Media, Film & TV 2010 (US)

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Media, Film and TV New Titles and Key Backlist 2010

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Editorial Inquiries

Media Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1

For USA, Canada and Latin America:

New Media and Cyberculture . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

Email: matthew.byrnie@taylorandfrancis.com

Videogames . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Media Ethics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

Matthew Byrnie – Senior Editor Stan Spring – Senior Editorial Assistant Email: stan.spring@taylorandfrancis.com

Media Management . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

For all territories excluding the Americas:

Film Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Natalie Foster – Senior Editor

American Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34 British Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Genre . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

Email: natalie.foster@tandf.co.uk

Emily Laughton – Editorial Assistant Email: emily.laughton@tandf.co.uk

World Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38

Marketing Inquiries

AFI Film Readers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40

Joon Won Moon – Marketing Manager

For USA, Canada and Latin America:

Television Studies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42

Email: joonwon.moon@taylorandfrancis.com

Study Skills . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45

Katy de Groot – Marketing Coordinator

Routledge Paperbacks Direct . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Order Form . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Inside Back page

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Select Routledge titles are available on a complimentary review basis to faculty for course adoption consideration, and are marked as such throughout the catalog. Please complete and send the “Complimentary Text Request” section of the order form in the back of this catalog, or call 1-800-634-7064. To expedite your order, or to see “View Inside” and eInspection options, visit: www.routledge.com/info/compcopy.

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Media Studies

NEW

5th Edition

The Media Student’s Book Gill Branston, University of Cardiff UK and Roy Stafford ’Branston and Stafford’s lively and comprehensive work effortlessly surfs the boundaries, setting out with cheerful erudition a formidable arsenal of theories and methodological approaches, then applying them to astutely selected case studies. I was particularly impressed by their recognition of sound as a burgeoning area of research, and by the pertinence of their many examples... they balance solid theoretical content with authoritative breakdowns of a wide range of media industries and career opportunities.’ – Sally Feldman, Times Higher Education The Media Student’s Book is a comprehensive introduction for students of media studies. It covers all the key topics and provides a detailed, lively and accessible guide to concepts and debates.

Now in its fifth edition, this bestselling textbook has been thoroughly revised, re-ordered and updated, with many very recent examples and expanded coverage of the most important issues currently facing media studies.

It is structured in three main parts, addressing key concepts, debates, and research skills, methods and resources.

The authors are experienced in writing, researching and teaching across different levels of undergraduate study, with an awareness of the needs of those students. The book is specially designed to be easy and stimulating to use with:

Individual chapters include:

• margin terms, definitions, photos, references (and even jokes), allied to a comprehensive glossary and index

• narratives

• approaching media texts

• follow-up activities in ’Explore’ boxes

• genres and other classifications

• suggestions for further reading and online research

• representations

• a supporting website with chapters from previous editions, extra case studies and further resources for teaching and learning at www.routledge.com

• globalisation

• references and examples from a rich range of media forms, including advertising, cinema, the internet, magazines, newspapers, photography, radio and television.

• media as business

• ideologies and discourses • ’new media’ in a ’new world’?

• the future of TV * Regulation now • debating advertising, branding and celebrity • news and its futures • documentary and’ reality’ debates • from ’audience’ to ’users’ • research skills and methods.

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For more information, visit: www.routledge.com/9780415558426 May 2010 • 576pp • Hb: 978-0-415-55841-9: $125.00 • Pb: 978-0-415-55842-6: $35.95

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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SAVEFF 20% OPRICE

TAL THE TO STUDENTS OUR Y R O RDER F YOU O NGS WHEN READI Y E K WITH TODAY IN MEDIAe 3) (Pag

NEW

DVD

3rd Edition – 2010 Update

Media Today

An Introduction to Mass Communication, 2010 Update Joseph Turow, University of Pennsylvania, USA

’Media Today puts together all the indispensible components that are required for an introductory mass media course. The goal of media literacy ... and the emphasis on digital convergence precisely feels the pulse of media trends today, which is exciting and interesting to students, and I believe it will help engage them in their study.’ – Gang Han, SUNY – Fredonia Media Today puts mass communication students at the center of the profound changes in the twenty-first century media world – from digital convergence to media ownership – and gives them the skills to think critically about what these changes mean for the role of media in their lives.

Comprehensive and engaging, Media Today features: • an interactive companion website featuring a full range of instructor and student materials including study podcasts at www.routledge.com/textbooks/MediaTodayUpdate • a three-pronged media systems approach focused on media literacy, convergence, and emerging trends in today’s media culture

helpful marginal notes

relevant and up-to-date case studies

• up-to-date coverage of the latest political, economic, technological, and cultural issues affecting media industries • exciting new resources including an enclosed free DVD with media examples.

Completely revised with updated examples, case studies, and media resources, the third edition of this innovative mass communication textbook is built upon a media systems approach that gives students an insider’s perspective on how mass media industries operate. By making students more knowledgeable about the influences that guide media organizations, Media Today builds media literacy skills to make students sensitive to ways of seeing media content as a means of learning about culture. Joseph Turow emphasizes throughout the many ways in which media convergence has blurred distinctions between and among various media.

Each chapter of Media Today will: • guide students through the essential history of media industries • examines the current forces shaping their creation, distribution and exhibition • explores the impact of emerging trends in media and society from globalization to social networking to video games.

contemporary examples

Media Today is designed to be used independently, but can also be used with the supplemental textbook edited by Brooke Erin Duffy and Joseph Turow, Key Readings in Media Today.

selected contents: Preface.

Part 1: Understanding the Nature of Mass Media 1. Understanding Mass Media and the Importance of Media Literacy 2. Making Sense of the Media Business 3. Formal and Informal Controls on Media Content: Government Regulation, Self-Regulation, and Ethics 4. Making Sense of Research on Media Effects and Media Culture Part 2: Media Giants and Cross-Media Activities 5. A World of Blurred Media Boundaries 6. Understanding the Strategies of Media Giants

Part 3: The Print Media 7. The Book Industry 8. The Newspaper Industry 9. The Magazine Industry Part 6: The Electronic Media 10. The Recording Industry 11. The Radio Industry 12. The Motion Picture Industry 13. The Television Industry 14. The Internet and Video Game Industries Part 5: Advertising and Public Relations 15. The Advertising Industry 16. The Public Relations. Industry. Epilogue. Notes.

Credits

For more information, visit: www.routledge.com/textbooks/mediatoday

February 2010 • 712pp • Pb: 978-0-415-87606-3: $85.00 • eBook: 978-0-203-85210-1

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Key Readings in Media Today Mass Communication in Contexts Edited by Brooke Erin Duffy and Joseph Turow, University of Pennsylvania, USA

TAL P FOR Y OUR S RICE TUD WHEN YOU O ENTS R WITH MEDIA DER T (Page 2 ODAY )

By combining classic studies of mass communication with contemporary research on media, technology, and culture, Key Readings in Media Today will help students to make sense of the rapidly changing media environment. This collection is designed to supplement the third edition of Media Today: An Introduction to Mass Communication, but it can also be used independently.

Key Readings in Media Today provides both historical and contemporary analyses of each of the major media industries: book, newspaper, magazine, sound recording/radio, motion picture, television, new media, advertising, and public relations. The volume places an emphasis on convergence, looking at the ways boundaries between these media industries are blurring in surprising new ways. Section introductions and headnotes for each article offer valuable critical and historical context, while review questions after each reading test students’ understanding of key concepts. Additional resources on the companion website (www.routledge.com/textbooks/9780415992053), including discussion questions, RSS feeds, and Joseph Turow’s regularly updated blog ’Media Today and Tomorrow,’ are designed to spark classroom discussion and connect the readings to the latest contemporary media issues and controversies.

2008: 496pp Hb: 978-0-415-99204-6: $125.00 Pb: 978-0-415-99205-3: $45.00 For more information, visit: www.routledge.com/9780415992053

NEW

NEW

What Media Classes Really Want to Discuss

The Media Studies Reader

Greg Smith, Georgia State University, USA

You probably already have a clear idea of what a ’discussion guide for students’ is: a series of not-very-interesting questions at the end of a textbook chapter. Instead of triggering thought-provoking class discussion, all too often these guides are time-consuming and ineffective.

This is not that kind of discussion guide.

What Media Classes Really Want To Discuss focuses on topics that introductory textbooks generally ignore, although they are prominent in students’ minds. Using approachable prose, this book will give students a more precise critical language to discuss “common sense” phenomena about media.

The book acknowledges that students begin introductory film and television courses thinking they already know a great deal about the subject. What Media Classes Really Want To Discuss provides classes with a solid starting point for discussing these issues and encourages the reader to argue with the book, furthering the ’discussion’ on media in everyday life and in the classroom.

July 2010: 224pp Hb: 978-0-415-77811-4: $130.00 Pb: 978-0-415-77812-1: $25.95

Edited by Laurie Ouellette, University of Minnesota, USA The Media Studies Reader is a broad and accessible anthology that addresses the key topics, debates and theoretical perspectives associated with the interdisciplinary field of media studies. Emphasizing critical and cultural approaches, the collection provides an up-to-date survey of the major sub-areas of Media Studies including: 1) media and power, 2) media technologies, 3) media institutions, 4) advertising and commercialism, 5) signification and representation, 6) identity and self-fashioning, 7) audiences and social practices and 8) media and citizenship.

The Media Studies Reader presents foundational essays by leading scholars alongside the most influential new writing in the field today. Defining media in the widest sense, the chapters address traditional mass media (film, television, print) as well as new media technologies and practices (interactive games, file-sharing, social networking sites). The collection encompasses a wide range of conceptual vantage points, including political economy, semiotics, ideological and myth analysis, cultural studies, audience and fan studies, identity and representational politics, public sphere theory and newer work on interactivity, governmentality and self-fashioning.

August 2010: 592pp Hb: 978-0-415-80124-9: $150.00 Pb: 978-0-415-80125-6: $50.00 For more information, visit: www.routledge.com/9780415801256

For more information, visit: www.routledge.com/9780415778121

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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The Gender and Media Reader Edited by Mary Celeste Kearney, University of Texas at Austin, USA The Gender and Media Reader is the first comprehensive, interdisciplinary anthology of the best known and most influential writings in gender and media studies. It is an essential text for those interested in the development of gender and media studies, its primary topics, debates, and theoretical approaches. In contrast to most other readers edited by feminist media scholars, The Gender and Media Reader is not sex-specific; it examines media culture in relation to males and masculinity as well as females and femininity, while also paying close attention to the many other identities that intersect with gender, particularly race and sexuality. Moreover, unlike many readers edited by media scholars, The Gender and Media Reader is not medium specific; it explores gender through a variety of increasingly convergent media forms, including film, music, radio, television, magazines, advertising, music videos, video games, and the Internet.

The primary objective of The Gender and Media Reader is to expand readers’ knowledge of how gender operates within media culture through their engagement with classic, foundational writings upon which contemporary studies in this area are based. Taking a multiperspectival approach that considers gender broadly and examines media texts alongside their production and consumption, The Gender and Media Reader will enable readers’ critical thinking about how gender is constructed, contested, and subverted in different sites within media culture.

January 2010: 512pp Hb: 978-0-415-99345-6: $95.00 Pb: 978-0-415-99346-3: $45.00 For more information, visit: www.routledge.com/9780415993463

NEW

The Race and Media Reader Edited by Gilbert B. Rodman, University of Minnesota, USA The Race and Media Reader is a comprehensive, interdisciplinary anthology of the most important classic and contemporary writings on media and race. Mass media have been intertwined with issues of race and ethnicity since their earliest beginnings, from the blackface minstrelsy of the first sound film—Al Jolsen’s The Jazz Singer—to the multiracial (or post-racial?) identities of contemporary popular culture figures like Tiger Woods, Halle Barry, or Keanu Reeves. The readings collected here showcase the legacy of racism and the myriad forms of resistance to it that are routinely played out in media.

June 2010: 512pp Hb: 978-0-415-80158-4: $150.00 Pb: 978-0-415-80159-1: $50.00 For more information, visit: www.routledge.com/9780415801591

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NEW

NEW

NEW

7th Edition

The Media Economy

4th Edition

Power Without Responsibility

Alan Albarran, University of North Texas, USA

Press, Broadcasting and the Internet in Britain

Series: Media Management and Economics Series

James Curran, Goldsmiths College, University of London, UK and Jean Seaton, University of Westminster, UK

This textbook examines the role of the media economy in the current global business environment. The media industries, consisting of broadcast, print, Internet, film, and others, are among the main economic drivers in most developed and developing nations. The increasing fragmentation and digitalization of the media industries removes the boundaries associated with ’traditional’ media, so television, radio and newspapers are no longer single entities, but enterprises offering content across multiple distribution platforms.

Power Without Responsibility is a classic introduction to the history, sociology, theory and politics of the media in Britain.

Hailed by the Times Higher as the ’seminal media text’, and translated into Arabic, Chinese and other foreign languages, it is an essential guide for media students and critical media consumers alike.

The new edition has been substantially revised to bring it right up-to-date with developments in the media industry, new media technologies and changes in the political and academic debates surrounding the media. In this new edition, the authors consider: • the impact of the internet • the failure of interactive TV • media and Britishness • new media and global understanding • journalism in crisis • BBC and broadcasting at the beginning of the twenty-first century.

August 2009: 448pp Hb: 978-0-415-46698-1: $125.00 Pb: 978-0-415-46699-8: $35.95 For more information, visit: www.routledge.com/9780415466998

NEW

Media and Democracy James Curran, Goldsmiths College, University of London, UK Media and Democracy offers a readable and authoritative guided tour of major controversies in the study of media and politics, media and technology, media economics, media history and media and culture.

This book is suitable as an introduction designed to stimulate interest in media studies for students starting the subject at undergraduate level. It also offers an original analysis of the role of the media in entertaining democracy, a fresh perspective on the impact of new communications technology, and a new understanding of influences shaping the media by one of the field’s leading scholars.

July 2010 Hb: 978-0-415-31706-1: $125.00 Pb: 978-0-415-31707-8: $39.95 eBook: 978-0-203-40687-8 For more information, visit: www.routledge.com/9780415317078

The Media Economy breaks new ground in the way media economics is studied and approached by students, scholars, and practitioners. The text emphasizes the key drivers and concepts associated with the media economy, and explores relevant theories and the application of these theories to study and analyze the media economy.

It includes examples from both developed and developing nations, as well as data and trends from these countries.

As a holistic approach to studying the media economy, this text is a timely volume that will serve media students in a significant and meaningful way.

July 2010: 224pp Pb: 978-0-415-99046-2: $34.95 eBook: 978-0-203-92771-7 For more information, visit: www.routledge.com/9780415990462

NEW

Everyday Pornographies Karen Boyle, University of Glasgow, UK

Everyday Pornographies focuses on the ’everyday’ of pornography by addressing both the ’pornification’ of mainstream culture and pornography’s own mainstream - its predominately heterosexual male audience and the materials produced for that audience - that comprise the ’everyday’ of pornography. The collection brings together new work from established and emerging scholars, organised into three central sections:

The Media Handbook A Complete Guide to Advertising Media Selection, Planning, Research, and Buying Helen Katz, Senior Vice President & Director of Research, Starcom Media ’...a useful guide for someone starting out as a media buyer or researcher....there is a lot to learn about the world of media, and this volume will be a valuable resource for acquiring such knowledge.

Recommended.’ – CHOICE The Media Handbook provides an introduction to the complete media planning and buying process.

Emphasizing basic media planning and buying calculations along with the practical realities of offering plan alternatives and evaluating the plan, this fourth edition reflects the critical changes in how media today are planned, bought, and sold. Author Helen Katz looks at the larger marketing, advertising, and media objectives, and follows with an exploration of major media categories, including those emerging, such as branded entertainment and viral marketing.

The Media Handbook includes: • examples to provide a better sense of how media planning and buying work in the real world • research studies to give readers additional references for more in-depth information • media terms defined when they are introduced, making readers more comfortable in subsequent discussions • a selection of key resources offered as an appendix for individuals or companies wishing to find out more about a particular service or system.

Selected Contents: Preface. Introduction. What Is Media?

Media in the Marketing Context. Developing Optimal Media Objectives. Exploring the Media. Terms, Calculations, and Considerations. Creating the Plan. Offering Alternatives.

Making the Media Buys. Evaluating the Media Plan. Appendix A: Key Resources. Appendix B: Associations and Sources July 2010: 208pp Hb: 978-0-415-87353-6: $75.00 Pb: 978-0-415-87354-3: $34.99 For more information, visit: www.routledge.com/9780415873543

• arguments and approaches • texts and contexts • consumption and address.

Each section opens with an editor’s introduction, providing a brief and accessible overview of the arguments developed within and across each article, contextualising these interventions in relation to existing debates and envisaging future developments, thus making this a useful classroom text.

June 2010: 224pp Hb: 978-0-415-54378-1: $115.00 Pb: 978-0-415-54379-8: $35.95 For more information, visit: www.routledge.com/9780415543798

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For simple and secure online ordering, please visit www.routledge.com/media Or use the order form at the back of this catalog.

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NEW

2nd Edition

NEW

2nd Edition

Media, Gender and Identity

Entertainment and Society

An Introduction

Media and Religion

Influences, Impacts, and Innovations

David Gauntlett, University of Westminster, UK

Series: Routledge Communication Series

Shay Sayre and Cynthia King, both at California State University, Fullerton, USA

Reflecting the increasing interest in and work being done in this area, Media and Religion serves as a holistic examination and exploration of the relationship between media and religion. It explores the history, theory, cultural context, and professional aspects of the connections between these two vital parts of today’s society. It synthesizes the research done in various areas, establishing the current state of the field. It also defines the agenda for additional work and research, paving the way for future development. Intended for students in media and communication studies, it will serve as an essential overview of this burgeoning area.

The second edition of this innovative textbook introduces students to the ways that society shapes our many forms of entertainment and in turn, how entertainment shapes society. Entertainment and Society examines a broad range of types of entertainment that we enjoy in our daily lives—covering new areas like sports, video games, gambling, theme parks, travel, and shopping, as well as traditional entertainment media such as film, television, and print.

A primary emphasis is placed on the impact of technological and cultural convergence on innovation and the influence of contemporary entertainment. The new edition features updated examples and pedagogical features throughout including text boxes, case studies, student activities, questions for discussion, and suggestions for further reading.

December 2009: 600pp Hb: 978-0-415-99806-2: $140.00 Pb: 978-0-415-99807-9: $59.95 eBook: 978-0-203-88293-1 For more information, visit: www.routledge.com/9780415998079

Daniel A. Stout, University of Nevada, Las Vegas, USA Popular media present a vast array of stories about women and men. What impact do these images and ideas have on people’s identities?

The new edition of Media, Gender and Identity is a highly readable introduction to the relationship between media and gender identities today. Fully revised and updated, including new case studies and a new chapter, it considers a wide range of research and provides new ways for thinking about the media’s influence on gender and sexuality.

David Gauntlett discusses movies such as Knocked Up and Spiderman 3, men’s and women’s magazines, TV shows, self-help books, YouTube videos, and more, to show how the media play a role in the shaping of individual self-identities.

The book includes a website with extra articles, interviews and selected links, at www.theoryhead.com.

2008: 336pp Hb: 978-0-415-39660-8: $110.00 Pb: 978-0-415-39661-5: $33.95 eBook: 978-0-203-93001-4 For more information, visit: www.routledge.com/9780415396615

July 2010: 288pp Hb: 978-0-8058-6383-3: $100.00 Pb: 978-0-8058-6384-0: $39.95 eBook: 978-1-4106-1841-2 For more information, visit: www.routledge.com/9780805863840

Religion in the Media Age Stewart M. Hoover Series: Religion, Media and Culture 2006: 352pp Hb: 978-0-415-31422-0: $125.00 Pb: 978-0-415-31423-7: $41.95 For more information, visit: www.routledge.com/9780415314237

NEW

Journalism and Citizenship

Media Convergence

Edited by Zizi Papacharissi

Paranormal Media

Series: New Agendas in Communication Series

Audiences, Spirits and Magic in Popular Culture

The Three Degrees of Network, Mass and Interpersonal Communication Klaus Bruhn Jensen, University of Copenhagen, Denmark

Media Convergence makes a distinction between three general types of media: the human body enabling communication in the flesh; the technically reproduced means of mass communication; and the digital technologies facilitating interaction one-to-one, one-to-many, as well as many-to-many.

Features include:

• case studies, including mobile phones in everyday life, the Muhammad cartoons controversy and climate change as a global challenge for human communication and political action • diagrams, figures, and tables summarizing key concepts beyond standard ‘models of communication’

New Agendas in Communication

Journalism is in the middle of sweeping changes in its relationships with the communities it serves, and the audiences for news and public affairs it seeks to address.

Changes in technology have blurred the lines between professionals and citizens, partisan and objective bystanders, particularly in the emerging public zones of the blogosphere. This volume examines these changes and the new concepts needed to understand them in the days and years ahead.

July 2009: 232pp Hb: 978-0-415-80499-8: $100.00 Pb: 978-0-415-80498-1: $34.95 eBook: 978-0-203-87126-3 For more information, visit: www.routledge.com/9780415804981

• systematic cross-referencing. Major terms are highlighted and cross-referenced throughout, with key concepts defined in margin notes.

February 2010: 224pp Hb: 978-0-415-48203-5: $115.00 Pb: 978-0-415-48204-2: $44.95 eBook: 978-0-203-85548-5 For more information, visit: www.routledge.com/9780415482042

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

NEW

Annette Hill, University of Westminster, UK Paranormal Media offers an original and timely exploration of the extraordinary, unexplained, and supernatural in popular culture.

Annette Hill looks in unusual places in order to understand contemporary media experiences of ghosts and the paranormal. Through empirical audience research and critical analysis in social and cultural theory her study offers an original and rigorous exploration of people’s experiences of spirits and magic in popular culture. It explores ghosts in film, photography and the web, what audiences think to reality ghost TV, modern magic, the popularity of ghost tourism. At a time of cultural instability, the reception of spirits and magic highlights how people deal with change, for example through their interest in history and lost traditions, exploration of personal beliefs, or strange experiences.

In the age of communication people look through the media to search for a deeper connection between the living and the dead.

July 2010: 224pp Hb: 978-0-415-54462-7: $140.00 Pb: 978-0-415-54463-4: $39.95 For more information, visit: www.routledge.com/9780415544634

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International Communication: A Reader

Routledge Communication NEW

Immersed in Media

This comprehensive Reader brings together seminal texts in media and communication from both traditional as well as more recent scholarship.

Readings are drawn from an international range of scholars and organized to reflect the growing internationalization of the field, with clearly defined sections covering key aspects of global communication.

In addition to the core academic readings, key policy documents are also included to demonstrate the development of the political, economic and technological infrastructure that underpins the global system of media and communication.

Selected Contents: Part 1: Infrastructure for International Communication 1. Satellites and Global Communication Joseph Pelton 2. The Global Network Society Manuel Castells 3. Impact of WTO on Global Communication Eli Noam 4. Global Media Policy Marc Raboy Part 2: Theoretical Terrains 5. Media and Modernization Daniel Lerner 6. Communication and Post-Colonialism Raka Shome & Radha Hegde 7. Development Communication Srinivas Melkote 8. Communication and Digital Capitalism Dan Schiller Part 3: Global Media Systems 9. Media Imperialism Oliver Boyd-Barrett 10. Homogenizing Media Cultures? Daniel Hallin & Poulo Mancini 11. The Global Media System Robert McChesney 12. Contra-flow in Global Media Daya Thussu 13. Anglo-American Media in Decline? Jeremy Tunstall Part 4: Dominant and Alternative Discourses 14. Cultural Imperialism Herbert Schiller 15. Communication and Cultural Proximity Joseph Straubhaar 16. The Islamic Internet Lina Khatib 17. Alternative Media John Downing Part 5: Communication and Power 18. Global Communication as Ideology Armand Mattelart 19. Communication as Propaganda Harold Lasswell 20. Soft Power Joseph Nye 21. Media and Sovereignty Monroe Price Part 6: Cultures of Global Communication 22. Global Media Consumption Elihu Katz & Tamar Leibes 23. Disjunctures of Global Culture Arjun Appadurai 24. Cultures of Diasporic Media Karim H. Karim 25. Decentred Globalization Kochi Iwabuchi 26. Hybridity and Globalization Marwan Kraidy 27. Global Creative Convergence Mark Deuze July 2009: 616pp Hb: 978-0-415-44455-2: $135.00 Pb: 978-0-415-44456-9: $44.95 For more information, visit: www.routledge.com/9780415444569

4th Edition

The Dynamics of Persuasion

Edited by Daya Kishan Thussu, University of Westminster, UK ’As the field of communication studies expands and internationalizes, there is a growing need of global resource material. Daya Thussu has brought such material together in a Reader that will prove invaluable for teaching on the political, economic, cultural and technological dimensions of global communication. Not only a ’must read’ but also a ’must use’. Highly recommended!’ – Cees J. Hamelink, Professor Emeritus of International Communication, University of Amsterdam, the Netherlands

NEW

Communication and Attitudes in the 21st Century

Telepresence in Everyday Life

Richard M. Perloff, Cleveland State University, USA

Edited by Cheryl Campanella Bracken and Paul Skalski, both at Cleveland State University, USA

Immersed in Media highlights the increasing significance of telepresence in the media field.

With contributions representing diverse disciplines, this volume delves into the topic through considerations of popular media types and their effects on users.

Chapters in the work explain how the experience of presence can be affected by media technologies, including television, video games, film, and the Internet. They also discuss how presence experience mediates or moderates commonly studied media effects, such as enjoyment, persuasion, and aggression. These discussions are accompanied by overviews of the current state of presence research and its future. Ultimately, this work establishes the crucial role of telepresence in gaining a complete understanding of the uses and effects of popular media technologies.

December 2009: 232pp Hb: 978-0-415-99339-5: $100.00 Pb: 978-0-415-99340-1: $39.95 For more information, visit: www.routledge.com/9780415993401

The Mass Media and Latino Politics Studies of U.S. Media Content, Campaign Strategies and Survey Research: 1984-2004 Federico Subervi-Velez, Latinos and Media Project, USA

Recognizing the rising influence of the Latino population in the United States, Federico Subervi-Velez has put together this edited volume, examining various aspects of the Latino and media landscape, including media coverage in English- and Spanish-language media, campaigns, and survey research.

The Dynamics of Persuasion provides a comprehensive and up-to-date introduction to persuasive communication and attitude change. Offering a thorough discussion of classic and contemporary theories of persuasion, this text explores the structure and functions of attitudes, consistency between attitude and behavior, and issues in attitude measurement.

Examining persuasion through media, interpersonal, and psychological lenses, author Richard M. Perloff systematically investigates the impact of persuasive communication on attitudes toward a variety of topics, including health, politics, and racial prejudice. In addition to presenting persuasion theory and research, he provides numerous examples of persuasion in action, demonstrating the role of persuasion research in everyday life. New to this edition are: • 2008 election examples interspersed througout the text • focused discussions on compliance-gaining and negative advertising • examples of strong attitude, such as the pros and cons of using animals in research.

Complimented by a companion website with resources for students and instructors, The Dynamics of Persuasion is an engaging text appropriate for advanced courses on persuasion in communication, psychology, marketing, and sociology.

March 2010: 384pp Hb: 978-0-415-80567-4: $150.00 Pb: 978-0-415-80568-1: $59.95 eBook: 978-0-203-87032-7 For more information, visit: www.routledge.com/9780415805681

Handbook of Sports and Media Edited by Arthur A. Raney and Jennings Bryant 2006: 656pp Hb: 978-0-8058-5188-5: $200.00 Pb: 978-0-8058-5189-2: $79.95 For more information, visit: www.routledge.com/9780805851892

Assessing Media Education 2008: 448pp Hb: 978-0-8058-5704-7: $125.00 Pb: 978-0-8058-5705-4: $49.95 For more information, visit: www.routledge.com/9780805857054

A Resource Handbook for Educators and Administrators Edited by William G. Christ 2006: 600pp Hb: 978-0-8058-5225-7: $200.00 Pb: 978-0-8058-5226-4: $64.95 For more information, visit: www.routledge.com/9780805852264

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

me di a s tud i e s

NEW

NEW

Media on the Move

International Media Communication in a Global Age

Global Mobile Media

Global Flow and Contra-Flow

Gerard Goggin, University College Dublin, UK

Edited by Guy Golan, Seton Hall University, USA, Thomas Johnson, Texas Tech University, USA and Wayne Wanta, University of Missouri, Columbia, USA

There are now over one and a half billion mobile phones used worldwide. Alongside phones, there are a range of other portable media devices widely used including analogue and digital radio receivers, portable music players (MP3 players and iPods), laptop computers, not to mention a wider field of mobile technologies, including wearable computers, positioning and sensing technologies, and Radio Frequency Identification (RFID) devices.

Edited by Daya Kishan Thussu, University of Westminster, UK

International Media Communication in a Global Age provides a thorough examination of key issues regarding global communication, with a focus on international news and strategic communication. Acknowledging the extensive breadth and scope of the international communication research field, this volume serves as an introduction to the latest trends in global communication scholarship. Unique features of this work include: • theoretical and practical studies that highlight the complicated nature of the international news selection process • research findings on the cross-national and cross-cultural nature of media coverage of global events, presented in the interdisciplinary context of political communication, war coverage, new technologies and online communication • the most up-to-date research on international advertising, public relations and other key issues in international communications.

September 2009: 488pp Hb: 978-0-415-99899-4: $160.00 Pb: 978-0-415-99900-7: $49.95 For more information, visit: www.routledge.com/9780415999007

Global Mobile Media sets out to integrate an understanding of the mobile media economy, with knowledge of mobile culture, and to articulate these with an account of the politics of mobiles. In doing so, it successfully places new mobile media historically, socially, and culturally in a wider field of portable media technologies.

September 2010: 256pp Hb: 978-0-415-46917-3: $110.00 Pb: 978-0-415-46918-0: $37.95 For more information, visit: www.routledge.com/9780415469180

Internationalizing Media Studies Edited by Daya Kishan Thussu, University of Westminster, UK Series: Internationalizing Media Studies

3rd Edition

Media Effects Advances in Theory and Research Edited by Jennings Bryant, University of Alabama, USA and Mary Beth Oliver, Pennsylvania State University, USA

With contributions from some of the finest scholars in the discipline, Media Effects serves not only as a comprehensive reference volume for media effects study but also as an exceptional textbook for advanced courses in media effects. Covering the breadth of the media effects arena, this third edition provides updated material as well as new chapters focusing on effects of mobile media and other technologies.

This collection of essays by internationally-acclaimed scholars from around the world aims to stimulate a debate about the imperatives for internationalizing media studies by broadening its remit, including innovative research methodologies, taking account of regional and national specificities and pedagogic necessities warranted by the changing profile of students and researchers and the unprecedented growth of media in the non-Western world.

May 2009: 336pp Hb: 978-0-415-45529-9: $115.00 Pb: 978-0-415-45530-5: $35.95 For more information, visit: www.routledge.com/9780415455305

2006: 288pp Hb: 978-0-415-35457-8: $140.00 Pb: 978-0-415-35458-5: $39.95 For more information, visit: www.routledge.com/9780415354585

Convergence Media History Edited by Janet Staiger and Sabine Hake, both at University of Texas at Austin, USA

Convergence Media History explores the ways that digital convergence has radically changed the field of media history. Writing media history is no longer a matter of charting the historical development of an individual medium such as film or television. Instead, now that various media from blockbuster films to everyday computer use intersect regularly via convergence, scholars must find new ways to write media history across multiple media formats. This collection of eighteen new essays by leading media historians and scholars examines the issues today in writing media history and histories. Each essay addresses a single medium—including film, television, advertising, sound recording, new media, and more—and connects that specific medium’s history to larger issues for the field in writing multi-media or convergent histories. Among the volume’s topics are new media technologies and their impact on traditional approaches to media history; alternative accounts of film production and exhibition, with a special emphasis on film across multiple media platforms; the changing relationships between audiences, fans, and consumers within media culture; and the globalization of our media culture.

June 2009: 224pp Hb: 978-0-415-99661-7: $120.00 Pb: 978-0-415-99662-4: $32.95 eBook: 978-0-203-88343-3 For more information, visit: www.routledge.com/9780415996624

The Celebrity Culture Reader Edited by P. David Marshall

2008: 656pp Hb: 978-0-8058-6449-6: $175.00 Pb: 978-0-8058-6450-2: $75.00 For more information, visit: www.routledge.com/9780805864502

Series: Communication and Society

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online using the urls below each listing

From TV’s Big Brother, to Heat magazine, this Reader includes classic pieces and contemporary writings to examine the study of celebrity over the last twenty years, and the significance and importance of celebrity in contemporary culture.

2006: 872pp Hb: 978-0-415-33791-5: $150.00 Pb: 978-0-415-33792-2: $49.95 For more information, visit: www.routledge.com/9780415337922

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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NEW

Media, War and Postmodernity

NEW

Popular Media, Democracy and Development in Africa

Philip Hammond, Southbank University, London, UK

Coverage

Edited by Herman Wasserman Series: Internationalizing Media Studies Instead of merely celebrating the existence and vibrancy of popular media in Africa, this book explicitly asks how popular media can contribute tangible solutions to the challenges facing African democracy and development.

It begins with a theoretical section examining the relation between democracy, development and popular media within global structures of power. The following chapters analyse specific challenges facing the continent, such as HIV/Aids, poverty and inequality, and political participation in ‘failed states’ like Zimbabwe.

Grounded in a critical engagement with theory, this collection provides students and scholars with a critical perspective on issues relating to popular media, democracy and citizenship from various regions of Africa, outside the media-saturated global North. Individual essays take a comparative approach by including more than one country in their analysis where possible.

With contributions from a range of experienced scholars, this book will contribute both to the broadening of African media studies and the internationalization of global media studies.

