Routledge Music 2008 (UK)

Routledge

New Titles and Key Backlist

Music

2008

www.routledge.com/music

www.routledge.com/music Welcome to the Routledge

CONTENTS

Music Catalogue

Rock and Popular Music . . . . . . . . . . . . . . . . . .1 Jazz and Blues . . . . . . . . . . . . . . . . . . . . . . . . . .4 Ethnomusicology and World Music . . . . . . . . . .6

New Titles & Key Backlist 2008

Music Technology . . . . . . . . . . . . . . . . . . . . . . .9 Page 13

Music Theory . . . . . . . . . . . . . . . . . . . . . . . . . .11 Music History and Literature . . . . . . . . . . . . . .12 Music Education and Training . . . . . . . . . . . . .15 Voice/Opera/Musical Theatre . . . . . . . . . . . . . .17 Interdisciplinary Topics . . . . . . . . . . . . . . . . . . .18 Reference and Library . . . . . . . . . . . . . . . . . . .19

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Routledge Music Bibliographies . . . . . . . . . . . .21 Journals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Order Forms . . . . . . . . . . . . . . . .Inside Back Page

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COMPLETE CATALOGUE

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ROCK AND POPULAR MUSIC

NEW

NEW

NEW

A Brief History of Rock, Off the Record

2ND EDITION

Ray Davies

Expression in Pop-Rock Music

Not Like Everybody Else

Wayne Robins

Critical and Analytical Essays

Thomas M. Kitts, St. John’s University, USA

Edited by Walter Everett, University of Michigan, USA

Ray Davies: Not Like Everybody Else is a critical biography of Ray Davies, with a focus on his music and his times. The book studies Davies’ work from The Kinks’ first singles through his 2006 solo album, from his rock musicals in the early 1970s to his one-man stage show in the 1990s, and from his films to his autobiography.

Based on interviews with his closest associates, as well as studies of the recordings themselves, this book creates the most thorough picture of Davies’ work to date. Kitts situates Davies’ work in the context of the British Invasion and the growth of rock in the ‘60s and ‘70s, and in the larger context of English cultural history. For fans of rock music and the music of The Kinks, this book is a must have. It will finally place this legendary innovator in the pantheon of the great rock artists of the past half-century.

’Robins presents his [work] with enthusiasm and breezy good humour, yet manages unpretentiously to hammer home his historical points and musical opinions ... His tone is ideal for the topic and format, a welcome relief from the disproportionate number of self-important academic treatises on modern popular music.’ – Kirkus Reviews The birth of rock‘n’roll signaled the blossoming of a new teenage culture dividing generations and introducing a new attitude of rebellion and independence. From Chuck Berry to The Beatles, from punk rock to hip hop, rock’n’roll has continually transformed alongside or in reaction to social, cultural, and political changes.

Concise, authoritative, and occasionally irreverent, A Brief History of Rock, Off the Record is the perfect text or supplement for Rock History courses. The book tells the story of rock’n’roll, from its birth in the conservative ‘50s through its blossoming during the turbulent ‘60s, the mellow ‘70s, the disco and punk revolutions, the ‘80s and grunge, and the rise of hip hop culture in the ‘90s through today. Beginning at the end of World War Two, the author traces rock’s musical roots to a variety of styles, and also shows how political and social developments laid the groundwork for the blossoming of a new, teen culture.

Students listening to rock today are unlikely to know the full history of the music, its performers, or the social and cultural trends that shaped it. A Brief History of Rock, Off the Record is a succinct introduction to rock history and the impact it has had on American culture. It is a lively, vivid account written by one of rock’s leading critics. Pulling from personal interviews over the years, Wayne Robins interweaves the developments in rock music with his commentary on the political and social events and movements that defined their decades.

August 2007: 272pp Hb: 978-0-415-97472-1: £60.00 Pb: 978-0-415-97473-8: £13.99 • AVAILABLE AS AN INSPECTION COPY

Expression in Pop-Rock Music is a collection of critical and analytical essays written by today’s top scholars on pop and rock music. Applying a wide variety of analytical techniques and critical approaches in the study of songs by artists such as Tori Amos, David Bowie, James Brown, The Cure, Genesis, Radiohead, and Frank Zappa, these essays tackle the musical text itself in coming to terms with political, social, cultural, and stylistic issues expressed in the most popular music of the past half-century. It has been expanded in its second edition to include three new essays and other additions accounting for the changes to the popular music landscape since its first edition, with particular attention paid to the rise of hip-hop and country music.

October 2007: 408pp Hb: 978-0-415-97958-0: £60.00 Pb: 978-0-415-97959-7: £16.99 • AVAILABLE AS AN INSPECTION COPY

December 2007: 288pp Hb: 978-0-415-97768-5: £60.00 Pb: 978-0-415-97769-2: £10.99

TEXTBOOK

The Rock History Reader Edited by Theo Cateforis, Syracuse University, USA

NEW

Music in the Post-9/11 World Edited by Jonathan Ritter, University of California, Riverside, USA and J. Martin Daughtry, New York University, USA Music in the Post-9/11 World addresses the varied and complex roles music has played in the wake of September 11, 2001. Interdisciplinary in approach, international in scope, and critical in orientation, the twelve essays in this ground-breaking volume examine a diverse array of musical responses to the terrorist attacks of that day, and reflect upon the altered social, economic, and political environment of ‘post-9/11’ music production and consumption.

Individual essays are devoted to the mass-mediated works of popular musicians such as Bruce Springsteen and Darryl Worley, as well as to lesser-known musical responses by artists in countries including Afghanistan, Egypt, Mexico, Morocco, Peru, and Senegal.

Contributors also discuss a range of themes including the role played by Western classical music in rites of mourning and commemoration, ‘invisible’ musical practices such as the creation of television news music, and implicit censorship in the mainstream media. Taken as a whole, this collection presents powerful evidence of the central role music has played in expressing, shaping, and contesting worldwide public attitudes toward the defining event of the early twenty-first century.

The Rock History Reader is a collection of primary source material that brings to life the often contentious issues, arguments, conflicts, and creative tensions that have defined rock’s momentous rise and spread. The readings range from the vivid autobiographical accounts of such rock icons as Chuck Berry, Ronnie Spector, and David Lee Roth and the writings of noted rock critics like Lester Bangs and Simon Reynolds to a variety of selections from media critics, musicologists, fanzine writers, legal experts, sociologists, and prominent political figures. With numerous readings that delve into the often explosive issues surrounding censorship, copyright, race relations, feminism, youth subcultures and the meaning of musical value, The Rock History Reader tells the history of rock as it has been received and explained as a social and musical practice through its five-decade history.

2006: 384pp Hb: 978-0-415-97500-1: £60.00 Pb: 978-0-415-97501-8: £16.99 • AVAILABLE AS AN INSPECTION COPY

June 2007: 360pp Hb: 978-0-415-97806-4: £60.00 Pb: 978-0-415-97807-1: £15.99 • AVAILABLE AS AN INSPECTION COPY

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ROCK AND POPULAR MUSIC

NEW

Queering the Popular Pitch

2ND EDITION

Girl Groups, Girl Culture

Edited by Sheila Whiteley, University of Salford, UK and Jennifer Rycenga, San Jose State University, USA

The Day John Met Paul

Popular Music and Identity in the 1960s Jacqueline Warwick, Dalhousie University, Canada ’Then He Kissed Me,’ ‘He’s a Rebel,’ ‘Chains,’ ‘Stop! In the Name of Love’ – These songs capture the spirit of an era and an image of ‘girlhood’ in the post-World War Two America that still reverberates today.

While there were over 1500 girl groups recorded in the ‘60s – including key hitmakers like The Ronettes, The Supremes, and The Shirelles – studies of girl-group music that address race, gender, class, and sexuality have only just begun to appear. Warwick is the first writer to address ‘60s girl group music from the perspective of its most significant audience – teenage girls – drawing on current research in psychology and sociology to explore the important place of this repertoire in the emotional development of young girls of the baby boom generation. Girl Groups, Girl Culture stands as a landmark study of this important pop music and cultural phenomenon.

It promises to be a classic work in American musicology and cultural studies.

February 2007: 264pp Hb: 978-0-415-97112-6: £60.00 Pb: 978-0-415-97113-3: £13.99

Queering the Popular Pitch is a collection of nineteen essays that situate queering within the discourse of sex and sexuality in relation to popular music. This investigation addresses the changing debates within gay, lesbian and queer discourse in relation to the dissemination of musical texts – performance, cultural production and sexual meaning – situating music within the broader patterns of culture that it both mirrors and actively reproduces.

Queering the Popular Pitch will appeal to students of popular music, and Gay and Lesbian studies. With case studies and essays by leading popular music scholars it provides insightful discourse in a growing field of musicological research.

2006: 328pp Hb: 978-0-415-97804-0: £60.00 Pb: 978-0-415-97805-7: £18.99

2ND EDITION

Popular Music: The Key Concepts Roy Shuker, Victoria University of Wellington, New Zealand Series: Routledge Key Guides The second edition of Popular Music: The Key Concepts presents a comprehensive A-Z glossary of the main terms and concepts used in the study of popular music.

2005: 344pp Pb: 978-0-415-34769-3: £14.99

NEW

An Hour-by-Hour Account of How The Beatles Began Jim O’Donnell With many new photos and an updated introduction, The Day John Met Paul, a critically-acclaimed Beatles book, reappears in a visually stunning second edition. The book is an hour-by-hour account of the fateful day the two founding Beatles met in July 1957. But it is much more than that: it’s a spellbinding story of how fate brought together two men who would radically change the face of popular music, from its look and feel to its sound.

Jim O’Donnell, a veteran rock music writer, spent eight years researching The Day John Met Paul. Published in 1996 and translated into several languages, the book was widely praised for its blend of accurate reporting and colorful storytelling. Long out of print, but revered among Beatles fans, the new printing enlivens the text with many well-chosen photos of the Liverpool landmarks – from Strawberry Field to Penny Lane – that played a role in the Beatles’ lives and works. The Day John Met Paul chronicles the first ‘Day in the Life’ of The Beatles – a day that changed the musical world.

2006: 192pp Pb: 978-0-415-97933-7: £10.99

Folk Music: The Basics

Oh Boy! Masculinities and Popular Music Edited by Freya Jarman-Ivens, University of Liverpool, UK From Muddy Waters to Mick Jagger, Elvis to Freddie Mercury, Jeff Buckley to Justin Timberlake, masculinity in popular music has been an issue explored by performers, critics, and audiences. From the dominance of the blues singer over his ‘woman’ to the sensitive singer/songwriter, popular music artists have adopted various gendered personae in a search for new forms of expression.

Sometimes these roles shift as the singer ages, attitudes change, or new challenges on the pop scene arise; other times, the persona hardens into a shell-like mask that the performer struggles to escape.

Oh Boy!: Masculinities and Popular Music is the first serious study of how forms of masculinity are negotiated, constructed, represented and addressed across a range of popular music texts and practices.

Written by a group of internationally recognized popular music scholars – including Sheila Whiteley, Richard Middleton, and Judith Halberstam – these essays study the concept of masculinity in performance and appearance, and how both male and female artists have engaged with notions of masculinity in popular music.

NEW

Ronald Cohen, Indiana University Northwest, USA

Exploring the Networked Worlds of Popular Music

Series: The Basics

Milieu Cultures Peter Webb, University of Birmingham, UK Series: Routledge Advances in Sociology This book provides an ‘insider’ view of worlds of popular music. It shows the relationship between music, creativity, ideas and localities by looking at cities, independents, genre, globalization, and musician’s relationships with each other. Webb examines groups of musicians, audiences and people involved in the music industry and shows the articulation of their position as well as how to understand this theoretically by looking at the city as a centre for music production; the industrial music inspired neo-folk genre; independence and its various meanings as a productive position in the music industry; the globalization of music; and musicians own narratives about working together and dealing with the industry. Utilizing case studies of a variety of different cities – Bristol, London, New York, San Francisco, Berlin – and genres – Trip-hop, Hip-hop, Industrial, Neo-folk – this volume is a landmark in popular music studies.

Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it will focus on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the so-called ‘folk revival.’ The two sides of the folk tradition are examined – both as popular and commercial expressions. Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.

2006: 264pp Hb: 978-0-415-97159-1: £45.00 Pb: 978-0-415-97160-7: £9.99

October 2007: 208pp Hb: 978-0-415-95658-1: £60.00

April 2007 Hb: 978-0-415-97820-0: £60.00 Pb: 978-0-415-97821-7: £18.99

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ROCK AND POPULAR MUSIC

NEW

Bruce Springsteen

Jesus Dub

TEXTBOOK

Two Hearts, the Story

Theology, Music and Social Change

3RD EDITION

Dave Marsh

Robert Beckford, University of Birmingham, UK

Understanding Popular Music Culture

2003: 688pp Pb: 978-0-415-96928-4: £17.99

Roy Shuker, Victoria University of Wellington, New Zealand

Cut ‘n’ Mix

Engaging with the Black church and Black society, the ‘crack age,’ hip-hop theology and TV, this radical and cutting-edge Christian message presents dub as a tool in which Christians can find new empowerment and purpose.

Packed with case studies examining the iPod, downloading, and copyright alongside the work of artists including The Who, Fat Boy Slim and The Spice Girls, this revised and updated introductory textbook explores the history and meaning of rock and popular music.

2006: 192pp Hb: 978-0-415-31018-5: £65.00 Pb: 978-0-415-31019-2: £18.99

Culture, Identity and Caribbean Music Dick Hebdige Series: Comedia

Lost in the Grooves

1987: 180pp Pb: 978-0-415-05875-9: £12.99

Scram’s Capricious Guide to the Music You Missed Edited by Kim Cooper and David Smay

Damage Incorporated Metallica and the Production of Musical Identity Glenn Pillsbury

November 2007: 328pp Hb: 978-0-415-41905-5: £65.00 Pb: 978-0-415-41906-2: £17.99 • AVAILABLE AS AN INSPECTION COPY

Microphone Fiends

2006: 272pp Hb: 978-0-415-97373-1: £60.00 Pb: 978-0-415-97374-8: £16.99

Youth Music and Youth Culture Edited by Tricia Rose and Andrew Ross 1994: 288pp Pb: 978-0-415-90908-2: £17.99

Is Rock Dead?

Kevin J.H. Dettmar, Southern Illinois University, Carbondale, USA

NEW

Popular Music and Society

Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture.

Joe Kotarba, University of Houston, USA This creative text brings the concepts of sociology to life through the example of popular music.

January 2008: 224pp Hb: 978-0-415-95408-2: £60.00 Pb: 978-0-415-95409-9: £16.99 • AVAILABLE AS AN INSPECTION COPY

The Popular Music Studies Reader maps the changing nature of popular music over the last decade and considers how popular music studies has expanded and developed to deal with these changes.

2005: 432pp Pb: 978-0-415-30710-9: £21.99 • AVAILABLE AS AN INSPECTION COPY

Bad Music The Music We Love to Hate Edited by Christopher J. Washburne and Maiken Derno 2004: 288pp Pb: 978-0-415-94366-6: £20.99

Breaking Records 100 Years of Hits William Ruhlmann

Music Genres and Corporate Cultures Keith Negus 1999: 224pp Pb: 978-0-415-17400-8: £18.99

On Record Rock, Pop and the Written Word Simon Frith and Andrew Goodwin 1990: 512pp Pb: 978-0-415-05306-8: £18.99

The Popular Music Studies Reader Edited by Andy Bennett, University of Surrey, UK, Barry Shank, Ohio State University, USA and Jason Toynbee, Coventry University, UK

2004: 296pp Pb: 978-0-415-96998-7: £12.99

2005: 208pp Pb: 978-0-415-97034-1: £12.99

Punk Rock: So What?

