studies.

Selected Contents: 1. Introduction: Heritage and Community Engagement Steve Watson and Emma Waterton 2. The Recognition and Misrecognition of Community Heritage Emma Waterton and Laurajane Smith 3. The Politics of Community Heritage: Motivations, Authority and Control Elizabeth Crooke 4. Unfulfilled Promises? Heritage Management and Community Participation at some of Africa’s Cultural Heritage Sites Shadreck Chirikure, Munyaradzi Manyanga, Webber Ndoro and Gilbert Pwiti 5. Heritage and Empowerment: Community-based Indigenous Cultural Heritage in Northern Australia Shelly Greer 6. New Frameworks for Community Engagement in Archive Sector: From Handing over to Handing on Mary Stevens, Andrew Flinn and Elisabeth Shepherd 7. Uninherited Heritage: Tradition and Heritage Production in Shetland, Åland and Svalbard Adam Grydehøj 8. Decentring the New Protectors: Transforming Aboriginal Heritage in South Australia Steve Hemming and Daryle Rigney 9. Beyond the Rhetoric: Negotiating the Politics and Realising the Potential of Community-driven Heritage Engagement Corinne Perkin 10. Meaning-making and Cultural heritage in Jordon: The Local Community, the Contexts and the Archaeological Sites in Khreibt al-Suq Shatha Abu-Khafajah 11. Power Relations and Community Involvement in Landscape-based Cultural Heritage Management Practice: An Australian Case Study Jonathan Prangnell, Anne Ross and Brian Coghill

The contributors, all responsible for developing best practices, come from a range of heritage organizations including English Heritage, The National Trust, Historic Scotland, CADW and National Parks. They draw on examples from throughout the UK, from public art and twentieth-century military remains, to cathedrals and urban heritage, and discuss the range of interpretive options available and how they can be appropriately tailored to specific places and audiences.

2005: 234 x 156: 224pp Hb: 978-0-415-23796-3: $120.00 Pb: 978-0-415-23797-0: $41.95 For more information, visit: www.routledge.com/9780415237970 • AVAILABLE AS AN E-INSPECTION COPY

Archaeological Theory and the Politics of Cultural Heritage Laurajane Smith

September 2010: 246 x 174: 224pp Hb: 978-0-415-58362-6: $125.00

This controversial book is a survey of how relationships between indigenous peoples and the archaeological establishment have got into difficulty, and a crucial pointer to how to move forward from this point.

For more information, visit: www.routledge.com/9780415583626

The Politics of Heritage

Essential reading for all those concerned with developing a just and equal dialogue between the two parties, and the role of archaeology in the research and management of their heritage.

The Legacies of Race Edited by Jo Littler and Roshi Naidoo Series: Comedia 2004: 234 x 156: 272pp Hb: 978-0-415-32210-2: $130.00 Pb: 978-0-415-32211-9: $39.95 For more information, visit: www.routledge.com/9780415322119 • AVAILABLE AS AN E-INSPECTION COPY

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2004: 234 x 156: 272pp Hb: 978-0-415-31832-7: $130.00 Pb: 978-0-415-31833-4: $43.95 eBook: 978-0-203-30799-1 For more information, visit: www.routledge.com/9780415318334 • AVAILABLE AS AN E-INSPECTION COPY

New in Paperback

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H ERITAG E STUDIES

New

Mapping Modernity in Shanghai Space, Gender, and Visual Culture in the Sojourners’ City, 1853–98 Samuel Y. Liang, University of Manchester, UK Series: Asia’s Transformations This book argues that modernity first arrived in late nineteenth-century Shanghai via a new spatial configuration.

This city’s colonial capitalist development ruptured the traditional configuration of self-contained households, towns, and natural landscapes in a continuous spread, producing a new set of fragmented as well as fluid spaces.

In this process, Chinese sojourners actively appropriated new concepts and technology rather than passively responding to Western influences. Samuel Y. Liang maps the spatial and material existence of these transient people and reconstructs a cultural geography that spreads from the interior to the neighbourhood and public spaces.

International Law and the Protection of Cultural Heritage Craig Forrest, University of Queensland, Australia ThIS book looks at the conventions in the context of recent events that have exposed the dangers faced by cultural heritage, including the destruction of cultural heritage sites in Iraq and the looting of the Baghdad museum, the destruction the Buddhas of Bamiyan in Afghanistan, the salvage of artefacts from the RMS Titanic and the illicit excavation and trade in Chinese, Peruvian and Italian archaeological objects.

This book acts as an introduction to the growing area of international law critically evaluating the extent to which these international principles and rules provide an effective and coherent legal framework for the protection of cultural heritage. It is suitable not only for those schooled in the law, but also for those who work with cultural heritage in all its manifestations seeking a broad but critical consideration of this important area of international law.