May 2010: 6-1/4 x 9-1/4: 272pp Hb: 978-0-415-57793-9: $125.00 Pb: 978-0-415-57794-6: $44.95 For more information, visit: www.routledge.com/9780415577946

The Mediation of Power A Critical Introduction Aeron Davis, Goldsmiths, University of London, UK Series: Communication and Society

The Mediation of Power investigates how those in positions of power use and are influenced by media in their everyday activities. Each chapter examines this theme through an exploration of some of the key topics and debates in the field.

2007: 232pp Hb: 978-0-415-40490-7: $140.00 Pb: 978-0-415-40491-4: $39.95 eBook: 978-0-203-94582-7 For more information, visit: www.routledge.com/9780415404914

Media, War and Postmodernity investigates how conflict and international intervention have changed since the end of the Cold War, asking why Western military operations are now conducted as high-tech media spectacles, apparently more important for their propaganda value than for any strategic aims.

2007: 192pp Hb: 978-0-415-37493-4: $140.00 Pb: 978-0-415-37494-1: $34.95 eBook: 978-0-203-93417-3 For more information, visit: www.routledge.com/9780415374941

NEW

Militainment, Inc. War, Media, and Popular Culture Roger Stahl, University of Georgia, USA

Militainment, Inc. offers provocative, sometimes disturbing insight into the ways that war is presented and viewed as entertainment—or ’militainment’—in contemporary American popular culture. War has been the subject of entertainment for centuries, but Roger Stahl argues that a new interactive mode of militarized entertainment is recruiting its audience as virtual-citizen soldiers. The author examines a wide range of historical and contemporary media examples to demonstrate the ways that war now invites audiences to enter the spectacle as an interactive participant through a variety of channels—from news coverage to online video games to reality television.

Simply put, rather than presenting war as something to be watched, the new interactive militainment presents war as something to be played and experienced vicariously. Stahl examines the challenges that this new mode of militarized entertainment poses for democracy, and explores the controversies and resistant practices that it has inspired.

This volume is essential reading for anyone interested in the relationship between war and media, and it sheds surprising light on the connections between virtual battlefields and the international conflicts unfolding in Iraq and Afghanistan today.

November 2009: 224pp Hb: 978-0-415-99977-9: $120.00 Pb: 978-0-415-99978-6: $34.95 eBook: 978-0-203-87960-3 For more information, visit: www.routledge.com/9780415999786

Media Spaces and Security after 9/11 Lisa Parks, University of California, Santa Barbara, USA In this book, Lisa Parks explores the complex relations between media and security and uses the term ’coverage’ to develop a conceptual framework for understanding them.

A major goal of this book is to critique the popular idea of coverage as simply a neutral practice of objectively reporting an event by the news media. Instead, Parks argues, media coverage actively involves the power to shape not only how citizens think and act, but also how they imagine global space and power relations in the aftermath of 9/11.

At the heart of this book’s argument is the way that seemingly benign media technologies such as Powerpoint, YouTube, and Google Earth—particularly these supporting technologies that are often behind the scenes of larger media systems such as television news—have been used to extend the security regime into the spaces of everyday life. Each chapter explores a different media through the lens of a post-9/11 security culture.

March 2010: 192pp Hb: 978-0-415-99981-6: $120.00 Pb: 978-0-415-99982-3: $34.95 eBook: 978-0-203-87964-1 For more information, visit: www.routledge.com/9780415999823

NEW

Media Representations of Gender and Torture Post-9/11 Marita Gronnvoll, Eastern Illinois University, USA Series: Routledge Studies in Rhetoric and Communication In this timely book, Gronnvoll offers a feminist rhetorical examination of gender and torture, looking at the media coverage of Abu Ghraib and Guantánamo Bay, as well as recent popular entertainment television serials where torture appears as a plot narrative, such as the award-winning program 24.

In exposing news media coverage to such scrutiny, she finds that some cases of American personnel engaging in torture achieved notoriety chiefly because of the fact that women were perpetrators. The language of commentators suggests at least as much social outrage over the gender performance of the women as over the fact of torture being committed by Americans. At the same time, political and social discourses sketch a portrait of an intractable enemy in the form of the Muslim ’Other,’ while betraying a longing for a savior warrior hero who is capable of prevailing over this perceived ’evil.’ Yet, news coverage of Abu Ghraib and Guantánamo Bay suggests women warriors are socially perceived as lacking the necessary qualifications to be such saviors. This finding provides a transition into an examination of popular entertainment television programs that feature male and female heroes as government agents engaged in fighting the ’war on terrorism’.

May 2010: 256pp Hb: 978-0-415-87480-9: $95.00 For more information, visit: www.routledge.com/9780415874809

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

me di a s tud i e s

What a Girl Wants?

Fantasizing the Reclamation of Self in Postfeminism

Media Practice

Diane Negra, University College Dublin, Ireland

NEW

The Sound Handbook

From domestic goddess to desperate housewife, What a Girl Wants explores the importance and centrality of postfeminism in contemporary popular culture.

2008: 200pp Hb: 978-0-415-45227-4: $140.00 Pb: 978-0-415-45228-1: $39.95 For more information, visit: www.routledge.com/9780415452281

Girls Make Media Mary Celeste Kearney Girls Make Media explores how young female media producers have reclaimed and reconfigured girlhood as a site for radical social, cultural, and political agency.

2006: 388pp Hb: 978-0-415-97277-2: $95.00 Pb: 978-0-415-97278-9: $32.95 For more information, visit: www.routledge.com/9780415972789

Production Studies Cultural Studies of Media Industries Edited by Vicki Mayer, Tulane University, USA, Miranda J. Banks, Emerson College, USA and John Thornton Caldwell, University of California, Los Angeles, USA

Production Studies is the first volume to bring together a star-studded cast of interdisciplinary media scholars to examine the unique cultural practices of media production.

The all-new essays collected here combine ethnographic, sociological, critical, material, and political-economic methods to explore a wide range of topics, from contemporary industrial trends such as new media and niche markets to gender and workplace hierarchies. Together, the contributors seek to understand how the entire span of ’media producers’— ranging from high-profile producers and directors to anonymous stagehands and costume designers—work through professional organizations and informal networks to form communities of shared practices, languages, and cultural understandings of the world.

Tim Crook, Goldsmiths College, University of London, UK The Sound Handbook is an essential practice and theory guide that sets out the best methods in producing sound for multi-media and the academic theories that underpin the history and analysis of sound expression.

The Sound Handbook teaches how qualitative sound can be produced for drama, documentary and journalism in radio, theatrical stage production, television and film, online, animation, videogames and sound art installation.

At the same time the theoretical debates that constitute textual and contextual academic study of sound in these media platforms are explored.

The Sound Handbook is unique in endeavouring to identify the practical and theoretical common ground in the production and expression of sound in what have been seen previously as discrete media practice and academic disciplines.

July 2010: 272pp Hb: 978-0-415-55150-2: $110.00 Pb: 978-0-415-55152-6: $44.95 For more information, visit: www.routledge.com/9780415551526

3rd Edition

The Radio Handbook Carole Fleming, Nottingham Trent University, UK

The Radio Handbook is a comprehensive guide to radio broadcasting in Britain.

Featuring two entirely new chapters for this edition, You Radio and Sport on Radio, this text offers a thorough introduction to radio in the twenty-first century. Using new examples, case studies and illustrations, it examines the various components that make radio, from music selection to news presentation, and from phone-ins to sport programmes. Discussing a variety of new media such as podcasts, digital radio and web-linked radio stations, Carole Fleming explores the place of radio today, the extraordinary growth of commercial radio and the importance of community radio.

July 2009: 232pp Hb: 978-0-415-44507-8: $115.00 Pb: 978-0-415-44508-5: $35.95 For more information, visit: www.routledge.com/9780415445085

May 2009: 264pp Hb: 978-0-415-99795-9: $125.00 Pb: 978-0-415-99796-6: $39.95 eBook: 978-0-203-87959-7 For more information, visit: www.routledge.com/9780415997966

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

3rd Edition

The Advertising Handbook Helen Powell, Jonathan Hardy, both at University of East London, UK, Sarah Hawkin and Iain MacRury, University of East London, UK

The Advertising Handbook is a critical introduction to the practices and perspectives of advertising. It explores the industry and those who work in it and examines the reasons why companies and organizations advertise; how they research their markets; where they advertise and in which media; the principles and techniques of persuasion and their effectiveness, and how companies measure their success. It challenges conventional wisdom about advertising power and authority to offer a realistic assessment of its role in business and also looks at the industry’s future.

The third edition offers new material and a new organising framework, whilst continuing to provide both an introduction and an authoritative guide to advertising theory and practice. It is shaped to meet the requirements, interests and terms of reference of the most recent generation of media and advertising students.

May 2009: 264pp Hb: 978-0-415-42312-0: $130.00 Pb: 978-0-415-42311-3: $41.95 For more information, visit: www.routledge.com/9780415423113

The New Media Handbook Andrew Dewdney and Peter Ride 2006: 352pp Hb: 978-0-415-30711-6: $130.00 Pb: 978-0-415-30712-3: $37.95 For more information, visit: www.routledge.com/9780415307123

The Alternative Media Handbook Kate Coyer and Tony Dowmunt, both at Goldsmiths College, London, UK and Alan Fountain, Middlesex University, UK 2007: 368pp Hb: 978-0-415-35966-5: $130.00 Pb: 978-0-415-35965-8: $37.95 For more information, visit: www.routledge.com/9780415359658

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Sound Media

NEW

Narrating Media History

From Live Journalism to Music Recording

Media Literacy

Lars Nyre, University of Bergen, Norway

New Agendas in Communication

Edited by Michael Bailey, Leeds Metropolitan University, UK

Edited by Kathleen Tyner, University of Texas at Austin, USA

Sound Media considers how music recording, radio broadcasting and muzak influence people’s daily lives and introduces the many and varied creative techniques that have developed in music and journalism throughout the twentieth century. Lars Nyre starts with the contemporary cultures of sound media, and works back to the archaic soundscapes of the 1870s.

Sound Media includes a soundtrack CD with thirty-six examples from broadcasting and music recording in Europe and the USA, from Edith Piaf to Sarah Cox, and is richly illustrated with figures, timelines and technical drawings.

2008: 240pp Hb: 978-0-415-39113-9: $130.00 Pb: 978-0-415-39114-6: $37.95 For more information, visit: www.routledge.com/9780415391146

Remaking Media The Struggle to Democratize Public Communication Robert Hackett and William Carroll Series: Communication and Society

Two renowned authors in the field take an innovative approach and present this unique and timely book which examines the democratization of the media, and the activism directed towards challenging and changing media content, practices and structures

Series: New Agendas in Communication Series

This volume explores how educators can leverage student proficiency with new literacies for learning in formal and informal educational environments. It also investigates critical literacy practices that can best respond to the proliferation of new media in society. What sorts of media education are needed to deal with the rapid influx of intellectual and communication resources and how are media professionals, educational theorists, and literacy scholars helping youth understand the possibilities inherent in such an era?

Offering contributions from scholars on the forefront of media literacy scholarhip, this volume provides valuable insights into the issues of literacy and the new forms of digital communication now being utilized in schools. It is required reading for media literacy scholars and students in communication, education, and media.

November 2009: 256pp Hb: 978-0-415-87220-1: $125.00 Pb: 978-0-415-87221-8: $39.95 eBook: 978-0-203-86727-3 For more information, visit: www.routledge.com/9780415872218

NEW

Trauma and Media Theories, Histories, and Images Allen Meek, Massey University, New Zealand Series: Routledge Research in Cultural and Media Studies

2006: 256pp Hb: 978-0-415-39468-0: $140.00 Pb: 978-0-415-39469-7: $39.95 For more information, visit: www.routledge.com/9780415394697

Media Rituals A Critical Approach Nick Couldry 2002: 192pp Hb: 978-0-415-27014-4: $140.00 Pb: 978-0-415-27015-1: $39.95

Series: Communication and Society

This book provides the first comprehensive account of trauma as a critical concept in the study of modern visual media, from Freud to the present day, explaining how contemporary trauma studies emerged from research on Holocaust representation in which the audiovisual testimony of survivors was posed as an authentic alternative to popular television and film dramatizations. It argues that the media coverage of 9/11 and the subsequent ‘war on terror,’ however, has revealed how the formation of communities of witness and commemoration around ‘traumatic events’ can perpetuate violence and inequality.

November 2009: 232pp Hb: 978-0-415-80123-2: $95.00 For more information, visit: www.routledge.com/9780415801232

For more information, visit: www.routledge.com/9780415270151

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Based on the work of media historian, James Curran, Narrating Media History explores British media history as a series of competing narratives.

This unique and timely collection brings together leading international media history scholars, not only to identify and contrast the various interrelationships between media histories, but also to encourage dialogue between different historical, political, and theoretical perspectives including: liberalism, feminism, populism, nationalism, libertarianism, radicalism and technological determinism.

2008: 266pp Hb: 978-0-415-41915-4: $140.00 Pb: 978-0-415-41916-1: $39.95 For more information, visit: www.routledge.com/9780415419161

NEW

Teletechnologies, Place and Community Rowan Wilken, University of Melbourne, Australia Series: Routledge Research in Cultural and Media Studies Wilken re-evaluates how ideas of place and community intersect with and help us make sense of a world transformed by information and communication technologies.

This interdisciplinary investigation ranges across diverse textual and contextual terrain, exploring approaches from media and communications, architectural history and theory, philosophy, sociology, geography, literature, and urban design. The rich analysis of these myriad texts reveals the complex and at times contradictory ways in which notions of place and community circulate in relation to these technologies of distance.

November 2010: 256pp Hb: 978-0-415-87595-0: $95.00 For more information, visit: www.routledge.com/9780415875950

MediaSpace Place, Scale and Culture in a Media Age Nick Couldry and Anna McCarthy 2003: 320pp Hb: 978-0-415-29174-3: $140.00 Pb: 978-0-415-29175-0: $45.95 For more information, visit: www.routledge.com/9780415291750

Fax: 1-800-248-4724

Online: www.routledge.com/media

me di a s tud i e s

Media Choice A Theoretical and Empirical Overview Edited by Tilo Hartmann

This volume represents the next generation of research in media psychology, bridging selective exposure into a larger framework of choice in media usage. Considering the myriad media options available to use, this work seeks to answer such questions as: What mechanisms guide an individual’s exposure to/choice of media? How can researchers model them? The questions why and how people decide to use media offerings are key in current communication scholarship. Research on selective exposure has addressed this area in the past, but the term ’media choice’ is used here to represent any implicit/ automatic/spontaneous or explicit/deliberate ’decisions’ of the users and subsequent behavioral consequences that lead to a contact with a media stimulus.

April 2009: 320pp Hb: 978-0-415-96456-2: $100.00 Pb: 978-0-415-96458-6: $39.95 For more information, visit: www.routledge.com/9780415964586

The Media and Social Theory Edited by David Hesmondhalgh, University of Leeds, UK and Jason Toynbee, The Open University, UK Series: CRESC

Media studies needs richer and livelier intellectual resources.

This book brings together major and emerging international media analysts to consider key processes of media change, using a number of critical perspectives. Case studies range from reality television to professional journalism, from blogging to control of copyright, from social networking sites to indigenous media, in Europe, North America, Asia and elsewhere.

2008: 312pp Hb: 978-0-415-44799-7: $180.00 Pb: 978-0-415-44800-0: $51.95 For more information, visit: www.routledge.com/9780415448000

Media and Cultural Theory

Western Media Systems

Edited by James Curran and David Morley

Jonathan Hardy, University of East London, UK

2005: 288pp Hb: 978-0-415-31704-7: $130.00 Pb: 978-0-415-31705-4: $39.95

Series: Communication and Society

Western Media Systems offers a critical introduction to media systems in North America and Western Europe. The book offers a wide-ranging survey of comparative media analysis addressing the economic, social, political, regulatory and cultural aspects of Western media systems.

Jonathan Hardy takes a thematic approach, guiding the reader through critical issues and debates, introducing key concepts and specialist literature. Western Media Systems is essential reading for undergraduate and postgraduate students studying comparative and global media.

2008: 304pp Hb: 978-0-415-39691-2: $140.00 Pb: 978-0-415-39692-9: $39.95 For more information, visit: www.routledge.com/9780415396929

For more information, visit: www.routledge.com/9780415317054

NEW

Consumer-Citizens of China Foreign Brands and The Politics of Imagined Consumption Kelly Tian, New Mexico State University, USA and Lily Dong, University of Alaska, Fairbanks, USA Going beyond generalizations about ‘the Chinese consumer’ this book shows that marketers’ decisions to brand a product as foreign evokes intense emotions, both positive and negative, which derive from reflexive linkages of ‘foreign brands’ to national narratives of East-West relations.

Topics covered include: • the historical shaping of present-day consumer decisions • issues of political correctness in foreign brand consumption • the often neglected dark-side and feared aspects that foreign Western brands hold for many Chinese consumers • Chinese consumers’ fantasies of foreign brands and how those work to ritualize their marketplace behavior • institutionally constructed national narratives and the ways in which Chinese citizens engage these to guide their foreign brand choices.

This book is suitable for upper-level undergraduates, postgraduates, academics and professionals studying consumer behaviour in China, Chinese marketing and Chinese business.

March 2010: 192pp Hb: 978-0-415-55349-0: $125.00 For more information, visit: www.routledge.com/9780415553490

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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Media, Culture and Social Change in Asia

NEW

The Media, Cultural Control and Government in Singapore

NEW

Terence Lee, Murdoch University, Australia

Cultural and Social Change in Taiwan

May 2010: 192pp Hb: 978-0-415-41330-5: $130.00

Society, Cinema and Theatre Ming-Yeh Rawnsley, University of Leeds, UK May 2010: 256pp Hb: 978-0-415-42187-4: $150.00 For more information, visit: www.routledge.com/9780415421874

For more information, visit: www.routledge.com/9780415413305

NEW

New Media and Human Rights in Southeast Asia Edited by Mike Hayes and James Gomez

NEW

Contemporary Chinese Print Media Cultivating Middle Class Civility Zheng Yi August 2010: 192pp Hb: 978-0-415-55969-0: $130.00 For more information, visit: www.routledge.com/9780415559690

NEW

Politics and the Media in 21st Century Indonesia Decade of Democracy Edited by David Hill, Murdoch University, Australia and Krishna Sen, Australian Research Council October 2010: 256pp Hb: 978-0-415-47652-2: $130.00

May 2010: 192pp Hb: 978-0-415-56111-2: $130.00 For more information, visit: www.routledge.com/9780415561112

NEW

On-Line Society in China Edited by David Herold and Peter Wolfgang Marolt May 2010: 288pp Hb: 978-0-415-56539-4: $130.00

Understanding Media and Culture in Turkey Structures, Spaces, Voices Edited by Miyase Christensen and Christian Christensen, both at Karlstad University, Sweden The contributors to this timely new volume move away from essentialist dichotomies, providing readers with nuanced, comprehensive investigations into the relationship between media, politics and culture in this complex and increasingly important country. The text will be essential reading for scholars within Middle and Near Eastern Studies, Media Studies and Sociology.

November 2010: 224pp Hb: 978-0-415-87592-9: $95.00 For more information, visit: www.routledge.com/9780415875929

NEW

A Japanese Perspective

Youth, Society and Mobile Media in Asia

Toshie Takahashi, Rikkyo University, Japan

Edited by Stephanie Hemelryk Donald, Theresa Dirndorfer Anderson and Damien Spry, all at University of Sydney, Australia

NEW

For more information, visit: www.routledge.com/9780415547956

Transcultures - Asia-Pacific Media Representations of Globalization

NEW

For more information, visit: www.routledge.com/9780415352024

NEW

NEW

March 2010: 176pp Hb: 978-0-415-54795-6: $130.00 eBook: 978-0-203-85914-8

May 2010: 240pp Hb: 978-0-415-35202-4: $150.00

Series Editor: Daya Kishan Thussu, University of Westminster, UK

For more information, visit: www.routledge.com/9780415565394

For more information, visit: www.routledge.com/9780415476522

Vera Mackie, University of Melbourne, Australia

Routledge Advances in Internationalizing Media Studies

Audience Studies Focusing on the case of contemporary Japan, this book theorizes the role of media and ICT in today’s media-rich global environment and introduces a new argument of audience complexity. It will contribute significantly to the ‘internationalisation’ of the media studies movement underway in the global era.

August 2009: 250pp Hb: 978-0-415-80013-6: $95.00 For more information, visit: www.routledge.com/9780415800136

HIV/AIDS, Health and the Media in China Johanna Hood, University of Technology, Australia May 2010: 224pp Hb: 978-0-415-47198-5: $125.00 For more information, visit: www.routledge.com/9780415471985

NEW

Global Chinese Cinema The Culture and Politics of ’Hero’ Edited by Gary D. Rawnsley and Ming-Yeh T. Rawnsley, both at University of Leeds, UK March 2010: 240pp Hb: 978-0-415-45315-8: $130.00 eBook: 978-0-203-85911-7

Media and Cultural Transformation in China Haiqing Yu, University of Melbourne, Australia February 2009: 240pp Hb: 978-0-415-44755-3: $160.00 eBook: 978-0-203-88201-6 For more information, visit: www.routledge.com/9780415447553

For more information, visit: www.routledge.com/9780415453158

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me di a s tud i e s

NEW

NEW

Global Media Ecologies

Media, Culture and Society in Malaysia

Networked Production in Film and Television Doris Baltruschat, Carleton University, Canada In this critical study, Baltruschat highlights dramatic changes in worldwide media production. It details how collaborations – in the form of co-productions, format franchising and audience interactivity – define the new media economy, and effect a shift across the entire field of cultural production. These developments also reflect broader trends in cultural and economic globalisation.

April 2010: 256pp Hb: 978-0-415-87478-6: $95.00

Edited by Yeoh Seng Guan, Monash University, Malaysia Series: Routledge Malaysian Studies Series February 2010: 320pp Hb: 978-0-415-55246-2: $130.00 eBook: 978-0-203-86165-3 For more information, visit: www.routledge.com/9780415552462

For more information, visit: www.routledge.com/9780415874786

NEW

Media Globalization and the Discovery Channel Networks

Religion’s Impact on Israel’s Media

Ole J. Mjos, University of Bergen, Norway This book is about the relationship between media and globalization, explored through the unique study of the global expansion of Discovery Communications, spearheaded by the Discovery Channel, one of the world’s largest providers of factual television programming and media content. The book argues that the study of Discovery’s relationship with globalization provides both a specific and a more general practical and theoretical understanding of how the processes of increased linking and interweaving of media and communications unfold and develop, as well as some of the consequences of this.

July 2009: 236pp Hb: 978-0-415-99246-6: $100.00 For more information, visit: www.routledge.com/9780415992466

God, Jews and the Media Yoel Cohen Series: Routledge Jewish Studies Series Yoel Cohen examines the interactions between Jewish identity and mass media. As such, it covers the Diaspora populations of the US and UK as well as Israel itself.

Also included are chapters on journalism, broadcasting, advertising and the internet.

May 2010: 234 x 156 Hb: 978-0-415-47503-7: $115.00 For more information, visit: www.routledge.com/9780415475037

NEW

Islam in the Eyes of the West Images and Realities in an Age of Terror Edited by Tareq Y. Ismael, University of Calgary, Canada and Andrew Rippin, University of Victoria, Canada Series: Durham Modern Middle East and Islamic World Series

From the terrorist attacks of September 11, 2001 in New York to the Madrid and London bombings of 2004 and 2005, the presence of Muslim communities in the West has generated security issues and major political concern. The government, the media, and the general public have raised questions regarding potential links between Western Muslims, radical Islam and terrorism. This speculation has given rise to popular myths concerning the Islamic world and led to a host of illiberal measures such as illegal warranting, denial of Habeas Corpus, ’black prisons’ and extreme torture throughout the democratic world. This book challenges the authenticity of these myths and examines the ways in which they have been used to provide an ideological cover for the ’war on terror’ and the subsequent Iraq war.

April 2010: 288pp Hb: 978-0-415-56414-4: $140.00 eBook: 978-0-203-85438-9 For more information, visit: www.routledge.com/9780415564144

The Handbook of Election News Coverage Around the World Edited by Jesper Strömbäck, Mid Sweden University, Sundsvall, Sweden and Lynda Lee Kaid, University of Florida, USA Series: ICA Communication Series The Handbook of Election Coverage Around the World focuses on the news coverage of national elections in democracies around the globe. It brings together and compares election news coverage within a single framework, offering a systematic consideration of various factors. Considering the prominence and power of the press in the election process, this volume will offer unique breadth in its global consideration of the topic.

Selected Contents: 1. A Framework for Comparing Election News Coverage Around the World Part 1: Election News Coverage in Countries With Majoritarian Elections 2. Media Coverage of U.S. Elections: Persistence of Tradition 3. Trends in Television Network News Coverage of U.S. Elections 4. Media Matter: Election Coverage in Canada 5. Election News Coverage in the U.K. 6. Free Journalism under Control: Election Coverage in France 7. Australia: Gladitorial Parties and Volatile Media in a Stable Polity 8. Elections in India: One Billion People and Democracy Part 2: Election News Coverage in Countries with Proportional Elections 9. The Netherlands: Media Logic and Floating Voters? 10. Swedish Election News Coverage: Towards Increasing Mediatization 11. Election Coverage in Spain: From Franco’s Death to the Atocha Massacre 12. Election News Coverage in Greece: Between Two Logics 13. Campaigns in the Holy Land: The Content and Effects of Election News Coverage in Israel 14. Election News Coverage in Poland 15. Media Coverage of Election News in the Republic of Serbia 16. Democratization and Election News Coverage in Brazil 17. Media and Elections in South Africa: Finding a Foothold on the Democratic Path Part 3: Election News Coverage in Countries with Combined Systems 18. Characteristics and Dynamics of Election News Coverage in Germany 19. News Coverage of Elections in the Long Transition of Italian Democracy 20. News Coverage of National Elections in Hungary after 1990 21. Election News Coverage in Bulgaria 22. Election Coverage in the Russian Federation 23. Election Coverage in Mexico: Regulation Meets Crony Capitalism 24. The Media Coverage of Election Campaigns and Its Effects in Japan Part 4: Election News Coverage in a Comparative Perspective 25. News Coverage of EU Parliamentary Elections 26. Election News Coverage Around the World: A Comparative Perspective 2008: 472pp Hb: 978-0-8058-6036-8: $200.00 Pb: 978-0-8058-6037-5: $70.00 For more information, visit: www.routledge.com/9780805860375

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Global Media Discourse

NEW

Creative Explorations

A Critical Introduction

Creative Labour

David Machin, Leicester University, UK and Theo Van Leeuwen, University of Technology, Sydney, Australia

Media Work in Three Cultural Industries

New Approaches to Identities and Audiences

Building on a comprehensive introduction to the history and theory of global media communication, specific case studies of lifestyle and entertainment media are explored with examples from films, global women’s magazines, Vietnamese news reporting and computer war games. Finally, this book investigates how global media communication is produced, looking at the formats, languages and images used in creating media materials, both globally and in localized forms.

2007: 200pp Hb: 978-0-415-35945-0: $110.00 Pb: 978-0-415-35946-7: $32.95 For more information, visit: www.routledge.com/9780415359467

2nd Edition

Communication as Culture Essays on Media and Society James W. Carey

James W. Carey maintains that communication is not merely the transmission of information; reminding the reader of the link between the words ’communication’ and ’community,’ he broadens his definition to include the drawing-together of a people that is culture. The revised edition of this classic text includes a new critical foreword

by G. Stuart Adam that explains Carey’s fundamental role in transforming the study of mass communication to include a cultural perspective and connects his classic essays with contemporary media issues and trends. This edition also adds a new, complete bibliography of all of Carey’s writings.

2008: 240pp Hb: 978-0-415-98975-6: $120.00 Pb: 978-0-415-98976-3: $29.95 eBook: 978-0-203-92891-2 For more information, visit: www.routledge.com/9780415989763

Communication, Cultural and Media Studies: The Key Concepts John Hartley Series: Routledge Key Guides 2002: 288pp Hb: 978-0-415-26888-2: $130.00 Pb: 978-0-415-26889-9: $29.95 For more information, visit: www.routledge.com/9780415268899

David Hesmondhalgh, University of Leeds, UK and Sarah Baker, Griffith University, Australia

David Gauntlett, University of Westminster, UK

Series: CRESC What is it like to work in the media? Are media jobs more ‘creative’ than those in other sectors? This book explores these issues through a synthesis of existing studies in this vital and growing area, and the author’s own original research.

It analyses key issues such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, self-exploitation and how possible it might be to produce ‘good work’. It covers a range of industries including television, music and journalism.

The book provides a major contribution to our understanding of the media, of work, and of social and cultural change. Drawing upon the authors’ experiences of teaching these issues, it is a research monograph that can also be used in the classroom.

July 2010: 200pp Hb: 978-0-415-57260-6: $125.00 eBook: 978-0-203-85588-1 For more information, visit: www.routledge.com/9780415572606

5th Edition

A Cognitive Psychology of Mass Communication Richard Jackson Harris

In this fifth edition of A Cognitive Psychology of Mass Communication, author Richard Jackson Harris continues his examination of how our experiences with media affect the way we acquire knowledge about the world, and how this knowledge influences our attitudes and behavior.

Presenting theories from psychology and communication along with reviews of the corresponding research, this text covers a wide variety of media and media issues, ranging from the commonly discussed topics--sex, violence, advertising--to lesser-studied topics, such as values, sports, and entertainment education.

In this fifth and fully updated edition, this book offers: • highly accessible and engaging writing • contemporary references to all types of media familiar to students • substantial discussion of theories and research, including interpretations of original research studies • a balanced approach to covering the breadth and depth of the subject • discussion of work from both psychology and media disciplines.

May 2009: 480pp Hb: 978-0-415-99311-1: $150.00 Pb: 978-0-415-99312-8: $59.95

Drawing upon an array of disciplines from neuroscience to philosophy, and art to social theory, David Gauntlett explores the ways in which researchers can embrace people’s everyday creativity in order to understand social experience.

2007: 208pp Hb: 978-0-415-39658-5: $130.00 Pb: 978-0-415-39659-2: $35.95 eBook: 978-0-203-96140-7 For more information, visit: www.routledge.com/9780415396592

The Citizen Audience Crowds, Publics, and Individuals Richard Butsch, Rider University, USA In The Citizen Audience, Richard Butsch explores the cultural and political history of audiences in the United States from the nineteenth century to the present. He demonstrates that, while attitudes toward audiences have shifted over time, Americans have always judged audiences against standards of good citizenship.

2007: 200pp Hb: 978-0-415-97789-0: $95.00 Pb: 978-0-415-97790-6: $29.95 For more information, visit: www.routledge.com/9780415977906

The Advertising and Consumer Culture Reader Edited by Joseph Turow and Matthew P. McAllister, both at Pennsylvania State University, USA

The classic and contemporary essays gathered here explore the past, present, and future of advertising—from the early days of print to the World Wide Web and beyond. These selections offer historical, sociological, critical, cultural, and politicaleconomic lenses to explore a wide range of topics—from consumer activism to globalization to the role of ads in the political process. Together, these key readings chart the past, present, and future of advertising, while also examining the effects of advertising and consumer culture upon individuals, society, cultures, and the world at large.

April 2009: 456pp Pb: 978-0-415-96330-5: $49.95 For more information, visit: www.routledge.com/9780415963305

For more information, visit: www.routledge.com/9780415993128

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me di a s tud i e s

Advertising

3rd Edition

Iain MacRury, University of East London, UK Series: Routledge Introductions to Media and Communications

Advertising provides a clear and easy guide to a changing cultural and commercial genre. It explores how advertising can be studied as a cultural industry, and as a sign system, and how adverts and the reception of adverts can be considered drawing on approaches from literary criticism, structuralism, post-structuralism, psychoanalysis and ethnography.

Social Communication in Advertising Consumption in the Mediated Marketplace William Leiss, Stephen Kline, Sut Jhally and Jacqueline Botterill 2005: 696pp Pb: 978-0-415-96676-4: $45.00 For more information, visit: www.routledge.com/9780415966764

Advertising and New Media Christina Spurgeon, Queensland University of Technology, Australia

2008: 336pp Hb: 978-0-415-25125-9: $110.00 Pb: 978-0-415-25126-6: $30.95 For more information, visit: www.routledge.com/9780415251266

Brands Marcel Danesi Series: Routledge Introductions to Media and Communications

Marcel Danesi’s outstanding introduction provides a clear guide to brands and brand identity, outlining their historical origins and their increasing centrality in contemporary consumer culture.

This comprehensive introduction explores the evolving relationship between new media, advertising and new media consumers. Tracing the shift from ’mass’ to ’my’ media, Advertising and New Media critically evaluates the social and cultural implications of increased interactivity and consumer creativity for the future of advertising, with examples drawn from the USA, the UK, Europe, Australia and the peoples Republic of China.

2007: 144pp Hb: 978-0-415-43034-0: $120.00 Pb: 978-0-415-43035-7: $30.95 eBook: 978-0-203-93552-1 For more information, visit: www.routledge.com/9780415430357

NEW 2006: 176pp Hb: 978-0-415-27997-0: $120.00 Pb: 978-0-415-27998-7: $33.95 For more information, visit: www.routledge.com/9780415279987

Imaging in Advertising Verbal and Visual Codes of Commerce Fern L. Johnson, Clark University, USA

Through a series of case studies, Fern L. Johnson examines how verbal and visual images produce meaning, exploring advertisements for cigarettes, alcohol, and cosmetics.

The Handbook of Spanish Language Media Alan Albarran, University of North Texas, USA With the rise of Spanish language media around the world, no reference work is available that provides an overview of the field or its emerging issues. The Handbook of Spanish Language Media is intended to fill that need. The goal is to establish a Handbook that will become the definitive source for scholars interested in this emerging field of study; not only to provide background knowledge of the various issues and topics relevant to Spanish Language media, but also to establish directions for future research in this rapidly growing area.