The Cultural Legacy of Punk

Jackie Wilson

Edited by Roger Sabin

Lonely Teardrops

1999: 272pp Pb: 978-0-415-17030-7: £18.99

Tony Douglas ‘A tremendous read. Four stars.’ – Q Magazine

Ray Charles

‘Jackie was one of the most extraordinary performers with whom I’ve ever worked ... Thanks so much, Tony, for helping to tell the world of his contributions.’ – Dick Clark

Man and Music, Updated Commemorative Edition

2005: 272pp Pb: 978-0-415-97430-1: £12.99

Michael Lydon 2004: 472pp Pb: 0978-0-415-97043-3: £15.99

Sound Tracks Popular Music Identity and Place John Connell and Chris Gibson Series: Critical Geographies 2002: 336pp Pb: 978-0-415-17028-4: £28.99

2004: 248pp Hb: 978-0-415-94305-5: £19.99

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JAZZ AND BLUES

ROCK AND POPULAR MUSIC

TEXBOOK

That’s the Joint!

The Hip-Hop Studies Reader Edited by Murray Forman, Northeastern University, USA and Mark Anthony Neal, Duke University, USA

2004: 648pp Pb: 978-0-415-96919-2: £21.99 • AVAILABLE AS AN INSPECTION COPY

Trance Formation The Spiritual and Religious Dimensions of Global Rave Culture

NEW

TEXTBOOK

Miles, Ornette, Cecil

Interaction, Improvisation, and Interplay in Jazz

Jazz Beyond Jazz

Robert Hodson, Hope College, USA

Howard Mandel Miles Davis, Ornette Coleman, and Cecil Taylor revolutionized music from the end of the twentieth century into the twenty-first, expanding on jazz traditions with distinctly new concepts of composition, improvisation, instrumentation, and performance. They remain figures of controversy due to their border-crossing processes.

Miles, Ornette, Cecil is the first book to connect these three icons of the avant-garde, examining why they are lionized by some critics and reviled by others, while influencing musicians across such divides as genre, geography, and racial and ethnic backgrounds. Mandel offers fresh insights into their careers from interviews with all three artists and many of their significant collaborators, as well as a thorough overview of earlier interpretations of their work.

November 2007 Hb: 978-0-415-96714-3: £16.99

Robin Sylvan

NEW

The John Coltrane Reference

On the Subjects of Popular Music

Lewis Porter, Chris DeVito, David Wild, Yasuhiro Fuji Fujioka and Wolf Schmaler

Richard Middleton, University of Newcastle, UK ’Voicing the Popular already marks one of the paradigmatic moments in popular-music studies in the twenty-first century.’ – Philip V. Bohlman, University of Chicago, author of The Study of Folk Music in the Modern World and World Music: A Very Short Introduction ‘Richard Middleton’s Voicing the Popular cannot but inspire profound admiration – From Mozart’s Magic Flute to the Spice Girls his magisterial voice leads us through the multi-faceted network of modernity’s popular underside.’ – Mladen Dolar, University of Ljubljana, author of A Voice and Nothing More 2006: 352pp Hb: 978-0-415-97589-6: £60.00 Pb: 978-0-415-97590-2: £16.99 • AVAILABLE AS AN INSPECTION COPY

Yodel-Ay-Ee-Oooo The Secret History of Yodeling Around the World Bart Plantenga

Few jazz musicians have had the lasting influence or attracted as much scholarly study as John Coltrane. Yet, despite dozens of books, hundreds of articles, and his own recorded legacy, the ‘facts’ about Coltrane’s life and work have never been definitely established. Well-known Coltrane biographer and jazz educator Lewis Porter has assembled an international team of scholars to write The John Coltrane Reference, an indispensable guide to the life and music of John Coltrane.

The John Coltrane Reference features a a day-by-day chronology, which extends from 1926–1967, detailing Coltrane’s early years and every live performance given

by Coltrane as either a sideman or leader, and a discography offering full session information from the first year of recordings, 1946, to the last, 1967. The appendices list every film and television appearance, as well as every recorded interview. Richly illustrated with over 250 album covers and photos from the collection of Yasuhiro Fujioka, The John Coltrane Reference will find a place in every major library supporting a jazz studies program, as well as John Coltrane enthusiasts.

See Order Form at the back of catalogue

NEW

Jazz: The Basics Christopher Meeder Jazz: The Basics gives a brief introduction to a century of jazz, ideal for students and interested listeners who want to learn more about this important musical style. The heart of the book traces jazz’s growth from its folk origins through early recordings and New Orleans stars; the big-band and swing era; bebop; cool jazz and third stream; avant-garde; jazz-rock; and the neo-conservative movement of the 1980s and 1990s.

December 2007: 256pp Hb: 978-0-415-96693-1: £50.00 Pb: 978-0-415-96694-8: £9.99

Blues: The Basics Dick Weissman Series: The Basics

December 2007: 608pp Hb: 978-0-415-97755-5: £85.00

2003: 320pp Pb: 978-0-415-93990-4: £15.99

ORDER NOW!

January 2007 Hb: 978-0-415-97680-0: £60.00 Pb: 978-0-415-97681-7: £19.99 • AVAILABLE AS AN INSPECTION COPY

Series: The Basics

2005: 224pp Pb: 978-0-415-97091-4: £14.99

Voicing the Popular

This book offers a new and exciting way to listen to and understand jazz as it explores the process of player interaction in jazz, and the role this interaction plays in creating improvised music. This will appeal to students of jazz history, composition, performance, and to the general jazz audience.

2004: 224pp Pb: 978-0-415-97068-6: £10.99

Up to 29/02/08: +44 (0)1264 343071 From 01/03/08: +44 (0)1235 400524

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JAZZ AND BLUES

NEW

Broadcasting the Blues

Is Jazz Dead?

Luck’s in My Corner

Black Blues in the Segregation Era

Or Has It Moved to a New Address

The Life and Music of Hot Lips Page

Paul Oliver, Oxford Brookes College, UK

Stuart Nicholson

’Paul Oliver is one of the world’s foremost experts on the Blues idiom, and this text serves as an impeccable summary of the most influential and wide-reaching of all music movements.’

– Electric Review

Todd Bryant Weeks Luck’s in My Corner: The Life and Music of Hot Lips Page examines the life and music of a forgotten figure of the Swing Era and returns him to his rightful place as a leading light in the world of jazz. Todd Bryant Weeks has combined genealogical, musicological, discographical and historical research, resulting in a revealing and entertaining examination of a life that spanned major changes in American popular music. This book includes a new and complete discography by the author and dozens of unpublished photos.

January 2008: 296pp Hb: 978-0-415-96218-6: £60.00

2005: 216pp Pb: 978-0-415-97177-5: £12.99

Brown Eyed Handsome Man The Life and Hard Times of Chuck Berry Bruce Pegg, Syracuse University, USA 2005: 320pp Pb: 978-0-415-93751-1: £11.99

NEW

Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone Sound Motion, Blues Spirit, and African Memory Melanie E. Bratcher, University of Oklahoma, USA Series: Studies in African American History and Culture This book explores the relationship between three African American women’s dance-art-music sensibilities within the context of a Pan African aesthetic. Its purpose is three-fold: to show commonalities between Bessie Smith, Billie Holiday and Nina Simone’s lives and original compositions; to codify, examine and evaluate their selected song performances in accordance with the Pan African aesthetic ‘Nzuri theory/model;’ and to illuminate the vast sources of transformational values that aesthetic analysis of African American song performance can foster.

June 2007: 323pp Hb: 978-0-415-98029-6: £60.00

Duke Ellington and His World A.H. Lawrence 2003: 492pp Pb: 978-0-415-96925-3: £14.99

Ella Fitzgerald A Biography of the First Lady of Jazz, Updated Edition Stuart Nicholson 2004: 352pp Pb: 978-0-415-97119-5: £19.95

’A definitive account of the state of the art.’ – The Observer Music Monthly (UK) ‘A seminal work that should be read and heeded by all people involved in jazz.’

– Chris Hodgkins, Jazzwise (UK)

2005: 288pp Pb: 978-0-415-97583-4: £12.99

Speak it Louder Asian Americans Making Music Deborah Wong, University of California, USA 2004: 400pp Pb: 978-0-415-97040-2: £19.99

Spreadin’ Rhythm Around Black Popular Songwriters, 1880–1930 David A. Jasen, Long Island University, USA and Gene Jones 2005: 464pp Pb: 978-0-415-97704-3: £15.99

Talkin’ to Myself Blues Lyrics, 1921–1942 Michael Taft ’Man, you want to talk about lyrical power? This is a treasure chest of more than 2,000 songs and these artists weren’t scared to discuss what really moves them.’

– Vibe Magazine

Get Your Ass in the Water and Swim Like Me African-American Narrative Poetry from the Oral Tradition, Includes CD Edited by Bruce Jackson

Black Bottom Stomp

2004: 264pp Pb: 978-0-415-96997-0: £13.99

Eight Masters of Ragtime and Early Jazz David A. Jasen and Gene Jones

Handful of Keys

2001: 272pp Hb: 978-0-415-93641-5: £20.99

Conversations With 30 Jazz Pianists

Blues with a Feeling

2005: 744pp Pb: 978-0-415-97378-6: £14.99

Alyn Shipton

The Blues Lyric Formula

2004: 192pp Hb: 978-0-415-97257-4: £14.99

Michael Taft, American Folklife Center, Washington DC, USA

The Little Walter Story

2006: 256pp Pb: 978-0-415-97499-8: £15.99

Tony Glover, Scott Dirks and Ward Gaines 2002: 368pp Pb: 978-0-415-93711-5: £17.99

The Voice of the Blues Classic Interviews from Living Blues Magazine Jim O’Neal and Amy van Singel 2001: 368pp Pb: 978-0-415-93654-5: £17.99

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ETHNOMUSICOLOGY AND WORLD MUSIC

NEW

NEW

TEXTBOOK

2-VOLUME SET

TEXTBOOK

World Music

The Concise Garland Encyclopedia of World Music

2ND EDITION

A Global Journey

The Garland Handbook of Latin American Music

Terry E. Miller and Andrew C. Shahriari, both at Kent State University, USA

Edited by Doug Puchowski The Concise Garland Encyclopedia of World Music is a two-volume set introducing the ‘world of music’ to students, professors, and interested individuals. Derived from the 10-volume, Dartmouth Medal-winning Garland Encyclopedia of World Music, it is designed to be easily understood by readers with a more general background, rather than an advanced knowledge of ethnomusicology. It will also offer additional features – including sidebars, and glossary terms – in an attractively designed format, for ease of use. The Concise Garland Encyclopedia of World Music is divided into nine sections that correspond to the geographic regions of the original edition’s individual volumes.

May 2008: 1,216pp Hb: 978-0-415-97293-2: £150.00

The Garland Handbook of Latin American Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 2, South America, Mexico, Central America, and the Carribean (1998). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Latin America and examine the ways in which music helps to define the identity of this particular area.

November 2007: 592pp Pb: 978-0-415-96101-1: £26.99 • AVAILABLE AS AN INSPECTION COPY

NEW TEXTBOOK

The Garland Handbook of Southeast Asian Music

NEW

Edited by Terry E. Miller, Kent State University, USA and Sean Williams, Evergreen State College, USA

2ND EDITION

The Garland Handbook of Southeast Asian Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 4, Southeast Asia (1998). Largely revised and updated, the essays offer detailed, regional studies of the different musical cultures of Southeast Asia and examine the ways in which music helps to define the identity of this particular area.

Part one provides an in-depth introduction to the area of Southeast Asia and explores a series of issues and processes, such as colonialism, mass media, spirituality, and war. The articles in this section are important in gaining historical, political, and social perspective. Part two focuses on mainland Southeast Asia, with essays representing Cambodia, Thailand, Laos, Burma, Peninsular Malaysia, Vietnam, Singapore, and the minority peoples of mainland Southeast Asia. Part three focuses on the island of Southeast Asia, dividing the area into three sections: Indonesia, the Philippines, and Borneo. In addition to offering a detailed study of the music of each area, it also offers recent perspectives on the gamelan and theater traditions of Indonesia.

Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Southeast Asia – issues that might not occur in the study of other musics of the world. An accompanying CD offers musical examples from Southeast Asia.

March 2008: 480pp Pb: 978-0-415-96075-5: £26.99 • AVAILABLE AS AN INSPECTION COPY

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’This concise publication is a true gift to launch inquisitive music students on their personal journeys to other lands and people, and to help answer the host of student questions that arise in connection with our world’s music.’ – American Music Teacher

Edited by Dale Olsen, Florida State University, USA and Daniel Sheehy, Smithsonian Folkways

‘This is the best organized, concise, clear classroom book that I have encountered for this type of course.’

– Cleveland State University ‘Well-written, lots of detail, helpful side-bar material and fine maps. Miller and Shahriari write with admirable authority and enthusiasm.’ – Texas Christian University ‘Treats the student readers as intelligent beings with wide-ranging intellectual interests.’ – New York University

TEXTBOOK

The Garland Handbook of African Music Edited by Ruth M. Stone, Indiana University, USA The Garland Handbook of African Music is comprised of essays from The Garland Encyclopedia of World Music: Volume 1, Africa (1997). Revised and updated, the essays offer detailed, regional studies of the different musical cultures of Africa and examine the ways in which music helps to define the identity of this particular area.

Part one provides an in-depth introduction to Africa.

Part two focuses on issues and processes, such as notation and oral tradition, dance in communal life, and intellectual property. Part three focuses on the different regions, countries, and cultures of Africa with selected regional case studies.

The second edition has been expanded to include exciting new scholarship that has been conducted since the first edition was published. Questions for Critical Thinking at the end of each major section guide and focus attention on what issues – musical and cultural – arise when one studies the music of Africa – issues that might not occur in the study of other musics of the world. An accompanying audio compact disc offers musical examples of some of the music of Africa.

World Music: A Global Journey introduces students to the diversity of musical expression around the world. Written for those with no background in music notation or theory, the book is modeled on a series of guided trips around the musical world. Written in layperson’s language, with ample illustrations including maps, photographs, and musical examples, this book introduces an entire world of music to students. For those taking a single semester survey course, the professor can choose to select areas highlighted in the text; others taking a more comprehensive two-semester course will find ample material here for an entire year of study.

Beyond its engaging text, the book is two colour throughout with two four colour inserts. There are many photographs – taken by the authors and other leading ethnomusicologists – illustrating musicians, places, musical instruments, and performances. The design includes icons that make finding definitions, key examples, and related text easy. The book is packaged with three CDs, giving full versions of many of the musical examples highlighted in the text.

The text has been thoroughly reviewed and classroom tested in the US and abroad, and the authors have incorporated many features based on these reviews.

World Music: A Global Journey sets a new standard for introductory texts in ethnomusicology/world music.

A supporting website, including photos, audio-clips and additional resources can be found at www.routledge-ny.com/textbooks/worldmusic.

2005: 472pp Pb: 978-0-415-96892-8: £35.00 • AVAILABLE AS AN INSPECTION COPY

April 2008: 420pp Pb: 978-0-415-96102-8: £25.50 • AVAILABLE AS AN INSPECTION COPY

Up to 29/02/08: +44 (0)1264 343071 From 01/03/08: +44 (0)1235 400524

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ETHNOMUSICOLOGY AND WORLD MUSIC

NEW

NEW

TEXTBOOK

TEXTBOOK

Series Editor: Michael Bakan, Florida State University, USA

2ND EDITION

2ND EDITION

Focus on Music of South Africa

Focus on Music of Northeast Brazil

The Focus on World Music Series is for area courses in world music, ethnomusicology, and interdisciplinary programs with a strong music component. These books balance sound pedagogy with exemplary scholarship, and are substantive in content yet readily accessible to specialist and non-specialist readers alike. They are written in a lively and engaging style by leading ethnomusicologists and educators, bringing wide interdisciplinary scope and relevance to contemporary issues.

Carol A. Muller, University of Pennsylvania, USA

Larry Crook, University of Florida, USA

Focus on Music of South Africa provides an in-depth look at the full spectrum of South African music, a musical culture that epitomizes the enormous ethnic, religious, linguistic, class, and gender diversity of the nation itself. Drawing on extensive field and archival research, as well as her own personal experiences, noted ethnomusicologist and South African native Carol A. Muller looks at how South Africans have used music to express a sense of place in South Africa, on the African continent, and around the world.