June 2010: 234 x 156: 230pp Hb: 978-0-415-56913-2: $130.00

2009: 234 x 156: 480pp Hb: 978-0-415-46781-0: $125.00

For more information, visit: www.routledge.com/9780415569132

For more information, visit: www.routledge.com/9780415467810

Cultural Heritage

Also Available:

Critical Concepts in Media and Cultural Studies

Recoding the Museum

Edited by Laurajane Smith

Ross Parry

Series: Critical Concepts in Media and Cultural Studies

See page 7 for details

This collection draws on material from a number of disciplines to chart the development of the discourse and practice of ’heritage’. The material starts from the nineteenth century, concentrating on the post-war developments in the field of heritage.

Museums in a Digital Age

Selected Contents: Volume 1: History and Concepts Part 1: History Part 2: Concepts Underlying the Conservation and Preservation Process (a) Process (b) Significance and Value Volume 2: Critical Concepts in Heritage Part 3: Indigenous Issues Part 4: Identity Part 5: Theoretical Issues and Debates Part 6: Memory Volume 3: Heritage as an Industry Part 7: Heritage Industry Part 8: Tourism, Nostalgia and Authenticity Volume 4: Interpretation and Community Part 9: Interpretation Part 10: Community Part 11: Intangible Heritage

Ross Parry See page 5 for details

2006: 234 x 156: 1664pp Hb: 978-0-415-35242-0: $1370.00 For more information, visit: www.routledge.com/9780415352420

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27

D i gital HERITAG E

28

New Heritage

A

New Media and Cultural Heritage Edited by Yehuda Kalay, Thomas Kvan and Janice Affleck

This book is a collection of twenty key essays, of authors from eleven countries, representing a wide range of professions including architecture, philosophy, history, cultural heritage management, new media, museology, and computer science, which examine the application of new media to cultural heritage from a different points of view. Issues surrounding heritage interpretation to the public and the attempts to capture the essence of both tangible (buildings, monuments) and intangible (customs, rituals) cultural heritage are investigated in a series of innovative case studies.

2007: 234 x 156: 336pp Hb: 978-0-415-77355-3: $145.00 Pb: 978-0-415-77356-0: $44.95 eBook: 978-0-203-93788-4 For more information, visit: www.routledge.com/9780415773560

People, Information, and Technology in Museums Paul F. Marty and Katherine Burton Jones Series: Routledge Studies in Library and Information Science Museum Informatics provides an overview, suitable for current and future museum professionals, educators, and students, of the sociotechnical interactions that take place between people, information, and technology in museums.

2007: 6 x 9: 356pp Hb: 978-0-8247-2581-5: $130.00 eBook: 978-0-203-93914-7 For more information, visit: www.routledge.com/9780824725815

Abruzzo, James.............................................................................19 Affleck, Janice...............................................................................28 Air Pollution and Cultural Heritage................................................21 Akagawa, Natsuko........................................................................21 Alvarez de Buergo, Monica...........................................................21 Ambrose, Timothy..........................................................................1 Amundsen, Arne Bugge..................................................................1 Anico, Marta...................................................................................6 Archaeological Theory and the Politics of Cultural Heritage...........26 Aronsson, Peter..............................................................................1 Art Business, The..........................................................................19 Arts Leadership.............................................................................19 Arts Management.........................................................................18 Asia’s Transformations (series).......................................................27

B Barringer, Tim...............................................................................15 Belk, Russell..................................................................................15 Bennett, Tony..................................................................................3 Birth of the Museum, The...............................................................3 Black, Graham................................................................................3 Blockley, Marion...........................................................................26 Booy, Anna...................................................................................17 Boswell, David................................................................................9 Brown, Alison K..............................................................................9

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Museum Informatics

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IN DE X

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Caple, Chris....................................................................................4 Care of Collections........................................................................20 Carman, John...............................................................................25 Chong, Derrick.......................................................................18, 19 Civilizing Rituals..............................................................................8 Civilizing the Museum.....................................................................2 Collecting Cultures (series)............................................................15 Collecting in a Consumer Society..................................................15 Collections Management..............................................................15 Colonialism and the Object...........................................................15 Comedia (series)............................................................................26 Conservation and Planning...........................................................20 Conservation Unit Museums and Galleries Commission.................20 Contested Objects.........................................................................16 Contesting Human Remains in Museum Collections......................16 Corbishley, Mike...........................................................................10 Cornish, Paul................................................................................16 Corsane, Gerard.............................................................................2 Craith, Mairead Nic.......................................................................22 Critical Concepts in Media and Cultural Studies (series).................27 Cronyn, J.M..................................................................................20 Crooke, Elizabeth............................................................................7 Cultural Diversity, Heritage and Human Rights...............................22 Cultural Heritage...........................................................................27 Cultural Heritage Conservation and Environmental Impact Assessment by Non-Destructive Testing and Micro-Analysis...........21 Culture: Policy and Politics (series)...................................................3