This volume is an edited compilation, drawing on the expertise of authors and collaborators throughout the globe. The Handbook consists of three main sections: • overview of Spanish language media • issues in Spanish language media • future directions in Spanish language media.

2007: 272pp Hb: 978-0-415-97881-1: $95.00 Pb: 978-0-415-97882-8: $29.95 eBook: 978-0-203-92864-6

August 2009: 336pp Hb: 978-0-415-99044-8: $175.00 Pb: 978-0-415-99101-8: $59.95 For more information, visit: www.routledge.com/9780415991018

For more information, visit: www.routledge.com/9780415978828

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

Comedia NEW

Relocating Television Television in the Digital Context Edited by Jostein Gripsrud, University of Bergen, Norway The articles in this collection are written by some of the world‘s most prominent scholars in the field of media, communication and cultural studies, and aim to describe, analyse and interpret a highly complex process of change.

Avoiding the technology fetishism and technological determinism so prevalent in writing about digitisation and digital media, each article charts and seeks an understanding of a key element in or aspect of the process. The book in its entirety provides a critical account of the digitisation process as a multifaceted whole.

Topics discussed include: The Wire; MSN; the Bollywoodization of TV news; YouTube; Fan sites including Gray‘s Anatomy; X Factor; and the Writer‘s Strike 07/08.

June 2010: 288pp Hb: 978-0-415-56452-6: $125.00 Pb: 978-0-415-56453-3: $39.95 For more information, visit: www.routledge.com/9780415564533

Media, Modernity and Technology The Geography of the New David Morley 2006: 288pp Pb: 978-0-415-33342-9: $37.95 For more information, visit: www.routledge.com/9780415333429

Watching with The Simpsons Television, Parody, and Intertextuality Jonathan Gray 2005: 216pp Pb: 978-0-415-36202-3: $35.95 For more information, visit: www.routledge.com/9780415362023

Media/Theory Thinking about Media and Communications Shaun Moores 2005: 208pp Pb: 978-0-415-24384-1: $31.95 For more information, visit: www.routledge.com/9780415243841

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NEW

Media Events in a Global Age Edited by Nick Couldry, Goldsmiths, University of London, UK, Andreas Hepp, University of Bremen, Germany and Friedrich Krotz, University of Erfurt, Germany

’This volume assembles an estimable range of critical analyses of one of the most important mediated artifacts of the modern world – the media event ... students of global media today are well served by this superb collection of essays.’ - David Morgan, Duke University, USA

’A welcome and worthy successor to Dayan and Katz’s path-breaking study that expands and enriches the discourse on global media events.’ - Daya Thussu, University of Westminster, UK We live in an age where the media is intensely global and profoundly changed by digitalization. Not only do many media events have audiences who access them online, but additionally digital media flows are generating new ways in which media events can emerge. In times of increasingly differentiated media technologies and fragmented media landscapes, the ‘eventization’ of the media is increasingly important for the marketing and everyday appreciation of popular media texts.

October 2009: 328pp Hb: 978-0-415-47710-9: $140.00 Pb: 978-0-415-47711-6: $51.95 For more information, visit: www.routledge.com/9780415477116

Doing Gender in Media, Art and Culture Edited by Rosemarie Buikema and Iris van der Tuin, both at Utrecht University, the Netherlands

Doing Gender in Media, Art and Culture is an introductory text for students specialising in gender studies. The truly interdisciplinary and intergenerational approach bridges the gap between humanities and the social sciences, and it showcases the academic and social context in which gender studies has evolved. Complex contemporary phenomena such as globalisation, neo-liberalism and ’fundamentalism’ are addressed that stir up new questions relevant to the study of culture. This vibrant and wide-ranging collection of essays is essential reading for anyone in need of an accessible but sophisticated guide to the very latest issues and concepts within gender studies.

May 2009: 304pp Pb: 978-0-415-49383-3: $44.95 For more information, visit: www.routledge.com/9780415493833

Human Cloning in the Media From Science Fiction to Science Practice

Secrecy and the Media is the first book to examine the development of the D-Notice system, which regulates the UK media’s publication of British national security secrets. It is based on official documents, many of which have not previously been available to a general audience, as well as on media sources.

From Victorian times, British governments have consistently seen the need, in the public interest, to prevent the media publishing secret information which would endanger national security. The UK media have meanwhile continuously resisted official attempts to impose any form of censorship, arguing that a free press is in the public interest. Both sides have normally seen the pitfalls of attempting to resolve this sometimes acrimonious conflict of interests by litigation, and have together evolved a system of editorial self-regulation, assisted by day-to-day independent expert advice, known colloquially as the D-Notice System.

May 2009: 656pp Hb: 978-0-415-45375-2: $85.00 For more information, visit: www.routledge.com/9780415453752

NEW

Edited by Andrew Hoskins, University of Warwick, UK, Awan Akil and Ben O’Loughlin, both at Royal Holloway, University of London, UK

Editors: Sean Redmond, University of Wellington, New Zealand and Su Holmes, University of East Anglia, UK

Series: Government Official History Series

For more information, visit: www.routledge.com/9780415422369

Legitimising Violence in the New Media

Celebrity Studies

Nicholas John Wilkinson, Press Complaints Commissioner from 2005 to 2008, and a Cabinet Office Historian

2007: 256pp Hb: 978-0-415-42236-9: $160.00

Radicalisation and the Media

NEW IN 2010

The Official History of the United Kingdom’s D-Notice System

The book traces the development of this system from nineteenth-century colonial campaigns, through two world wars, to modern operations and counter-terrorism in the post-Cold War era, up to the beginning of the Labour government in 1997. Examples are drawn from media, political and official sources (some not yet open), and cover not only defence issues (including Special Forces), but also the activities of the secret intelligence services MI5, MI6 and GCHQ. These cases relate principally to the UK, but also to American and other allies’ interests.

Joan Haran, CESAGEN, Cardiff University, UK, Jenny Kitzinger, JOMEC and CESAGEN, Cardiff University, UK, Maureen McNeil, Institute for Women’s Studies and CESAGen, Lancaster University, UK and Kate O’Riordan, CESAGen, Lancaster University and University of Sussex, UK Series: Genetics and Society

A full listing of titles in this series is available online at www.routledgemedia.com/ books/series/comedia

Secrecy and the Media

Series: Media, War and Security This book examines the circulation and effects of jihadist discourse by analysing online and media coverage of radicalisation and acts of political violence, and audience responses.

April 2010: 224pp Hb: 978-0-415-55035-2: $115.00 For more information, visit: www.routledge.com/9780415550352

Environment, Media and Communication Anders Hansen, University of Leicester, UK Series: Routledge Introductions to Environment Offering a comprehensive introduction to theoretical approaches and models for the study of media and communication roles for the environment, and drawing on empirical research evidence and examples from Europe, America, Australia and Asia, this book will be of interest to students in media/communication studies, geography, environmental studies, political science and sociology as well as to environmental professionals and activists.

March 2010: 192pp Hb: 978-0-415-42575-9: $150.00 Pb: 978-0-415-42576-6: $44.95 eBook: 978-0-203-86001-4 For more information, visit: www.routledge.com/9780415425766

Volume 1, 2010, 3 issues per year www.tandf.co.uk/journals/rcel

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n e w me di a an d cy be rc ult u r e

Language and Media A Resource Book for Students Alan Durant, Middlesex University, UK and Marina Lambrou, Kingston University, UK

new media and cyberculture

Series: Routledge English Language Introductions

Routledge English Language Introductions cover core areas of language study and are one-stop resources for students.

Assuming no prior knowledge, books in the series offer an accessible overview of the subject, with activities, study questions, sample analyses, commentaries and key readings - all in the same volume. The innovative and flexible ’two-dimensional’ structure is built around four sections - introduction, development, exploration and extension - which offer self-contained stages for study. Each topic can also be read across these sections, enabling the reader to build gradually on the knowledge gained.

June 2009: 288pp Hb: 978-0-415-47573-0: $110.00 Pb: 978-0-415-47574-7: $34.95 For more information, visit: www.routledge.com/9780415475747

NEW

Design Literacies Learning in Digital Environments Mary P. Sheridan-Rabideau, University of Wyoming, USA and Jennifer Rowsell, Rutgers University, USA Series: Literacies Design Literacies: Learning in Digital Environments explores new ways of meaning making by examining the practices, stories, and products of new and digital media producers with the goal of understanding the logic of marketplace production.

April 2010: 144pp Hb: 978-0-415-55962-1: $145.00 Pb: 978-0-415-55964-5: $44.95 For more information, visit: www.routledge.com/9780415559645

2nd Edition

New Media A Critical Introduction Martin Lister, Jon Dovey, Seth Giddings, Iain Grant and Kieran Kelly, all at University of the West of England, UK

’This second edition of New Media: A Critical Introduction builds on the strengths of the first edition to improve and update one of the best textbooks in the field. The authors have provided a wealth of new material, resulting in a very detailed and illuminating overview of many important new trends emerging from the intersections of culture and technology.’ - Jamie Sexton, Aberystwyth University, UK ’This should be required reading for anyone interested in this all-important, but much-mythologised, subject.’

- Julian Petley, Brunel University, UK

New Media: A Critical Introduction is a comprehensive introduction to the culture, history, technologies and theories of new media. Written especially for students, the book considers the ways in which ’new media’ really are new, assesses the claims that a media and technological revolution has taken place and formulates new ways for media studies to respond to new technologies.

Substantially updated from the first edition to cover recent theoretical developments, approaches and significant technological developments, this is the best and by far the most comprehensive textbook available on this exciting and expanding subject.

At www.newmediaintro.com you will find: • additional international case studies with online references • specially created You Tube videos on machines and digital photography • a new ‘Virtual Camera’ case study, with links to short film examples • useful links to related websites, resources and research sites.

Critical Arts Feminist Media Studies Journal of Children and Media Media History For more details on these related media studies journals, visit www.informaworld.com/journals

Selected Contents: Preface. Introduction. Part 1. New Media and New Technologies Part 2. New Media and Visual Culture Part 3. Networks Users and Economics Part 4. Everyday Life in Cyberspace Part 5. Cyberculture: Technology, Nature and Culture 2008: 464pp Hb: 978-0-415-43160-6: $125.00 Pb: 978-0-415-43161-3: $49.95 eBook: 978-0-203-88482-9

NEW

The New Media and Technocultures Reader Edited by Martin Lister, University of the West of England, UK and Seth Giddings, McGill University, Canada The New Media and Technocultures Reader presents key texts which encapsulate and / or challenge and extend, the issues, debates and theoretical positions that do the most work in mapping and critically addressing the cultural implications of new media.

The New Media and Technoculture Reader will offer students further reading on key issues and debates raised in the introductory textbook New Media: A Critical Introduction, and explication of these debates through the selected texts. It will critically and theoretically contextualise the various disciplinary stances (visual culture; media and cultural history; media theory; media production; philosophy and the history of the sciences; political economy and sociology, etc.), offering students a rich and interdisciplinary resource.

July 2010: 496pp Hb: 978-0-415-46913-5: $150.00 Pb: 978-0-415-46914-2: $49.95 For more information, visit: www.routledge.com/9780415469142

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The Networked Self Identity, Community, and Culture in the Digital Age Edited by Zizi Papacharissi The Networked Self examines self presentation and social connection in the digital age. This collection brings together new work on online social networks by leading scholars from a variety of disciplines. The focus of the volume rests on the construction of the self, and what happens to self-identity when it is presented through networks of social connections in new media environments. The volume is structured around the core themes of identity, community, and culture—the central themes of social network sites. Contributors address theory, research, and practical implications of many aspects of online social networks including self-presentation, behavioral norms, patterns and routines, social impact, privacy, class/gender/race divides, taste cultures online, uses of social networking sites within organizations, activism, civic engagement and political impact.

October 2010: 256pp Hb: 978-0-415-80180-5: $125.00 Pb: 978-0-415-80181-2: $39.95 eBook: 978-0-203-87652-7 For more information, visit: www.routledge.com/9780415801812

For more information, visit: www.routledge.com/9780415431613

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Wired Youth The Social World of Adolescence in the Information Age Gustavo S. Mesch and Ilan Talmud, both at University of Haifa, Israel Series: Adolescence and Society Series

This book presents an up-to-date review of the literature on youth sociability, relationship formation, and online communication, examining the way young people use the internet to construct or maintain their inter-personal relationships.

Using a social network perspective, the book systematically explores the various effects of internet access and use on adolescents’ involvement in social, leisure and extracurricular activities, evaluating the arguments that suggest the internet is displacing other forms of social ties. The core of the book investigates the motivations for online relationship formation and the use of online communication for relationship maintenance. The final part of the book focuses on the consequences, both positive and negative, of the use of online communication, such as increased social capital and online bullying.

Wired Youth is suitable for undergraduate and graduate students of adolescent psychology, youth studies, media studies and the psychology and sociology of interpersonal relationships.

March 2010: 176pp Hb: 978-0-415-45993-8: $88.00 Pb: 978-0-415-45994-5: $34.95 eBook: 978-0-203-85510-2 For more information, visit: www.routledge.com/9780415459945

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LGBT Identity and Online New Media Edited by Christopher Pullen and Margaret Cooper LGBT Identity and Online New Media examines constructions of LGBT identity within new media. The contributors consider the effects, issues, influences, benefits and disadvantages of these new media phenomena with respect to the construction of LGBT identities. A wide range of mainstream and independent new media are analyzed, including MySpace, Facebook, YouTube, gay men’s health websites, message boards, and Craigslist ads, among others. This is a pioneering interdisciplinary collection that is essential reading for anyone interested in the intersections of gender, sexuality, and technology.

April 2010: 229 x 152 Hb: 978-0-415-99866-6: $120.00 Pb: 978-0-415-99867-3: $39.95 eBook: 978-0-203-85543-0 For more information, visit: www.routledge.com/9780415998673

The Language of New Media Design

Digital Encounters

Theory and Practice

Radan Martinec, London College of Communication, UK and Theo van Leeuwen, University of Technology, Sydney, Australia

The Language of New Media Design is an innovative new textbook presenting methods on the design and analysis of a variety of non-linear texts, from websites to CD-Roms.

Integrating theory and practice, the book explores a range of models for analyzing and constructing multimedia products. For each model the authors outline the theoretical background and demonstrate usage from students’ coursework, commonly available websites and other multimedia products.

Assuming no prior knowledge, the book adopts an accessible approach to the subject which has been trialled and tested on MA students at the London College of Communication.

2008: 224pp Hb: 978-0-415-37257-2: $120.00 Pb: 978-0-415-37262-6: $35.95 For more information, visit: www.routledge.com/9780415372626

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When Religion Meets New Media Heidi Campbell, Texas A&M University, USA Series: Religion, Media and Culture This lively book focuses on how different Jewish, Muslim, and Christian communities engage with new media. Rather than simply reject or accept new media, religious communities negotiate complex relationships with these technologies in light of their history and beliefs. Heidi Campbell suggests a method for studying these processes she calls the ’religious-social shaping of technology’ and students are asked to consider four key areas: religious tradition and history; contemporary community values and priorities; negotiation and innovating technology in light of the community; communal discourses applied to justify use.

March 2010: 208pp Hb: 978-0-415-34956-7: $120.00 Pb: 978-0-415-34957-4: $35.95 eBook: 978-0-203-69537-1 For more information, visit: www.routledge.com/9780415349574

Aylish Wood, University of Kent, UK ’Aylish Wood’s argument is timely and relevant. She has offered a rich description of our rapidly changing technological environment, and of the various complex modes of engagment that are offered to us by the digital interface. Her emphasis on the material and bodily character of our ’encounters’ with digital media, of our agency in a highly mediated world, is a welcome antidote to more pessimistic accounts of digital culture.’ - Marc Furstenau, School for Studies in Art and Culture, Carleton University, Canada 2007: 200pp Hb: 978-0-415-41065-6: $130.00 Pb: 978-0-415-41066-3: $39.95 For more information, visit: www.routledge.com/9780415410663

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Global Terrorism and New Media The Post Al-Qaeda Generation Philip Seib, University of Southern California, USA and Dana M. Janbek, University of Miami, School of Communication, USA Series: Media, War and Security Global Terrorism and New Media examines the content of terrorist websites and television channels, and includes images taken from these sources. It looks at terrorism 2.0, which relies on the interactive nature of new media to build virtual organizations. The book pays particular attention to the insidious terrorist media effort directed at children, which is evidence of the long-term strategy that some terrorist organizations have adopted, and the relationship between terrorists’ media presence and actual terrorist activity. The book also includes a provocative chapter offering advice about a strategy for fighting back by using the same media that terrorists rely on.

Selected Contents: Preface 1. Communicating Terror 2. High-Tech War – Al-Qaeda and More 3. Terrorists’ Online Strategies 4. Targeting the Young 5. Women and Terror 6. Terrorism’s Online Future 7. Fighting Back August 2010: 208pp Hb: 978-0-415-77961-6: $135.00 Pb: 978-0-415-77962-3: $37.95 For more information, visit: www.routledge.com/9780415779623

New Media, Old Media A History and Theory Reader Edited by Wendy Hui Kyong Chun and Thomas Keenan 2005: 432pp Hb: 978-0-415-94223-2: $100.00 Pb: 978-0-415-94224-9: $49.95 For more information, visit: www.routledge.com/9780415942249

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

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n e w me di a an d cy be rc ult u r e

NEW

NEW

Writing for Digital Media Brian Carroll, Berry College, USA

Online Communication and Collaboration

A Reader

This book teaches students how to write effectively for online audiences-whether they are crafting a story for the online face of a daily newspaper or a personal blog-while providing them with a solid understanding of the ways that the Internet has blurred traditional roles of media producer, consumer, publisher, and reader. By understanding this new media audience and exploring how different media behave-their unique limits and possibilitiesstudents are able to develop better content for digital formats and environments. This book focuses on writing primarily for journalism, public relations, and marketing and advertising audiences.

Fundamentally, this book is about writing-clearly, precisely, accurately, with energy and voice, and for an audience. It is about writing in and for digital environments, which often are populated with graphical content, multimedia and hypertextual, and interactive elements. Learning how to achieve balance and a careful, deliberate blend of these elements is the primary goal of this text. Effective communication through digital media requires new skills, intuitions, and sensitivities.

Therefore, this book teaches students not only how to create the content as writers, but also how to think critically as a site manager or content developer might about issues such as graphic design, site architecture, and editorial consistency. By teaching these new skill sets alongside writing fundamentals, this book transforms students from writers who are simply able to post their stories on the Web into engaging digital storytellers.

February 2010: 288pp Hb: 978-0-415-99200-8: $120.00 Pb: 978-0-415-99201-5: $45.00 eBook: 978-0-203-89431-6 For more information, visit: www.routledge.com/9780415992015

Edited by Helen Donelan, Karen Kear and Magnus Ramage, all at The Open University, UK Online Communication and Collaboration presents a very timely set of articles that cover a range of different perspectives upon these themes, both classic and contemporary. It is unusually broad in the range of technologies it considers - many books on these topics cover only a few forms of collaboration technology - and in considering well-established technologies as well as recent ones. It blends academic and popular articles to combine scholarly rigour with readability.

Edited by Elly A. Konijn, Sonja Utz, Martin Tanis and Susan B. Barnes

This collection explores how existing and new personal communication technologies facilitate and change interpersonal interactions. With contributions come from well-known scholars based around the world, the volume offers in-depth examinations of mediated interpersonal communication in various contexts and applications.

2008: 416pp Hb: 978-0-8058-6303-1: $130.00 Pb: 978-0-8058-6304-8: $49.95 For more information, visit: www.routledge.com/9780805863048

Monica T. Whitty, Queen’s University Belfast, UK and Adam Joinson, The Open University, UK

The book is divided into eight sections, covering the foundations of online communication and collaboration, together with current collaboration technologies such as wikis, instant messaging, virtual worlds and social network sites. These modern communication tools are considered in terms of their interactions but also looking back at lessons to be learnt from their technological ’ancestors’. The book also contains an extended case study of online collaboration, taking open-source software as its example.

January 2010: 312pp Hb: 978-0-415-56477-9: $130.00 Pb: 978-0-415-56478-6: $45.95 For more information, visit: www.routledge.com/9780415564786

NEW

Letters, Postcards, Email Technologies of Presence Esther Milne, Swinburne University, Australia

Mediated Interpersonal Communication

Truth, Lies and Trust on the Internet

Series: Routledge Research in Cultural and Media Studies In this original study, Milne moves between close readings of letters, postcards and emails, and investigations of the material, technological infrastructures of these forms, to answer the question: How does presence function as an aesthetic and rhetorical strategy within networked communication practices? As her work reveals, the relation between old and new communication systems is more complex than allowed in much contemporary media theory.

Although the correspondents of letters, postcards and emails are not, usually, present to one another as they write and read their exchanges, this does not necessarily inhibit affective communication. Indeed, this study demonstrates how physical absence may, in some instances, provide correspondents with intense intimacy and a spiritual, almost telepathic, sense of the other’s presence. While corresponding by letter, postcard or email, readers construe an imaginary, incorporeal body for their correspondents that, in turn, reworks their interlocutor’s self-presentation. In this regard the fantasy of presence reveals a key paradox of cultural communication, namely that material signifiers can be used to produce the experience of incorporeal presence.

December 2009: 290pp Hb: 978-0-415-99328-9: $95.00 For more information, visit: www.routledge.com/9780415993289

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

This book offers a balanced view of the internet by presenting empirical data conducted by social scientists.

It is the first book to develop a coherent model of the truth-lies paradox, with specific reference to the critical role of trust.

2008: 184pp Hb: 978-1-84169-584-6: $44.95 For more information, visit: www.routledge.com/9781841695846

Webcasting Worldwide Business Models of an Emerging Global Medium Edited by Louisa S. Ha and Richard J. Ganahl Series: Media Management and Economics Series 2006: 464pp Hb: 978-0-8058-5915-7: $110.00 Pb: 978-0-8058-5916-4: $39.95 For more information, visit: www.routledge.com/9780805859164

Web Theory An Introduction Robert Burnett and David Marshall 2002: 256pp Hb: 978-0-415-23833-5: $130.00 Pb: 978-0-415-23834-2: $31.95 For more information, visit: www.routledge.com/9780415238342

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Routledge Studies in New Media and Cyberculture

Disability and New Media Katie Ellis, Disability Support Worker and Mike Kent This book examines how digital design is triggering disability when it could be a solution. Video and animation now plays a prominent role in the World Wide Web and new types of protocols have been developed to accommodate this increasing complexity. However, as this has happened the potential for individual users to control how the content is displayed has been diminished. It has been argued that the Internet will not be fully accessible until disability is considered a cultural identity in the same way that class, gender and sexuality are. Kent and Ellis build on this notion and apply it to more recent Web 2.0 phenomena, social networking sites, virtual worlds and file sharing.

May 2010: 192pp Hb: 978-0-415-87135-8: $95.00 For more information, visit: www.routledge.com/9780415871358

Decoding Liberation The Promise of Free and Open Source Software

2nd Edition

Virtual English

The Cybercultures Reader

Queer Internets and Digital Creolization

Edited by Barbara M. Kennedy, University of Staffordshire, UK and David Bell, University of Leeds, UK

Jillana B. Enteen, Northwestern University, USA

NEW

NEW

NEW

Choice

Outsta nding Acade mic Title

Samir Chopra, Brooklyn College, USA and Scott D. Dexter Software is more than a set of instructions for computers: it enables (and disables) political imperatives and policies.

Nowhere is the potential for radical social and political change more apparent than in the practice and movement known as ’free software.’

Free software makes the knowledge and innovation of its creators publicly available.

This liberation of code— celebrated in free software’s explicatory slogan ’Think free speech, not free beer’—is the foundation, for example, of the Linux phenomenon.

Virtual English examines English language communication on the World Wide Web, focusing on Internet practices crafted by underserved communities in the US and overlooked participants in several Asian Diaspora communities. Jillana Enteen locates instances where subjects use electronic media to resist popular understandings of cyberspace, computer-mediated communication, nation and community, presenting unexpected responses to the forces of globalization and predominate US value systems.

The populations studied here contribute websites, conversations and artifacts that employ English strategically, broadening and splintering the language to express their concerns in the manner they perceive as effective. Users are thus afforded new opportunities to transmit information, conduct conversations, teach and make decisions, shaping, in the process, both language and technology. Moreover, web designers and writers conjure distinct versions of digitally enhanced futures -computer-mediated communication may attract audiences previously out of reach.

December 2009: 229 x 152 Hb: 978-0-415-97724-1: $125.00 Pb: 978-0-415-99429-3: $34.95 eBook: 978-0-203-87950-4 For more information, visit: www.routledge.com/9780415994293

2007: 832pp Hb: 978-0-415-41068-7: $150.00 Pb: 978-0-415-41067-0: $45.95 For more information, visit: www.routledge.com/9780415410670

An Introduction to Cybercultures David Bell A companion volume to The Cybercultures Reader.

2001: 256pp Hb: 978-0-415-24658-3: $130.00 Pb: 978-0-415-24659-0: $35.95 eBook: 978-0-203-19232-0 For more information, visit: www.routledge.com/9780415246590

Cyberculture: The Key Concepts David J. Bell, Brian D Loader, Nicholas Pleace and Douglas Schuler Series: Routledge Key Guides 2004: 232pp Hb: 978-0-415-24753-5: $120.00 Pb: 978-0-415-24754-2: $26.95 For more information, visit: www.routledge.com/9780415247542

Cyberculture Theorists Full Table of Contents For full table of contents on all titles featured in this catalog, visit: www.routledge.com/media

Decoding Liberation provides a synoptic perspective on the relationships between free software and freedom.

Focusing on five main themes—the emancipatory potential of technology, social liberties, the facilitation of creativity, the objectivity of computing as scientific practice, and the role of software in a cyborg world—the authors ask: What are the freedoms of free software, and how are they manifested? This book is essential reading for anyone interested in understanding how free software promises to transform not only technology but society as well.

Manuel Castells and Donna Haraway David Bell Series: Routledge Critical Thinkers

Cyberculture Theorists is the ideal starting point for anyone wanting to understand how to theorise cyberculture in all its myriad forms.

2006: 176pp Hb: 978-0-415-32430-4: $100.00 Pb: 978-0-415-32431-1: $25.95 eBook: 978-0-203-35701-9 For more information, visit: www.routledge.com/9780415324311

November 2009: 232pp Pb: 978-0-415-87678-0: $39.95 For more information, visit: www.routledge.com/9780415876780

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v i de oga m e s

Cyber-Bullying

Zero Comments

Issues and Solutions for the School, the Classroom and the Home

Blogging and Critical Internet Culture

Shaheen Shariff, McGill University, Montreal, Canada

’This book provides a fascinating and considered insight into a phenomenon advancing as almost as quickly as technology itself....the book offers many ways of joining together to combat cyber bullying, while providing a comprehensive and scholarly study of the subject.’ - Children and Young People Now

2008: 328pp Pb: 978-0-415-42491-2: $37.95 eBook: 978-0-203-92883-7 For more information, visit: www.routledge.com/9780415424912

Codifying Cyberspace Communications Self-Regulation in the Age of Internet Convergence

Geert Lovink, University of Amsterdam, the Netherlands ’Geert Lovink cuts through the cliches, cynicism, and hype, and looks at Internet culture in all its messy, contradictory reality. Nobody has thought longer and harder about the state of the Net today, and where it might be heading. Zero Comments is both richly detailed and engaged, and breathtaking in the sweep of its edgy, contrarian, and urgent vision.’ -- Steven Shaviro, author of Connected 2007: 344pp Hb: 978-0-415-97315-1: $95.00 Pb: 978-0-415-97316-8: $29.95 For more information, visit: www.routledge.com/9780415973168

NEW

Blogging the Political Politics and Participation in a Networked Society Antoinette Pole, Montclair State University, USA

Damian Tambini, Danilo Leonardi and Chris Marsden, University of Essex, UK

Providing essential critical perspective, this book is the first full-scale study of self-regulation and codes of conduct in these fast-moving new media sectors and offers a thorough exploration of the issues involved in self-regulation of the internet.

In an era of depressed civic engagement, where access to the media by common citizens is limited, blogs have the power to change the political landscape. This book catalogs the individuals engaged in political blogging, explains why they started blogging, and examines what they hope to gain from it.

December 2009: 192pp Hb: 978-0-415-96341-1: $130.00 Pb: 978-0-415-96342-8: $29.95 2007: 336pp Hb: 978-1-84472-145-0: $125.00 Pb: 978-1-84472-144-3: $35.95 eBook: 978-0-203-94706-7 For more information, visit: www.routledge.com/9781844721443

Blogging, Citizenship, and the Future of Media Edited by Mark Tremayne This collection of original essays addresses a number of questions seeking to increase our understanding of the role of blogs in the contemporary media landscape and explores the ramifications of the blog phenomenon.

2006: 240pp Hb: 978-0-415-97939-9: $100.00 Pb: 978-0-415-97940-5: $29.95 For more information, visit: www.routledge.com/9780415979405

For more information, visit: www.routledge.com/9780415963428

Routledge Handbook of Internet Politics Edited by Andrew Chadwick, Royal Holloway, University of London, UK and Philip N. Howard, University of Washington, USA

A comprehensive set of resources, this Handbook provides linkages to established theories of media and politics, political communication, governance, deliberative democracy and social movements, all within an interdisciplinary context.

Containing the latest survey data, the contributors form a strong international cast of established and junior scholars.

2008: 528pp Hb: 978-0-415-42914-6: $155.00 For more information, visit: www.routledge.com/9780415429146

Videogames Understanding Video Games The Essential Introduction Simon Egenfeldt-Nielsen, Jonas Heide Smith and Susana Pajares Tosca, all at IT University of Copenhagen, Denmark

From Pong to PlayStation 3 and beyond, Understanding Video Games is the first general introduction to the exciting new field of video game studies. This textbook traces the history of video games, introduces the major theories used to analyze games such as ludology and narratology, reviews the economics of the game industry, examines the aesthetics of game design, surveys the broad range of game genres, explores player culture, and addresses the major debates surrounding the medium, from educational benefits to the effects of violence.

Throughout the book, the authors ask readers to consider larger questions about the medium: • what defines a video game?

• who plays games?

• why do we play games?

• how do games affect the player?

Extensively illustrated, Understanding Video Games is an indispensable and comprehensive resource for those interested in the ways video games are reshaping entertainment and society.

2008: 304pp Hb: 978-0-415-97720-3: $125.00 Pb: 978-0-415-97721-0: $35.00 For more information, visit: www.routledge.com/9780415977210

Playing with Videogames James Newman, Bath Spa University College, UK

Playing with Videogames documents the richly productive, playful and social cultures of videogaming that support, surround and sustain this most important of digital media forms and yet which remain largely invisible within existing studies.

James Newman details the rich array of activities that surround game-playing, charting the vibrant and productive practices of the vast number of videogame players and the extensive ‘shadow’ economy of walkthroughs, FAQs, art, narratives, online discussion boards and fan games, as well as the cultures of cheating, copying and piracy that have emerged.

2008: 224pp Hb: 978-0-415-38522-0: $130.00 Pb: 978-0-415-38523-7: $35.95 For more information, visit: www.routledge.com/9780415385237

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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NEW

The Videogames Handbook

Serious Games

David Surman, Newport School of Art, Media and Design, UK

Mechanisms and Effects

Series: Media Practice

Featuring contributions from leading figures in the videogames industry including the international games scholar Henry Jenkins; Simon and Andrew Oliver, directors of Blitz Games; and writer and broadcaster Aleks Krotoski; this book surveys both the theory and practice of this fast-growing, yet relatively new disciplinary area.

Mapping the commercial process of videogame production from pre-production to games journalism, David Surman demystifies the language of technical production processes by offering the reader a review of key production roles, along with the skills required to fulfil them. Focusing on the distribution and reception of videogames as a cultural form, as well as offering broader perspectives on issues such as the place of games in education and domestic technology, Surman examines the critical perspectives that have emerged in the academic community.

May 2010: 320pp Hb: 978-0-415-38327-1: $130.00 Pb: 978-0-415-38353-0: $39.95 For more information, visit: www.routledge.com/9780415383530

The Meaning of Video Games Gaming and Textual Strategies Steven E. Jones, Loyola University Chicago, USA

The Meaning of Video Games takes a textual studies approach to an increasingly important form of expression in today’s culture. Citing specific examples such as Myst and Lost, Katamari Damacy, Halo, Façade, Nintendo’s Wii, and Will Wright’s Spore, the book explores the ways in which textual studies concepts– authorial intention, textual variability and performance, the paratext, publishing history and the social text–can shed light on video games as more than formal systems.

2008: 208pp Hb: 978-0-415-96055-7: $95.00 Pb: 978-0-415-96056-4: $29.95 For more information, visit: www.routledge.com/9780415960564

Edited by Ute Ritterfeld, Free University of Amsterdam, the Netherlands, Michael Cody, University of Southern California, USA and Peter Vorderer, Peter Vorderer, VU University Amsterdam, the Netherlands

Serious Games provides a thorough exploration of the claim that playing games can provide learning that is deep, sustained and transferable to the real world. ’Serious games’ is defined herein as any form of interactive computer-based game software for one or multiple players to be used on any platform and that has been developed to provide more than entertainment to players. With this volume, the editors address the gap in existing scholarship on gaming, providing an academic overview on the mechanisms and effects of serious games.

Contributors investigate the psychological mechanisms that take place not only during gaming, but also in game selection, persistent play, and gaming impact.

The work in this collection focuses on the desirable outcomes of digital game play. The editors distinguish between three possible effects - learning, development, and change - covering a broad range of serious games’ potential impact. Contributions from internationally recognized scholars focus on five objectives: • define the area of serious games • elaborate on the underlying theories that explain suggested psychological mechanisms elicited through serious game play, addressing cognitive, affective and social processes • summarize the empirical evidence on the effectiveness of serious games • introduce innovative research methods as a response to methodological challenges imposed through interactive media • discuss the possibilities and limitations of selected applications for educational purposes.