Written by a foremost expert in the field of Brazilian culture, this fascinating volume explores the music of Brazil’s northeast, gauging its historical and cultural importance within the nation’s diverse culture. Think of Brazilian music and images of Carnival revelers pouring through the streets of Rio to a relentless samba beat. But the samba and other Brazilian folk music traditions actually have their roots in the Northeast, arguably the country’s richest, most culturally diverse region.

Focus on World Music Series

NEW TEXTBOOK 2ND EDITION

Focus on Gamelan Music of Indonesia Henry Spiller, University of California, USA Focus on Gamelan Music of Indonesia is an introduction to the familiar music from Southeast Asia’s largest country – both as sound and cultural phenomenon. An archipelago of over 17,000 islands, Indonesia is a melting pot of Hindu, Buddhist, Islamic, Portuguese, Dutch, and British influences.

Despite this diversity, it has forged a national culture, one in which music plays a significant role. Gamelan music, in particular, teaches us much about Indonesian values and modern-day life. Focus on Gamelan Music of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan (gong chime orchestra) music through ethnic, social, cultural, and global perspectives.

February 2008: 326pp Hb: 978-0-415-96067-0: £60.00 Pb: 978-0-415-96068-7: £21.99

March 2008: 327pp Hb: 978-0-415-96069-4: £60.00 Pb: 978-0-415-96071-7: £21.99

NEW TEXTBOOK 2ND EDITION

Focus on Music of European Nationalism Philip V. Bohlman, University of Chicago, USA Nationalism in Europe resonates through music – from folk songs to marches, from operas to anthems – giving voice in this reference resource to the makers of modern history. As the modern European nation-state emerged during the Enlightenment, music provided a fundamental language for nationalist movements. Today, music is no less a force of transformation, whether in Eastern Europe after the fall of communism or in Western European nations, whose identities are being reshaped by immigrants and refugees.

Focus on Music of European Nationalism surveys the intersection of music and nationalism by tracing its historical development and documenting its persistence today. Contrasting different types of music reveals how music expresses core ideas of nationalism, for example, folk music in the nineteenth century and popular music in the twenty-first. The book also examines music-making that defies easy classification, but rather cuts across class and ideological divisions: national anthems, military music, and national folk ensembles in Eastern Europe, Music that defines ethnic and cultural groups without being explicitly nationalistic, such as klezmer and Roma (Gypsy) music, is also featured.

Based on the author’s field and archival research over a fifteen year period, this fascinating handbook shows how the musical culture of northeast Brazil emerged and evolved, exploring the interrelated traditional musical styles that helped give the region – and ultimately the Brazilian nation – such a distinctive cultural identity. Moving from broad comparative overviews to specific types of music, the book looks at the social contexts, performance practices, musical structures, and cultural meanings that lie behind the music and provides up-close encounters with contemporary musicians creating and maintaining the area’s traditions. Additionally, the book examines the role of music and dance traditions in shaping racial identities in Brazil. The accompanying CD, loaded with both commercial and field recordings, brings the book’s ideas and discoveries vividly to life.

September 2008: 352pp Hb: 978-0-415-96066-3: £60.00 Pb: 978-0-415-96065-6: £21.99

February 2008: 325pp Hb: 978-0-415-96063-2: £60.00 Pb: 978-0-415-96064-9: £21.99

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7

8

ETHNOMUSICOLOGY AND WORLD MUSIC

TEXTBOOK

Global Minstrels

The Ethnomusicologists’ Cookbook

Ethnomusicology

Voices of World Music

Complete Meals from Around the World

A Contemporary Reader

Elijah Wald

Sean Williams, Evergreen State College, USA

Edited by Jennifer C. Post, Mansfield University, USA Ethnomusicology: A Contemporary Reader is designed to supplement a textbook for an introductory course in ethnomusicology. It offers a cross section of the best new writing in the field from the last fifteen-twenty years. Many instructors supplement textbook readings and listening assignments with scholarly articles that provide more in-depth information on geographic regions and topics and introduce issues that can facilitate class or small group discussion. These sources serve other purposes as well: they exemplify research technique and format and serve as models for the use of academic language, and collectively they can also illustrate the range of ethnographic method and analytical style in the discipline of ethnomusicology.

Ethnomusicology: A Contemporary Reader serves as a basic introduction to the best writing in the field for students, professors, and music professionals. It is perfect for both introductory and upper level courses in world music.

2005: 464pp Hb: 978-0-415-97203-1: £65.00 Pb: 978-0-415-97204-8: £20.99 • AVAILABLE AS AN INSPECTION COPY

NEW

’Whether you enjoy flamenco, salsa, tango or township tunes, Global Minstrels will extend and update your musical knowledge.’ – The City Paper, Nashville ‘World Music has made ethnomusicologists of us all, attempting to understand where music comes from and what it means. Elijah Wald, musician, author, and former world music critic from the Boston Globe, offers some answers of his own through the voices of over 75 musicians profiled in this new collection.’

– Dirty Linen Global Minstrels: Voices of World Music is an accessible introduction to international music and culture. Including conversations with dozens of artists from five continents, it explores the breadth of the world music experience through the voices of the musicians themselves. In the process, it gives a unique view of the interactions of a globalizing society and introduces readers to some of the most fascinating and thoughtful artists working on the current scene. Artists profiled include Oumou Sangare, Caetano Veloso, Ravi Shankar, Paco de Lucía, Ladysmith Black Mambazo, and many more.

2006: 336pp Hb: 978-0-415-97929-0: £60.00 Pb: 978-0-415-97930-6: £14.99

Master Musicians of India

Global Pop

Hereditary Sarangi Players Speak

World Music, World Markets

Regula Burckhardt Qureshi, University of Alberta, Canada

Timothy D. Taylor

Beginning with Ravi Shankar and Ali Akbar Khan, Indian art music is renowned internationally for its improvised raga performance.

This ancient tradition has for centuries been transmitted orally within the seclusion of hereditary families. Few such families remain today, and not enough is known about their central contribution to the life of Indian music. Master Musicians of India reveals this rich world through profiles and interviews of key musicians from this tradition.

1997: 304pp Pb: 978-0-415-91872-5: £18.99

World Music: The Basics Richard O. Nidel Series: The Basics

’To savour better its fascinating essays on culinary rituals across the globe, this cookbook is one to pore over in the living room instead of the kitchen. Recipes are attached, but are not the primary pleasure; instead, it is learning about the ceremonial drinking songs of Namibia, or the meals that celebrate the return of the swallows in Korea. However, the recipes serve as worthy accompaniments to the accomplished essays: Dates Stuffed with Almond Paste, from Judeo-Spanish Morocco, are sweetly irresistible, and Bolivia’s addictive Avocado with Uncooked Salsa begs to be downed with a bucketful of chips.’ – Publishers Weekly ‘Food and music are the main markers of identity in the multicultural, globalized, and anglophone world we live in. Creatively, this cookbook brings the two together ... Overall, this is a book that should make your kitchen sing.’ – Gastronomica: The Journal of Food and Culture Many cookbooks offer a snapshot of individual recipes from different parts of the world, but do nothing to tell the reader how different foods are presented together, or how to relate these foods to other cultural practices.

For years, ethnomusicologists have visited the four corners of the earth to collect the music and culture of native peoples, from Africa to the Azores, from Zanzibar to New Zealand. Along the way, they’ve observed how music is an integral part of social interaction, particularly when it’s time for a lavish banquet or celebration.

Foodways and cultural expression are not separate; this book emphasizes this connection through offering over thirty-five complete meals, from appetizers to entrees to side dishes to desserts and drinks. A list of recommended CDs fills out the culinary experience, along with hints on how to present each dish and to organize the overall meal.

The Ethnomusicologists’ Cookbook combines scholarship with a unique and fun approach to the study of the world’s foods, musics, and cultures. More than just a cookbook, it is an excellent companion for anyone embarking on a cultural-culinary journey.

2006: 320pp Hb: 978-0-415-97818-7: £60.00 Pb: 978-0-415-97819-4: £15.99

June 2007: 272pp Hb: 978-0-415-97201-7: £60.00 Pb: 978-0-415-97202-4: £17.99

2004: 424pp Pb: 978-0-415-96801-0: £10.99

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ETHNOMUSICOLOGY AND WORLD MUSIC

TEXTBOOK

African American Music An Introduction Edited by Mellonee V. Burnim, Indiana University, USA and Portia K. Maultsby, Indiana University, USA African American Music: An Introduction is a collection of thirty essays by leading scholars which survey major African American musical genres, both sacred and secular, from slavery to the present. It is the most comprehensive study of African American music currently available, with sixteen essays on major genres of African American music, as well as lengthy sections on the music industry, gender, and music as resistance. The work brings together, in a single volume, treatments of African American music that have existed largely independent of each other.

The research is based in large part on ethnographic fieldwork, which privileges the voices of the music-makers themselves, while interpreting their narratives through a richly textured mosaic of history and culture. The book is replete with references to seminal recordings and recording artists, musical transcriptions, photographs, and illustrations that bring the music to life as expressions of human beings. At the same time, it includes the kind of musical specificity that brings clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify the music of African Americans.

Brazilian Popular Music and Globalization

NEW

Edited by Charles A. Perrone and Christopher Dunn

3RD EDITION

Postcolonial Notes, Queries, Positions

African Diaspora A Musical Perspective Edited by Ingrid Monson

Electronic and Experimental Music Technology, Music, and Culture Thom Holmes

From Tejano to Tango

Electronic and Experimental Music details the history of electronic music throughout the world, and the people who created it. From the theory of sound production to key composers and instrument designers, this is a complete introduction to the genre from its early roots to the present technological explosion.

Essays on Latin American Popular Music Edited by Walter Aaron Clark 2002: 320pp Pb: 978-0-8153-3640-2: £22.99

Mediterranean Mosaic Popular Music and Global Sounds Edited by Goffredo Plastino

Key features to this revision include added pedagogy designed to make the book increasingly classroom-friendly, listening guides to illustrate important works of electronic music, and significant new coverage on the work of African American and women artists in the field of electronic music – two long neglected aspects of this genre.

2002: 336pp Pb: 978-0-415-93656-9: £17.99

Singing For Life HIV/AIDS and Music in Uganda Gregory Barz, Vanderbilt University, Nashville, USA

March 2008: 400pp Hb: 978-0-415-95781-6: £60.00 Pb: 978-0-415-95782-3: £19.99 • AVAILABLE AS AN INSPECTION COPY

NEW

The Digital Musician Andrew Hugill, DeMontfort University, UK

2005: 280pp Pb: 978-0-415-97290-1: £18.99

Kofi Agawu, Harvard University, USA 2003: 288pp Pb: 978-0-415-94390-1: £16.99

TEXTBOOK

2001: 272pp Pb: 978-0-415-93695-8: £15.99

2005: 736pp Pb: 978-0-415-94138-9: £24.99 • AVAILABLE AS AN INSPECTION COPY

Representing African Music

MUSIC TECHNOLOGY

Situating Salsa Global Markets and Local Meanings in Latin Popular Music Lise Waxer 2002: 336pp Pb: 978-0-8153-4020-1: £19.99

Series: Critical and Cultural Musicology 2003: 384pp Pb: 978-0-415-96769-3: £19.99

The Digital Musician examines cultural awareness, artistic identity and musical skill through the prism of recent technological innovations. New technologies, and especially the new digital technologies, mean that anyone can create music without any musical training. How do we know what is good? This involves developing a personal aesthetic, an awareness of the context for one’s work, specific musical and technical abilities and an individual identity.

October 2007: 304pp Hb: 978-0-415-96215-5: £60.00 Pb: 978-0-415-96216-2: £21.99 • AVAILABLE AS AN INSPECTION COPY

TEXTBOOK

Music Cultures in the United States An Introduction Edited by Ellen Koskoff, Eastman School of Music, USA 2004: 448pp Pb: 978-0-415-96589-7: £22.99 • AVAILABLE AS AN INSPECTION COPY

The Cultural Study of Music Edited by Martin Clayton, Richard Middleton and Trevor Herbert 2003: 376pp Pb: 978-0-415-93845-7: £18.99 • AVAILABLE AS AN INSPECTION COPY

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9

10

MUSIC TECHNOLOGY

NEW

NEW IN PAPERBACK

Noise Control

TEXTBOOK

Rhythm, Music, and the Brain

From Concept to Application

Computers in Music Education

Scientific Foundations and Clinical Applications

Colin Hansen, University of Adelaide, Australia

Amplifying Musicality

Michael H. Thaut, Colorado State University, USA

Andrew R. Brown, Queensland University of Technology, Australia

With the advent of modern cognitive neuroscience and new tools of studying the human brain ‘live,’ music as a highly complex, temporally ordered and rule-based sensory language quickly became a fascinating topic of study. The question of ‘how’ music moves us, stimulates our thoughts, feelings, and kinesthetic sense, and how it can reach the human experience in profound ways is now measured with the advent of modern cognitive neuroscience. The goal of Rhythm, Music and the Brain is an attempt to bring the knowledge of the arts and the sciences and review our current state of study about the brain and music, specifically rhythm.

Computers in Music Education addresses the question of how computer technologies might best assist music education. For current and preservice music teachers and designed as a development tool, reference resource, and basic teaching text, it addresses pedagogical issues and the use of computers to aid production and presentation of students’ musical works.

Written by a music educator and digital media specialist, it cuts through the jargon to present a concise, easy-to-digest overview of the field, covering: • notation software • MIDI sound creation • downloading music • posting personal MP3s for mass distribution.

While there are many more technical books, few offer a comprehensive, understandable overview of the field.

Computers in Music Education is an important text for the growing number of courses in this area.

January 2007: 360pp Hb: 978-0-415-97850-7: £60.00 Pb: 978-0-415-97851-4: £21.99 • AVAILABLE AS AN INSPECTION COPY

Handmade Electronic Music The Art of Hardware Hacking Nicolas Collins, The Art Institute of Chicago, Illinois, USA ’Nicolas Collins wants to tear apart your CD player.’

– Wired Magazine ‘Here we have, at last, an electronics book that caters to people who have ideas first, and electronics second.

A former technician to some of the last century’s most imaginative experimental composers, Collins offers a splendidly integrative look into the history of “sound art,” basic electronics, and junk revisioning.’ – Make Magazine 2006: 264pp Pb: 978-0-415-97592-6: £15.99

The author provides a thorough examination of the current state of research, including the biomedical applications of neurological music therapy in sensorimotor speech and cognitive rehabilitation. This book will be of interest for the lay and professional reader in the sciences and arts as well as the professionals in the fields of neuroscientific research, medicine, and rehabilitation.

2005: 432pp Pb: 978-0-415-35861-3: £42.00

The Digital Songstream Mastering the World of Digital Music Brad Hill 2003: 224pp Pb: 978-0-415-94203-4: £14.99

Virtual Music How the Web Got Wired for Sound William Duckworth, Bucknell University, USA

October 2007: 272pp Pb: 978-0-415-96475-3: £21.99

The Routledge Guide to Music Technology

2005: 232pp Pb: 978-0-415-96675-7: £15.99

Thom Holmes 2006: 384pp Hb: 978-0-415-97323-6: £60.00 Pb: 978-0-415-97324-3: £12.99 • AVAILABLE AS AN INSPECTION COPY

NEW

Sound Media Lars Nyre From MP3 to Marconi, this thorough and up-to-date history of sound media works backwards from the present day to the 1870s to explore the development of sound media in ten chapters.

August 2008: 240pp Hb: 978-0-415-39113-9: £65.00 Pb: 978-0-415-39114-6: £17.99 • AVAILABLE AS AN INSPECTION COPY

2ND EDITION

Mind Models Roger Reynolds ‘No other composer would have ventured as all-encompassing a survey of culture and society ...