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I N DE X

D Dead and their Possessions, The....................................................24 Dean, David..................................................................................17 Difficult Heritage...........................................................................24 Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom.........................................17 Dodd, Jocelyn...............................................................................12 Dudley, Sandra..........................................................................4, 14 Duncan, Carol.................................................................................8

E Edson, Gary..................................................................................17 Education and the Historic Environment........................................10 Educational Role of the Museum, The...........................................10 Elements of Archaeological Conservation......................................20 Encounters in the Virtual Feminist Museum...................................13 Engaging Museum, The..................................................................3 Europa Publications.......................................................................17 Evans, Jessica..................................................................................9

Heritage, Weathering and Conservation........................................21 Heritage: Care-Preservation-Management (series).......2, 3, 8, 17, 20 Heumann Gurian, Elaine.................................................................2 Hobson, Edward...........................................................................20 Hooper-Greenhill, Eilean.....................................................6, 10, 11 Hubert, Jane.................................................................................24 Intangible Heritage.......................................................................21 International Law and the Protection of Cultural Heritage.............27 Interpreting Objects and Collections..............................................14

I Issues in Heritage Management (series)...................................10, 26

J Jameson, Jnr., John H....................................................................24 Janes, Robert R...............................................................................5 Janssens, Koen..............................................................................21 Jenkins, Tiffany.............................................................................16 Jones, Katherine Burton................................................................28

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Fahy, Anne....................................................................................15 Fairclough, Graham......................................................................24 Ferguson, Bruce W........................................................................11 Fforde, Cressida............................................................................24 Flynn, Tom....................................................................................15 Forrest, Craig................................................................................27 Fort, Rafael...................................................................................21 Fry, Robin......................................................................................17

Kalay, Yehuda...............................................................................28 Kerrigan, Finola.............................................................................18 Key Issues in Cultural Heritage (series)...............................21, 22, 23 Knell, Simon J...................................................................1, 2, 5, 20 Kreps, Christina............................................................................11 Kvan, Thomas...............................................................................28

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Labadi, Sophia..............................................................................23 Langfield, Michele.........................................................................22 Learning in the Museum...............................................................10 Leicester Readers in Museum Studies (series).......4, 5, 10, 14, 15, 20 Levin, Amy K.................................................................................14 Liang, Samuel Y............................................................................27 Liberating Culture.........................................................................11 Littler, Jo.......................................................................................26 Logan, William........................................................................22, 23 Long, Colin...................................................................................23

Garland-Thomson, Rosemarie.......................................................12 Gegner, Martin.............................................................................22 Gender, Sexuality and Museums...................................................14 Glaser, Jane R.................................................................................8 Gomez-Heras, Miguel...................................................................21 Greenberg, Reesa.........................................................................11 Guide to Copyright for Museums and Galleries, A.........................17

H Handbook for Museums...............................................................17 Harrison, Rodney..........................................................................24 Hein, George E.............................................................................10 Hems, Alison.................................................................................26 Henson, Don.................................................................................10 Heritage and Community Engagement..........................................26 Heritage and Globalisation............................................................23 Heritage and Identity......................................................................6 Heritage Interpretation..................................................................26 Heritage of War, The.....................................................................22 Heritage Reader, The.....................................................................24 Heritage Studies............................................................................25 Heritage, Museums and Galleries....................................................2

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M Macdonald, Sharon.......................................................................24 MacLeod, Suzanne....................................................................2, 11 Making Representations..................................................................8 Mapping Modernity in Shanghai...................................................27 Marketing the Arts........................................................................18 Marstine, Janet...............................................................................1 Marty, Paul F.................................................................................28 Merriman, Nick.............................................................................25 Museum Basics...............................................................................1 Museum Informatics.....................................................................28 Museum Management and Marketing............................................5 Museum Materialities....................................................................14

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Museum Meanings (series)..............................3, 6, 7, 10, 11, 13, 15 Museum Objects.............................................................................4 Museum Revolutions.......................................................................2 Museum Texts...............................................................................11 Museum, Media, Message............................................................11 Museums and Community..............................................................7 Museums and Education.................................................................6 Museums and Source Communities................................................9 Museums and the Interpretation of Visual Culture.........................10 Museums and their Communities....................................................4 Museums in a Digital Age...............................................................5 Museums in the Material World......................................................5 Museums, Prejudice and the Reframing of Difference...................13 Museums, Society, Inequality........................................................13 Museums: A Place to Work.............................................................8

N Naidoo, Roshi...............................................................................26 Nairne, Sandy...............................................................................11 National Museums..........................................................................1 New Heritage................................................................................28