August 2009: 552pp Hb: 978-0-415-99369-2: $120.00 Pb: 978-0-415-99370-8: $49.95 eBook: 978-0-203-89165-0 For more information, visit: www.routledge.com/9780415993708

Motives, Responses, and Consequences Edited by Peter Vorderer and Jennings Bryant Series: Routledge Communication Series 2006: 480pp Hb: 978-0-8058-5321-6: $170.00 Pb: 978-0-8058-5322-3: $69.95 For more information, visit: www.routledge.com/9780805853223

Edited by Mark J.P. Wolf, Concordia University Wisconsin, USA and Bernard Perron, University of Montreal, Canada 2003: 320pp Pb: 978-0-415-96579-8: $45.00 For more information, visit: www.routledge.com/9780415965798

The Video Game Theory Reader 2 Edited by Bernard Perron, University of Montreal, Canada and Mark J.P. Wolf, Concordia University Wisconsin, USA

The Video Game Theory Reader 2 picks up where the first Video Game Theory Reader (Routledge, 2003) left off, with a group of leading scholars turning their attention to next-generation platforms-the Nintendo Wii, the PlayStation 3, the Xbox 360-and to new issues in the rapidly expanding field of video games studies. The contributors are some of the most renowned scholars working on video games today including Henry Jenkins, Jesper Juul, Eric Zimmerman, and Mia Consalvo. While the first volume had a strong focus on early video games, this volume also addresses more contemporary issues such as convergence and MMORPGs. The volume concludes with an appendix of nearly forty ideas and concepts from a variety of theories and disciplines that have been usefully and insightfully applied to the study of video games.

2008: 456pp Hb: 978-0-415-96282-7: $125.00 Pb: 978-0-415-96283-4: $45.00 eBook: 978-0-203-88766-0 For more information, visit: www.routledge.com/9780415962834

Videogames James Newman Series: Routledge Introductions to Media and Communications

Gaming Cultures and Place in Asia-Pacific Edited by Larissa Hjorth, RMIT University, Australia and Dean Chan, Edith Cowan University, Australia Series: Routledge Studies in New Media and Cyberculture

Playing Video Games

The Video Game Theory Reader

This lucid and engaging introduction guides the reader through the world of videogaming, providing a history of the videogame, from its origins in the computer lab to its contemporary status as a global entertainment industry.

This collection explores the politics of game play and its cultural context by focusing on the Asia-Pacific region.

Drawing from micro ethnographic studies to macro political economy analysis of techno-nationalisms and transcultural flows of cultural capital, it provides an interdisciplinary model for thinking through the politics of gaming.

2004: 208pp Hb: 978-0-415-28191-1: $110.00 Pb: 978-0-415-28192-8: $33.95

June 2009: 314pp Hb: 978-0-415-99627-3: $110.00

For more information, visit: www.routledge.com/9780415281928

For more information, visit: www.routledge.com/9780415996273

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

me di a e th i c s

NEW

Joystick Soldiers

Media Ethics

The Politics of Play in Military Video Games Edited by Nina B. Huntemann, Suffolk University, USA and Matthew Thomas Payne, University of Texas at Austin, USA

Joystick Soldiers is the first anthology to examine the reciprocal relationship between militarism and video games.

War has been an integral theme of the games industry since the invention of the first video game, Spacewar! in 1962.

While war video games began as entertainment, military organizations soon saw their potential as combat simulation and recruitment tools.

A profitable and popular relationship was established between the video game industry and the military, and continues today with video game franchises like America’s Army, which was developed by the U.S. Army as a public relations and recruitment tool.

This collection features all new essays that explore how modern warfare has been represented in and influenced by video games. The contributors explore the history and political economy of video games and the ’military-entertainment complex;’ present textual analyses of military-themed video games such as Metal Gear Solid; and offer reception studies of gamers, fandom, and political activism within online gaming.

August 2009: 328pp Hb: 978-0-415-99659-4: $125.00 Pb: 978-0-415-99660-0: $39.95 eBook: 978-0-203-88446-1 For more information, visit: www.routledge.com/9780415996600

2nd Edition

Virtuous War Mapping the Military-Industrial-MediaEntertainment-Network James Der Derian, Brown University, USA

Virtuous War is the first book to map the emergence and judge the consequences of a new military-industrial-mediaentertainment network. James Der Derian takes the reader from a family history of war and genocide to new virtual battlespaces in the Mojave Desert, Silicon Valley, Hollywood and American universities. He tracks the convergence of cyborg technologies, video games, media spectacles, war movies, and do-good ideologies that produced a chimera of high-tech, low-risk ‘virtuous wars’.

NEW

Media Ethics Beyond Borders A Global Perspective

2nd Edition

Mixed Media Moral Distinctions in Advertising, Public Relations, and Journalism Tom Bivins, University of Oregon, USA

Mixed Media, Second Edition, introduces readers to the tools necessary for making moral and ethical decisions regarding the use of mass media. The chapters in this text offer insights on:

Edited by Stephen J.A. Ward, University of Wisconsin - Madison, USA and Herman Wasserman

This volume explores the construction of an ethics for news media that is global in reach and impact. Essays by international media ethicists provide leading theoretical perspectives on major issues and applies the ideas to specific countries, contexts and problems, addressing such questions as: Are there universal values in journalism? How would a global media ethics do justice to the cultural, political, and economic differences around the world?

Can a global ethic based on universal principles allow for diversity of media systems and cultural values? What should be the principles and norms of practice of global media ethics? The result is a rich source of ethical thought and analysis on questions raised by contemporary global media.

November 2009: 192pp Hb: 978-0-415-87887-6: $100.00 Pb: 978-0-415-87888-3: $24.99 eBook: 978-0-203-85307-8 For more information, visit: www.routledge.com/9780415878883

NEW 3rd Edition

Controversies in Media Ethics A. David Gordon, University of Wisconsin Eau Claire, USA, John Michael Kittross, Emerson College, USA KEG Associates, John C. Merrill, University of Missouri, USA, William Babcock, California State University Long Beach, USA and Michael Dorsher, University of Wisconsin, USA

• similarities and differences among the ethical dilemmas faced by the mass media • common ground on which to evaluate media behavior • media obligations • professional ethics • ethical theory and its application to the modern media • considerations of truth and harm.

New to the second edition is a focus on the three mass media industries most pervasive in today’s society: the news media (journalism), advertising, and public relations, with individual chapters giving equal coverage to each. It includes an increased emphasis on ’new media’ and how ethics affect such concepts as social media, word-of-mouth marketing, and citizen journalism. Readers will come away with a greater appreciation for moral philosophy and theory as a foundation for decision making, and will develop a personal ’yardstick’ by which to measure their decisions.

April 2009: 328pp Pb: 978-0-8058-6321-5: $39.95 eBook: 978-0-203-87488-2 For more information, visit: www.routledge.com/9780805863215

The Handbook of Mass Media Ethics Edited by Lee Wilkins, University of Missouri, Columbia, USA and Clifford G. Christians, University of Illinois at Urbana-Champaign, USA This Handbook encapsulates the intellectual history of mass media ethics over the past twenty-five years. Chapters serve as a summary of existing research and thinking in the field, as well as setting agenda items for future research.

Controversies in Media Ethics provides alternate perspectives on a variety of issues. In each chapter, two opposing viewpoints are presented, followed by commentary. Issues covered include those of greatest concern in media: privacy, violence, pornography, and advertising content; Internet and new media issues will be addressed in the revision.

Key features include:

July 2010: 448pp Hb: 978-0-415-99247-3: $150.00 Pb: 978-0-415-96332-9: $69.95 For more information, visit: www.routledge.com/9780415963329

Taking the long view as well as getting up close to the war machine, Virtuous War provides a compelling alternative to the partisan politics, instant analysis and technical fixes that currently bedevil US national security policy.

January 2009: 368pp Hb: 978-0-415-77238-9: $130.00 Pb: 978-0-415-77239-6: $24.95 For more information, visit: www.routledge.com/9780415772396

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

• up-to-date and comprehensive coverage of media ethics, one of the hottest topics in the media community

• ’one-stop shopping’ for historical and current research in media ethics • experienced, top-tier editors, advisory board, and contributors.

2008: 416pp Hb: 978-0-8058-6191-4: $150.00 Pb: 978-0-8058-6192-1: $60.00 For more information, visit: www.routledge.com/9780805861921

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Media Law and Ethics

Deception In The Marketplace

Crime, Justice and the Media

Roy L. Moore, Middle Tennessee State University, USA and Michael D. Murray

The Psychology of Deceptive Persuasion and Consumer Self-Protection

Ian Marsh and Gaynor Melville, both at Liverpool Hope University, UK

David M. Boush, Marian Friestad and Peter Wright, all at University of Oregon, Eugene, USA

The book offers a clear, accessible and comprehensive analysis of theoretical thinking on the relationship between the media, crime and criminal justice and a detailed examination of how crime, criminals and others involved in the criminal justice process are portrayed by the media.

3rd Edition

Media Law and Ethics offers a comprehensive overview of mass media law and ethics. This third edition provides a timely and useful examination of the basic legal and ethical media concepts, paying special attention to key cases and related regulatory concerns over the influence of new media and various policy issues involving access to public information.

Designed for undergraduate students in Media Law or Media Law and Ethics courses, Media Law and Ethics is also appropriate for graduate students in the beginning media law or First Amendment seminar. It provides essential insights on media law, serving as a practical guide to key cases and related ethical decision-making.

2007: 816pp Pb: 978-0-8058-5067-3: $85.00 For more information, visit: www.routledge.com/9780805850673

NEW 2nd Edition

Advertising and Public Relations Law Roy L. Moore, Middle Tennessee State University, USA, Erik Collins and Carmen May, both at University of South Carolina, USA Series: Routledge Communication Series Addressing a critical need, this second edition of Advertising and Public Relations Law illustrates the variety of issues and ideas that affect the regulation of advertising and public relations speech, including the categorization of different kinds of speech afforded different levels of First Amendment protection; court-created tests for laws and regulations of speech; and non content-based restrictions on speech and expression.

This second edition includes extended excerpts from major court decisions, photographs, charts, and illustrations, and an overview and synopsis for each chapter. The volume is developed for upper-level undergraduate and graduate students in media, advertising and public relations law or regulation courses. It also serves as an essential reference for advertising and public relations practitioners.

April 2010: 600pp Hb: 978-0-8058-5346-9: $200.00 Pb: 978-0-415-96548-4: $75.00 For more information, visit: www.routledge.com/9780415965484

View any

product

online using the urls below each listing

This is the first scholarly book to fully address the topics of the psychology of deceptive persuasion in the marketplace and consumer self-protection.

Deception permeates the American marketplace.

Deceptive marketing harms consumers’ health, welfare and financial resources, reduces people’s privacy and self-esteem, and ultimately undermines trust in society.

Individual consumers must try to protect themselves from marketers’ misleading communications by acquiring personal marketplace deception-protection skills that go beyond reliance on legal or regulatory protections. Understanding the psychology of deceptive persuasion and consumer self-protection should be a central goal for future consumer behavior research.

May 2009: 264pp Hb: 978-0-8058-6086-3: $59.95 Pb: 978-0-8058-6087-0: $29.95 eBook: 978-1-4106-1437-7 For more information, visit: www.routledge.com/9780805860870

Media Ethics and Social Change Valerie Alia 2004: 224pp Pb: 978-0-415-97199-7: $32.95 For more information, visit: www.routledge.com/9780415971997

NEW Textbook

Crime and Media A Reader Edited by Chris Greer, City University London, UK Series: Routledge Student Readers

This engaging and timely collection gathers together for the first time key and classic readings in the ever-expanding area of crime and media.

Comprising a carefully distilled selection of the most important contributions to the field, Crime and Media: A Reader tackles a wide range of issues including: understanding media; researching media; crime, newsworthiness and news; crime, entertainment and creativity; effects, influence and moral panic; and cybercrime, surveillance and risk.

2008: 192pp Hb: 978-0-415-44489-7: $130.00 Pb: 978-0-415-44490-3: $43.95 For more information, visit: www.routledge.com/9780415444903

White Victims, Black Villains Gender, Race, and Crime News in US Culture Carol A. Stabile A study of how cultural anxieties about race and gender influence our beliefs about crime and how crime is reported, through a series of case studies from the early nineteenth centruy to the present.

2006: 256pp Hb: 978-0-415-37481-1: $140.00 Pb: 978-0-415-37492-7: $39.95 For more information, visit: www.routledge.com/9780415374927

Globalization, Violence and the Visual Culture of Cities Edited by Christoph Lindner, University of Amsterdam, the Netherlands Series: Questioning Cities Globalization, Violence, and the Visual Culture of Cities offers fresh insight into the problems and potential of cities around the world, including Beijing, Berlin, London, New York, Paris, and São Paulo. With specially-commissioned essays from the fields of cultural theory, architecture, film, photography, and urban geography, this innovative volume will be a valuable resource for students, scholars, and researchers across the humanities and social sciences.

July 2009: 208pp Hb: 978-0-415-48214-1: $135.00 eBook: 978-0-203-88507-9 For more information, visit: www.routledge.com/9780415482141

September 2009: 624pp Hb: 978-0-415-42238-3: $160.00 Pb: 978-0-415-42239-0: $54.95 For more information, visit: www.routledge.com/9780415422390

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

m e d ia m a nageme nt

Media Management

f i l m s tud i e s

Media Messages and Public Health A Decisions Approach to Content Analysis

Media Management

Edited by Amy Jordan, University of Pennsylvania, USA, Dale Kunkel, University of Arizona, USA, Jennifer Manganello, University of Albany, SUNY, USA and Martin Fishbein, University of Pennsylvania, USA

A Casebook Approach

4th Edition

George Sylvie, Jan LeBlanc Wicks, C. Ann Hollifield, Stephen Lacy and Ardyth Sohn Series: Routledge Communication Series Media Management: A Casebook Approach provides a detailed look at the major areas of responsibility that fall to the managers of media organizations, including leadership, motivation, planning, marketing, and strategic management. It provides media-based cases that promote the development of critical thinking and problem-solving skills. Addressing such topics as diversity, group cultures, progressive discipline, training, and market-driven journalism, this casebook provides real-world scenarios that help students anticipate and prepare for experiences in their future careers.

2007: 432pp Pb: 978-0-8058-6197-6: $55.00 For more information, visit: www.routledge.com/9780805861976

Handbook of Media Management and Economics Edited by Alan B. Albarran, Sylvia M. Chan-Olmsted and Michael O. Wirth Series: LEA’s Media Management and Economics Series 2005: 750pp Hb: 978-0-8058-5003-1: $210.00 Pb: 978-0-8058-5004-8: $90.00 For more information, visit: www.routledge.com/9780805850048

Film Studies

Media Messages and Public Health addresses the full range of methodological and conceptual issues involved in content analysis research, specifically focused on public health-related messages and behaviors.

2008: 288pp Hb: 978-0-8058-6024-5: $125.00 Pb: 978-0-8058-6025-2: $39.95 For more information, visit: www.routledge.com/9780805860252

Telecommunications and Business Strategy Richard A. Gershon, Western Michigan University, USA

Telecommunications and Business Strategy helps current and future media professionals understand the relationship and convergence patterns between the broadcast, cable television, telephony, and Internet communication industries.

Author Richard A. Gershon examines telecommunications industry structures and the management practices and business strategies affecting the delivery of information and entertainment services to consumers. Developed for students in telecommunications management, electronic media management, and telecommunication economics, this volume also serves as a practical reference for the professional manager. A companion web site for the book offers additional materials for both students and instructors, including study guides, a sample syllabus, and case studies.

2008: 440pp Hb: 978-0-8058-6248-5: $125.00 Pb: 978-0-415-99353-1: $59.95 For more information, visit: www.routledge.com/9780415993531

NEW

Film Theory Reader: Debates & Arguments Edited by Marc Furstenau, Carleton University, Canada

The Film Theory Reader brings together a range of key theoretical texts, organized thematically to emphasise the development of specific critical concepts and theoretical models in the field of film theory.

Each section presents well-known or significant texts, which have introduced a particularly influential concept, followed by texts that have developed or extended the concept, or that have offered explicit critiques or arguments against the original model. The collection thus represents and reproduces the debates and arguments that have shaped the theoretical landscape of film studies, guiding the reader through the complex terrain of theoretical debate, and offering suggestions for further reading and research.

Selected Contents: Acknowledgements. Introduction 1. Film Theory: A History of Debates Marc Furstenau Part 1: The Future of Film Theory: A Debate 2. An Elegy for Theory D.N. Rodowick 3. Theory, Philosophy, and Film Studies Malcolm Turvey Part 2: Arguments with Early Film Theory 4. The Psychology of the Photoplay Hugo Münsterberg 5. Film/Mind Analogies: The Case of Hugo Münsterberg Noél Carroll 6. Visible Man, or the Culture of Film Béla Bálazs 7. Bálazs: Realist or Modernist? Malcolm Turvey 8. The Ontology of the Photographic Image André Bazin 9. The Evolution of the Language of Cinema André Bazin 10. Rethinking Bazin: Ontology and Realist Aesthetics Daniel Morgan Part 3: Classic Debates 11. The Cinema: Language or Language System? Christian Metz 12. The Semiology of the Cinema Peter Wollen 13. Recapitulation of Images and Signs Gilles Deleuze 14. Visual Pleasure and Narrative Cinema Laura Mulvey 15. Is the Gaze Male?

E. Ann Kaplan 16. Afterthoughts on ‘Visual Pleasure and Narrative Cinema’ Laura Mulvey 17. The Oppositional Gaze: Black Female Spectators bell hooks Part 4: Recent Arguments 18. Digital Cinema and the History of a Moving Image Lev Manovich 19. Moving Away from the Index: Cinema and the Impression of Reality Tom Gunning 20. The End of Cinema: Multimedia and Technological Change Anne Friedberg 21. Digital Cinema: A False Revolution John Belton April 2010: 720pp Hb: 978-0-415-49317-8: $145.00 Pb: 978-0-415-49322-2: $48.95 For more information, visit: www.routledge.com/9780415493222

Writing for Film The Basics of Screenwriting Darsie Bowden

Order Yours Today!

For simple and secure online ordering, please visit www.routledge.com/media Or use the order form at the back of this catalog.

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

2006: 320pp Pb: 978-0-8058-4258-6: $39.95 For more information, visit: www.routledge.com/9780805842586

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NEW

4th Edition

Introduction to Film Studies Edited by Jill Nelmes ’This fourth edition is even more comprehensive and accessible than previous editions. It addresses new generations of students, asks new questions of film studies and rises to the radical challenge of answering those questions superbly well.’ - Pat Brereton, Dublin City University, Ireland ’A thoughtful and comprehensive text for analysis of motion pictures as an art form, profession and institution.’ - James Cho, Nevada State College

Encyclopedia of Early Cinema Edited by Richard Abel, University of Michigan, USA This major A-Z work, now in a new paperback edition, explores the first twenty-five years of cinema’s development, from the early 1890s to the middle 1910s.

The Encyclopedia presents a wealth of information on early cinema history, with coverage of the techniques and equipment of film production, profiles of the pioneering directors and producers, analysis of individual films and the rapid growth of distinct film genres, and the emergence of something the world had never seen before - the movie star.

January 2010: 832pp Pb: 978-0-415-77856-5: $59.95 For more information, visit: www.routledge.com/9780415778565

Introduction to Film Studies is a comprehensive leading textbook for students of cinema. This completely revised and updated fourth edition guides students through the key issues and concepts in film studies, traces the historical development of film and introduces some of the worlds key national cinemas. A range of theories and theorists are presented from Formalism to Feminism, from Eisenstein to Deleuze. Each chapter is written by a subject specialist, including four new authors for the fourth edition.

A wide range of films are analysed and discussed. It is lavishly illustrated with 123 film stills and production shots, many of them in colour. Reviewed widely by teachers in the field and with a foreword by Bill Nichols, it is essential reading for any introductory student of film and media studies or the visual arts worldwide.

Film: The Essential Study Guide Edited by Ruth Doughty and Deborah Shaw, both at University of Portsmouth, UK

Providing a key resource to new students, Film: The Essential Study Guide introduces all the skills needed to succeed on a film studies course.

This succinct, accessible guide covers key topics such as:

2007: 512pp Hb: 978-0-415-40929-2: $150.00 Pb: 978-0-415-40928-5: $44.95

• using the library • online research and resources

For more information, visit: www.routledge.com/9780415409285

• viewing skills • how to watch and study foreign language films • essay writing

NEW

NEW

Film Theory

The Routledge Companion to Film History

An Introduction through the Senses Thomas Elsaesser, University of Amsterdam, the Netherlands and Malte Hagener, Universitat Luneburg, Leuphana, Germany

What is the relationship between cinema and spectator?

That is the central question for film theory, and renowned film scholars Thomas Elsaesser and Malte Hagener use this question to guide students through all of the major film theories—from the classical period to today—in this insightful, engaging book. Every kind of cinema (and film theory) imagines an ideal spectator, and then imagines a certain relationship between the mind and body of that spectator and the screen. Using seven distinctive configurations of spectator and screen that move progressively from ‘exterior’ to ‘interior’ relationships, the authors retrace the most important stages of film theory from 1945 to the present, from neo-realist and modernist theories to psychoanalytic, ‘apparatus’, phenomenological and cognitivist theories.

Edited by William Guynn, Sonoma State University, USA Series: Routledge Companions A series of introductory essays on key areas of film history, written by some of the leading academics in the field, followed by an extensive glossary of key terms and figures.

September 2010: 288pp Hb: 978-0-415-77656-1: $115.00 Pb: 978-0-415-77657-8: $32.95 For more information, visit: www.routledge.com/9780415776578

• presentation skills • referencing and plagiarism • practical filmmaking.

Including exercises and examples, Film: The Essential Study Guide helps film students understand how study skills are applicable to their learning and gives them the tools to flourish in their degree.

2008: 240pp Pb: 978-0-415-43700-4: $24.95 For more information, visit: www.routledge.com/9780415437004

Blueprint for Screenwriting A Complete Writer’s Guide to Story Structure and Character Development Rachel Ballon 2004: 184pp Pb: 978-0-8058-4923-3: $24.95 For more information, visit: www.routledge.com/9780805849233

December 2009: 192pp Hb: 978-0-415-80100-3: $120.00 Pb: 978-0-415-80101-0: $29.95 eBook: 978-0-203-87687-9 For more information, visit: www.routledge.com/9780415801010

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

f i l m s tud i e s

3rd Edition

4th Edition

NEW

Cinema Studies: The Key Concepts

Film as Social Practice

Thoughts on Shorts

Graeme Turner

Analysing the Short Film

Susan Hayward Series: Routledge Key Guides

Authoritative yet accessible, this is a must-have guide to what is both a fascinating area of study and arguably the greatest art form of modern times.

2006: 272pp Hb: 978-0-415-37513-9: $110.00 Pb: 978-0-415-37514-6: $31.95 For more information, visit: www.routledge.com/9780415375146

The Film Cultures Reader Edited by Graeme Turner The companion Reader to Film as Social Practice 2001: 544pp Hb: 978-0-415-25281-2: $150.00 Pb: 978-0-415-25282-9: $39.95

2006: 608pp Hb: 978-0-415-36781-3: $120.00 Pb: 978-0-415-36782-0: $29.95 For more information, visit: www.routledge.com/9780415367820

Film Studies: The Basics Amy Villarejo Series: The Basics This engaging and accessible introduction explores the intricacies of the film world to show how anyone can gain a broader understanding and a more pleasurable experience of film.

2006: 184pp Hb: 978-0-415-36138-5: $100.00 Pb: 978-0-415-36139-2: $19.95 eBook: 978-0-203-01203-1 For more information, visit: www.routledge.com/9780415361392

Fifty Contemporary Filmmakers Edited by Yvonne Tasker, University of East Anglia, UK Series: Routledge Key Guides 2002: 480pp Hb: 978-0-415-18973-6: $130.00 Pb: 978-0-415-18974-3: $26.95 For more information, visit: www.routledge.com/9780415189743

Memory Stick: Film Studies Film Studies The Basics; Fifty Contemporary Filmmakers; The Basics of Essay Writing Edited by Student Reference 2007: USB Stick: 978-0-203-85654-3: $44.95

For more information, visit: www.routledge.com/9780415252829

NEW

Analysing the Screenplay Edited by Jill Nelmes, University of East London, UK This anthology explores a number of possible approaches to studying the screenplay, from very different perspectives, aiming to give a sense of the depth and breadth of the subject area and the potential for the study of the screenplay to be a discrete area in itself.

The book is divided into four sections: • the first section explores the history and early development of the screenplay in the United States, France and Britain • the second section analyses the process of screenplay writing and its peculiar relationship to film production, being separate from, yet part of this process • the third section questions the assumption that the screenplay is standardized in form and certain stories or styles are universal, exploring the range of writing outside the mainstream, from independent film to story ideas in Bhutanese film production, to the animation screenplay • the fourth section proposes possible critical approaches to analyzing the screenplay; the chapters in this section offer an insight into a range of methodologies.

October 2010: 224pp Hb: 978-0-415-55633-0: $125.00 Pb: 978-0-415-55634-7: $35.95 For more information, visit: www.routledge.com/9780415556347

Screenwriting With a Conscience Ethics for Screenwriters Marilyn Beker

Charlie Moritz, Manchester Metropolitan University, UK Thoughts on Shorts takes a detailed look at a variety of short film scripts by award-winning writers including: • Cup and Lip by Smita Bhide (2002) • For the Love of God by Joe Tucker (2007) • Ela by Silvana Aguirre (2007) • La Virgine degli Angeli by Charles Sturridge from Aria (1987) • Who’s My Favourite Girl? by Adrian McDowall (1999) • D.I.Y. Hard by Linda Cotterill (2002) Each script is introduced by Charlie Moritz and set in context before the full script is reproduced for study. The script is followed by an interview with the writer and some final thoughts from Charlie Moritz on how the film was received and how the writer’s intentions came through in the piece.

Each film studied is readily available and is accessible from the Thoughts on Shorts website, where you can also find short profiles of each of the filmmakers discussed in the book including filmographies, reviews of the shorts, and useful links.

June 2010: 224pp Hb: 978-0-415-54972-1: $115.00 Pb: 978-0-415-54973-8: $39.95 For more information, visit: www.routledge.com/9780415549738

2nd Edition

Scriptwriting for the Screen Charlie Moritz, Manchester Metropolitan University, UK

’If I was setting out as a screenwriter, this is the book I would read first and keep by me.’ - Melanie Harris, Producer, Crosslab Productions ’An excellent resource for students and teachers alike’ - In the Picture ’this is one of the best guides to help screenwriters think visually that I have ever read’ -Creative Screenwriting

Scriptwriting for the Screen includes: • advice on how to visualise action and translate this into energetic writing • how to dramatise writing, use metaphor and deepen meaning • tips on how to determine the appropriate level of characterisation for different types of drama

Series: Routledge Communication Series

• practical exercises and examples which help develop technique and style

2003: 272pp Pb: 978-0-8058-4128-2: $29.95

• a guide to further reading.

For more information, visit: www.routledge.com/9780805841282

• a section on how to trouble-shoot and sharpen dialogue

2008: 232pp Hb: 978-0-415-46518-2: $130.00 Pb: 978-0-415-46517-5: $33.95 For more information, visit: www.routledge.com/9780415465175

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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NEW

Routledge Classics

The International Film Business A Market Guide to the Independent Sector Angus Finney, CASS Business School, UK

The International Film Business considers the independent film sector as a business, and the specific skills and knowledge that it requires. It describes both the present state of the independant film industry and the significant technological developments that have begun to take place, and what changes these might effect.

Signatures of the Visible

• discusses how digital technology is currently and how it potentially may change the structure of the industry in the future

For more information, visit: www.routledge.com/9780415771610

• gives information and advice on the different business skills that are necessary to navigate what is a very high-risk, pyrotechnical industry.

Reel to Real

Taking an entrepreneurial perspective on what future opportunities will be available to prepared and informed business students and emerging practitioners, this text includes case studies that take students through the successes and failures of a variety of real film companies/ projects and exclusive interviews with leading practitioners in all sectors of the industry, from production to exhibition.

bell hooks

DVD

Theory and Practice From Concept to Screen Donald L. Diefenbach Series: Routledge Communication Series

Video Production Techniques begins with the basic skills of video production, so students experience writing, shooting and editing right away. It then moves to short-form projects and in-depth explorations of lighting and sound, concluding with an exploration of documentaries, news, and other nonfiction forms. The final section is dedicated to advanced applications, including the process of creating long-form projects, the elements of directing, and strategies for effective marketing and distribution. The book concludes with a chapter exploring professional opportunities in production and options for further study.

’[hooks] made a choice to write for the largest possible audience, to change the greatest number of lives.’

- Times Higher Education Supplement

2006: 320pp Pb: 978-0-415-38958-7: $19.95 2007: 360pp Pb: 978-0-415-77161-0: $23.95

Video Production Techniques

bell hooks

In this book, one of America’s most influential critics explores film and film culture through the relationship between the imaginative world on screen and the historical world onto which it is projected. Fifteen years on from its original publication, this remains a piercing and original analysis of film. First published: 1992.

• describes the present organization of the entirety of the film industry as a business

For more information, visit: www.routledge.com/9780415575850

Resisting Representations

Fredric Jameson

The International Film Business:

May 2010: 192pp Hb: 978-0-415-57584-3: $125.00 Pb: 978-0-415-57585-0: $44.95

Outlaw Culture

Enjoy Your Symptom!

Jacques Lacan in Hollywood and Out

Race, Sex and Class at the Movies

For more information, visit: www.routledge.com/9780415389587

Slavoj Žižek, University of Ljubljana, Slovenia

Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.

’hooks... makes a compelling case to filmmakers for creating progressive images that ’transform the culture we live in.’ - Los Angeles Times

Movies matter – that is the message of Reel to Real, bell hooks’s classic collection of essays on film. They matter on a personal level, providing us with unforgettable moments, even life-changing experiences and they can confront us, too, with the most profound social issues of race, sex and class. Here bell hooks – one of America’s most celebrated and thrilling cultural critics – talks back to films that have moved and provoked her, from Quentin Tarantino’s Pulp Fiction to the work of Spike Lee. Including also her conversations with master filmmakers such as Charles Burnett and Julie Dash, Reel to Real is a must read for anyone who believes that movies are worth arguing about.

2008: 320pp Pb: 978-0-415-96480-7: $23.95 For more information, visit: www.routledge.com/9780415964807

2007: 280pp Pb: 978-0-415-77259-4: $21.95 For more information, visit: www.routledge.com/9780415772594

2nd Edition

Understanding Media Marshall McLuhan 2001: 400pp Hb: 978-0-415-25549-3: $120.00 Pb: 978-0-415-25397-0: $19.95 For more information, visit: www.routledge.com/9780415253970

Can’t find what you’re looking for?

The book includes a companion DVD with original demonstrations, clips from professional works, and interviews with film and video professionals.

Visit our up-to-date website for a complete listing of all our titles.

2007: 416pp Hb (inc. DVD): 978-0-8058-3703-2: $75.00

www.routledge.com/media

For more information, visit: www.routledge.com/9780805837032

TO ORDER – see order form at the back of this catalog.

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NEW

NEW

2nd Edition

Neo-Feminist Cinema

Tim Burton: The Monster and the Crowd

Heavenly Bodies

Girly Films, Chick Flicks, and Consumer Culture Hilary Radner, University of Otago, New Zealand Neo-Feminist Cinema examines how Hollywood has responded to women’s changing social roles through an analysis of a flourishing sub-genre ’the Girly Film,’ associated with the contemporary ’Chick Flick.’ Films designed for a female audience such as Pretty Woman, Legally Blonde, and Confessions of a Shopaholic exploit the conventions of the romance, while producing hybrids that reflect significant shifts in the cultural position of women.

Radner pays particular attention to how the contemporary woman’s film portrays what some have called postfeminism and what the author redefines as neo-feminism, represented by figures such as Helen Gurley Brown—women for whom work was a necessity, rather than a right or even a privilege. Through an analysis of the girly film, this project teases out the parameters of the neo-feminist paradigm and its implications for an understanding of the contemporary woman’s film. Popular films explored include He’s Just Not That Into You, The Devil Wears Prada, Bride Wars, Sex and the City, and many more.

September 2010: 208pp Hb: 978-0-415-87773-2: $125.00 Pb: 978-0-415-87774-9: $32.95 eBook: 978-0-203-85521-8

Film Stars and Society

A Post-Jungian Perspective

Richard Dyer

Helena Bassil-Morozow, Further Education Lecturer, London, UK

2003: 224pp Hb: 978-0-415-31026-0: $130.00 Pb: 978-0-415-31027-7: $33.95

Tim Burton’s films are well known for being complex and emotionally powerful. In this book, Helena Bassil-Morozow employs Jungian and post-Jungian concepts of unconscious mental processes along with film semiotics, analysis of narrative devices and cinematic history, to explore the reworking of myth and fairytale in Burton’s gothic fantasy world.

February 2010: 216pp Hb: 978-0-415-48970-6: $99.00 Pb: 978-0-415-48971-3: $31.95 For more information, visit: www.routledge.com/9780415489713

Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed

For more information, visit: www.routledge.com/9780415310277

Poetics of Cinema David Bordwell, University of Wisconsin-Madison, USA Bringing together twenty-five years of work on what he has called the ‘historical poetics of cinema,’ David Bordwell presents an extended analysis of a key question for film studies: how are films made, in particular historical contexts, in order to achieve certain effects?

For Bordwell, films are made things, existing within historical contexts, and aim to create determinate effects. Beginning with this central thesis, Bordwell works out a full understanding of how films channel and recast cultural influences for their cinematic purposes.

With more than five hundred film stills, Poetics of Cinema is a must-have for any student of cinema.