Mind Models is a kind of classic.’ – Charles Curtis, Professor of Music at the University of California, San Diego, USA This second edition of Mind Models reintroduces and renews a classic work on twentieth century composition, one that has remained relevant for over a quarter century – and should remain a central reading for decades to come.

2005: 208pp Pb: 978-0-415-97429-5: £14.99

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MUSIC THEORY

NEW

NEW

TEXTBOOK

TEXTBOOK

TEXTBOOK

Orchestration

SchenkerGUIDE

Revisiting Music Theory

An Anthology of Writings

A Brief Handbook and Web Site for Schenkerian Analysis

A Musician’s Guide

Edited by Paul Mathews, Johns Hopkins University, USA

Tom Pankhurst, Liverpool Hope University College, UK

Revisiting Music Theory: A Guide to the Practice contains the basics of music theory with the vocabulary used in harmonic and formal analysis. The book assumes few music reading skills, and progresses to include the basic materials of music from J.S. Bach to the twentieth century. Based on Blatter’s own three decades of teaching music theory, this book is aimed at a one or two year introductory course in music theory, can serve for individual study, or as a review for graduate students returning to school. Drawing examples from well-known classical works, as well as folk and popular music, the book shows how theory is applied to practice.

SchenkerGUIDE: A Brief Handbook and Web Site for Schenkerian Analysis introduces students of music theory and composition to the fundamental concepts and methods of this system of musical analysis. For many students, understanding and using this system is a daunting task; not only does the theory present its own special language, it involves learning specific skills, from how to make analytical charts to outlining a composition. This book offers the first clear and simple way to learn this technique. Although aimed at the beginning student, this book does more than just introduce the basics. It takes the student step-by-step from making a basic Schenkerian graph through the more difficult aspects of advanced work. For this reason, it could serve both as a text to be used as part of a broader course on theory as well as for more advanced seminars on Schenkerian technique alone. In short, the SchenkerGUIDE sets a new standard for a comprehensive, understandable introduction to this important theory.

Alfred Blatter, Curtis Institute of Music, USA

The book is divided into five parts. The first part introduces music notation, reviewing the basics of pitch, time, and dynamics as represented in written music. Part two introduces the concept of melody, covering modes, scales, scale degrees, and melodic form. Part three introduces harmony, dealing with harmonic progression, rhythm, and chord types. Part four addresses part writing and harmonic analysis. Finally, part five addresses musical form, and how form is used to structure a composition.

An accompanying website can be found at www.schenkerguide.com

Revisiting Music Theory is a valuable textbook for students, professors, and professionals.

March 2008: 304pp Hb: 978-0-415-97397-7: £54.00 Pb: 978-0-415-97398-4: £19.99 • AVAILABLE AS AN INSPECTION COPY

April 2007: 304pp Hb: 978-0-415-97439-4: £60.00 Pb: 978-0-415-97440-0: £20.99 • AVAILABLE AS AN INSPECTION COPY

TEXTBOOK

Creative Music Composition

2ND EDITION

The Young Composer’s Voice

The Craft of Modal Counterpoint

Margaret Lucy Wilkins, University of Huddersfield, UK

Thomas Benjamin 2004: 208pp Pb: 978-0-415-97172-0: £19.99 • AVAILABLE AS AN INSPECTION COPY

TEXTBOOK

The Craft of Tonal Counterpoint Thomas Benjamin 2003: 432pp Pb: 978-0-415-94391-8: £35.00 • AVAILABLE AS AN INSPECTION COPY

For all composition students – and for music students in general – Creative Music Composition offers a clear and concise introduction that will enable them to reach their personal goals.

2006: 240pp Hb: 978-0-415-97466-0: £60.00 Pb: 978-0-415-97467-7: £15.99 • AVAILABLE AS AN INSPECTION COPY

Orchestration: An Anthology of Writings is designed to be a primary or ancillary text for college-level music majors.

Although there are several ‘how to’ textbooks aimed at this market, there is little available that traces the history of orchestration through the writings of composers themselves. By collecting writings from the ninenteenth century to today, Mathews illuminates how orchestration has grown and developed, as well as presenting a wide variety of theories that have been embraced by the leading practitioners in the field.

The collection then traces the history of orchestration, beginning with Beethoven’s Orchestra (with writings by Berlioz, Wagner, Gounod, Mahler, and others), the nineteenth century (Mahler, Gevaert, Strauss) the fin de siècle (on the edge of musical modernism; writings by Berlioz, Jadassohn, Delius, and Rimsky Korsakov), early modern (Busoni, Schoenberg, Stravinsky, Grainger, and others), and high modern (Carter, Feldman, Reich, Brant). Many of these pieces have never been translated into English before; some only appeared in small journals or the popular press and have never appeared in a book; and none have ever been collected in one place.

The study of orchestration is a key part of all students of music theory and composition. Orchestration provides a much needed resource for these students, filling a gap in the literature.

2006: 248pp Hb: 978-0-415-97682-4: £60.00 Pb: 978-0-415-97683-1: £21.99 • AVAILABLE AS AN INSPECTION COPY

Creative Music Composition is designed to be an introductory textbook for music students.

‘Creative composition’ – composing in your own style, rather than in the style of a composer of the past – is embraced by music educators not only for composition students, but for beginning performers and music educators, and is often offered to all music students and non-music majors who wish to enhance their musical creativity.

11

The Language of the Modes Studies in the History of Polyphonic Modality Frans Wiering Series: Criticism and Analysis of Early Music 2001: 336pp Hb: 978-0-8153-3342-5: £70.00

TEXTBOOK

Choral Conducting Philosophy and Practice Colin Durrant 2003: 208pp Pb: 978-0-415-94357-4: £19.99 • AVAILABLE AS AN INSPECTION COPY

Counterpoint, Composition and Musica Ficta Margaret Bent Series: Criticism and Analysis of Early Music 2002: 348pp Hb: 978-0-8153-3497-2: £70.00

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12

MUSIC HISTORY AND LITERATURE

Routledge Studies in Musical Genres

2ND EDITION David Schulenberg, Wagner College, USA

Routledge Studies in Musical Genres presents introductory guides to key musical genres in the Western classical canon. Designed for the avid listener or the student of music history, each volume features essays by eminent music scholars and focuses on the key composers in a key style, providing a brief history, analysis and musical examples.

18th-Century Piano Music Edited by Robert Marshall 2003: 448pp Pb: 978-0-415-96642-9: £27.99

REVISED 2ND EDITION

19th-Century Piano Music R. Larry Todd 2004: 460pp Pb: 978-0-415-96890-4: £21.99

Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach’s individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.

2006: 544pp Hb: 978-0-415-97399-1: £60.00 Pb: 978-0-415-97400-4: £22.99

NEW

2ND EDITION

2ND EDITION

Keyboard Music Before 1700

Interpreting Mozart

Edited by Alexander Silbiger

The Performance of His Piano Pieces and Other Compositions

2003: 400pp Pb: 978-0-415-96891-1: £20.99

2ND EDITION

19th-Century Chamber Music Stephen Hefling 2003: 392pp Pb: 978-0-415-96650-4: £22.99

2ND EDITION

20th Century Chamber Music James McCalla 2003: 320pp Pb: 978-0-415-96695-5: £22.99

When R. Larry Todd’s biography, Mendelssohn: A Life in Music, appeared in 2003, it won acclaim from several critics as a definitive biography. In researching Mendelssohn’s life over the last two and a half decades, Todd uncovered much new information about the composer and his music, his family and his peers, and his complex reception history.

Now, as we approach the 2009 bicentenary of Mendelssohn’s birth, the author has chosen and compiled fifteen essays written between 1980 and 2005, including five previously unpublished, that examine several aspects of the composer whom Goethe and Heine likened to a second Mozart.

Mendelssohn Essays explores Mendelssohn’s precocity, his musical impressions of British culture, the role of the visual in his music, his compositional response to Bach’s St. Matthew Passion, and incomplete drafts from his musical estate of three instrumental works. In addition, a group of three essays focuses on the music of Mendelssohn’s sister Fanny Hensel, perhaps the most gifted woman composer of the century, and a significant, complex figure in the formation of the Mendelssohnian style.

September 2007: 336pp Hb: 978-0-415-97814-9: £60.00 Pb: 978-0-415-97815-6: £19.99

Eva Badura-Skoda and Paul Badura-Skoda Paul Badura-Skoda is considered to be one of the great pianists of his generation, as well as an important scholar who has created definitive editions of many of the works of the Viennese masters, most notably Wolfgang Amedeus Mozart.

With his wife, the noted musicologist Eva Badyra-Skoda, he wrote the highly influential Interpreting Mozart on the Keyboard, first published in German in 1957, then in English and Japanese in 1962 and 1963, respectively.

Long out of print, this important work has never been updated to reflect the last half-century of scholarship on Mozart’s music. Now, the husband-and wife team have tackled this project, producing an entirely new text that will serve students and scholars of keyboard literature and of the great composer.

December 2007: 448pp Hb: 978-0-415-97550-0: £60.00

Mendelssohn Essays R. Larry Todd, Duke University, USA

The Keyboard Music of J.S. Bach provides an introduction to, and comprehensive discussion of, all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685–1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world.

Series Editor: R. Larry Todd, Duke University, USA

2ND EDITION

NEW

The Keyboard Music of J.S. Bach

NEW

Deems Taylor Selected Writings Selected and Annotated by James A. Pegolotti Deems Taylor (1885–1966) was well known in America during the first half of the twentieth century as a composer, music critic, author, and radio personality. His opera, The King’s Henchmen (1927), with libretto

by Edna St. Vincent Millay, was the first opera ever commissioned by the Metropolitan Opera. As intermission commentator for the Sunday broadcasts of the New York Philharmonic (1936–1943), his voice and insightful commentary, always with a sense of humour, were heard by millions. His fame was so great as a music commentator that animator Walt Disney chose him as the onscreen host for the 1940 movie classic Fantasia.

Deems Taylor: Selected Writings brings into full view a forgotten important music reviewer and social commentator of the first of the first half of the twentieth century.

May 2007: 272pp Hb: 978-0-415-97957-3: £60.00

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www.routledge.com/music

MUSIC HISTORY AND LITERATURE

Sounding Off

NEW

NEW

Theorizing Disability in Music

Sounding Out: Pauline Oliveros and Lesbian Musicality

Roger Sessions

Martha Mockus, Hamilton College, USA

Recognized as the primary American symphonist of the twentieth century, Roger Sessions (1896–1985) is one of the leading representatives of high modernism. His stature among American composers rivals Charles Ives, Aaron Copland, and Elliott Carter.

Sessions was awarded two Pulitzer prizes, election to the American Academy of Arts and Letters, winning the Brandeis Creative Arts Award, the Gold Medal of the American Academy, and a MacDowell Medal, in addition to fourteen honorary doctorates.

Edited by Neil Lerner, Davidson College, USA and Joseph N. Straus, City University of New York, USA Sounding Off: Theorizing Disability in Music is the first book-length work to focus on the historical and theoretical issues of music as it relates to disability. It shows that music, like literature and the other arts, simultaneously reflects and constructs cultural attitudes toward disability.

2006: 304pp Hb: 978-0-415-97906-1: £60.00 Pb: 978-0-415-97907-8: £18.99

2ND EDITION

Queering the Pitch Edited by Philip Brett, Elizabeth Wood and Gary C. Thomas, University of Minnesota, USA When the first edition of Queering the Pitch was published in early 1994, it was immediately hailed as a landmark and defining work in the new field of Gay Musicology. In light of the explosion of Gay Musicology since 1994, a new edition of Queering the Pitch is timely and needed. In this new work, the editors are including a landmark essay by Philip Brett on Gay Musicology, its history and scope. The essay itself has become a cause celebre, and this will be its first full appearance in print. Along with this new historical essay, the editors are contributing a new introduction that outlines the changes that have occurred over the last decade as Gay Musicology has grown.

2006: 424pp Hb: 978-0-415-97883-5: £60.00 Pb: 978-0-415-97884-2: £18.99

A Biography Andrea Olmstead

Sounding Out: Pauline Oliveros and Lesbian Musicality examines the musical career of the avant-garde composer, accordionist, whose radical innovations of the 1960s, 70s and 80s have redefined the aesthetic and formal parameters of American experimental music.

While other scholars have studied Oliveros as a disciple of John Cage and a contemporary of composers Terry Riley, Lou Harrison, Gordon Mumma, and Robert Ashley, Sounding Out resituates Pauline Oliveros in a gynecentric network of feminist activists, writers, artists and musicians. This book shows how the women in Oliveros’ life were central sources of creative energy and exchange during a crucial moment in feminist and queer cultural history.

Crafting a dynamic relationship between feminism and music-making, this book offers a queerly original analysis of Oliveros’ work as a musical form of feminist activism and argues for the productive role of experimental music in lesbian feminist theory.

Sounding Out combines key elements of feminist theories of lesbian sexuality with Oliveros’ major compositions, performances, critical essays, and interviews. It also includes previously unpublished correspondence between Oliveros and Edith Guttierez, Jill Johnston, Annea Lockwood, Kate Millett, and Jane Rule.

November 2007: 216pp Hb: 978-0-415-97375-5: £58.00 Pb: 978-0-415-97376-2: £18.99

Roger Sessions: A Biography brings together considerable previously unpublished archival material, such as letters, lectures, interviews, and articles, to shed light on the life and music of this major American composer. Andrea Olmstead, a teaching colleague of Sessions at Juilliard and the leading scholar on his music, has written a complete biography charting five touchstone areas through Sessions’s eighty-eight years: music, religion, politics, money, and sexuality.

December 2007: 416pp Hb: 978-0-415-97713-5: £65.00 Pb: 978-0-415-97714-2: £24.99

Musicology: The Key Concepts David Beard, University of Cardiff, UK and Kenneth Gloag, University of Cardiff, UK Series: Routledge Key Guides

NEW IN PAPERBACK

The Crisis of Music in Early Modern Europe, 1470–1530 Rob C. Wegman, Princeton University, USA In the final decades of the fifteenth century, the European musical world was shaken to its foundations by the onset of a veritable culture war on the art of polyphony. Now in paperback, The Crisis of Music in Early Modern Europe, 1470–1530 tells the story of this cultural upheaval, drawing on a wide range of littleknown texts and documents, and weaving them together in a narrative that takes the reader on an eventful musical journey through early-modern Europe.

Musicology: The Key Concepts provides a vital reference guide for students of contemporary musicology. Its clear and accessible entries cover a comprehensive range of terms from Aesthetics to Gender and Deconstruction.

2005: 256pp Pb: 978-0-415-31692-7: £14.99

Slonimsky’s Book of Musical Anecdotes Nicholas Slonimsky 2002: 320pp Pb: 978-0-415-93938-6: £14.99

December 2007: 296pp Pb: 978-0-415-96474-6: £21.99

E-mail: music@routledge.com

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13

14

MUSIC HISTORY AND LITERATURE

Nicolas Slonimsky: Writings on Music

Aaron Copland

NEW

A Reader: Selected Writings, 1923–1972 Edited by Richard Kostelanetz

Liturgy and Contemplation in Byrd’s Gradualia

2003: 368pp Hb: 978-0-415-93940-9: £24.99

Kerry McCarthy, Duke University, USA

Nicolas Slonimsky: Writings on Music

Classical Music, Why Bother?