S Saiz-Jimenez, C.............................................................................21 Sandell, Richard..................................................................5, 12, 13 Saunders, Nicholas J......................................................................16 Schofield, John.............................................................................24 Science For Conservators Series, The.............................................20 Scott, Monique...............................................................................7 Silverman, Lois H.............................................................................9 Simpson, Moira G...........................................................................8 Smith, Laurajane.........................................................21, 25, 26, 27 Social Work of Museums, The.........................................................9 Sorensen, Marie Louise Stig..........................................................25 Stone, Peter..................................................................................10

T The Conservation Unit Museums and Galleries Commission..........20 Thinking About Exhibitions...........................................................11 Turnbull, Paul................................................................................24

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Understanding International Art Markets......................................19 Uses of Heritage...........................................................................25

On Collecting................................................................................15 One World Archaeology (series)....................................................24 O’Reilly, Daragh............................................................................18

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P Paine, Crispin..................................................................................1 Parry, Ross..................................................................................5, 7 Pasts Beyond Memory.....................................................................3 Pearce, Susan..........................................................................14, 15 Peers, Laura....................................................................................9 Peralta, Elsa....................................................................................6 Places of Pain and Shame..............................................................23 Politics of Heritage, The................................................................26 Pollock, Griselda...........................................................................13 Preventive Conservation..................................................................4 Public Archaeology.......................................................................25

van Grieken, Rene.........................................................................21 Vazquez-Calvo, Carmen................................................................21

W Waterton, Emma..........................................................................26 Watson, Sheila............................................................................2, 4 Watson, Steve...............................................................................26 Wienand, Peter.............................................................................17 Witcomb, Andrea...........................................................................3

Z Zenetou, Artemis A.........................................................................8 Ziino, Bart.....................................................................................22

R Ravelli, Louise...............................................................................11 Recoding the Museum....................................................................7 Reeves, Keir..................................................................................23 Re-Imagining the Museum..............................................................3 Re-Presenting Disability.................................................................12 Representing the Nation: A Reader.................................................9 Reshaping Museum Space............................................................11 Rethinking Evolution in the Museum...............................................7 Robertson, Iain..............................................................................19 Routledge Companion to Museum Ethics........................................1 Routledge Research in Museum Studies (series).............................16 Routledge Studies in Library and Information Science (series)........28

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MUSEUM AND HERITAGE STUDIES: International Journal of Heritage Studies

Editor: Laurajane Smith, The Australian National University, Australia

Museum Management and Curatorship Editor-in-Chief: Robert R. Janes, Canmore, Alberta, Canada

Volume 16, 2010, 6 issues per year

Volume 25, 2010, 4 issues per year

International Journal of Heritage Studies is the interdisciplinary academic, refereed journal for scholars and practitioners with a common interest in heritage.

The journal encourages debate over the nature and meaning of heritage as well as its links to memory, identities and place.

Articles may include issues emerging from Heritage Studies, Museum Studies, History, Tourism Studies, Sociology, Anthropology, Memory Studies, Cultural Geography, Law, Cultural Studies, and Interpretation and Design.

www.tandf.co.uk/journals/heritagestudies

Journal of the Institute of Conservation Published on behalf of the Institute of Conservation

Editor (and chair): Janet Berry, UK Volume 33, 2010, 2 issues per year The Journal of the Institute of Conservation publishes peer-reviewed articles that look to promote knowledge of cultural heritage conservation practice. The journal provides an international forum for the dissemination and exchange of information and research on all aspects relating to conservation in collaboration with other professionals in the heritage sector. An invaluable reference, the journal improves the practice of conservation by communicating ideas and imparting new developments in the field based on research for a readership that includes practising conservators, archivists and curators as well as other members of the heritage community.

www.tandf.co.uk/journals/rcon

Museum Management and Curatorship is a peer-reviewed, international journal for museum professionals, scholars, students, educators and consultants that examines current issues in depth, and provides up-to-date research, analysis and commentary on developments in museum practice.

The journal encourages a continuous reassessment of collections management, administration, archives, communications, conservation, diversity, ethics, globalization, governance, interpretation, leadership, management, purpose/mission, public service, new technology and social responsibility. www.tandf.co.uk/journals/rmmc

Journal of the Society of Archivists Published on behalf of the Society of Archivists

Editors: Elizabeth Shepherd, University College London, UK, Caroline Williams, Independent Archival Consultant, UK and Alexandrina Buchanan, University of Liverpool, UK Volume 31, 2010, 2 issues per year

The Journal of the Society of Archivists deals with matters of interest to archivists, archive conservators and records managers, as well as to all involved in the study and interpretation of archives.

The journal deals with the very latest developments in these fields, including the challenges and opportunities presented by new media and information technology.

It represents current professional practices and research. www.tandf.co.uk/journals/cjsa

JOURNALS

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