2007: 512pp Hb: 978-0-415-97778-4: $110.00 Pb: 978-0-415-97779-1: $45.00 For more information, visit: www.routledge.com/9780415977791

For more information, visit: www.routledge.com/9780415877749

Shohini Chaudhuri

NEW

2006: 160pp Hb: 978-0-415-32432-8: $100.00 Pb: 978-0-415-32433-5: $25.95

NEW

For more information, visit: www.routledge.com/9780415324335

Critical Methodologies

Film, Feminism and Melanie Klein Weird Lullabies

Series: Routledge Critical Thinkers

Edited by Paula Massood

Suzy Gordon, University of the West of England

NEW

Series: Transformations

The Enchanted Screen

Exploring the encounter between feminism, film theory, and the psychoanalysis of Melanie Klein, this book argues for the importance of ’negativity’ as a key concept through which to develop a feminist cultural politics responsive to the violence and pessimism of a new generation of women’s films.

A History of Fairy Tales on Film

Revisiting questions of spectatorship and subjectivity, this key text radically rethinks the significance of female destructiveness for feminism and for film theory. It examines the ways that violence shapes cinematic and psychic structures and identifications, presenting the reader with new terms for thinking about film and femininity, feminism and subjectivity.

With chapters on films such as The Piano (Jane Campion 1993), Crush (Alison Maclean 1992), and Breaking the Waves (Lars von Trier 1996), this book provides a timely intervention into an enduring but controversial area of contemporary feminist theory.

April 2010: 256pp Hb: 978-0-415-39174-0: $130.00 eBook: 978-0-203-08721-3

Contemporary Black Cinema

Jack Zipes, University of Minnesota, USA July 2010: 496pp Hb: 978-0-415-99062-2: $95.00 Pb: 978-0-415-99061-5: $34.95 eBook: 978-0-203-92749-6 For more information, visit: www.routledge.com/9780415990615

Pastiche

Contemporary Black Film: Critical Methodologies brings together a range of essays presenting new approaches to African American film scholarship. The essays collected in the anthology seek to broaden our understanding of African American filmmaking beyond questions of representation, stereotype, and caricature by offering new theoretical and historiographic frameworks for understanding black film’s fraught legacy and conflicted status as both an educational tool and form of popular entertainment.

September 2010: 6-1/4 x 9-1/4: 224pp Hb: 978-0-415-77858-9: $135.00 Pb: 978-0-415-77859-6: $39.95 For more information, visit: www.routledge.com/9780415778596

Richard Dyer 2006: 224pp Hb: 978-0-415-34009-0: $120.00 Pb: 978-0-415-34010-6: $33.95 For more information, visit: www.routledge.com/9780415340106

For more information, visit: www.routledge.com/9780415391740

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NEW

Blacks in American Film, Television, and Video Elizabeth Amelia Hadley, Simmons College, USA Blacks in American Film, Television, and Video presents the contributions of African-Americans in all forms of film throughout the history of the medium in the US, from cartoons to motion pictures, including documentaries, music videos, and commercials. This work examines the role of African-Americans, the cultural context in which the films were created, and their impact on the culture. Coverage includes essays, biographies, and film listings.

December 2010: 800pp Hb: 978-0-415-96612-2: $150.00 For more information, visit: www.routledge.com/9780415966122

The Routledge Companion to Religion and Film

Theology Goes to the Movies

Film Music: A History

An Introduction to Critical Christian Thinking

Clive Marsh, University of Nottingham, UK ’By starting from issues explored in particular films, the book helps to ground theological debates in relation to human questions and experience. This really helps to bring the discipline of theology alive, and I wish this book had been available when I was a theology student.’ – Gordon Lynch, Senior Lecturer in Religion and Culture, University of Birmingham, UK

2008: 328pp Hb: 978-0-415-99198-8: $110.00 Pb: 978-0-415-99199-5: $38.95

For more information, visit: www.routledge.com/9780415380126

For more information, visit: www.routledge.com/9780415991995

The History on Film Reader

NEW

Edited by John Lyden, Dana College, Nebraska, USA Series: Routledge Companions

Series: Routledge Readers in History

April 2009: 520pp Hb: 978-0-415-44853-6: $200.00 For more information, visit: www.routledge.com/9780415448536

The Religion and Film Reader Edited by Jolyon Mitchell, University of Edinburgh, UK and S. Brent Plate, Texas Christian University, USA

Edited by leading experts in the field, The Film and Religion Reader brings together the key writings in this exciting and dynamic discipline. In over sixty interviews, essays and reviews from numerous directors, film critics and scholars, this eagerly anticipated anthology offers the most complete survey of this emerging field to date.

Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances.

2007: 208pp Hb: 978-0-415-38011-9: $115.00 Pb: 978-0-415-38012-6: $35.95 eBook: 978-0-203-08883-8

Edited by Marnie Hughes-Warrington, Monash University, Australia

The Routledge Companion to Religion and Film brings together a lively and experienced team of contributors to introduce students to the key topics in religion and film and to investigate the ways in which the exciting subject of religion and film is developing for more experienced scholars.

James Wierzbicki, University of Michigan, USA

Historical film studies is a burgeoning field, with a large and ever growing number of publications from across the globe. The History on Film Reader distils this mass of work, offering readers an introduction to just under thirty of the most critical and representative writings on the relationship between film and history. Films discussed include: Gladiator, Forrest Gump, Pan’s Labyrinth, Titanic and Life is Beautiful.

April 2009: 336pp Hb: 978-0-415-46220-4: $140.00 Pb: 978-0-415-46219-8: $44.95 For more information, visit: www.routledge.com/9780415462198

History Goes to the Movies Studying History on Film Marnie Hughes-Warrington 2006: 230pp Hb: 978-0-415-32827-2: $95.00 Pb: 978-0-415-32828-9: $31.95 For more information, visit: www.routledge.com/9780415328289

Screening the Past Memory and Nostalgia in Cinema Pam Cook

Philosophy Through Film Mary M. Litch, Chapman University, USA

Some of the world’s best-loved films can be used as springboards for examining enduring philosophical questions. Philosophy Through Film provides guidance in how to watch films with an eye for their philosophical content, helping students become familiar with key topics in all of the major areas in Western philosophy, and helping them master the techniques of philosophical argumentation.

The perfect size and scope for a first course in philosophy, Philosophy Through Film assumes no prior knowledge of philosophy. It is an excellent teaching resource and learning tool, introducing students to key topics and figures in philosophy through thematic chapters, each of which is linked to one or more ’focus films’ that illustrate a philosophical problem or topic.

Revised and expanded, the Second Edition features a new chapter on political philosophy, an introductory chapter explaining how to watch films philosophically, an appendix with primary readings, and the addition of five new focus films. Films examined in depth include The Matrix, Vanilla Sky, Hilary and Jackie, Memento, I, Robot, Minority, Report, Crimes and Misdemeanors, Antz, Equilibrium, The Seventh Seal, The Rapture, Leaving Las Vegas

March 2010: 392pp Hb: 978-0-415-99743-0: $105.00 Pb: 978-0-415-99744-7: $39.95 eBook: 978-0-203-86332-9 For more information, visit: www.routledge.com/9780415997447

2007: 496pp Hb: 978-0-415-40494-5: $140.00 Pb: 978-0-415-40495-2: $39.95

2004: 264pp Hb: 978-0-415-18374-1: $110.00 Pb: 978-0-415-18375-8: $35.95

For more information, visit: www.routledge.com/9780415404952

For more information, visit: www.routledge.com/9780415183758

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

2nd Edition

Fax: 1-800-248-4724

Online: www.routledge.com/media

f i l m s tud i e s

The Routledge Companion to Philosophy and Film

Philosophers on Film

NEW

Film and Ethics Foreclosed Encounters

Edited by Paisley Livingston, Lingnan University, Hong Kong and Carl Plantinga, Calvin College, USA

Lisa Downing, University of Exeter, UK and Libby Saxton, Queen Mary, University of London, UK

Series: Routledge Philosophy Companions Selected Contents: Part 1: Issues and Concepts Part 2: Authors and Trends Part 3: Genres and Other Part 4: Film as Philosophy

2008: 704pp Hb: 978-0-415-77166-5: $190.00 For more information, visit: www.routledge.com/9780415771665

2nd Edition

On Film Stephen Mulhall, New College, Oxford, UK

‘Stephen Mulhall’s On Film presents an always engaging, often provocative, and occasionally brilliant philosophical investigation of the ’Alien’ quartet of science-fiction/action/horror films initiated in 1979 with Ridley Scott’s eponymous classic… there is little doubt that Mulhall’s metaphysical contentions will be referenced, quoted, and engaged with by other authors in subsequent work on science fiction cinema.’ - Steven Jay Schneider, Aesthetics Online 2008: 288pp Pb: 978-0-415-44153-7: $29.95 eBook: 978-0-203-92852-3 For more information, visit: www.routledge.com/9780415441537

2nd Edition

Philosophy Goes to the Movies An Introduction to Philosophy Christopher Falzon, Newcastle University, Australia Praise for the first edition: ’No longer do students of philosophy have to fear dry texts filled with unreadable sentences from the masters of thought.

Philosophy Goes to the Movies introduces philosophy through film...

Given the importance of the visual and powerful new movies, we can only look forward to more books like Falzon’s.’ - Times Higher Education Suppliment

Eternal Sunshine of the Spotless Mind Edited by Christopher Grau, Clemson University, USA May 2009: 176pp Hb: 978-0-415-77465-9: $90.00 Pb: 978-0-415-77466-6: $27.95 For more information, visit: www.routledge.com/9780415774666

Memento Edited by Andrew Kania, Trinity University, USA May 2009: 208pp Hb: 978-0-415-77473-4: $90.00 Pb: 978-0-415-77474-1: $27.95 For more information, visit: www.routledge.com/9780415774741

Talk to Her Edited by A. W. Eaton, University of Illinois at Chicago, USA 2008: 128pp Hb: 978-0-415-77366-9: $90.00 Pb: 978-0-415-77367-6: $27.95 For more information, visit: www.routledge.com/9780415773676

The Thin Red Line Edited by David Davies, McGill University, Canada 2008: 128pp Hb: 978-0-415-77364-5: $90.00 Pb: 978-0-415-77365-2: $27.95 For more information, visit: www.routledge.com/9780415773652

2007: 280pp Hb: 978-0-415-35725-8: $120.00 Pb: 978-0-415-35726-5: $35.95 For more information, visit: www.routledge.com/9780415357265

Film and Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics

by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.

While an ethics of looking is implicitly posited in most strands of cinema theory, there is no established body of work that might be called ethical film criticism. This book, therefore, redresses the reluctance of many existing works to address cinema from an explicitly ethical perspective.

September 2009: 160pp Hb: 978-0-415-40926-1: $140.00 Pb: 978-0-415-40927-8: $39.95 For more information, visit: www.routledge.com/9780415409278

Film After Jung Post-Jungian Approaches to Film Theory Greg Singh, Buckinghamshire New University, UK Film After Jung provides the reader with an overview of the history of film theory and delves into analytical psychology to consider the reaction that popular film can evoke through emotional and empathetic engagement with its audience.

June 2009: 224pp Hb: 978-0-415-43089-0: $90.00 Pb: 978-0-415-43090-6: $28.95 For more information, visit: www.routledge.com/9780415430906

NEW

Wild/Lives Trickster, Place and Liminality on Screen Terrie Waddell, La Trobe University, Australia

Wild/Lives draws on myth, popular culture and analytical psychology to trace the machinations of ’trickster’ in contemporary film and television. This archetypal energy traditionally gravitates toward liminal spaces - physical locations and shifting states of mind. By focusing on productions set in remote or isolated spaces, Terrie Waddell explores how key tricksterinfused sites of transition reflect the psychological fragility of their willing and unwilling occupants. In differing ways, the selected texts - Deadwood, Grizzly Man, Lost, Solaris, The Biggest Loser, Amores Perros and Repulsion - all play with inner and outer marginality.

Waddell’s imaginative interpretation of screen material and her original September 2009: 216pp Hb: 978-0-415-42042-6: $99.00 Pb: 978-0-415-42043-3: $36.95 For more information, visit: www.routledge.com/9780415420433

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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Historical Journal of Film, Television & Radio

Routledge Advances in Film Studies

The Journal of The International Association for Media and History

NEW

Editor: David Culbert, Louisiana State University, Baton Rouge, USA

Cinema, Memory, Modernity

Volume 30, 2010, 4 issues per year

Russell Kilbourn

www.tandf.co.uk/journals/chjf

Since its inception, cinema has evolved into not merely a ‘reflection’ but an indispensable index of human experience – especially our experience of time’s passage, of the present moment, and, most importantly perhaps, of the past, in both collective and individual terms. In this volume, Kilbourn provides a comparative theorization of the representation of memory in both mainstream Hollywood and international art cinema within an increasingly transnational context of production and reception. Focusing on European, North and South American, and Asian films, Kilbourn reads cinema as providing the viewer with not only the content and form of memory, but also with its own directions for use: the required codes and conventions for understanding and implementing this crucial prosthetic technology – an art of memory for the twentieth-century and beyond.

New Review of Film and Television Studies Editor: Warren Buckland, Oxford Brookes University, UK Volume 8, 2010, 4 issues per year www.tandf.co.uk/journals/rfts

NEW

Cinematic Emotion in Horror Films and Thrillers The Aesthetic Paradox of Pleasurable Fear

April 2010: 192pp Hb: 978-0-415-80118-8: $95.00 For more information, visit: www.routledge.com/9780415801188

NEW

Distributing Silent Film Serials Local Practices, Changing Forms, Cultural Transformation Rudmer Canjels, VU University Amsterdam, the Netherlands Tracing the international consumption, distribution, and cultural importance of silent film serials in the 1910s and 1920s, Canjels provides an exciting new understanding of the cultural dimension and the cultural transformation and circulation of media forms. Specifically, he demonstrates that the serial film form goes far beyond the well-known American two-reel serial—the cliffhanger.

August 2010: 244pp Hb: 978-0-415-87714-5: $95.00 For more information, visit: www.routledge.com/9780415877145

Julian Hanich, Free University Berlin, Germany Why can fear be pleasurable? Why do we sometimes enjoy an emotion we otherwise desperately wish to avoid? And why are the movies the predominant place for this paradoxical experience? These are the central questions of Julian Hanich’s path-breaking book, in which he takes a detailed look at the various aesthetic strategies of fear as well as the viewer’s frightened experience.

By drawing on prototypical scenes from horror films and thrillers like Rosemary’s Baby, The Silence of the Lambs, Seven and The Blair Witch Project, Hanich identifies five types of fear at the movies and thus provides a much more nuanced classification than previously at hand in film studies. His descriptions of how the five types of fear differ according to their bodily, temporal and social experience inside the auditorium entail a forceful plea for relying more strongly on phenomenology in the study of cinematic emotions. In so doing, this book opens up new ways of dealing with these emotions. Hanich’s study does not stop at the level of fear in the movie theater, however, but puts the strong cinematic emotion against the backdrop of some of the most crucial developments of our modern world: disembodiment, acceleration and the loosening of social bonds.

March 2010: 352pp Hb: 978-0-415-87139-6: $110.00 eBook: 978-0-203-85458-7 For more information, visit: www.routledge.com/9780415871396

NEW

South Asian Cinema Gender, Justice, and Dissent Alka Kurian, University of Sunderland, UK Using the lenses of post-colonial and feminist theory, Kurian examines politically engaged, women-centred South Asian films.

November 2010: 208pp Hb: 978-0-415-96117-2: $95.00 For more information, visit: www.routledge.com/9780415961172

View any

product

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TO ORDER – see order form at the back of this catalog.

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Fax: 1-800-248-4724

Online: www.routledge.com/media

f i l m s tud i e s

In Focus: Routledge Film Readers Color, The Film Reader Edited by Angela Dalle Vacche and Brian Price 2006: 214pp Hb: 978-0-415-32443-4: $140.00 Pb: 978-0-415-32442-7: $39.95 For more information, visit: www.routledge.com/9780415324427

Exhibition, The Film Reader Edited by Ina Rae Hark 2001: 208pp Hb: 978-0-415-23517-4: $140.00 Pb: 978-0-415-23518-1: $39.95 For more information, visit: www.routledge.com/9780415235181

Experimental Cinema, The Film Reader Edited by Gwendolyn Audrey Foster and Wheeler Winston-Dixon 2002: 368pp Hb: 978-0-415-27786-0: $140.00 Pb: 978-0-415-27787-7: $39.95 For more information, visit: www.routledge.com/9780415277877

Hollywood and War, The Film Reader Edited by J. David Slocum 2006: 384pp Hb: 978-0-415-36779-0: $140.00 Pb: 978-0-415-36780-6: $35.95 For more information, visit: www.routledge.com/9780415367806

Hollywood Comedians, The Film Reader Edited by Frank Krutnik 2002: 224pp Hb: 978-0-415-23551-8: $140.00 Pb: 978-0-415-23552-5: $39.95 For more information, visit: www.routledge.com/9780415235525

Queer Cinema, The Film Reader Edited by Harry M. Benshoff and Sean Griffin 2004: 256pp Hb: 978-0-415-31986-7: $140.00 Pb: 978-0-415-31987-4: $39.95 For more information, visit: www.routledge.com/9780415319874

Stars, The Film Reader Hollywood Musicals, The Film Reader Edited by Steven Cohan

Edited by Lucy Fischer and Marcia Landy 2004: 320pp Hb: 978-0-415-27892-8: $140.00 Pb: 978-0-415-27893-5: $39.95

2001: 224pp Hb: 978-0-415-23559-4: $140.00 Pb: 978-0-415-23560-0: $39.95

For more information, visit: www.routledge.com/9780415278935

For more information, visit: www.routledge.com/9780415235600

Technology and Culture, The Film Reader

Horror, The Film Reader Edited by Mark Jancovich 2001: 208pp Hb: 978-0-415-23561-7: $140.00 Pb: 978-0-415-23562-4: $39.95 For more information, visit: www.routledge.com/9780415235624

Edited by Andrew Utterson 2005: 176pp Hb: 978-0-415-31984-3: $140.00 Pb: 978-0-415-31985-0: $39.95 For more information, visit: www.routledge.com/9780415319850

Movie Acting, The Film Reader

Transnational Cinema, The Film Reader

Edited by Pamela Robertson Wojcik

Edited by Elizabeth Ezra and Terry Rowden

2004: 256pp Hb: 978-0-415-31024-6: $140.00 Pb: 978-0-415-31025-3: $39.95

2005: 224pp Hb: 978-0-415-37157-5: $150.00 Pb: 978-0-415-37158-2: $49.95

For more information, visit: www.routledge.com/9780415310253

For more information, visit: www.routledge.com/9780415371582

Movie Music, The Film Reader Edited by Kay Dickinson 2002: 208pp Hb: 978-0-415-28159-1: $140.00 Pb: 978-0-415-28160-7: $39.95 For more information, visit: www.routledge.com/9780415281607

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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Museums of Cinema and their Audience Rinella Cere Series: Museum Meanings Museums of Cinema and their Audience examines how cinema has been transformed and strengthened through museological and archival activities since its origins, and asks what paradoxes may be involved in putting cinema in a museum.

AMERICAN FILM

American Film

Brand Hollywood

The Contemporary Hollywood Reader

Paul Grainge, University of Nottingham, UK

For more information, visit: www.routledge.com/9780415432252

NEW A Reader Edited by Gideon Nisbet, University of Birmingham, UK May 2010: 320pp Hb: 978-0-415-43000-5: $120.00 Pb: 978-0-415-43001-2: $39.95 For more information, visit: www.routledge.com/9780415430012

NEW

The Scene of Violence Cinema, Crime, Affect Alison Young, Melbourne University, Australia

In the contemporary fascination with images of crime, violence gets under our skin and keeps us enthralled. The Scene of Violence explores the spectator’s encounter with the cinematic scene of violence – rape and revenge, homicide and serial killing, torture and terrorism.

Providing a detailed reading of both classical and contemporary films – for example, Kill Bill, Blue Velvet, Reservoir Dogs, The Matrix, Psycho, The Accused, Elephant, Seven, Thelma & Louise, United 93, Zodiac, and No Country for Old Men – Alison Young returns the affective processes of the cinematic image to the study of law, crime and violence.

Engaging with legal theory, cultural criminology and film studies, the book unfolds both our attachment to the authority of law and our identification with the illicit. Its original contribution is to bring together the cultural fascination of crime with a nuanced account of what it means to watch cinema. The Scene of Violence shows how the spectator is bound by the laws of film to the judgment of the crime-image.

November 2009: 200pp Hb: 978-0-415-49071-9: $140.00 eBook: 978-0-203-88079-1 For more information, visit: www.routledge.com/9780415490719

Edited by Toby Miller, University of California at Riverside, USA

December 2010: 192pp Hb: 978-0-415-43224-5: $120.00 Pb: 978-0-415-43225-2: $41.95

Rome On Film

Selling Entertainment in a Global Media Age

We are all experts about Hollywood. We have to be, given its iconic power as the global source of so much entertainment. Designed to add to existing expertise as a movie-goer, The Contemporary Hollywood Reader enables students to enter into the thematic, critical, artistic, economic, and political debates on Hollywood.

June 2009: 576pp Hb: 978-0-415-45225-0: $125.00 Pb: 978-0-415-45226-7: $43.95 For more information, including full contents, visit: www.routledge.com/9780415452267

Fifty Key American Films Edited by John White, Anglia Ruskin University, UK and Sabine Haenni, Cornell University, USA

Branding has become central to the modern blockbuster economy. In a wide-ranging analysis focusing on companies such as Disney, Dolby, Paramount, New Line and, in particular, Warner Bros., Brand Hollywood provides the first sustained examination of the will-to-brand in the contemporary movie business.

2007: 224pp Hb: 978-0-415-35404-2: $120.00 Pb: 978-0-415-35405-9: $34.95 For more information, visit: www.routledge.com/9780415354059

America First Naming the Nation in US Film Edited by Mandy Merck, Royal Holloway, University of London, UK

Series: Routledge Key Guides Fifty Key American Films provides a chance to look at fifty of the best American films ever made with case studies from the 1930’s hey day of Cinema right up to the present day.

Edited by Mandy Merck, the collection contains detailed analyses of such films as The Vanishing American, American Madness, An American in Paris, American Graffiti, American Gigolo, American Pie and many more.

March 2009: 288pp Hb: 978-0-415-77296-9: $110.00 Pb: 978-0-415-77297-6: $26.95 For more information, visit: www.routledge.com/9780415772976

NEW

American History Goes to the Movies Hollywood and the American Experience W. Bryan Rommel Ruiz, The Colorado College in Colorado Springs, USA What should movies teach us about American history?

A lesson about pristine American exceptionalism or a history that includes the tragedies as well as the triumphs that define the American experience?

American History Goes to the Movies explores both of these questions to find the meaning of the American experience through the films that represent this history to a general audience such as JFK, The Exorcist, The Last of the Mohicans, The Crucible, Glory, and many more.

2007: 328pp Hb: 978-0-415-37495-8: $130.00 Pb: 978-0-415-37496-5: $34.95 For more information, visit: www.routledge.com/9780415374965

NEW

Hollywood and the CIA Media, Defense and Subversion Oliver Boyd-Barrett, David Herrera and James Baumann Series: Media, War and Security June 2010: 224pp Hb: 978-0-415-78006-3: $115.00 For more information, visit: www.routledge.com/9780415780063

August 2010: 256pp Hb: 978-0-415-80219-2: $125.00 Pb: 978-0-415-80220-8: $28.95 For more information, visit: www.routledge.com/9780415802208

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

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B R ITISH FILM

The Persistence of Whiteness Race and Contemporary Hollywood Cinema

British Film

Edited by Daniel Bernardi, Arizona State University, USA The Persistence of Whiteness investigates the representation and narration of race in contemporary Hollywood cinema, examining ideologies of class, ethnicity, gender, nation and sexuality. Focusing on representations of Black, Asian, Jewish, Latina/o and Native Americans identities, this collection also shows how whiteness is a fact everywhere in contemporary Hollywood cinema, crossing audiences, authors, genres, studios and styles.

British Popular Cinema

2007: 416pp Hb: 978-0-415-77412-3: $125.00 Pb: 978-0-415-77413-0: $39.95 eBook: 978-0-203-93974-1 For more information, visit: www.routledge.com/9780415774130

Hollywood and Politics A Sourcebook Edited by Donald T. Critchlow, St. Louis University, USA and Emilie Raymond, Virginia Commonwealth University, USA

Hollywood and Politics: A Sourcebook documents the entertainment industry’s participation in American politics on both the Left and the Right. From the 1920s through today, this volume provides scholars of history, politics, and film with the controversial history of Hollywood’s involvement in American politics.

May 2009: 352pp Hb: 978-0-415-96535-4: $125.00 Pb: 978-0-415-96536-1: $38.95 For more information, visit: www.routledge.com/9780415965361

NEW

British Women’s Cinema Edited by Melanie Bell, University of Newcastle, UK and Melanie Williams, University of Hull, UK

British Women’s Cinema examines the place of female-centred films throughout British film history, from silent melodrama and 1940s costume dramas right up to the contemporary British ‘chick flick’.

Discussing an impressive variety of films, including The Tidal Wave, Love Story, Ladies in Lavender, Calendar Girls and Bend it like Beckham, contributors consider the importance of both female stars and female audiences in understanding the British woman’s film and engage in a lively dialogue with key themes such as class, community, domesticity, romance, sexuality, motherhood, friendship, ageing and female creative agency in British cinema.

September 2009: 240pp Hb: 978-0-415-46696-7: $110.00 Pb: 978-0-415-46697-4: $34.95 For more information, visit: www.routledge.com/9780415466974

British Queer Cinema Edited by Robin Griffiths

British Historical Cinema Edited by Claire Monk and Amy Sargeant 2002: 288pp Hb: 978-0-415-23809-0: $130.00 Pb: 978-0-415-23810-6: $35.95 For more information, visit: www.routledge.com/9780415238106

British Horror Cinema Edited by Steve Chibnall and Julian Petley 2001: 256pp Hb: 978-0-415-23003-2: $130.00 Pb: 978-0-415-23004-9: $35.95 For more information, visit: www.routledge.com/9780415230049

British Science Fiction Cinema Edited by I.Q. Hunter 1999: 240pp Hb: 978-0-415-16867-0: $130.00 Pb: 978-0-415-16868-7: $35.95 For more information, visit: www.routledge.com/9780415168687

British Crime Cinema Edited by Steve Chibnall and Robert Murphy 1999: 264pp Hb: 978-0-415-16869-4: $130.00 Pb: 978-0-415-16870-0: $35.95 eBook: 978-0-203-97991-4 For more information, visit: www.routledge.com/9780415168700

2006: 264pp Hb: 978-0-415-30778-9: $130.00 Pb: 978-0-415-30779-6: $35.95 For more information, visit: www.routledge.com/9780415307796

Fifty Key British Films Edited by Sarah Barrow and John White, both at Anglia Ruskin University, UK Series: Routledge Key Guides

In Fifty Key British Films, Britain’s best known films such as Clockwork Orange, The Full Monty and Goldfinger are scrutinised for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film.

2008: 272pp Hb: 978-0-415-43329-7: $110.00 Pb: 978-0-415-43330-3: $26.95 For more information, visit: www.routledge.com/9780415433303

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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The Documentary Handbook Peter Lee-Wright, Goldsmiths College, University of London, UK Series: Media Practice

Genre and Cinema

Chick Flicks

Ireland and Transnationalism

Contemporary Women at the Movies

Edited by Brian McIlroy, University of British Columbia, Canada

Edited by Suzanne Ferriss, Nova Southeastern University, USA and Mallory Young, Tarleton State University, USA

Series: Routledge Studies in Cultural History This impressive volume takes a broad critical look at Irish and Irish-related cinema through the lens of genre theory and criticism. Secondary and related objectives of the book are to cover key genres and sub-genres and account for their popularity. The result offers new ways of looking at Irish cinema.

‘The Documentary Handbook is mandatory reading for those who want a critical understanding of the place of factual formats in today’s exploding television and media industry, as well as expert guidance in complex craft skills in order to fully participate. The practical advice and wisdom here is second to none.’ - Tony Steyger, Principal Lecturer and Film-maker, Southampton Solent University

2007: 304pp Hb: 978-0-415-77089-7: $140.00

The Documentary Handbook takes a thematic approach to documentary, including chapters for the many myriad forms we watch today - from the cinematic releases of Michael Moore to the low budget internet efforts like Video Nation, from ‘shock docs’ to reality television.

For more information, visit: www.routledge.com/9780415026062

This is a critical introduction to the documentary film, its theory and changing practices. The book charts the evolution of documentary from screen art to core television genre, its metamorphosis into many different types of factual TV programme and its current emergence in forms of new media. It analyses those pathways and the transformation of means of production through economic, technical and editorial changes.

The Documentary Handbook explains the documentary process, skills and job specifications for everyone from industry entrants to senior personnel, and shows how the industrial evolution of television has relocated the powers and principles of decision-making. Through the use of professional Expert Briefings it gives practical pointers about programme-making, from research, developing and pitching programme ideas to their production and delivery through a fast-evolving multi-platform universe.

Selected Contents: Introduction Part 1: Talk to the Camera 1. Reportage 2. ‘Lecture’ Series 3. Vox Populi Part 2: Observe the People 4. Real Life 5. Docu-soap and Moc-doc 6. Ambulance Chasers 7. Undercover Expose 8. Freak Shows Part 3: Change the Mind 9. Education 10. Propaganda 11. Polemic 12. Liberation Part 4: Entertainment for All 13. Formats and Reality TV 14. Lifestyle and Makeover 15. Performance 16. Drama-doc 17. Art and Anarchy Part 5: Watch the Figures 18. Biopics 19. Wildlife and Environment 20. Landmarks 21. Box Office.

Conclusion. Bibliography. Filmography. Index

With eleven original essays, this edited volume examines ’chick flicks’ from An Affair to Remember to Legally Blonde within the larger context of ’chick culture’ as well as women’s cinema.

For more information, visit: www.routledge.com/9780415770897

Genre and Hollywood Steve Neale

2007: 272pp Hb: 978-0-415-96255-1: $95.00 Pb: 978-0-415-96256-8: $29.95 For more information, visit: www.routledge.com/9780415962568

Series: Sightlines 1999: 344pp Hb: 978-0-415-02605-5: $140.00 Pb: 978-0-415-02606-2: $39.95

2nd Edition

New Documentary Stella Bruzzi Praise for New Documentary: ’It’s refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.’ - Sight and Sound

Understanding Animation Paul Wells 1998: 280pp Hb: 978-0-415-11596-4: $130.00 Pb: 978-0-415-11597-1: $37.95 For more information, visit: www.routledge.com/9780415115971

The Action and Adventure Cinema Edited by Yvonne Tasker

2006: 224pp Hb: 978-0-415-38525-1: $120.00 Pb: 978-0-415-38524-4: $35.95

2004: 432pp Hb: 978-0-415-23506-8: $130.00 Pb: 978-0-415-23507-5: $35.95

For more information, visit: www.routledge.com/9780415385244

For more information, visit: www.routledge.com/9780415235075

3 Volume Set

Queer Screen

Encyclopedia of the Documentary Film Edited by Ian Aitken

A Screen Reader Edited by Jackie Stacey and Sarah Street, University of Bristol, UK Series: The Screen Readers

2005: 1968pp Hb: 978-1-57958-445-0: $640.00 For more information, visit: www.routledge.com/9781579584450

December 2009: 432pp Hb: 978-0-415-43401-0: $130.00 Pb: 978-0-415-43402-7: $39.95

Queer Screen: A Screen Reader brings together a selection of key articles on queer cinema published over the past two decades in the internationally renowned journal, Screen, with new introductory editorial material from Jackie Stacey and Sarah Street.

For more information, visit: www.routledge.com/9780415434027

2007: 320pp Hb: 978-0-415-38430-8: $120.00 Pb: 978-0-415-38431-5: $41.95 For more information, visit: www.routledge.com/9780415384315

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

g e nre

NEW

Queer Temporalities in Gay Male Representation Tragedy, Normativity, and Futurity Dustin Bradley Goltz, DePaul University, USA Series: Routledge Studies in Rhetoric and Communication This study examines reoccurring narrative structures in popular media that perpetuate the assumed correctness and naturalness of heteronormative engagements with time and future, while casting those who reject heteronormative logics into a future of doom, punishment, and regret. Through the analysis of over seventy films and thirty television series, ranging from Shortbus, Sweet Home Alabama, and Poseidon to Noah’s Arc, Brothers & Sisters, and Dawson’s Creek, Goltz examines reoccurring narrative structures in popular media that perpetuate the extreme value placed upon ’young’ gay male bodies, while devaluing health, aging, and longevity.

November 2009: 204pp Hb: 978-0-415-87228-7: $95.00 eBook: 978-0-203-86131-8 For more information, visit: www.routledge.com/9780415872287

Unthinking Eurocentrism Multiculturalism and the Media Ella Shohat and Robert Stam

Routledge Film Guidebooks NEW

Documentary Dave Saunders’ spirited introduction to documentary covers its history, cultural context and development, and the approaches, controversies and functions pertaining to non-fiction filmmaking.

Saunders examines the many methods by which documentary conveys meaning, whilst exploring its differing societal purposes. From early, one-reel ‘actualities’ to the box-office successes of recent years, artistic complexities have been inherent to non-fiction cinema, and this Guidebook aims to make such issues clearer.

Documentary encompasses a broad range of academic discourse around non-fiction filmmaking, introducing readers to the key filmmakers, major scholars, central debates and critical ideas relating to the form. This wide-ranging guidebook features global releases from the 1920s through to 2009.