Early Writings

Joshua Fineberg, Harvard University, USA ’The subject of this book is an important one ... it will provide a basis for discussion and dialogue and I am sure it will generate a substantial amount of interest among composers, music theorists, and musicologists.’ – Keith Harnel, University of British Columbia School of Music

Nicolas Slonimsky Edited by Electra Yourke 2003: 208pp Hb: 978-0-415-96865-2: £70.00

Nicolas Slonimsky: Writings on Music Russian and Soviet Music and Composers Nicolas Slonimsky 2003: 248pp Hb: 978-0-415-96866-9: £70.00

2006: 184pp Hb: 978-0-415-97173-7: £60.00 Pb: 978-0-415-97174-4: £13.99

Nicolas Slonimsky: Writings on Music

2ND EDITION

Music of the Modern Era

Conversing with Cage

Nicolas Slonimsky

Richard Kostelanetz

William Byrd’s Gradualia, a set of liturgical music published in 1605 and 1607, is one of the most important compositions of the English Renaissance. Byrd composed this collection based on the Roman Catholic liturgy at a time when this religion was illegal in England, and the performance of its liturgy was punishable by fines, imprisonment, or even death. Not only was it surprising that the normally politically careful Byrd chose to create a liturgical work, but it also went against his usual practice of taking a free approach to text setting – changing words or inserting additional text as he saw fit to suit his music. The Mass cannot be changed; and much of its text is not very inspiring. The challenge, then, to the composer was to find musical inspiration in a text that must be rigidly followed. The resulting work is one of the most unusual – and often misunderstood – collections in the English repertoire.

Kerry McCarthy has undertaken to study how Byrd approached this task, its meaning both musically and philosophically/religiously. Combining both the cultural history of the dangers faced by Catholics who practiced their religion at this time with a very close reading of how Byrd created this work, McCarthy creates a book that will interest musicologists, religious historians, and students of Elizabethan English culture.

2004: 368pp Hb: 978-0-415-96867-6: £65.00

Nicolas Slonimsky: Writings on Music

January 2007: 208pp Hb: 978-0-415-97861-3: £60.00

Slonimskyana Nicolas Slonimsky

Masterworks of 20th-Century Music

2004: 400pp Hb: 978-0-415-96868-3: £65.00

The Modern Repertory of the Symphony Orchestra Douglas Lee

4-VOLUME SET

Nicolas Slonimsky: Writings on Music Nicolas Slonimsky Edited by Electra Yourke 2003: 1408pp Set: 978-0-415-94220-1: £275.00

2002: 344pp Pb: 978-0-415-93792-4: £17.99

2002: 528pp Pb: 978-0-415-93847-1: £20.99

2ND EDITION

Musical Visitors to Britain

A Dictionary of the Avant-Gardes

Peter Gordon, Institute of Education, University of London, UK

Richard Kostelanetz

Series: Woburn Education Series

2001: 736pp Pb: 978-0-415-93764-1: £35.00

2005: 259pp Pb: 978-0-7130-4052-4: £24.99

Later English Broadside Ballads Edited by John Holloway and Joan Black 2005 Hb: 978-0-415-37222-0: £195.00

Postmodern Music/ Postmodern Thought Edited by Judy Lochhead and Joseph Auner 2001: 350pp Pb: 978-0-8153-3820-8: £17.99

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www.routledge.com/music

MUSIC HISTORY AND LITERATURE

Robert Schumann and the Development of the Piano Concerto

MUSIC EDUCATION AND TRAINING

Routledge Guitar Instructionals

TEXTBOOK

Claudia Macdonald, Oberlin College, USA 2005: 384pp Hb: 978-0-415-97247-5: £60.00

3RD EDITION

Acoustic Blues Guitar Styles Larry Sandberg, University of Colorado, USA This book introduces readers to the basics of finger-style acoustic blues guitar and will go a long way to developing students’ abilities to take the basics and apply them to their own personal musical growth.

Selected Writings of Max Reger Christopher Anderson, University of North Dakota, USA 2006: 192pp Hb: 978-0-415-97382-3: £60.00

The New York Schools of Music and the Visual Arts Edited by Steven Johnson

2006: 128pp Pb: 978-0-415-97175-1: £16.99

2001: 224pp Pb: 978-0-415-93694-1: £17.99

Guitar Tunings Tonal Structures in Early Music

A Comprehensive Guide

Edited by Cristle Collins Judd

Dick Weissman, University of Denver, USA

Series: Criticism and Analysis of Early Music

2006: 144pp Pb: 978-0-415-97441-7: £15.99

1999 Pb: 978-0-8153-3638-9: £32.50

NEW

NEW

How To Play Classic Jazz Guitar

Music Education Source Readings from Ancient Greece to Today Edited by Michael L. Mark, Towson University, USA Music Education: Source Readings from Ancient Greece to Today is an anthology of thematically organized essays that illustrate why music education has been valued by cultures and societies from ancient times to the present.

Writings by societal leaders – civic, political, royal, religious, education, intellectual – present many historical and current points of view. The third edition has been expanded to include such topics as feminism, diversity, cognitive psychology and the No Child Left Behind Act. The new edition also includes writings about music education in countries on every continent.

The global view of music education makes this book timely in a world of cultural fusion.

October 2007 Hb: 978-0-415-95778-6: £60.00 Pb: 978-0-415-95779-3: £24.95 • AVAILABLE AS AN INSPECTION COPY

Six Swinging Strings Michael Lydon

NEW

How to Play Classic Jazz Guitar is an instruction book designed for the guitarist who already knows the fundamentals but wishes to explore the ‘classic’ style of swing-era guitar. It offers a clear, concise introduction to the basics of jazz guitar, built on the student’s basic knowledge of forming chords and basic picking patterns. How to Play Classic Jazz Guitar opens this world to any guitarist who has a basic knowledge of guitar technique and willingness to learn.

TEXTBOOK

The Global Music Industry Three Perspectives Arthur Bernstein, Liverpool Institute for the Performing Arts, UK, Naoki Sekine and Dick Weissman, University of Denver, USA For everyone in the music industry – record labels, managers, music publishers and the performers themselves – it is important to understand the world music marketplace and how it functions.

Three leading music experts analyze global issues by region, including: bootlegging; copyright; censorship; and government support.

June 2007: 176pp Pb: 978-0-415-97908-5: £13.99

Acoustic Guitar Styles Larry Sandberg 2002: 128pp Pb: 978-0-415-93727-6: £17.99

The Global Music Industry gives a concise overview of the issues facing everyone in the music industry; a resource for students, professionals and musicians.

June 2007: 250pp Hb: 978-0-415-97579-7: £60.00 Pb: 978-0-415-97580-3: £20.99 • AVAILABLE AS AN INSPECTION COPY

E-mail: music@routledge.com

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16

MUSIC EDUCATION AND TRAINING

TEXTBOOK

TEXTBOOK

Creative Music Making

2ND EDITION

The Percussionists’ Guide to Injury Treatment and Prevention

William L. Cahn

Music and Copyright

Darin ‘Dutch’ Workman

Edited by Lee Marshall and Simon Frith

The Percussionists’ Guide to Injury Treatment and Prevention is designed to aid in that early prevention and treatment. Although it is not a substitute for clinical diagnosis or medical care from a trained physician, it can educate the musician as to how the human body works; the role of muscles and skeletal structure in supporting movement; and understanding specifically how to prevent and treat common injuries. The book begins with a general discussion of how the body works and basic prevention concepts. It then covers each specific area of the body (where it hurts), suggesting practical ways to prevent and treat it. Basic anatomy is covered in terms that a musician can understand.

’William L. Cahn offers ideas for encouraging creative development through free improvisation.’ – Teaching Music

2004: 256pp Pb: 978-0-415-97253-6: £24.95

TEXTBOOK 2ND EDITION

On the Track A Guide to Contemporary Film Scoring Fred Karlin and Rayburn Wright 2005: 128pp Pb: 978-0-415-97282-6: £12.99 • AVAILABLE AS AN INSPECTION COPY

For all percussion students and professionals, The Percussionists’ Guide to Injury Treatment and Prevention will be an indispensable companion.

Edited by Chris Philpott and Charles Plummeridge

2006: 328pp Hb: 978-0-415-97684-8: £60.00 Pb: 978-0-415-97685-5: £21.99

2001: 272pp Pb: 978-0-415-23719-2: £22.99

TEXTBOOK

Issues in Music Teaching

2ND EDITION

2004: 560pp Pb: 978-0-415-94136-5: £37.50

TEXTBOOK

The Recording Industry

2ND EDITION

Geoffrey Hull

Learning to Teach Music in the Secondary School

TEXTBOOK

A Companion to School Experience

Mark Rush, University of Arizona, USA

Playing the Violin

Edited by Christopher Philpott, University of Greenwich, UK and Gary Spruce, The Open University, UK

Drawing on twenty years of teaching experience, author Mark Rush systematically builds the fundamentals of violin playing from the ground up.

Series: Learning to Teach in the Secondary School Series ‘Contributors include leading names in music education and the wealth of experience is reflected in the ease with which they give succinct, lucid overviews of theoretical issues and relate them to the practicalities of life in the classroom.

Discussion and presentation tasks within each chapter ensure that readers are actively involved and forced to examine their own thinking ... Well worth reading and would make a useful addition to any music department bookshelf.’ – Aelwyn Pugh, Times Educational Supplement 2006: 304pp Pb: 978-0-415-35105-8: £22.99

2004: 352pp Pb: 978-0-415-96803-4: £15.99 2006: 176pp Hb: 978-0-415-97885-9: £60.00 Pb: 978-0-415-97886-6: £15.99

Songwriting Success How to Write Songs for Fun and (Maybe) Profit Michael Lydon 2004: 208pp Pb: 978-0-415-96929-1: £12.99

TEXTBOOK

Music with the Under-Fours Susan Young ‘Music with the Under Fours does what a good text should - it both informs and provokes ... The book abounds with crucial messages to guide early years music teacher preparation.’ – Lori A. Custodero, Columbia University, USA

TEXTBOOK

Teaching Music in Secondary Schools A Reader Edited by Gary Spruce 2001: 256pp Pb: 978-0-415-26234-7: £23.99

2003: 152pp Pb: 978-0-415-28706-7: £18.99

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www.routledge.com/music

VOICE/OPERA/MUSICAL THEATRE

NEW

America’s Songs

Opera: The Basics

TEXTBOOK

The Stories Behind the Songs of Broadway, Hollywood, and Tin Pan Alley

Denise Gallo, Library of Congress

Acting in Musical Theatre A Comprehensive Course

Series: The Basics

Philip Furia, University of North Carolina, Wilmington, USA and Michael Lasser

Joe Deer and Rocco dal Vera, University of Cincinnati, USA

Opera: The Basics offers an excellent introduction to four centuries of opera. Its easy to follow sections and explore topics including:

’This terrific book looks at the backstories of the great standards in American popular music ... You’ll LOVE this book!’ – ‘Book Bit’ WTBF Radio

Acting in Musical Theatre: A Comprehensive Course offers a complete guide to mastering this highly specialized area of acting. Packed with practical tips, useful exercises and advice from professionals, this book offers step-by-step instruction for an integrated peformance, looking at:

• the origins of opera • basic terminology • the history of major opera genres including: serious opera, comic opera, semi-serious opera and vernacular opera.

• the fundamentals of acting • how to analyze the script and score for clues to developing your character • how to make a song come to life • staging a performance

With key notes, discography and videography, this is the ideal book for students and interested listeners who want to learn more about this important musical genre.

2006: 360pp Hb: 978-0-415-97246-8: £18.99

2005: 224pp Pb: 978-0-415-97072-3: £10.99

• acting in different styles and genres of musical theatre.

Structured teaching units make this book ideal both for the classroom and for independent study, with a final chapter containing advice on how to become a professional musical theatre actor.

If you love standing in someone else’s shoes; if you feel things so passionately that you just need to sing about them; if you are so filled with emotion that your body just has to dance, then you are a musical theatre actor and this is just the book for you.

March 2008: 384pp Hb: 978-0-415-77318-8: £60.00 Pb: 978-0-415-77319-5: £16.99

The Making of The Sound of Music Max Wilk The Sound of Music was the last – and most successful – collaboration of two giants of the musical theater, Richard Rodgers and Oscar Hammerstein. Enjoying a long run on Broadway and then transformed into a major hit film – recently reissued in a 40th anniversary edition on DVD with new footage – The Sound of Music remains among the most produced musicals by professional and amateur companies around the world.

This book tells the full story of the making of the show, from the first rough ideas through the tryouts, fine tuning, and eventual triumph – all from an eyewitness to the events themselves. Wilk brings a musical theatre historian’s eye to the work, along with his passionate involvement as a witness to this history. For anyone and everyone who has ever thrilled to The Sound of Music, this book is a must.

April 2007: 115pp Hb: 978-0-415-97934-4: £60.00 Pb: 978-0-415-97935-1: £10.99

Routledge Guide to Broadway Ken Bloom

Operetta

Broadway is the centre of American theatre, where all the great plays and musicals make their mark. Students across the country in theatre history, performance, and direction/production look to Broadway for their inspiration. Yet there are few books that offer a comprehensive look at the key figures and productions of the last two centuries. The Routledge Guide to Broadway brings together this information in an inexpensive, A–Z format that will appeal to students, professors, and theatrical professionals.

A Theatrical History

2006: 304pp Hb: 978-0-415-97379-3: £60.00 Pb: 978-0-415-97380-9: £13.99

Richard Traubner 2003: 496pp Pb: 978-0-415-96641-2: £21.99

Reading Stephen Sondheim A Collection of Critical Essays Edited by Sandor Goodhart Series: Studies in Modern Drama 1999: 300pp Pb: 978-0-8153-3768-3: £18.99

Classic American Popular Song The Second Half-Century, 1950–2000

A Year with the Producers

David Jenness and Donald Velsey

One Actor’s Exhausting (But Worth It) Journey from Cats to Mel Brooks’ Mega-Hit

’An excellent and much-needed contribution to the literature of American popular song.’ – Phil Furia, University of North Carolina, author of The Poets of Tin Pan Alley

Jeffry Denman 2002: 208pp Pb: 978-0-87830-154-6: £17.99

2005: 408pp Hb: 978-0-415-97056-3: £20.99

Jerry Herman The Lyrics Jerry Herman and Ken Bloom 2003: 256pp Hb: 978-0-415-96768-6: £27.99

E-mail: music@routledge.com

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17

18

INTERDISCIPLINARY TOPICS

VOICE/OPERA/MUSICAL THEATRE

Vocal Arts & Instruction

TEXTBOOK

NEW

The Singer’s Companion Sharon L. Stohrer, New York University, USA

TEXTBOOK

The Singing and Acting Handbook Games and Exercises for the Performer Thomas De Mallet Burgess and Nicholas Skilbeck This book is a unique resource which directly addresses all performers who sing and act, whether in opera or musical. It provides a innovative resource for performers, directors, workshop leaders and teachers.

TEXTBOOK

Taking on venerable musicological debates from entirely new perspectives, Krims argues that the cultural-studies approach now predominant in cultural musicology fails to address the contemporary realities of production and consumption. Instead, the social effects of space and new patterns of urban production play a shaping role, in which music takes on new forms and functions.

1999: 224pp Pb: 978-0-415-16658-4: £19.99

Successful Singing Auditions

Pushing urban geography into new cultural contexts, as well, this book will offer those concerned with the social effects of space new theoretical models. Ranging from Anonymous 4 to Alanis Morissette, from Curaçao to Seattle, Music and Urban Geography brings new and provocative ideas to the study of how music shapes its world and how the urban world, in turn, shapes the music.

Gillyanne Kayes and Jeremy Fisher 2002: 144pp Pb: 978-0-87830-163-8 Not available from Routledge in the UK

2006: 224pp Hb: 978-0-415-97600-8: £60.00 Pb: 978-0-415-97601-5: £13.99

February 2007 Hb: 978-0-415-97011-2: £60.00 Pb: 0978-0-415-97012-9: £16.99 • AVAILABLE AS AN INSPECTION COPY

Orlanda Cook This is a comprehensive, practical, encouraging book full of exercises and tips for anyone who wants to – even needs to – sing. Actors in straight plays, performers in musicals, professionals and amateurs, even people singing in choirs or bands will all benefit from Orlanda Cook’s expert guidance.

2004: 288pp Pb: 978-0-87830-182-9: £19.95

Finding Your Voice A Theory of Adaptation

Barbara Houseman

Linda Hutcheon, University of Toronto, Canada

2002: 288pp Pb: 978-0-87830-167-6 Not available from Routledge in the UK

Composing for Voice

2ND EDITION

A Guide for Composers, Singers, and Teachers

Singing and the Actor

Paul Barker

Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.

2003: 208pp Hb: 978-0-415-94186-0: £60.00 Pb: 978-0-415-94187-7: £16.99

Persuasive and illuminating, A Theory of Adaptation is a bold rethinking of how adaptation works across all media and genres that may put an end to the age-old question of whether the book was better than the movie, or the opera, or the theme park.

2004: 208pp Pb: 978-0-87830-198-0: £24.95

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Renowned literary scholar Linda Hutcheon explores the ubiquity of adaptations in all their various media incarnations and challenges their constant critical denigration.

Adaptation, Hutcheon argues, has always been a central mode of the story-telling imagination and deserves to be studied in all its breadth and range as both a process (of creation and reception) and a product unto its own.

TEXTBOOK

TEXTBOOK

Gillyanne Kayes

Music and Urban Geography is the first wide-ranging study of how changes in major cities in the developed world in the past few decades have affected music, as well as the roles music has played in those changes. Drawing on music theory, musicology, urban geography, and historical materialism, Adam Krims maps the effect of urban geography on how music is performed, sold, and experienced.

2006: 136pp Hb: 978-0-415-97697-8: £60.00 Pb: 978-0-415-97698-5: £15.99

Alan Montgomery, Oberlin College, USA

Singing With Your Own Voice

Adam Krims, University of Nottingham, UK

The Singer’s Companion is a basic text aimed at college-level students of singing covering all the basic issues faced by vocalists in all styles of music.

Throughout, the author offers practical advice, step-by-step instruction, and graded exercises that will guide even the novice singer to better understand her or his instrument.

Opera Coaching

TEXTBOOK

Music and Urban Geography

2006: 232pp Hb: 978-0-415-96794-5: £60.00 Pb: 978-0-415-96795-2: £13.99 • AVAILABLE AS AN INSPECTION COPY

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INTERDISCIPLINARY TOPICS

Movie Music, The Film Reader Edited by Kay Dickinson Series: In Focus: Routledge Film Readers 2002: 224pp Pb: 978-0-415-28160-7: £19.99

Teenage Nervous Breakdown David Walley 2006: 256pp Hb: 978-0-415-97856-9: £60.00 Pb: 978-0-415-97857-6: £12.99

REFERENCE AND LIBRARY

The Garland Encyclopedia of World Music

The Garland Encyclopedia of World Music

East Asia: China, Japan, and Korea Edited by Robert C. Provine, Yosihiko Tokumaru and J. Lawrence Witzleben

The Garland Encyclopedia of World Music

2001: 1192pp Hb: 978-0-8240-6041-1: £225.00

Africa

The Garland Encyclopedia of World Music

Edited by Ruth M. Stone 1997: 872pp Hb: 978-0-8240-6035-0: £225.00

Europe Edited by Timothy Rice, James Porter and Chris Goertzen

See Also

The Garland Encyclopedia of World Music

Sounding Off

South America, Mexico, Central America, and the Caribbean

Theorizing Disability in Music

Edited by Dale A. Olsen and Daniel E. Sheehy

Edited by Neil Lerner, Davidson College, USA and Joseph Straus, City University of New York, USA

1998: 1104pp Hb: 978-0-8240-4947-8: £225.00

(See page 13)

Voicing the Popular Richard Middleton (See page 4)

1999: 1176pp Hb: 978-0-8240-6034-3: £225.00

The Garland Encyclopedia of World Music Australia and the Pacific Islands Edited by J.W. Love and Adrienne Kaeppler

The Garland Encyclopedia of World Music

1998: 1116pp Hb: 978-0-8240-6038-1: £225.00

The United States and Canada

The Garland Encyclopedia of World Music

Edited by Ellen Koskoff 2000: 1390pp Hb: 978-0-8240-4944-7: £225.00

The World’s Music: General Perspectives and Reference Tools

The Garland Encyclopedia of World Music

Edited by Ruth M. Stone 2002: 800pp Hb: 978-0-8153-1084-6: £225.00

South Asia: The Indian Subcontinent Edited by Alison Arnold

10-VOLUME SET

1999: 1104pp Hb: 978-0-8240-4946-1: £225.00

The Garland Encyclopedia of World Music Set

The Garland Encyclopedia of World Music

Edited by Bruno Nettl, Ruth M. Stone, James Porter and Timothy Rice

Southeast Asia Edited by Terry E. Miller and Sean Williams

1999 Set: 978-0-8153-1865-1: £2150.00

1998: 1050pp Hb: 978-0-8240-6040-4: £225.00

The Garland Encyclopedia of World Music The Middle East Edited by Virginia Danielson, Dwight Reynolds and Scott Marcus 2001: 1200pp Hb: 978-0-8240-6042-8: £225.00

See Also New Concise Garland Encyclopedia and Garland Handbooks (see page 6)

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REFERENCE AND LIBRARY

2-VOLUME SET

2-VOLUME SET

NEW

Vaudeville, Old and New An Encyclopedia of Variety Performers Frank Cullen ’Whether you start from the beginning and read it straight through, or use to look up an artist you found on a recording, you’ll find this book a great resource. It’s a tribute to the hard work and passion of the author. Highly recommended!’ – Steve Ramm, ‘Anything Phonographic,’ In The Groove Magazine 2006: 1368pp Set: 978-0-415-93853-2: £295.00

Encyclopedia of American Gospel Music Edited by W.K. McNeil ’The treatment is straightforward ... McNeil’s title will likely become the definitive work on the subject and fills a gap in a field that has had only sporadic reference documentation ...

Recommended for all libraries.’ – Library Journal 2005: 512pp Hb: 978-0-415-94179-2: £90.00

See Also The John Coltrane Reference Lewis Porter, Chris DeVito, David Wild, Yasuhiro Fuji Fujioka and Wolf Schmaler (See page 4)

Encyclopedia of the Blues

Chronology of American Popular Music, 1900–2000

Edited by Edward Komara

Frank Hoffmann, Sam Houston State University, USA The field of Popular Music Studies is growing, but still lacks some basic reference materials.

The Chronology of American Popular Music, 1900–2000 fills this gap by offering a comprehensive overview of the field. It will be a must-own for libraries and individuals interested in this growing field of research.

September 2007: 800pp Hb: 978-0-415-97715-9: £100.00

‘An impressive list of contributors ... Besides being rich with biographical entries, this Encyclopedia also includes entries for important record labels, instruments, styles, geographic regions, aspects of the business, and additional topics that have been lacking in other encyclopedic efforts ... This is a valuable addition to the reference shelf of blues literature ... Highly recommended.’ – Choice 2005: 1440pp Set: 978-0-415-92699-7: £195.00

NEW

Ragtime An Encyclopedia, Discography, and Sheetography David A. Jasen

Chronology of Western Classical Music, 1751–2000 Charles John Hall ‘Libraries with comprehensive music collections or high demand for chronologies will welcome it.’

– Booklist 2002: 800pp Hb: 978-0-415-93878-5: £175.00

NEW 2ND EDITION

Encyclopedia of Percussion Edited by John H. Beck, Eastman School of Music, USA The Encyclopedia of Percussion updates and enlarges the only comprehensive encyclopedia covering all of the major percussion instruments, the volume is divided into four major sections: an alphabetical dictionary of percussion instruments and terms; illustrations of key percussion instruments; longer, individual articles on key members of the percussion family, from Bass Drum to Xylophone, written by leading percussionists and scholars; and finally, several appendices of terms and symbols and a comprehensive bibliography. This new edition is expanded to include new research in the field as well as increased coverage of electronic and world percussion instruments.

Ragtime: An Encyclopedia, Discography, and Sheetography is the definitive reference work for this important popular form of music that flourished from the 1890s through the 1920s, and was one of the key predecessors of jazz. It collects for the first time entries on all the important composers and performers, and descriptions of their works; a complete listing of all known published ragtime compositions, even those self-published and known only in single copies; and a complete discography from the cylinder era to today. It also represents the culmination of a lifetime’s research for its author, considered to be the foremost scholar of ragtime and early twentieth century popular music. Rare photographs accompany most entries, taken from the original sheets, newspapers, and other archival sources.

Ragtime: An Encyclopedia, Discography, and Sheetography is a standard reference for anyone interested in the history of jazz.

April 2007: 464pp Hb: 978-0-415-97862-0: £70.00

June 2007: 680pp Hb: 978-0-415-97123-2: £90.00

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ROUTLEDGE MUSIC BIBLIOGRAPHIES

REFERENCE AND LIBRARY

A Century of American Popular Music David A. Jasen

Formed from the combination of two well respected series – Composer Resource Manuals and Music and Information Guides – Routledge Music Bibliographers are comprehensive guides to major composers’ types of music. From the Blues and Ethnomusicology to Franz Liszt and Maurice Ravel, the titles in this series offer the best, most current bibliographic information on the subject available.

Encyclopedia of Keyboard Instruments

‘Jasen draws on his authoritative background to create this useful and entertaining reference work ... It is recommended as an affordable, one-stop reference.’ – Library Journal

2ND EDITION

2002: 464pp Hb: 978-0-415-93700-9: £90.00

An Encyclopedia

Tin Pan Alley

2003: 576pp Hb: 978-0-415-93796-2: £105.00

The Piano Edited by Robert Palmieri

An Encyclopedia of the Golden Age of American Song

The Organ

NEW

David A. Jasen

An Encyclopedia

2ND EDITION

2003: 384pp Hb: 978-0-415-93877-8: £75.00

Edited by Douglas Bush and Richard Kassel

Gustav and Alma Mahler

2006: 696pp Hb: 978-0-415-94174-7: £115.00

A Research and Information Guide

2ND EDITION

Susan M. Filler

Broadway

The Harpsichord and Clavichord

An Encyclopedia

An Encyclopedia

Ken Bloom

Edited by Igor Kipnis, Claremont Graduate University, USA

2003: 656pp Hb: 978-0-415-93704-7: £75.00

2006: 576pp Hb: 978-0-415-93765-8: £105.00

2ND EDITION

Rock Song Index The 7500 Most Important Songs for the Rock and Roll Era: 1944–2000 Bruce Pollock 2005: 704pp Hb: 978-0-415-97073-0: £60.00

The Versatile Clarinet Roger Heaton 2005: 152pp Hb: 978-0-415-97317-5: £50.00

Encyclopedia of Recorded Sound Edited by Frank Hoffmann 2004: 1320pp Hb: 978-0-415-93835-8: £195.00

Index to Poetry in Music Carol June Bradley 2003: 1008pp Hb: 978-0-415-94302-4: £130.00

Performance Practice A Dictionary-Guide for Musicians Roland Jackson

This revised edition of Garland’s 1989 publication updates the core bibliography on Gustav Mahler (as well as his spouse and fellow composer Alma Mahler) by incorporating new research gathered over the past dozen years on his life and professional works. Gustav Mahler, renowned conductor and composer of symphonies and song cycles, is one of the foremost musical figures of the late nineteenth and early twentieth centuries. His symphonies continue to be widely performed and studied through the twenty-first century.

Organized in sections according to subject matter, references are arranged alphabetically by the names of authors or editors. Filler’s research has produced sources for musicologists and students in nineteen languages, offering a resource that expands traditional Englishlanguage music scholarship.

November 2007: 304pp Hb: 978-0-415-94388-8: £60.00

NEW

Olivier Messiaen A Research and Information Guide Edited by Vincent P. Benitez, Penn State School of Music, USA

2005: 544pp Hb: 978-0-415-94139-6: £85.00

Olivier Messiaen: A Research and Information Guide is the first extensive reference work devoted entirely to the life and work of Messiaen, considered by many to be one of the most important composers of the twentieth century. It presents the most significant and helpful sources on Messiaen from 1930 to 2006, including interviews, reviews, topical studies, and biographical and stylistic studies. Annotations provide an overview of each source and point out key concepts.

October 2007: 336pp Hb: 978-0-415-97372-4: £60.00

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JOURNALS

ROUTLEDGE MUSIC BIBLIOGRAPHIES

NEW

Blues A Research and Information Guide Eddie S. Meadows Despite the influence of blues performance and study as a worldwide phenomenon, no comprehensive and fully annotated reference tool currently exists on the genre.

This much needed bibliography fills an important gap in the study of the blues and will prove an indispensable resource for librarians and scholars studying African-American culture, American music, and blues.

December 2007: 400pp Hb: 978-0-415-97319-9: £60.00

American Music Librarianship

3RD EDITION

Contemporary Music Review

Jazz

Editor: Peter Nelson, University of Edinburgh, UK

Research and Pedagogy

US Editor: Joshua Feinberg, Harvard University, USA

Eddie S. Meadows, University of Illinois-Urbana-Champaign, USA

Ethnomusicology Forum Maurice Ravel

2004: 432pp Hb: 978-0-8153-1618-3: £65.00

Carol June Bradley, SUNY at Buffalo, USA

A Research and Information Guide

A Research and Information Guide

Volume 18, 2008, 2 issues per year Print ISSN 1741-1912 Online ISSN 1741-1920

Stephen Zank

A Research and Information Guide

Church and Worship Music

Editors: Laudan Nooshin, City University, UK and Andrew Killick, University of Sheffield, UK

A Guide to Research

String Quartets

2005: 400pp Hb: 978-0-415-97291-8: £60.00

Volume 27, 2008, 6 issues per year Print ISSN 0749-4467 Online ISSN 1477-2256

2005: 776pp Hb: 978-0-415-93965-2: £75.00

Winner of the ALPSP Best New Journal Award 2007!

Mara Parker, Johns Hopkins University, USA 2005: 384pp Hb: 978-0-415-94176-1: £60.00

Jazz Perspectives Editors: Lewis Porter and John Howland, Rutgers University, Newark, USA Volume 2, 2008, 2 issues per year Print ISSN 1749-4060 Online ISSN 1749-4079

The Violin A Research and Information Guide

Journal of New Music Research

Mark Katz

Editor: Alan Marsden, Lancaster University, UK

2005: 344pp Hb: 978-0-415-96647-4: £60.00

2006: 424pp Hb: 978-0-8153-3637-2: £60.00

Volume 37, 2008, 4 issues per year Print ISSN 0929-8215 Online ISSN 1744-5027

Ethnomusicology

William Byrd

A Research and Information Guide

A Guide to Research

Muziki: Journal of Music Research in Africa

Jennifer C. Post, Mansfield University, USA

Richard Turbet, University of Aberdeen, UK

2003: 416pp Hb: 978-0-415-93834-1: £70.00

2005: 352pp Hb: 978-0-415-94301-7: £60.00

Franz Liszt

Women in Music

A Guide to Research

A Research and Information Guide

Michael Saffle, Virginia Tech University, USA

Karin Pendle, University of Cincinnati, USA

2004: 536pp Hb: 978-0-415-94011-5: £65.00

2005: 728pp Hb: 978-0-415-94354-3: £65.00

James Michael Floyd and Avery T. Sharp, both at Baylor University, USA

Frederick Delius

Editors: George T. King, University of South Africa, Republic of South Africa and Chris Walton, University of Pretoria, Republic of South Africa Volume 5, 2008, 2 issues per year Print ISSN: 1812-5980 Online ISSN: 1753-593X

Popular Music & Society Editor: Gary Burns, Northern Illinois University Volume 31, 2008, 5 issues per year Print ISSN 0300-7766 Online ISSN 1740-1712

Journal of Mathematics and Music

A Guide to Research

Editors: Thomas Noll, Escola Superior de Música de Catalunya, Barcelona, Spain, and Robert Peck, Louisiana State University

Mary L. Huismann, University of Minnesota, USA 2004: 288pp Hb: 978-0-415-94106-8: £65.00