April 2010: 240pp Hb: 978-0-415-47309-5: $100.00 Pb: 978-0-415-47310-1: $26.95

1994: 432pp Hb: 978-0-415-06324-1: $150.00 Pb: 978-0-415-06325-8: $39.95

NEW

For more information, visit: www.routledge.com/9780415063258

Film Noir Jennifer Fay and Justus Nieland, both at Michigan State University, USA

Listening to Fear

Music in the Horror Film is a collection of essays that examine the effects of music and its ability to provoke or intensify fear in this particular genre of film. Frightening images and ideas can be made even more intense when accompanied with frightening musical sounds, and music in horror film frequently makes its audience feel threatened and uncomfortable through its sudden stinger chords and other shock effects. The essays in this collection address the presence of music in horror films and their potency within them.

December 2009: 248pp Hb: 978-0-415-99202-2: $95.00 Pb: 978-0-415-99203-9: $29.95

Romantic Comedy looks at the key themes and issues at work within films in this genre and then examines popular and famous films, recent and classic, that demonstrate these concerns. Films discussed include How To Lose A Guy in 10 Days, Bringing Up Baby, Juno, The Graduate, Legally Blonde, Love Actually, Down with Love, Bridget Jones’ Diary and Pillow Talk

The author considers romantic comedy within the context of social, historical and institutional perspectives and looks at why it may not have been taken seriously as a genre in the past.

May 2010: 176pp Hb: 978-0-415-54862-5: $110.00 Pb: 978-0-415-54863-2: $29.95 For more information, visit: www.routledge.com/9780415548632

Horror Brigid Cherry, St. Mary’s University College, UK

Hard-boiled Modernity and the Cultures of Globalization

Music in the Horror Film

Claire Mortimer, Colchester Sixth Form College, UK

For more information, visit: www.routledge.com/9780415473101

Edited by Neil Lerner, Davidson College, USA

Romantic Comedy

David Saunders

Series: Sightlines

NEW

NEW

In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works.

Examining the way horror films create images of gore and the uncanny through film technology and effects, Cherry provides an account of the way cinematic and stylistic devices create responses of terror and

disgust in the viewer.

The term ’film noir’ still conjures images of a uniquely American malaise: hard-boiled detectives, fatal women, and the shadowy hells of urban life. But from its beginnings, film noir has been an international phenomenon, and its stylistic icons have migrated across the complex geo-political terrain of world cinema. This book traces film noir’s emergent connection to European cinema, its movement within a cosmopolitan culture of literary and cinematic translation, and its postwar consolidation in the US, Europe, Asia, the Middle East, and Latin America.

February 2009: 256pp Hb: 978-0-415-45667-8: $110.00 Pb: 978-0-415-45668-5: $29.95

November 2009: 304pp Hb: 978-0-415-45812-2: $90.00 Pb: 978-0-415-45813-9: $26.95

James Cameron

For more information, visit: www.routledge.com/9780415458139

For more information, visit: www.routledge.com/9780415992039

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

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Jane Campion Deb Verhoeven, RMIT University, Australia 2008: 288pp Hb: 978-0-415-26274-3: $120.00 Pb: 978-0-415-26275-0: $31.95 For more information, visit: www.routledge.com/9780415262750

Alexandra Keller 2006: 208pp Hb: 978-0-415-28851-4: $110.00 Pb: 978-0-415-28852-1: $29.95 For more information, visit: www.routledge.com/9780415288521

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World Cinema National Cinemas 2nd Edition

British National Cinema Sarah Street, University of Bristol, UK 2008: 296pp Hb: 978-0-415-38421-6: $140.00 Pb: 978-0-415-38422-3: $37.95 For more information, visit: www.routledge.com/9780415384223

2nd Edition

German National Cinema Sabine Hake, University of Texas at Austin, USA 2007: 288pp Hb: 978-0-415-4297-6: $125.00 Pb: 978-0-415-42098-3: $33.95 For more information, visit: www.routledge.com/9780415420983

Brazilian National Cinema Lisa Shaw, University of Liverpool, UK and Stephanie Dennison, Leeds University, UK 2007: 240pp Hb: 978-0-415-33815-8: $140.00 Pb: 978-0-415-33816-5: $33.95 For more information, visit: www.routledge.com/9780415338165

Canadian National Cinema

Mexican National Cinema

Chris Gittings

Andrea Noble

2001: 352pp Hb: 978-0-415-14281-6: $140.00 Pb: 978-0-415-14282-3: $35.95

2005: 240pp Hb: 978-0-415-23009-4: $150.00 Pb: 978-0-415-23010-0: $37.95

For more information, visit: www.routledge.com/9780415142823

For more information, visit: www.routledge.com/9780415230100

Chinese National Cinema

Nordic National Cinemas

Yingjin Zhang

Edited by Gunnar Iverson, Astrid Soderbergh Widding and Tytti Soila

2004: 344pp Hb: 978-0-415-17289-9: $140.00 Pb: 978-0-415-17290-5: $35.95 For more information, visit: www.routledge.com/9780415172905

2nd Edition

French National Cinema Susan Hayward 2005: 408pp Hb: 978-0-415-30782-6: $140.00 Pb: 978-0-415-30783-3: $35.95 For more information, visit: www.routledge.com/9780415307833

Irish National Cinema Ruth Barton 2004: 224pp Hb: 978-0-415-27894-2: $140.00 Pb: 978-0-415-27895-9: $35.95 For more information, visit: www.routledge.com/9780415278959

1998: 272pp Hb: 978-0-415-08194-8: $140.00 Pb: 978-0-415-08195-5: $35.95 For more information, visit: www.routledge.com/9780415081955

South African National Cinema Jacqueline Maingard, University of Bristol, UK 2007: 240pp Hb: 978-0-415-21679-1: $140.00 Pb: 978-0-415-21680-7: $33.95 For more information, visit: www.routledge.com/9780415216807

Spanish National Cinema NĂşria Triana-Toribio 2002: 224pp Hb: 978-0-415-22059-0: $140.00 Pb: 978-0-415-22060-6: $35.95 For more information, visit: www.routledge.com/9780415220606

View any

product

online using the urls below each listing

TO ORDER – see order form at the back of this catalog.

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Fax: 1-800-248-4724

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worl d c i n e m a

Screening World Cinema

NEW

Japanese Cinema

Edited by Catherine Grant and Annette Kuhn

Rethinking Transnational Chinese Cinema

Texts and Contexts

Series: The Screen Readers Collating a selection of the best articles on world cinema from esteemed journal Screen, this book discusses key issues affecting world cinema, and allows readers to cross-reference debates and essays that have ranged across many issues of Screen.

The Amoy-dialect Film Industry in Postwar Asia

Edited by Alastair Phillips, University of Warwick, UK and Julian Stringer, University of Nottingham, UK

Jeremy E. Taylor, University of Westminster, London, UK Series: Media, Culture and Social Change in Asia Series

2006: 248pp Hb: 978-0-415-38428-5: $140.00 Pb: 978-0-415-38429-2: $39.95

The Amoy-dialect film industry thrived in Hong Kong and Southeast Asia in the 1950s. This book represents the first full length, critical study of the origin, the rise and the decline of this industry and, in doing so, raises a number of timely questions relating to transnationalism of Chinese culture, national cinemas and the study of the Chinese Diaspora.

For more information, visit: www.routledge.com/9780415384292

NEW

China on Video

November 2010: 192pp Hb: 978-0-415-49355-0: $150.00

Small Screen Realities Paola Voci, University of Otago, New Zealand

For more information, visit: www.routledge.com/9780415493550

Series: Routledge Studies in Asia’s Transformations This book relocates Chinese independent moviemaking from a film to a visual culture perspective enabling the author to explore the role that other movies (mostly, but not exclusively, popular culture products) play in the making of experimental and non-mainstream visual culture.

NEW

Bengali Cinema An Alternative Imaginary

March 2010: 240pp Hb: 978-0-415-46452-9: $135.00

Sharmistha Gooptu, South Asia Research Foundation (SARF), India

For more information, visit: www.routledge.com/9780415464529

Series: Routledge Contemporary South Asia Series March 2010: 240pp Hb: 978-0-415-57006-0: $125.00

NEW

For more information, visit: www.routledge.com/9780415570060

Chinese Film Stars Edited by Mary Farquhar, Griffith University, Australia and Yingjin Zhang Series: Routledge Contemporary China Series With an interdisciplinary, comparative examination of stars and stardom in Chinese cinema from the silent period to the current era of globalization, this volume offers exemplary readings of the historically, geographically and aesthetically multifaceted star phenomena in China.

NEW

Bangladesh Cinema and National Identity

For more information, visit: www.routledge.com/9780415573900

2007: 384pp Hb: 978-0-415-32847-0: $140.00 Pb: 978-0-415-32848-7: $35.95 eBook: 978-0-203-37464-1 For more information, visit: www.routledge.com/9780415328487

NEW

Korea’s Occupied Cinemas Brian Yecies, Centre for Asia Pacific Social Transformation Studies, Australia and Ae-Gyung Shim Series: Routledge Advances in Film Studies This project compares and contrasts the development of cinema in Korea during the Japanese occupation (1910–1945) and US Army Military (1945–1948) periods within the larger context of cinemas in occupied territories. It promises to yield new knowledge and insight by examining the then nascent film industry in Korea in the light of Hollywood’s global expansion campaign, which began in 1929, and the ascension of Japan’s wartime activities.

In Search of the Modern?

June 2010: 192pp Hb: 978-0-415-99538-2: $95.00

Zakir Hossain Raju, Monash University, Malaysia

For more information, visit: www.routledge.com/9780415995382

Series: Routledge Contemporary South Asia Series July 2010: 240pp Hb: 978-0-415-46544-1: $170.00

April 2010: 288pp Hb: 978-0-415-57390-0: $135.00 eBook: 978-0-203-85485-3

Japanese Cinema includes twenty-four chapters on key films of Japanese cinema, from the silent era to the present day, providing a comprehensive introduction to Japanese cinema history and Japanese culture and society.

For more information, visit: www.routledge.com/9780415465441

NEW

The Politics of Iranian Cinema Film and Society in the Islamic Republic Saeed Zeydabadi-Nejad, SOAS, University of London, UK Series: Iranian Studies

Order Yours Today!

For simple and secure online ordering, please visit www.routledge.com/media Or use the order form at the back of this catalog.

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

Iran has undergone considerable social and political upheaval since the revolution and this has been reflected in its cinema. Focusing on the practices of regulation, production and reception of films in Iran, this book explores the politics of Iranian cinema in its post-revolutionary context.

November 2009: 208pp Hb: 978-0-415-45536-7: $130.00 Pb: 978-0-415-45537-4: $45.95 For more information, visit: www.routledge.com/9780415455374

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AFI FILM READERS

NEW

NEW

Documentary Testimonies

World Cinemas, Transnational Perspectives

Global Archives of Suffering

NEW

Arnheim for Film and Media Studies

Edited by Bhaskar Sarkar and Janet Walker, both at University of California, Santa Barbara, USA Series: AFI Film Readers

Edited by Scott Higgins, Wesleyan, USA Series: AFI Film Readers

In this volume, an international group of leading scholars revisits Rudolf Arnheim’s legacy for film and media studies. The contributors bring Arnheim’s later work on the visual arts to bear on film and media, while also reassessing the implications of his film theory to help refine our grasp of his landmark work Film as Art, among his other texts. The volume includes a foreword by David Bordwell and an afterword by Noél Carroll. This is essential reading for any film and media student or scholar seeking to understand the meaning and contemporary impact of Arnheim’s foundational work in film theory and aesthetics.

January 2010: 320pp Hb: 978-0-415-80107-2: $125.00 Pb: 978-0-415-80108-9: $37.95 eBook: 978-0-203-87691-6 For more information, visit: www.routledge.com/9780415801089

NEW

The Epic Film Edited by Robert Burgoyne, Wayne State University, USA Series: AFI Film Readers With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemporary cinema. This new volume in the AFI Film Readers series explores the rebirth of the epic film genre in the contemporary period, a period marked by heightened and conflicting appeals to national, ethnic, and religious belonging.The orginal essays in this volume explore the tension between the evolving global context of film production and reception and the particular provenance of the epic as an expression of national mythology and aspirations, challenging our understanding of epics produced in the present as well as our perception of epic films from the past. The contributors will explore new critical approaches to contemporary as well as older epic films, drawing on ideas from cultural studies, historiography, classics, and film studies.

August 2010: 272pp Hb: 978-0-415-99017-2: $120.00 Pb: 978-0-415-99018-9: $29.95 For more information, visit: www.routledge.com/9780415990189

Documentary Testimonies examines documentary films that compel us to bear witness, move us to anger or tears, and possibly mobilize us to action.

Comprising ten new essays and a substantive introduction, this interdisciplinary volume examines audiovisual testimonial practices, forms, and institutions. Topics include: technologies of capture, storage and circulation; problems of historical veracity/frail memory; generation of video archives-official, renegade, and ephemeral; limits and potentialities of documentary as public record; architectonics of memory; ethics of witnessing and commemoration; human rights and activist publics.

November 2009: 296pp Hb: 978-0-415-99663-1: $120.00 Pb: 978-0-415-99664-8: $29.95 eBook: 978-0-203-88341-9 For more information, visit: www.routledge.com/9780415996648

NEW

Slapstick Comedy Edited by Rob King, University of Tornoto, Canada and Tom Paulus, University of Antwerp, Belgium Series: AFI Film Readers Slapstick comedy and its cast of film stars—Charlie Chaplin, the Keystone Cops, Fatty Arbuckle, and Buster Keaton among them—has long been viewed as central to the early formal development of narrative cinema generally, and of American cinema in particular. This new volume in the AFI Film Readers series presents fourteen essays exploring the enduring debates and questions surrounding slapstick’s role in the origins of cinema, as well as its place in movies today. A star-studded group of international film scholars discuss a broad range of topics including the contested theatrical or cinematic origins of slapstick, the links between comic spectacle and modernity, slapstick in a global context, and comedy’s implications for theories of film form and spectatorship.

April 2010: 272pp Hb: 978-0-415-80178-2: $125.00 Pb: 978-0-415-80179-9: $39.95 eBook: 978-0-203-87676-3 For more information, visit: www.routledge.com/9780415801799

East European Cinemas Edited by Anikó Imre Series: AFI Film Readers 2005: 288pp Hb: 978-0-415-97267-3: $100.00 Pb: 978-0-415-97268-0: $29.95 For more information, visit: www.routledge.com/9780415972680

Edited by Natasa Durovicová and Kathleen E. Newman, both at University of Iowa, USA Series: AFI Film Readers

The standard analytical category of ‘national cinema’ has increasingly been called into question by the category of the ‘transnational.’ This anthology examines the premises and consequences of the coexistence of these two categories and the parameters of historiographical approaches that cross the borders of nation-states. The three sections of World Cinemas, Transnational Perspectives cover the geopolitical imaginary, transnational cinematic institutions, and the uneven flow of words and images.

September 2009: 384pp Hb: 978-0-415-97653-4: $120.00 Pb: 978-0-415-97654-1: $34.95 eBook: 978-0-203-88279-5 For more information, visit: www.routledge.com/9780415976541

Film Theory and Contemporary Hollywood Movies Edited by Warren Buckland, Oxford Brookes University, UK Series: AFI Film Readers

Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded.

In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the ‘posthumanist realism’ of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen.

June 2009: 368pp Hb: 978-0-415-96261-2: $120.00 Pb: 978-0-415-96262-9: $29.95 eBook: 978-0-203-03076-9 For more information, visit: www.routledge.com/9780415962629

TO ORDER – see order form at the back of this catalog.

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Fax: 1-800-248-4724

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af i f i l m r e ad e r s

Landscape and Film

Home, Exile, Homeland

European Film Theory

Edited by Martin Lefebvre

Film, Media, and the Politics of Place

Series: AFI Film Readers

Edited by Hamid Naficy

Edited by Temenuga Trifonova, University of New Brunswick, Canada

Series: AFI Film Readers

Series: AFI Film Readers

2006: 376pp Hb: 978-0-415-97554-4: $100.00 Pb: 978-0-415-97555-1: $29.95 For more information, visit: www.routledge.com/9780415975551

New Media Theories and Practices of Digitextuality Edited by Anna Everett and John T. Caldwell Series: AFI Film Readers

1998: 256pp Pb: 978-0-415-91947-0: $32.95 For more information, visit: www.routledge.com/9780415919470

2008: 384pp Hb: 978-0-415-96043-4: $120.00 Pb: 978-0-415-96044-1: $34.95 eBook: 978-0-203-89370-8 For more information, visit: www.routledge.com/9780415960441

Black Women Film and Video Artists

Black American Cinema

Edited by Jacqueline Bobo

Edited by Manthia Diawara

Series: AFI Film Readers

Series: AFI Film Readers

2003: 304pp Hb: 978-0-415-93995-9: $105.00 Pb: 978-0-415-93996-6: $29.95

1998: 288pp Pb: 978-0-415-92042-1: $34.95

1993: 336pp Pb: 978-0-415-90397-4: $34.95

For more information, visit: www.routledge.com/9780415939966

For more information, visit: www.routledge.com/9780415920421

For more information, visit: www.routledge.com/9780415903974

Authorship and Film

The Revolution Wasn’t Televised

Theorizing Documentary

Edited by David A. Gerstner and Janet Staiger

Sixties Television and Social Conflict

Edited by Michael Renov

Series: AFI Film Readers

Edited by Lynn Spigel and Michael Curtin

Series: AFI Film Readers

Series: AFI Film Readers

1993: 272pp Pb: 978-0-415-90382-0: $34.95

2002: 328pp Hb: 978-0-415-93993-5: $110.00 Pb: 978-0-415-93994-2: $29.95 For more information, visit: www.routledge.com/9780415939942

Westerns

1997: 320pp Hb: 978-0-415-91121-4: $110.00 Pb: 978-0-415-91122-1: $32.95 For more information, visit: www.routledge.com/9780415911221

Films through History

The Persistence of History

Edited by Janet Walker

Cinema, Television and the Modern Event

Series: AFI Film Readers

Edited by Vivian Sobchack

2001: 296pp Hb: 978-0-415-92423-8: $105.00 Pb: 978-0-415-92424-5: $29.95 For more information, visit: www.routledge.com/9780415924245

Violence and American Cinema Edited by J. David Slocum Series: AFI Film Readers 2000: 288pp Hb: 978-0-415-92809-0: $115.00 Pb: 978-0-415-92810-6: $29.95 For more information, visit: www.routledge.com/9780415928106

Masculinity Bodies, Movies, Culture Edited by Peter Lehman Series: AFI Film Readers

Series: AFI Film Readers 1995: 288pp Pb: 978-0-415-91084-2: $29.95 For more information, visit: www.routledge.com/9780415910842

Disney Discourse

For more information, visit: www.routledge.com/9780415903820

Sound Theory/Sound Practice Edited by Rick Altman Series: AFI Film Readers 1992: 304pp Pb: 978-0-415-90457-5: $32.95 For more information, visit: www.routledge.com/9780415904575

Psychoanalysis and Cinema Edited by E. Ann Kaplan Series: AFI Film Readers

Producing the Magic Kingdom

1989: 256pp Pb: 978-0-415-90029-4: $32.95

Edited by Eric Smoodin

For more information, visit: www.routledge.com/9780415900294

Series: AFI Film Readers 1994: 272pp Pb: 978-0-415-90616-6: $32.95

Fabrications

For more information, visit: www.routledge.com/9780415906166

Costume and the Female Body

Classical Hollywood Comedy Edited by Kristine Brunovska Karnick and Henry Jenkins Series: AFI Film Readers

2001: 320pp Hb: 978-0-415-92323-1: $120.00 Pb: 978-0-415-92324-8: $29.95

1994: 440pp Pb: 978-0-415-90640-1: $35.95

For more information, visit: www.routledge.com/9780415923248

For more information, visit: www.routledge.com/9780415906401

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

Edited by Jane M. Gaines and Charlotte Herzog Series: AFI Film Readers 1990: 244pp Pb: 978-0-415-90062-1: $32.95 For more information, visit: www.routledge.com/9780415900621

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Television Studies 2nd Edition

An Introduction to Television Studies Jonathan Bignell, University of Reading, UK

In this comprehensive textbook, Jonathan Bignell provides students with a framework for understanding the key concepts and main approaches to Television Studies, including audience research, television history and broadcasting policy, and the analytical study of individual programmes.

3rd Edition

NEW

The Television Handbook

Television Style

Jonathan Bignell and Jeremy Orlebar

Jeremy G. Butler, University of Alabama, USA

Series: Media Practice

2005: 336pp Hb: 978-0-415-34251-3: $130.00 Pb: 978-0-415-34252-0: $37.95 For more information, visit: www.routledge.com/9780415342520

NEW

Television Studies: The Basics Toby Miller, University of California at Riverside, USA Series: The Basics

Features include: • a glossary of key terms

Television Studies: The Basics examines the major theories and debates surrounding the production and reception of television over the years and considers the role and future of this powerful medium.

• key terms defined in margins • suggestions for further reading at the end of each chapter

2007: 368pp Hb: 978-0-415-41917-8: $140.00 Pb: 978-0-415-41918-5: $35.95 For more information, visit: www.routledge.com/9780415419185

The Television Studies Reader Edited by Robert C. Allen and Annette Hill 2003: 656pp Hb: 978-0-415-28323-6: $150.00 Pb: 978-0-415-28324-3: $43.95

November 2009: 272pp Hb: 978-0-415-77423-9: $90.00 Pb: 978-0-415-77424-6: $19.95

For more information, visit: www.routledge.com/9780415965125

NEW

2nd Edition

Screening Gender on Children’s Television

Television Studies: The Key Concepts Ben Calvert, University of Gloucestershire, UK, Neil Casey, Bernadette Casey, Liam French, all at College of St Mark and St John, Plymouth, UK and Justin Lewis, University of Cardiff, UK Series: Routledge Key Guides

3rd Edition

’The quality of the entries... is of high standard. Anyone who wants a primer to TV’s key concepts can be confident this book will give them a grounding.’ - PoV Television Studies: The Key Concepts is the definitive reference guide to an area of rapidly expanding academic interest.

Television Critical Methods and Applications Jeremy G. Butler Series: Routledge Communication Series

For more information, visit: www.routledge.com/9780805854152

Discover additional examples and resources on the companion website: www.tvstylebook.com.

For more information, visit: www.routledge.com/9780415774246

For more information, visit: www.routledge.com/9780415283243

2006: 528pp Pb: 978-0-8058-5415-2: $64.95

Television Style dissects how style signifies and what significance it has had in specific television contexts. Using hundreds of frame captures from television programs, Television Style dares to look closely at television. Miami Vice, ER, soap operas, sitcoms, and commercials, among other prototypical television texts, are deconstructed in an attempt to understand how style functions in television. Television Style also assays the state of style during an era of media convergence and the ostensible demise of network television.

December 2009: 229 x 152 Hb: 978-0-415-96511-8: $120.00 Pb: 978-0-415-96512-5: $34.95 eBook: 978-0-203-87957-3

• activities for use in class or as assignments • new and updated case studies discussing advertisements such as the Guinness ‘Surfer’ ad, approaches to news reporting, television scheduling, and programmes such as Big Brother and Wife Swap.

Style matters. Television relies on style—setting, lighting, videography, editing, and so on—to set moods, hail viewers, construct meanings, build narratives, sell products, and shape information. Yet, to date, style has been the most understudied aspect of the medium.

2007: 360pp Hb: 978-0-415-37149-0: $110.00 Pb: 978-0-415-37150-6: $26.95 For more information, visit: www.routledge.com/9780415371506

The Views of Producers around the World Dafna Lemish, Tel Aviv University, Israel

Screening Gender on Children’s Television offers readers insights into the transformations taking place in the presentation of gender portrayals in television productions aimed at younger audiences. It goes far beyond a critical analysis of the existing portrayals of gender and culture by sharing media professionals’ action-oriented recommendations for change that would promote gender equity, social diversity and the wellbeing of children.

Incorporating the author’s interviews with 135 producers of children’s television from sixty-five countries, this book discusses the role television plays in the lives of young people and, more specifically, in developing gender identity. It examines how gender images presented to children on television are intertwined with important existential and cultural concerns that occupy the social agenda worldwide, including the promotion of education for girls, prevention of HIV/AIDS and domestic violence and caring for ‘neglected’ boys who lack healthy masculine role models, as well as confronting the pressures of the beauty myth.

April 2010: 240pp Hb: 978-0-415-48205-9: $115.00 Pb: 978-0-415-48206-6: $35.95 eBook: 978-0-203-85540-9 For more information, visit: www.routledge.com/9780415482066

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

te l ev i s i on s tu d i e s

NEW

NEW

Queer TV

Television and New Media

Television Personalities

Theories, Histories, Politics

Must-Click TV

Stardom and the Small Screen

Jennifer Gillan

James Bennett, London Metropolitan University, UK

Edited by Glyn Davis and Gary Needham, Nottingham Trent University, UK

Television and New Media introduces students to the ways that new media technologies have transformed contemporary television production, distribution, and reception practices. Drawing upon recent examples including Lost, 24, and Heroes, this book closely examines the ways that television programming has changed with the influx of new media—transforming nearly every TV series into a franchise, whose on-air, online, and on-mobile elements are created simultaneously and held together through transmedia storytelling. Television studios strive to keep their audience in constant interaction with new media elements of the show franchise in between airings not only to boost ratings for the show itself, but also to move viewers through the many different divisions of a media conglomerate while in the same fictional world.

Celebrities have come to increasingly dominate the media and its study in contemporary culture. Although acknowledged as part of this general rise in the importance of celebrity culture, television’s specific forms of stardom have until now remained largely under-theorised. Television Personalities sets out to examine television’s specific forms of stardom in a manner that will be both explanatory and academically exciting.

Bennett examines how television personalities function both as commodities and ideologically, thus relating the performers under discussion to issues of class, national identity, sexuality, gender and social history.

This book is essential for understanding how creative and industrial forces have worked together in the new media age to transform the way we watch TV. June 2010: 192pp Hb: 978-0-415-80237-6: $120.00 Pb: 978-0-415-80238-3: $32.95 eBook: 978-0-203-87503-2 For more information, visit: www.routledge.com/9780415802383

Beyond Prime Time Television Programming in the Post-Network Era Edited by Amanda D. Lotz, University of Michigan, USA

Prime-time series programming between 8:00 and 11:00 p.m. has dominated most critical discussion about television since its beginnings, but Beyond Prime Time brings together leading television scholars to explore how shifts in television’s industrial practices and new media convergence have affected the other eighty percent of the viewing day. The contributors explore a broad range of non-prime-time forms including talk shows, soap operas, news, syndication, and children’s programs, non-series forms such as sports and made-for-television movies, as well as entities such as local affiliate stations and public television.

Importantly, all of these forms rely on norms of production, financing, and viewer habits that distinguish them from the practices common among prime-time series and often from each other. Each of the chapters examines how the production practices and textual strategies of a particular programming form have shifted in response to sweeping industry changes, together telling the story of a medium in transition at the beginning of the twenty-first century.

June 2009: 224pp Hb: 978-0-415-99668-6: $120.00 Pb: 978-0-415-99669-3: $32.95 eBook: 978-0-203-88450-8 For more information, visit: www.routledge.com/9780415996693

Television Personalities includes a detailed examination of issues relating to production, aesthetics and ideology, and provides case studies of many television personalities from recent years that will make this book attractive to both undergraduate and postgraduate students.

August 2010: 224pp Hb: 978-0-415-48188-5: $140.00 Pb: 978-0-415-48189-2: $39.95 For more information, visit: www.routledge.com/9780415481892

It’s Not TV Watching HBO in the Post-Television Era Edited by Marc Leverette Brian L. Ott and Cara Louise Buckley, all at Colorado State University, USA

This collection brings together scholars from fields such as media studies, journalism, popular culture, communication studies, urban studies, political science, visual studies, and women’s studies who have examined the phenomenon of HBO in one way or another from within their specific disciplines. Additionally, the collection is international in both focus and contribution with authors from the United States, Great Britain, Scotland, Ireland, Canada, and Australia.

2008: 272pp Hb: 978-0-415-96037-3: $95.00 Pb: 978-0-415-96038-0: $29.95 For more information, visit: www.routledge.com/9780415960380

Television Entertainment Jonathan Gray, University of Wisconsin, USA Series: Communication and Society Television Entertainment offers a thematically based overview, balancing an interest in art, aesthetics and audiences with the power, politics and production of television, that includes examples from recent and current television, including Lost, reality television, The Sopranos, The Simpsons, political satire, Grey’s Anatomy, The West Wing, soaps, and 24.

2008: 224pp Hb: 978-0-415-77223-5: $120.00 Pb: 978-0-415-77224-2: $33.95 For more information, visit: www.routledge.com/9780415772242

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

Queer TV: Theories, Histories, Politics is the first book to explore television in all its scope and complexity – its industry, production, texts, audiences, pleasures and politics – in relation to queerness. With contributions from distinguished authors working in film/ television studies and the study of gender/sexuality, it offers a unique contribution to both disciplines.

2008: 200pp Hb: 978-0-415-45045-4: $140.00 Pb: 978-0-415-45046-1: $39.95 eBook: 978-0-203-88422-5 For more information, visit: www.routledge.com/9780415450461

NEW

Flow TV Television in the Age of Media Convegence Edited by Michael Kackman, Marnie Binfield, Matthew Thomas Payne, all at University of Texas at Austin, USA, Allison Perlman, Pennsylvania State University Erie, USA and Bryan Sebok, University of Texas at Austin, USA From viral videos on YouTube to mobile television on cell phones and beyond, Flow TV examines television in an age of technological, economic, and cultural convergence.

Seeking to frame a new set of concerns for television studies in the twenty-first century, this collection of all new essays establishes television’s continued importance in a shifting media culture. The collection examines television through a range of critical approaches from formal and industrial analysis to critical technology studies, reception studies, political economy, and critiques of television’s transnational flows. This volume stems from the popular online journal Flow: A Critical Forum on Television and Media Culture (www.flowtv.org) and features a group of established and rising media scholars including Henry Jenkins, Jason Mittell, Heather Hendershot, John Corner, James Hay, and Jonathan Gray. Ideal for courses in television studies or media convergence, the volume offers a companion website linked to the main Flow site that will allow students and scholars to connect the readings to the latest media developments.

March 2010: 272pp Hb: 978-0-415-99222-0: $120.00 Pb: 978-0-415-99223-7: $32.95 eBook: 978-0-203-87963-4 For more information, visit: www.routledge.com/9780415992237

Pimpin’ Ain’t Easy Selling Black Entertainment Television Beretta E. Smith-Shomade, University of Arizona, USA 2007: 232pp Hb: 978-0-415-97678-7: $95.00 Pb: 978-0-415-97679-4: $27.95 For more information, visit: www.routledge.com/9780415976794

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Restyling Factual TV

Living Without the Screen

Television Studies After TV

Audiences and News, Documentary and Reality Genres

Causes and Consequences of Life without Television

Understanding Television in the Post-Broadcast Era

Annette Hill, University of Westminster, UK

Marina Krcmar

Edited by Graeme Turner and Jinna Tay, both at University of Queensland, Australia

’Restyling Factual TV is a major contribution to our understanding of audience responses to the reality formats on television. The comparative perspective, involving British and Swedish audiences, is particularly rewarding, and much needed, since international reality formats are adapted to national settings.’ - Göran Bolin, Professor of Media & Communication Studies, Södertörn University College, Sweden 2007: 280pp Hb: 978-0-415-37955-7: $130.00 Pb: 978-0-415-37956-4: $36.95 eBook: 978-0-203-09973-5 For more information, visit: www.routledge.com/9780415379564

Reality TV

Living Without the Screen provides a current, distinctive, and important look at how personal choices on media are made, and how those choices reflect more broadly on media’s place in today’s society.

2008: 248pp Hb: 978-0-8058-6328-4: $120.00 Pb: 978-0-8058-6329-1: $39.95 For more information, visit: www.routledge.com/9780805863291

NEW

Emotion, Genre, and Justice in Film and Television

Factual Entertainment and Television Audiences

Deidre Pribram, Molloy College, USA

Annette Hill

In this study, Pribram uses the law and order generic network and its relationship to juridical discourses to show how emotions are deployed to construct ideologies of law and justice while, simultaneously, constructing cultural understandings of the meaning of various emotions. Emotions are considered from the perspective of the specific ways they function in media texts to frame and maintain complex cultural notions such as law, justice, and injustice.

2004: 240pp Hb: 978-0-415-26151-7: $130.00 Pb: 978-0-415-26152-4: $37.95 For more information, visit: www.routledge.com/9780415261524

Sportscasters/Sportscasting

Series: Routledge Research in Cultural and Media Studies

Principles and Practices

June 2010: 256pp Hb: 978-0-415-99828-4: $95.00

Linda Fuller, Worcester College, UK

For more information, visit: www.routledge.com/9780415998284

A comprehensive introduction to the workings of the business, Sportscasters/Sportscasting: Principles and Practices explains all of the information essential to anyone looking to begin a career in sports media, anc includes numerous appendices containing acronyms and biographic information about over 200 sportscasters, and a complete Instructor’s Manual.

2008: 392pp Hb: 978-0-7890-1825-0: $100.00 Pb: 978-0-7890-1826-7: $32.50 eBook: 978-0-203-88926-8 For more information, visit: www.routledge.com/9780789018267

Television studies must now address a complex environment where change has been vigorous but uneven, and where local and national conditions vary significantly.

Globalizing media industries, deregulatory policy regimes, the multiplication, convergence and trade in media formats, the emergence of new content production industries outside the US/UK umbrella, and the fragmentation of media audiences are all changing the nature of television today: its content, its industrial structure and how it is consumed.

Television Studies after TV leads the way in developing new ways of understanding television in the post-broadcast era. With contributions from leading international scholars, it considers the full range of convergent media now implicated in understanding television, and also focuses on large non-Anglophone markets – such as Asia and Latin America — in order to accurately reflect the wide variety of structures, forms and content which now organise television around the world.