Volume 2, 2008, 3 issues per year Print ISSN 1745-9737 Online ISSN 1745-9745

G.F. Handel A Guide to Research

Journal of Musicological Research

Mary Ann Parker, University of Toronto, Canada

Editor: Deborah Kauffman, University of Northern Colorado

2005: 408pp Hb: 978-0-415-94323-9: £65.00

Volume 27, 2008, 4 issues per year Print ISSN 0141-1896 Online ISSN 1547-7304

Music Education Research Editor: Sarah Hennessy, School of Education, University of Exeter, UK Volume 10, 2008, 3 issues per year Print ISSN 1461-3808 Online ISSN 1469-9893

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INDEX

18th-Century Piano Music . . . . . . . . . . . . . . .12 19th-Century Chamber Music . . . . . . . . . . . . .12 19th-Century Piano Music . . . . . . . . . . . . . . .12 21st Century Chamber Music . . . . . . . . . . . . .12

A Aaron Copland . . . . . . . . . . . . . . . . . . . . . . . .14 Acoustic Blues Guitar Styles . . . . . . . . . . . . . .15 Acoustic Guitar Styles . . . . . . . . . . . . . . . . . . .15 Acting in Musical Theatre . . . . . . . . . . . . . . . .17 African American Music . . . . . . . . . . . . . . . . . .9 African Diaspora . . . . . . . . . . . . . . . . . . . . . . . .9 Agawu, Kofi . . . . . . . . . . . . . . . . . . . . . . . . . . .9 American Music Librarianship . . . . . . . . . . . . .22 America’s Songs . . . . . . . . . . . . . . . . . . . . . . .17 Anderson, Christopher . . . . . . . . . . . . . . . . . .15 Arnold, Alison . . . . . . . . . . . . . . . . . . . . . . . .19 Auner, Joseph . . . . . . . . . . . . . . . . . . . . . . . . .14

B Bad Music . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Badura-Skoda, Eva . . . . . . . . . . . . . . . . . . . . .12 Badura-Skoda, Paul . . . . . . . . . . . . . . . . . . . .12 Barker, Paul . . . . . . . . . . . . . . . . . . . . . . . . . .18 Barz, Gregory . . . . . . . . . . . . . . . . . . . . . . . . . .9 Beard, David . . . . . . . . . . . . . . . . . . . . . . . . . .13 Beck, John H. . . . . . . . . . . . . . . . . . . . . . . . . .20 Beckford, Robert . . . . . . . . . . . . . . . . . . . . . . .3 Benitez, Vincent . . . . . . . . . . . . . . . . . . . . . . .21 Benjamin, Thomas . . . . . . . . . . . . . . . . . . . . .11 Bennett, Andy . . . . . . . . . . . . . . . . . . . . . . . . .3 Bent, Margaret . . . . . . . . . . . . . . . . . . . . . . . .11 Bernstein, Arthur . . . . . . . . . . . . . . . . . . . . . .15 Black Bottom Stomp . . . . . . . . . . . . . . . . . . . . .5 Black, Joan . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Blatter, Alfred . . . . . . . . . . . . . . . . . . . . . . . . .11 Bloom, Ken . . . . . . . . . . . . . . . . . . . . . . .17, 21 Blues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Blues Lyric Formula, The . . . . . . . . . . . . . . . . . .5 Blues with a Feeling . . . . . . . . . . . . . . . . . . . . .5 Blues: The Basics . . . . . . . . . . . . . . . . . . . . . . .4 Bohlman, Philip . . . . . . . . . . . . . . . . . . . . . . . .7 Bradley, Carol June . . . . . . . . . . . . . . . . . .21, 22 Bratcher, Melanie E. . . . . . . . . . . . . . . . . . . . . .5 Brazilian Popular Music and Globalization . . . .9 Breaking Records . . . . . . . . . . . . . . . . . . . . . . .3 Brett, Philip . . . . . . . . . . . . . . . . . . . . . . . . . . .13 Brief History of Rock, Off the Record . . . . . . . .1 Broadcasting the Blues . . . . . . . . . . . . . . . . . . .5 Broadway . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Brown Eyed Handsome Man . . . . . . . . . . . . . .5 Brown, Andrew R. . . . . . . . . . . . . . . . . . . . . .10 Bruce Springsteen . . . . . . . . . . . . . . . . . . . . . .3 Burgess, Thomas De Mallet . . . . . . . . . . . . . .18 Burnim, Mellonee V. . . . . . . . . . . . . . . . . . . . . .9 Bush, Douglas . . . . . . . . . . . . . . . . . . . . . . . .21

C Cahn, William L. . . . . . . . . . . . . . . . . . . . . . . .16 Cateforis, Theo . . . . . . . . . . . . . . . . . . . . . . . . .1 Century of American Popular Music, A . . . . . .21 Choral Conducting . . . . . . . . . . . . . . . . . . . . .11 Chronology of American Popular Music, 1900-2001 . . . . . . . . . . . . . . . . . . . . . . . . .20 Chronology of Western Classical Music, 1751-2001 . . . . . . . . . . . . . . . . . . . . . . . . .20 Church and Worship Music . . . . . . . . . . . . . .22 Clark, Walter Aaron . . . . . . . . . . . . . . . . . . . . .9 Classic American Popular Song . . . . . . . . . . . .17 Classical Music, Why Bother? . . . . . . . . . . . . .14 Clayton, Martin . . . . . . . . . . . . . . . . . . . . . . . .9

Cohen, Ronald . . . . . . . . . . . . . . . . . . . . . . . . .2 Collins, Nicolas . . . . . . . . . . . . . . . . . . . . . . . .10 Composing for Voice . . . . . . . . . . . . . . . . . . .18 Computers in Music Education . . . . . . . . . . . .10 Concise Garland Encyclopedia of World Music, The . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Connell, John . . . . . . . . . . . . . . . . . . . . . . . . . .3 Conversing with Cage . . . . . . . . . . . . . . . . . .14 Cook, Orlanda . . . . . . . . . . . . . . . . . . . . . . . .18 Cooper, Kim . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Counterpoint, Composition and Musica Ficta . .11 Craft of Modal Counterpoint, The . . . . . . . . .11 Craft of Tonal Counterpoint, The . . . . . . . . . .11 Creative Music Composition . . . . . . . . . . . . . .11 Creative Music Making . . . . . . . . . . . . . . . . . .16 Crisis of Music in Early Modern Europe, 1470-1530, The . . . . . . . . . . . . . . . . . . . . . .13 Crook, Larry . . . . . . . . . . . . . . . . . . . . . . . . . . .7 Cullen, Frank . . . . . . . . . . . . . . . . . . . . . . . . .20 Cultural Study of Music, The . . . . . . . . . . . . . .9 Cummings, David . . . . . . . . . . . . . . . . . . . . . .20 Cut `n’ Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . .3

D dal Vera, Rocco . . . . . . . . . . . . . . . . . . . . . . .17 Damage Incorporated . . . . . . . . . . . . . . . . . . . .3 Danielson, Virginia . . . . . . . . . . . . . . . . . . . . .19 Daughtry, J. Martin . . . . . . . . . . . . . . . . . . . . . .1 Day John Met Paul, The . . . . . . . . . . . . . . . . . .2 Deems Taylor . . . . . . . . . . . . . . . . . . . . . . . . .12 Deer, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Denman, Jeffry . . . . . . . . . . . . . . . . . . . . . . . .17 Derno, Maiken . . . . . . . . . . . . . . . . . . . . . . . . .3 Dettmar, Kevin J.H. . . . . . . . . . . . . . . . . . . . . . .3 DeVito, Chris . . . . . . . . . . . . . . . . . . . . . . . . . .4 Dickinson, Kay . . . . . . . . . . . . . . . . . . . . . . . .19 Dictionary of the Avant-Gardes, A . . . . . . . . .14 Digital Musician, The . . . . . . . . . . . . . . . . . . . .9 Digital Songstream, The . . . . . . . . . . . . . . . . .10 Dirks, Scott . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Douglas, Tony . . . . . . . . . . . . . . . . . . . . . . . . . .3 Duckworth, William . . . . . . . . . . . . . . . . . . . .10 Duke Ellington and His World . . . . . . . . . . . . . .5 Dunn, Christopher . . . . . . . . . . . . . . . . . . . . . .9 Durrant, Colin . . . . . . . . . . . . . . . . . . . . . . . .11

E Electronic and Experimental Music . . . . . . . . . .9 Ella Fitzgerald . . . . . . . . . . . . . . . . . . . . . . . . . .5 Encyclopedia of American Gospel Music . . . . .20 Encyclopedia of Percussion . . . . . . . . . . . . . . .20 Encyclopedia of Recorded Sound . . . . . . . . . .21 Encyclopedia of the Blues . . . . . . . . . . . . . . . .20 Ethnomusicologists’ Cookbook, The . . . . . . . . .8 Ethnomusicology . . . . . . . . . . . . . . . . . . . .8, 22 Everett, Walter . . . . . . . . . . . . . . . . . . . . . . . . .1 Exploring the Networked Worlds of Popular Music . . . . . . . . . . . . . . . . . . . . . . . .2 Expression in Pop-Rock Music . . . . . . . . . . . . . .1

F Filler, Susan M. . . . . . . . . . . . . . . . . . . . . . . . .21 Finding Your Voice . . . . . . . . . . . . . . . . . . . . .18 Fineberg, Joshua . . . . . . . . . . . . . . . . . . . . . .14 Fisher, Jeremy . . . . . . . . . . . . . . . . . . . . . . . . .18 Floyd, James Michael . . . . . . . . . . . . . . . . . . .22 Focus on Indonesian Gamelan Music . . . . . . . .7 Focus on Music of European Nationalism . . . . .7 Focus on Northeast Brazilian Music . . . . . . . . .7 Focus on South African Music . . . . . . . . . . . . .7 Folk Music: The Basics . . . . . . . . . . . . . . . . . . .2

Forman, Murray . . . . . . . . . . . . . . . . . . . . . . . .4 Franz Liszt . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Frederick Delius . . . . . . . . . . . . . . . . . . . . . . .22 Frith, Simon . . . . . . . . . . . . . . . . . . . . . . . .3, 16 From Tejano to Tango . . . . . . . . . . . . . . . . . . . .9 Furia, Philip . . . . . . . . . . . . . . . . . . . . . . . . . .17

G G. F. Handel . . . . . . . . . . . . . . . . . . . . . . . . . .22 Gallo, Denise . . . . . . . . . . . . . . . . . . . . . . . . .17 Garland Encyclopedia of World Music, The . . .19 Garland Handbook of African Music, The . . . . .6 Garland Handbook of Latin American Music, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Garland Handbook of Southeast Asian Music, The . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Get Your Ass in the Water and Swim Like Me . .5 Gibson, Chris . . . . . . . . . . . . . . . . . . . . . . . . . .3 Girl Groups, Girl Culture . . . . . . . . . . . . . . . . . .2 Gloag, Kenneth . . . . . . . . . . . . . . . . . . . . . . .13 Global Minstrels . . . . . . . . . . . . . . . . . . . . . . . .8 Global Music Industry, The . . . . . . . . . . . . . . .15 Global Pop . . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Glover, Tony . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Goertzen, Chris . . . . . . . . . . . . . . . . . . . . . . .19 Goodhart, Sandor . . . . . . . . . . . . . . . . . . . . .17 Goodwin, Andrew . . . . . . . . . . . . . . . . . . . . . .3 Gordon, Peter . . . . . . . . . . . . . . . . . . . . . . . . .14 Guitar Tunings . . . . . . . . . . . . . . . . . . . . . . . .15 Gustav and Alma Mahler, Second Edition . . . .21

H Hall, Charles John . . . . . . . . . . . . . . . . . . . . . .20 Handful of Keys . . . . . . . . . . . . . . . . . . . . . . . .5 Handmade Electronic Music . . . . . . . . . . . . . .10 Hansen, Colin . . . . . . . . . . . . . . . . . . . . . . . . .10 Harpsichord and Clavichord, The . . . . . . . . . .21 Heaton, Roger . . . . . . . . . . . . . . . . . . . . . . . .21 Hebdige, Dick . . . . . . . . . . . . . . . . . . . . . . . . . .3 Hefling, Stephen . . . . . . . . . . . . . . . . . . . . . .12 Herman, Jerry . . . . . . . . . . . . . . . . . . . . . . . . .17 Hill, Brad . . . . . . . . . . . . . . . . . . . . . . . . . . . .10 Hodson, Robert . . . . . . . . . . . . . . . . . . . . . . . .4 Hoffmann, Frank . . . . . . . . . . . . . . . . . . .20, 21 Holloway, John . . . . . . . . . . . . . . . . . . . . . . . .14 Holmes, Thom . . . . . . . . . . . . . . . . . . . . . .9, 10 Houseman, Barbara . . . . . . . . . . . . . . . . . . . .18 How To Play Classic Jazz Guitar . . . . . . . . . . .15 Hugill, Andrew . . . . . . . . . . . . . . . . . . . . . . . . .9 Huismann, Mary L. . . . . . . . . . . . . . . . . . . . . .22 Hull, Geoffrey . . . . . . . . . . . . . . . . . . . . . . . . .16 Hutcheon, Linda . . . . . . . . . . . . . . . . . . . . . . .18

I Index to Poetry in Music . . . . . . . . . . . . . . . . .21 Interaction, Improvisation, and Interplay in Jazz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Interpreting Mozart . . . . . . . . . . . . . . . . . . . .12 Is Jazz Dead? . . . . . . . . . . . . . . . . . . . . . . . . . .5 Is Rock Dead? . . . . . . . . . . . . . . . . . . . . . . . . . .3 Issues in Music Teaching . . . . . . . . . . . . . . . . .16

J Jackie Wilson . . . . . . . . . . . . . . . . . . . . . . . . . .3 Jackson, Bruce . . . . . . . . . . . . . . . . . . . . . . . . .5 Jackson, Roland . . . . . . . . . . . . . . . . . . . . . . .21 Jarman-Ivens, Freya . . . . . . . . . . . . . . . . . . . . .2 Jasen, David A. . . . . . . . . . . . . . . . . . . .5, 20, 21

Jazz . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Jazz: the Basics . . . . . . . . . . . . . . . . . . . . . . . . .4 Jenness, David . . . . . . . . . . . . . . . . . . . . . . . .17 Jerry Herman . . . . . . . . . . . . . . . . . . . . . . . . .17 Jesus Dub . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 John Coltrane Reference, The . . . . . . . . . . . . . .4 Johnson, Steven . . . . . . . . . . . . . . . . . . . . . . .15 Jones, Gene . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Judd, Cristle Collins . . . . . . . . . . . . . . . . . . . .15

K Kaeppler, Adrienne . . . . . . . . . . . . . . . . . . . . .19 Karlin, Fred . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Kassel, Richard . . . . . . . . . . . . . . . . . . . . . . . .21 Katz, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Kayes, Gillyanne . . . . . . . . . . . . . . . . . . . . . . .18 Keyboard Music Before 1701 . . . . . . . . . . . . .12 Keyboard Music of J.S. Bach, The . . . . . . . . . .12 Kipnis, Igor . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Kitts, Thomas M. . . . . . . . . . . . . . . . . . . . . . . .1 Komara, Edward . . . . . . . . . . . . . . . . . . . . . . .20 Koskoff, Ellen . . . . . . . . . . . . . . . . . . . . . . .9, 19 Kostelantz, Richard . . . . . . . . . . . . . . . . . . . . .14 Kotarba, Joe . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Krims, Adam . . . . . . . . . . . . . . . . . . . . . . . . .18

L Language of the Modes, The . . . . . . . . . . . . .11 Lasser, Michael . . . . . . . . . . . . . . . . . . . . . . . .17 Later English Broadside Ballads . . . . . . . . . . . .14 Lawrence, A.H. . . . . . . . . . . . . . . . . . . . . . . . . .5 Learning to Teach Music in the Secondary School . . . . . . . . . . . . . . . . . . . .16 Lee, Douglas . . . . . . . . . . . . . . . . . . . . . . . . .14 Lerner, Neil . . . . . . . . . . . . . . . . . . . . . . . .13, 19 Liturgy and Contemplation in Byrd’s Gradualia . .14 Lochhead, Judy . . . . . . . . . . . . . . . . . . . . . . .14 Lost in the Grooves . . . . . . . . . . . . . . . . . . . . .3 Love, J.W. . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Luck’s in My Corner . . . . . . . . . . . . . . . . . . . . .5 Lydon, Michael . . . . . . . . . . . . . . . . . . .3, 15, 16

M Macdonald, Claudia . . . . . . . . . . . . . . . . . . . .15 Making of the Sound of Music, The . . . . . . . .17 Mandel, Howard . . . . . . . . . . . . . . . . . . . . . . .4 Marcus, Scott . . . . . . . . . . . . . . . . . . . . . . . . .19 Mark, Michael . . . . . . . . . . . . . . . . . . . . . . . .15 Marsh, Dave . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Marshall, Lee . . . . . . . . . . . . . . . . . . . . . . . . .16 Marshall, Robert . . . . . . . . . . . . . . . . . . . . . . .12 Master Musicians of India . . . . . . . . . . . . . . . . .8 Masterworks of 20th-Century Music . . . . . . .14 Mathews, Paul . . . . . . . . . . . . . . . . . . . . . . . .11 Maultsby, Portia K. . . . . . . . . . . . . . . . . . . . . . .9 Maurice Ravel . . . . . . . . . . . . . . . . . . . . . . . . .22 McCalla, James . . . . . . . . . . . . . . . . . . . . . . .12 McCarthy, Kerry . . . . . . . . . . . . . . . . . . . . . . .14 McNeil, W.K. . . . . . . . . . . . . . . . . . . . . . . . . .20 Meadows, Eddie S. . . . . . . . . . . . . . . . . . . . . .22 Mediterranean Mosaic . . . . . . . . . . . . . . . . . . .9 Meeder, Christopher . . . . . . . . . . . . . . . . . . . . .4 Mendelssohn Essays . . . . . . . . . . . . . . . . . . . .12 Microphone Fiends . . . . . . . . . . . . . . . . . . . . . .3 Middleton, Richard . . . . . . . . . . . . . . . . .4, 9, 19 Miles, Ornette, Cecil . . . . . . . . . . . . . . . . . . . . .4 Miller, Terry . . . . . . . . . . . . . . . . . . . . . . . . .6, 19 Mind Models . . . . . . . . . . . . . . . . . . . . . . . . .10 Mockus, Martha . . . . . . . . . . . . . . . . . . . . . . .13 Monson, Ingrid . . . . . . . . . . . . . . . . . . . . . . . . .9 Montgomery, Alan . . . . . . . . . . . . . . . . . . . . .18

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24

INDEX

Movie Music, The Film Reader . . . . . . . . . . . .19 Muller, Carol A. . . . . . . . . . . . . . . . . . . . . . . . .7 Music and Copyright . . . . . . . . . . . . . . . . . . .16 Music and Urban Geography . . . . . . . . . . . . .18 Music Cultures in the United States . . . . . . . . .9 Music Education . . . . . . . . . . . . . . . . . . . . . . .15 Music Genres and Corporate Cultures . . . . . . .3 Music in the Post-9/11 World . . . . . . . . . . . . . .1 Music with the Under-Fours . . . . . . . . . . . . . .16 Musical Visitors to Britain . . . . . . . . . . . . . . . .14 Musicology: The Key Concepts . . . . . . . . . . . .13

N Neal, Mark Anthony . . . . . . . . . . . . . . . . . . . . .4 Negus, Keith . . . . . . . . . . . . . . . . . . . . . . . . . .3 Nettl, Bruno . . . . . . . . . . . . . . . . . . . . . . . . . .19 New York Schools of Music and the Visual Arts, The . . . . . . . . . . . . . . . . . . . . . . . . . . .15 Nicholson, Stuart . . . . . . . . . . . . . . . . . . . . . . .5 Nicolas Slonimsky: Writings on Music . . . . . . .14 Noise Control . . . . . . . . . . . . . . . . . . . . . . . . .10 Nyre, Lars . . . . . . . . . . . . . . . . . . . . . . . . . . . .10

O O’Donnell, Jim . . . . . . . . . . . . . . . . . . . . . . . . .2 Oh Boy! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Oliver, Paul . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Olivier Messiaen . . . . . . . . . . . . . . . . . . . . . . .21 Olmstead, Andrea . . . . . . . . . . . . . . . . . . . . .13 Olsen, Dale . . . . . . . . . . . . . . . . . . . . . . . . .6, 19 On Record . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 On the Track . . . . . . . . . . . . . . . . . . . . . . . . . .16 O’Neal, Jim . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Opera Coaching . . . . . . . . . . . . . . . . . . . . . . .18 Opera: The Basics . . . . . . . . . . . . . . . . . . . . . .17 Operetta . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Orchestration . . . . . . . . . . . . . . . . . . . . . . . . .11 Organ, The . . . . . . . . . . . . . . . . . . . . . . . . . . .21

P Palmieri, Robert . . . . . . . . . . . . . . . . . . . . . . .21 Pankhurst, Thomas . . . . . . . . . . . . . . . . . . . . .11 Parker, Mara . . . . . . . . . . . . . . . . . . . . . . . . . .22 Parker, Mary Ann . . . . . . . . . . . . . . . . . . . . . .22 Pegg, Bruce . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Pegolotti, James . . . . . . . . . . . . . . . . . . . . . . .12 Pendle, Karin . . . . . . . . . . . . . . . . . . . . . . . . .22 Percussionists’ Guide to Injury Treatment and Prevention, The . . . . . . . . . . . . . . . . . . .16 Performance Practice . . . . . . . . . . . . . . . . . . .21 Perrone, Charles A. . . . . . . . . . . . . . . . . . . . . .9 Philpott, Chris . . . . . . . . . . . . . . . . . . . . . . . .16 Piano, The . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Pilsbury, Glenn . . . . . . . . . . . . . . . . . . . . . . . . .3 Plantenga, Bart . . . . . . . . . . . . . . . . . . . . . . . . .4 Plastino, Goffredo . . . . . . . . . . . . . . . . . . . . . .9 Playing the Violin . . . . . . . . . . . . . . . . . . . . . .16 Plummeridge, Charles . . . . . . . . . . . . . . . . . .16 Pollock, Bruce . . . . . . . . . . . . . . . . . . . . . . . . .21 Popular Music and Society . . . . . . . . . . . . . . . .3 Popular Music Studies Reader, The . . . . . . . . . .3 Popular Music: The Key Concepts . . . . . . . . . . .2 Porter, James . . . . . . . . . . . . . . . . . . . . . . . . .19 Porter, Lewis . . . . . . . . . . . . . . . . . . . . . . . . . . .4 Post, Jennifer C. . . . . . . . . . . . . . . . . . . . . .8, 22 Postmodern Music/Mostmodern Thought . . . .14 Provine, Robert C. . . . . . . . . . . . . . . . . . . . . .19 Puchowski, Doug . . . . . . . . . . . . . . . . . . . . . . .6 Punk Rock: So What? . . . . . . . . . . . . . . . . . . . .3

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T

Z

Queering the Pitch . . . . . . . . . . . . . . . . . . . . .13 Queering the Popular Pitch . . . . . . . . . . . . . . . .2 Quereshi, Regula Burkhardt . . . . . . . . . . . . . . .8

Taft, Michael . . . . . . . . . . . . . . . . . . . . . . . . . .5 Talkin’ to Myself . . . . . . . . . . . . . . . . . . . . . . . .5 Taylor, Timothy D. . . . . . . . . . . . . . . . . . . . . . . .8 Teaching Music in Secondary Schools . . . . . . .16 Teenage Nervous Breakdown . . . . . . . . . . . . .19 That’s the Joint! . . . . . . . . . . . . . . . . . . . . . . . .4 Thaut, Michael H. . . . . . . . . . . . . . . . . . . . . . .10 Theory of Adaptation, A . . . . . . . . . . . . . . . . .18 Tin Pan Alley . . . . . . . . . . . . . . . . . . . . . . . . .21 Todd, R. Larry . . . . . . . . . . . . . . . . . . . . . . . . .12 Tokumaru, Yosihiko . . . . . . . . . . . . . . . . . . . .19 Tonal Structures in Early Music . . . . . . . . . . . .15 Toynbee, Jason . . . . . . . . . . . . . . . . . . . . . . . . .3 Trance Formation . . . . . . . . . . . . . . . . . . . . . . .4 Traubner, Richard . . . . . . . . . . . . . . . . . . . . . .17 Turbet, Richard . . . . . . . . . . . . . . . . . . . . . . . .22

Zank, Stephen . . . . . . . . . . . . . . . . . . . . . . . .22

R Ray Charles . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Ray Davies . . . . . . . . . . . . . . . . . . . . . . . . . . . .1 Reading Stephen Sondheim . . . . . . . . . . . . . .17 Recording Industry, The . . . . . . . . . . . . . . . . .16 Representing African Music . . . . . . . . . . . . . . .9 Revisiting Music Theory . . . . . . . . . . . . . . . . .11 Reynolds, Dwight . . . . . . . . . . . . . . . . . . . . . .19 Reynolds, Roger . . . . . . . . . . . . . . . . . . . . . . .10 Rhythm, Music, and the Brain . . . . . . . . . . . .10 Rice, Timothy . . . . . . . . . . . . . . . . . . . . . . . . .19 Ritter, Jonathan . . . . . . . . . . . . . . . . . . . . . . . .1 Robert Schumann and the Development of the Piano Concerto . . . . . . . . . . . . . . . . .15 Robins, Wayne . . . . . . . . . . . . . . . . . . . . . . . . .1 Rock History Reader, The . . . . . . . . . . . . . . . . .1 Rock Song Index . . . . . . . . . . . . . . . . . . . . . . .21 Roger Sessions . . . . . . . . . . . . . . . . . . . . . . . .13 Rose, Tricia . . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Ross, Andrew . . . . . . . . . . . . . . . . . . . . . . . . . .3 Routledge Guide to Broadway . . . . . . . . . . . .17 Routledge Guide to Music Technology, The . .10 Ruhlmann, William . . . . . . . . . . . . . . . . . . . . . .3 Rush, Mark . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Rycenga, Jennifer . . . . . . . . . . . . . . . . . . . . . . .2

S Sabin, Roger . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Saffle, Michael . . . . . . . . . . . . . . . . . . . . . . . .22 Sandberg, Larry . . . . . . . . . . . . . . . . . . . . . . .15 SchenkerGUIDE . . . . . . . . . . . . . . . . . . . . . . .11 Schulenberg, David . . . . . . . . . . . . . . . . . . . .12 Sekine, Naoki . . . . . . . . . . . . . . . . . . . . . . . . .15 Selected Writings of Max Reger . . . . . . . . . . .15 Shahriari, Andrew . . . . . . . . . . . . . . . . . . . . . . .6 Shank, Barry . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Sharp, Avery T. . . . . . . . . . . . . . . . . . . . . . . . .22 Sheehy, Daniel . . . . . . . . . . . . . . . . . . . . . .6, 19 Shipton, Alyn . . . . . . . . . . . . . . . . . . . . . . . . . .5 Shuker, Roy . . . . . . . . . . . . . . . . . . . . . . . . .2, 3 Silbiger, Alexander . . . . . . . . . . . . . . . . . . . . .12 Singer’s Companion, The . . . . . . . . . . . . . . . .18 Singing and Acting Handbook, The . . . . . . . .18 Singing and the Actor . . . . . . . . . . . . . . . . . .18 Singing For Life . . . . . . . . . . . . . . . . . . . . . . . .9 Singing With Your Own Voice . . . . . . . . . . . .18 Situating Salsa . . . . . . . . . . . . . . . . . . . . . . . . .9 Skilbeck, Nicholas . . . . . . . . . . . . . . . . . . . . . .18 Slonimsky, Nicolas . . . . . . . . . . . . . . . . . .13, 14 Slonimsky’s Book of Musical Anecdotes . . . . .13 Smay, David . . . . . . . . . . . . . . . . . . . . . . . . . . .3 Songwriting Success . . . . . . . . . . . . . . . . . . . .16 Sound Media . . . . . . . . . . . . . . . . . . . . . . . . .10 Sound Tracks . . . . . . . . . . . . . . . . . . . . . . . . . .3 Sounding Off: Theorizing Disability in Music . .13, 19 Sounding Out: Pauline Oliveros and Lesbian Musicality . . . . . . . . . . . . . . . . . . . .13 Speak it Louder . . . . . . . . . . . . . . . . . . . . . . . .5 Spiller, Henry . . . . . . . . . . . . . . . . . . . . . . . . . .7 Spreadin’ Rhythm Around . . . . . . . . . . . . . . . .5 Sprice, Gary . . . . . . . . . . . . . . . . . . . . . . . . . .16 Stohrer, Sharon L. . . . . . . . . . . . . . . . . . . . . . .18 Stone, Ruth M. . . . . . . . . . . . . . . . . . . . . . .6, 19 Straus, Joseph . . . . . . . . . . . . . . . . . . . . .13, 19 String Quartets . . . . . . . . . . . . . . . . . . . . . . . .22 Successful Singing Auditions . . . . . . . . . . . . .18 Sylvan, Robin . . . . . . . . . . . . . . . . . . . . . . . . . .4

U Understanding Popular Music Culture . . . . . . .3

V van Singel, Amy . . . . . . . . . . . . . . . . . . . . . . . .5 Vaudeville, Old and New . . . . . . . . . . . . . . . .20 Velsey, Donald . . . . . . . . . . . . . . . . . . . . . . . .17 Versatile Clarinet, The . . . . . . . . . . . . . . . . . . .21 Violin, The . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Virtual Music . . . . . . . . . . . . . . . . . . . . . . . . .10 Voice of the Blues, The . . . . . . . . . . . . . . . . . . .5 Voicing the Popular . . . . . . . . . . . . . . . . . .4, 19

W Wald, Elijah . . . . . . . . . . . . . . . . . . . . . . . . . . .8 Walley, David . . . . . . . . . . . . . . . . . . . . . . . . .19 Warwick, Jacqueline . . . . . . . . . . . . . . . . . . . . .2 Washburne, Christopher J. . . . . . . . . . . . . . . . .3 Waxer, Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . .9 Webb, Peter . . . . . . . . . . . . . . . . . . . . . . . . . . .2 Weeks, Todd Bryant . . . . . . . . . . . . . . . . . . . . .5 Wegman, Rob C. . . . . . . . . . . . . . . . . . . . . . .13 Weissman, Dick . . . . . . . . . . . . . . . . . . . . .4, 15 Whiteley, Sheila . . . . . . . . . . . . . . . . . . . . . . . .2 Wiering, Frans . . . . . . . . . . . . . . . . . . . . . . . .11 Wilk, Max . . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Wilkins, Margaret Lucy . . . . . . . . . . . . . . . . . .11 William Byrd . . . . . . . . . . . . . . . . . . . . . . . . . .22 Williams, Sean . . . . . . . . . . . . . . . . . . . .6, 8, 19 Witzleben, J. Lawrence . . . . . . . . . . . . . . . . . .19 Women in Music . . . . . . . . . . . . . . . . . . . . . .22 Wong, Deborah . . . . . . . . . . . . . . . . . . . . . . . .5 Wood, Elizabeth . . . . . . . . . . . . . . . . . . . . . . .13 Words and Songs of Bessie Smith, Billie Holiday, and Nina Simone . . . . . . . . . . . . . . .5 Workman, Dr. Darin “Dutch” . . . . . . . . . . . . .16 World Music . . . . . . . . . . . . . . . . . . . . . . . . . . .6 Wright, Rayburn . . . . . . . . . . . . . . . . . . . . . . .16

Y Year with the Producers, A . . . . . . . . . . . . . . .17 Yodel-Ay-Ee-Oooo . . . . . . . . . . . . . . . . . . . . . .4 Young, Susan . . . . . . . . . . . . . . . . . . . . . . . . .16 Yourke, Electra . . . . . . . . . . . . . . . . . . . . . . . .14

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