March 2009: 224pp Hb: 978-0-415-47769-7: $140.00 Pb: 978-0-415-47770-3: $39.95 For more information, visit: www.routledge.com/9780415477703

NEW

Global Television Formats Circulating Culture, Producing Identity Edited by Tasha Oren, University of Wisconsin, Milwaukee, USA and Sharon Shahaf, Georgia State University, USA

NEW

Television and the Legal System Barbara Villez, University of Paris, France Series: Routledge Studies in Law, Society and Popular Culture American legal television series have long informed viewers - and fostered myths - about the legal system in the US. Villez examines this genre from the 1940s to the present, and contrasts American legal shows with those in France, where the same genre offers a strikingly different representation of justice.

November 2009: 162pp Hb: 978-0-415-99488-0: $95.00 For more information, visit: www.routledge.com/9780415994880

For decades, television scholars have viewed global television through the lens of cultural imperialism, focusing primarily on programs produced in the US and UK markets and exported to foreign markets.

This book explores how, thanks to recent technological innovation and globalization, television is now finally becoming truly global.

Global Television Formats aims to revise the place of the global in television studies.

The essays gathered here explore the diversity of global programming and approaches, and ask how to theorize contemporary global formats and thus re-shape our understanding of television as at once a shared global and specific local text, an economic system, a socio-political institution, and a popular practice.

The contributors explore a wide array of television programming from the Middle East, Western and Eastern Europe, South Asia, North America, Latin America, and Brazil, and represent a broad range of methodological and theoretical approaches from production ethnographies to post-structuralist analysis.

February 2010: 288pp Hb: 978-0-415-96544-6: $120.00 Pb: 978-0-415-96545-3: $34.95 For more information, visit: www.routledge.com/9780415965453

TO ORDER – see order form at the back of this catalog.

Alternatively, you can order by: Call Toll Free: 1-800-634-7064

Fax: 1-800-248-4724

Online: www.routledge.com/media

s tudy s k i l l s

Hitch Your Antenna to the Stars Early Television and Broadcast Stardom

Television and Public Policy Change and Continuity in an Era of Global Liberalization

Susan Murray

Edited by David Ward, Centre for Media Policy and Development, London, UK

2005: 240pp Hb: 978-0-415-97130-0: $100.00 Pb: 978-0-415-97131-7: $29.95

Television and Public Policy analyzes the current state of television systems in a selected group of countries, exploring the political, economic, and technological factors that have shaped the sector over the past two decades.

For more information, visit: www.routledge.com/9780415971317

Rerun Nation How Repeats Invented American Television Derek Kompare 2004: 264pp Hb: 978-0-415-97054-9: $100.00 Pb: 978-0-415-97055-6: $29.95

2007: 356pp Hb: 978-0-8058-5644-6: $120.00 Pb: 978-0-8058-5645-3: $42.95 For more information, visit: www.routledge.com/9780805856453

NEW

For more information, visit: www.routledge.com/9780415970556

Biographical Encyclopedia of Radio

American Icons

Edited by Christopher H. Sterling, George Washington University, USA

The Genesis of a National Visual Language Benedikt Feldges Series: Routledge Research in Cultural and Media Studies 2007: 296pp Hb: 978-0-415-95635-2: $100.00 For more information, visit: www.routledge.com/9780415956352

Production Management for Television Leslie Mitchell, University of Stirling, UK Series: Media Skills

Completely up to date with relevant information on digital technology and HD TV, this is the only title to focus specifically on television production management, and presents an easily accessible and authoritative guide to the area.

Biographical Encyclopedia of Radio presents the very best biographies of the internationally acclaimed three-volume Museum of Broadcast Communications Encyclopedia of Radio in a single volume. It includes more than 100 biographical entries on American, British, Australian, European, and Canadian radio personalities, writers, producers, directors, newscasters, and network executives available in a single volume for the first time.

New and updated entries throughout reflect recent changes to the radio landscape from Howard Stern’s shift to satellite radio to the controversial firing of Don Imus. Scholarly but accessible, this encyclopedia provides an unrivaled guide to the voices behind radio for students and general readers alike.

May 2010: 464pp Hb: 978-0-415-99549-8: $175.00 eBook: 978-0-203-85489-1 For more information, visit: www.routledge.com/9780415995498

NEW

The Concise Encyclopedia of American Radio Edited by Christopher H. Sterling, George Washington University, USA and Cary O’Dell

February 2009: 128pp Hb: 978-0-415-42465-3: $120.00 Pb: 978-0-415-42481-3: $29.95 For more information, visit: www.routledge.com/9780415424813

2nd Edition – 4 Volume Set

Encyclopedia of Television Edited by Horace Newcomb 2004: 2800pp Hb: 978-1-57958-394-1: $680.00 For more information, visit: www.routledge.com/9781579583941

The average American listens to the radio three hours a day. In light of recent technological developments such as internet radio, some argue that the medium is facing a crisis, while others claim we are at the dawn of a new radio revolution. The Concise Encyclopedia of American Radio is an essential single-volume reference guide to this vital and evolving medium. It brings together the best and most important entries from the three-volume Museum of Broadcast Communications Encyclopedia of Radio, edited by Christopher Sterling.

December 2009: 604pp Hb: 978-0-415-99533-7: $175.00 For more information, visit: www.routledge.com/9780415995337

CONTACT US – for further information, email media_studies@routledge.com eBooks: www.ebookstore.tandf.co.uk eUpdates: www.tandf.co.uk/eupdates

Study Skills The Basics of Essay Writing Nigel Warburton, The Open University, UK

‘I’ll be tackling my next essay with Nigel Warburton’s The Basics of Essay Writing in one hand and a pen in the other.’ – Higher Education Academy Network, UK

Nigel Warburton, bestselling author and experienced lecturer, provides all the guidance and advice you need to dramatically improve your essay-writing skills with a step-by-step exploration of exactly what you should consider to improve your essays and marks.

Selected Contents: How to Use This Book 1. What’s the Point? 2. Start Writing 3. Answer the Question 4. Research and Planning 5. Make a Case 6. Beginnings, Middles, Ends 7. Plagiarism, Quotation, Reference 8. The Craft of Writing 9. Exam Essays 10. How to Improve your Essay Writing.

Acknowledgements. Further Reading 2007: 128pp Pb: 978-0-415-43404-1: $16.95 For more information, visit: www.routledge.com/9780415434041

The Student’s Guide to Preparing Dissertations and Theses Brian Allison and Phil Race The first edition of this book contributed to improving countless dissertations and this new edition will continue to do the same - using the practical advice and guidance it offers could mean the difference between success and failure.

2004: 112pp Pb: 978-0-415-33486-0: $31.95 For more information, visit: www.routledge.com/9780415334860

NEW

The Media Studies Teacher’s Handbook Edited by Elaine Scarratt and Jon Davison May 2010: 224pp Hb: 978-0-415-49993-4: $115.00 Pb: 978-0-415-49994-1: $42.95 For more information, visit: www.routledge.com/9780415499941

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ro u t led ge pape rbacks direct

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A growing selection of our Media, Film and TV hardback monographs are now available, for individual purchase, in paperback format from the price of $39.95. These books are only available directly from Routledge and can be ordered in one of three easy ways: Online: www.routledgepaperbacksdirect.com

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index A Abel, Richard . . . . . . . . . . . . . . . . . . . . . . . . 26 Action and Adventure Cinema, The . . . . . . . 36 Adolescence and Society Series . . . . . . . . . . . 18 Advertising . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Advertising and Consumer Culture Reader, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Advertising and New Media . . . . . . . . . . . . . 15 Advertising and Public Relations Law . . . . . . 24 Advertising Handbook, The . . . . . . . . . . . . . . . 9 AFI Film Readers Series . . . . . . . . . . . . . . 40, 41 Aitken, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Akil, Awan . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Albarran, Alan B. . . . . . . . . . . . . . . . . 4, 15, 25 Alia, Valerie . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Allen, Robert C. . . . . . . . . . . . . . . . . . . . . . . 42 Allison, Brian . . . . . . . . . . . . . . . . . . . . . . . . . 45 Alternative Media Handbook, The . . . . . . . . . 9 Altman, Rick . . . . . . . . . . . . . . . . . . . . . . . . . 41 America First . . . . . . . . . . . . . . . . . . . . . . . . . 34 American History Goes to the Movies . . . . . . 34 American Icons . . . . . . . . . . . . . . . . . . . . . . . 45 Analysing the Screenplay . . . . . . . . . . . . . . . 27 Arnheim for Film and Media Studies . . . . . . . 40 Assessing Media Education . . . . . . . . . . . . . . . 6 Audience Studies . . . . . . . . . . . . . . . . . . . . . 12 Authorship and Film . . . . . . . . . . . . . . . . . . . 41

B Babcock, William . . . . . . . . . . . . . . . . . . . . . 23 Bailey, Michael . . . . . . . . . . . . . . . . . . . . . . . 10 Baker, Sarah . . . . . . . . . . . . . . . . . . . . . . . . . 14 Ballon, Rachel . . . . . . . . . . . . . . . . . . . . . . . . 26 Baltruschat, Doris . . . . . . . . . . . . . . . . . . . . . 13 Bangladesh Cinema and National Identity . . . 39 Banks, Miranda J. . . . . . . . . . . . . . . . . . . . . . . 9 Barnes, Susan B. . . . . . . . . . . . . . . . . . . . . . 19 Barrow, Sarah . . . . . . . . . . . . . . . . . . . . . . . . 35 Barton, Ruth . . . . . . . . . . . . . . . . . . . . . . . . . 38 Basics of Essay Writing, The . . . . . . . . . . . . . 45 Basics Series, The . . . . . . . . . . . . . . . . . . 27, 42 Bassil-Morozow, Helena . . . . . . . . . . . . . . . . 29 Baumann, James . . . . . . . . . . . . . . . . . . . . . . 34 Beker, Marilyn . . . . . . . . . . . . . . . . . . . . . . . . 27 Bell, David J. . . . . . . . . . . . . . . . . . . . . . . . . 20 Bell, Melanie . . . . . . . . . . . . . . . . . . . . . . . . . 35 Bengali Cinema . . . . . . . . . . . . . . . . . . . . . . . 39 Bennett, James . . . . . . . . . . . . . . . . . . . . . . . 43 Benshoff, Harry M. . . . . . . . . . . . . . . . . . . . . 33 Bernardi, Daniel . . . . . . . . . . . . . . . . . . . . . . 35 Beyond Prime Time . . . . . . . . . . . . . . . . . . . . 43 Bignell, Jonathan . . . . . . . . . . . . . . . . . . . . . 42 Binfield, Marnie . . . . . . . . . . . . . . . . . . . . . . 43 Biographical Encyclopedia of Radio . . . . . . . . 45 Bivins, Tom . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Black American Cinema . . . . . . . . . . . . . . . . 41 Black Women Film and Video Artists . . . . . . . 41 Blacks in American Film, Television, and Video . . . . . . . . . . . . . . . . . . . . . . . . . 30 Blogging the Political . . . . . . . . . . . . . . . . . . 21 Blogging, Citizenship, and the Future of Media . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Blueprint for Screenwriting . . . . . . . . . . . . . . 26 Bobo, Jacqueline . . . . . . . . . . . . . . . . . . . . . . 41 Bordwell, David . . . . . . . . . . . . . . . . . . . . . . . 29 Botterill, Jacqueline . . . . . . . . . . . . . . . . . . . . 15 Boush, David M. . . . . . . . . . . . . . . . . . . . . . 24 Bowden, Darsie . . . . . . . . . . . . . . . . . . . . . . . 25 Boyd-Barrett, Oliver . . . . . . . . . . . . . . . . . . . . 34 Boyle, Karen . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Brand Hollywood . . . . . . . . . . . . . . . . . . . . . 34 Brands . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Branston, Gill . . . . . . . . . . . . . . . . . . . . . . . . . 1 Brazilian National Cinema . . . . . . . . . . . . . . . 38 British Crime Cinema . . . . . . . . . . . . . . . . . . 35

British Historical Cinema . . . . . . . . . . . . . . . . 35 British Horror Cinema . . . . . . . . . . . . . . . . . . 35 British National Cinema . . . . . . . . . . . . . . . . . 38 British Queer Cinema . . . . . . . . . . . . . . . . . . 35 British Science Fiction Cinema . . . . . . . . . . . . 35 British Women’s Cinema . . . . . . . . . . . . . . . . 35 Bruhn Jensen, Klaus . . . . . . . . . . . . . . . . . . . . 5 Brunovska Karnick, Kristine . . . . . . . . . . . . . . 41 Bruzzi, Stella . . . . . . . . . . . . . . . . . . . . . . . . . 36 Bryant, Jennings . . . . . . . . . . . . . . . . . . 6, 7, 22 Buckland, Warren . . . . . . . . . . . . . . . . . . . . . 40 Buckley, Cara Louise . . . . . . . . . . . . . . . . . . . 43 Buikema, Rosemarie . . . . . . . . . . . . . . . . . . . 16 Burgoyne, Robert . . . . . . . . . . . . . . . . . . . . . 40 Burnett, Robert . . . . . . . . . . . . . . . . . . . . . . . 19 Butler, Jeremy G. . . . . . . . . . . . . . . . . . . . . . 42 Butsch, Richard . . . . . . . . . . . . . . . . . . . . . . . 14

Coyer, Kate . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Creative Explorations . . . . . . . . . . . . . . . . . . 14 Creative Labour . . . . . . . . . . . . . . . . . . . . . . 14 CRESC Series . . . . . . . . . . . . . . . . . . . . . . 11, 14 Crime and Media . . . . . . . . . . . . . . . . . . . . . 24 Crime, Justice and the Media . . . . . . . . . . . . 24 Critchlow, Donald T. . . . . . . . . . . . . . . . . . . . 35 Crook, Tim . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Cultural and Social Change in Taiwan . . . . . . 12 Curran, James . . . . . . . . . . . . . . . . . . . . . . 4, 11 Curtin, Michael . . . . . . . . . . . . . . . . . . . . . . . 41 Cyber-Bullying . . . . . . . . . . . . . . . . . . . . . . . . 21 Cyberculture Theorists . . . . . . . . . . . . . . . . . 20 Cyberculture: The Key Concepts . . . . . . . . . . 20 Cybercultures Reader, The . . . . . . . . . . . . . . . 20

C

Dalle Vacche, Angela . . . . . . . . . . . . . . . . . . 33 Danesi, Marcel . . . . . . . . . . . . . . . . . . . . . . . 15 Davies, David . . . . . . . . . . . . . . . . . . . . . . . . 31 Davis, Aeron . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Davis, Glyn . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Davison, Jon . . . . . . . . . . . . . . . . . . . . . . . . . 45 Deception In The Marketplace . . . . . . . . . . . 24 Decoding Liberation . . . . . . . . . . . . . . . . . . . 20 Dennison, Stephanie . . . . . . . . . . . . . . . . . . . 38 Der Derian, James . . . . . . . . . . . . . . . . . . . . . 23 Design Literacies . . . . . . . . . . . . . . . . . . . . . . 17 Dewdney, Andrew . . . . . . . . . . . . . . . . . . . . . 9 Dexter, Scott D. . . . . . . . . . . . . . . . . . . . . . . 20 Diawara, Manthia . . . . . . . . . . . . . . . . . . . . . 41 Dickinson, Kay . . . . . . . . . . . . . . . . . . . . . . . 33 Diefenbach, Donald L. . . . . . . . . . . . . . . . . . 28 Digital Encounters . . . . . . . . . . . . . . . . . . . . . 18 Dirndorfer Anderson, Theresa . . . . . . . . . . . . 12 Disability and New Media . . . . . . . . . . . . . . . 20 Disney Discourse . . . . . . . . . . . . . . . . . . . . . . 41 Distributing Silent Film Serials . . . . . . . . . . . . 32 Documentary . . . . . . . . . . . . . . . . . . . . . . . . 37 Documentary Handbook, The . . . . . . . . . . . . 36 Documentary Testimonies . . . . . . . . . . . . . . . 40 Doing Gender in Media, Art and Culture . . . 16 Donelan, Helen . . . . . . . . . . . . . . . . . . . . . . . 19 Dong, Lily . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Dorsher, Michael . . . . . . . . . . . . . . . . . . . . . . 23 Doughty, Ruth . . . . . . . . . . . . . . . . . . . . . . . 26 Dovey, Jon . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Dowmunt, Tony . . . . . . . . . . . . . . . . . . . . . . . 9 Downing, Lisa . . . . . . . . . . . . . . . . . . . . . . . . 31 Duffy, Brooke Erin . . . . . . . . . . . . . . . . . . . . . . 3 Durant, Alan . . . . . . . . . . . . . . . . . . . . . . . . . 17 Durham Modern Middle East and Islamic World Series . . . . . . . . . . . . . . . . . 13 Durovicová, Natasa . . . . . . . . . . . . . . . . . . . . 40 Dyer, Richard . . . . . . . . . . . . . . . . . . . . . . . . . 29 Dynamics of Persuasion, The . . . . . . . . . . . . . . 6

Caldwell, John T. . . . . . . . . . . . . . . . . . . . . . 41 Calvert, Ben . . . . . . . . . . . . . . . . . . . . . . . . . 42 Campanella Bracken, Cheryl . . . . . . . . . . . . . . 6 Campbell, Heidi . . . . . . . . . . . . . . . . . . . . . . 18 Canadian National Cinema . . . . . . . . . . . . . . 38 Canjels, Rudmer . . . . . . . . . . . . . . . . . . . . . . 32 Carey, James W. . . . . . . . . . . . . . . . . . . . . . . 14 Carroll, Brian . . . . . . . . . . . . . . . . . . . . . . . . . 19 Carroll, William . . . . . . . . . . . . . . . . . . . . . . . 10 Casey, Bernadette . . . . . . . . . . . . . . . . . . . . . 42 Casey, Neil . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Celebrity Culture Reader, The . . . . . . . . . . . . . 7 Celebrity Studies . . . . . . . . . . . . . . . . . . . . . . 16 Cere, Rinella . . . . . . . . . . . . . . . . . . . . . . . . . 34 Chadwick, Andrew . . . . . . . . . . . . . . . . . . . . 21 Chan, Dean . . . . . . . . . . . . . . . . . . . . . . . . . 22 Chan-Olmsted, Sylvia M. . . . . . . . . . . . . . . . 25 Chaudhuri, Shohini . . . . . . . . . . . . . . . . . . . . 29 Cherry, Brigid . . . . . . . . . . . . . . . . . . . . . . . . 37 Chibnall, Steve . . . . . . . . . . . . . . . . . . . . . . . 35 Chick Flicks . . . . . . . . . . . . . . . . . . . . . . . . . . 36 China on Video . . . . . . . . . . . . . . . . . . . . . . . 39 Chinese Film Stars . . . . . . . . . . . . . . . . . . . . . 39 Chinese National Cinema . . . . . . . . . . . . . . . 38 Chopra, Samir . . . . . . . . . . . . . . . . . . . . . . . . 20 Christ, William G. . . . . . . . . . . . . . . . . . . . . . 6 Christensen, Christian . . . . . . . . . . . . . . . . . . 12 Christensen, Miyase . . . . . . . . . . . . . . . . . . . 12 Christians, Clifford G. . . . . . . . . . . . . . . . . . 23 Chun, Wendy Hui Kyong . . . . . . . . . . . . . . . 18 Cinema Studies: The Key Concepts . . . . . . . . 27 Cinema, Memory, Modernity . . . . . . . . . . . . 32 Cinematic Emotion in Horror Films and Thrillers . . . . . . . . . . . . . . . . . . . . . . . 32 Citizen Audience, The . . . . . . . . . . . . . . . . . . 14 Classical Hollywood Comedy . . . . . . . . . . . . . 41 Codifying Cyberspace . . . . . . . . . . . . . . . . . . 21 Cody, Michael . . . . . . . . . . . . . . . . . . . . . . . . 22 Cognitive Psychology of Mass Communication, A . . . . . . . . . . . . . . . . . . 14 Cohan, Steven . . . . . . . . . . . . . . . . . . . . . . . 33 Cohen, Yoel . . . . . . . . . . . . . . . . . . . . . . . . . 13 Collins, Erik . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Color, The Film Reader . . . . . . . . . . . . . . . . . 33 Communication and Society Series . . . . . . . . . . . . . . . . . . . . . . . 7, 8, 10, 11, 43 Communication as Culture . . . . . . . . . . . . . . 14 Communication, Cultural and Media Studies: The Key Concepts . . . . . . . . . . . . . . . . . . . 14 Concise Encyclopedia of American Radio, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Consumer-Citizens of China . . . . . . . . . . . . . 11 Contemporary Black Cinema . . . . . . . . . . . . . 29 Contemporary Chinese Print Media . . . . . . . . 12 Contemporary Hollywood Reader, The . . . . . 34 Controversies in Media Ethics . . . . . . . . . . . . 23 Convergence Media History . . . . . . . . . . . . . . 7 Cook, Pam . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Cooper, Margaret . . . . . . . . . . . . . . . . . . . . . 18 Couldry, Nick . . . . . . . . . . . . . . . . . . . . . 10, 16 Coverage . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8

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D

E East European Cinemas . . . . . . . . . . . . . . . . . 40 Eaton, A. W. . . . . . . . . . . . . . . . . . . . . . . . . 31 Egenfeldt-Nielsen, Simon . . . . . . . . . . . . . . . 21 Ellis, Katie . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Elsaesser, Thomas . . . . . . . . . . . . . . . . . . . . . 26 Emotion, Genre, and Justice in Film and Television . . . . . . . . . . . . . . . . . . . . . . . . . 44 Enchanted Screen, The . . . . . . . . . . . . . . . . . 29 Encyclopedia of Early Cinema . . . . . . . . . . . . 26 Encyclopedia of Television . . . . . . . . . . . . . . . 45 Encyclopedia of the Documentary Film . . . . . 36 Enjoy Your Symptom! . . . . . . . . . . . . . . . . . 28 Enteen, Jillana B. . . . . . . . . . . . . . . . . . . . . . 20 Entertainment and Society . . . . . . . . . . . . . . . 5 Environment, Media and Communication . . . 16 Epic Film, The . . . . . . . . . . . . . . . . . . . . . . . . 40 Eternal Sunshine of the Spotless Mind . . . . . 31 European Film Theory . . . . . . . . . . . . . . . . . . 41 Everett, Anna . . . . . . . . . . . . . . . . . . . . . . . . 41 Everyday Pornography . . . . . . . . . . . . . . . . . . 4 Exhibition, The Film Reader . . . . . . . . . . . . . . 33

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Experimental Cinema, The Film Reader . . . . . 33 Ezra, Elizabeth . . . . . . . . . . . . . . . . . . . . . . . 33

F Fabrications . . . . . . . . . . . . . . . . . . . . . . . . . 41 Falzon, Christopher . . . . . . . . . . . . . . . . . . . . 31 Farquhar, Mary . . . . . . . . . . . . . . . . . . . . . . . 39 Fay, Jennifer . . . . . . . . . . . . . . . . . . . . . . . . . 37 Feldges, Benedikt . . . . . . . . . . . . . . . . . . . . . 45 Feminist Film Theorists . . . . . . . . . . . . . . . . . 29 Ferriss, Suzanne . . . . . . . . . . . . . . . . . . . . . . 36 Fifty Contemporary Filmmakers . . . . . . . . . . . 27 Fifty Key American Films . . . . . . . . . . . . . . . . 34 Fifty Key British Films . . . . . . . . . . . . . . . . . . 35 Film After Jung . . . . . . . . . . . . . . . . . . . . . . . 31 Film and Ethics . . . . . . . . . . . . . . . . . . . . . . . 31 Film as Social Practice . . . . . . . . . . . . . . . . . . 27 Film Cultures Reader, The . . . . . . . . . . . . . . . 27 Film Music: A History . . . . . . . . . . . . . . . . . . 30 Film Noir . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Film Studies: The Basics . . . . . . . . . . . . . . . . 27 Film Theory . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Film Theory and Contemporary Hollywood Movies . . . . . . . . . . . . . . . . . . . 40 Film Theory Reader: Debates & Arguments . . 25 Film, Feminism and Melanie Klein . . . . . . . . . 29 Film: The Essential Study Guide . . . . . . . . . . . 26 Finney, Angus . . . . . . . . . . . . . . . . . . . . . . . . 28 Fischer, Lucy . . . . . . . . . . . . . . . . . . . . . . . . . 33 Fishbein, Martin . . . . . . . . . . . . . . . . . . . . . . 25 Fleming, Carole . . . . . . . . . . . . . . . . . . . . . . . . 9 Flow TV . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Foster, Gwendolyn Audrey . . . . . . . . . . . . . . 33 Fountain, Alan . . . . . . . . . . . . . . . . . . . . . . . . 9 French National Cinema . . . . . . . . . . . . . . . . 38 French, Liam . . . . . . . . . . . . . . . . . . . . . . . . . 42 Friestad, Marian . . . . . . . . . . . . . . . . . . . . . . 24 Fuller, Linda . . . . . . . . . . . . . . . . . . . . . . . . . 44 Furstenau, Marc . . . . . . . . . . . . . . . . . . . . . . 25

G Gaines, Jane M. . . . . . . . . . . . . . . . . . . . . . . 41 Gaming Cultures and Place in Asia-Pacific . . . 22 Ganahl, Richard J. . . . . . . . . . . . . . . . . . . . . 19 Gauntlett, David . . . . . . . . . . . . . . . . . . . . 5, 14 Gender and Media Reader, The . . . . . . . . . . . 3 Genetics and Society Series . . . . . . . . . . . . . . 16 Genre and Cinema . . . . . . . . . . . . . . . . . . . . 36 Genre and Hollywood . . . . . . . . . . . . . . . . . . 36 German National Cinema . . . . . . . . . . . . . . . 38 Gershon, Richard A. . . . . . . . . . . . . . . . . . . . 25 Gerstner, David A. . . . . . . . . . . . . . . . . . . . . 41 Giddings, Seth . . . . . . . . . . . . . . . . . . . . . . . 17 Gillan, Jennifer . . . . . . . . . . . . . . . . . . . . . . . 43 Girls Make Media . . . . . . . . . . . . . . . . . . . . . . 9 Gittings, Chris . . . . . . . . . . . . . . . . . . . . . . . . 38 Global Chinese Cinema . . . . . . . . . . . . . . . . . 12 Global Media Discourse . . . . . . . . . . . . . . . . 14 Global Media Ecologies . . . . . . . . . . . . . . . . . 13 Global Mobile Media . . . . . . . . . . . . . . . . . . . 7 Global Television Formats . . . . . . . . . . . . . . . 44 Global Terrorism and New Media . . . . . . . . . 18 Globalization, Violence and the Visual Culture of Cities . . . . . . . . . . . . . . . . . . . . 24 God, Jews and the Media . . . . . . . . . . . . . . . 13 Goggin, Gerard . . . . . . . . . . . . . . . . . . . . . . . . 7 Golan, Guy . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Goltz, Dustin Bradley . . . . . . . . . . . . . . . . . . 37 Gomez, James . . . . . . . . . . . . . . . . . . . . . . . 12 Gooptu, Sharmistha . . . . . . . . . . . . . . . . . . . 39 Gordon, A. David . . . . . . . . . . . . . . . . . . . . . 23 Gordon, Suzy . . . . . . . . . . . . . . . . . . . . . . . . 29 Government Official History Series . . . . . . . . 16 Grainge, Paul . . . . . . . . . . . . . . . . . . . . . . . . 34 Grant, Catherine . . . . . . . . . . . . . . . . . . . . . . 39 Grant, Iain . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Grau, Christopher . . . . . . . . . . . . . . . . . . . . . 31 Gray, Jonathan . . . . . . . . . . . . . . . . . . . . 15, 43 Greer, Chris . . . . . . . . . . . . . . . . . . . . . . . . . . 24

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index

Griffin, Sean . . . . . . . . . . . . . . . . . . . . . . . . . 33 Griffiths, Robin . . . . . . . . . . . . . . . . . . . . . . . 35 Gripsrud, Jostein . . . . . . . . . . . . . . . . . . . . . . 15 Gronnvoll, Marita . . . . . . . . . . . . . . . . . . . . . . 8 Guynn, William . . . . . . . . . . . . . . . . . . . . . . . 26

H Ha, Louisa S. . . . . . . . . . . . . . . . . . . . . . . . . 19 Hackett, Robert . . . . . . . . . . . . . . . . . . . . . . . 10 Hadley, Elizabeth Amelia . . . . . . . . . . . . . . . . 30 Haenni, Sabine . . . . . . . . . . . . . . . . . . . . . . . 34 Hagener, Malte . . . . . . . . . . . . . . . . . . . . . . . 26 Hake, Sabine . . . . . . . . . . . . . . . . . . . . . . . 7, 38 Hammond, Philip . . . . . . . . . . . . . . . . . . . . . . 8 Handbook of Election News Coverage Around the World, The . . . . . . . . . . . . . . . 13 Handbook of Mass Media Ethics, The . . . . . . 23 Handbook of Media Management and Economics . . . . . . . . . . . . . . . . . . . . . . . . . 25 Handbook of Spanish Language Media, The . 15 Handbook of Sports and Media . . . . . . . . . . . 6 Hanich, Julian . . . . . . . . . . . . . . . . . . . . . . . . 32 Hansen, Anders . . . . . . . . . . . . . . . . . . . . . . 16 Haran, Joan . . . . . . . . . . . . . . . . . . . . . . . . . 16 Hardy, Jonathan . . . . . . . . . . . . . . . . . . . . 9, 11 Hark, Ina Rae . . . . . . . . . . . . . . . . . . . . . . . . 33 Harris, Richard Jackson . . . . . . . . . . . . . . . . . 14 Hartley, John . . . . . . . . . . . . . . . . . . . . . . . . . 14 Hartmann, Tilo . . . . . . . . . . . . . . . . . . . . . . . 11 Hawkin, Sarah . . . . . . . . . . . . . . . . . . . . . . . . 9 Hayes, Mike . . . . . . . . . . . . . . . . . . . . . . . . . 12 Hayward, Susan . . . . . . . . . . . . . . . . . . . 27, 38 Heavenly Bodies . . . . . . . . . . . . . . . . . . . . . . 29 Heide Smith, Jonas . . . . . . . . . . . . . . . . . . . . 21 Hemelryk Donald, Stephanie . . . . . . . . . . . . . 12 Hepp, Andreas . . . . . . . . . . . . . . . . . . . . . . . 16 Herold, David . . . . . . . . . . . . . . . . . . . . . . . . 12 Herrera, David . . . . . . . . . . . . . . . . . . . . . . . . 34 Herzog, Charlotte . . . . . . . . . . . . . . . . . . . . . 41 Hesmondhalgh, David . . . . . . . . . . . . . . . 11, 14 Higgins, Scott . . . . . . . . . . . . . . . . . . . . . . . . 40 Hill, Annette . . . . . . . . . . . . . . . . . . . . 5, 42, 44 Hill, David . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 History Goes to the Movies . . . . . . . . . . . . . . 30 History on Film Reader, The . . . . . . . . . . . . . 30 Hitch Your Antenna to the Stars . . . . . . . . . . 45 HIV/AIDS, Health and the Media in China . . . 12 Hjorth, Larissa . . . . . . . . . . . . . . . . . . . . . . . . 22 Hollifield, C. Ann . . . . . . . . . . . . . . . . . . . . . 25 Hollywood and Politics . . . . . . . . . . . . . . . . . 35 Hollywood and the CIA . . . . . . . . . . . . . . . . . 34 Hollywood and War, The Film Reader . . . . . . 33 Hollywood Musicals, The Film Reader . . . . . . 33 Holmes, Su . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Home, Exile, Homeland . . . . . . . . . . . . . . . . . 41 Hood, Johanna . . . . . . . . . . . . . . . . . . . . . . . 12 hooks, bell . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Hoover, Stewart M. . . . . . . . . . . . . . . . . . . . . 5 Horror . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Horror, The Film Reader . . . . . . . . . . . . . . . . 33 Hoskins, Andrew . . . . . . . . . . . . . . . . . . . . . . 16 Howard, Philip N. . . . . . . . . . . . . . . . . . . . . . 21 Hughes-Warrington, Marnie . . . . . . . . . . . . . 30 Human Cloning in the Media . . . . . . . . . . . . 16

I ICA Communication Series . . . . . . . . . . . . . . 13 Imaging in Advertising . . . . . . . . . . . . . . . . . 15 Immersed in Media . . . . . . . . . . . . . . . . . . . . . 6 Imre, Anikó . . . . . . . . . . . . . . . . . . . . . . . . . . 40 In Focus: Routledge Film Readers . . . . . . . . . 33 International Communication: A Reader . . . . . 6 International Film Business, The . . . . . . . . . . 28 International Media Communication in a Global Age . . . . . . . . . . . . . . . . . . . . . . . . 7 Internationalizing Media Studies . . . . . . . . . . . 7 Internationalizing Media Studies Series . . . . 7, 8 Introduction to Cybercultures, An . . . . . . . . . 20

Introduction to Film Studies . . . . . . . . . . . . .

Introduction to Television Studies, An . . . . . .

Iranian Studies Series . . . . . . . . . . . . . . . . . .

Irish National Cinema . . . . . . . . . . . . . . . . . .

Islam in the Eyes of the West . . . . . . . . . . . .

Ismael, Tareq Y. . . . . . . . . . . . . . . . . . . . . . .

It’s Not TV . . . . . . . . . . . . . . . . . . . . . . . . . . .

Iverson, Gunnar . . . . . . . . . . . . . . . . . . . . . .

26 42 39 38 13 13 43 38

J James Cameron . . . . . . . . . . . . . . . . . . . . . . 37 Jameson, Fredric . . . . . . . . . . . . . . . . . . . . . . 28 Janbek, Dana M. . . . . . . . . . . . . . . . . . . . . . 18 Jancovich, Mark . . . . . . . . . . . . . . . . . . . . . . 33 Jane Campion . . . . . . . . . . . . . . . . . . . . . . . . 37 Japanese Cinema . . . . . . . . . . . . . . . . . . . . . 39 Jenkins, Henry . . . . . . . . . . . . . . . . . . . . . . . . 41 Jhally, Sut . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Johnson, Fern L. . . . . . . . . . . . . . . . . . . . . . . 15 Johnson, Thomas . . . . . . . . . . . . . . . . . . . . . . 7 Joinson, Adam . . . . . . . . . . . . . . . . . . . . . . . 19 Jones, Steven E. . . . . . . . . . . . . . . . . . . . . . . 22 Jordan, Amy . . . . . . . . . . . . . . . . . . . . . . . . . 25 Journalism and Citizenship . . . . . . . . . . . . . . . 5 Joystick Soldiers . . . . . . . . . . . . . . . . . . . . . . 23

K Kackman, Michael . . . . . . . . . . . . . . . . . . . . 43 Kaid, Lynda Lee . . . . . . . . . . . . . . . . . . . . . . . 13 Kania, Andrew . . . . . . . . . . . . . . . . . . . . . . . 31 Kaplan, E. Ann . . . . . . . . . . . . . . . . . . . . . . . 41 Katz, Helen . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Kear, Karen . . . . . . . . . . . . . . . . . . . . . . . . . . 19 Kearney, Mary Celeste . . . . . . . . . . . . . . . . 3, 9 Keenan, Thomas . . . . . . . . . . . . . . . . . . . . . . 18 Keller, Alexandra . . . . . . . . . . . . . . . . . . . . . . 37 Kelly, Kieran . . . . . . . . . . . . . . . . . . . . . . . . . 17 Kennedy, Barbara M. . . . . . . . . . . . . . . . . . . 20 Kent, Mike . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Key Readings in Media Today . . . . . . . . . . . . . 3 Kilbourn, Russell . . . . . . . . . . . . . . . . . . . . . . 32 King, Cynthia . . . . . . . . . . . . . . . . . . . . . . . . . 5 King, Rob . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Kittross, John Michael . . . . . . . . . . . . . . . . . . 23 Kitzinger, Jenny . . . . . . . . . . . . . . . . . . . . . . . 16 Kline, Stephen . . . . . . . . . . . . . . . . . . . . . . . 15 Kompare, Derek . . . . . . . . . . . . . . . . . . . . . . 45 Konijn, Elly A. . . . . . . . . . . . . . . . . . . . . . . . 19 Korea’s Occupied Cinemas . . . . . . . . . . . . . . 39 Krcmar, Marina . . . . . . . . . . . . . . . . . . . . . . . 44 Krotz, Friedrich . . . . . . . . . . . . . . . . . . . . . . . 16 Kuhn, Annette . . . . . . . . . . . . . . . . . . . . . . . 39 Kunkel, Dale . . . . . . . . . . . . . . . . . . . . . . . . . 25 Kurian, Alka . . . . . . . . . . . . . . . . . . . . . . . . . 32

L Lacy, Stephen . . . . . . . . . . . . . . . . . . . . . . . .

Lambrou, Marina . . . . . . . . . . . . . . . . . . . . .

Landscape and Film . . . . . . . . . . . . . . . . . . .

Landy, Marcia . . . . . . . . . . . . . . . . . . . . . . . .

Language and Media . . . . . . . . . . . . . . . . . .

Language of New Media Design, The . . . . . .

LEA’s Media Management and Economics Series . . . . . . . . . . . . . . . . . . . . . . . . . . . .

LeBlanc Wicks, Jan . . . . . . . . . . . . . . . . . . . .

Lee, Terence . . . . . . . . . . . . . . . . . . . . . . . . .

Lee-Wright, Peter . . . . . . . . . . . . . . . . . . . . .

Lefebvre, Martin . . . . . . . . . . . . . . . . . . . . . .

Lehman, Peter . . . . . . . . . . . . . . . . . . . . . . . .

Leiss, William . . . . . . . . . . . . . . . . . . . . . . . .

Lemish, Dafna . . . . . . . . . . . . . . . . . . . . . . . .

Leonardi, Danilo . . . . . . . . . . . . . . . . . . . . . .

Lerner, Neil . . . . . . . . . . . . . . . . . . . . . . . . . .

Letters, Postcards, Email . . . . . . . . . . . . . . . .

Leverette, Marc . . . . . . . . . . . . . . . . . . . . . . .

Lewis, Justin . . . . . . . . . . . . . . . . . . . . . . . . .

LGBT Identity and Online New Media . . . . . .

25 17 41 33 17 18 25 25 12 36 41 41 15 42 21 37 19 43 42 18

Lindner, Christoph . . . . . . . . . . . . . . . . . . . .

Lister, Martin . . . . . . . . . . . . . . . . . . . . . . . . .

Litch, Mary M. . . . . . . . . . . . . . . . . . . . . . . .

Literacies Series . . . . . . . . . . . . . . . . . . . . . . .

Living Without the Screen . . . . . . . . . . . . . . .

Livingston, Paisley . . . . . . . . . . . . . . . . . . . . .

Loader, Brian D . . . . . . . . . . . . . . . . . . . . . . .

Lotz, Amanda D. . . . . . . . . . . . . . . . . . . . . .

Lovink, Geert . . . . . . . . . . . . . . . . . . . . . . . .

Lyden, John . . . . . . . . . . . . . . . . . . . . . . . . .

24 17 30 17 44 31 20 43 21 30

M Machin, David . . . . . . . . . . . . . . . . . . . . . . . . 14 Mackie, Vera . . . . . . . . . . . . . . . . . . . . . . . . . 12 MacRury, Iain . . . . . . . . . . . . . . . . . . . . . . 9, 15 Maingard, Jacqueline . . . . . . . . . . . . . . . . . . 38 Manganello, Jennifer . . . . . . . . . . . . . . . . . . 25 Marolt, Peter Wolfgang . . . . . . . . . . . . . . . . 12 Marsden, Chris . . . . . . . . . . . . . . . . . . . . . . . 21 Marsh, Clive . . . . . . . . . . . . . . . . . . . . . . . . . 30 Marsh, Ian . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Marshall, David . . . . . . . . . . . . . . . . . . . . . . . 19 Marshall, P. David . . . . . . . . . . . . . . . . . . . . . . 7 Martinec, Radan . . . . . . . . . . . . . . . . . . . . . . 18 Masculinity . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Mass Media and Latino Politics, The . . . . . . . . 6 Massood, Paula . . . . . . . . . . . . . . . . . . . . . . . 29 May, Carmen . . . . . . . . . . . . . . . . . . . . . . . . 24 Mayer, Vicki . . . . . . . . . . . . . . . . . . . . . . . . . . 9 McAllister, Matthew P. . . . . . . . . . . . . . . . . . 14 McCarthy, Anna . . . . . . . . . . . . . . . . . . . . . . 10 McIlroy, Brian . . . . . . . . . . . . . . . . . . . . . . . . 36 McLuhan, Marshall . . . . . . . . . . . . . . . . . . . . 28 McNeil, Maureen . . . . . . . . . . . . . . . . . . . . . 16 Meaning of Video Games, The . . . . . . . . . . . 22 Media and Cultural Theory . . . . . . . . . . . . . . 11 Media and Cultural Transformation in China . 12 Media and Democracy . . . . . . . . . . . . . . . . . . 4 Media and Religion . . . . . . . . . . . . . . . . . . . . . 5 Media and Social Theory, The . . . . . . . . . . . . 11 Media Choice . . . . . . . . . . . . . . . . . . . . . . . . 11 Media Convergence . . . . . . . . . . . . . . . . . . . . 5 Media Economy, The . . . . . . . . . . . . . . . . . . . 4 Media Effects . . . . . . . . . . . . . . . . . . . . . . . . . 7 Media Ethics and Social Change . . . . . . . . . . 24 Media Ethics Beyond Borders . . . . . . . . . . . . 23 Media Events in a Global Age . . . . . . . . . . . . 16 Media Globalization and the Discovery Channel Networks . . . . . . . . . . . . . . . . . . . 13 Media Handbook, The . . . . . . . . . . . . . . . . . . 4 Media Law and Ethics . . . . . . . . . . . . . . . . . . 24 Media Literacy . . . . . . . . . . . . . . . . . . . . . . . 10 Media Management . . . . . . . . . . . . . . . . . . . 25 Media Management and Economics Series . . . . . . . . . . . . . . . . . . . . . . . . . . 4, 19 Media Messages and Public Health . . . . . . . . 25 Media on the Move . . . . . . . . . . . . . . . . . . . . 7 Media Practice Series . . . . . . . . . . 9, 22, 36, 42 Media Representations of Gender and Torture Post-9/11 . . . . . . . . . . . . . . . . . . . . 8 Media Rituals . . . . . . . . . . . . . . . . . . . . . . . . 10 Media Skills Series . . . . . . . . . . . . . . . . . . . . . 45 Media Student’s Book, The . . . . . . . . . . . . . . . 1 Media Studies Reader, The . . . . . . . . . . . . . . . 3 Media Studies Teacher’s Handbook, The . . . . 45 Media Today . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Media, Cultural Control and Government in Singapore, The . . . . . . . . . . . . . . . . . . . 12 Media, Culture and Social Change in Asia Series . . . . . . . . . . . . . . . . . . . . . . 12, 39 Media, Culture and Society in Malaysia . . . . . 13 Media, Gender and Identity . . . . . . . . . . . . . . 5 Media, Modernity and Technology . . . . . . . . 15 Media, War and Postmodernity . . . . . . . . . . . 8 Media, War and Security Series . . . . . 16, 18, 34 Media/Theory . . . . . . . . . . . . . . . . . . . . . . . . 15 MediaSpace . . . . . . . . . . . . . . . . . . . . . . . . . 10 Mediated Interpersonal Communication . . . . 19 Mediation of Power, The . . . . . . . . . . . . . . . . . 8

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Meek, Allen . . . . . . . . . . . . . . . . . . . . . . . . . 10 Melville, Gaynor . . . . . . . . . . . . . . . . . . . . . . 24 Memento . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Merck, Mandy . . . . . . . . . . . . . . . . . . . . . . . 34 Merrill, John C. . . . . . . . . . . . . . . . . . . . . . . 23 Mesch, Gustavo S. . . . . . . . . . . . . . . . . . . . . 18 Mexican National Cinema . . . . . . . . . . . . . . . 38 Militainment, Inc. . . . . . . . . . . . . . . . . . . . . . . 8 Miller, Toby . . . . . . . . . . . . . . . . . . . . . . . 34, 42 Milne, Esther . . . . . . . . . . . . . . . . . . . . . . . . . 19 Mitchell, Jolyon . . . . . . . . . . . . . . . . . . . . . . . 30 Mitchell, Leslie . . . . . . . . . . . . . . . . . . . . . . . 45 Mixed Media . . . . . . . . . . . . . . . . . . . . . . . . . 23 Mjos, Ole J. . . . . . . . . . . . . . . . . . . . . . . . . . 13 Monk, Claire . . . . . . . . . . . . . . . . . . . . . . . . . 35 Moore, Roy L. . . . . . . . . . . . . . . . . . . . . . . . . 24 Moores, Shaun . . . . . . . . . . . . . . . . . . . . . . . 15 Moritz, Charlie . . . . . . . . . . . . . . . . . . . . . . . 27 Morley, David . . . . . . . . . . . . . . . . . . . . . 11, 15 Mortimer, Claire . . . . . . . . . . . . . . . . . . . . . . 37 Movie Acting, The Film Reader . . . . . . . . . . . 33 Movie Music, The Film Reader . . . . . . . . . . . 33 Mulhall, Stephen . . . . . . . . . . . . . . . . . . . . . . 31 Murphy, Robert . . . . . . . . . . . . . . . . . . . . . . . 35 Murray, Michael D. . . . . . . . . . . . . . . . . . . . 24 Murray, Susan . . . . . . . . . . . . . . . . . . . . . . . . 45 Museum Meanings Series . . . . . . . . . . . . . . . 34 Museums of Cinema and their Audience . . . 34 Music in the Horror Film . . . . . . . . . . . . . . . . 37

N Naficy, Hamid . . . . . . . . . . . . . . . . . . . . . . . . 41 Narrating Media History . . . . . . . . . . . . . . . . 10 National Cinemas . . . . . . . . . . . . . . . . . . . . . 38 Neale, Steve . . . . . . . . . . . . . . . . . . . . . . . . . 36 Needham, Gary . . . . . . . . . . . . . . . . . . . . . . . 43 Negra, Diane . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Nelmes, Jill . . . . . . . . . . . . . . . . . . . . . . . 26, 27 Neo-Feminist Cinema . . . . . . . . . . . . . . . . . . 29 Networked Self, The . . . . . . . . . . . . . . . . . . . 17 New Agendas in Communication Series . . 5, 10 New Documentary . . . . . . . . . . . . . . . . . . . . 36 New Media . . . . . . . . . . . . . . . . . . . . . . . 17, 41 New Media and Human Rights in Southeast Asia . . . . . . . . . . . . . . . . . . . . . 12 New Media and Technocultures Reader, The . 17 New Media Handbook, The . . . . . . . . . . . . . . 9 New Media, Old Media . . . . . . . . . . . . . . . . . 18 Newcomb, Horace . . . . . . . . . . . . . . . . . . . . 45 Newman, James . . . . . . . . . . . . . . . . . . . 21, 22 Newman, Kathleen E. . . . . . . . . . . . . . . . . . 40 Nieland, Justus . . . . . . . . . . . . . . . . . . . . . . . 37 Nisbet, Gideon . . . . . . . . . . . . . . . . . . . . . . . 34 Noble, Andrea . . . . . . . . . . . . . . . . . . . . . . . 38 Nordic National Cinemas . . . . . . . . . . . . . . . . 38 Nyre, Lars . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

O O’Dell, Cary . . . . . . . . . . . . . . . . . . . . . . . . . 45 O’Loughlin, Ben . . . . . . . . . . . . . . . . . . . . . . 16 O’Riordan, Kate . . . . . . . . . . . . . . . . . . . . . . 16 Oliver, Mary Beth . . . . . . . . . . . . . . . . . . . . . . 7 On Film . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Online Communication and Collaboration . . 19 On-Line Society in China . . . . . . . . . . . . . . . . 12 Oren, Tasha . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Orlebar, Jeremy . . . . . . . . . . . . . . . . . . . . . . . 42 Ott, Brian L. . . . . . . . . . . . . . . . . . . . . . . . . . 43 Ouellette, Laurie . . . . . . . . . . . . . . . . . . . . . . . 3 Outlaw Culture . . . . . . . . . . . . . . . . . . . . . . . 28

P Pajares Tosca, Susana . . . . . . . . . . . . . . . . . . 21 Papacharissi, Zizi . . . . . . . . . . . . . . . . . . . . 5, 17 Paranormal Media . . . . . . . . . . . . . . . . . . . . . 5 Parks, Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Pastiche . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29

49

i nd ex

50

Paulus, Tom . . . . . . . . . . . . . . . . . . . . . . . . . 40 Payne, Matthew Thomas . . . . . . . . . . . . . 23, 43 Perlman, Allison . . . . . . . . . . . . . . . . . . . . . . 43 Perloff, Richard M. . . . . . . . . . . . . . . . . . . . . . 6 Perron, Bernard . . . . . . . . . . . . . . . . . . . . . . . 22 Persistence of History, The . . . . . . . . . . . . . . 41 Persistence of Whiteness, The . . . . . . . . . . . . 35 Petley, Julian . . . . . . . . . . . . . . . . . . . . . . . . . 35 Phillips, Alastair . . . . . . . . . . . . . . . . . . . . . . . 39 Philosophers on Film Series . . . . . . . . . . . . . . 31 Philosophy Goes to the Movies . . . . . . . . . . . 31 Philosophy Through Film . . . . . . . . . . . . . . . . 30 Pimpin’ Ain’t Easy . . . . . . . . . . . . . . . . . . . . . 43 Plantinga, Carl . . . . . . . . . . . . . . . . . . . . . . . 31 Plate, S. Brent . . . . . . . . . . . . . . . . . . . . . . . . 30 Playing Video Games . . . . . . . . . . . . . . . . . . 22 Playing with Videogames . . . . . . . . . . . . . . . 21 Pleace, Nicholas . . . . . . . . . . . . . . . . . . . . . . 20 Poetics of Cinema . . . . . . . . . . . . . . . . . . . . . 29 Pole, Antoinette . . . . . . . . . . . . . . . . . . . . . . 21 Politics and the Media in 21st Century Indonesia . . . . . . . . . . . . . . . . . . . . . . . . . 12 Politics of Iranian Cinema, The . . . . . . . . . . . 39 Popular Media, Democracy and Development in Africa . . . . . . . . . . . . . . . . . 8 Powell, Helen . . . . . . . . . . . . . . . . . . . . . . . . . 9 Power Without Responsibility . . . . . . . . . . . . . 4 Pribram, Deidre . . . . . . . . . . . . . . . . . . . . . . . 44 Price, Brian . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Production Management for Television . . . . . 45 Production Studies . . . . . . . . . . . . . . . . . . . . . 9 Psychoanalysis and Cinema . . . . . . . . . . . . . . 41 Pullen, Christopher . . . . . . . . . . . . . . . . . . . . 18

Q Queer Cinema, The Film Reader . . . . . . . . . .

Queer Screen . . . . . . . . . . . . . . . . . . . . . . . .

Queer Temporalities in Gay Male Representation . . . . . . . . . . . . . . . . . . . . .

Queer TV . . . . . . . . . . . . . . . . . . . . . . . . . . .

Questioning Cities Series . . . . . . . . . . . . . . . .

33 36 37 43 24

R Race and Media Reader, The . . . . . . . . . . . . . . 3 Race, Phil . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Radicalisation and the Media . . . . . . . . . . . . 16 Radio Handbook, The . . . . . . . . . . . . . . . . . . . 9 Radner, Hilary . . . . . . . . . . . . . . . . . . . . . . . . 29 Raju, Zakir Hossain . . . . . . . . . . . . . . . . . . . . 39 Ramage, Magnus . . . . . . . . . . . . . . . . . . . . . 19 Raney, Arthur A. . . . . . . . . . . . . . . . . . . . . . . 6 Rawnsley, Gary D. . . . . . . . . . . . . . . . . . . . . 12 Rawnsley, Ming-Yeh T. . . . . . . . . . . . . . . . . . 12 Raymond, Emilie . . . . . . . . . . . . . . . . . . . . . . 35 Reality TV . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Redmond, Sean . . . . . . . . . . . . . . . . . . . . . . 16 Reel to Real . . . . . . . . . . . . . . . . . . . . . . . . . 28 Religion and Film Reader, The . . . . . . . . . . . . 30 Religion in the Media Age . . . . . . . . . . . . . . . 5 Religion, Media and Culture Series . . . . . . 5, 18 Relocating Television . . . . . . . . . . . . . . . . . . . 15 Remaking Media . . . . . . . . . . . . . . . . . . . . . . 10 Renov, Michael . . . . . . . . . . . . . . . . . . . . . . . 41 Rerun Nation . . . . . . . . . . . . . . . . . . . . . . . . 45 Restyling Factual TV . . . . . . . . . . . . . . . . . . . 44 Rethinking Transnational Chinese Cinema . . . 39 Revolution Wasn’t Televised, The . . . . . . . . . 41 Ride, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Ritterfeld, Ute . . . . . . . . . . . . . . . . . . . . . . . . 22 Robertson Wojcik, Pamela . . . . . . . . . . . . . . . 33 Rodman, Gilbert B. . . . . . . . . . . . . . . . . . . . . 3 Romantic Comedy . . . . . . . . . . . . . . . . . . . . 37 Rome On Film . . . . . . . . . . . . . . . . . . . . . . . . 34 Rommel Ruiz, W. Bryan . . . . . . . . . . . . . . . . . 34 Routledge Advances in Film Studies . . . . . . . 32 Routledge Advances in Film Studies Series . . 39 Routledge Advances in Internationalizing Media Studies Series . . . . . . . . . . . . . . 12, 13

Routledge Communication Series . . . . . . . . . . . . 5, 6, 7, 22, 24, 25, 27, 28, 42 Routledge Companion to Film History, The . . 26 Routledge Companion to Philosophy and Film, The . . . . . . . . . . . . . . . . . . . . . . 31 Routledge Companion to Religion and Film, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Routledge Companions Series . . . . . . . . . 26, 30 Routledge Contemporary China Series . . . . . 39 Routledge Contemporary South Asia Series . 39 Routledge Critical Thinkers Series . . . . . . 20, 29 Routledge English Language Introductions Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Routledge Film Guidebooks . . . . . . . . . . . . . 37 Routledge Handbook of Internet Politics . . . . 21 Routledge Introductions to Environment Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Routledge Introductions to Media and Communications Series . . . . . . . . . . . . 15, 22 Routledge Jewish Studies Series . . . . . . . . . . 13 Routledge Key Guides Series . . . . . . . . . . . . . . . . . . 14, 20, 27, 34, 35, 42 Routledge Malaysian Studies Series . . . . . . . . 13 Routledge Philosophy Companions Series . . . 31 Routledge Readers in History Series . . . . . . . 30 Routledge Research in Cultural and Media Studies Series . . . . . . . . 10, 19, 44, 45 Routledge Student Readers Series . . . . . . . . . 24 Routledge Studies in Asia’s Transformations Series . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Routledge Studies in Cultural History Series . . 36 Routledge Studies in Law, Society and Popular Culture Series . . . . . . . . . . . . . . . . 44 Routledge Studies in New Media and Cyberculture Series . . . . . . . . . . . . . . . 20, 22 Routledge Studies in Rhetoric and Communication Series . . . . . . . . . . . . . . 8, 37 Rowden, Terry . . . . . . . . . . . . . . . . . . . . . . . . 33 Rowsell, Jennifer . . . . . . . . . . . . . . . . . . . . . . 17

S Sargeant, Amy . . . . . . . . . . . . . . . . . . . . . . . 35 Sarkar, Bhaskar . . . . . . . . . . . . . . . . . . . . . . . 40 Saunders, David . . . . . . . . . . . . . . . . . . . . . . 37 Saxton, Libby . . . . . . . . . . . . . . . . . . . . . . . . 31 Sayre, Shay . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Scarratt, Elaine . . . . . . . . . . . . . . . . . . . . . . . 45 Scene of Violence, The . . . . . . . . . . . . . . . . . 34 Schuler, Douglas . . . . . . . . . . . . . . . . . . . . . . 20 Screen Readers Series, The . . . . . . . . . . . 36, 39 Screening Gender on Children’s Television . . 42 Screening the Past . . . . . . . . . . . . . . . . . . . . 30 Screening World Cinema . . . . . . . . . . . . . . . 39 Screenwriting With a Conscience . . . . . . . . . 27 Scriptwriting for the Screen . . . . . . . . . . . . . 27 Seaton, Jean . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Sebok, Bryan . . . . . . . . . . . . . . . . . . . . . . . . . 43 Secrecy and the Media . . . . . . . . . . . . . . . . . 16 Seib, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Sen, Krishna . . . . . . . . . . . . . . . . . . . . . . . . . 12 Seng Guan, Yeoh . . . . . . . . . . . . . . . . . . . . . 13 Serious Games . . . . . . . . . . . . . . . . . . . . . . . 22 Shahaf, Sharon . . . . . . . . . . . . . . . . . . . . . . . 44 Shariff, Shaheen . . . . . . . . . . . . . . . . . . . . . . 21 Shaw, Deborah . . . . . . . . . . . . . . . . . . . . . . . 26 Shaw, Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Sheridan-Rabideau, Mary P. . . . . . . . . . . . . . 17 Shim, Ae-Gyung . . . . . . . . . . . . . . . . . . . . . . 39 Shohat, Ella . . . . . . . . . . . . . . . . . . . . . . . . . . 37 Sightlines Series . . . . . . . . . . . . . . . . . . . 36, 37 Signatures of the Visible . . . . . . . . . . . . . . . . 28 Singh, Greg . . . . . . . . . . . . . . . . . . . . . . . . . 31 Skalski, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Slapstick Comedy . . . . . . . . . . . . . . . . . . . . . 40 Slocum, J. David . . . . . . . . . . . . . . . . . . . 33, 41 Smith, Greg . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Smith-Shomade, Beretta E. . . . . . . . . . . . . . 43 Smoodin, Eric . . . . . . . . . . . . . . . . . . . . . . . . 41 Sobchack, Vivian . . . . . . . . . . . . . . . . . . . . . . 41 Social Communication in Advertising . . . . . . 15

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Soderbergh Widding, Astrid . . . . . . . . . . . . . 38 Sohn, Ardyth . . . . . . . . . . . . . . . . . . . . . . . . 25 Soila, Tytti . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Sound Handbook, The . . . . . . . . . . . . . . . . . . 9 Sound Media . . . . . . . . . . . . . . . . . . . . . . . . 10 Sound Theory/Sound Practice . . . . . . . . . . . . 41 South African National Cinema . . . . . . . . . . . 38 South Asian Cinema . . . . . . . . . . . . . . . . . . . 32 Spanish National Cinema . . . . . . . . . . . . . . . 38 Spigel, Lynn . . . . . . . . . . . . . . . . . . . . . . . . . 41 Sportscasters/Sportscasting . . . . . . . . . . . . . . 44 Spry, Damien . . . . . . . . . . . . . . . . . . . . . . . . 12 Spurgeon, Christina . . . . . . . . . . . . . . . . . . . 15 Stabile, Carol A. . . . . . . . . . . . . . . . . . . . . . . 24 Stacey, Jackie . . . . . . . . . . . . . . . . . . . . . . . . 36 Stahl, Roger . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Staiger, Janet . . . . . . . . . . . . . . . . . . . . . . 7, 41 Stam, Robert . . . . . . . . . . . . . . . . . . . . . . . . . 37 Stars, The Film Reader . . . . . . . . . . . . . . . . . 33 Sterling, Christopher H. . . . . . . . . . . . . . . . . 45 Stout, Daniel A. . . . . . . . . . . . . . . . . . . . . . . . 5 Street, Sarah . . . . . . . . . . . . . . . . . . . . . . 36, 38 Stringer, Julian . . . . . . . . . . . . . . . . . . . . . . . 39 Strömbäck, Jesper . . . . . . . . . . . . . . . . . . . . . 13 Student’s Guide to Preparing Dissertations and Theses, The . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Subervi-Velez, Federico . . . . . . . . . . . . . . . . . . 6 Surman, David . . . . . . . . . . . . . . . . . . . . . . . 22 Sylvie, George . . . . . . . . . . . . . . . . . . . . . . . . 25

T Takahashi, Toshie . . . . . . . . . . . . . . . . . . . . . 12 Talk to Her . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Talmud, Ilan . . . . . . . . . . . . . . . . . . . . . . . . . 18 Tambini, Damian . . . . . . . . . . . . . . . . . . . . . . 21 Tanis, Martin . . . . . . . . . . . . . . . . . . . . . . . . . 19 Tasker, Yvonne . . . . . . . . . . . . . . . . . . . . 27, 36 Tay, Jinna . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 Taylor, Jeremy E. . . . . . . . . . . . . . . . . . . . . . . 39 Technology and Culture, The Film Reader . . . 33 Telecommunications and Business Strategy . . 25 Teletechnologies, Place and Community . . . . 10 Television . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Television and New Media . . . . . . . . . . . . . . 43 Television and Public Policy . . . . . . . . . . . . . . 45 Television and the Legal System . . . . . . . . . . 44 Television Entertainment . . . . . . . . . . . . . . . . 43 Television Handbook, The . . . . . . . . . . . . . . . 42 Television Personalities . . . . . . . . . . . . . . . . . 43 Television Studies After TV . . . . . . . . . . . . . . 44 Television Studies Reader, The . . . . . . . . . . . . 42 Television Studies: The Basics . . . . . . . . . . . . 42 Television Studies: The Key Concepts . . . . . . 42 Television Style . . . . . . . . . . . . . . . . . . . . . . . 42 Theology Goes to the Movies . . . . . . . . . . . . 30 Theorizing Documentary . . . . . . . . . . . . . . . . 41 Thin Red Line, The . . . . . . . . . . . . . . . . . . . . 31 Thornton Caldwell, John . . . . . . . . . . . . . . . . . 9 Thoughts on Shorts . . . . . . . . . . . . . . . . . . . 27 Thussu, Daya Kishan . . . . . . . . . . . . . . . 6, 7, 12 Tian, Kelly . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Tim Burton: The Monster and the Crowd . . . 29 Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . 11 Transcultures - Asia-Pacific Media Representations of Globalization . . . . . . . . 12 Transformations Series . . . . . . . . . . . . . . . . . 29 Transnational Cinema, The Film Reader . . . . . 33 Trauma and Media . . . . . . . . . . . . . . . . . . . . 10 Tremayne, Mark . . . . . . . . . . . . . . . . . . . . . . 21 Triana-Toribio, Núria . . . . . . . . . . . . . . . . . . . 38 Trifonova, Temenuga . . . . . . . . . . . . . . . . . . . 41 Truth, Lies and Trust on the Internet . . . . . . . 19 Turner, Graeme . . . . . . . . . . . . . . . . . . . . 27, 44 Turow, Joseph . . . . . . . . . . . . . . . . . . . . 2, 3, 14 Tyner, Kathleen . . . . . . . . . . . . . . . . . . . . . . . 10

U

Understanding Media . . . . . . . . . . . . . . . . . . 28 Understanding Media and Culture in Turkey . 12 Understanding Video Games . . . . . . . . . . . . 21 Unthinking Eurocentrism . . . . . . . . . . . . . . . 37 Utterson, Andrew . . . . . . . . . . . . . . . . . . . . . 33 Utz, Sonja . . . . . . . . . . . . . . . . . . . . . . . . . . . 19

V van der Tuin, Iris . . . . . . . . . . . . . . . . . . . . . . 16 Van Leeuwen, Theo . . . . . . . . . . . . . . . . 14, 18 Verhoeven, Deb . . . . . . . . . . . . . . . . . . . . . . 37 Video Game Theory Reader 2, The . . . . . . . . 22 Video Game Theory Reader, The . . . . . . . . . . 22 Video Production Techniques . . . . . . . . . . . . 28 Videogames . . . . . . . . . . . . . . . . . . . . . . . . . 22 Videogames Handbook, The . . . . . . . . . . . . . 22 Villarejo, Amy . . . . . . . . . . . . . . . . . . . . . . . . 27 Villez, Barbara . . . . . . . . . . . . . . . . . . . . . . . . 44 Violence and American Cinema . . . . . . . . . . 41 Virtual English . . . . . . . . . . . . . . . . . . . . . . . . 20 Virtuous War . . . . . . . . . . . . . . . . . . . . . . . . 23 Voci, Paola . . . . . . . . . . . . . . . . . . . . . . . . . . 39 Vorderer, Peter . . . . . . . . . . . . . . . . . . . . . . . 22

W Waddell, Terrie . . . . . . . . . . . . . . . . . . . . . . . 31 Walker, Janet . . . . . . . . . . . . . . . . . . . . . 40, 41 Wanta, Wayne . . . . . . . . . . . . . . . . . . . . . . . . 7 Warburton, Nigel . . . . . . . . . . . . . . . . . . . . . 45 Ward, David . . . . . . . . . . . . . . . . . . . . . . . . . 45 Ward, Stephen J.A. . . . . . . . . . . . . . . . . . . . 23 Wasserman, Herman . . . . . . . . . . . . . . . . . 8, 23 Watching with The Simpsons . . . . . . . . . . . . 15 Web Theory . . . . . . . . . . . . . . . . . . . . . . . . . 19 Webcasting Worldwide . . . . . . . . . . . . . . . . . 19 Wells, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . 36 Western Media Systems . . . . . . . . . . . . . . . . 11 Westerns . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 What a Girl Wants? . . . . . . . . . . . . . . . . . . . . 9 What Media Classes Really Want to Discuss . . 3 When Religion Meets New Media . . . . . . . . . 18 White Victims, Black Villains . . . . . . . . . . . . . 24 White, John . . . . . . . . . . . . . . . . . . . . . . 34, 35 Whitty, Monica T. . . . . . . . . . . . . . . . . . . . . . 19 Wierzbicki, James . . . . . . . . . . . . . . . . . . . . . 30 Wild/Lives . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 Wilken, Rowan . . . . . . . . . . . . . . . . . . . . . . . 10 Wilkins, Lee . . . . . . . . . . . . . . . . . . . . . . . . . 23 Wilkinson, Nicholas John . . . . . . . . . . . . . . . 16 Williams, Melanie . . . . . . . . . . . . . . . . . . . . . 35 Winston-Dixon, Wheeler . . . . . . . . . . . . . . . . 33 Wired Youth . . . . . . . . . . . . . . . . . . . . . . . . . 18 Wirth, Michael O. . . . . . . . . . . . . . . . . . . . . 25 Wolf, Mark J.P. . . . . . . . . . . . . . . . . . . . . . . . 22 Wood, Aylish . . . . . . . . . . . . . . . . . . . . . . . . 18 World Cinemas, Transnational Perspectives . . 40 Wright, Peter . . . . . . . . . . . . . . . . . . . . . . . . 24 Writing for Digital Media . . . . . . . . . . . . . . . 19 Writing for Film . . . . . . . . . . . . . . . . . . . . . . 25

Y Yecies, Brian . . . . . . . . . . . . . . . . . . . . . . . . .

Yi, Zheng . . . . . . . . . . . . . . . . . . . . . . . . . . .

Young, Alison . . . . . . . . . . . . . . . . . . . . . . . .

Young, Mallory . . . . . . . . . . . . . . . . . . . . . . .

Youth, Society and Mobile Media in Asia . . .

Yu, Haiqing . . . . . . . . . . . . . . . . . . . . . . . . . .

Z Zero Comments . . . . . . . . . . . . . . . . . . . . . . 21 Zeydabadi-Nejad, Saeed . . . . . . . . . . . . . . . . 39 Zhang, Yingjin . . . . . . . . . . . . . . . . . . . . 38, 39 Zipes, Jack . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Žižek, Slavoj . . . . . . . . . . . . . . . . . . . . . . . . . 28

Understanding Animation . . . . . . . . . . . . . . . 36

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